#ALSO there is no reason to make someone else in your fandom feel bad because they have different tastes than you

[utilitycaster]

I was reading your posts about interesting moments in CR3 and different possibilities that could’ve added positively to the campaign and the party split was an interesting point. Honestly I can’t help but wonder that if we had one party who

1- met guests who had a positive relationship with different gods (there are 12 Primes right? Why did both parties end up interacting with Pelor) to broaden the knowledge through player-player interactions

2- were sent to a place with a mix of religion and culture and explore a region with NPCs offering a different viewpoint

Because honestly as much as I enjoyed the split, I felt kinda bummed out that both parties experienced even more negative feedback re: the gods: Deanna forced to come back by a god or the village being taken over and forced by a religious group. Even more so when it was Pelor in focus both times and he is one of the harshest ones.

If one party had a different experience, because none of them had any personal experience and were mostly working off their own hurts when asked ‘should the gods be killed’, then maybe the debate when they reunited could’ve been different. Instead of Orym being the only one to say ‘Ludinus is bad guys.’

It felt like having someone be horrified at their gods being killed would be a good shock to the ‘meh’ reaction the party was constantly having. Or the guests being meh about it too (or it just being a weird comedy improv moment).

I wasn’t on tumblr, but were people wondering why both instances were negative religiously? Do you think it could’ve impacted the group positively if Matt had made the encounters different?

Hi anon, I mean this as kindly as possible but I have repeatedly been saying for literally over a year at this point that the issue is not that Bells Hells lacks a pro-god member. I feel like I get questions like this every few months and I say something like this every few months and I know it's a fandom and I don't expect everyone to read every post on my blog but like, I do have to read every post on my blog and it's getting tiresome.

Bells Hells had a pro-god member in FCG and were frequently pretty belittling and unkind to them about that, frankly, until the moment of their death. I also think (and iirc Aabria has clarified out of game) that Deanna is not in fact mad at Pelor. She has a lot of issues with the actions of other worshipers, and she has complicated feelings, but I would not under any circumstances say her perception of the Dawnfather was negative. I also think she is something of a Keyleth case, of "if I do not let out this anger towards a deity, it will be directed towards the person I'm actually mad at, whom I love, and that's much harder to face and process, so I will be shaking my fist at the sky instead." I also think that the character of Bor'Dor is a great example of the awful manipulation that the Ruby Vanguard took part in and how like most cults they destroy the lives of their followers, rendering them unable to see outsiders as anything but the enemy, and that most people don't escape.

If you are dealing with people whose genuine reason for enabling what amounts to either genocide or extinction of a species, depending on your perspective, is "I asked for help from them [in a vague and indirect sense] and never received it", having someone else say "well I had help and it was great" is not going to change their minds. The thing that would have fixed Bells Hells is, as someone else said, having significant ties to the world outside of each other, who they've at most known for 2 years and change. As is they have little investment or care for any of the other people of Exandria while claiming to be their voice. You do not need a love of the gods to make, as Caduceus said, the kind choice. You do need a love, or at least an effort made in the direction of love, for the mortals of Exandria and Ruidus, and they do not have that. And from an outside perspective again we can discuss that this is largely a failure on the DM-ing side but within the context of the story that is the problem, that this is the behavior of people who spend more time arguing in favor of people who are long dead (after uh. trying their own genocide) than in the presence of the many common people on Exandria and Ruidus who are alive.

[bubblesxo]

PLEASE GUYS. SHIP AND LET SHIP.

stop posting about what ships you hate. PLEASE. it's just spreading negativity---no one who ships those ships is suddenly gonna get the ick and be like "oh wow now i agree with you!!! this ship is horrible and i should be ashamed of ever shipping it!!!" ships aren't always going to make sense with the canon material, and some of the time that's exactly the point. fandom culture was built on shipping, so PLEASE, if you're judging some ship or other, just keep it in your head. there's no need to make it a whole thing.

[thebettybook]

I, Roronoa Zoro, have a crush

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Characters: OPLA (One Piece Live Action) Roronoa Zoro x Straw-Hat-Crew-Member!gn!reader

Summary: Fluff headcanons of OPLA Zoro developing a crush on you + mini fluff scenarios

Warnings: Some OPLA spoilers ahead! Other than that, all fluff

Strawbetty’s notes: Dipping my toes into the One Piece fandom to say hello and give you my contribution to OPLA Zoro content :). Mackenyu as Zoro is fiiiiine. I finished the live action and I NEED MORE :’0. Currently watching the anime rn

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💚 Zoro didn’t like you at first when Luffy recruited you to be a part of the Straw Hats.

💚 Like how Zoro felt when he first met Luffy, Zoro found you overly optimistic and chatty—the complete opposite of himself.

💚 Zoro’s also someone who, despite being really perceptive, has a bad habit of making snap judgments against people he doesn’t know well and prefers to keep them at a distance, and he made the poor assumption that you probably never went through anything difficult in life since you seemed so happy all the time.

💚 Thus, he didn’t really go out of his way to talk to you or get to know you at first, unlike the rest of the crew, but you also didn’t mind too much. You’d greet him with a “good morning” every morning, but he’d only give you a nod.

💚 “Don’t mind him, he’s like that with all new crew members,” Nami reassured you.

💚 It wasn’t until a few days later when the entire crew was having dinner on deck under the stars—and you opened up about your life (the losses and hardships you’ve experienced despite being just a young adult)—that made Zoro change his mind about you.

💚 He surprised himself when he volunteered to help you wash the dishes after dinner, and surprised himself even more when he muttered, “Sorry.”

💚 “For what?” You raised a brow, water dripping from your fingers as you reached for a hand towel to dry your hands.

💚 “For not being so…friendly when you first joined,” Zoro’s eyes flickered up from the plates to your face.

💚 He couldn’t help but be taken aback when you gave him a smile—a smile so bright and kind it almost took his breath away. Sure, you smiled a lot at everyone, but this was the first time your smile was directed at just him up close.

💚 “It’s alright,” you chuckled, taking a plate he handed to you and placing it onto the drying rack. “I’m used to people assuming things about me.”

💚 “How do you do it?” Zoro crossed his arms, though his relaxed stance conveyed his sincere curiosity. “Smile all the time?”

💚 “Because smiling makes me happy,” you didn’t miss a beat. “And if I can do that for myself and my smile ends up making someone else happy, that’s good enough for me.”

💚 A half-smile quirked on Zoro’s lips at your words. You were a good person, and he was sorry he didn’t see that sooner.

💚 “See, you’re smiling now,” you teased, your smile growing.

💚 “Nope,” Zoro turned his attention to the utensils he had to wash, but his smile didn’t falter one bit.

💚 After that day, a friendship blossomed between you two. Some nights you’d find Zoro sharpening his blades, other nights he’d find you on deck gazing up at the stars while the others were asleep. Whatever the reasons that kept the two of you awake at night, they helped bring you two closer together.

💚 You and Zoro began your late night talks by sharing stories with each other about your childhoods and the people who helped shape your lives for the better. The two of you would even exchange banter and develop inside jokes.

💚 Zoro grew to feel safe in confiding with you about his innermost thoughts and feelings, and he made you feel safe in doing the same as well.

💚 As the months went by, Zoro would look forward to every opportunity he had to talk with you, whether that be during the day with the rest of the crew or at night with just the two of you.

💚 He had no doubt by now that he could call you someone he deeply cared for, especially when his heart would try to jump out of his chest whenever your hand accidentally brushed against his or when his heart squeezed like a towel being rung dry any time you got hurt during battle.

💚 But as someone who’s never thought about romance or had any experience with romantic relationships, Zoro didn’t really consider the possibility that he was falling for you.

💚 It didn’t take long for some of the crew members to see and realize that Zoro cared for you in a special way, though, especially as Zoro’s romantic feelings for you became more and more evident to the others through his actions.

💚 For example, Zoro would tell Sanji not once, not twice, but thrice that you didn’t like a specific ingredient in your meals because of allergies or whatnot, even though Sanji knew that already. One morning, Sanji caught Zoro making a horrible yet endearing attempt to make your favorite breakfast for you. With an amused smirk, Sanji offered to teach Zoro how to make your favorite breakfast (only after Zoro made Sanji swear to never tell anyone about it).

💚 Nami realized Zoro had feelings for you when she saw the way Zoro would protectively stand in front of you in the face of danger, or check on you if you sustained even a minor injury (even though everyone in the crew knew you could protect yourself). Nami didn’t bring it up since she didn’t think it was any of her business, but she’d have a small smile on her face whenever she saw Zoro perk up even just a tiny bit whenever you called his name.

💚 Usopp and Luffy didn’t really pick up on anything until Sanji let out an offhand comment in the kitchen about Zoro being “smitten” with you (luckily, you and Zoro were on deck practicing your combat skills with Nami).

💚 Of course, Sanji’s comment blew Usopp’s mind. Luffy, on the other hand, didn’t really listen and had his full attention on whatever dish Sanji was making for lunch.

💚 “Zoro’s got a cruuush,” Usopp sang that afternoon, slinging an arm around Zoro’s shoulders while Luffy came up next to them.

