#ANYWAY THANK U SO MUCH FOR ASKING

[dishesoap]

who are your ttrpg blorbos i LOVE hearing abt ttrpg blorbos...

omg ok im gonna try to keep this short or else ill write a whole novel but

In Monster of the Week:

Sunny (Sunsheighne Lydeighah Suarez) is a Monster of the Week character. She's 22 and bubbly and petty and and so, so, so, so, so, so stupid. Barbie Girl without the Barbie Accomplishments. Sunny started out as the Spooky playbook but has since migrated to the Chosen playbook - she's got the Green Dragon Crescent Blade and is maybe sort of the antichrist a little bit. She takes Every Drug. She's Mexican-Chinese and grew up in a trailer in Texas. She's so good at magic and hitting things, and so bad at thinking. She has phoenix ancestry and also was cursed. Normal girl things.

One of her moms is a failed country rock star and the other is a dragon. One of her dads is a cranky old monster hunter who turned into a god, and her sort-of other dad is a lich. Her brother has anxiety and is also a dragon, but is actually just a stressed college student with a band.

Sunny is engaged to a fae who is also Bees. She also has a girlfriend who is a crack shot and who enjoys accounting, and who we just unbrainwashed from a vampire tree. Sunny also has So many phone numbers.

Right now she's road tripping with her family (blood and adopted) across America as they break into the library of congress, try and fail to rob banks, and blow up a water tower to flood a town.

Sunny's ex-girlfriend was Audi Mercedes Windsor. Audi died, but Audi's fetch - her death omen, basically, like a changeling/copy only meant to survive til the original's death - survived, and got named Mercy Benjamin. I'm also playing Mercy - she's the Monstrous playbook.

Audi was the adopted daughter of an extremely rich film director, and most of Audi's life was filmed as she was trained very carefully to be picture perfect onscreen, and was exploited as basically a show dog. She was actually a mean selfish bitch, so Mercy is too - but Mercy is currently learning how to be a person and not an asshole. Audi was also in Sunny's brother's band, and Mercy in some canons is tentatively as well. She's roadtripping with the others, trying to avoid being noticed that she looks just like the dead rich girl splashed across billboards and magazines.

Jaime de Villiers is also one of my MotW characters in another campaign. They… are sort of three people fused into one. One of their component parts is a demon general named Kokabiel, who was the only true death in the war between heaven and hell. They wanted to be a perfect soldier and stand up for what they thought was right, as well as avenge their dead human spouse and child, but jumped in front of an attack meant for their commander and died, and became a ghost until summoned by their second component part by accident VERY long after, and the two fused.

Second component part is [redacted].

Their third part is a fae Spanish / French pirate from 1700's Spain, named Jaime de Villiers. The original Jaime served as first mate under the Kokabiel Fusion, they fell in love, and terrorized the coasts, but eventually Kokabiel Fusion and Jaime both nearly died and fused in order to save their lives. Now they are One Person with some very weird life experiences.

They've spent most of the last few thousand years at sea, trying desperately to be alone and Not Exist. Now they've been dragged kicking and screaming into a weird small Michigan town full of cults and secret police and monsters and witches and more, to be with their family (original Jaime's grandmother is a vampire and has a whole line of descendants who are wonderful and insane) and Be Helpful. Jaime is bearing the company and forced morality as best they can, and to their immense horror is actually starting to have a good time and learn to be happy again bc of their family. They accidentally stabbed their beloved cousin in the chest when they tried to kill The Actual Devil, but it's okay bc their cousin just became a goddess. Also they're now dating their old commander they died for, which is cool.

Another MotW character is Hector Carnage, who is a butch drummer in the up and coming band Bubblegum ☆ Carnage. She used to be a hockey player until a permanent hip injury screwed her out of her contract and now she's living her best life with her three insane bandmates. They’re about to play the weirdest craziest concert ever.

My last MotW character is Crescendo ‘Cres’ Flair, a.k.a Woebegone Lightfoot, a.k.a Harmony Caravaggio, a.k.a Beowulf Sublime, a.k.a Ophelia Divine, a.k.a - you get it. They go through new names every few months to Avoid the Government. They're a genderqueer Flake who uses they/he/she. He's also a sixty year old full out victorian goth with garrote wire and some wild conspiracy theories. Right now a hunter-for-hire, basically. She grew up on a dairy farm in Iowa.

