#AND writing a short story

[darkcademiasss]

Sentimental- @wolfstarmicrofic word count: 237 february 23

Remus knew sirius like the back of his hand, sometimes he wondered if he knew sirius more than he knew himself.

Therefore he knew when sirius looked at the rose in his hand and looked up at remus, he knew sirius was going to get sentimental .

Sirius crushed him, putting his arms around remus and hiding his face in Remus' neck. Remus could feel his breath hitch when he felt sirius nuzzle his nose on the crook of his neck.

"Sirius'' he lightly whispered trying to fight the blush that was rising on his cheek

"Padfoot come on" he repeated when there was no reply.

Sirius finally released him, remus immediately wanted to pull him in again and never let him go but he settled on fisting his hands.

" you got me flowers" sirius muttered.

Remus could see he was on the verge of crying and started to panic did he do something wrong? Does sirius not like flowers?

"I- I uh i'm sorry if you dont like them, I can take them back. I just thought you'd like it" he stuttered nervously, one hand scratching the back of his neck.

"No no dont you dare these are mine, I'll keep them forever" he declared blushing then looked nervous before adding " it's just that ive never gotten flowers before"

Remus promised himself there and then that he is going to give Sirius black flowers for the rest of his life

[reidiot]

don't fucking interrupt me when i'm reading my x reader fics it's rude

[strangelittlestories]

After the occupation, the princess was confined to the palace.

Once a month she'd be taken on a walk around the city, heavily guarded of course, to show the people that she still lived. It also served, of course, as a reminder of what they stood to lose if they made trouble. The princess did her best go wave and smile and give the people what encouragement she could.

The rest of the time, her life was spent in musty rooms and dusty towers. She filled most of her time scouring the castle for materials which she would sew into more and more elaborate outfits, which she would show off on the days when she was allowed outside.

Indeed, the public loved their princess and her dresses so much they'd often sketch or paint them along the route and pass the images on so that all could see the princess at least was well.

This pleased the occupiers for two reasons. First: it kept the princess out of trouble. Second: it gave them a reason to sneer and they did love a good sneer.

"What a vain creature she is!" They would remark.

"Doesn't even care we murdered her brothers so long as she gets enough satin to make her little dresses!" They squawked.

This was unfair, of course, for to call her creations "little dresses" was to call Queen Murderfun the Needlessly Genocidal "a tad piquey". Her dresses were gravity-defying wonders lace and pearl. They were thunderstorms captured in velvet and waterfalls summoned in silk. She was a wizard with silk.

Still, she bore their mockery with a tight smile and careful deference.

"Please, good sirs, my home, my people and my city now belong to you. Let me keep, at least, this one last joy."

And they sneered and they crowed most unpleasantly, but they let her keep her sewing room.

Of course, they would have known their mockery to be doubly unfair had they realised the true purpose of the princess's elaborate designs. For hidden in the intricate embroiderings across her gowns, jackets and fans, the princess had encoded secret (and very detailed) messages. When she would go on her monthly walk, the city's loyalists would line the route, sketching down the patterns to decode later.

Thus did the princess transmit all the occupiers' secrets (unearthed while supposedly 'searching the castle for old fabrics') to the city and thus did she build her resistance.

On the day the revolution finally came, she girded herself in armour of thick spider silk and whale bone. She cut a fine figure with a lacy handkerchief in her top pocket and a razor sharp knitting needle keeping her hair up.

As she waltzed through the castle to open the door for her army, the Usurper King tried to stop her and she simply unfolded her handkerchief and showed it to him.

Upon seeing the impossible arcane pattern emblazoned across it, he fell to the floor with blood streaming from his eyes.

She always had been a wizard with silk.

---

Thank you for reading. If you'd like to support my writing, you can do so at https://ko-fi.com/strangelittlestories

[caplanbuckybarnes]

here's over 2.5K prompts of all sorts you can use for your writing ideas!

happy writing!

[agirlwiththoughtsandnegativity]

”oh so how did you get into writing?-“ no, writing got into me. Actually it infiltrated my brain, starting with the slow takeover of my room with books to the extremely fast claiming of my notes app and now there’s no way to stop it and no way for me to stop.

[thestuffedalligator]

The goblin looked at the orc. The orc looked at the goblin. They both looked down at the crumpled shape of the Overlord, His Unholy Majesty, in his obsidian armor.

His final spasms had been mesmerizingly acrobatic. The fall down the steps leading up to his iron throne had pretzelled his body quite impressively, both arms folded behind his back and one leg bent at a jaunty angle.

The goblin looked at the orc. The orc looked at the goblin.

"Shit," said the goblin.

"Shit," said the orc.

"We're likely to get blamed for this," the goblin said. She walked over to the head of the glittering mangled heap and started pulling the helmet off.

"It's not our fault," the orc said. "It's hard to help someone choking when they wear two-hundred pounds of spiked armor at all times."

"Yeah, well," the goblin grunted. The helmet came free, and the bald head of the Overlord bounced on the stone with a hollow, coconut noise. "You know how it is in this bloody country - thieves get their heads cut off so they can't think about thieving, and all that." She fished in the Overlord's mouth with a finger and pulled out the obstructing olive on the end of her claw.

She popped it into her mouth and chewed. "What do you reckon they do for a regicide?" she said.

"We should run," the orc said. She had started bouncing her leg. "I hear that there's some places in the Alliance where they just kill you and let you stay dead. That's got to be nicer than what'll happen if we stay here."

The goblin started to nod - and then her gaze fell on the helmet.

It looked like a pineapple designed by a deranged blacksmith. It was all thorns and spikes and hard edges, as though the maker had been very determined to not let pigeons roost on it. The only bits that weren't solid iron were eyeholes. Nobody had ever seen the Overlord's face.

She held up the helmet and squinted from it to the orc. One of the thorns had been bent badly in the fall.

Nobody had ever seen the Overlord's face...

"Right," she muttered. "Right. Could work - or."

The orc had a sudden vision of the immediate future. "No," she said.

"I mean you're about his height-"

"No."

