#AND THEN GO AND SAY SHE'S ONLY EVIL????????????????

[rootspiral]

Agatha All Along deep dive: episode 8 part 8

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8])

so anyway rio could have stepped in at any moment and ejected billy into oblivion / prevented agatha from getting a full recharge. but did she? no, no she didn't. this is absolutely a fucked up game they're playing instead of talking about their feelings. rio tried to talk and agatha rejected her (almost) every time, so theatrics and blood it is! god it sucks so much that this stupid flirt/hurt/posture/dance is the only way agatha allows them to communicate.

agatha's smirk! she's like, now you're gonna get it! now I'm gonna fuck you up!!! rio has been throwing her around like a rag doll, but now that she has her powers back agatha can finally put allllll her shields up and do a little show of her own.

when it comes to agatha everything is about being in control of the narrative, being the one who hurts rather than being hurt, never showing any weakness or vulnerability. she was awfully vulnerable without her powers and that has allowed rio to creep in closer, something that agatha had managed to escape for so long. it's no coincidence that she chooses this appearance, the same one she chose when going face to face with wanda. this is what she was trying to look like with her purple coat too: the formidable, merciless witch. it's an armor she clings to, a mask to feel powerful that won't ever show the mess she's hiding underneath. this is what agatha chooses to look like when she's scared.

rio: fuck off you little meddling twink the adults are talking

agatha: mwhahahah I'm such a big scary villain just lemme check if billy's okay real quick.

actually let me gush for a second about agatha's greenhouse being full of herbs and potions! her witchy basement disappeared because she had built it with a magical illusion, but in here she's been totally experimenting with physical craft (neeeerd).

billy's like, are those two fuckers honestly actually flirting right now

CHILDREN I swear to god

LEAVE MY INFURIATINGLY STUPID EVIL MOM ALONE!!!

poor rio. just her luck that when she finally gets to corner agatha a baby maximoff comes into the picture. I love my perfect mama's boy.

the bittersweet look she gives billy. she's truly having a lot of firsts, now she finally admits that all her dancing/fighting with rio is futile, it's just for show and it won't ever truly solve anything. what is she even doing, involving billy? billy who's still so earnest, so eager to help.

I SEE YOU JAC SCHAEFFER! I SEE YOUR EVIL WAYS! I SEE YOU CREATING THESE SILLY LITTLE SHOWS SO YOU CAN EXPLORE THE IMPOSSIBILITY OF LOSS AND GRIEF AND OUR OWN MORTALITY!!!!

but she's being 100% genuine here???

okay, no, this is still agatha we're talking about.

she's being aT LEAST 80% GENUINE! she's having a moment of clarity, she's contemplating the true awfulness that would be sacrificing billy on the altar of her own fucked up issues. the mask has slipped and the real agatha is peeking through, swords in her heart and all.

her parting words to billy: you are not bad. the same words she wanted to imprint on him when they had their first mask off conversation. don't let people cast you as a villain, like they did with me.

Neither are you, says Billy.

You're the only one who thinks so.

The thing is, being so hated, doing all the fucked up things she does, really hurts agatha. It's no justification whatsoever, doesn't make her any less of a villain. she goes out of her way to be misunderstood, to never show any weakness, to selfishly rationalize all the horror she inflicts, because the alternative is opening up to more potential hurt, and she's been hurt too fucking much in the past. and the more she pushes people away, the lonelier she is. it's a vicious circle.

three people loved her despite it all: rio, and she ran away from her when things got too overwhelming. nicky, and that's a whole other mess that I'll get into next episode.

and now billy loves her, and she craves that love just as much as she wants to run away from it. she'll hurt billy to protect herself, she'll hurt him first because she's afraid that he eventually will leave or die or get mad and will hurt her. because right now? she's feeling so much love for billy, and that's terrifying to her. the more she loves, the more she opens up to heartbreak.

both gorgeous shots

billy: I'm not that nice.

also billy:

then she got an idea. an awful idea. agatha got a wonderful, awful idea.

oh this is perfect, isn't it, agatha? you somehow convinced the boy to turn himself in! if he goes through with it, rio has promised to leave you alone! you'll be free to crawl back to your dark dark corner and accumulate bodies and power like the old miserable smaug you are!

you can see agatha's survival instinct kick into high gear. this is how she has survived so long. this is what she does.

BILLY'S FACE. I got to laugh a bit, sorry kid.

rio shaking her head both in triumph and exasperation. of course you betrayed the kid, agatha you piece of shit. rio didn't expect any less from you.

and she can't even look at him, the coward.

but I thought we were having a moment??

he went ahead and made a grand gesture without being ready to actually sacrifice himself whatsoever, and now he's going "mom??? come back and pick me up, I'm scared??" it's like agatha is kicking a puppy.

the slow, dramatic turn. the evil grinchy grin. this is the most egregious example yet of agatha putting her mask on, and we have all the context to understand exactly what she's doing and to see what's going on both on the surface and inside her wretched little soul. she's not cruel and uncaring, that's play acting - she's actually small and scared and a coward. she's once again running away screaming, rationalizing it as a smart choice and breaking her own heart in the process.

so I know billy's telepathic line was added in post because disney execs feared audiences wouldn't buy agatha turning around on her own. what absolute buffoonery, such massive disregard for your viewers' intelligence.

...on the other hand. billy full on misreading the situation and trying to fix things that are beyond him, only to accidentally hit the target? somehow fixing a delicate fragile problem by hitting it with a hammer? totally on brand for him.

is this how nicky died? it kind of is. she did choose her own fear over nicky's well being, despite loving him so so much.

whether you choose jac's version or disney's version, here's what happens next: agatha stops in her tracks. her stupid grin fades away, and she clutches her chest. she finally did it, she told a lie too big. her poor heart, already bleeding from all the swords stuck in it, simply cannot take one more stab. sure she's all about self-preservation, but at this point she's damned either way: she either goes out saving billy or she's killed by her own regrets and sorrow.

she turns around. she runs. not to billy. to rio.

going back to what my mother jac schaeffer (whom I love more than jesus or pizza) said: this is not agatha enacting a grand plan, she's not taking a ~calculated risk like she'll tell billy later, the fucking liar that she is. sure, she had a vague hope of turning into a ghost, but she didn't know for sure. this is agatha's emotions taking over her brain - like they tend to - and forcing her to use what are probably her final moments on earth to TAKE WHAT SHE'S BEEN CRAVING ALL ALONG

agatha grabs rio's face and SMASHES their mouths together. FULL ON proceeds to EAT HER FACE she wants her so much. rio is shocked for a moment and then closes her eyes and gives in completely. and you can see the poison taking over because this idiot - this gorgeous, tragic dork - has decided to kill herself by absorbing rio's powers - but this is not going to be a mere 'peck of Death', no sir, that's not what it's called! agatha is gonna SNOG Death, she's gonna TONGUE that immortal being, she's GETTING ALLLLL HER MONEY'S WORTH. dear lord the HUNGER and YEARNING and DESPERATION on her face.

and I love that she's taller here. they're basically the same height so who's taller depends on the shoes they're wearing, but I love love love that agatha gets to engulf her for once. agatha taking control, rio giving herself up completely

what? you thought that now that magic has been absorbed THE KISS would be over???? well THINK AGAIN. because now we're going to switch angles, we're going to linger, we're going to make it look like almost gratuitous fan service, oh yes we are!!!

I truly don't know what to say. I would like to thank jac of course, and kathryn hahn and aubrey plaza for MAKING THE FUCK OUT and exchanging so much spit on camera like the true professionals they are. thank you writers room, thank you to all the crew who had to listen to the ungodly noises these two were undoubtedly making. thank you gandja monteiro for directing this. I'm going to even thank the lighting department for making it thunder so we can (more or less) see what's going on. this was truly a group effort. well done you all!

and they keep kissing until the very last available moment, and rio doesn't know how to let her go

but this is so on brand for agatha. you know if rio was in her place she'd try to be as gentle as possible to ease agatha's grief. agatha literally went for the most dramatic, most over-the-top, most emotionally devastating way to go. this was supposed to be rio's big moment! and what does agatha do? she makes it all about herself. again. should be the other way around, but once again rio gives, agatha takes. you just gotta laugh at this point.

Death looks on stone faced as her love turns back to nature and balance is restored. she wraps herself in her cloack and tries very, very hard not to cry.

agatha really went and made rio kill her, didn't she? rio, who isn't ALLOWED TO. these two are soooo wrong and so toxic for each other and yet they love each other so freaking much, I truly cannot get enough of them.

go to episode 8 part 9

[fizzie-frog]

SINSMAS!!! part 2

part one here

Man's writing Stolitz fanfiction

Yesss daughter father moments yeeessss... After the almost-execution they really became more tight knit.

Stfu ;((((

Lmao he really interrupted his villain monologue

Stolas is off the rails this episode and it's a mood. Man how I wish I could go down and go nuts for a day lol

"Do it....... pussy" Stolas htrjifkl

Man's can't have his evil villain monologue scenes

We turning back to "jelly sandwiches all night" except so much worse huh

So many good expressions with Andrealphus this episode I swear.. Also Loona, wtf. It really seems like imps are the only species that don't really have any powers.