Other than the MotW characters I'm playing now, I do have a scattered few others but I never did use them a whole lot. Here's a few,I can't remember all of them right now.

Daisy Smith is a fallen Aasimar who is sworn to defend all retail workers, is overly emotional and naive and genuinely kind/sweet, and also is a scary as hell warlock. Her patron is an eldritch horror of luck who looks like a bowling alley carpet.

Umami is a half-orc ranger with a panther familiar who I wanted to develop more but got shafted in the short campaign I got to play her and I'm still bitter about that.

At one point I had a rock dwarf who was a rockstar but I don't even remember her name. But I did love the concept.

And finally. Deco is my Baldurs's Gate character. Because I started playing Baldurs's Gate a week ago (no spoilers, please). That's basically a ttrpg. They're a Seldarine Drow, a druid from the circle of the spores. They became a druid because of the beauty they found in the Underdark nature, and because of their views on the beauty of death as a part of the circle of life and nature. Deco also is a decent leader, very forward, a little violent, and striving for true neutral if they can't hit neutral good. And they are absolutely going to smooch the shit out of Karlach.

Sunny (the second piece is a parody of Mucha's 'The Moon and the Stars')

Mercy (another Mucha parody piece)

Jaime (the second piece is a parody of Klimt's 'Water Serpents I')

and finally, Deco!

…that was kind of a novel. Sorry 😭

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[e1isyn]

to hold me like water,

or christ, hold me like a knife

[kandismon]

totally lore-accurate swanqueen screencap redraws 4/∞

they're on their first date :3c

[krazieka2]

I've played the Fire Emblem Husbando Dating Simulator Games

[javierduffy]

silly drawover because i missed them :]

[the-broken-pen]

Hey hey

Could you perhaps write a snippet where the building hero is in, gets bombed? Its bombed as an assassination attempt to get them, however the people in that building die and hero, succumbed to their injuries couldn't save everyone of them. At last they watched the last ambulance left without them, even as they called for help

Villians villa is just few kilometres away

Thankfu hero's legs aren't broken

They begin walking

The problem? Vil is way to composed and prim and perfect to let all of hero's blood get on their expensive carpets and fabrics. They could even be mad at the hero for reddening their porch if they hero stood their asking for bandages. What now? And the fight the two had yesterday that ended with "never see me again" and "don't ever talk to me"s.....vil was stopping hero from attending the event the building....

Will vil help them? They can just ask for bandages and leave.

What hero doesn't know: vil would literally destroy the world for hero, and there's no way in hell are they leaving hero on their doorstep.

(Anon you were cooking with this ask, thank you!)

The hero realized the building was going to explode a split second before it did, which wasn’t enough time to do anything other than brace.

They tensed, and there was a horrible screeching of metal and brick, followed by a deafening silence that covered them more completely than the rubble did.

The hero coughed once, weakly, pain rocketing through their chest, and shoved a piece of concrete off themself.

From somewhere else in the building, a soft, terrified wail began, broken around desperate sobs.

The hero coughed again, hand rising to their ribs. They didn’t have the energy to be surprised when their fingers came back coated in blood and dust. They grimaced at it, struggling to their feet–

And oh, god. That hurt.

The hero had a surgery once, the kind that resulted in bandages and a care regime and a set of stitches, and when they had woken up in the recovery unit, it had felt sort of like this. A moment of loopy half-awareness, and then a pain that had knocked the breath out of them, hands clenching into the sheets as a nurse tried to figure out if they needed more medication. 

This was worse. Their vision swam, and they blinked it back with a hiss.

Because someone, somewhere in the wreckage, was crying. And if one person was crying, it meant there was someone who survived. Which meant it was likely there were other survivors–ones too hurt to make any noise, ones knocked unconscious, ones still too shocked to do anything other than lay there–and it was the hero’s job to find them.

It took them far too long to locate the source of the crying. Longer to dig them out, vision going white as the person slammed into the hero’s chest in some facsimile of a terrified hug.

“You’re okay,” they managed, voice like gravel. “It’s okay. I’m going to get you out, and you’re going to be just fine. Were you with anyone?”