"It would just be for a-"

"Absolutely not."

"Just hear me out," the goblin said. "Outside of this room are two-thousand men and orcs and goblins who are absolutely gonzo about this man, and there's a whole country of them outside of the castle, and at any moment someone's going to walk in that door and see one dead tit in black armor and two unbelievably dead idiots next to him.

"Or." She tossed the helmet up like a basketball to the orc, who fumbled and tried to find somewhere to hold it that wasn't a knife's edge. "We chuck him out the window now, walk out the door in the armor, and ditch the armor as soon as nobody sees us."

The orc had started bouncing her leg again. "They'll know something's up the second I walk out of the room."

"No worries," said the goblin. "Leave that to me."

---

It had been a very strange year for the Empire.

Change had rolled across the land as slow and inevitable as a glacier. Roads and bridges carved the gray, blasted wildlands, and a number of social reforms had made the country a place where you could be miserable, yes, but miserable in comfort and safety, and that was an improvement.

Barely anyone got boiled alive in molten metal, and even if the disgusted sun never rose to light the Empire, at least you had a roof over your head to protect yourself from the acid rain.

"Your empire flourishes, Your Unholy Majesty," the magician said over her wine glass. She looked down from the tower's balcony over the gleaming stone battlements. Some work had been done to line the castle and surrounding city with sizzling, crackling alchemical lights at night. The whole thing glowed like something dangerously radioactive.

The suit of armor waved a languid, glittering gauntlet over to the goblin, who bowed.

"His Abominable Gloriousness Thanks You," the goblin recited. "The Prosperity Of His Empire Can Only Be Achieved Through The Prosperity Of His People."

"If I may be so bold, I am quite pleased that you had chosen to take my counsel under consideration," said the magician. "We have accomplished many things together."

Another wave. Another bow. "The Overlord, May His Presence Swallow The Sun And Stars, Thanks You As Well."

"It was quite gratifying to see you change your mind, after so many centuries of denial." The wine was swirled. "Tell me, what was it that finally gave you cause to listen to me?"

There was the slightest hesitation. The goblin's eyes flicked to the armor, then to the magician. She puffed out her chest. "Do you question the wisdom of His Austere Lugubriousness?" she asked.

The magician looked at the goblin. She looked at the armor. She tipped her head back and drank the wine too quickly.

She looked back at the armor. "I know you're the orc, you moron," she said.

The room went deathly still. An alchemical light fizzled.

The orc pulled off the helmet, sending long, untied hair down tangling, and said: "How could you possibly-"

"Because you're both idiots!" the magician said. The goblin jumped. The orc jumped with a noise like a dropped stove. "What kind of a plan was this?! If it wasn't for me, you would have been turned into fertilizer months ago."

She closed her eyes. She took a long, dramatic breath. She set the wine glass down on the balcony rail.

"How did the Overlord die?" she asked when she seemed like she had gotten a hold over herself.

"Choked on an olive," said the goblin.

"Threw his body out the window," said the orc.

"You don't have to mention the window," said the goblin.

"Right," said the orc. "Sorry."

The magician looked out over the city, hand curled thoughtfully under her nose. "Who knows about this?"

"Just us. And, uh. You. Apparently."

"And why did you accept my counsel?"

The orc blinked. "Sorry?"

"Why did you accept my counsel?" the magician repeated.

"Well," the orc said. "Well - you seemed like you had good ideas-"

"Great ideas!" the goblin said with an edge of desperation. "Don't know why the old bastard didn't listen to you!"

"Right - right," said the orc. "And when we figured we were stuck doing this - well, it just made sense, really."

The magician seemed to absorb this. She nodded. "All right," she said, striding between the two and grabbing the crystal decanter.

"Um," said the orc. "Sorry. What happens now?"

"What happens is that you two will continue to serve as Overlord," said the magician. "You will continue to take my counsel. We will continue to reform this bloody country, and gods willing, we will turn it into the crown jewel of the world by next Midwinter."

The orc looked at the goblin. The goblin looked at the orc.

"Really?" the goblin asked.

"Oh yes," said the magician. "I've worked hard to be counsel to the Overlord, and I have no reason to stop now. And besides-"

She looked the orc up and down with a deliberate slowness, poring over every microscopic detail, eyes tracing over every jagged line, and grinned like a panther.

"You look much better in the armor than he ever did," she said. Dark robes swirled like a becleavaged thundercloud, and she strode out through the high iron doors, decanter in hand.

The goblin looked at the orc. The orc looked at the goblin.

"Shit," said the goblin.

"Shit," said the orc.

[and-corn]

[the-modern-typewriter]

Imagine a villain straight refusing to fight another member of the Hero Team just cuz his hero archnemesis is not present

"Where are they?"

"Oh, not again." The protagonist could feel a headache coming on. "Look-"

"-Are they hurt?" The villain's eyes went dark and dangerous. "Who hurt them?"

"They're fine! Oh my god."

"Then where are they?"

The protagonist definitely had a headache. "It's their day off."

"They didn't tell me they had the day off. What's wrong?"

The really concerning part was that the hero probably would tell the villain which days they were working and which they weren't. The two of them were as bad as each other! The hero was going to be unbearable when they came back and found out that the team had fought the villain without them.

"Can we just get this over with?" the protagonist tried.

"No."

The protagonist sighed. They pinched the bridge of their nose and took a few deep breaths. "Okay," they said slowly. "But you realise I'm still going to have confiscate your nightmare robot."

"It's not for you. And don't think I didn't notice you dodging the question!"

The protagonist considered their options; lies, truth, everything in between.

The villain's nightmare robot hunkered down a little more pointedly in the middle of the bridge. Several people honked their horns. It was, honestly, embarrassing for everyone involved at that point.

"Their grandma died."

"Oh no." The villain's whole face softened. "Grandma L or Grandma P?"

Of course he knew the hero's grandparents. Of course he did. "Look, about the robot-"

"-I'll reschedule," the villain said.

"I can't let you keep the robot. My boss would have my head."