💚 Zoro turned his head to the side to check if you were nearby. Thankfully, you were nowhere in sight.

💚 “I don’t do crushes,” Zoro shrugged Usopp off at the same time Luffy asked, “Who’s got a crush?”

💚 “Listen, if you need love advice, I’m your guy,” Usopp insisted, trying to catch up to Zoro as he left Usopp and Luffy behind to go to his room. “I’ve had tons of relationships, trust me.”

💚 “Having barely one relationship doesn’t make you qualified to give me love advice,” Zoro replied coolly, referencing Kaya to Usopp, as he strode to his berth.

💚 “Ouch!” Usopp dramatically brought a hand to his heart. “My offer still stands though!”

💚 Zoro made his way into his room and shut the door behind him. He eased himself onto his hammock and his eyes flitted up to the wooden ceiling.

💚 The ocean waves beneath the ship were calm this afternoon, and the soft golden rays of sunlight shimmered onto his body through his room’s tiny circular window. Usually Zoro would take a nap by now, but he couldn’t help but wonder what stories you were going to share with him tonight or what corny jokes you were going to crack at dinner that would make him laugh despite himself.

💚 But most of all, he couldn’t wait to see you smile again. A smile began to stretch across his face as he pictured your smile—

💚 —“I don’t have a crush,” Zoro stated out loud defensively even though no one was there. He tried to will his lips into a straight line as he ran a hand through the cropped moss-green tufts of his hair and shut his eyes to take a nap.

💚 Instead, his eyes found themselves opening and next thing Zoro knew, he was already out the door.

💚 Zoro was thankful no one was with him at the moment, or they would’ve seen a grin on his face as he made his way to wherever you were in hopes of seeing your smile.

💚 I, Roronoa Zoro, have a crush.

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Important:

🍓 I don’t own any of the characters I mention or write about; they belong to their original and respective creators.

🍓 All content on this blog is created by me, @thebettybook (excluding posts I reblog that aren’t my own posts and unless I state otherwise). Do not modify, claim, repost, or translate my work onto this platform and any other platform.

🍓 Reblogs are appreciated :). Check out my OPLA Zoro fluff oneshot fic here Like my work? Support me on Ko-fi :D

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[senblades]

I've had a realisation,

So, we all like to dunk on Akechi for having a stupid plan- which, well, yeah; but I think that a lot of people (whether they like Akechi's character or not) tend to miss the point:

That being, that the holes we all poke in his plan; "Why didn't he just kill Shido at the start?" "There's no way he'd live/be free after that," "His plan to ruin Shido's reputation would never work," are actually far more revealing as to Akechi's priorities, than they are of him just being 'stupid'.

For starters, "there's no way he'd live/be free after that." -as a fandom I think we've all already come to the conclusion that Akechi's regard for his own life is spotty at best. I wouldn't necessarily say that he wants to die by the time of the third semester, which really just adds to the tragedy of the whole situation, but I digress. Point is, the kid needs therapy, moving on.

"His plan to ruin Shido's reputation would never work," Ah, now this is where I think some cultural differences start to come in to play- I won't say much, since I'm relatively uninformed, but by the sounds of it, revealing that Shido has an illegitemate child is actually the kind of thing that would make a lot of people raise their eyebrows. And, more importantly, the kind of thing that would really throw his "easy election win" into some serious jeapordy. (AND, it's never exactly stated that "revealing himself as an illegitemate child" was Akechi's tactic to ruin Shido- more of a "hey, Shido, guess who it was that ruined you, you piece of shit?"- which, well, more on that mindset later)

Next, "Why didn't he just kill Shido from the start?" This is where I think a lot of people get tripped up. To my memory, there is not a single point in the engine room where Akechi says that killing Shido is the cornerstone of his plan (localisation differences notwithstanding. I'm sure someone will come yell at me (/lh) if this is the case). Now, to be fair, Akechi in the engine room is really just him giving a very desperate powerpoint while he sharpens his sword- so I don't doubt that he's skimming over a couple points. But, you'd think that Akechi would remember to mention that if that really was his main goal.

Okay, so Akechi doesn't want to kill Shido. Cool, follow-up question, "Why didn't he just give Shido a pshychotic breakdown from the start?" That's the kind of thing that would have ruined Shido's reputation, too, right? And, it would have been before he would have had the means to try and cover it up. Well, finally, I can get to my point:

Akechi needs Shido's disgrace to be loud, because he needs everyone else to care, too. Akechi's revenge isnt just against the man who left him and his mother for dead, but also against the society that continued to leave him for dead, again and again; the society that only lauded him as something special if he slapped some pretty wallpaper over the past he had absolutely no control over.

Looking at it like this does a lot of things:

First, it really amps up the whole "the PT's justice and Akechi's justice foil each other". Akechi's revenge is also a vehichle for revolution, since it is, in essence: "Look! Look at the man who you lauded as a saviour! Look at me, the man who brought him down. Aren't we both disgusting, in your eyes? Take a look at yourselves. Aren't we all the same?"

That leads pretty nicely into Akechi as a pawn for Yaldabaoth, too. Akechi wants to make sure he and Shido go out with a bang, and leave a shitshow in their wake. That's prime God of Control real estate! It's also prime "metaphor for Ruin" real estate; you get the point.

And, finally, an interesting point comes from all of this. That being, that, well- the only reason that Akechi's plan wasn't going to work, is that he placed too much stock in the idea that Shido has any concept of loyalty or gratitude. Shido, as we all know, is an absolute piece of shit- and still, Akechi had believed that maybe, just maybe, his father would feel bad for being terrible to his son.

(I'm not going to go on too big of a tangent, but that is an interesting insight into Akechi's idea of Justice, and into what his personas might represent. Contradiction, as ever, is the name of the game, and Akechi simultaneously believes that there's no way to get anywhere in life without force and violence, and that there is also a fundemantal truth of what is good and fair within human hearts)

The message of this, I'm pretty sure, is not: "Akechi failed because of that lingering belief in humanity" (wouldn't that be one hell of a heel-turn lmao), but rather: "Akechi, with his distorted (ha) priorities, was never going to be happy in any quest for vengeance, even if his plan succeeded entirely"

tl;dr, Akechi needs therapy. Wait- Maruki, no! Not that kind of therapy!

[renthony]

On "Consuming Content"

Every now and then a post crosses my feed that follows the vein of, "you have to do things other than consume media or else you'll be a dumb person who doesn't know anything about how the real world works and does nothing but pointless fandom stuff."

I hate those posts for three major reasons, not counting the inherent ableism and classism of "you must have approved Smart People hobbies or else you're worthless" rhetoric:

You don't know what people do or talk about outside of what you see on their social media. Responding to fandom communities on a fandom-driven website as if all these people are one-note cardboard cutouts of people is asinine. In many cases this genre of post feels like repackaged 2012 tumblr "not like other girls" and hipster discourse. Yes, yes, you think you're better than everyone else on this website because your hobbies are less mainstream, more morally pure, and have greater intellectual merit, we get it.

What do you even mean by consuming content? As someone who purposely avoids using the phrase "consuming content" because I find the term too vague to be useful, please be more specific. Are you including every single form of media engagement and art enjoyment? Are you just talking about mainstream TV and film? What about novels? Plays and scripts? Nonfiction books and instruction manuals? Do you mean to imply that going to a book club is a worthless non-hobby? Are you including academic reading? Are you including going to the art museum? Going to the theatre, concerts, or other performances? Taped liveshows? Watching sports events on TV? Are you including news media? Are you including YouTube tutorials about how to do various tasks, crafts, or other hobbies? Are you including trade magazines? Are you including industry publications in various fields? What constitutes "content," and what constitutes "consuming" in this discourse? Define it. "Consuming content" is a nothing phrase that people use to mean multiple different things depending on what they, personally, judge as valid media. It's a buzzword at best, and when the same buzzword can be used to describe both "idly scrolling social media" and "reading and discussing a book," it's a meaningless phrase.

As an artist and author, if engaging with media is bad and worthless, am I supposed to conclude that making it is equally worthless? If "consuming content" is a bad, lazy, worthless, fake hobby, what makes creating art a worthwhile pursuit? If I am constantly being told as an artist that engaging with media isn't a worthwhile pursuit in its own right, and the people who want to engage with my art are just brainless fandom losers, what incentive do I have to make that art anymore? Furthermore, to everyone reading this paragraph and thinking, "that's not what content creation is," I refer you to bullet #2: If the phrase "make content" can be used to mean "low-effort posts made to advertise cheap and useless products" as well as "being a novelist" or "getting a gig as a writer on a TV show," it's a meaningless phrase.

None of that is even getting into issues such as the way influencers are preyed on by both brands and targeted harassment from trolls. Influencer culture has major issues, but boiling those issues down to "stupid vapid young people who are too lazy to make real art or get real jobs" (which is a mindset I see frequently online) is unhelpful. So many people pursue influencer deals because they're living in poverty but are skilled at various social media and advertising related tasks, and just like any worker, they're being exploited because they need to eat. Labor rights for influencers are a huge topic that entertainment industry unions have been actively discussing and working toward. (Related links for further info: [x] [x] [x] [x])

"Consuming content is not a hobby" is a worthless statement unless you define what you mean by both "consuming" and "content." Quite frankly, you also need to define "hobby," because if you're putting requirements on what is and isn't allowed to be a "real" hobby, you mostly just seem like you're moving goalposts and defining "worthwhile hobby" as "hobby I, personally, think is good." Use more specific language to articulate your actual problems with the entertainment industry, the art world, influencer culture, or whatever else you're actually upset by.