And then again, and again, and again.

The hero panted, hands on their knees as their body fought them in an attempt to just collapse onto the concrete below. They just–they just needed a minute. Just one, maybe, and then they could–

This time, the hero wasn’t even aware of it before it happened.

The remains of the building shook, then disintegrated into itself in a plume of dust and rock. The hero shielded their eyes with one hand, blinking against the onslaught.

What little air they had managed to get stuttered out of their lungs in something close to a sob. They had done this enough times to know there wasn’t anyone in that building left alive. 

They sagged down against the nearest thing–more rubble, maybe? They didn’t know–and this time when they rested a hand on their side, there was a considerably larger amount of blood.

“That’s…not great,” they said, and their fingers blurred in front of them slightly. There was an ambulance right there. Just a couple feet away. They had already helped most of the survivors, so maybe it would be okay for the hero to–

A paramedic rounded the back of the ambulance, and the hero lifted a hand, reaching–

“Please, wait, I think–I think,” it hurt coming out of their mouth, “help. Please I need–” they trailed off as the paramedic took the step up into the ambulance.

And closed the door behind them.

The hero wasn’t even that surprised when the ambulance began to drive away.

“Help,” they finished weakly, then sucked a breath in through their nose.

They were supposed to be good at this kind of thing. Surviving, no, thriving in catastrophe. A pillar of light. The one with the plan. 

The kind of being that didn’t beg for help on the ground.

The hero wasn’t entirely sure how they managed to get themselves back to standing. It was as easy as that–one moment they were on the ground, gravel embedded in their knees, and the next they were up and shaking but they were up.

“If I stay here, I’ll die,” they murmured. They had hoped maybe the threat would keep their legs from buckling again. It didn’t.

They weren’t near any place that could be trusted. There wasn’t a safe clinic for heroes on this side of the city, and even if there was, the hero wouldn’t trust them. Couldn’t afford to.

But as for near…the hero swallowed the nausea as it rose in their throat. There was one place they could go. One person they could go to.

Four miles. They could do four. There was no other option.

Where the hero had had some blurry recollection, or at least, a good guess of how they got to standing, they had absolutely no clue how they made it onto the villain’s porch. They managed a blink, retching slightly as they stared at the villain’s wavering door, then had to freeze just to bite down the pain that had come from the gagging.

They tried to knock and ended up collapsing against the villain’s door, knees giving out entirely as their fingers scrabbled for purchase and left behind smeared bloody marks on the wood.

They weren’t entirely sure how that happened either, or how long it took the villain to answer the door. Just that it hurt—so, so much, it hurt so–and that they managed to shove themself back into some semblance of standing right before the villain pulled the door open.

The villain’s face did a sort of spasming thing as soon as they saw the hero, jaw dropping slightly in what the hero could only really read as shock.

There was a very considerable amount of blood on the door. They were cold.

“I–” the hero tried, but they weren’t really sure where they had been going with that sentence, and after yesterday and the screaming and the fight the villain probably didn’t want to see them at all, didn’t want to ever see their face again, so–their mind blanked. “I got blood on your door.”

They tried to gesture towards it, but that hurt, so their hand simply twitched slightly from where it hung by their side.

They glanced down at their feet, because they didn’t want to see what the villain’s face was doing, especially if what it was doing was anything resembling anger.

“Oh.” There was blood at the hero’s feet. “And on your porch, too, I guess.”

They looked up at the villain, but they were still staring at them, brow furrowed, hand clenching on the doorframe.

“I’m sorry.”

There was a very faint quiver of tears when they said it, and the hero knew better than to hope the villain didn’t catch it. 

Were they saying sorry for the porch or the door or yesterday–

“Holy shit,” the villain finally breathed, and it sounded like it had been punched out of them. The hero froze, panic rising in their chest.

“I’m sorry,” the hero blurted out, stammering. “I’m–I’m so sorry, I’ll go, just–could I maybe have some bandages? Just–just one, maybe, please? I’m sorry, I’m sorry,” they said uselessly, head swimming. They couldn’t even remember what they were doing here. The villain was perfect in every sense of the word, stoic and proper and collected in a way the hero would never be; a marble statue brought to life. The idea of them letting the hero–the personification of a train wreck in motion–in to bleed all over the villain’s soft carpet and nice shoes and cause irreparable damage to their very expensive house was almost laughable. 

