#ANYWAY. rant over. for now.

[uncanny-tranny]

Fiber arts (crochet and knit, especially) tip I found helpful: It's great to be a yarn snob, but first, find what you actually like to work with. When you're beginning, you might be working with acrylic, and that's fine. There are plenty of great options for acrylic, and even that one material can be vastly different between brands (honestly, I think people don't recognize this enough! Acrylics are actually a diverse material!). However, you might like working with other materials more as you progress, and it's good to see what you'll like! I've been working with 100% cotton recently, and I really, really like it - much moreso than the acrylic I bought when I first crocheted, and I never knew that I would have liked it more.

It's okay to work with whatever you can, especially when it's your only option. When you get the chance, though, think about some things you like in a material. What textures do you like? What colour options do you prefer (bright/muted/natural)? What is realistic for you when it comes to caring for your projects once they're done? These are all important, and they're things that are specific for you. There is no such thing as a "bad material," only materials you like and want to use. It can be intimidating to feel like you're not at this pristine place of yarn-snobbery, but truthfully: it doesn't matter as long as you make things that you like, and being able to explore what you like can be really helpful.

[thismoleculeisacomedian]

I'm not sure which gross misinterpretation of a famous song grinds my gears more, the assumption that "Born In the USA" is a rah-rah hyper patriotic song, or the assumption that "Hallelujah" is a Christmas song.

[that1notetaker]

I love prophecies and the battle of Bond of Choice versus Bond of Obligation.

[eldritch-ace]

I need more bestie Will and Bev content so I make it myself. They are the only cool people to ever exist in the FBI.

Also the Fred(dies) whom I despise (I love them with my whole heart). They are my favorite AO3 authors.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[ricky-mortis]

Have some Ted doodles- as a treat.

[queenlucythevaliant]

Just to clarify my thoughts (since I've had a number of people ask me about it) re: Job and cursing God. There's a big difference between cursing God as used in Scripture and how we generally would think of cursing at God today.

Cursing someone, in the Bible, has a lot of depth to it. It's not just saying "screw you " in anger, it's got a sense of forsakenness to it. It's the opposite of a blessing, a removal of blessing. If the blessing is presence, your face shining on the person you're blessing, then a curse is absence. In some translations, Job's wife tells him to "renounce God and die," which I honestly think makes a lot more sense to modern ears.

Job says a lot of unpleasant things to and about God in his anger and grief. So do the Psalmists. A number of the Prophets. So can we. God can take it if we come to him with honest expressions of our emotion, including those not-so-nice ones directed at him. I don't think there's anything wrong with getting mad at God and saying, "How dare you, you bastard" when you suffer unjustly. You can say much worse, I think, without sinning, though I don't feel particularly inclined to give examples. But as long as it's an honest expression of your heart, I think you're doing exactly what prayer is for. You're presenting him your heart with an open hand. He can use that. Opposite of love is not hate but indifference, etc.

Job doesn't renounce God. Neither should we. But I think when you're truly suffering, you're gonna have those feelings toward God either way. He'd rather you address them with him directly than try to avoid them. Cursing at God in the modern sense is actually a great way to keep the relationship strong and not end up cursing/renouncing him in the Biblical sense.

[triglycercule]

can the mtt commit more crimes that just murder please i know theyre the MURDER time trio but ppppleasse,,,, please,,,,,,

they'd be terrible to be next to on the highway. horror's going 160 mph amd has long past gone over the speed limit. dust's out for BLOOD and by blood i mean your tires. he's somehow sniping those round rubber wheels from the high moving vehicle with the precision of a master fruit ninja player. if your car explodes or flips over in the process that's not his fault. and then to make matters worse for everyone on the highway killer's in the backseat scratching up the doors and windows of your car with a knife everytime horror gets close to another car and oops he accidentally just disfigured your face also did i mention theyre all drunk during this

ok so theyve all got the classic face WHY DONT THEY ABUSE IT!!!! horror gets to do a little paper mache to cover up his head hole and then wearing glasses. killer i dont know what the FUCK he can do to get rid of his perpetual tears but let's just pretend that theyre conveniently gone for now. and then all dust has to do is put down his hood! anyways identity theft is cool. imagine how much they could totally fuck up classic's reputation with this. set up fake tinder profiles and then scam people for their credit card info/free dates (while ordering every expensive thing) and stealing wallets. walking into various grillby's's around the multiverse and telling terrible jokes. like ACTUALLY bad jokes. and then of course just being a huge piece of shit at the bar. god theres so many things they could do pretending to be classic. which one of us is hikaru looking ahh except the only difference between the three is the color of the stains on their clothes (either gray (dust) black (killer) or red. well faded red (horror))