She looks like a fucking horse

I don't even know what to say about Andrealphus anymore

The reference-

I can't deal with him

He went for it. Midair. Yolo. Unhinged Stolas my beloved

Nooo girl it's not your fault ughhh I know she'll understand but sigh

Sobbing crying frothing

Love the gremlin imp mode

Now the question is... Is it Moxxie's?

BARBIE MENTION!!! they were close omggg

So darn cute

BUT THE MOST IMPORTANT FACT IS I STILL GOT NO FIZZ OR OZZIE!! I NEED A BIGGER DOSE.. HOW WILL I SURVIVE???

Great episode though.

[dr-spencer-reids-queen]

Tipping Point

Pairing: Spencer Reid x Female!Reader

Word Count: ~1.4k

Warnings: sexual tension, implied smut

Summary: Your aunt signs you up for shooting lessons with Spencer Reid. You get more than you bargained for when you go.

Square Filled: alex blake (2022) for @spencerreidbingo

Author’s Note: any and all comments are greatly appreciated <3

x

Not having a job is really kicking your ass. All you do is stay at home and flip through magazines and shows you’ve already watched. Since your parents died, your aunt has taken you under her wing. The housing and renting market is a joke right now, so you’re living with her until you can go to school. You want to go into her field since you look up to her so much, but the school year doesn’t start for another three months.

So, you’re just trying to pass the time by reading magazines and watching shit reality shows.

Aunt Alex walks downstairs after getting ready for work, and she goes to the kitchen where the full pot of coffee you brewed is waiting for her.

“So, what do you have planned for today?” she asks.

“Well, at ten, I want to cure diseases, and at two, I plan on writing a thesis on String Theory. Why? Do you have something planned? I can see if I can fit you in,” you say sarcastically.

“You’re so funny,” she rolls her eyes playfully. “There’s actually something I want you to do for me.”

“What’s up?”

“I signed you up for shooting lessons. One of my coworkers is teaching the class, and he knows you’re coming. Your appointment is at two.”

You resist the urge to roll your eyes. She’s been nagging you to take shooting lessons ever since you moved in with her.

“Aunt Alex…”

“Y/N, listen, your mother wasn’t prepared and look where it got her. I’m not letting the same thing happen to you.”

She’s right. Your father died shortly after you were born so your mom was the protector. There was an invasion one night and she wasn’t able to protect herself against the intruder. She died fighting to save you. Alex sees evil every single day, and it would break her heart if you weren't prepared for the worst.

“Fine, I’ll go,” you sigh.

“Good. It’s at two. Don’t be late.”

“I won’t.”

The morning is filled with reality TV, and the early afternoon is when you prepare to go to this lesson. What should you wear? A dress might be too much so you pick out a nice pair of jeans and a loose shirt. Once ready, you leave the house and head over to the shooting range. You’re not sure who from her team is going to be teaching you. You’ve never met them but you do know them by name. David Rossi, Derek Morgan, Aaron Hotchner, and Spencer Reid. You don’t think Rossi or Hotch will teach you so it has to be either Derek or Spencer.

The shooting range is empty, probably due to Alex’s influence. She wanted whoever is teaching it to focus on you the whole time.

“Hello? Anyone here?”

“In the back!”

You walk to the back and see a tall and slender man putting away supplies. From Penelope’s use of the phrase “Chocolate Thunder” (thanks to Aunt Alex repeating it several times), you know this is Spencer Reid. Spencer turns and you’re immediately floored by how attractive he is. You’ve met your fair share of men and have hooked up with more than one of them, but Spencer is on a whole other level.

This is a man right here. You’re into older men, too. You’re not sure how old he is but he can’t be more than thirty-five.

He walks over to you with a smile. “Hi, I’m Spencer Reid. Alex said you were coming over.” No words are coming out so you just nod instead. “Have you ever shot a gun before?” Again, you can only shake your head. “Don’t worry, I’ll teach you.”

He takes you over to the area where you shoot and shows an array of guns on the table next to it. He picks up the smaller one and hands it over to you.

“Wow, this is heavier than I thought it was going to be,” you chuckle when you grab it.

“Yeah, don’t let that scare you. This is a very easy gun to use. First, safety.”

Spencer takes the gun from you and puts it on the table before grabbing a pair of earmuffs and safety glasses. You look up at him as he slides the earmuffs over your ears, and he looks into your eyes. He briefly looks down at your lips but it was so quick that you could have been imagining it.

“Does that fit well?”

Even through the earmuffs, his voice is like honey. You nod and he moves onto the glasses. He slides them on despite you having full capabilities of doing this yourself. You look down and the glasses slide off your face entirely, and you chuckle shyly. Both you and Spencer lean down to pick it up, and your hand bumps against his.

It was just a bump but that sends shockwaves through your body. Based on how Spencer is looking at you, you know he felt the same. This is different than any fling you had. You’ve never felt this type of attraction toward another man.

“Sorry,” you whisper.

“It’s okay.” He grabs the glasses. “Let me get another pair.” Spencer leaves and returns with a smaller pair. “Are those okay?”

“Better,” you smile.

“Okay, take the gun and turn the safety off.” You pick up the gun and flip the little switch. Spencer steps closer to you, so close that you can feel his body heat behind you. Butterflies flutter in your stomach but you try to ignore them. “Here, hold it like this.”

He reaches around you and fixes the way you hold the gun. He has to press himself closer to your back, and you silently thank Aunt Alex for setting this up for you.

“Am I holding it right?” you ask.

“Yes.”

His breath is hot against your neck, and you swear you can feel your panties dampening a little bit.

“Now what?”

“Shoot.” You aim at the target in front of you and shoot three times, all of the bullets not hitting the target but on the paper outside of it. “Okay, next time, don’t close one eye. That actually doesn’t help.”

“Okay,” you chuckle. “Sorry.”

“It’s okay. Try again. This time, try to aim for the heart.”

You aim at the target but freeze when you feel Spencer’s hand sliding up your arms and down to your waist. How can you think about this when all you can think about is his hands on your body? You shoot the target twice, both of the bullets hitting the target. However, one hit his leg and the other hit his hand.

“Better?”

“Yeah, a bit. Are you sure you’ve never shot a gun before?”

“Never.”

“For a first-timer, you’re doing a lot better than other newbies.”

“Thanks,” you smile. “I just have a really great teacher.”

Spencer spends the next thirty minutes teaching you how to shoot multiple different guns. By the time you’re done, the sexual tension is high. Spencer steps back from you and you regret not failing more just so you can feel his body against yours.

“Okay, I think that’s enough for today. I do think you might benefit from one more lesson. Are you free next week?”

“Yes,” you say too quickly. “I mean, I can make that work. Just let me know.”

“Great.”

Spencer removes your glasses and then your earmuffs while staring into your eyes the whole time. The tension between you two is like a boiling pot of water. It’s going to overflow any second now, and you can’t wait to see what will happen when he snaps. He looks down at your lips and you lick them slowly, and that seems to be the tipping point.

He grabs your waist and pulls you into him before slamming his lips on yours. You immediately wrap your arms around his neck to deepen the kiss. He hooks his hands under your thighs and lifts you up with ease, setting you on the small table so you’re up to his height. Spencer slides his tongue along your bottom lip, but he kisses his way down your jaw to your neck instead of licking inside your mouth.

“Alex is going to kill me,” he mutters between kisses.

“What she doesn’t know won’t hurt her,” you moan.

Spencer pulls back and kisses you once again. If you knew this was waiting for you, you would have taken lessons a lot sooner.

x

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[cherrysurf]

Tall blonde and evil! | Katsuki Bakugo x f!reader

chapter 6; eh your not bad.

Just like he said the chauffeur arrived on time, with everything honestly it felt kinda nice to be spoiled by a man since your lack of male attention was little to none you basked in the moment even if it was from your shitty boss. I mean like you said before, rude,ignorant and yells a lot but treats the people who work for him with respect. Even if you two bicker constantly it became the norm it was comfortable and neither of you took it to heart thinking about it made a stupid smirk grow on your face “why am i smiling over this blonde bastard” you say in your head slapping your face to wake you up from this delusion, luckily you arrived to the mall finally bakugou's chauffeur said to call him when you were ready to be picked you, you politely thanked him and headed out into the mall. “mmh a red or black dress…” you say in your head looking over the vast amount of stores seeing what would catch your eye you passed by prada before you could find a store for a dress and decided to get the professional work outfit done and out of the way you walked in a bit nervous about the whole situation “hi how can i help?” a nice lady in her mid 40’s who still looked youthful as ever and looked like she carried herself very well approached you with a smile “hi yes my name is yn im here for an appointment” you say smiling back “ah yes your with me come come darling” she says guiding you to the back of the store and leading you into a room with many options of office like clothes that were all in the dark gray, black color pallets. Your eyes scanned the entire room to admire how beautifully decorated and secluded it was “here miss yn i’ve had a few already picked out for you, if you don’t like any of these or need an opinion im right here to assist you” she says “i’ll bring you some tea for right now while you get started on trying on outfits” she continues “thank you so much, i really appreciate it” you say smiling “my pleasure” she says with a small nod making her way out the room. The first two outfits didn’t look quite right on your figure, bakugou’s shopping assistant walks back in as you finish putting on the third outfit “wow that one looks stunning on you” she says in awe “you really think so? i think it’s really cute too” you say looking at yourself in the mirror “yes i do. We have it in white if you’d like to try it on?” she proposes “uhm do you think he’d mind if i wore white to the interview?” you ask nervously “not at all i think it would look even better, here let me go get it for you” she says “oh- okay thank you again” you say you weren’t entirely sure if bakugou would get upset at you for wearing something that wasn’t specifically laid out but it was just a color change and clearly he trusted her enough so why not take her advice, and oh boy was she right it looked absolutely beautiful on you “i think this is the one” you say feeling confident “i think so too. It’s perfect and professional, you can change and i’ll get that all set for you” she says “thank you so much for your help today i see why bakugou trusts you so much your choices are amazing” you say happy “thank you i’m glad he’s an amazing customer one of my top clients actually” she says “that’s something new i learned about him today i guess” you say “he’s a man of mystery at first but becomes really easy to read after a while” she says with a giggle “come darling let’s go to the front now” she says you collect your things and you both head to the front, you pay and thank her for everything and she bids you farewell.