"That sounds like a 'you' problem. I have flowers to send."

The protagonist's eye twitched. "If you try and walk away with it-"

"-Do you really want to traumatize this entire bridge of innocent civilians?"

"I'm sure they're traumatized having to listen to you two idiots on a weekly basis."

"I'm taking the robot. When are they back?"

"They haven't said," the protagonist said, through gritted teeth. "As you know-"

"-They'll be doing all the funeral arrangements. Yeah. You know what, give me their number. I'll text them."

"I'm not giving you their number."

"Why not?"

"It's against policy."

"I'd like to express my condolences."

The protagonist looked them dead in the face. "Mm. That sounds like a 'you' problem. I have a robot to confiscate."

The robot slammed a fist into the bridge. It wobbled precariously.

The protagonist raised an eyebrow, unimpressed. They folded their arms across their chest.

"You're a real piece of work, you know that?" the villain snarled.

"I hate you too, don't worry."

"I should kill you."

"They'd have so much paperwork when they got back from the funeral. It would really improve their month, you killing me."

They ended up glaring at each other.

"If I give you the bloody stupid robot, will you give me their number?"

The protagonist smiled sweetly. "That's the only smart thing I've ever heard you say."

Everyone, generally, preferred it when the hero was around.

They all made sure it didn't happen again.

[stealingyourbones]

Short writing prompt:

You’re a cameraman who works for a major film studio. You got hired to work on a horror movie. You’ve noticed some odd things going around on set but you just wave it away as usual backstage crew shenanigans.

Little do you know those things you saw flit out of the corner of your eye and the creatures you thought were pieces from the special effects and prop departments are real.

The moment you realize that what you’ve seen is the actual monster from the horror film you’re contracted to work on, you run. Armed with your camera and your knowledge of the script, you go on a journey to escape this beast.

Why do you keep your camera instead of a weapon? That’s simple: the cameraman never dies.

[caffeinewitchcraft]

The Mayor's Daughter and the Outlaw

Summary: After ten years, you've finally got your shot at your revenge. You've found the Hero. You have him in your sights.

-----

Pull the trigger.

You’ve worked too hard not to pull the trigger. The sweat, blood and tears you’ve shed have been the least you’ve given to be here. The air is crisp and clean nearly a hundred feet up in a pine tree overlooking a remote forest. You’re probably the only person in the world capable of spotting the brown, camouflaged building spanning the length of the small river running through the valley. There’s a hologram of the river it’s covering playing over the building’s walls. Hell, there are even birds flicking occasionally across the illusion, not often enough to draw attention, but just often enough their movement sends your eyes darting to other trees, trying to find where they went.

You breathe in the scent of sun-heated sap so slowly that it takes a solid minute for your lungs to expand. Your pupils flex and adjust whenever the wind rocks your tree. The window you’ve been staring at for the past hour remains in your focus.

The Sun, hair just as fake-gold as it was ten years ago, sleeps on. He’s definitely older now that you can see him in real life instead of on magazine covers or under studio lights. The skin of his neck is loose and folded under the weight of his chin drooping towards his chest. His eyes flicker under his eyelids. The bastard still has the audacity to dream. His arms are crossed over the sun motif emblazoned across his breastplate, his dust-covered boots kicked up on his desk so you can see how worn the soles are. Judging by the way his lips tremble, he’s snoring.

Pull the trigger.

You exhale. This is when you should do it. When your shoulders drop and the wind dies so that, for a moment, the world stands still. There are no whispers across the canopy. Every bough is frozen. The reflection of the sun in the river is overcome by a well-timed cloud and the Sun’s head tilts back to expose the long line of his throat.

The trigger presses back against your finger like an eager puppy. There’s nothing special about the bullets, nothing special about this gun. It’s not the right weapon for what you’re asking it to do, but you’ve had longer and harder shots. You know that you’ll shoot true and the confidence steadies your hand even more. You smoothly pull--

If you kill a Hero, there’s no going back.

Your pupils dilate at the memory. For a moment you don’t see the Sun; you see her with her face burned as red as her prom dress. You try to dispel the image, try to remember that she didn’t die in her prom dress, but it’s too late.

I want you to live, Elian.

You’re suddenly aware of how your lungs ache and your legs burn from the way they’re wrapped around the tree and the bark is digging into your cheek and your fingers are like ice on the trigger. You’re out in the middle of nowhere. This is the Sun’s private residence. The security must be insane even if there doesn’t seem to be anyone else around. What’s your exit strategy again? Your thoughts scatter as her voice rings through your head again.

More than anything, I want you to live.

-------Ten years ago----

You’re what the heroes tactfully call a nuisance. A juvenile delinquent with powers, aka a kid that the police aren’t equipped to handle and the local Hero chapter is too overqualified and too understaffed to address often.

 Your moral compass has never had a true north and it only gets worse the more your powers develop. Soon you aren’t just stealing your mom’s car – you’re stealing the neighbor’s and then the neighbor’s neighbor’s and then the neighbor’s neighbor’s neighbor’s until you’re breaking into houses at the top of the hill and joyriding in a car worth more than your entire neighborhood together.

You find out pretty quickly that the heroes care a lot more when money is involved.

You spend your first night in jail after getting chased for three hours in a neon green lambo by the four heroes packed like sardines in a standard issue SUV. It’s laughably easy to out-drive them, choking around corners and careening down alleys that you scouted in the afternoon. Honestly, it would have been easy to get away, but your mom called just as the tank hit empty, asking when you were coming home.  You decided to give the heroes a break before they decided to play too rough with a minor.

Mom isn’t thrilled when you tell her you won’t be home in time for school tomorrow.

You kind of expect to be sent to prison the next day when you find out just whose car you stole. The Mayor’s daughter’s car, bought new for her seventeenth birthday a month ago. There are two open secrets about the mayor. One, he’s probably one of the heroes that protect the city judging from how much he praises them every time there’s a mic nearby. Two, he loves his daughter more than anything else.

So when you’re released the next day with a slap on the wrist? Yeah, you’re surprised.