Media and fandom can involve any number of enriching, satisfying hobbies that take up a perfectly acceptable and healthy space in someone's life. If you aren't into it, go find hobbies you do like and stop policing how other people spend their precious free time in this nightmare hellscape of a world.

[cheeseanonioncrisps]

I really want the show to go into more detail about Husk's backstory as an overlord, partly because I feel like it's something the fandom is kinda glossing over and partly because it's lowkey one of the biggest obstacles that a Husk/Angel relationship would have into overcome.

'Loser Baby' emphasises the similarities between Angel and Husk's situations, but it also (probably deliberately, since Husk is the one leading it) brushes aside one of the most major differences between them.

Namely that when Husk tells Angel that he's not the only one who sold his soul, he's not just singing about himself.

Husk sold his soul to Alastor, yeah (or lost it at least, which amounts to the same thing), but he also traded in souls. He was that “psychopathic freak”, and was operating fro long enough to achieve Overlord status.

And, honestly? Having your soul owned by Husker back in the day probably sucked.

The one benefit of soul contracts for the person selling their soul is that they seem to get a fair amount of say in how the contract is written.

Angel's contract, for example, apparently has a clause stating that he's only under Valentino's jurisdiction when he's in the studio. (Which, btw, puts a whole other spin on why Val is so pissed when he moves out of studio accommodation and into the Hotel.) And Val is apparently bound to that. Even though he's pissed off and actively wants to put Angel in his place, he can't make any moves against him in the club.

Equally, since most overlords seem to be associated with a specific location/industry, you can generally choose who your working for and therefore roughly what kind of stuff you're gonna be doing.

In practice there seems to be a lot of manipulation and coercion going on on the part of the Overlords making these contracts— they're not fair by any means— but the sinners signing them are theoretically at least guaranteed the right to a (somewhat) informed choice and some control over the deals they make.

Having an Overlord who uses human souls to pay his gambling debts, however, completely undermines all that.

Imagine going into work for your job running the roulette games at the casino only to be told that the boss played a bad hand in a game with Valentino, and so you're a sex worker now.

Or being traded to someone who has you fighting turf wars for them, and realising that your contract doesn't have any clauses to protect your personal safety because you only signed up to be a bartender.

Or selling your soul for a job near your home and family so you can guarantee their protection, only to be traded to someone whose territory is on the other side of the pentagram.

Husk is a victim of his own addiction, yeah, which is one of the reasons why Angel relates to him. But his backstory implies that there must be a significant number of people out there who were also victims of Husk's addiction, and may not be as sympathetic. Dude basically owned other people as property (… we have a word for that) and then literally played games with their lives.

And like, I'm not saying he hasn't changed. He seems more empathetic on the show than his backstory would imply, and apart from anything else, he's had a pretty clear object lesson about what it's like to be on the receiving end of that sort of thing. (Ngl, I'm pretty sure one of the reasons Alastor keeps him around is because he's the type to find the irony amusing.)

But like, he's in this place where he can relate to Angel Dust's situation, while at the same time probably also being able to relate to Valentino and Alastor's perspectives (although I doubt he was quite as bad as Val to work for).

And I'm curious as to what would happen, later in the series, if the gang met someone who had sold their soul to Husk at one point. Someone who would also be able to relate to Angel's situation, but with Husk as their version of Valentino.

[unforth]

Alright not to like liveblog my breakdown on main but yesterday was a really bad day after a really bad, like, 4 months, and I've hit a bit of a breaking point and one of the only things in my life that can give is running @mdzsartreblogs , @tgcfartreblogs , @svsssartreblogs , @erhaartreblogs , @tykartreblogs , and @cnovelartreblogs , so that is what has to give. It's been a 99-out-of-100 days thankless job. A small number of people do say thank you and yall I appreciate you so much (HUGE shout-out to the artist I met at Flamecon who gifted me a zine when I said I ran these blogs, @bonesblubs you rock) but I have never done an act of fandom labor simultaneously this labor intensive yet this invisible before and, uh. It sucks. I spend an hour or more a day on this every day, if it's under 2k hours since I started the first of these in September 2020 I'd be shocked. And I do it because I love it but doing it means I don't have time or energy to do other things I love. And I really don't want to just quit, but I can't keep this up.

In a last-ditch effort to try not to just give up, I'm making the following changes:

1. Only watching one tag per fandom for the MXTX fandoms. I am going to check *only* #tgcf, #svsss, and #mdzs. Artwork posted to any other tag, I will not see unless a mutual reblogs it.

2. Reduced tagging (even more). I'm only going to tag characters and maybe overarching au type (eg, "modern au," "fantasy au"). I'll no longer tag creatures. I will continue to tag the same common trigger warnings I already tag.

3. If a work's appearance doesn't make it obvious what it is AND the tags aren't clear, I'm not going to reblog. I can't keep spending 5 minutes or more trying to figure out what I'm even looking at, scared that if I guess wrong the artist will get mad at me for mistagging their work. If I do reblog, I'll tag only the artist name and/or whatever else I can identify for sure.

4. I am no longer going to follow #link click. The fandom is just too big. I've started dreading checking it. If I was more into it and less busy I would make another spin off just for it but neither of those is true. (The art is so good, I hate to do this, but. If you love link click, highly recommend the main tag, lots of great stuff there.)

5. I will no longer tag any non-cnovel content in the art/post. Like, if someone draws, idek, Xie Lian and Marinette from Ladybug, I'm not gonna put any tags for Marinette, just for Xie Lian.

6. Basically if I run into something hard to tag or confusing or unclear, my new policy is I'm not gonna fricken bother.

I think those are everything but idefk, I cried for 3 hours last night and got 4 hours of sleep so I'm mostly fueled by exhaustion and desperation right now and my memory is even more fried than usual.

How artists can help. This is obviously all optional. You do you. But since some people might want to know what would make my life easier, I'm sharing. I'm not claiming I feel entitled to dictate how people fandom or anything like that.

1. Put the tags for the character(s) and ship(s) early in the tag list.

2. If you make art for a fandom that isn't one of the big ones (right now the only big danmei fandoms on tumblr as far as I can tell are the MXTX fandoms and maybe 2ha) I am begging you to use my tracked tag #cnovelartreblogs

3. Do mdzs art? Tag #mdzs. Do tgcf art? Tag #tgcf. Do svsss art? Tag #svsss.

4. Not only artists, but everyone, *please* stop tagging fandoms not discussed and/or depicted in your post. It's gotten to be stupid common for people to blanket the danmei fandom tags with posts only about one fandon (like, svsss-only works also being tagged mdzs and tgcf and 2ha for some damn reason). This isn't about just my sideblogs tbh this is just fandom etiquette that seems to have been forgotten or never learned by many. Tagging unrelated fandoms isn't "reach," it's annoying. People go into the #mdzs tag to see mdzs, not whatever not-mdzs stuff people have decided to tag for ~reach~, and seeing the same post in 8 tags, none of which it's related to, is so damn irritating, and makes scrolling the tags looking for content that IS relevant take that much longer. Knock it off.

Okay. I think that's as much as I'm prepared to meltdown where everyone can see. Thanks in advance everyone for your understanding, and apologies to everyone about to see this 8 times as I reblog it to each sideblog.

At least I'm not tagging it to everywhere. 🤣🤣🤣

[rebelliousstories]

Spencer Reid SFW Alphabet

Relationship: Spencer Reid x Reader

Fandom: Criminal Minds

Request: No by Anon

Warnings: Fluff, Mentions of Cases, Mentions of Alcohol, Brief Angst

Word Count: 3,184

Main Masterlist: Here

Criminal Minds Masterlist: Here

Consider Donating: Here

A = Affection (How affectionate are they? How do they show affection?)

This is really going to depend on how two things: how long you are into your relationship and what season we’re talking about.

Early seasons plus early in the relationship means that he’s going to be a bit more reserved in his affections. Very rarely will he do more than stand near you if you’re in public together. However, early seasons and later in the relationship will grant you hand holding in public, maybe a peck on your cheek if you are lucky.

Now later seasons, I’m talking no earlier than season eight, he’s more alright with PDA. He’ll definitely insist on holding hands, and he absolutely will get upset when you don’t for whatever reason. Spencer is more prone to kissing in public, especially if he’s had a few drinks with the team.

In private though, no matter the season, once he’s comfortable with you, he’s holding you. Reid loves to hold you in his arms, tucked up against him so that he can feel your body heat. Away from prying eyes is when he is less reserved about his affections. He also really loves laying in your arms, so long as you pick a good book to read to him while he lays his head on your chest.

B = Best Friend (What would they be like as a best friend? How would the friendship start?)

