#AND HER VOICE BREAKS???!!

[vaggieslefteye]

VEROSIKA MAYDAY, Succubus Pop Star | 2x09 - Apology Tour

"Blitz, there is a crowd full of people here who cared so much they throw an entire fucking party about hating you every year! Do you know how much you have to care to do something as stupid as that?"

[vaguely-concerned]

are. are you telling me that if the romanced mage warden dies and alistair is king, he deadass stares greagoir down over her dead body and grants the circle of ferelden its autonomy after ordering it rebuilt somewhere safer. first you have to deliberately leave him behind so he won't die for you and then he does that for you once you're gone, even when you're broken up??? absolute and literal king behaviour of the highest order????? the actions speak louder than words of it all??????? I think I hauve covid

[blendinblandin]

Forever Winter is genuinely so distressing to me personally I love it I hate it I’LL BE SUMMER SUN FOR YOU FOREVER

[emahriel]

"But a bard can tell you all the rest. As for all the things they cannot... well. I shall just have to keep those for myself."

[valtsv]

this part is so, so important to me, because as fatalistic as it sounds, it's refreshing to hear it, and from the mouth of a character as complex and nuanced in their portrayal as both victim and perpetrator of violence as VAL no less. because the fact is, no matter how much you put in the effort, and work on yourself, and change for the better, none of that will make any difference if the world doesn't change with you. if the wheel keeps on turning. if the cycle keeps on being repeated. you'll only remain a cog in the machine, or fall out and be discarded among all the other useless, broken disappointments before you. what does it matter, if you grow around the hurt, tear down the walls you've built in a futile bid to keep yourself safe, only to find more fences bristling with spikes awaiting you on the other side? what use is it trying to better yourself when there's nowhere to go? in voicing this, VAL highlights the abject cruelty of telling people that they're what needs fixing, that it's their responsibility to change, and that the world will surely follow if they're only willing to take the first steps, when there was never any intention to dismantle the corruption and violence upholding the systems that led them to that point in the first place.

[zoe-oneesama]

You said you were a super fan of Sailor Moon, could you give your opinion about the 90s and Crystal adaptations? There's a lot of debate about which one is the best, honestly I think both have their positive points...although personally the 90s one will have a special place in my heart 💖

Crystal definitely had a rough start since it was just...so UGLY! DX I'm sorry but that's the only way to describe it, the 3D models were bad, the animation was bad, the drawings were bad, it was bad! So despite being the more faithful adaptation, it was a hard watch at first.

Luckily, Crystal can now stand on it's own and is actually quite beautiful. It really captures the melodrama from the original manga while being less visually confusing and easy to follow. If you're a fan of the manga, definitely give Crystal a go.

I too have a nostalgia attachment to the 90s dub and the 90s animation is the one that I'm collecting the full season of, so it is definitely the one that I prefer. I do really like that the redub and Crystal use the same voice actors, so all the VAs get to experience the different versions of their characters.

As a kid, I really only watched whatever random episode was on tv, whatever random video blockbuster had, or the movies, but I was still really attached to 90s Sailor Moon. Now I'm currently going through and watching every episode. Pray for me, I'm at Season 3: Sailor Moon S.

[dykedvonte]

I think any fix-it mouthwashing au has to have the mandatory scenes of Curly either being able to blink again or speaking for the first time.

[mrmeepsmadmind]

his horns (finials) (idk)(ears)(whatever) shaking... the jumping ??? the struggling 😭 the off center twitching ..he is PISSED. AWF !!!!!!

[eeriedragone]

The Voice of Reason

[kaiserin-erzsebet]

My hottest take: if we must continue to make shows with Empress Elisabeth, I want a long series in the style and spirit of The Crown about Franz Joseph.

I think freeing Sisi from being a girlboss critic-of-monarchy main character would actually be much better.

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[mohabbaat]

THOUGHTS ON THE NEW TS ALBUM

listen, i had no issues with this woman for a long time. i even liked her, defended her when she released that one video with dylan o'brien. but right now my respect for her is at level 0. mainly cause she let her fans hate on joe alwyn for an entire year, even encouraged this hatred by giving "easter eggs" when his only crime was being depressed??? and not proposing to her???? yeah. she threw him to the wolves just for publicity with no regard to his mental health (which was already bad even according to her) and that's such an asshole move. especially considering he was there when no one else was. also, she made an entire song complaining that her fans were too rude to the racist dude she dated and who dumped her after a few weeks?? but had nothing to say about the literal witch hunt that joe (the dude she dated for 6 years and apparently was desperate to marry) has been going through??? yeah. she needs therapy.

[salty-an-disco]

In the Razor chapter, we're the ones getting fragmented right before Razor's eyes at our every interaction, meaning we're to her what Stranger was to us, in this essay I'll

[demigods-posts]

I've seen a lot of discourse about Virginia Kull's portrayal of Sally Jackson in the Percy Jackson and the Olympians TV series, and I'd like to say that I loved her. Don't get me wrong. I love Sally from the original book series, and I, too, would fight the God of War on her behalf. But something that I enjoyed about Virginia's portrayal of Sally that we don't get in the books is the character depth. We don't hear much of Sally's backstory in the TV series, apart from a couple of flashbacks with younger Percy and that scene with Poseidon (Toby Stephens). However, those scenes do an excellent job of showing us that alongside being Percy's mother, Sally is also a young woman who fell in love with a man she could not be with and is enduring the natural consequences of having Percy. She struggles to communicate with him when she's frustrated, gets teary-eyed when she lies to him to prolong the inevitable, and actively sacrifices her happiness to ensure his safety. Virginia Kull's portrayal of Sally Jackson reinforces the character's humanity, imperfections, and determination, and it's everything to me.

[cto10121]

[sits up straight at 3:00am, bloodshot] Meyer never intended Jacob to be Bella’s love interest. In Meyer’s first sequel, Forever Dawn, he was just a platonic friend who imprinted on Renesmee.

Which means Jacob/Renesmee is not only more canon than Jacob/Bella….it came first.

[subwaylesbians]

ajax and swan’s relationship is so important to me bc there’s so much care and respect there. and their matching “I’m worthless if I’m not protecting the people around me” complexes manifest in such opposite directions that they could have been designed in a lab to piss each other off