crmenterprisespvt

[ambrosykim]

local woman told to stop swearing at work, 263 injured 31 dead

[hinamie]

binding vow

[makanidotdot]

ELUNE CONVO FIX IT part 1

i did it i finished!! finished enough anyway

How about instead of Tyrande getting possessed by Elune, we actually got to see them have a conversation about why tf she won't let her kill sylvanas!!! And get some real payoff for all the "hmm something's off about Elune"!! And more!!

Warning this one is long and boring. part 2 is way better lol

sry she should more serious here but w/e we're just going with 'angy' lol

i think i drew these same poses in the sylvanas one lol oop sry my brain library is not vast

ok one thing i added at the last second was elune is like pulling from tyrande's personal elune power to get her real form back to properly tell winter queen to fuck off. and that's why tyrande looks like she has spider webs on her it's just glowy elune magic

and then winter queen does go fuck off bc i didn't want to draw her anymore

End of part 1!! Also when tyrande is watching elune and WQ yell at each other I imagine it like a kid watching their mom get in a fight at the grocery store or smt lol

[unproduciblesmackdown]

Lackadaisy Enrichment

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this

[xxplastic-cubexx]

was talking to my brother the other day after i rewatched dark phoenix and he was like 'why is everyone so mean to charles in this movie?? were they always this mean to him ?? is it cause he's bald now- he lost his pretty privilege??' and i fear i havent recovered

[red-moon-at-night]

okay the whole vase is great but something about Helen sitting on Aphrodite's lap as she wraps one arm around her shoulder and brushes her leg with her hand, staring into her eyes like that... as she is persuading Helen to go with Paris (while Peitho aka persuasion stands behind them) is so incredibly iconic.

and gay. toxic yuri, if you will.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[itseghost]

sketch of my warden :] really enjoying origins so far

[roobiedo]

Made this for the Solarpunk Aesthetic Week server in a sudden creative fever, so I guess I'll post it here too hh

A relative of mine knows someone who teaches kids, so I'm gonna suggest this as an art project for them! The idea is that students could each make/decorate their own shelf, then put them together to form a hive, which could function as mini lockers in their classrooms. Then, by the end of the school year or something, they could either take their own little shelf home (or exchange them with their peers?), or recycle them into materials for the next class! Hopefully it'll teach them about pollinators too 🐝

Idk how doable this project is really, and its scary to imagine one of my silly designs could actually become something tangible irl. But even so, I'm still excited to try 🥰 (And if anyone else attempts this too, please let me know!!!)

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[illuteridae]

really enjoyed demonology by @mouseonamoose , drew this to tie me over until the next chapter of angel-centered therapy

[dawnthefluffyduck]

Crazy issues that come up when a character is written a little too well

[mamawasatesttube]

i am going to say something that is . well i don't think it's controversial in that i don't think it has been said enough to cause controversy to begin with but skjdfhjds listen. hear me out

tim/ber/kon <<<<<<<<< timiveskon

on the one hand you have an uphill battle to convince me why these characters would even give a shit about each other (plus i mean megfitz massacred their characterizations and thats a whole extra mess) and generally it just reads to me as just treating kon as tim's spare love interest uwu without any care about his character.

but on the OTHER HAND.... timiveskon? chefs kiss. kon and ives are instantly bonding over nerdisms. they are both standing on the table and yelling about the rereleased edition of return of the jedi and kon is going on about how he has the original literally downloaded into his brain and ives thinks that's the sexiest thing he's ever heard and tim is just sitting there consumed by lust while they both yell about greedo. it practically writes itself. come on

[allthepandasintheworld]

i think the most fun thing about pocket (other than being a pocket main of course) is that im pretty sure i've been training my entire life specifically to draw this little goober. like im pretty sure they were entirely made specifically to my tastes and i love with video games do that for me thank you valve thank you deadlock

[thegreatyin]

this nemesis ambition started out a little slow but I am getting closer to finding that bastard who killed my wife, and I’ll not rest a minute now that im far closer to on his trail

sorry got in character for a second

Anyways fun ambition so far very fucked up though

congratulations on joining the murder club anon!!!! depending on who you ask the name refers to either people who have murdered or people who have witnessed murder. usually both. actually extremely often both. it's a swell time you'll feel right at home (don't mind our collective skyglass knife collection in the back)