ROBBERY!!!! ROBBERIES PLURAL!!!??? train robbery gas station robbery bank robbery GOVERNMENT robbery (what would you rob the government for?? documents??? idk) anyways. mtt robbing a train except its just a really shitty plan and they dont know jackshit about what theyre doing. killer's taken over the conductor's cabin and now he is booking it. how fast are trains allowed to go idk but the maximum. anyways meanwhile horror's on the tracks fucking up the rails with his strength or whatever (listen i know he's weak but picking and choosing what hcs i believe in is my art) and dust is there to teleport him away before the train crashes into him and turns him into a trolley problem victim. and then of course that shit doesnt fucking work and the train just ends up flipping over and catching on fire or something (killer survives because of course he does he's killer). and then in the end dust just has to flip the entire train over and they just stroll into the part that actually HAS the money

and then they go out and get ice cream. sometimes the murderers need to take a break from murdering and just do NORMAL crime yk???

[biblically-accurate-dca]

moon n ballora

[chaggiehearts]

Do people still use this kind of templates?

Anyway, my Chaggie headcanons :) disclaimer that this is just the way I interpret them, it’s 100% okay to disagree lol

[kaleidoscopeminds]

♡ ⋆｡˚ ❀

[throughinktosecondpage]

WAKE UP BABE‼️‼️

THE MIRROR AND THE LIGHT SOUNDTRACK JUST DROPPED‼️‼️

[eggsistential-breakdown]

Ian and the twice-divorced gray-eyesed rift Ian from the first chapter of @reblogincarnation-blues's fic!

anyways the closest experience I've had to the the feeling of reading the second chapter is taking my roommate to the ER for four hours for suspected appendicitis only to come back with a UTI diagnosis and an antibiotic prescription. and it breaks your one year streak of roommates getting appendicitis. in a good way.

[wren-of-the-woods]

I've been seeing a lot of posts lately talking about how no one comments/reblogs/replies/etc anymore, and, as someone who comments regularly on a lot of fanworks, it sometimes makes me wonder if my efforts are worth anything. Then I remember how much happiness I get from comments on my own work/posts and how much the community of fandom can matter, and I remember the power that can be found in spreading joy instead of disappointment.

So -- to everyone who comments on fanfiction: thank you. You make the writing process worthwhile and so very rewarding. You make people happy every day.

To all the people who reblog art and gifsets and meta and anything else with enthusiastic tags: thank you. You make people smile and promote interesting conversations and make being on Tumblr so much more fun.

To anyone who sends people asks about their works, whether it's unprompted or part of an ask game: thank you. You give people reasons to talk about things they love and feel like a part of a community.

To the people who makes reclists: thank you. You give us more to read while showing the author how much their work is loved and appreciated, benefitting so many people.

To everyone who organizes events and groups and blogs and dedicated to fandom: thank you. You build community and love and excitement so effectively and it's wonderful.

To all the authors and artists who respond to comments and build community: thank you. You make people smile with your work and then again with your response.

To everyone who contributes to fandom and community in all the other beautiful, varied ways that I can't even begin to list: thank you. You are why we're here.

And, finally, to every writer, visual artist, gifmaker, cosplayer, maker of edits, writer of meta, or creator of art in any other form: thank you. Your work is wonderful and you make fandom what it is, regardless of who sees your art or how much response you recieve.

Keep going, everyone. You are a part of something beautiful.

