#AND WOW GUESS WHAT

[gloomyloomy]

me, minding my own business:

my brain: hey did you ever notice how zoro and sanji were designed to be connected by the number three? sanji’s name (san) meaning three, and zoro’s three swords and three earrings, being distinctive character traits?

me: i- where did this come from, i don’t even think about them that often..?? what the hell am i supposed to do with this?! hey- hey! come back here!!!

[dxkjf]

SKYBOUND SPOILERS for issue one I guess 🗣️

CRAPPY SKETCH I DID THIS MORNING sorry about your son optimus

[finngualart]

daucus carota

[californiatowhee]

old fashioneds and tipsy daydreaming

bonus: the subsequent drunk texting

extra bonus, if you made it this far: what happens next, in fic form (spoiler: Phoenix and Miles kiss)

Behavioral Phenomenon | Phoenix/Edgeworth | 2.5k

[shanastoryteller]

The day his deal comes due, Sam goes missing.

Dean tells himself it’s nothing, that he’s gotten caught up in some research, some last ditch, hail mary nonsense and that he’s just turned his phone off and everything’s fine, that he wouldn’t do something stupid, that he wouldn’t break his promise.

He tells himself that for the first two minutes after he cracks his eyes open and sees the empty bed across from him, and the first time his call goes straight to voicemail, and not much after that. Sam’s broken his promises over things significantly less important to him than his brother’s life.

Dean is dressed and in the Impala five minutes later, heart thudding wildly in his chest. He calls Bobby, Ellen, everyone he can think of, but none of them have heard from Sam, none of them have eyes on him. Sam was with him last night, even if he boosted a car, there’s only so far he can get.

He keeps calling, keep searching, desperate to stop whatever he’s trying to do, to find him, to see his brother one last time before he’s dragged to hell. To make sure Sam is going to be okay after he’s dragged to hell. But the hours tick down, the sun sets, and he can’t find a trace of him. He’s so exhausted and heart sick that when he goes to call Sam again it takes him a long time to read the number on his phone, eyes swimming, the time not making any sense.

1:03

That’s not possible.

That’s not –

His phone rings, blocking out the time with Bobby’s name across the screen, and he answers it but his throat is too thick to say anything.

“Dean?” Bobby says tentatively. “Are you – I got an email from Sam. It just said, I mean, did–“

“What did it say, Bobby?” he asks, even though he’s sure he knows.

Bobby sucks in a breath at his voice, because he knows just as well as Dean that he should be screaming in hell right now, not answering his phone. “To take care of you.”

Dean drops the phone, hears Bobby still talking as he grips the wheel and presses his forehead against the back of his hands. This is what he’d been afraid of. This is why he hadn’t wanted to mess with the deal in first place. This is the one thing he’d begged Sam not to do.

It's easy to find a crossroad.

The demon is laughing at him when it shows up, wicked grin in a pretty face. “That didn’t take you long, boy.”

It’s a different demon than the one he delt with, obviously, but Dean figures they all know the same shit, since demons are a bunch of gossips. “This wasn’t the deal. My brother lives and I die.”

“You traded your soul for your brother’s life,” she corrects, so amused by all this that all he wants to do is kill her, to exorcise her, to make her scream. “Just like your father traded his for yours. There’s no reason Sammy can’t make his own trade. Man, but is your family fucked up. Maybe if you’d just settled down like little Sammy wanted, you wouldn’t all be bargaining for each other’s lives like haggling at a flea market.”

“Untrade it,” he snaps. “My soul for him alive, come on, no year, no waiting, you bring him back and take me to hell right now.”

She laughs in his face. “You don’t have anything to bargain with, boy.”

“My soul,” he repeats, “That’s what this is about, isn’t?”

“Oh, it’s what it’s all about,” she says. “But Sammy’s a clever boy. You know that, don’t you? He didn’t trade his soul for your life, he didn’t have to. You didn’t die. No, he traded it for your soul. Sorry, honey, but your credits been declined.”

At first he doesn’t understand. Sam traded his soul for Dean’s, exactly, so there’s no reason he can’t trade it right back. Then he gets it.

She sees the exact moment it clicks, the moment despair and horror sweep across his face too quickly for him to stop them. “That’s right. Little brother owns your soul now. For some reason he didn’t think you’d take proper care of it. You have it because that’s where he wants it, but no one will be making any deals with you, Dean Winchester. You can’t sell a soul you don’t own.”

“You can’t,” he has to clear his throat, “you can’t just come in and change things at the eleventh hour-”

“Eleventh hour?” she interrupts. “Sammy made his deal eleven months ago.”

His mouth is so dry he can’t speak.

“Isn’t it funny?” she asks, head cocked to the side. “All this time, the deal he’s been trying to get out of wasn’t yours, but his own. Maybe the two of you might have even managed it, except you just wouldn’t help, would you? Insisting that he not research, that he not look for a way out, and he spent so much time trying to convince you, coaxing you to talk about your feelings when he knew you were safe, all he because he thought it would make you feel better when he was gone, because he couldn’t tell you the truth and talk about how scared he was, so talking about your fear was as close as he could get.”

