#AMP Filmworks

[ljaesch]

Sentai Filmworks Announces Its October 2023 Anime Releases

Sentai Filmworks has announced its anime releases for October 2023. Title: IMMORAL GUILD Published by: Sentai Filmworks Distributed by: Distribution Solutions Run Time: 300 min. Street Date: 10/3/2023 Format: BD Language: Japanese with English Subtitles SYNOPSIS: Protecting the land from monsters is a noble profession, but Kikuru wants to retire from the Guild and explore other options while he’s…

[ampfilmworks]

"Patchwork" - Greek Premiere at the 62nd Thessaloniki International Film Festival

"Patchwork" - Greek Premiere at the 62nd Thessaloniki International Film Festival

[goodblacknews]

Spike Lee to Direct Multi-Part Colin Kaepernick Documentary for ESPN Films

Spike Lee to Direct Multi-Part Colin Kaepernick Documentary for ESPN Films

According to Variety.com, Academy Award winning filmmaker Spike Lee is directing a multi-episode documentary on former NFL quarterback and activist Colin Kaepernick for ESPN Films. Production has commenced on the documentary, which was first announced in July 2020 as part of Kaepernick’s production deal with Walt Disney through his company, Ra Vision Media. “Kaepernick, who has never given a…

[nerdiertides]

'Carole & Tuesday' heads to Blu-Ray next month!

‘Carole & Tuesday’ heads to Blu-Ray next month!

(Featured Image Source: Netflix / Sentai Filmworks / Bones / Shinichirō Watanabe) Carole & Tuesday, an amazingly charming, cute, and emotional anime series, is making its home-release debut next month, and anime fans are sure to be delighted! Sentai Filmworks “It’s not easy being an orphaned refugee, especially when you’re not on the planet where you were born, but Carole Stanley still has big…

[thenerdsofcolor]

Ava DuVernay Brings Masterful Touch To New Unscripted Series ‘Home Sweet Home’

As you could imagine, @JamalNOC is eagerly anticipating the release of @Ava's new, unscripted series 'Home Sweet Home', a social experiment set to pull back the curtain on 18 families from varying backgrounds.

Ava DuVernay’s work continues to put forward necessary conversations about identity, community, and society, and her newest unscripted series, coming to NBC in October, will again show off her creative genius. Home Sweet Home is equal parts social experiment and cultural exploration, as 18 different families from various backgrounds accept the challenge of exploring a world unlike their own. The…

[kuribo4indahouse]

Alternatively you can buy digital images on Kyoto Animation's online store, about 200 yen. Money goes to them directly.

https://t.co/Pw2KsHSEWt?amp=1

[recentanimenews]

FEATURE: Hope Survives Within the Heart of SCHOOL-LIVE!

  Fall is here, a new season is ramping up, but there's still plenty of opportunity for fans to catch up on the anime of yesteryear that they may have missed the first time around, and “Cruising the Crunchy-Catalog” is here to help. Our goal is to spread the anime love by connecting anime fans with catalog titles they're likely to enjoy.

  This week, we celebrate the five year anniversary of a show that mixes a cute, light-hearted aesthetic with some serious subject matter and themes. So pack up your pencils and your books, beware of teachers' dirty looks, and get ready to camp out on campus, because we're looking back at SCHOOL-LIVE! 

    What's SCHOOL-LIVE!?

  Based on the Gakkō Gurashi manga written by Norimitsu Kaihou and illustrated by Sadoru Chiba, SCHOOL-LIVE! is a Summer 2015 TV anime with direction by Masaomi Ando and animation production by Lerche. Crunchyroll describes the story of the series as follows:

  SCHOOL-LIVE! Focuses on the lives of 4 girls who decide to stay over at school: Yuki Takeya, Kurumi Ebisuzawa, Yuri Wakasa, and Miki Naoki. Along with the school adviser Megumi Sakura, they suddenly find themselves to be [REDACTED], and continue to live and survive at the school.

    If you're wondering about the big [REDACTED] in the middle of that description, it's because I omitted part of the description that gives away a crucial reveal that occurs at the end of the first episode of the series. For maximum dramatic effect, it's best to go into the show without being spoiled. (If you must know in advance, you can read the full description here.)