Reid is a goofy Gubler. We all see how he is with the team, and you can definitely expect more of that. He adores having someone that he can turn to for whatever it is. Whether that is someone to cry with, laugh with, or just spend time in silence with. Also, having someone to geek out with is always appreciated.

I could see you meeting at either a bookstore or comic convention, that is if you’re not in the FBI already. No matter if it’s a bookstore or comic convention, I can definitely see you both reaching for the same thing, and he cracks a joke unintentionally about how you both could just split it.

C = Cuddles (Do they like to cuddle? How would they cuddle?)

You really think this man doesn’t like to cuddle? Oh, no. You’re mistaken. He will insist on cuddles. There is nothing more that he loves, especially when he comes home from a case.

If it’s a normal day, or if you’re upset, he’s the big spoon. Spencer loves to have you facing him so that he can watch you sleep, in the least creepy way possible. Tucking you into him, feeling your body heat, heart beat, and soft breaths escaping your nose; all of that makes him feel better. It helps him know that you’re there with him. You’re not a figment of his imagination.

However, if he’s had a long case, a bad day; Spencer is the little spoon. It’s almost comical how he’s able to curl his body up into such a tiny little ball. But this man is going to need one arm wrapped around him, the other hand in his hair, and you reassuring him that everything is going to be okay. It’s the one time that Reid is the quietest, so feel free to spout on about something random. Listening to someone else ramble is soothing to the number one rambler.

D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)

Spencer was a child prodigy; this man cannot cook to save his life. Not unless it was an instant meal that he just had to heat up and eat. So he would be perfectly alright with someone who only knew how to make kraft Mac and cheese. But if you knew how to actually cook, well, you might just be able to make this man eat properly for the first time.

Cleaning, though, he’s got that down pat. He will not, under any circumstance let you do it though. Spencer tells you it’s because he doesn’t want you to get your hands dirty, so he tells you not to clean his apartment even if you live there too. Not because he thinks you can’t, but he’s got his own process and cleaning solutions that the likes to use and he wont change them. Besides, if you’re doing the cooking, he may as well do the cleaning.

E = Ending (If they had to break up with their partner, how would they do it?)

He’s doing it quickly and efficiently, but no matter what, he can’t lie to you. Reid is telling you that this is for your own betterment. But he’s trying to be sensitive to your feelings while still remaining objective. It makes him feel awful, but he does it.

F = Fiancé(e) (How do they feel about commitment? How quick would they want to get married?)

Spencer won’t rush into an engagement, even if he feels it’s time. He’s trying to contain himself and the ring, as he waits for your reaction to when he brings up marriage or children. While he wants to spend the rest of his life with you the second he knows it in his heart, he still needs you to realize it. Especially since he doesn’t pick up on social queues very well still, and occasionally needs a little help from someone like Morgan or Hotch. Cause he is not going to Rossi about that.

There is nothing more that he wants in the world to call you his forever though.

G = Gentle (How gentle are they, both physically and emotionally?)

Physically, Spencer is a gentle giant. His hands are always soft somehow, and he touched you like you’re made of glass half the time. Feather-light touches that will trace random shapes on your skin. He loves to nuzzle his face into your neck and just stay there. The other half is spent tackling you into bear hugs because he hasn’t seen you in a week as he has been on the other side of the country. When he decides that he is getting affection, there is nothing stopping him.

Emotionally, Reid is sensitive but not in the way that you would think. He’s not the type to outright say how he’s feeling on account of his job. But if you prompt him, and get him into a safe state of mind, he’ll mention things casually. It’s especially weird though when he mentions something traumatic in the same way that someone talks about the weather. But with you he’s always there to lend an ear. Just be sure to tell him if you want a solution or to vent, because he needs a second to restructure his brain.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)

Ugh… a hug from Spencer is something that has the power to change your entire day. He adores hugs. They can mean so many things, and each one is alright with him. If you live with him, he’s getting one right before he leaves, and the second you are both home. He’ll squeeze you extra tight if he comes back for his go bag and you’re there in the apartment.

Early season Reid, when he’s still a little noodley, has to wrap you in tight because he doesn’t have the beef to pour what he wants into the hug. Later seasons when he muscles up just a bit are a bit different, because he now has more mass to wrap around you.

I = I Love You (How fast do they say the L-word?)

This man waits, I mean, WAITS, to say it. He’s very slow to trust given his background and job, but once he does, it’s not too much more difficult to worm into that romantic side. Once he knows he does love you, Reid is giving it about two or three months before he finally works up the courage to say it. But once he does, he can’t stop saying it.

J = Jealousy (How jealous do they get? What do they do when they’re jealous?)

A feeling that he is not too attune to. Spencer is very sure of himself most of the time. Not only does his credentials and just having you by his side help his self-esteem, but he’s also just very sure in your relationship. Reid isn’t too worried about you being tempted most of the time, and certainly not himself.

Yet, when he does, it’s deprecating towards his own self. Sometimes, Spencer is terrified that you are going to realize that he’s not the right man for you; not funny enough, not handsome enough, not cool enough, or something of the sort. The kind of thing that he really only thinks about when his walls have been worn down anyways. But when he does, he retreats into himself, looking a bit like a kicked puppy but refusing to go up to make a fool of himself.

Just come over and fawn over him for a little while, and he’ll be back to your lover boy in a second as he becomes putty in your hands.

K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)

Under no circumstances do you need to think about sleepy little kisses when he gets back from a case and you’re already asleep, and he’s exhausted. Don’t think about it.

Now that you’re not thinking about that, Spencer kisses you like he’ll never kiss you again no matter where or when. He’s terrified, because of his job and the nature of it, that you might be taken from him. So he always makes sure that the last thing he says is, “I love you,” and the last thing he does is kiss you fiercely. He does have smaller pecks when he’s just moving about the apartment and you cross paths, but he prefers to kiss you properly. But each time, no matter where he kisses you or where you two are, he’s putting so much love in them.

Other than the lips, Reid loves kissing you on top of his head. Being as tall as he is, it’s very difficult to be taller than him. Which makes this the ideal spot for him. On the other hand, he loves when you kiss his neck and chest. There is just something so intimate about the placement that he can’t get enough of. And it doesn’t help that he flushes the prettiest pink when he’s blushes as you pepper kisses down his bare neck and chest.

L = Little Ones (How are they around children?)

Have you seen him with Henry? Those kids don’t stand a chance with him as their dad. Spencer is getting them involved with all things geeky, nerdy, and studious before they can walk or talk. I’m serious, he’s got a book called, “Baby’s Quantum Physics”. This man is getting them started young. He also learns American Sign Language so that they can communicate with their parents easier before speaking.

He’s also reading them the same books that his mom read to him when he was a child. And while he wants his kids to like the same things he does, he also respects them if they have other interests, like sports. While he can’t really participate, he’ll read about all about it and gladly talk history with them.

Make him a girl dad, and he will gladly introduce positive female role models into his daughter’s life, like Marilyn Monroe, or Marie Curie. Oh, and he doesn’t complain about tea parties, princess dress up, makeovers, or hair days. And yes, before you ask, Spencer is learning how to do all sorts of hairstyles for his daughter.

M = Morning (How are mornings spent with them?)

This honestly depends.

If he’s home, and doesn’t have work that day, everything is slow. The fastest thing he does that morning is making coffee for the both of you. He leaves you in bed, makes the delicious nectar of the gods, and puts it on a tray to bring back to you. Spencer slips underneath the covers, and happily helps you sit up to also enjoy your beverage; made just the way you like. With no schedule to keep, he just enjoys staying in bed with nothing to do except read and spend time with you.

If he’s got work, he’ll be going fast. Reid loves to sleep in, but that comes at a cost most mornings. In order to get to work, he’s got to time the metro just right. He’ll make a coffee to go, and leave yours in a thermos to keep it at the perfect temperature for when you wake up.

N = Nights (How are nights spent with them?)

Again, we’ve got a few different ways this can play out.

He’s home, without work, it’s a slow evening just like the morning. Making dinner is a team endeavor, with both of you retiring to the couch to binge watch a new docu-series he found, talking about different facts that relate to it and providing an additional point of view. It’s comfy, peaceful, and just lovely.

If he’s home, but he’s had a day at work without leaving for a case, he is usually home right about the time you finish up dinner. By the time he gets changed and is in a much comfier state, the food is ready to go on the coffee table along with drinks and silverware. Spencer tends to be a little bit quieter on these nights, but he still wants to talk about your day with you. Asking about his day is a hit or miss. Sometimes he will talk about his day, the antics in the office or a few details from his short cases. Sometimes, he’ll brush everything off, knowing that he’ll talk to you about it eventually.

But if he’s getting back from a long case, domestic or in another state, he’s quiet. Usually because he’s getting back in the wee hours of the night, bordering on the next morning. His bones are heavy, his heart heavier, but he manages to pull his tie and shoes off before collapsing into bed next to you, not bothering to remove anything else.

O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)

Spencer is definitely the type to slowly reveal things about himself. Now, not to say that once he gets comfy with you, he won’t trauma dump occasionally, but in the beginning, he’s very careful. The last thing he wants is for you to get scared off by him or his past. But when he does reveal things, it’s usually in the safety of his apartment once he’s had some food and perhaps a glass of wine. Although the wine is not but once in a blue moon.