“Okay dress and heels now let’s do this.” you say trying to hype yourself up but the hard truth was you only found a nice pair of manolo blanhink hangisi kitten-heel satin slingback pumps that were perfect but no dress at all. “why the fuck is it so hard to find a dress” you groan after hours of being at the mall then it suddenly hits you, that one crimson red dress that your mother left for you and told you to bring when you moved out to the city because “you never know when you need a nice formal dress” she said i guess she’s right all along you decided that you were done and over with today and called bakugou’s chauffeur to come pick you up to head home for a much needed nap.

hopefully this long chapter makes up for all the short ones bye guys

taglist; @kalulakunundrum @sweetadonisbutbetter @rednicotine @ikissfade @bakugouswh0r3 @allurearia @themultifandomgirl @junehasnotbeenfound @darhinadadragon @kodzubaby @harryzcherry @kholethecutie @s4ikooo1 @babylambdietcoke @lover-no-lover61 @sikuthealien @sahrii

[lunchboxpoems]

I'M NOT A RELIGIOUS PERSON BUT

God sent an angel. One of his least qualified, though. Fluent only in

Lemme get back to you. The angel sounded like me, early twenties,

unpaid interning. Proficient in fetching coffee, sending super

vague emails. It got so bad God personally had to speak to me.

This was annoying because I’m not a religious person. I thought

I’d made this clear to God by reading Harry Potter & not attending

church except for gay weddings. God did not listen to me. God is

not a good listener. I said Stop it please, I’ll give you wedding cake,

money, candy, marijuana. Go talk to married people, politicians,

children, reality TV stars. I’ll even set up a booth for you,

then everyone who wants to talk to you can do so

without the stuffy house of worship, the stuffier middlemen,

& the football blimps that accidentally intercept prayers

on their way to heaven. I’ll keep the booth decorations simple

but attractive: stickers of angels & cats, because I’m not religious

but didn’t people worship cats? Thing is, God couldn’t take a hint.

My doctor said to eat an apple every day. My best friend said to stop

sleeping with guys with messiah complexes. My mother said she is

pretty sure she had sex with my father so I can’t be some new

Asian Jesus. I tried to enrage God by saying things like When I asked 

my mother about you, she was in the middle of making dinner

so she just said Too busy. I tried to confuse God by saying I am 

a made-up dinosaur & a real dinosaur & who knows maybe 

I love you, but then God ended up relating to me. God said I am

a good dinosaur but also sort of evil & sometimes loving no one.

It rained & we stayed inside. Played a few rounds of backgammon.

We used our indoor voices. It got so quiet I asked God

about the afterlife. Its existence, human continued existence.

He said Oh. That. Then sent his angel again. Who said Ummmmmmm.

I never heard from God or his rookie angel after that. I miss them.

Like creatures I made up or found in a book, then got to know a bit.

CHEN CHEN

[pocketgalaxies]

hello from the past (sunday december 8)! in lieu of my normal friday liveblog here are some things i remember from the daggerheart critmas show in no particular order :)

Uncle Pelvis

riley, full eldritch reindeer monster, just Sobbing about her pet rat which she named gorbachev because her dad calls the actual gorbachev a rat bastard

laura miming her stupid lil candlestick hands and wiggling her stupid lil mesh wings the entire time

marisha getting out of her chair yelling "MY SKATEBOARD–IT'S ROLLING DOWN THE STREET"

the whole audience watching matt's "how to watch daggerheart" video before the show started with utmost rapt attention as if it was new information

"put it in your frigid box" "my body is ready"

"SLIPPERY WHEN WET, BITCH"

slippery when wet bitch made me so happy because it's such a marisha-ism that i pulled out my phone to put it in my tumblr drafts so i wouldn't forget it. it's the only thing i wrote down the whole show

marisha and ashley miming riley sticking her arm into gwenny's body

bethany insulting ralph and ralph sobbing "i thought tristan was just gonna read a dramatic monologue"

every time someone started crying gwenny's hands would creep into frame holding the box

the holiday spirit going "...~whoa~" from tanner's weed grenade

ralph bader ginsburg

bethany's very not secret comic book obsession

"how do you know i was the one who tagged the water tower" "it says dylan right there"

laura going "i still can't believe you all said i was naughty" and travis' thumbs up

everyone going "DIDN'T YOU LIVE IN GERMANY?" and marisha going "YES AND I'VE USED MY EXPERIENCE 'I LIVED OVERSEAS' 4 TIMES ALREADY"

marisha going "we're still rolling even though we had two crits. ok,"

everyone looking at travis' monkey hat and breaking

bethany checking if her vag was still there

gwenny inexplicably knowing everything about everyone's lives and houses

one half of the party crying into a box and the other half getting violently disemboweled by an evil hag

the way bethany said ". no–!" when ralph asked if they had a chance together

bethany's lil tantrums

ralph throwing his own lil tantrum and saying "i learned from the best"

laura trying to use an experience talking to the holiday spirit and muttering "no they wouldn't care who my dad is..."

riley intensely saying "i know where it went. follow me." and then comically slipping on ice with her ungraceful bambi legs

marisha going "matt What did you say you said it so fast and i was so distracted" and matt just repeating back a bunch of german

tristan's illusory pack of krampus monsters all having a little tree topper sitting on one horn

the audience laughing at Every single one of sam's jewish jokes despite ourselves

i can't remember what the context was anymore but taliesin just deadpanning "This Was A Mistake." over all the cry-laughter which only made the cry-laughter more severe

i kept looking at a mom in the row in front of me who definitely only came to support her child and she just looked so confused the whole time. confused for 5 hours straight. i'm so sorry mom

riley screaming "IT'S THE COMMIES" and immediately offering up gwenny because "she's a virgin" and gwenny, 3 beats too late, defensively going "I HAVE SEX ALL THE TIME"

the VIPs doing the little sing-songy thing and the whole cast going "what the fuck you creeps"

sam skipping onto the stage like an angelic little boy when momlan finally announced him

ashley's court jester look in the 2nd half was very cute

someone behind me said "she is so cute" about laura's tree topper outfit, apropos of nothing. relatable

i think nobody in the audience was expecting the character art of their transformations and it was absolutely an involuntary gasp and yell when riley's first appeared. and when marisha described the christmas lights appearing on her antlers like 3 ppl around me including myself went "oh cool"

everyone losing their FUCKING minds when liam did the hamlet monologue

everyone losing their FUCKING minds when liam did the breakfast club monologue

a high schooler robbing the comic store and getting ambushed by a bunch of fairytale monstrosities who are actually also just high schoolers

the concept of a tiny tree topper being able to step in front of someone to take the hit for them. and the fact that every time she did it the crowd went "AWWWW."

tanner's intrusive monkey noises

matt repeatedly saying "it doesn't matter if you rolled with hope or fear on a reaction roll" and marisha going "You Know We're Going To Say It Anyway. I Rolled A 15. With Hope."

liam saying that the hair on his calves specifically was contributing to his armor

marisha trying to do math in front of a crowd of thousands, marisha spitting all over her mic in front of a crowd of thousands, ashley not being able to read her dice in front of a crowd of thousands, laura trying to choose dice in front of a crowd of thousands

sam feeling the need to clarify that his acne was just makeup. the details of the makeup not rly showing up on the screen so it definitely just looked like a rash and i felt a non-negligible amount of relief when he made said clarification

every time gwenny went anywhere it was described as "rolling." like bb-8

gwenny going "hey this kind of isn't so bad" and ralph immediately going "you're going to melt in the summer"

every time they were so teenager-y. "my dad said this" "suck it" "chode"

ralph going "i had my bat mitzvah so i'm a man now, not a child. so this doesn't apply to me" and tristan going "and tanner's 22"

trying to kill a mythical fire scarecrow monster but whenever anyone tries to do something strategic about it everyone goes "NO WAIT THE COMIC BOOKS–"

on a more serious note meeting cool ppl before the show and during intermission! everyone was wearing cozy cr merch it was so cute! there was a trinket with christmas lights and armor with a light-up VM logo! there was a fuckin awesome percy vex couple's cosplay! there were laudnas! there were keyleths! one person got told their bag was too big and everyone in line was offering tips on how to carry all the super cute caleb cosplay-related paraphernalia in their bag, everyone was so nerdy and friendly. the critmas album was playing during the pre-show and the atmosphere was so cute. so many ppl sang along to the twelve days of grogmas mv when it played during intermission. a whole crowd of grog impressions. and when marisha/riley said her stupid thing about how one day nerd culture might become cool and popular and everyone cheered it made me feel so warm and fuzzy.