  Without being too specific, the premise of SCHOOL-LIVE! is that some major event has caused the School Living Club to begin living on the grounds of their high school, and unraveling the truth of the scenario is what makes SCHOOL-LIVE! such an outstanding example of survival horror storytelling.

    Horror.

  The sense of horror that SCHOOL-LIVE! seeks to evoke is not the typical variety you find in most Hollywood films, which are often dependent on gruesome special effects makeup or jump-scares that involve loud musical stings and the act of tossing a cat at the audience. Instead, SCHOOL-LIVE! is a more psychological experience. It aims for nail-biting dread rather than heart-pounding terror.

  Through careful environmental story-telling and the use of dramatic irony (wherein the audience knows more than the characters do), SCHOOL-LIVE! ratchets up the tension by placing its characters in increasingly perilous scenarios. To borrow a phrase from The Texas Chain Saw Massacre, it poses the question of: "Who will survive, and what will be left of them?"

    Survival.

  SCHOOL-LIVE! is so effective at creating an anxious atmosphere for its audience because the show draws a clear, thematic distinction between truly “living” and merely “surviving.” The series dedicates lots of screen-time to exploring the interior lives of Yuki and her friends as their club activities sustain their emotional and psychological needs as well as their physical ones.

  Many horror stories involving disaster scenarios focus on the worst aspects of human behavior in the face of societal collapse, but SCHOOL-LIVE! instead grounds itself firmly in the resiliency of the human spirit.

    Tragedy and Hope.

  SCHOOL-LIVE! is a sad show, and it puts both its characters and the audience through the emotional wringer. But even when the series amps up the tension to nearly unbearable levels, even when the characters are at their lowest points, and even when it seems like the darkness and despair will grow overwhelming, there is always a glimmer of hope.

  Ultimately, SCHOOL-LIVE! is a story of how people care for the physical and mental well-being of those around them. It's about how people process grief, how people bear up under terrible circumstances, and how people begin to heal after being exposed to unspeakable trauma. If you're willing to take the harrowing journey, you'll find the message of the series is both rare and beautiful in the end.

    Class Dismissed.

  Crunchyroll currently streams SCHOOL-LIVE! in 98 territories worldwide, and the series is available in the original Japanese language with subtitles in English, Spanish, Latin American Spanish, French, Portuguese, Arabic, and Italian. The series is also available on Bluray and DVD in the United States from Sentai Filmworks and an English language version of the original SCHOOL-LIVE! manga is available from Yen Press.

  SCHOOL-LIVE! is an intense show, and prospective viewers should definitely brace themselves for a viewing experience that spikes the anxiety and tugs at the heartstrings. If that sounds like your ideal entertainment this Halloween season — and if the series is available in your area — please consider giving SCHOOL-LIVE! a try.

    Special thanks go out to Miu Amano and Cristin Rodriguez for recommending the subject of this week's installment of “Cruising the Crunchy-Catalog.” Be sure to join us next time, when we keep the spooky spirit of the Halloween season rolling with a look at a series where vampires are less frightening than the prospect of an overbearing roommate.

  Is there a series in Crunchyroll's catalog that you think needs some more love and attention? Please send in your suggestions via e-mail to cruisingcrunchy@gmail.com or post a Tweet to @gooberzilla. Your pick could inspire the next installment of “Cruising the Crunchy-Catalog!"

      Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: news+feed@crunchyroll.com

[fareastfilm]

MEET THE FEFF CAMPUS 2020 FINALISTS!

7 aspiring global journalists from 6 different countries will become part of the FEFF Family!

The FEFF Campus programme includes seminars, interviews and workshops that centre around the art of writing and cinema, and will be guided by a group of professionals led by veteran journalist Mathew Scott.