[bromcommie]

so I was digging through the Vast Legally Grey Junkyards of the Internet in search of better quality footage from AoU for my edits, specifically the scene with the CA FASCIST grafitti in Sokovia—which I unfortunately didn't find, but what I DID find was a bunch of deleted/expanded scenes that I didn't know/didn't care enough to pay attention to before. Which is fine. Most of it is techno babble and rushed plot setup. However. This stupid-ass ten second clip makes me literally insane. It makes me. Want to kill and maim and chew on the bars of my enclosure. And not in the sense that the contents make me oh-so-emotional, but because the potential of them could. Because what do you mean.

What do you mean those four and a half lines were cut for pacing/time when it's a ten second difference and the rest of the scene is in the film anyway. What do you mean you cut it because it didn't fit the narrative. It's literally couched in two minutes of plot it could've been so easy to slip it in there. A passing reference that would add at least a smidgen of depth to both the (already fucking incomprehensible) plot + politics of the antagonists, and to one of the main fucking characters. Like you were SO close what do you mean you cut every feeble attempt that was made to scratch the surface of Steve's character outside the whole nightmare scene we're supposed to feel so bad about what do you MEAN.

The fact that this minimal exchange—paired with that graffiti scene where Steve is confronted with the actual legacy of Captain America and what he's come to mean to people around the world and then quite physically discards the identity + him still circling back to the mantle at the end of the film anyway because he doesn't know how to do or be anything else, feels like he's too changed for this idea of a normal life that stems from before the war and the ice and doesn't know how to live without carrying that, without being useful in this one specific way—has more meat on its bones in the whole lead up to Civil War and ultimately Endgame than half of this movie's sledgehammer-over-the-head lines about home and family with Barton's kids laughing in the background or whatever like some fucked up C list hallmark movie is downright infuriating to me because like. You clearly thought about it. It passed through your head. You wrote some version of it into the scene. You shot it and edited it and watched it a few times and then you went "nah off it goes to the cutting room floor, we have enough of that. Add those seven and a half seconds to the 20-minute long, entirely CGI Hulk sequence, that we need more of. Surely that will fix the pacing issue".

Side note: this is me not even getting into the fact that, at this point in the franchise, this would have been one of the few lines we'd get of Maria actually saying something or interacting with anyone in a way that is even marginally removed (which this barely is) from simply delivering plot information. This is the only time we kinda get her view on something or even an inkling that she used to be a goddamn intelligence agent. And how that history informs her view of the situation and how it could possibly clash with Steve's own. And that woman is in every fucking movie. (Not to mention the fact that the two of them were just in a movie together, for Christ's sake, and going through something together you could pretty fairly characterize as traumatic and bond-inspiring to boot—and in AoU we can barely tell they even know each other. I mean the bar is so low and they still managed to limbo right under it.)

[thisuserdead]

Thinking about how Neil and Andrew both helped each other to build a possible future for themselves both as individuals and as a couple.

They just came into each other's lives and completely upended them by offering honesty and trust.

Andrew offered Neil stability, protection, a home ("you gave me a key and called it home"), the prospect of not having to run anymore, of actually achieving his dreams and not ending up dead in a ditch at 18. He helped Neil build a new identity from the ground up that was just and truly Neil. (Not to discredit the part that the other foxes played in the last part!!)

In return Neil gave Andrew something to live for in the form of fixing his relationship with his cousin and brother so that he wouldn't end up alone after graduation. He made Andrew care about exy enough to make it into a career (even if it's just a little bit). He gave Andrew understanding when everyone else brushed him off and was prepared to go against everything that he's ever been taught about getting close to people, about saying the truth, about telling people who he is and just trusting people.

Andrew also gave his trust to Neil every time he did what Neil asked him to, every time he offered Neil a hard truth. Trusting that Neil wouldn't use it against him, wouldn't tell him it was all a misunderstanding. My boy put his stone cold lump of a heart in Neil's hands and trusted Neil not to squeeze.

Don't get me wrong, they're not beating the codependency allegations until they've lived apart. After Andrew's graduation. It's difficult, it's hell. But if Nora's ec says they make it, then I have faith that by the time they're living together again, their nothing will have turned into something else just as precious if not more.