ok i could keep going but i'll stop. it was such a fun fuckin time y'all

[crazylittlejester]

More about Time and Twi in your modern au pleaaaase 👀

ofc ofc!! i love to talk about these guys :3

- Twilight is Time’s sister’s kid, but she and her husband both passed so Twilight fell into Time’s care when he was 13 months old. Time and Malon are the only parents he’s ever known (he’s always known they’re technically his aunt and uncle, that was never hidden from him, but to him they’re mom and dad and he calls them that). Time and Malon couldn’t have had their own children and were going to be adopting anyway and though initially they’d planned on adopting more than one kid, Twi is an only child

- When he was little, Twi was really just Time’s little buddy. He’d follow him EVERYWHERE and get genuinely very upset if Time didn’t take him with him somewhere, though Malon talking quietly to him and just physically being there was always enough to calm him down again. Daycare did not go very well, the other kids stressed him out too much and he missed Time and Malon so badly he’d sit as close to the door as physically possible and he was just so distressed because he’d been ‘left somewhere’ that after like a month of trying, Time and Malon eventually just kept him on the ranch. Kindergarten also failed miserably, but because the ranch is so far away from things and other people they really really didn’t want to homeschool him because they wanted him to get to interact with other kids so they tried again for first grade and Twi DIDNT spend the entire first day crying so they counted it as a success (though he didn’t say a word to anyone all day, not even the teacher). EVENTUALLY he made a friend (Ilia), but it really did take him a few months before he spoke to anyone at school

- The first time he ever saw the goats Twilight just became OBSESSED with them, and he was too little to do a whole lot to ‘help’ take care of them, but Time would hold him and let him gently pet the goats and call it ‘helping’ so Twi could feel like he did something (ofc as he got older Twi started GENUINELY helping out on the ranch, but little baby Twi got to help by petting goats and it made him happy so Time wasn’t about to take that from him alksdkdk). Time also lifted up baby Twi to pet Epona and Twi just adored her so so much, Time will never be able to not smile at the memory of how big Twi’s eyes got with pure wonder and amazement when he put his little hand on Epona’s nose

- Time is the reason why at eleven years old Twilight was terrified of the muppets. They watched Muppets Most Wanted and Twi (bless his heart) was a little bit scared of it, and Time thought it’d be funny to put a bunch of pictures of evil Kermit all over the house as a joke and Twi ran into one in the dark and well, Time paid for his stupidity by staying up all night with his poor child (Twi’s not scared of the muppets anymore, but his heart WILL start beating faster and he does feel a little anxious if he runs into anything kermit related where he isn’t expecting to)

- Time would not call himself an anxious parent and Malon would very much like to disagree with him because he is SO overly worried about something happening to Twilight after Twilight at nine years old hopped off a horse a little carelessly because he was trying to be cool and ended up tripping, falling, and splitting his head open and poor Time just saw his kid go down and go limp and then there was blood just EVERYWHERE, and another time when Twi was 15 he almost died and Time was the one who was with him then too. Twi doesn’t feel like Time hovers over him by any means, he feels loved and like Time really cares about him, but Time’s genuine fear that Twilight is going to die or get seriously injured in some bizarre accident has led him to check his kid’s location at 3 in the morning (now that Twilight at 21 years old has been living in the apartment with Sky and War for 2 years) to make sure he made it home safely, and he’ll also pace and it drives Malon INSANE (she loves her husband and she understands his anxiety and she really wishes there was something she could do to help him calm down, but HE stresses HER out with the pacing and nervous muttering). Twi is well aware Time has his location, he also has Time and Malon’s and he doesn’t care that they can see where he is. He knows it makes Time feel better to be able to check in on him and also it’s very useful for when he texts and says he’s on his way to the ranch because its a decently long ass drive and then Time and Malon can see how far away he is (Twi also has War and Sky’s locations, and they have his)

- Time paid for Twi’s first tattoo after making him save up for it because he wanted to make sure that Twi was both serious and also going to be financially responsible enough to save for something he wanted while also being able to buy the things he needed, and he let Twi keep the money’d saved for something else. He’s paid for a few others too, and a couple piercings

- Twi really looked like a mini Time growing up. He has a much darker skin tone and brown hair and eyes, but his face shape and like his facial structure are identical to Time’s and the resemblance is so strong people have never doubted Time being his dad (even though he’s technically Twilight’s uncle)

- Twi and Time both have a habit of collecting strays, and they’ll bring them home to Malon and take care of them on the ranch until they can find the animal a nice home or release it back into the wild, though about four dogs now have been kept around because Twi and Time got too attached, as well as a couple cats and one person (War) /hj

[completeoveranalysis]

[6]

SCREAMING FOREVER OK EVERYONE SIT DOWN

Since the literal beginning of all this the big hanging question behind Clow Reed has always been, “Is this the same one or a different one?”

And under that question came infinite other questions such as, “How could this be the same one if he died ages ago?” and “Is this an Alternate Universe Clow Reed- oh god how many Clow Reeds could there possibly be?!”, and even “Is this a Clow Reed Clone? Or was the CCS Clow Reed a clone all along?!?!” and on and on into forever.

ENTER: THE MOST SIMPLE ANSWER OF ALL. 

IT’S JUST THE SAME GUY. 

THIS WAS THE CLOW REED FROM CARDCAPTOR SAKURA ALL ALONG. 

And I’m just LOSING MY MIND because that means a huge part of Cardcaptor Sakura is centered on a lie. 

Or like, not REALLY a lie. It’s still true that he's dead. But Clow Reed lied to everyone he left behind, and those are all the people we get our answers from in that series. He told them he was going to die and they believed him.

I suppose he could have phrased it ambiguously? But if he DID it was with the intent that they thought he was dead, because that's what they think. He told them that on purpose.

AM I GOING TO GO DOWNSTAIRS AND FACT CHECK WITH CARDCAPTOR SAKURA? ... YES. OK.

OK OK OK OK HERE WE GO KERO SAYS THEY SAW HIM DIE. There we go, 100% he lied to them and even made it look convincing.

WAIT HAVE YOU READ CARDCAPTOR SAKURA? DON’T WORRY LET ME TELL YOU EVERYTHING YOU NEED TO KNOW. (But if you don’t want spoilers for everything before Clear Card just skip the rest of this post). 

So the ENTIRE narrative of Cardcaptor Sakura centres on the fact that Clow Reed is dead. He died and left Yue and Keroberos in charge of the Clow Cards and their legacy. (Which is what is being depicted in the Top Left of this page. It's the conversation Clow had with Kero and Yue when he suddenly announced it to them). He died and left a family legacy for Syaoran to eventually inherit - however distantly, we don’t actually know. He died and had foreseen Cardcaptor Sakura, and left gifts and hints for her to continue his legacy and eclipse it. He died and his magic as a power source was dying all these years later, which was why she had to convert the cards, to save them, and Kero, and Yue. 

EXCEPT, HE DIDN’T DIE. 

Or at least, he didn’t die right away. He told Yue and Kero that he was going to die (and made them think they SAW it) and then FUCKED OFF to the Clow Kingdom to live there happily and raise Sakura and Touya there. 

WHICH. I am hung up on because that means in Clow's original reality, which is essentially our world, he had foreseen his death and that Cardcaptor Sakura was going to become his successor - and then, I guess, found out about the big Time Reset Wish that Evil Wolverine did for Lava Lamp, which trapped an alternate version "Sakura" in a Frozen bubble of time that would leave a new 'cloned' copy of her in the new version of the timeline. But that means Clow also would have had a vision of what happens to this new version of the Alternate Sakura, and the huge fate that lay ahead of her, and also that she did not have parents anymore, and so he was like, "AH YES A JOB FOR ME? Let me just tell everyone who loves me that I’m dead and slip over there for like ten years and ride that out." 

But not only that but CLOW REED IS IN CARDCAPTOR SAKURA TOO. HE IS THERE. HE IS ERIOL AND HE IS FUJITAKA. HE SPLIT HIMSELF INTO THE TWO OF THEM. 

Which means that he, like, told Yue and Kero that he died, went to the Clow Kingdom, lived that out, then told THEM that he died too, then went back to his original reality and Split Himself into two new people. Which counts as “death”, TECHNICALLY, sure. There is no more ‘Clow Reed’. He is not a singular living person anymore. But he didn’t “die” in the way that his family in Cardcaptor Sakura AND Tsubasa thought. Though it amounts to the same thing. 

EXCEPT - there is Eriol. Eriol inherited Clow Reed’s memories. So HE KNEW ALL THIS. HE KNEW THE WHOLE TIME. 