When you’re released the next day to find the golden-haired, blue-eyed Mayor’s daughter waiting outside? Having just bailed you out?

You feel fear for the first time.

“You could have at least crashed it,” she says when she notices you gaping at her from the end of the parking lot. She’s leaning against the hood of a black SUV that looks a lot like the one the heroes chased you in last night. She waves a hand in the air. “Dad says the dents you put in the side will be out by tomorrow.”

Fear, apparently, makes you snarky. “What, you wanted to spend another week getting chauffeured by a hero?”

Her brows jerk up towards her hairline. She throws a glance over her shoulder. “You seeing ghosts? Nobody’s in there. I drove myself.”

“Good for you,” you say. You think you smell. They didn’t give you access to a shower last night. You’re upwind from her and damnit why are you embarrassed if you smell or not? Your chin jerks forward in a challenge. “You gonna give me a ride back home?”

You’re joking, but she nods like it was the plan all along. “Let’s go.”

Is that an answering challenge in her words? Your teeth grind as you force yourself forward. “Very kind of you,” you chirp, swinging up into the passenger seat. The car smells like leather and justice. “Just drop me off on the other side of the train tracks. I can find my way home from there.”

She snorts. “Is that a Footloose reference? Very dated.”

You stare at her profile. “…No. I literally live on the other side of the tracks.”

She flushes. “Right. Well…I’m not dropping you off yet. I want to talk first.”

The doors are locked. You swallow as she carefully pulls out of the parking lot and then guns it into the road without looking. Luckily, no one’s there. “Talk? About what?”

“About how you’re going to steal my car again,” she says. “And this time you’re going to crash it right.”

“You hate the color that much?” you joke.

Her tone is not joking. “You have no idea.”

You don’t find out her name until dinner when your mom’s managed to entice her into a third slice of homemade pizza. She stares down at the slice while your mom waves for you not to stay up too late before going to bed early. Gamely, you’re already on your fifth helping. Criminal activity takes a lot of energy.

“Does your mom know who I am?” she asks.

“Like, in theory,” you say. You’re full and warm as you lean into the hard wooden back of your chair. Mom added olives to your side of the pizza. “She probably doesn’t know you’re the Mayor’s daughter though. Just that he has one.”

“The Mayor…right,” she says. Her jaw firms. She flicks some olives off her pizza and then eats half the slice in one bite. “I’m Gina.”

“Elian,” you say instead of No, you’re the Mayor’s Daughter. You refill her soda cup before your own, just to show her you can be fancy and have manners too. She’s so out of place in your family’s one bedroom apartment. Her shirt is crisp and white, her gold necklace so shiny, that it’s like there’s a sepia filter over the eggshell walls and oak cabinets. “Sprite. Only the finest for the lady who bailed me out.”

“I’m thinking you can take my car next weekend,” Gina says so abruptly you nearly spit out your soda. There’s a hard light in her eyes. “Dad’s out of town for…business. He won’t notice for a few days. You take it, you get out of the city, you drive it off a cliff once you’ve wrecked it doing donuts or whatever.”

“A cliff?” You know exactly where she’s talking about. There’s an abandoned quarry about an hour outside of town. You shake your head. “That’s where people dump bodies. No way am I going out there.”

“They find bodies there because it’s outside of Hero Force’s patrol,” Gina says. She waves her hands in the air so the yellow light from the inset ceiling lights catches on her golden manicure. “If you think about it, it’s the best place to dump a car. Especially when the heroes are going to be out of town.”

You stare at her. “Did you just admit your dad is part of Hero Force?”

Her eyes skitter away from yours. “No.”

“Your dad is out of town next weekend.”

“Yes.”

“And the heroes?”

“Maybe they’re traveling together.”

“I don’t think anyone is supposed to know when the heroes are going to be out of town. Isn’t that like a national secret, or something?”

“We’re not a big enough chapter for it to be a national secret,” she denies. She bites her lip. “Probably a state secret though.”

You stand and your chair chatters against the linoleum. “No. Absolutely not.” It’s time for Ms. Mayor’s Daughter to leave.

She scrambles up after you, following you into the living room. “Why not?! You already mess with the heroes. Weren’t you the one who kept breaking into the mall on a motorcycle? You hijacked one of their delivery trucks a month ago—”

“A food delivery truck,” you say. “Which was more of a commentary about the city’s investment in Hero Force luxury rather than after school programs—” You bite your tongue. You spin so that the couch stays between you. You glance at your mom’s closed door and consciously lower your voice. “How do you even know that?”

“I’ve been watching you,” she says. She laughs without humor, dragging one hand through her golden hair. “Sometimes living in this town is like being in a simulation. We have four A-class heroes for a population of 30,000 and everybody loves them. Nobody thinks it’s strange to have walking nukes in a small town. They love my dad. Did you know no one’s even run against him for the past two elections? It doesn’t matter what he does. He owns this place and these people. He has – could commit murder and it would be justified. People would think it would be justice.”

“He loves you,” you say weakly. Isn’t four heroes a pretty normal number? Sure, the ones in your town are big names, but that’s not weird.

Is it?

“He loves me so he gets to be a tyrant?” Gina scoffs. “If he’s even capable of love.”

“I’m not going to mess around with heroes’ civilian identities just because you’ve got daddy issues,” you say. When hurt flashes across her face, you wince. “Sorry. But it’s one thing to mess with heroes in masks, okay? Messing with a hero’s family—”

“You didn’t seem to have a problem when you were stealing my car the other night.”

“That was before I knew your dad was Mr. Solve or whatever—”

“The Sun,” Gina says.

“What?”

“My dad’s the Sun.”

“That,” you say, “is so much worse. Didn’t he burn some minor villain’s eyes out last week?”

“Yes,” Gina says. Her mouth twists. “The guy got off easy compared to some others.”

You stare at her, momentarily speechless. “And you wonder why I’m not going to antagonize the guy?”