If they had had the breath to laugh.

More of the hero’s blood dripped onto the slats of the porch, and they stepped back. “I’m sorry–”

The villain reached for them, and the hero flinched, taking it for the dismissal it was–

The hero blinked, and it stuck for a moment too long as the world tilted, and when they pried their eyes open again the villain was staring at them with something the hero was too out of it with pain and possibly delirium to identify. Their gaze drifted back to the blood smeared on the door, and the villain’s grip tightened on the hero’s bicep–when had they grabbed the hero’s bicep?–until the hero’s gaze returned to theirs.

The villain said something, but there was a roaring that had started up in the hero’s ears. They seemed to take the uncomprehending blink the hero gave them in return for an answer anyways, and guided them down until they were both sitting on the cool wood. A tug, and the hero was resting against their own propped up knees, villain’s hand still firm on their arm.

“How much blood did you lose?”

It was like screaming underwater, the hero reasoned. Or through a mirror. But they heard it nonetheless, and that was their villain, and even in hatred and war they would always answer them.

“Was ‘supposed to be counting?” If they had any more energy–or maybe slightly more blood–in their body, the slur to their own words would have been concerning.

The villain’s lips pursed into a thin line, and the hero felt them begin to run an assessing hand over their injuries, cataloguing them, brow furrowing further with every second.

“M’sorry,” they managed, tongue thick. The villain didn’t pause.

“For what?”

“Bleeding on your door,” they managed. The villain stopped them from raising their head from their knees. “And your–porch.”

“I don’t give a shit about either of those things,” the villain said, simply, easily. Like it was nothing. Like they didn’t feel the weight of it as they threw it into the air.

The villain sat back on their heels, clearly having learned what they wanted from the hero’s injuries.

When the hero didn’t immediately look at them, the villain grabbed their chin, gently turning it until the hero faced them.

“How far did you walk,” they said slowly, and the hero had never been more grateful for anything in their life.

“Four miles,” the hero said, and they couldn’t hear their own voice above the roaring, but the villain obviously could from the way their eyes darkened.

The hero wanted no part in making the villain angry again–I never want to see you again, do you hear me? If you ever try to talk to me again I will kill the both of us, I promise you that–, but when they attempted to push themselves up to leave, the only thing they managed was a piteous whine and a stab of pain so intense they forgot to breathe.

“Idiot,” the villain hissed. But oddly, the hero didn’t sense any anger coming from the villain.

They blinked–too long, again–and found themselves in the villain’s arms as they walked through the house. Their head lolled back onto the villain’s shoulder, and the villain glanced down as if–to make sure the hero was okay. That they were conscious, and breathing.

Oh.

Oh.

The villain wasn’t angry.

They were afraid. For the hero.

Which didn’t make any sense, because–

I never want to see you again–

“You’re mad at me,” the hero reasoned, and it came out half strangled and petulant. The villain looked down at them, and the hero caught the tiniest flinch in their jaw.

“I’m not mad at you.”

“That’s not what you said yesterday,” the hero whispered, and the villain flinched.

“I wanted to stop this from happening.” The villain settled them onto a bathroom counter, lights flickering on as the hero leaned back against the mirror. Blood began to dry, sticky, between their fingers.

The hero’s mouth went dry, and it caught in their throat when they tried to swallow it.

“You could have just left me there.” Their voice only shook a little bit, but the villain’s head still snapped up from where they had been digging through a drawer.

“What?”

“On the porch,” the hero clarified, clearing their throat. The lump didn’t go away, and they had begun shaking at some point, and they couldn’t stop. “If you didn’t want to deal with me you could have just left me there–”

The villain’s face had darkened into something the hero almost didn’t recognize. 

“I would burn the world for you, and you think I would leave you to die on my porch?”

“You said you didn’t want this to happen.”

“No, that’s not–” the villain rubbed a hand over their brow, and the hero winced at the blood it left behind. “No. No, that’s not what I meant. I was trying to keep you from going to that stupid event and getting hurt. I knew it was going to blow.”

“I would have gone anyway.”

The villain stilled. “I thought maybe if you never wanted to see me again, and you knew I was there…”

“I would,” the hero repeated. “Have gone anyway.”