HE TECHNICALLY IS OFF IN CARDCAPTOR SAKURA DOING HIGH SCHOOL SHENANIGANS WITH THE FULL KNOWLEDGE THAT HIS DAUGHTER (SAKURA CLONE) IS OFF DYING FOR THE UNIVERSE AND TRYING DESPERATELY TO SAVE IT FROM EVIL WOLVERINE. WHILE HE’S SITTING ACROSS FROM YAMAZAKI AND MAKING STUPID JOKES. 

Though like, full disclaimer, I don’t actually mean it was at the same time. Because (a) time runs differently on different worlds, and (b) we are very lucky that’s true because otherwise it becomes a headache trying to piece it all together, but also (c ) Time travel, so we don’t even need to worry about it. I was at the end of writing another huge paragraph trying to put the events all in order but DONT WORRY ABOUT IT. TIME TRAVEL EXISTS. It all becomes circles in the end anyway. 

So like, don’t worry about it. :) Time Travel. 

The more fun thing is that Fujitaka technically existed as his own separate person in the Clow Kingdom FIRST, with Nadeshiko. Until time reordered events and Clow Reed jumped in to be Sakura’s new dad, before going back home and splitting himself into two people - one of which is the Fujitaka from Cardcaptor Sakura. Like. How does that work on a personal level. Did Clow Reed choose to let part of himself become the guy he replaced, or was he always kind of an Alternate version of him to begin with.

And then THAT Fujitaka meets the alternate Nadeshiko and they fall in love all over again. Which is also fun because it means that THAT Nadeshiko existed in this universe without a Fujitaka in it, Until Clow Reed came back split himself INTO the guy he went over there to replace, and BECAME the guy she was destined to fall in love with, even though he didn’t technically exist at all before that point. 

VERY HITSUZEN OF IT ALL. 

[mad-hatter-memes]

FunkyFrogBait Starters

A collection of dialogue prompts from the videos by FunkyFrogBait. Feel free to edit quotes as necessary.

TW: Swearing, threats, and suggestive references

"My fellow Caucasians astound us with their ingenuity yet again..."

"This is just an evil, evil thing to do with pasta..."

"No spaghetti for you, sir."

"I could be doing any number of things with my life, but I've chosen to share this moment with you...Don't you feel so special?"

"This feels very forbidden..."

"I don't know what this is but it's not fettucine!"

"I just scalded myself! That was uncomfortable..."

"To be clear...I would not feed this to a dog..."

"This esophagus is rated E for everything!"

"Aren't I a lucky little boy? Only 40% of these are broken!"

"Is this a complaint that I'm hearing? Spitters are quitters, [Name]."

"It's just you and me, [Name]. So...who's gonna union with you?"

"If there is a god, he has abandoned us for celestial milk and cigarettes."

"That looks like something that would leak out of an infected wound!"

"This looks like porridge was spilled on the floor of a gym locker room and left to ferment for forty days and forty nights!"

"Trying to boil Pringles to make mashed potatoes is like trying to send her flowers after she's already taken the kids."

"Hahahaha, that's really cute, how about you go fuck yourself?!"

"Being a dad seems pretty fun; All you have to do is sometimes remember their names and forget to pick them up from soccer practice. "

"Now, now, don't be hysterical, dear. This is a nearly painless procedure...For me anyways!"

"I have not been allowed around a glue gun since...The incident..."

"The caveman method usually works in my experience."

"Aw babe, your texture makes me wanna barf."

"Now the nice thing about turkey bacon is that you can eat it raw! I think..."

"This says says it serves twenty four people...They haven't met me."

"Hello, Mr. [Last Name]. I'm here to pick up your daughter."

"Please don't call the police...I know this a weird use of my free time but it's technically not illegal."

"I'm about to give myself an accidental haircut..."

"Can I just call up a priest and have him waterboard me...?"

"Whoookay...This makes me want to join a nunnery."

"Who up praying with they rosary right now?"

"STOP FINGERING EVERYTHING! I AM A CHILD OF GOD!"

"Girl, what foundation is that?! Not a pore in sight!"

"[Name], honey. You're already slaying, you don't need to slay innocent civilians."

"Where did they find this child? The Victorian Era?!"

"ASAB: Assigned Sidekick at Birth. How unfortunate..."

"Who is giving these children access to deadly weapons?! Hello?!"

"The kids like thirteen. Just throw a Roblox gift card as hard as you can and run in the opposite direction."

"[Character Name] is dead, [Muse Name]! And you're worried about the fidelity of this game to it's source material?!"

"Paint a picture for us, [Name]! Don't hold back!"

"I would've bully the fuck outta this kid. And I did musical theater!"

"Where are people getting all this Tannerite?! I want some!"

"Is the cockroach infestation required or optional?"

"I'm being manipulated by a gothic aesthetic and common sense!"

"Yikes! Don't show that to your grandma!"

"That's my heart after the hot girl in my Com Sci class tells me that our star signs are incompatible!"

"I really wouldn't talk how other people look if your eyebrows can't agree on what timezone they're in."

"Is god really rockin' with you? Sinner..."

"Let me eat my oreos in peace goddamnit!"

"I'M GONNA START POWERWASHING THE CEILING!"

"You know what crybaby fumblefingers? At this point you owe me money. Hand over twenty, pretty boy!

"Why is she beckoning me ominously...?"

"That's because you've been selected for ritual sacrifice, [Name]. You know how they are this time of the month..."

"Do you have family, [Name]? Anyone you'd be particularly devastated to lose in a violent and sudden way?"

"You know what, [Name]? I'd probably punch you over a Hot Wheels too!"

"I see god's law not as a restriction...but a challenge!"

"I am deeply dissatisfied with my life choices and I am NOT afraid to make that your problem at five o' clock in the morning!"

"I hope one of your family members is in a car accident this week!"

"It's fucking terrible and I'm overcome by a desire to kill James Corden for some reason!"

"I'm sorry...Do you think mother earth is just lactating blue raspberry surprise, bitch?!"

[pm-my-beloved]

heyo! i've doing some analysis on some lcb egos in my spare time but i can’t for the life of me figure out a semi decent analysis of wingbeat ishmael, so i wanted to see if you have any analysis on wingbeat! [sorry if this comes off weird! >.<]

I was asked about EGO analysis in DM's! I have made it! Preface, as stated earlier, I am not an Ishmael scholar, having read only a few chapters of her book as of now, but I will still try my best in interpretation

Lets start with what Fairy Festival itself is as an abnormality. They are the originators of the "Fairy" abno cathegory, where every abnormality has heavy ties to gluttony and predation, If I recall correctly, all of them also use trickery to try to lure their prey in, attempting to appear as hospitable. An interesting divergence that happens with Fairy Festival specifically, is that its Ruina form, and in Limbus, is more openly predatory, AND FAMISHED. My personal reading on it is that in a perfect enviroment for them, they are such hyperpredators that they run out of prey, putting them into starvation.

So, how does that relate to Ishmael? Partially it can be explained by my post about predatory themes in Ishmael when making prediction for the Christmass E.G.O., so I will focus on alternative angle of interpretation.

Remember who was Ishmael BEFORE even the voyage? She was a feather, so utterly bored with her existance that she sought out ANY way out of her current life, one could even say that she was starved for excitement. This goes along with early book presentation of Ishmael, where the character seeks to go out on voyage specifically because he's about to go nuts from boredom.

So what did our Ishmael do? She hard jumped onto ONE OF THE MOST DANGEROUS JOBS IN THE CITY, HUNTING MERMAIDS AND WHALES, Literally a form of predation of humanity upon natural life, solely to satiate that hunger inside for some adventure.

I believe of course, that this exists ALONGSIDE the Ishmael being perfectly suited to be a predator in her own right within the city, even with a persona of proffesionalism.

When it comes to her Awakening line "Very good. Sit still and be gentle. Scarred meat isn't... tasty." I think its mostly the abnormality channeling her metaphorical hunger into a more literal one.

Corrosion is more interesting on the other hand "Y-you suspected me, didn't you...? Bastards harboring such evil thoughts must be...!" This, together with the fact that Corrosion gains bonuses from harming its allies, leads me to specific line of thought. Throughout the story of Limbus and her Identities, we see how strongly Ishmael attempts to keep up her facade of detachment and professionalism. Thus, I think this might partially be a clue that Ishmael is very averse towards her persona being seen through, not wanting others to see her thriss seeking behaviour for what it truly is, even if she herself is unaware of it.

Lets move onto Sin costs now shall we? At 3 cost we have Gluttony, which just plainly makes sense as going out of ones way to get more thrill and excitement than one is exposed to is pretty gluttonous behaviour. Then we have 2 Pride cost, which is somewhat difficult of a read to me. The main one thought that comes to mind is a sense of superiority over other living beings that would be required to pursue hunting as ones way of life when its not some need (As opposed to bloodfiends) And lastly, we have 1 Lust cost, which in my opinion, reflects how Ishmael in spite of everything, genuenly enjoyed, and still enjoys, the thrill of the hunt.