“But you already do,” Gina says. Her eyes are glinting. She looks so out of place against the dim interior of your home, a radiant girl dressed all in white and gold. She rounds the couch and snatches up one of your hands between two of her own. “Everyone else loves my dad. Except you. My entire life, and you’re the only one who dares to make—make statements about Hero Force consumption by stealing their deliveries or make the heroes chase you around an abandoned mall on foot like regular people. You challenge them, Elian. All I’m asking is that you do it again.”

“That sounds like a lot more than just crashing your car,” you say. Your voice sounds very far away. You never thought of your actions as so noble. There’s a tingling in your stomach that you’ve never felt before and your hand is so warm. She sees you. You shake the fantasy out of your head. “I—look. I’m flattered, but I’m not your guy. The heroes know my face. It’s only a matter of time before I get sent to whatever detention super-powered kids get sent to. I have to graduate high school.”

Rather than discourage her, Gina presses closer. “What if I told you there’s a way to do both?”

Her closeness fogs your brain. “Both?”

“Take the heroes down a notch and maintain your identity,” she says. She releases you and whirls to get her purse off the couch. “I can help you. We can train so that the heroes never recognize the new you. You can use your powers in new ways. And you can wear this.”

She thrusts a piece of chewed leather into your hands. A mask.

“I’m thinking,” she says, “we call you Outlaw.”

------ Now ----

You can’t shoot. Night is falling by the time you admit it to yourself. You press your back against the rough bark of the tree and stare up at the first stars. You cradle your gun in your hands.

The bloodlust is still there. You aren’t a fair lily incapable of staining your petals red (as red as her). So why can’t you pull the trigger? Because of her ghost? Her last message to you?

If you kill a Hero, there’s no going back. More than anything, I want you to live, Elian.

You grind your teeth. Easy for her to say. The dying never have to feel the weight of consequence. They can just say whatever the fuck they want.

You aren’t thinking when you climb down the tree. Your powers give you a lot of things – speed and healing, an instinct for the outdoors, and excellent eyesight. You don’t need to look to find one branch and another, dropping to the forest floor in ten-foot increments. By the time your boots hit the ground, you know what the problem is.

Unlike your other kills, this one is personal. It was never going to be enough just to see him dead. You need him to know why you’ve got him in your sights.

The Sun is an old school hero. The traps you were so afraid of are predictable, turns out. You pick your way around bear traps and landmines, sharp eyes easily picking out silver trip wire when it glints in the moonlight. There are cameras, but there’s likely only one person with access. In the past ten years of following the Sun, you’ve learned two things about him.

One, he’ll kill the things he loves before he loses them.

Two, he doesn’t trust anyone but himself.

You get to the building inside of an hour. The first floor is hidden by steel shutters and there’s no light peeking out from behind them. The second floor window where he’d been sleeping for most of the day shines with the faint blue glow of a television.

The front door looks like a bank’s with how thick it is. There’s a keypad and a biometric scanner you don’t have a prayer of hacking.

That’s okay. You’ve already seen your way in.

You climb up the nearest pine tree. The Sun likes to think of himself as a competent hero, but too many mayoral kickbacks over the years made him soft. He surrounded himself with powerful heroes and never once struggled to win. Because of that, he’s missing some caution and common sense. The building’s first floor is locked up tight, but the windows on the second are regular glass.

And he hasn’t trimmed the tree line back far enough.

You fire your first shot of the night into his empty desk chair, exactly where his chest had been hours earlier. Immediately a siren sounds, and the TV glow coming through the office’s open door is consumed by bright light. You run two steps and then leap, neatly flipping through the empty window frame. Your boots slide for a moment on the broken glass and you catch yourself on the edge of his desk. There are medical papers scattered across it, prescriptions and diagrams of the face and eyes and heart.

You chew your cheek at the sight of a pill bottle. There had been rumors that the Sun is sick with his own radiation poisoning. It’s good you’re here before nature runs its course.

The siren wails for another beat before dying. The silence rings. Your heartbeat picks up as your ears strain to hear if anyone’s coming to meet you. Strange. The Sun had to have been the one who shut off the alarm.

So where is he?

You hold your gun out in front of you and check your mask. The Sun knows who you are by now, but you want him to see the mask she gave you. The handsewn leather, patched more times than you can count, is recycled from one of his old leather jackets. It feels oddly poetic to be dressed in the first iteration of your costume, cowboy hat tipped back and a biker vest embroidered with the name she gave you.

Is the Sun hiding? You creep out of the office, eyes darting from the quaint landscapes hanging on the wall to the tasteful wooden floors. The Sun’s safe house feels more cabin-y than you expected. The property deed has been in his name for the past fifteen years. Did Gina ever visit? Her ghost runs ahead of you, golden nails dragging along the peach wallpaper to the first open door on the left. She looks over her shoulder and smiles.

There are times when you’re glad for the afterimages your brain conjures. This is not one of those times. You don’t think she’d be happy to see what you’re about to do.

You swing around the doorway gun first, a snarl on your lips. “You old bastard, drop what—”

The smell of antiseptic hits your nose first, dashing away the red haze filling your vision in an instant. A TV murmurs against the wall, some rerun of an old western, but it’s not what holds your attention.

There’s a bed in the center of the room. The Sun sits at bedside, his attention wholly invested on the hand he’s holding up. Carefully, he applies gold paint to the nails without once looking up at you.

The woman in the bed is obscured with white gauze and beige compression bandages. Her breathing is soft and even. The one eye you can see is closed and still. No dreaming, no awareness.

“Outlaw,” the Sun says. He gently sets Gina’s left hand down on her stomach and picks up her right. He squints at her pinky nail. “Close the office door, would you? I don’t want the heat to escape.”

“What,” you breathe, “the fuck.”

-----Ten years ago ----

It’s a good year with Gina. You never realized how friend-starved you were until she was there, over at your house every day after school. She always makes it sound like she’s coming over to talk about the Outlaw thing, but there’s other stuff too. Movies and cooking and tutoring.

“Life is about balance,” Gina says sagely during one such tutoring session. “Besides, even heroes don’t go on more than two missions a month. We’re doing just fine.”