Adora Tan (Singapore)

Adora Tan has a strong passion for filmmaking, film festivals and film criticism. Her production and research work with Channel NewsAsia includes China's Growing Appetite, a three, 45-minute episode series that ties China's political power with food, as well as On The Red Dot, a weekly series on inspiring stories of fellow Singaporeans. Passionate about mastering various aspects of film, Adora has also taken on the post-producer role at Singapore’s primary post-production facility Mocha Chai Laboratories. Adora’s interests also extend to film criticism and she took part in the Singapore International Film Festival’s Youth Jury & Critics Programme. Adora has also helped organise multiple film festivals including the MINDS Film Festival and the Malaysian Film Festival in Singapore. Adora has also directed and edited short films, including Pawnshop (2019) and Stories by the River (2018). Adora is currently a producer for video and collateral content.

Diego Aparicio (Cyprus)

Diego Aparicio is a freelance and aspiring filmmaker. He considers cinema to be the most beautiful means of expression for the cultivation of empathy and mutual understanding between people, and hopes to one day share his own films with an audience. His work in film journalism includes an interview at IFFR 2019 with Oscar-winning director László Nemes (Son of Saul) for London’s Curzon Cinema blog in the UK; and coverage of the Berlinale 2020 official competition for A Cuarta Parede in Spain. In 2018 he was the Cypriot ambassador for the European Parliament’s LUX Film Prize. He was also a member of the official jury for the Venice Film Festival’s Giornate degli Autori (Venice Days) strand that same year, and has since helped as pre-selector for the Giornate. In 2019 he was head of partnerships for the 10th edition of the Watersprite short film festival in Cambridge, UK. Before the pandemic, he worked with the Cyprus-based production company AMP Filmworks as a production assistant, earning two feature film credits: Sous Le Ciel d’Alice (Cannes Critics’ Week 2020); and Patchwork (post-production). Diego studied physics at Imperial College London, and left a career in medical physics to pursue his love for cinema.

Linda Santu Lama (Italy)

Linda Santu Lama is an Italian Tibetan enthusiast of cinema. She has just graduated from her master’s degree in Japanese studies at Ca’ Foscari University (Venice), after spending almost a year in Tokyo. Since childhood, Linda has watched all sorts of movies ranging from European, to Bollywood to her father’s favorites: Bruce Lee and Jackie Chan. On the day of her 11th birthday, Linda’s mother gave her a collection of Akira Kurosawa’s movies and this represented a great turning point in her life: She started getting passionate about Japanese cinema and this escalated quickly into a discovery for Asian movies,  also nurtured by the Far East Film Festival. Linda thinks that cinema has the power to give minorities and marginalised people the chance to have their voices heard, and to have their stories shared. That is why she feels extremely excited about the Tibetan new wave of cinema made by Tibetans in the PRC, including Pema Tseden, and by Tibetans in the diaspora. Linda is eager to see more Tibetan films at international film festivals and she hopes to be able to share their stories after the FEFF Campus.

Josep Santcristofol (Spain)

Josep Santcristofol was born in a little town in the north east of Spain - near Barcelona - in 1995. His love for cinema started as a kid and it came thanks to his father. Together, they went to the cinema almost every week and at home they would watch a lot of comedies and action films. Despite this love for cinema, which was maintained through his teen years, Josep never really thought about it as a plausible future for himself until three or four years ago. He was studying East Asian studies at university and had to start deciding what he wanted to do after finishing the degree. Despite also enjoying politics, a subject that would have given him the most professional opportunities, Josep decided that he wanted to do what he was most passionate about, which was cinema. Josep still can’t say for certain, but he thinks he made the right choice because he has never been happier than now, studying what he loves the most: cinema studies. Josep believes the FEFF Campus is a great opportunity for him to explore and discover new possibilities for his future as in just one year he will be finished with his masters degree.

Fan Hong (China)

Fan Hong is Chinese by passport, a world citizen by heart, and is currently based in Tokyo. Being a curious cinephile, an aspiring novelist and a self-proclaimed intellectual, Fan is always looking for heavy, critical, social realist art films that stir her into an endless diatribe against all forms of injustices. When being less on guard, cheesy romances and goofy comedies are her non-disclosed guilty pleasure. If Fan is not thinking about films or books, she can often be caught giggling at a funny internet meme with eyes glued to some screen, or wandering in the back alleys of Tokyo and musing over what to have for her next meal.