The last aspect that is to read, is the Sin Resists. Pride Fatal, with weakness to pride being emotional subservience, imho relates to how Ishmael upon getting onto the voyage let her decisions be guided entirely by Ahab at the time. Envy Fatal I believe could reflect either the judgementality she put onto Ahab after the encounter with Pallid Whale, OR judgementality towards her own previous way of life that she grew so bored with. Gluttony ineffective I think reflects how in that life, her need and pursuit of that excitement were satisfied, not having to go out of her way in pursuit of more. And finally, Lust Endured comes from the reluctance that came from realisation of the struggles and issues that come from both being a sailor, and being Ahabs sailor specifically, she was not completly seduced by that world, which is also partly why managed separate herself from the crew after the failed attempt to defeat Pallid Whale. Phew, thats it. I hope this made some sense.

[mryoyo000]

Wicked book and musical: on Glinda (SPOILERS)

I waited a bit to write this until hopefully the Discourse™️ has settled a bit but I wanted to say something about Glinda in the novel “Wicked” vs. the musical/movie.

SPOILERS

One thing I’ve seen people talking about regarding the book vs. the show is expressing disappointment regarding Glinda as Maguire depicts her, versus how she is changed for the show. Glinda in the musical follows a fairly typical kind of character arc, beginning as the archetype of a superficial, popularity-obsessed rich girl, who grows in depth and maturity over the course of her life (kickstarted by her relationship with Elphaba) and by the end has become, if not the primary heroine of the musical (which is Elphaba), a character who we see has earned her title as the Good Witch.

I said this in my precious post, but again it bears repeating that “Wicked” the book and “Wicked” the movie have not only completely different target audiences but also completely different goals as stories. I’m not trying to criticize anyone who saw the show or movie first, and felt disappointed by the novel—or really anyone who didn’t care for the novel in general—but I think that some of the criticism the book has gotten recently, after the movie came out, doesn’t take into account that in many ways, the book and the musical are completely different works with the same character names and broad plot outline.

So I’ve seen some people expressing disappointment that in the book, Glinda “regresses”, that she’s racist, that she’s not actually a good person, etc. And I can definitely understand how this rubs people the wrong way—whether in comparison to the show or even just to the Oz books or the 1939 movie in general. Glinda in pop culture is about as synonymous with good as the Wicked Witch of the West is with evil, and seeing her depicted in such an unflattering way is probably not what a lot of people anticipate or necessarily enjoy reading.

(In my previous post I already addressed a different criticism, which is Glinda’s comparative lack of presence in the novel—she’s the POV during Elphaba’s time at Shiz and then largely fades out of the story before a final confrontation. I maintain my stance this is what works for the book, which saves Elphaba’s perspective for the end after showing us all of the people she’s lost first.)

But it is true that in the Maguire book, Glinda’s “goodness” is a cynical punchline for a character who, in her reunion with Elphaba, has become this:

[Glinda speaking] “‘Yes, I had been at an orphanage on the shores of Mossmere, and for a lark I thought I’d go to the game park—they have dragons there now, and I’d never seen a dragon—so I was scarcely a dozen miles away when the storm hit. We had terrible winds even there; I cannot imagine how a ceremony could have been in progress in Center Munch. In Mossmere there were whole sections of the park closed to visitors due to the fear of falling trees and escaping Animals—’ ‘Oh, so they call it a game park, with Animals?’ said the Witch. ‘You must go, dear, it’s a lark…’”

and this

“Glinda turned yellow-pink. ‘My dear,’ she said, ‘I was fond of Fiyero and he was a good man and a fine statesman. But among other things, you will remember he was dark-skinned…’”

Knowing about Elphaba’s history with Dr. Dillamond and general involvement with the cause of Animals makes Glinda’s casual mentions of Animals in game parks that she visits even more unpleasant. And while it is definitely indicated that Glinda was in love with Elphaba, I don’t think her comments about Fiyero here are some sort of deflection to hide her feelings about Elphaba—this would be overly convoluted and anyways Glinda could have denied the suggestion of an affair without making a racist comment.

Glinda here is an archetype that I think many people are familiar with especially in current discussions about society and politics: the idea of the supposedly “benevolent” elite, doing lots of public charity and good PR, while actually aligned with the forces of oppression out of convenience and material benefit. Elphaba explicitly calls her out on this:

“‘You are working in collusion with the Wizard to render Munchkinland ready for annexation,’ said the Witch. ‘You have no agenda of charity, Glinda. At least don’t fool yourself. Or are you really under some rusty spell of Madame Morrible, after all this time?’”

Glinda’s “goodness” in Maguire’s telling is the exact opposite of Elphaba’s “wickedness”—one is rewarded and praised for her participation in the Wizard’s regime where the other is ostracized and eventually treated as a criminal for her attempts to rebel and resist. The book “Wicked” is in some ways a story about failure, and while Elphaba’s lifelong failures are the focus of the story, Glinda adds to that thematic focus—she is yet another disappointment in Elphaba’s life (in addition to Nessarose, and Boq, and her father, and so on) and one that stings in particular because she could have been better. She was better, at one point. And Glinda has failed herself, too.

In the quote above, there is a nod to the suggestion that Glinda and Elphaba’s fate and even their actions as adults may have been influenced by Madame Morrible’s spell. But Glinda herself says to Elphaba: “‘I’m no pawn…you do have some choice.’” In that very same scene, in fact.

I can’t blame people who dislike the novel for being quite cynical and pessimistic in its outlook of humanity, but at the same time that cynicism is what drives a lot of the characterization. Glinda in the novel is not the friend to Elphaba or hero that she is in the musical, and she isn’t meant to be. Viewing the book primarily as a political satire, Glinda fits in well as a parody of a particular kind of figure, and it’s both intriguing (in my opinion) and controversial that Maguire uses a character so strongly associated with goodness to make that point.

[alexanderwales]

Pitchposting: The Waves

Here's the logline: a hero flits between universes where everything is different and yet all characters recur. The love interest is the same, whether she's a pirate captain, a cubicle worker, a bard, whatever. The villain is the same, whether he's a rear admiral, a corporate tyrant, or an evil overlord.

Multiverse stories are often about the path not traveled, the way that the world might be different. This would be a story about commonality, everything staying the same.

So there are some number of stories being told here, and the shape of all of them is exactly identical, all hitting the beats at the same time. A death in one means a death in the other, but our protagonist is only in one place at a time, so we see each beat only once and infer the rest. A car chase in one story is a ship chase in another. The climactic battle where soldiers crash against the castle walls becomes a climactic battle where the pirate horde smashes against the walls of a fort, and that turns into a modern cityscape where rioters smash against the walls of a towering skyscraper.

My vision here is that we do grand changes as we move between stories, only to find that everything is equivalent.

So what do you do with this? What's this sort of structure for? What cool stories or scenes does it lend itself to?

My first thought is to break it, naturally. If there are five or six realities that we're cycling through, maybe our protagonist can get just one of them onto a different track, one where fate has something else in store. I don't know how you would do this, there's this neat scene in my head where we go "all is lost -> all is lost -> all is lost -> all is ... wait, what's that?!".

My second thought is that having multiple realities moving in perfect synchronicity with each other allows for a way to really underscore a character, say something about them with thick red marker. The elemental thing that's supposed to define a tragedy is that the bad ending is something that came from within the character, right? Something that they could have stopped, if only they had been a different kind of person. The seeds of their downfall laying within them. So isn't there something nice about seeing that this is invariant? That the worlds are different, circumstances are different, but the choices are the same? You'd have to be incredibly careful with this (and the whole thing, really), because I think in constructing different parallels you might end up with something that the audience doesn't consider parallel. But it could work, layering the emotional beats on top of each other.

My third thought is what I think should have been my first thought: the story is one about mastery, coming to know and understand the rules, "winning" across all realities because of understanding, ideally with some kind of character synthesis along the way. I think this is ... well, difficult, given the rules as I've been talking about them. If there's a "twist", then it should be a twist that happens across all realities simultaneously. If there's something gained or lost, it should always have a parallel. I cannot immediately think of some clever way of breaking this system - something that the reader would understand to be clever or at least worthwhile. (I say reader, but this would be better in a visual medium.) Maybe "breaking it" in a different way is the ideal, pulling the realities into each other, swapping conceits and genres. But this, too, would take a lot of planning to pull off, and you'd need to be careful about these set pieces.

So if I were serious about this (which I'm not, this is pitchposting,) I would start out with our characters, then build some worlds around them, trying for maximum variation in those worlds. The plotting is also pretty vital, particularly the "standard" plot whether you're going to break that or not. I do really like the idea of having a single "mundane" world, a place of office buildings and stakes that are measured in lunch breaks and water cooler conversations. I want the swings to be extreme, but the parallels blindingly obvious when they're put in front of you.

To be clear, I'm not sure that this structure/gimmick could actually work. In a text medium, which is what I primarily work with, I think you'd have to spend too much time on blocking and descriptions and detail whenever you switched realities. Switching scenes can be rough even in the best of circumstances.

But it's an idea that I've had rolling around in my head, and if I can't do something with it, then I hope it can at least spark something in someone else.