There’s always a pressing need to do more though. Whenever you pull off a particularly daring heist, she smiles this secret and pleased smile that makes your stomach flip. Sometimes, when the two of you watch news coverage of your getaways, she murmurs how impressed she is, how smart you are, how cool your powers are.

It makes you want to do anything for Gina.

You’re watching the news one day, waiting for a recap of how you stole the Sun’s favorite shield from the armory, when a rare story comes on. A Hero is dead, some guy named Ibis from Atlanta. There aren’t any leads to the culprit except for eyewitness accounts of a mysterious, winged super-powered individual flying low over the city, hiding in storm clouds.

“I’d kill a Hero,” you blurt out.

Gina jerks so hard that the popcorn bowl goes flying out of her hands. She doesn’t seem to notice. “What?”

“N-not your dad or anything,” you say quickly although yes, if you had to kill anyone, you’d start with the man who makes Gina cry like that. “Just…in general. The news anchor said Ibis was connected to a civilian’s death, right? I could kill a Hero like that.”

“No,” Gina says. She drops off the couch to kneel by you. “No, Elian.”

You flush like you’ve done something wrong. You sink into your hoodie. “I’m not going to, I’m just saying—”

“If you kill a Hero, there’s no going back,” Gina says. She’s too close, so close that you can see the flecks of gold hidden in her eyes. “Your life—it’s not like what we’ve been doing. Dad’s got rules when it comes to stealing. But if you kill a hero?” She shudders. “I want you to live, Elian.”

“I got it—”

“Please,” she blurts out. The plea in her voice makes you really look at her despite the pounding of your heart. Her eyes are wild and her mouth is pressed into a thin line. “No matter what. Promise me.”

“I—” No matter what? You slowly shake your head, trying to get away from the instinctive desire to agree with her. “I-if someone is really bad, I’d—”

“Elian—”

The tension makes you truthful.

“If your dad hurt you, I’d kill him,” you say. When she rears back, this time you follow. You brace your arm against the couch so you can lean into her space. With your other hand, you trace the fading burn on her cheek that could pass for an old sunburn if you didn’t know the truth. “I know you don’t think he will, but he’s been erratic lately. And I know about his temper. If he hurts you, I’d kill him.”

The air thickens between you. It’s rare that you don’t back down, but you’re not backing down now, staring into her eyes. Competing wills. For a moment you let everything you feel come to the surface. Your frustration when she visits with that fucking shadow in her smile, the helplessness when there’s another burn on her arm, the adoration when she’s just there.

Gina shudders and looks away first. She licks her lips. “I—I…appreciate what you’re saying, but I’m fine. You agreed I got to make the rules for Outlaw. I’m telling you one. Don’t kill heroes.”

She’s pulling away. You do too, falling to her side and sitting next to her rather than hovering over her. You try for a careless shrug but fall short. How can she make you feel so powerful one second and so powerless the next? You avert your eyes. “I won’t kill heroes,” you promise.

You hear her suck in a breath. “Good. Because I need you alive.”

“I do like being alive,” you say and don’t finish the sentence with with you.

“We’re done studying,” she decides. She darts up towards the kitchen. “I’m getting another bowl of popcorn before we start the movie. You want some?”

You stare at your reflection in the dark TV. Your jaw works. Finally, you say, “Nah. I’m good. I’ll just eat it off the floor.”

“Don’t be gross, Elian!”

------Now.----

“I will regret that day for the rest of my life,” the Sun says. He hasn’t looked at you once. His eyes are glued to the steady rise and fall of Gina’s chest. He times his breathing to hers and then sighs. “What a fool I was. Drunk on power.”

You’re standing on the opposite side of the bed. Your gaze flicks from Gina to him and back again. “Is she ever conscious?”

“It’s a medically-induced coma,” the Sun says. “The doctors say she should wake up any day now that most of her injuries have healed. Her last surgery was the final one. Now it’s up to her.”

This might be the first time in ten years that you’ve breathed. You suck in air greedily and imagine you can taste her scent under the layers of sickness and medicine. “They told me she died.”

“I told Hero Force you did it,” the Sun says. There’s no remorse in his voice. “They always tell villains they were successful, so they don’t try again.”

A decade of rage slides around your ribs. “You fucking bastard.”

“I did think it was your fault ten years ago.” He carefully picks up Gina’s left hand again to apply a second coat. It takes all your willpower not to slap him away from her. “If you hadn’t stolen Hero Force data, I wouldn’t have had to come after you with my full power. She would never have been in the line of fire.”

You’re fists shake at your sides. “I didn’t steal Hero Force data, I stole your fucking car. Don’t rewrite history.”

“There was Hero Force data in that car.”

“It was your Porsche, your civilian Porsche!”

“My fault to have left sensitive data out,” the Sun says. His confession surprises you into silence. “But I had to get it back no matter what. Then I blamed you by thinking how if you’d only asked me to take my daughter to Prom, I would’ve known she was in the car.”

“She’s not your property and it’s not the 1800s, of course I didn’t ask if I could take your daughter to—”

“I’m telling you what I thought,” the Sun interrupts. He finally looks at you. He looks worse than he did earlier, the years cutting deep lines into his face. There are black bags of exhaustion under his watering eyes. He breathes out shakily. “I had to tell myself it was your fault. It was the only way I could survive, Elian.”

Your real name shocks you. You stumble back. “How do you know that name?”

“She calls for you sometimes,” the Sun says. He drags a hand over his face before grimly returning to his daughter’s nails. “She’s never been really conscious for long. The d-damage took a long time to heal. But when she’s awake, she calls for you and she calls for Outlaw. Wasn’t hard to put the pieces together.”

Your chest throbs. “I should have been here. You should have—I could have—”

“Blaming you let me keep her by my side,” the Sun says. “I don’t expect you to forgive me or even understand me. But I…I regret more than anything what I’ve done to my daughter.”

