#ANIME ​RECOMMENDATION

[valeriapryanikova]

game master

[poorly-drawn-mdzs]

Hey now, Let her cook!

[canisalbus]

✦ God didn't exist when you laid with me ✦ The devil didn't touch me when you kissed me

[taffywabbit]

reminding myself there are no truly "bad days", because every single day, someone somewhere in the world has taken a photo of an extremely tiny animal and shown it to someone else, and that's very good actually

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[doctormori]

I love this book to death, so here's some things I noticed <3

[yaoi-gs]

New episode came out🫣

Sauce: Shutline Cutout Animation (Vimeo)

[grinreaper420]

[sshangth-daawnth]

Shiro Gal Kanojo ga Dekita Riyuu

[xshindaaix]

The Dark Sh*t •ᴗ•

My recommendations for depressed people (≖‿≖)👍

[inafieldofdaisies]

Hit Man (2024) | Adria Arjona as Madison Figueroa Masters and Glen Powell as Gary Johnson 

[juicedaloe]

me and my gf :3 (she is made of water)

[deep-sea-anemone]

Yes, yes, Sanji letting Zoro help in the kitchen by letting him chop vegetables because he's good with pointy objects.

BUT. Have you considered?

They live in a world without most electrical appliances. A FUCKTON of physical labor goes into baking (and keep in mind how often Sanji bakes treats for the girls).

Sanji being tired (physically) and not feeling like taking 10 min to whip whipped cream. Being tired (mentally) of Zoro making fun of him for never working out. Sanji saying "fuck it" and just starts putting him to work.

The foccacia dough needs to be kneaded? "Have fun working a sticky mess for 20 minutes, asshole"

Need meringue? "No, STIFF peaks marimo. Don't tell me you're wimping out already"

"Are you even TRYING to flatten that steak Marimo?"

"Yes, it needs whipped cream. YES, I know you just made some yesterday. We need more"

Zoro's shoulders are burning but he's trying SO HARD not to lose face with the cook and meanwhile Sanji is silently losing it at Zoro's shock that cooking can in fact be a workout

[theyshapedlikefriends]

Sunlemon Fluffies Maguro (S)

[consultingfujoshi]

something something puss trying to outrun the literal personification of death for the whole movie whilst perrito walks around always wearing the sock his family literally tried to drown him in as a sweater, something something accepting that life is short and literally growing into your own mortality and making the most out of the hand youve been dealt

[mercurymoths]

I rewatched Song of the Sea recently and I just had to draw wind ( and a bit of warriors) in the cartoon saloon style!

(This is cartoon saloon propaganda, go watch their movies rn!! They are so so good seriously)

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