The hero watched as the villain’s face rippled through a dozen emotions, settling onto something unidentifiable.

“Why?”

“Because you were there,” the hero said easily, shrugging one shoulder. Because when it came to the villain, it really was that easy. They could scream, and shout, and hold a knife to the hero’s throat, and the hero would still follow them into hell. That was their villain.

The villain looked like the hero had stabbed them, face draining of color. Their fingers went white around the edge of the counter, as if it was the only thing keeping them upright.

“What,” the villain’s voice was hoarse.

“I went because I was hoping you would be there,” the hero said honestly

“Stop,” the villain raised a hand between them, a shield, voice breaking. They sucked in a breath, then another, like they were trying to keep themself from breaking down onto the tile.

“You would have gone to the event no matter what, just to see me,” the villain said slowly, and the hero nodded

“Yes.”

“Even though I screamed at you?”

“Yes.”

“And told you I hated you.”

“Villain, please–”

“Now you know,” the villain interrupted, voice incredibly soft. “Why I would have never left you on that porch.”

The hero forgot to breathe for a moment, tongue going numb in their mouth. The villain couldn’t mean–

They blinked for a moment too long, and then the villain was standing between the hero’s knees, hand on their chest.

“You love me,” the hero said a moment later.

“Ruinously,” the villain agreed.

“So you–”

“I was trying to save your life,” the villain’s hands were gentle as they began to patch up the hero’s side. “And now I’m saving your life in a new and unanticipated way. But there is nothing you could ever do to stop me from saving your life.”

The hero’s heart clenched. 

“Really?”

The villain caught their chin, eyes boring into the hero’s. They brushed a piece of hair off the side of the hero’s face.

“Really.”

The hero sighed, and the villain caught them as they slumped.

“I thought you hated me,” the hero said, and they hated how raw they sounded. The villain made a choked little noise.

“I’m so sorry.”

The hero sniffed.

“Don’t do it again.”

The villain simply hummed, and smoothed the ends of a bandage down against the hero’s abdomen. The hero could feel their hands shaking.

You scared me.

A second later, their hands settled on either side of the hero’s head, and the villain rested their face into the hero’s hair. They pressed a kiss to the hero’s temple, tension easing from their shoulders.

I’m sorry.

The hero clutched the front of the villain’s shirt between their hands, drawing them closer. The villain went willingly, loose limbed with affection and the rapid draining of terror from their system.

“I would have never left you on that porch.”

The hero had never believed anyone more.

[whalesharkstho]

(sorry if this sent twice, it seemed like my internet shit itself)

Your Jazz art has been so inspiring for me, it's been helping me through really dark times rn and just seeing my favorite guy done so much justice and in such a fantastic style makes things feel less hard. Thanks for posting sm and hope you know you'll always have a fan ❤❤❤ (might be able to convince my aro ass to even ship jazzop but we will see lmao /silly)

ahhhhh this message is one i’ve been staring at for a while it’s been making me giggle and kick my feet i’m SO very glad you like how i draw jazz!!! he’s my fave bot to draw and i’m very very happy my art is bringing you a sense of joy!! it’s genuinely all i desire as an artist for people to be happy when they see my work

anyway, here’s a jazz doodle for you!! i’m wishing you well and i hope things get better for you but in the meantime know there will be a pretty much endless well of jazz content from me X]

[bendy10sp]

Yes, draw Prune Juice with Kouign-Amann.

Please.

Pretty please?

Here u go!! Pruneamann kiss <3

[fisherrprince]

I love ghostnichi so much. Haunting the narrative and also himself

[hypnogogyc]

hey hey hey lover

[recareels]

gmorning Clari!!! 💘 I’m not sure you’ve done it before, but I’d loooove to know what type of yanderes you’d classify your genshin faves as 😘

ANDYYYY i am so sorry i am responding a few days late to this and that’s because i accidentally wrote you a whole novel for an answer :) your ask sparked so many thoughts and i just BLAAAH spewed them all over the page (*ﾉωﾉ) ugh ahahaha ANYWAY oh gosh okay i have so much to say, let’s get into it!!! also apologies for how MASSIVE ajax’s is waaaah

characters: wriothesley, ajax [childe], kamisato ayato, thoma warnings: 18+ minors do not interact, yandere behaviour (gaslighting, obsessiveness, toxic relationships, delusional thinking, manipulation, over-protectiveness, etc) words: 2.1k