“You’re going to regret it even more,” you say. The rage you feel is like a tidal wave. Ten years. Ten years. You could have held her hand through her recovery. You could have been there for her. And this selfish asshole who never even loved her like a father should took that away from you. You remember your gun. “You never deserved to be her father.”

“I didn’t, did I?” the Sun asks. He sets her hand down and swallows hard. He looks down the barrel of your gun without flinching. “She says one other thing, you know. When she asks for you.”

The curiosity stills your trigger finger. “What?”

“She says, Don’t kill heroes.”

Your face contorts. There’s the memory of popcorn in your mouth and the heat of her eyes on you. “Yeah, she said that to me before too. Back when I offered to kill you the first time.”

The Sun hangs his head. If he’s surprised to hear that, he doesn’t show it. “I wasn’t a good father.”

“No. But she didn’t want you dead.”

Understanding dawns. “Don’t kill heroes.”

“Exactly.” You tilt your head. “Do you feel like a hero?”

His lips tremble. His gaze drifts back to his daughter. Her eyes are flickering under eyelids. “I—I—”

The trigger presses back against your finger, eager and ready. “Do you?”

He licks his lips. “N-no,” he whispers. He closes his eyes. “No, I don’t suppose I do.”

This time, it’s easy to take aim. Steady your breath. And—

Fuck.

“Leave,” you say. You drop your gun back to your side and scowl when the Sun’s eyes fly open in surprise. “If you do what I say, you’ll live long enough for Gina to decide what to do with you. Leave and don’t tell anyone about this.”

The Sun shakes his head. “No, no I can’t leave her—”

“Then die here,” you snap. You bare your teeth at him. “Leave. We’ll be gone in a week. Maybe she wakes up and calls you. Maybe she—” You take a deep breath. “Well. Maybe she doesn’t. Either way, your part is done here.”

“I need to be there when she wakes up. Please, I’m her dad—”

“You’re her murderer,” you say. More than anything, you want to pick Gina up and run out of here before the Sun can stop you. You eye the monitors and know three people you need to call for advice before you even attempt to move her. A week should be just enough time to disappear. “You think you deserve to stay by her side?”

The Sun opens his mouth twice before he finds words. “I just—let me stay until she wakes up. That way I’ll know.”

“I spent ten years thinking she was dead,” you say. “You can last a month in limbo. If I have to ask you again, we’ll finally see who’s stronger now that I’m all grown up.”

The Sun picks himself up slowly. You think he cries. You’re not sure. He may even plead with you again. You’re deaf to it. Your brain has given up on splitting your attention and every atom of your being is homed in on Gina.

She’s alive. She’s alive.

You kneel at her bedside and wait for her to wake up.

----

Thanks for reading! If you want to read more of work or get access to stories like this a week (or more!) early, please consider checking out my Patreon (X)! This week's short story for my Triple Shot and above tiers is about a world where being loved adds years to your lifespan!

Based off this prompt (X): Love determines how long you live, some people are in their hundreds, but some don’t even live to be 20.

[biggest-gaudiest-patronuses]

got a worm nibbling my brain. can someone help me find a piece of obscure media?

webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.

it was very poignant and it bruised my heart and i can NOT find it anywhere

[yandere-writer-momo]

Yandere Short Stories:

Hell Fire

Yandere Priest x Herbalist Fem Reader

TW: abuse of power, yandere behavior, manipulation, and forced relationship

Pale hands affectionately cupped the soft cheeks of the sleeping maiden that rested on the bed in the dungeon. A bright smile on the young priest’s face as his fingers traced over her soft lips.

“You are finally here…” Aurel voice was as soft as a breeze. His blue eyes gentle and his lips pursed in thought. “You’re finally within my grasp.”

Aurel glanced around to make sure there were no other eyes watching before he crawled into the small bed beside (your name). His lanky arms wrapped around her vulnerable form in a vice like grip. Aurel buried his nose into her hair and deeply inhaled her sweet scent, a moan escaped his lips from how delectable (your name) smelled.

“I wonder if you’ll be happy to see me once you wake up.” Aurel thought aloud as his hands wandered her sleeping form. “We used to be so close when we were kids… we can get married just like we always wanted.”

Aurel brushed a few of his silver strands away from his blue eyes. His cheeks heated up at how beautiful (your name) had grown to be. “I’ve crawled my way to become a Cardinal, but I’m willing to bend the rules for you… so you just have to accept me.”

Aurel buried his face into her shoulders while he clutched her closer to his chest. His tongue clicked when he felt his she thinned out a bit. These heathens haven’t been feeding (your name) properly, have they? He’d punish them once he married her…

Aurel pressed a few stray kisses to her shoulders before he smiled to himself. He had destroyed her reputation as an herbalist by spreading rumors of her being a witch. It was a desperate and cowardly method, but she refused to be with him. What other choice did Aurel have? (Your name) had forced his hand for the last time and now she had the biggest choice to make.

Become his wife or burn at the pyre.

[charlesoberonn]

When you were young, your mother used to read you an old fairytale every night before bed.

It was a sad story, about lovers who walked through hell to reunite with one another and almost succeeded, only to be separated again forever in the last moment. It made you cry, and the next night you would beg your mom to read it again.

"You know it'll be sad, right?"

"This time they'll win, mom! This time they'll have a happy ending!"

But they didn't. Nor did they win in the next night, or the night after that.

Deep down, logically, you knew it'll always end the same way. The story is done. It's been told long before you were born. But when mom was telling it, you could pretend that maybe this time it'll work out. This time will be different.

When you grew older you didn't stop pretending, even though you knew it was silly and getting sillier. When you learned to read and write, one of the first things you wrote was a new ending. It was bad, about you as an all-powerful angel coming down to help the lovers reunite and then you get invited to their wedding.

"It's not real, it's fanfic." a friend told you when you showed them. They explained the word, and you saw what they meant. But you didn't care, seeing the words on the page helped you pretend.

You read voraciously as you grew. All kinds of stories with all kinds of ending. But you kept coming back to that one. Reading from your mom's old copy which her read to her from.

You didn't need mom to read to you anymore, but sometimes you asked her to anyway. Occasionally she'd do it, but more often than not she was tired.