Dean’s going to be sick. “Don’t – please, please, I’ll give you anything-”

“You don’t have anything,” she says, gleeful. “You want to know why I agreed? The thing that made it just too delicious to refuse? Sammy’s down there, just starting in on an eternity of torture, and all he has to do get out of it is give up your soul. It’s his, after all, and he can put the original deal back in place any time he chooses. Just one moment of weakness on his end and his beloved big brother will be on the rack instead.” She sighs happily. “It’s almost as good as anything we’re doing to him down there, the knowledge that if he slips up for even a moment then it would all be for nothing. I couldn’t have found a way to twist the knife deeper if I tried.”

There’s vomit crawling its way up his throat and he has to swallow it down before he can speak. “I can’t ��� I’ll do whatever you want, please, there has to be something.”

She leans forward, cruelty and delight shining in her eyes. “The only thing you can do is what you’ve been telling your precious baby brother to do for the past year. Accept it. Move on. Live a good life so his sacrifice isn’t in vain.”

God. How can she – how can Sammy expect him to –

He’s doubling over, finally upchucking what little he’s ate today, and he’s dry heaving on the dirt when he hears the fading sound of her laughter.

This can’t be real. This has to be Hell, he has to be in it right now. He has to be.

[mythtiide]

wearing a big tshirt that says I ❤️ MINECRAFT ROLEPLAY

[possamble]

What I love about Dungeon Meshi is that it says “eat, or be eaten,” but not as in “survival of the fittest.” “Eat, or be eaten,” because there is no third choice—every day of your life, one or the other will happen. If you choose not to eat, you will be eaten. Eating is a mandatory part of being alive. The failure to acknowledge this makes you weak, guarantees that you will fail—as seen with Shuro, as seen with Thistle.

“Eat, or be eaten,” because “living things take other lives as sustenance, and no one is exempt.” If you eat—if you are a living thing—you will be eaten one day. Whether it's to literally be killed and eaten for your flesh, or decomposed down to the bone—violently or painlessly, quickly or slowly, you will be eaten and turned into sustenance for other living things. A dead body is always consumed as food, and there is no meaningful distinction between the two. The only way to avoid it is to have never been born at all.

“Eat, or be eaten,” because “eating is a privilege of the living.” And isn’t that incredible? To be a living thing is to have the privilege of eating. To have the ability to eat is a boon, an honour, a birthright. It is the unique, universe-given gift and right of all living things. It is synonymous with being alive—to live is to eat. To eat is to be eaten. We are eaten because we eat, we die because we were born, and the privilege of eating is earned through the inevitability of our deaths. The two cannot be separated. 

“Eat, or be eaten,” because “eating is a privilege of the living” and the reason why a mortal man could topple the personification of infinity—it cannot die, therefore it is not alive, yet it chose to eat. But to eat at all is to become a thing that can be eaten—choosing to take means you will have things taken from you in the same manner. The moment that Laios accepted this—after killing his sister with his own hands—was the moment the Winged Lion had already lost.

Dungeon Meshi is far from the first story to say, “memento mori.” But it takes the inevitability of death—a concept too distant and philosophical to grip the average person—and reframes it within the act of eating. Makes it visceral by using a universal part of daily life, a routine that every living thing is intimately familiar with. 

“Remember that you will die,” it says, but furthermore, “remember that your future death is a prerequisite for the food you are able to eat now—remember that other things die so that you can eat, remember that you will die to feed something else, and that there is no other alternative. There is no way to stop this. To take is to have things taken from you. To eat is to be eaten one day. There is nothing kind or cruel about this—it just is, and you must be the one to understand it and bring meaning to your own existence.

In light of all this, why wouldn't you choose to live as deliciously as possible?”

[clearancecreedwatersurvival]

Well I got to the part that explains why everyone ships marcille with falin, but what about that kabru guy, why does everyone ship him with laios????

And then

Immediately followed by:

And

Yeah okay I get it now.

[quirinah]

ummmmmmm guys this dungeons looking a little dark here..........................ummmm..... hello??? guys??

[dotcircledot]

drops these and runs away

[spilycoris]

talk.

[skellagirl]

Gordon/Barney/Alyx is really really funny to me conceptually bc it's like, two hot geniuses in their 20s who look at the 40-something smartass who hangs around and go 'yeah that guy. we both want him carnally'

[abyssal-ilk]

not usually a solavellan person but imagining the companion dynamics changing post-breakup and especially if lavellan decided to let solas take their vallaslin?? many thoughts. because without the context of solas being the dread wolf and then his refusal to give lavellan any solid reason why he's breaking up with them, the entire scene just feels like he takes lavellan out presumably for some sort of date night or hookup, tells them a key part of their culture is actually not what they thought at all and are actually slave markings, and then immediately breaks up with them without explanation no matter what they choose. how. how does that not rewrite at least a little of what the other companions and advisors think of solas.

[starflungwaddledee]

some rather strong first impressions were made.

required reading for the magical "voice" headcanon and another for starstruck's signature in particular. asked by @trainerbob23 !

[tortilla-of-courage]

LINKTOBER Day 8 - Tunic

in a different timeline they're all patrolling Skyloft together

[gallerypeice]

quick lil sketches to honor the fact that i fucking called it