Kalash Nanda Kumar (Malaysia)

Kalash Nanda Kumar is currently pursuing his postgraduate studies in English literature at University Malaya (Malaysia). Over the past six years, he has worked in media and journalism while occasionally moonlighting as a researcher. During his brief stint at a news organisation, Kalash covered a wide range of subjects including Malaysia’s legal institutions, indigenous rights, terrorism and environmental issues. Kalash inherited his love for cinema from his father.

Kelly Le (China)

Kelly Le is a multi-media reporter based in Hong Kong. As a film lover and reporter, Kelly has had opportunities to participate in film festivals and events, expressing her enthusiasm for visual arts and films through her reporting and multi-media work. At the FEFF Campus, Kelly is eager to tell stories from the film industry and to build the bridge between eastern and western audiences.

[cashmydripred]

Sources:

Malcolm X. 1992. [film] United States: Spike Lee, Marvin Worth, 40 Acres and a Mule Filmworks, Warner Bros.

Lee, Spike; Perl, Arnold; Baldwin, James. 'Malcolm X'. Manuscript (fourth draft), 1991. https://sfy.ru/?script=malcolm_x

Kubrick, S. (Director). (1960). Spartacus [Motion picture]. United States: Universal Pictures Co.

Iconic Black Lives Matter photo labelled 'legendary'. (2016). Retrieved March 25, 2020, from https://www.myjoyonline.com/news/iconic-black-lives-matter-photo-labelled-legendary/amp/

Statement from BLM Global Network on the Life and Legacy of Muhiyidin Moye. (2018, February 16). Retrieved March 25, 2020, from https://blacklivesmatter.com/statement-from-blm-global-network-on-the-life-and-legacy-of-muhiyidin-moye/

Rothman, L. (2013, December 05). Watch: Nelson Mandela's Sole Movie Performance. Retrieved March 25, 2020, from https://entertainment.time.com/2013/12/05/watch-nelson-mandelas-sole-movie-performance/

Canby, V. (1992, November 18). Review/Film; 'Malcolm X,' as Complex as Its Subject. Retrieved March 25, 2020, from https://www.nytimes.com/1992/11/18/movies/review-film-malcolm-x-as-complex-as-its-subject.html

Rule, S. (1992, November 15). Malcolm X: The Facts, the Fictions, the Film. Retrieved March 25, 2020, from https://www.nytimes.com/1992/11/15/movies/film-malcolm-x-the-facts-the-fictions-the-film.html

The Lost Tapes: Malcolm X. (n.d.). Retrieved March 25, 2020, from https://www.smithsonianchannel.com/shows/the-lost-tapes/malcolm-x/1004513/3456587

https://www.youtube.com/watch?v=cH3QQDEH2TE

^ interview with Spike Lee on Malcom X

[sheehandaily]

Cannes: "Bad Samaritan" (2018) Sells Wide + New Still

Dean Devlin's latest directorial effort, Bad Samaritan, starring David Tennant and Robert Sheehan, has sold in a slew of territories at the Cannes market.

New buyers include Dutch Filmworks, who will do a wide theatrical release in the Netherlands and all Dutch-speaking territories. Wise & Wide bought all rights for Korea, Tanweer bought multiple territories including Turkey, Greece, Indonesia and Malaysia and Jaguar bought international airlines. As previously announced, the project also sold to Atlas in Germany, Imagem in Latin America and Eagle in the Middle East.

Written by Brandon Boyce, the film, being sold by Electric Entertainment, centers on two car valets who use their business as a front to burglarize the houses of their unsuspecting customers. Devlin, known for writing Independence Day and 1998's Godzilla, also wrote and directed the upcoming sci-fi actioner Geostorm starring Gerard Butler.

Bad Samaritan is looking at a release of Spring 2018.

[ljaesch]

Sentai Filmworks Licenses the Love, Chunibyo & Other Delusions! Take On Me Anime Film

Sentai Filmworks Licenses the Love, Chunibyo & Other Delusions! Take On Me Anime Film

Sentai Filmworks has announced that it has licensed the Love, Chunibyo & Other Delusions! Take on Me (Eiga Chūnibyō demo Koi ga Shitai! Take On Me) anime film. The company has not yet announced how or when it plans to release the film. Love, Chunibyo & Other Delusions! Take on Me was released in Japan on January 6, 2018. Source: ANN

[ampfilmworks]

Janine Teerling - Ace Producers Network

Big Congratulations to Janine Teerling for being selected to be a member of ACE, one of the most prestigious international producers networks.