Soon she stopped reading. Then she stopped speaking altogether, her voice too weak and throat too sick to speak aloud. That's when you started reading the story to her.

It was hard at first, your tears choking you up. It was hard pretending that the story will end differently.

"The diagnoses are just estimates, probabilities." your dad said. And when he spoke, you could pretend there was a chance. But when the doctors spoke, their words felt as final and unchanging as the old words in the storybook.

Eventually, mom was no more. Your dad read something personal and touching in her funeral. Everyone thought you would, too. Everyone knew how much you loved writing since you were little.

You thought you would write too, imagined it in your mind as your mother's end drew near. You had so much to say, but the words wouldn't come out. The only words that would come to you were from the story. You tried to bat them away, but you knew you couldn't. You couldn't change this ending.

When it came your time to eulogize, you pulled out the book and without preamble started reading from the second-to-last page. This time there was no pretending.

Everyone knew the story, even the people who didn't know mom personally. Everyone knew it will end in tragedy. The lovers will not get a happy ending.

Except this time they did.

You didn't notice the change until you were halfway through the final page, so out of it you were. But the reactions from the mourning crowd clued you in. Your stoic dad choking down a chuckle.

You looked closely at the book and saw the words were written in your mom's neat handwriting.

You kept on reading, a smile on your face.

It wasn't the real ending. It was fanfic.

But just for a little while, seeing the words on the page helped you pretend a little longer.

[strangelittlestories]

It is a little known fact that angels cannot step foot in hell.

Note: this does not mean that angels *don’t* enter the burning depths, only that they cannot touch the floor. You see, the fires that rage below are not regular fire. They do not consume fuel and oxygen and spit out heat. Instead, they chew on reality and drink down order, and the flames that lick up at you are made of chaos-filled void.

This is antithetical to the very substance of angels. If it touches them, at *best* the angels will be spat out as they are forcibly reminded that *they don’t go here*.

At medium, they will be unmade.

At worst, they will be *changed*.

You might think they could avoid this by simply flying through the pit, right? Oh, would that it were so simple. Remember the flames that burn up reality? Hell is an alchemical reaction of exploding space and logic and time and souls. You try flying through a place that is not a place, where up and down can hardly agree on which is which for more than an instant.

But there is a way around this. It was originally discovered by the guardian angel Cambiel. You see, under Cambiel’s protection was a woman named Ruth. Ruth was a shining light who Cambiel cared for greatly.

Ruth, in turn, had a woman she cared for very much. And, sadly, a demon had stolen Ruth’s love away from her.

“Do not follow her,” warned Cambiel, “for if you follow your heart through the gates of perdition, I cannot go with you.”

“Sorry, babe,” replied Ruth, “but I am *very* gay and *very* romantic and that has made me reckless.”

And Cambiel nodded sadly, for all of this was true and good.

But as Ruth walked the lonely, tortured path into the underworld, an idea occurred to Cambiel.

Sure, they couldn’t walk or fly into hell, but maybe they could *ride* there.

Now, a fully grown horse could not hope to navigate the depths beneath the world, for their sense of self-preservation was too strong. An adult horse would flee from the screams of imploding souls and the winding geometry of impossibly winding roads.

But a young horse? With a child’s innocence, with bright young eyes, who had not yet been tricked into believing in its mortality?

That was a mount that could bear an angel (who was, after all, light enough to dance on the head of a pin) into the fearful caverns of the beyond. Honestly, the little horse seemed weirdly enthused about the whole thing. 

And so did Cambiel guide a pair of reckless and romantic (and useless) lesbians out of hell.

When the pair thanked the angel, all they said was this:

“Don’t thank me, thank the little horse. It turns out … foals rush in where angels fear to tread.”

[cadaverousdecay]

I found one of those things you call a mermaid on the pier the other night. All tied up and thrashing its poor body around like a fish caught in a net.

That image repulsed me. You know I've never been one for fishing. Even catch and release puts me off. I don't like to watch the poor thing slowly suffocating as it waits to be thrown back in, its gills heaving and sputtering for water.

That creature tied up on the pier, the gash of gills on its neck was heaving and sputtering just in that way, dark ocean water flowing out with every failed breath, it really made me sick.

I pulled out my pocket dagger and its attention was on me. Its eyes bulged wide and I wondered if, like a fish, it couldn't blink. The sight of my dagger set it off into another thrashing fit and I tried to calm it down. Poor thing didn't seem to understand a word. It kept opening and closing its faded lips, but nothing came out. Must've spoke some kinda fish language.

I held it firmly in place and slowly brought the dagger to the knots binding its wrists. It calmed down after seeing that I wasn't here to cut its flesh. Or maybe it had just lost all energy from being out of the water too long. Either way, it stayed still as I cut the ropes around its legs.

When it was freed, it just lay there on the pier. So still it might've been dead, other than the weak flapping of the gill at its throat. I needed to get it into the water, and fast.

I lifted it up, one arm under its neck, the other under its knees. Its skin was slightly warm, unlike any fish I'd ever briefly held. But the same clamminess. Warmer than its skin was the water spurting from its gills.

I stepped closer to the edge of the pier and the thrashing returned. It must've known it was going back home, and was getting excited. I took a step back to gather momentum, and pushed forward with all my might, throwing the creature in kicking and flailing.

It hit the water with a splash, and stayed at the surface for a moment. Almost like it was treading water. Must've wanted to say thanks. After a few seconds it slowly sunk down. Back to its home.

I imagined the slit in its neck filling up with ocean water and I could finally breathe easy again. I couldn't get that sick taste out of my mouth for awhile, though. Same sick taste of my first fishing trip.

"Who cut its neck?" I remember asking my mama as the fish struggled in my hand, tail thrashing, scales cold. She told me those were its gills, that's how it breathed. Through the slits in its throat.

"So it's breathing through its neck?"

"No, sweetie. Not now."

I took one last look over the pier into the dark water below, getting darker. That fish is breathing now. It's gotta be.