P = Patience (How easily angered are they?)

This man is the pinnacle of patience. He gets frustrated easily, don’t mistake it. But he’s not very quick to anger. The only time he’s getting angry is when his family is threatened in some fashion, and that includes you. But his job has taught him that he needs to tamp down on those bouts of anger in order to be the best brainiac he can be.

Q = Quizzes (How much do they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)

You’re kidding right? He makes sure to read receipts when you two go out together to make sure that eidetic memory works properly. Reid can remember things by sound alone but he likes to be doubly sure. He makes sure to remember every little thing about you. And if someone asks if you like something? Prepare to get yapped at by this man.

R = Remember (What is their favorite moment in your relationship?)

The first double date he had with Morgan and Savannah with you on his arm. He couldn’t believe how Morgan immediately welcomed you into the fold, Savannah too. Spencer valued Morgan’s opinion so much, so to know that he instantly loved you almost as much as Spencer did… that was enough to know that he had found the one.

S = Security (How protective are they? How would they protect you? How would they like to be protected?)

Quite protective. I mean he is an FBI agent; this man knows things. He’s got a security alarm set once you move in as a precaution. Reid will hopefully convince you to take a firearms course so that you can conceal carry at least. If not, he’s leaving a gun where you can reach it, just in case.

For him though, Spencer just needs you to be there for him. Emotional security is what he needs in his life. Physical is fine; he carries a gun everywhere, knows how to fight, has been to prison. There is a void though in the emotional department that he desperately needs to be filled.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)

I’ve said it before and I’ll say it again; it depends. Spencer never wants to put date nights on nights where he knows that he’s going to be exhausted. He prefers to have time to plan stuff like that. Anniversaries would have to take into account his job. Usually the first Friday or Saturday after he gets back from a case, if he was gone for it, is the makeup date. Although there is a standing Thursday date night every week that could be for anything. Gifts are carefully selected and maybe made if he’s making you something he’s knitting.

And, come on. Spencer is going to show you he loves you each time you’re together, no matter how mundane the task. Especially in the grocery store. He’s in charge of the list because you will miss something to get that his brain won’t.

U = Ugly (What would be some bad habits of theirs?)

One particularly bad habit is his propensity to belittle himself. If he’s joking that’s different. But, late at night, when he’s feeling vulnerable and scared, that’s when you need to come in and tell him otherwise.

His other bad habit is not eating. The receptionist in the lobby of Quantico has come to know your face and name very quickly. She also knows exactly who to buzz you in for, and why you’re there based off of the heavy sigh that leaves you the second you get inside.

V = Vanity (How concerned are they with their looks?)

Not terribly, but it wasn’t always like that. In the beginning, he was super worried about how you would respond to how he looked. Spencer was aware that he was not the most conventionally attractive man in the world, his tie was perpetually crooked, and he couldn’t get his hair under control.

But once he started dating you, Reid realized that you didn’t want hm to change the way he looked, which really helped with his self esteem. And having you in his apartment to help straighten out his tie in morning also helped.

W = Whole (Would they feel incomplete without you?)

If you were gone, he would be devastated. It didn’t matter if you were dead or just too far, Spencer was hoping that you were right there with him. If you were dead, Reid would mourn you for a long while, and even after he was out of that phase, he’s remembering you through the small things.

X = Xtra (A random headcanon for them.)

You being of a different culture than American would be a joy for him. He’d love to learn all about your native culture; the food, language, and different cultural practices. Anything to better understand you and your family. Especially if your parent’s first language isn’t English. The first time he meets them, he’s greeting them in their mother tongue, which makes them very, very excited.

Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)

Germs, though he does get better. He also can’t stand people who talk or sing loudly during things like movies or musicals. Spencer understands that it’s part of the experience, just don’t do it too loud, ya know?

In a partner, if you shut him down in the middle of his factoid ramble, he gets quiet after. He’s so used to everyone else doing it to him, but not you.

Z = Zzz (What is a sleep habit of theirs?)

This man sleeps like the dead. He enjoys being able to sleep in, and going to bed early. Sleep is so hard to come by when he’s out on a case so it’s nice when he gets a little extra at home. And Spencer LOVES naps. Give this man a nap, and he’s ready to go for the rest of the day. Coffee and then a nap? Perfection. Coffee plus nap plus cuddles from you? Match made in heaven.

[freddie-77-ao3]

Octavian started another war where he was willing and eager to firebomb a camp full of children so he could reap the glory of victory. I'd say his villainization by the fandom is very well-earned, especially since he had none of Luke's more sympathetic traits.

feel like you missed my whole point but okay.

Um. I mean if we consider Luke's sympathetic traits to be he was actually treated as a human with a backstory, sure, Octavian deserves to be villainized more but uh, I'd consider Octavian's reasons for waging war a lot more legitimate than Luke's tbh?

Like. Luke's boiled down to daddy issues. He was upset his father wasn't there, and decided to make that everyone else's problem. Sure, if it wasn't Luke, it would be someone else, but Luke's the figurehead here. Luke, who was actually treated pretty well by Hermes all things considered.

And yes, May Castellan would have been terrifying, and shouldn't have been Luke's caregiver but...

Having a difficult parental situation absolutely does not give you the right to take your pain out on others. And that's what Luke did.

And yes, Luke absolutely was manipulated. Kronos manipulated him.

Now let's consider Octavian's motivation to "firebomb a camp full of children" as you put it.

Number one: Octavian was also manipulated. Gaea did manipulate him. He thought he was listening to Apollo-- a god who, to him, was good. Should be respected.

Number two: he didn't start the war. No, really. The greeks, from his point of view, brought a warship over the city and started firing. They damaged homes, likely hurt people, all within what was MEANT to be a safe place.

Leo might have been possessed but that was never communicated to Octavian. So no, he didn't start a war.

Gaea forced Leo to start a war. Either way, the Greeks started the war in his eyes.

Also the fact you take such offense to Octavian waging war on children... did you somehow think that Luke was only waging war on the adults? Because I can tell you, most people consider a twelve year old a child, and Luke did in fact try to kill one of those. You know, Percy.

Also victims of Luke: Silena, actively groomed by Luke. Yeah she committed suicide, but she wouldn't have if Luke hadn't done that. Also, grooming is in fact also a crime.

And, you know, all the other casualties from that war. Because there were. Castor, Lee, Bianca, Zoë, Michael, Beckendorf, the other 15 campers dead from the battle of manhattan, and all the other casualties.

Also he did send Chris into the labyrinth, and didn't particularly seem to care that he was driven mad?

Not to mention the PTSD he inflicted on a bunch of kids.

So yes, you're right, Octavian did bad shit. But he also had his reasons for said bad shit. Reasons that I, personally, find a lot more compelling than Luke's.

Plenty of people have daddy issues, anon. Not many of them try to end the world.

[physalian]

In Defense of Fanfiction (Or the perfect starting point for your original novel)

Fanfic gets a bad rap pretty much everywhere except Tumblr. It’s misunderstood and misrepresented by its average works, seen as juvenile and cringey, or a banal point of contention between a famous person or piece of media and its fans.

Outside of fanfic that writes about real people, especially smut fics of real people, I support the art wholeheartedly. Fictional characters are one thing, but personally, caricaturing a celebrity’s life for public consumption and writing or drawing them in compromising content without their consent is a little weird. You do you. Don’t like, don’t read, as they say.

Fanfic is the perfect starting point for a few reasons:

It places you in a creative box and forces you to work within those constraints

It does all the worldbuilding and character concepts for you

It lets you write way outside your comfort zone

When published and receiving feedback, it boosts your self-confidence

It's incredibly flexible

It’s practice. All practice is good practice

—

Behold your creative box

When I was little I had no idea the majority of fanfic was shipping fics. I always pictured and looked for canon-divergent alternate universes. Like, what if X happened in this episode instead of Y? What if this character never died?

Fanfic demands you work within someone else’s canon, whether it’s an OC in the canonical world, or the canonical characters in an AU. These are like little bowling bumpers saving you from the gutter, but also keeping you on a straight-ish path toward the pins.

The indecisiveness of too many choices can be too intimidating when you’re first starting out. You want to be a writer but you have no idea where to begin, what genre to pick, what characters you want to chronicle, what themes you want to explore.

Even if it sits on your computer never to see the light of day, you still got those creative juices flowing.

Pre-packaged worldbuilding

Sometimes all we want is to get to the good stuff. Maybe I want to write a story about elemental magicians but Last Airbender already exists and I just want to play in a pre-existing sandbox. So I write some OCs into that world and have a free-for-all.

I don’t have to come up with my own lore, world history, magic system rules and mechanics, politics, geography—any of it. I get to just focus on the characters.

Even if you’re writing an AU, like say a coffee shop AU, you don’t have to think about brand new characters, you can just think “What would M do?” and go from there. The trade-off is your readers will expect canonical characters to behave in-character, but I think it’s worth it.

Stretch beyond your comfort zone!