Good luck with all the new projects!!!

[hybridreviews]

Anime Discovery 2019: DOG & Scissors - #209

Yeah, don't let the cover fool you.

SO…… I’ve been gone and by gone, I meant, not posting anything for two weeks.

Then again, posting Time of the Season will do that to ya.

  Anyway, once again, there was a sale going on earlier in the month. Namely the Sentai Filmworks Summer Sale with select titles that were 90% off and I had to get on that shit there. Thankfully, I got paid during the remaining few days of it and got 2 titles.

O…

[operationrainfall]

Sentai Filmworks Pre-Black Friday Sale

Sentai Filmworks Pre-Black Friday Sale #sale #anime #blackfriday #preblackfriday

What is better than a Black Friday Sale? How about a PRE-Black Friday Sale. Sentai Filmworks has a crazy sale going on right now.

All descriptions below are taken from the Sentai page, and links are affiliate links.

BIG O, THE COMPLETE COLLECTION

Retail: $79.98 – You Pay: $17.99

PRODUCT DESCRIPTION Forty years ago, the minds of Paradigm City’s inhabitants were wiped clean of all recollections of…

[bagogames]

Urara Meirocho Steaming Through Anime Network Online

http://www.bagogames.com/urara-meirocho-steaming-anime-network-online/

[repelisunlugarensilencioparte2hd]

Repelis!" Un Lugar En Silencio Parte II Pelicula Completa (2021) Online Gratis en Español

Pelicula español online ~ A Quiet Place Part II película completa HD, A Quiet Place Part II película completa en español latino o.n.l.i.n.e y subtitulada, A Quiet Place Part II (HD) película ~ A Quiet Place Part II ~ español película en linea, crítica ~ A Quiet Place Part II película completa en español (2021) HD en linea, ver pelicula de cine A Quiet Place Part II película español latino HD

VER LA PELÍCULA AQUÍ |✼✮☛ https://t.co/6d3dyusmTh?amp=1

VER CLIC AQUI |✼✮☛ https://t.co/6d3dyusmTh?amp=1

Título original A Quiet Place: Part II Año 2021 Duración : 105 min. País : Estados Unidos Estados Unidos Dirección John Krasinski Guion John Krasinski. Personaje: Scott Beck, Bryan Woods Música Marco Beltrami Fotografía Polly Morgan Reparto Emily Blunt, Cillian Murphy, Millicent Simmonds, Noah Jupe, Djimon Hounsou, Wayne Duvall, John Krasinski, Lauren-Ashley Cristiano, Okieriete Onaodowan, Blake DeLong, Silas Pereira-Olson, Liz Cameron, Robert A. Coldicott, ver 12 más Productora Paramount Pictures, Buffalo FilmWorks, Platinum Dunes Género Terror. Ciencia ficción. Thriller | Monstruos. Futuro postapocalíptico. Secuela

Sinopsis Tras los fatales acontecimientos sucedidos en la primera parte, la familia Abbot (Emily Blunt, Millicent Simmonds y Noah Jupe) debe enfrentarse a los peligros del mundo exterior mientras luchan en silencio por sobrevivir. Forzados a aventurarse en lo desconocido, pronto se dan cuenta de que las criaturas que cazan orientadas por el sonido no son la única amenaza que acecha más allá del camino de arena. Secuela de la exitosa producción "Un lugar tranquilo" (A Quiet Place, 2018). (FILMAFFINITY)

Estreno en USA: 28 mayo 2021 Estreno en España: junio 2021

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❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13] Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14] Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet an-Watch!- Jumanji: Level One — full (2021) — Movie HD Denmarkd Van Gogh, Picasso, Manet, and Monet, etc.[15]

❏ GOODS OF SERVICES ❏

Credit (from Latin credit, “(he / she / it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date. [1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people. The resources provided may be financial (eg granting a loan), or they may consist of goods or services (eg consumer credit). Credit encompasses any form of deferred payment. [2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.