₊˚⊹ 𝐰𝐫𝐢𝐨𝐭𝐡𝐞𝐬𝐥𝐞𝐲

WRIOTHESLEY is the controlling, authoritarian type that feels like a really strict father, all under the guise of ‘protecting you’ and ‘keeping you safe’. he veers into delusional territory a little here because he genuinely believes what he’s telling you (and himself) and genuinely believes himself to be doing the right thing. he isn’t possessive, he just wants to make sure you’re going out with safe people. he isn’t obsessive, he just wants to know where you are at all times in case an emergency strikes and he has to come find you. he isn’t overbearing, he just cares and is proactive—don’t you want him to care? can’t you see he’s only this ‘protective’ because he loves you? 

he has thoroughly convinced himself that this behaviour has nothing to do with jealousy or a desire to keep you locked up, to keep you 100% certainly safe and his forever, and nothing to do with wanting to exert complete control over you, orchestrating your every decision—and he’s pretty good at continuously deluding himself into believing it. he’s so good, in fact, and his logic is so sound, that it has YOU wondering if you’re ‘just being crazy’, if you’re overthinking things or reading too much into them. wriothesley has had a lot taken away from him, after all, and he knows exactly how the mind of criminals tick—can you really blame him for being a bit paranoid? maybe you’re the one who’s overreacting and being unreasonable. maybe you’re even feeling a little guilty for being so ungrateful—shouldn’t you appreciate having someone who loves and cares for you this much to go to such extents? shouldn’t you want to relinquish all power to someone you love equally as much? shouldn’t you trust him to make only the best, most sound and appropriate decisions for you? you probably should. 

₊˚⊹ 𝐚𝐣𝐚𝐱

AJAX is kind of like, the typical yandere, and he encompasses several ‘types’, evolving throughout the course of your relationship and shapeshifting into different variants depending on the situation itself. and while the other three men seem normal until you’re in too deep with them, refraining from showing symptoms of yandere-ness until after you’ve been with them for an extended period of time and mean a lot to them, ajax is weird from the very beginning. 

almost immediately you can sense that there’s something slightly off about him, but you can’t put your finger on what it is. it’s so subtle that it doesn’t strike you as particularly dangerous, leading you to merely write it off as one of his quirks and nothing more. 

he’s overbearing right from the start, of course; not necessarily enough to be concerning just yet, but enough for it to be abnormal—unusual—and noticeable (which reminds me of your lil ajax piece!!!). from the instant he sees you, he is irreversibly obsessed with you. you permeate his every waking thought, and eventually begin to leak into his dreams, too, and suddenly he can barely breathe without knowing where you are and what you’re doing, his concentration consumed by you. 

he begins stalking you—‘overseeing’, he had called it—making detailed notes of your favourite locations and your most frequented friends. he’s constantly got an eye on you one way or another, even if he has to employ other people to do it for him, discreetly reporting their findings every few hours. he tells them you’re in danger—which, you are, technically—and that you must be observed at all times from afar, silently and stealthily. 

ajax is patient and he can play the waiting game, carefully devising and then revising his strategy based on your moves. he loves playing predator and prey, gets a thrill from how the hunt unfolds—much like a battle, it’s a story, a rich tapestry you and he are constantly and concurrently creating, together. and that he thinks is so beautiful.

in textbook yandere fashion, once he’s gathered a sufficient amount of intel, he begins ‘showing up’ randomly at your usual spots, ‘bumping into you’ fortuitously. charming and sweet, the only thing that’s initially unsettling is just how well the two of you get along. ajax is sure not to mimic you too much—he doesn’t want to be a mirror, after all, and being too similar is far from a good thing (especially when it matches so well it simply can’t be coincidental).

well—that, and the sharp glint in his eye that flares with something dangerous every time you giggle or gush, every time you fall further for him. and once he has you enchanted, ensnared, you’re trapped for life, tangled up in him so tightly that he might as well have fused to your flesh. 