Do you hate writing action scenes? Go practice with a shonen anime fic. Need work on dialogue? Write some high-fantasy fic, or a courtroom drama. Practice a fistfight by watching fistfights and writing what you see, and do it over and over again until what you read makes you feel like you're watching what’s on screen.

But beyond that—practice genres that you aren’t super familiar with. If you’re new to fantasy, write fantasy fic. Or a mystery novel/show, thriller, comedy, satire, adventure, what have you. The nature of fanfic still gives you those “guardrails” and you can get some brutally honest feedback on how you’re doing.

And, of course, the realm of M-rated romance and smut fics. I haven’t because I think I would die of embarrassment if I tried and I never intend to include sex scenes in my works anyway, but if you do want to, use the internet as your test audience. Post it on a throwaway account if you’re nervous.

Build that self-confidence!

The fandoms I used to write for are super dead, so it’s insane how I still get email notifications that so-and-so liked my fic to this day. Comments are as elusive as ever, but random strangers on the internet telling me they liked my work is a magical reassurance that my writing isn’t actually awful.

Random strangers on the internet are, as we all know, beholden to no moral obligation to be kind to your little avatar face, or be kind to be polite. So a rando taking the time to like my work or even leave a positive comment can feel more honest than one of my friends telling me what they think I want to hear.

I tend to avoid the more present aspects of fandom like online communities, forums, social media, what have you, so I get a delayed and diluted aspect of any given fandom through completed works. Which means, in general, I get to avoid the worst and most toxic aspects of fandom and get to sift through positive feedback and critique.

Even if your fanfic isn’t written with stellar prose, it’s fanfic. We don’t expect Pulitzer-prize winning content. And if your work isn’t up to snuff, people are more likely to just ignore it than put you on blast (at least in my experience, I never got a bad comment or a “flame” in the old FFN days).

Fanfic doesn’t care about the rules of published literature

On the one hand, try not to practice bad habits, but with this point I mean that your layout, punctuation, formatting, paragraph styles, chapter length–all of it is beholden to no rules. I get as annoyed as the next reader with giant blocks of paragraphs, or the double-spacing between pages of single-sentence paragraphs, but if the story’s good enough I might ignore it.

There’s more than just straight narrative fics, though. People write “chat” fics, or long streams of text and group chat conversations. The scene breaks can come super rapidly–I’ve seen fics with a single sentence in between line breaks to show the passage of time. And without the polish of a traditionally published novel, I’ve never seen a purer distillation of author voice in any medium more than fanfic.

All practice is good practice

Even if it’s crack fiction, or a one-off one-shot, or something meant to be lighthearted and straightforward and free from complex worldbuilding and intricate plots. It really helps break writer’s block when you can shift gears and headspaces entirely and you can get relatively instant feedback to keep you motivated.

Beyond that, the “guardrails” help you stay consistent as far as character growth and personality if you struggle with designing rich characters.

The most recent fanfic I wrote was just a couple years ago, for a dead fandom I didn’t think would get any traffic whatsoever. It wasn’t my original works, but the feedback on that fic gave me the kick in the butt I needed to get back into writing more seriously.

—

In short, I support fanfic. I may not be proud of my earliest fics' prose now, but I am proud that they walked so I can now run.

[yanderes-galore]

Fandom: Steven Universe

Character: Jasper

Pairing: Romantic/Platonic

Type of Fic: Concept (HCs)

Oh... Girl is SO insecure it hurts (for you, mostly-)

Yandere! Jasper Concept

(Primarily Focuses On Gem! Obsession)

Pairing: Romantic/Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Possessive behavior, Insecurities, Manipulation, Threats, Violence, Forced and toxic relationship/companionship, Degrading behavior mentions of possible murder.

We all know Jasper would be toxic, right?

Granted, she has her "reasons", but that doesn't excuse her behavior.

She's naturally a bully as she needs to feed her ego, she can't be seen as a weak failure.

She would want to either be superior to her darling or loyal to them if they were stronger than her.

But you're most likely going to be weaker than her... which results in her being more controlling.

She's ruthless and authoritative, never wanting to show weakness.

Not even to you.

In fact, the reason she's so rough with you is because you stir "weak" feelings in her.

She doesn't understand why she feels the need to be so close with you.

She doesn't understand why she feels she needs you.

So, part of her ends up blaming you.

Yet she never lets you go... too dependent on the feelings you give her to do what's best for both of you.

I feel Jasper would be horrible with both a human and another Gem.

HOWEVER, with a Gem she can try to coerce you into Fusion.

A topic she ends up obsessed with when defeated by two Fusions, creating Malachite with Lapis.

She'd want to fuse with you for strength, mostly...

But it also fuels a possessive desire within her.

If you were human, Jasper immediately views you as weak.

Which is why she has no clue why you make her feel so... strange?

You're weak yet she feels so dependent on you and your presence.

Due to this, Jasper may view you like a pet.

She uses you to fuel her ego, forcing you to view her as your superior.

You humans are always so weak.

She wants you to feed her ego, consider her strong.

Since you're so weak... you need her, right?

You'll HAVE to rely on her.

Normally she doesn't protect weaklings, especially humans.

But... You have her attached.

You're stuck with her now.

Similar situation occurs with a Gem! Darling.

She views you as weak and claims you need her.

It's so easy to get hurt for you... why don't you let her take control?

I'll talk more about her with a human in another draft I have in the works... but I think her with a Gem introduces an interesting concept.

Fusion.

Imagine Jasper not wanting you to rely on anyone but her.

She's possessive, following you around and isolating you from others.

With a human she'd hide you away deep in the woods like in Future.

But with a Gem?

She can force you to rely on her via Fusion.

She's both forceful yet desperate when it comes to fusing with you.

Fusion with you would be a last ditch effort to keep you to herself.

Something she never could do with a human.

Normally she's against Fusion, but with you?

She craves it.

I don't think it would be as bad as Malachite, but the Fusion would still be dysfunctional due to you not being in sync.

If you keep fighting her and making the Fusion collapse, Jasper keeps trying.

She needs you.

She hates to admit it but you make her feel whole.

Jasper likes control.

Human or Gem she doesn't care if she has to force you into the role she wants.

She often puts you down to make herself feel better, making you feel weak and forcing submission.

It's easy for her.

She's so much bigger and stronger than any human.

And as a Gem, you would eventually get tired of fighting.

Eventually you'd comply and let her fuse with you.

Where she'll never let go... since you'll be all hers now.

In a Fusion, no one can have you the way she does.

I would not be surprised if Jasper killed people for you, or if they're a Gem, shattered them.

She doesn't want to be weak or have you find someone else to rely on.

Her harming others only shows they're weak.

It proves that she's the only one you need... even if it's messy to do.

Jasper wants to control you, make you all hers.

For her, your bond isn't entirely love.

It's toxic, unhealthy, she knows that...

But she needs it... Needs you.

If that requires scaring you into submission, be that through threats or violence towards others... Jasper doesn't care.

Her feelings originally make her feel insecure and weak.

But having you submit to her? It makes her feel strong...

It makes her know you're all hers... She likes that more than anything.

[npdzane]

I think the fandom of Ninjago should talk about Zane's fear of losing his humanity and his fear of any negative emotion in general. And how they contradict each other.

(warning, yap sesh ahead) TLDR: can nindroids get therapy? If so we need 5 therapists for Zane immediately

It's already established that Zane has a fear of being seen as just a machine, nothing but a freezer with fake coded emotions. But I haven't seen anyone talk in depth how he seems to turn off his emotions whenever he's faced with grief or stress, and how he only learnt to not do that far into his life.

He probably picked up that habit from when Dr. Julien turned off his memory switch before "dying" back in season 1. And he realized that if he went so long not feeling bad about the "death" of his creator by simply not remembering it or not having the actual emotion of grief, he wouldn't feel bad either when anything similar happened if he just turned off his emotions like Dr. Julien did to him.

The fact this lasted as long as it did meant nobody picked up on it* and tried to tell him he was wrong. Which only validated that idea because if there was a problem with it, someone would've told him..right?

But how can you say you don't want to lose your sense of humanity as a robot while simultaneously doing something humans can't whenever you're faced with stress? I'd say he'd overthink it, and feel guilty about not being honest with himself. He knows hes being irrational, but hes still terrified of the thought of no one seeing him as a person.

But at the same time, he's never been taught how to face stress by himself. Only for other people. It's not like he just doesn't know that ignoring your feelings is a way to avoid the problem and a bad coping mechanism, he obviously knows that. He probably just doesn't know any other solutions because his situation is so niche.

Because how could anyone not want what he has? In his position, he probably feels as if everyone would kill to be a nindroid. Since nobody tells him otherwise. We even see clips where the others use Zane's robot body as a joke or in one case, use him as a fucking cleaning robot. Can you imagine how dehumanizing it must feel for someone to be forced against their will like a puppet into doing a weeks worth of chores?

Zane probably feels as if his fears are irrational. Like he shouldn't have them because being a nindroid seems to be the only thing that others care about when they see him. He's a logical person for sure, but everyone has irrational thoughts and unless you face the reason you have those thoughts they aren't going to go away and they'll cloud your judgement. Zane, for sure, is not doing that. Because we can see he just simply forces himself to stop having emotions when they happen instead of facing them, which only fixes it temporarily.