[cursedappendage]

Slay the Princess Narrator, Princess, Voices in Japanese

<<Vessel Names Part 1(Chapter I & II + Razor III & IV) <<Vessel Names Part 2(Chapter IIIs) Part 4(TLQ, TSM, Echo)>>

VOICES TIME BABY

Actually, I'm gonna go in chronological order of character mentions. So, we will start with:

The Narrator ナレーター(Nareetaa) [Narrator]

Simple and direct. There is a word for "narrator" that is of Japanese origin(語り手 lit. "Story hand" meaning narrator/storyteller), but the English word is the one more widely used. He also says "I" using the first-person pronoun 私(watashi), I'm assuming to indicate his "formal" attitude as, although men can use it, it's usually only in formal situations/you don't know someone well. He is of course referred to in third person with the kanji 彼(kare) meaning "he" or "him", but some voices like Contrarian and Smitten use katakana for him instead of kanji(カレ) for some different type of emphasis, I'm assuming.

Now in the Narrator's first lines, he tells you that there is a

Princess(or "The Princess" sometimes) プリンセス(Purinsesu) [Princess]

Like I mentioned in the "Princess and the Dragon" portion of last post, the Princess always referred to with the English word "Princess" rather than the Japanese word for princess.(She's also very often referred to with the pronoun 彼女(kanojo) meaning "she", of course). She tends to use the first person pronoun わたし(watashi), like the Narrator, although in her case it's written simply in hiragana, I assume to show less formality and more just how she refers to herself. 私/わたし is also used by women casually, in contrast to what I said in the Narrator section. She also tends to use あなた(anata, "you") for her 2nd person pronoun(formal/regular way to say "you").

The 1st and 2nd person pronouns the Princess uses also tends to change with each chapter:

The Spectre, Stranger(Chapter II), Damsel, Wild, Grey - 1st わたし(watashi, わたしたちwatashi-tachi when Stranger Princesses merge)・2nd あなた(anata)

Base Princess(Chapter I & Heart of TSM)*, The Nightmare, Moment of Clarity, Razor, Prisoner, Cage, Princess and the Dragon, Happily Ever After, Stranger(Heart of the Shifting Mound)- 1st 私(watashi, 私たちwatashi-tachi for Stranger)・2nd あなた

The Adversary, Eye of the Needle, Fury, Wraith - 1st 私・2nd お前(omae, can be seen as rude or more colloquial, for someone of equal/lower rank)

The Tower, Apotheosis- 1st 我(ware, not really actually used in real life, but gives a sense of profound, old, important-ness, typically used by king/god/godlike characters)・2nd お前(omae, though she also calls us 小鳥kotori "little bird")

The Beast - 1st アタシ(atashi, feminine, more casual form of watashi)・2nd オマエ(omae, she also calls us ヒヨコhiyoko "fledgling", all three of these words are written in katakana)

The Witch - 1st あたし(atashi)・2nd あんた(anta, colloquial/familiar form of anata, often considered rude, sometimes spiteful)

The Thorn - 1st あたし・2nd あなた(omg she uses the same 1st as the Witch but switches from "anta" back to "anata" omg y'all I'm cryingggg😭😭)

*Chapter I Princess tends to switch from あなた to お前 when antagonized(pre Tower, Adversary, Beast, Witch)

OK SORRY I KNOW THIS WAS SUPPOSED TO BE VOICES IM SO SORRY

Now let's start with the homie, the one who's always got your back

The Voice of the Hero 勇者の声(Yuusha no Koe) [Voice of the Hero]

Simple enough. Something to note is that there are two words for "hero" in Japanese, 英雄(eiyuu) and 勇者(yuusha). 英雄(eiyuu) is what you call a great person, someone respected for accomplishing something and leaving great impact on society. 勇者(yuusha) is moreso a brave person sent on a quest of adventure to defeat evil/protect others. The former emphasizes the impact and admiration of their achievements, while the latter emphasizes courage and bravery. Someone said something like "勇者 is someone on a journey to slay a dragon, 英雄 is someone who had already come back home from slaying a dragon". In the context of the Voice of the Hero, rather than someone with emphasis on the change he's made in the world, the emphasis is on his morals and good-intentioned actions. He uses ボク(boku) as his 1st person pronoun, which gives him a little bit of a "good boy" typa feel. Or at least some politeness. It's also noted that he uses katakana for boku instead of the kanji 僕(boku)(which, the Long Quiet himself actually uses out loud).

I'm doing the voices in the same order as their respective Chapter II Princesses in the first post(based off the "Memories" menu)

The Voice of the Stubborn 頑固者の声(Gankomono no Koe) [Voice of the Stubborn]

Yeah okay, this one's the same. 頑固者(Gankomono) means "stubborn person". He uses 俺(ore) as his 1st person pronoun, a very masculine pronoun, can be seen as rude in a formal setting, but is very typical and normal for casual men speech.

The Voice of the Broken 負け犬の声(Makeinu no Koe) [Voice of the Loser]

Now this one's insulting. 負け犬 (makeinu) means loser, failure, you get the picture. Made up of the words 負ける(makeru, to lose/to be defeated) and 犬(inu, dog). But it's very fitting I must say(Broken would totally bark for the Tower 100%). He uses the 1st person pronoun 僕(boku).

The Voice of the Cold 冷血漢の声(Reiketsukan no Koe) [Voice of the Cold-Blooded]

冷血漢(reiketsukan) mean "cold-blooded person" or "coldhearted person", or simply "heartless". 冷(rei) meaning cold and 血(chi) meaning blood. Same meaning as in English, someone who can kill a Princess with no hesitation. Like Stubborn, he uses 俺(ore). (He also tends to use quite blunt/rude ways to refer to the princess)

The Voice of the Paranoid 妄想狂の声(Mousoukyou no Koe) [Voice of the Delusional]

妄想(mousou) means delusion, while 狂(kyou) refers to lunatic, or insanity or mental abnormality. Now, delusional isn't exactly the same as paranoid, but the Paranoid can come off as delusional sometimes. Of course, anything we believe in the construct becomes real, so the Nightmare route is full of our real delusions. He is the intrusive thoughts part of our brain that manifests into reality. And in other routes, the Paranoid can come off as a bit insane(the Cage and Apotheosis especially make him seem more erratic). He also uses 俺(ore).

The Voice of the Cheated 野放図の声(Nohouzu no Koe) [Voice of the Unruly]

野放図(nohouzu) can mean wild, arrogant, unruly, but it can also mean unchecked, uncontrolled, unregulated. I put unruly as I thought it fits a title better, but in my head I think more like "unhinged". And I guess that kinda does fit the Cheated's personality, his main objective in the Razor is to win against her, and he's basically like "let's keep getting stabbed until there are enough of us to be better than her", definitely not sound of mind(he also has that comment when you take the blade of "let's make her hurt for what she's done to us"). He very much let's his emotions take the better of him, usually hating on the Princess and the bullshit of everything or spiting the Narrator. He's also, again, very unhinged(mentioning dropping the Cage's head and he says "I mean... we could...") His pronoun is also 俺(ore).

The Voice of the Hunted 獲物の声(Emono no Koe) [Voice of the Prey]

This one I don't have much to say, as it's pretty obvious why he's named that way. And it's pretty much the same as the English name. Like the Hero, he uses the pronoun ボク(boku), I think it's in katakana to mirror the Beast's pronouns.(He refers to her with kanji in 彼女(kanojo) but he does refer to her with katakana in アイツ(aitsu, something akin to "that guy" or "that person", when he say's "She's coming(アイツがくる！)")

The Voice of the Opportunist お調子者の声(Ochoushimono no Koe) [Voice of the Easily Elated]

お調子者(ochoushimono) refers to someone who get carried away easily, someone who does whatever they feel/want, someone who gets easily elated from praise and flattery. I think this is both a funny and accurate translation of the Opportunist. We know he definitely gets carried away easily. He says that second line in the game even(freeing the Thorn: "I can do whatever I want, and I believe with with my whole heart...").I can't really think of instances of him getting praised off the top of my head but he does seem to think it will work on other people. He very much goes with the mood, attempting to curry favor so he can make sudden rash decisions out of nowhere. He uses 僕(boku) which I think fits his suck up personality.

The Voice of the Contrarian あまのじゃくの声(Amanojaku no Koe) [Voice of the Contrarian]

Direct and simple translation again. あまのじゃく(amanojaku) refers to someone with a perverse personality, or someone who opposes other's opinions. Interestingly, あまのじゃく can also refer to an actual small demon in Japanese folklore. I just thought it reminded me of that one line from him "Time to get back to our old devilish ways". He also uses 俺(ore).

The Voice of the Skeptic 疑心暗鬼の声(Gishin'anki no Koe) [Voice of the Skeptic]

疑心暗鬼(gishin'anki) is an expression/abbreviation, it means something like "suspicion creates monsters from shadows", it's about how suspecting something can lead you to suspecting everything, and doubt and suspicion makes you jump at shadows. I think this makes some sense, as his hyper-focused perception of things makes him question everything around him. He notices small details that grow into things bigger and more important than they were before. Also 俺(ore).