ajax likes to tell you it isn’t about power and control, but he knows that it is. he’s smart, and he’s self aware, and he doesn’t really care if this is ‘wrong’—he sees it as necessary and he genuinely believes he knows better than you do. he has to take care of you, or else who will? you’re clearly not capable of satisfactorily doing it on your own, so he must (god, how would you manage without him?). even if you oppose him or fight back against him, he’s purely convinced you’re bull-headed and stubborn, snorting at your wanting to be independent when he truly knows you’re too stupid take care of yourself ‘properly’ all on your own.

violence is a mainstay of your relationship, but not towards you; never towards you—merely towards everyone around you. his jealousy knows no bounds, but you will rarely see it outright. instead, ajax prefers to hone his emotions, to fashion them into a weapon or use them as fuel to thoroughly tear apart anyone who looks your way in a manner he doesn’t like. it’s his job as your lover and keeper, isn’t it? 

₊˚⊹ 𝐤𝐚𝐦𝐢𝐬𝐚𝐭𝐨 𝐚𝐲𝐚𝐭𝐨

AYATO knows what he is, and he doesn’t care. why should he, when he’s sure what he’s doing is ultimately correct and he’s used to having everything that he wants, and everything going his way, even if he has to force/manipulate it to? he’s so skilled at that in particular—manipulating situations and events to procure favourable outcomes for himself. in ayato’s mind, you should be grateful that he affords you so many freedoms—he could lock you away in the basement or a padded room, chain you to a bed with no entertainment or stimulation save for the books he has so conscientiously selected for you, and no other human contact aside from himself. but he trusts you, and he doesn’t want to go to those measures (though rest assured, he has promised you he will not hesitate to reach such heights if he deems it absolutely necessary, no matter how much he doesn’t want to; you staying his comes before his personal preferences and pleasures). as such, he allows you to roam the estate grounds under the watchful eye of his closest confidants and most capable guards (usually thoma, unless he is otherwise occupied and busy); he allows you access to letter writing materials (though they must go through two rounds of supervision and revisions before they are approved; once by thoma, and once by ayato himself); he allows you to go out in public as long as you are with him, etc. 

despite these apparent freedoms he affords you, he still picks your outfits out for you each day, and he devises a comprehensive meal plan for you each week, and creates schedules and rules he expects you to follow, thoroughly and meticulously to the letter. it is these subtle forms of ownership that he enjoys the most. he doesn’t feel the need to shout from the mountaintops, loudly and aggressively, that you are his, because the fact is so obvious, so evident, the second anyone merely glances at you. you walk like him, you talk like him, you sit, stand, and bow like him, just like he trained you to. 

ayato is also the type of yandere to punish you. he is molding your pretty little mind into exactly what he wants it to be, and that means that undesirable behaviours must be immediately and severely corrected through appropriate punishments—you must learn, or be taught what is right and what is wrong in ayato terms + definitions, so you will refrain from repeating such behaviour in the future. he is truly crafting you into the most perfect, precious, obedient little doll—and having a blast while doing so. it’s his little pet passion project, in a way; something he looks forward to working on when he has a moment of spare time. 

ayato was sly and clever with the way he initially enticed you, entrapped you, but underneath his cool, precisely chiseled exterior, ayato is selfish, manipulative, and extremely controlling. all decisions are ultimately made by and go through him. he will skillfully and carefully cut you off from all lifelines and communication, rendering you wholly dependent on him, and then will meticulously chip away at your mind until he sculpts it into exactly what he desires—someone who is as obsessed with him as he is with them. he slowly, stealthily, and steadily induces a severe, irreversible case of stockholm syndrome. the damage he does to your mind is permanent—and that’s exactly his goal. you now live for him. your days are marked by his appearances, his comings and goings, and the only thing you have to look forward to is seeing + spending time with him. you live to please him, live to be with him, and become absorbed by him, so you are merely an extension of him and no longer an individual yourself. everything revolves around ayato—he is your entire universe. 