So hes afraid of being seen as just a freezer with fake emotions (i have more to say about the "fake emotions" part), and because he doesn't face his feelings about why hes afraid of that he lets himself believe that is how people see him. Which causes him to think that fear is stupid and that he shouldn't have it, which makes him turn off his emotions for a while, and the cycle continues.

He also might believe his emotions arent needed. Like maybe at some point he convinces himself that if everyone else only sees him as a calculator with ice powers, maybe that's what he actually is. So on top of everything, he feels like since hes only a computer, all his emotions are fake. Therefore unnecessary.

Not to mention he most likely feels as if he's weak for letting Vex manipulate him. And emotions = weak, weak = manipulated again, manipulated again = letting everyone down. But thats just a little thought i had to let out.

If i could write I'd probably make a fic about him being confronted by this fear, but until then it'll stay in my brain.

Poor boy. Just look at him. He doesn't deserve this bro AUUGIGUGJGJGGHHGHHHH IM AUTISTIC 🥹

Edit: *i rewatched crystalized today and realized the other ninja ARE aware of Zanes habit. They just dont gaf 😭WHICH MAKES IT WORSE!!!

[olderthannetfic]

Writing about my favorite characters as transgender has opened my eyes to how many people in fandom are able to get away with actual transphobia without other people judging them for it, and after one particularly bad experience I feel like I can't participate in fandom without constantly having to check people's profiles and social media to see whether or not they might secretly hate trans people. The fandom I currently write for is relatively small compared to others, but somehow I still manage to catch a lot of casual transphobia, especially on my higher-kudos'd works. This didn't really bother me at first since most of the comments were misinformed but rather harmless otherwise, with most asking me to write a fic where the MC medically transitions to become their "real gender" as a sequel. Those comments were written politely, but the sentiment that a person's body designates their gender bothered me a lot. I specifically present the trans characters in my fics as pre-op or non-op without dysphoria in order to feel more comfortable about my own body, and I'm really tired of reiterating the reasons why I personally won’t create a fic where the MC undergoes a full medical transition. I would be thrilled if someone else wrote that, but it’s not a concept I have any interest in executing myself.

Usually the casual transmedicalism in my comments is my only real gripe about the attitudes towards transness in my fandom, but recently I joined a major fandom discord server and found out that they had a dedicated thread for bashing my work. (Well, to be more accurate they had a bunch of threads for bashing people's works, but mine had the most messages at the time.) I should have just left at that point, but I was curious to see if there was any valid criticism because honestly I don’t get a lot of constructive feedback on my newer stuff and I wanted to see if there was anywhere I could improve. Unfortunately, it was almost entirely just really hurtful comments, with many people making assumptions about my body and offline identity, calling me a fake trans person and a chaser for the things I've written. They kept going on about how I'm fetishizing transness, how I probably just wanted an excuse to write het smut with an M/M tag on it, how I'm probably not actually a trans man but an obsessed and misguided teenage girl instead. I've been on T for over two years now, but even if I wasn’t, their belief that all bodies like mine are basically "female" was really upsetting. Maybe I just happened to stumble upon a bad crowd, but at that moment I just really felt alone. I never expected to receive that kind of vitriol in such a small fandom - I have maybe like five or so people who follow my work closely, so it's not like I'm hitting super big numbers compared to others. I understand that my work might be dysphoria-inducing for other people, but I include warnings for language at the beginning of all my fics and I'm extremely thorough about tagging all the sex acts that take place. It's easy to filter out my work via additional tags if you don’t want to see it. But no matter how many measures I take to make others feel more comfortable, they still feel like I'm taking up too much space and mucking up the tags with my fanfiction.

Part of me feels like quitting after this experience, but I'm also a spiteful bastard and I think it would haunt me forever if I stopped now lol. I'm curious to know if you or any of your followers has ever dealt with a similar situation (as in, finding out there's a bunch of people who hate your work for shitty reasons), and if you have advice on how to continue interacting with others in fandom without constantly wondering if they hate me behind closed doors. I left the server already but I'm sure there's other things I can do that I'm forgetting. Thanks for reading!!

--

There will always be people who dislike you for silly reasons, and if your fic is popular, there will be a lot of them. The only way to deal with it is to just accept that this is normal and not think about them.

[eternalera]

so people have been wondering why caitvi is a lot less popular now within the arcane fandom than ships with timebomb or jayvik and as someone who ships them let me explain mostly why this is happening, of course mostly from the writing perspective as there is likely some misogyny included in said reason but thats just what ive heard and not seen (this does NOT mean it isnt happening though). and im also not including it because im just addressing why even some caitvi shippers (that i know) ended up not caring for it in s2

(click read more because this... this is a long one)

first off im stating that this is just a combination of what ive seen from other people and my own opinions. in your opinion these points can be completely dogshit and thats okay because they're opinions. not fact. with that being said lets get started.

1. Tension, s2 act 2 kills almost ALL of the tension that the first act sets up. in the first act you have them getting together, you have them finally kissing and breaking the previous tension in s1 then to keep people interested in the ship in the same episode they have them breakup. and this works people talked a SHIT ton about this and were going feral over it, looking at the trailer and seeing 'oh look at emo vi and her dictator gf!!' and even the 'there are two ways to handle a gay break up' memes. it was all over.

people were feral, waiting for the next act to see them interact and have beef with each other (before inevitably getting back together because we all knew it would happen). but in act two we dont really get that. we get the aftermath from vi's perspective and kinda cait's???? but then we have their interaction and people are hyped at this moment. because this is the moment. the one that they were all waiting for and there's a small scuffle before... it stops.

vi calls cait cupcake and... all if forgiven rather quickly in that scene (obviously in act 3 they have some more drama but we'll talk about it later). they have their moment and its cute. you have cait folding after being called cupcake, its cute. but thats just the thing. its nothing else but cute. there are still stakes dont get me wrong but that moment is just... so bad for cait's character. she has the whole dictator arc and it just takes vi calling her a pet name for her to switch sides.

and yes its adorable, its everything you want in a ship. but it doesnt really make sense when you take in account everything that they've been building up for cait. her dictator arc, her gassing zaun, training with ambessa, losing her mother, breaking up with vi. it all seems undermined by vi calling her a petname and all of the sudden the tension is taken out of their relationship.

they get back together (sorta) and help plan to take down ambessa and that's all it took. its like having a really evil villain who did a ton of bad things but the good guy gives them a pep talk (vi doesnt even do that) and all of the sudden their mind changes completely

it's not realistic, it doesn't make sense.

then you have act 3 and where vi actually confronts cait about ambessa and her going along with her actions and they have a small argument thats kinda just resolved by cait saying that she knows what she did wrong and that she tried helping jinx not get arrested too and then BAM there's a shift in the argument and then we're back to jinx and it never gets brought up again (correct me if im wrong)

their relationship follows this, happy moment, create something that causes tension, build up tension, refuse to follow through.

its like its tightening a string on an instrument to get a tone but before you pluck it the string loosens and all of the sudden you get this really really dull and kinda disgusting sound that doesn't leave you feeling 100% satisfied in the end

or if you're an artist almost filling in a circle completely but at the last second you color just a little bit outside the lines. it's not satisfying.

2. The sex scene, this is just mostly stuff ive seen and while i dont agree with all of it i must say that they do have their valid points of thinking that the scene was a little misplaced. most of the complaints of seen of this is that vi was out of character and that she should've been looking for jinx since it was implied that jinx was going to kill herself to 'fix' everything. and while i dont think vi couldve really known this i do see where theyre coming from as vi is inherently protective of jinx and her actions and even if there was the slightest chance that she might harm herself vi would do anything in her power to stop it and... she just doesnt.

when cait unlocks the cell she doesnt rush out to jinx, she just wallows a bit longer and mopes (WHICH IS FUCKING VALID BTW). then you have cait talk to her and... SEX. yeah there is other stuff between that but some people felt that they shouldve had them have their talk and then had vi rush out to help jinx.

a lot of people also felt that cait was taking advantage of vi in this moment (i do NOT agree with this at all) to an emotional extent and saying how the scene didnt feel right because vi wasnt in her best state (i agree slightly with this) and that the sex in the cell wasnt really reclaiming anything from all those years of being in the cell like the directors originally intended it to

then you have people saying that it was misplaced (and i kinda agree) and that it just felt so sudden for the both of them especially considering everything with them and then there's the next reason...