The Voice of the Smitten 騎士の声(Kishi no Koe) [Voice of the Knight]

This one I find really funny. 騎士(kishi) refers to the medieval type of knight, known for their chivalry and honor, like ones in armor and usually on horseback(騎(ki) relating to horses). I think it makes perfect sense in the context of the Damsel, a knight come to rescue his beloved Princess, to free her from the confines of the cabin. I also think it works in the Thorn for similar reasons. But I think in most other routes it's hilariously out of context, like "damn, this knight guy kinda freaky calling this blade Princess gorgeous/calling this Princess with a dress of her own skin gorgeous" Like the Tower, he uses 我(ware) giving him that old medieval feel, and he addresses the Narrator with 貴君(kikun), meaning "you" used by men in letters addressing their equals/lowers, and he addresses the Princess with ��女(can be pronounced anata or kijo), polite language used to refer to women in letters. I was planning on this being the last post but I dont think I can fit it all here sorryyyyyyy rest of the stuff will be next post

Edit: added pronouns of voices

<<Vessel Names Part 1(Chapter I & II + Razor III & IV) <<Vessel Names Part 2(Chapter IIIs) Part 4(TLQ, TSM, Echo)>>

[neallo]

meronia yuri, magical girl AU

OOH i love this. i will be so for real and admit i'm only, like, vaguely familiar with the conventions of the genre, so i've given it my best go, kept it light & quite silly, and i'm hoping it's satisfactory ^_^ you can read this as an Actual AU or you can read it as a real-person fanfic that fem!Near wrote about her and Mello while taking a break from the Kira case. choose your own adventure <3 ~200 words!!

“Mello, we have no choice,” Near says, expression grim. “The fate of the universe hangs in the balance. If my calculations are correct, this is the only way to generate enough power for us to defeat our evil nemesis, the wicked wizard Kira.”

Mello’s eyes flash in determination. “You’re right, Near,” she says bravely. “We must make sacrifices. Evil cannot be overcome if we hesitate to do what’s right.” She smiles dazzlingly, and holds out her gloved hand, her magic gem sparkling in the moonlight. “Come here.”

Near takes her hand and squeezes it, focusing all her energy on their point of contact. The magic gems around their necks begin to glow with the power of their alliance, which is the closest thing to friendship Mello is willing to offer her.

“It’s working!” Near cries.

But in the next moment, the bright shine of their gems begins to weaken. The connection of their hands is simply not enough!

“No!” Mello shouts. “We need more power!” 

“I have an idea,” Near says, turning her head to face Mello. “Will you trust me?”

Mello nods. “Do it!”

Without another word, Near throws her arms around the older girl’s neck and presses her mouth to Mello’s.

[viscountess-nila]

TDP Season 7 SPOILERS

There are a plethora, overflowing cornucopia of reasons why Netflix should greenlight Arc 3, but imo the most important one is the fact that Claudia still loves the people who were once in her life.

Terry says it himself when discussing how to change her mind with Ezran's council,

"Love is what drives her. Love for her family"

Yes she destroyed the world, yes she is almost nearly corrupted beyond reason but she said it herself,

"I'm still nice. I'm still me"

We all know she most definitely is not herself, but in the face of her brother's pain on the Storm Spire

She stops. She tells him she won't kill him. Which is lower than the bare minimum for anyone else, but it is a lot for Claudia.

So what if, in arc three, however long and painful the process is, Claudia feels the remorse she should?

What if she reconsiders her decisions. Viren did it. Why can't she?

And moving forward with this, it's now evident Aaravos sees Claudia as his daughter, his only light in this world. And from this season, we've also seen that the only people who can make Aaravos think back on his morality are people he cares for. In seven seasons the one time we've seen Aaravos actually look regretful is when Terry (someone he cares for, at least during that scene) calls him out on his deception and half truths.

In fact, he feels the regret so acutely he actually goes and reveals all his deception to Claudia (the only other person he cares about). The only reason they go forward with the inversion is because Claudia feels Aaravos's pain and wants to avenge Leola as well. If it weren't for that, Aaravos revealing his deception would have caused all his plans to fail and he was okay with that - because he hurt someone he cared about. Mere months of love smothered his millennia of anger.

And more importantly, the main message in this show is stopping the cycle of violence, emphasising the power of compassion and forgiveness over punishment and destruction, so instead of leaving it with this brutal (temporary) end for Aaravos's life, wouldn't it be better to defeat this cycle of violence and give us an end where Claudia's regret leads to Aaravos stopping and thinking 'is this really worth it'. And ending where their compassion wins over their inner violence, to prove the point young Ezran said so long ago.

This season emphasised their father- daughter relationship so much, that much love and emotion can't be just for them to be a badass evil duo (though they will be).

He is going to come back in seven years and nineteen days. He's been doing this because of the destruction of an innocent life (who he loved) and his plans did fail. So this isn't the end for Aaravos.

Plus the Cosmic Order, whose cruel judgement is what propagated all this, remained unseen this entire season. And they're the violence that started this cycle. To see Aaravos reformed and possibly forgiven by the world (I am delusional I realise) would show them how pointless their cruelty and order is and how ridiculous their reasoning for Leola's death was.

For the show to truly prove its message, it should continue. Show us compassion does win over violence, forgiveness wins over revenge, love over hatred. And shove it in Cosmic Order's face. That this brutal destruction of Aaravos's physical form isn't how this story ends.

Claudia still loves her family. And Aaravos loves Claudia. Show us that love is enough.

And additionally, MORE DANTE BASCO. ANYTHING FOR MORE DANTE BASCO.

[onmyo-jin]

original prompt, i hope you don't mind.

zyz + zyc = kiss, the others see them.

Thank you for the prompt, I don't mind at all :D I hope you enjoy these two being idiots

Zhao Yuanzhou's lips are hot against his own. He can taste the wine the demon had been drinking on his tongue when he licks into Zhuo Yichen's mouth and flushes at the realisation that the demon can probably taste his own tea as well. Zhao Yuanzhou surrounds him, envelops him, seems intent on consuming him and Zhuo Yichen is considering letting him do just that. He pushes ever closer to Zhuo Yichen, forcing him to step back to keep his balance. Then his back hits the wall. He has nowhere to go, and nowhere he'd rather be.

From somewhere off to the side Zhuo Yichen distantly registers a gasp, which seems unimportant. The snort that follows does seem important enough to distract his thoughts from the all-consuming demon in front of him. He knows that sound: that is their little mountain god– oh no.

"We should… ah, leave, Xiao Jiu," Ying Lei's voice sounds. The surprise of it, of the others seeming him–them– like this, makes Zhuo Yichen push the demon away. Zhao Yuanzhou moves without complaint, and follows Zhuo Yichen's shocked look towards their friends. His smile is nothing short of evil.

"Don't look Bai Jiu, this is not a demon hunting technique you are old enough to learn just yet," Zhao Yuanzhou says, his voice filled with laughter. He tries to lean against Zhuo Yichen again, but Yichen steps away. A quick glance at their friends tells him Ying Lei has at least covered Bai Jiu's eyes, though probably too late. Bai Jiu's jaw is practically on the floor, and he's not even trying to remove Ying Lei's hand.

/

Dinner is awful. It is even more awkward than Zhuo Yichen feared it would be, and Zhao Yuanzhou is making everything much worse by being nice. He insisted he wanted to sit next to Zhuo Yichen, something Bai Jiu argues with him about practically every meal. Then he insisted he pour the drinks, and worst of all: he keeps putting food in Zhuo Yichen's bowl. They're his favourite foods as well, none of the soggy vegetables but only the crunchy ones, the slices of meat that are neither all lean meat nor all fat… Zhuo Yichen is forced to ask himself how long the demon has known what his favourite foods are, and how closely the demon has been watching him to find out.

Ying Lei is looking anywhere but at Zhuo Yichen, Bai Jiu is sitting on the far side of the table barricaded behind Pei-daren, and Wen Xiao's attention is fixed very firmly on her food from where she sits opposite them.

Da Yao tries to put another bite of food in his bowl, and this time Zhuo Yichen has had enough of his games. He grabs his bowl before Zhao Yuanzhou's chopsticks get there, and hisses: "Stop making everything worse, you great bloody demon!"

Across the table, Wen Xiao makes a sound that might have been a snort, had she been any less genteel about it. She finally looks at him, for the first time that meal, and Zhuo Yichen immediately knows why she has been looking away for so long. The laughter in her gaze in threatening to spill out of her mouth, mirth drawing adorable lines around her eyes and scrunching her nose the way she used to laugh when they were younger.

"Xiao Zhuo," she is definitely laughing at him, and what is worse is that she's trying to be nice about it. "Xiao Zhuo, what took the two of you so long?"

Ying Lei guffaws a laugh and quickly hides his face in his rice bowl when Yichen looks at him. At the far end of the table even little Bai Jiu is nodding along with Wen Xiao. "Really, the two of you have been so painfully obvious, tiptoeing around each other for weeks–" Pei Sijing plants a heavy hand on his shoulder to stop the incriminating words. "What Xiao Jiu is trying to say is that… well…" She looks at Wen Xiao for aid, and Zhuo Yichen follows her gaze.

Wen Xiao is shaking with quiet laughter. She sits up straight when she notices that everyone has turned to her, and takes a deep breath to quiet her mirth. And then another one, because one was not enough. "What we're trying to say is that the two of you are the last to notice your mutual attraction." 

"Hey! Come now, Zhuo-daren may not be as perceptive, but I–"

"And when did you notice, Da Yao?" "Uhm," the great demon mutters, and mumbles something that sounds an awful lot like yesterday.