₊˚⊹ 𝐭𝐡𝐨𝐦𝐚

THOMA is the most dangerous type of yandere, because thoma is genuine. thoma’s feelings are 100% authentic—and he earnestly intends to bring you no harm whatsoever—they’re just way too intense. he loves you so much that it veers into insanity, and the passion he feels towards you (and towards keeping you safe + claiming you as his) is so fierce that it physically hurts him to experience, chest blistering with scorching adoration and razored affection, something so dense and so all-consuming that thoma wants to claw through his own flesh and pry his ribcage apart spoke by spoke just so he can experience a shred of relief. 

thoma is, for the most part, an honest guy—starkly, brashly honest, so honest it shatters his words and gnaws at his voice, leaving it rough and raw, splintered to shards; but you can always trust he says exactly what he means. he severely lacks self awareness, not even realizing that his behaviour is inappropriate and extreme (he just cares about you SO much! it blinds his rationale and erodes his logic, incapacitating his ability to understand that he’s so suffocating it borders on terrifying). 

but what makes thoma so incredibly perilous is his sincerity. he truly just wants to keep you safe, eyes brimming with tears and voice hitching on barely contained emotion as he thoroughly explains to you his logic for stashing tracking devices in your bags or his reasoning for shattering the kneecaps of the man who made you uncomfortable at work, sentiment thick in his throat, words straining with the weight of his honesty, with the desperation for you to understand, to see it his way. he swears to the high heavens that he’d never hurt a single hair on your pretty, precious little head, and promises that he doesn’t want to scare you, but firmly asserts that he will do whatever it takes to keep you safe. 

and he means it. thoma is, in the most essential sense, your guard dog. he’s so sweet towards you, even submissive at times, always subservient to your every wish and whim, your every demand and desire, but he’ll fucking rip anyone within a meter of you to pieces with his teeth and bare hands alone if he feels as though you are being threatened in any way—and his standards and definition of ‘threatened’ are extreme and absurd, of course, causing him to react in a way that is severely disproportionate to the situation.

it borders on too much all the time—he is too obsessive, too protective, too clingy, but he’s also so sweet, so gentle, so incredibly bonafide that you can’t help but not be upset with him. he only does what he does because you’re his entire world, right? what’s so harmful about that? 

[hellcifrogs]

I wanted to say that I love your arts and you are literally my favorite account here, Naruto literally has the most miserable fandom I have ever seen and you with your arts no matter the character are always positive and cool

Thank you!! That's so sweet of you!

All fandoms have their bad and good sides, but I really am happy to be on the positive side of this one~

[cogneartive]

how does one get into castlevania ive been curious about it for a while

HI OKAY AWESOME THANK YOU FOR ASKING THIS

personally you should get into the games!! there is the netflix show but its soooo very different to the games lore that i consider it something different entirely (there are alot of other valid criticisms of it but other people are more eloquent than me about it)

anyways, the first thing you need to know is that there are 3 distinct sorts of castlevanias. first you got the original 'classicvanias' which are the older ones where its really tight platforming stuff. theyre really hard but fun imo! then you have the 'metroidvanias' which theyre more known for i think. they're way easier to get into. and then there are the 3Dvanias which i think is best to get into after u get interested in the lore

personally i started with playing portrait of ruin! which is on the ds (emulated). i think most ppl consider it to be one of the easier games. but i honestly didnt get too too insane about it until i played symphony of the night (ps1) - which is the first of the metroidvanias so its a bit weird sometimes but the story made me insane. there is also aria of sorrow (gba) which is also one of my favourites!! that one has really fun mechanics and ive seen people recommend that to be their first as well!! for the classicvanias, im not really sure how one would get into them but rondo of blood seems like a good choice

so that is what i think ^_^ lmk if u want a little more because I Love 💖 My Vanias

[bbq-potato-chip]

Ok this is not so much a headcanon as a Thought, but.. Zelda pondering something while idly running her fingers through Link’s hair like he’s a cat (I just think of them having small moments of affection and connection and my heart melts)

ugh this this THIS!!! I LOVE THIS AAAAAA!!!! Like you have no idea!!! They’re just so…gentle you know?

anyway i was seized by a vision. !!!!

[fumifooms]

thanks for infecting me with marchil its so so fun to just see them pair themselves up in the background now

especially love how much she picks him up like a cat (and when he has the opportunity to do it to her too he just lugs her around like a sack of oats) gosh i love them they're so funny

YAAAAAA 🎉🎉 I’m so glad to hear it welcome to the sillies corner 🤝

THEY’RE SOOO SO FUNNY

They’re worsties that cannot get enough of each other