3. Caitlyn herself, there was so much drama about her character. in the first arc you have people defending her actions and who were ready to die for her and people getting mad at her, saying she was the worst and that she didnt deserve vi after what she did to her. this also comes with her character being set up to do a lot of evil shit in the future. there was drama (when is there not) and that meant the majority of people loved or hated her with a slim minority not really caring her for at all.

she was implied to have gassed zaun (actually its not even really implied as she, vi, and the gang do it that one episode in a montage and they actually show them doing it for like... a scene or two) and overall just have been a really shitty person to zaunites. she slept with maddie (which people HATED) and they kept leading up to her being the big bad the person who vi would have to convince but once again... they meet and all tension is ruined.

cait's character is one of the best and worst things in arcane. they did such a good job setting her up only to fumble last second and yeah... thats enough to effectively kill a ship as one half of it is the other character (assuming is a monogamy ofc) and 50% is not passing. people arent going to be as committed to a ship when they hate the other character in it and thats just a fact

4. Time, it just... didnt work. timebomb got a full episode (practically) devoted to it and jayvik was kinda in there as crumbs. not to mention that their entire arc is sprinkled a lot more effectively and more long lasting throughout s2 of arcane. with timebomb THEY GOT A WHOLE EPISODE

people already like both characters of ekko and jinx so yeah theyre going to go feral over what coudlve been. the dance, everything and it effectively builds up tension with showing us how good everything couldve been and fully releases it in a satissfying way with ekko's leave. with jayvik you have him going insane and realizing that he has to kill viktor in order to stop what happens in the future (GIVING US THE ANSWER TO WHAT HAPPENED IN EP6 and this also gives us more tension in the relationship when viktor comes back).

you have ekko stopping jinx from ending her life (another reason people didnt like the sex scene cause jinx was actively trynna off herself during it) and telling her to give living another chance because you can build something more you can start again. and you also have the implications of them drawing on themselves in the artbook and just in general during the show. you have the hot air balloon contraption that they create. its everything

jayce then meets with viktor in the room and there is tension so much tension and it all goes to them. then you have jayce confronting and giving himself to viktor on the battlefield and its so well written. now, personally i have my issues with how jayce talk not jutsu-ed viktor into stop being evil or whatever (personally that scene was like a 6/10 for me). "BUT WAIT WHAT ABOUT YOUR COMPLAINTS WITH VI AND CAIT AND CAIT FOLDING AFTER BEING CALLED CUPCAKE?!?!" they would be lessened if we were shown them talking and discussing what happened, what went wrong. with them we dont do that, we dont get the release of them regretting what they've done, their actions. that declaration of love.

with jayvik we do (love can be interpreted as romantic or platonic) and they probably spend more time in that scene talking about each other and how much they care for one another than caitvi do in the entirety of s2 when it comes to discussing their relationship.

basically what happened was that the writers confirmed 'yes theyre canon now, nothing else is going to happen to them. okay time to focus on other things' and caitvi got sidelined SO HARD in the end that come people stopped caring for them entirely and put more attention to ships and dynamics that were getting more attention and love from the show.

basically thats all i could think of and its 1am so sorry for any grammar or spelling mistakes lol. tell me if i got anything wrong, if you agree or just your general opinions on the matter because this is what i could find/gather about them. have a good day/night everybody :)

[katyspersonal]

In defence of Shadow of the Erdtree + Getting my grudges with the fandom's bad takes off my chest

(! if you are seeing this caption it means the post was shared via queue feature, thus I must be STILL on my hiatus! will respond to comments when I am back online and thank all 5 of you for waiting for me! )

*deep, tired sigh* Allllright so... Ever since SoTE came out, it has been a rocky patch for me growing past initial shock, absorbing new lore and above all, dealing with some conflicts that transpired over it! In the end my grudges, as well as disagreements with popular attacks on this DLC accumulated enough to make me feel like smoking volcano, I swear.. You might have observed some anger already slipping through the cracks, but I've decided to place ALL of my opinions in one easily skippable post instead of turning my blog into a toxic pool with endless negative posts, so I'll just get to it!!

YEAH YEAH I know, a TRUE comedy genius remaking my DLC predictions bingo post to structure what I want to address fdhhdsf This is basically a 'so how is checking Elden Ring tag going today? :)' bingo but... it is easier to put it like this. I just need some way to simply vent my own frustrations because I hate everything featured in this image with THE burning rage. Putting my opinions and everything under cut but fair warning, not only it is going to be very long as if anyone who knows me is surprised dfhshfsd, but also very ANGRY! ANYWAYS!

1) "They excused genocide by giving Marika a sad backstory"

Sigh… Instantly off to a terrible start, and it is truly the most Tumblr take out of all Tumblr takes imaginable. So let me suggest something actually ground-breaking here… Giving your villain reasoning not only makes for a more realistic and interesting character, but is also crucial because nobody is just BORN evil.

sorry I had to I understand the temptation of wanting a villain whose sole drive is power control preserving privileges etc because it resonates more with the narratives proposed in real life and people's struggles, but not only even in real life things are FAR not as often as simple… but even if they were, Fromsoft is always dealing with more complicated matters that touch the nature of existence in general, and not just power and control over it someone could gain! Marika was not "just" evil even in the base game either, giving off the impression of someone wanting to build a perfect world of light, life, safety and abundance even at the expense of oppressing "potential threat" species (Omens serving as…. well, omens of the threat of returning to the primordial state of things or Albinaurics, creation of Nox, who angered the Greater Will itself once).

She waged war on the Fire Giants who had 'evil god of fire', caused natural disasters and whose fire existed as anathema to the Erdtree and declared her victory the start of the "better age"! That already spoke of a lot of complexity, without forcing the audience to agree with her motivations and actions but instead understand what weight they held in the grand scheme of things! Again: much like Gwyn who destroyed Dragons thus creating time, light and life the way it is known now and who for all his agenda against humans had a pretty solid reason to fear the darkness within them, which effects we've seen across the trilogy!

What DLC did add was simply a lore on Marika's origins as a Goddess, and what made her vulnerable enough for the Two Fingers to seek her! Divinity is further stated to not be a great thing via Miquella's whole arc, but the wish to change the world to the better hits harder when you personally were a victim of its fundamental corruption! She did not instantly become a good person over DLC lore, nor she was just evil person and nothing else in the base game! War against Fire Giants (maybe Dragons?) was the means to topple the current powers and establish her reign, oppressing certain species was the mean to preserve it. She searched not solely to take revenge on the Hornsent, but to build a different world where what they did would not happen, ironically ending up causing more injustice ANYWAYS! Miquella fell into this trap. Heck, GIDEON fell into this trap!

Even then, her machiavellian character does not explain why even after Hornsent were completely defeated that war continues forever through Messmer and his forces. Could this be just what Messmer insisted on and THUS she cast him away, or she lost any and all sight of what pusher her to it initially? In either case, even the game itself makes it very clear that Marika/Messmer are not heroes here in the SLIGHTEST!

On a more general note, detached from the specifics of this game: I do still find it more strange to be angry about villains being given sympathetic traits, as a concept. People who are just "born evil" are such a minority that they hardly can say anything about nature of men. Bad people, by proxy, are a combination of some sort of unhappy event (trauma, bad upbringing, faced oppression, mental illness that was not treated if not had its negative traits amplified due to environment, growing in propaganda and ignorance, abuse etc) and person's unwillingness or even inability to heal and stop the cycle of pain by refusing to cause more of it. It is not that simple, and often, people who were hurt so are past the point of not letting it make THEM evil, or lack resources to do so, or have their attempts to change if they WERE bad actively sabotaged.

This IS the true horror of existence: freedom of will itself being put in question. We might be not defined by our pain, but how we will respond to it might be defined by prior events, information we had, circumstances and society around us. How can ANYONE tell what they would be like if they endured the same? Can we be sure that we "endured the same but reacted differently" wasn't predefined by other, nicer factors? To be angry at the fact that a bad person who did bad things had a reasonable, even sympathetic explanation at the core of it all is to be angry that one's privilege to use "born evil" to mistreat and emotionally distance from those people is put into question!

In any case, 'explanation is not an excuse' works not only as a tool to still judge someone's sins, but ALSO to explain that writers making a character more elaborate is not a demand to like this character or excuse their actions! Everything has reason… This is why no one is entitled to declare they know what is good and bad for everyone. Not just people like Marika or Gwyn, but even us.

2) "Hornsent are dangerous and deserved extermination"

…okay, look, yes this is another heavy topic, and it does deserve a separate post which I did make already in the past ( x )! It is another topic that sort of transcends the boundaries of this story (another common Fromsoft W for making people question life and society themselves)! To put it down simply, of course no race is inherently evil, what is the reoccurring topic here is the culture! And what is on the surface is that Hornsent as culture and species, in many ways, are victims of its own oppressive religious institution and questionable traditions. Bonny Village's potentates are hostile, dangerous cult serving as a the weapon of """justice""" and """purification""" within Hornsent! They possibly go back-to-back with their religion but except they are extremist. We cannot tell whether general face of the religion, the Inquisitor hags, would do anything about it had they have more control, whether they tolerate it for convenience, or whether they encourage and utilise its existence. But what we CAN tell is that not only "impure races" are punished/killed, but even "unfaithful" Hornsent themselves!

Yes, definitely there are also Hornsent children who would have no choice regarding their upbringing, information, nor much agency over their actions, and we know they did not spare the children either from the story of Hornsent NPC that we follow! But even then, it is clear that Hornsent that were in disagreement about their culture's demands had to be quiet about it either, or else they'd likewise be persecuted!

"Why could not they just have started a revolution" is a very unfair criticism towards a culture/place oppressed by corrupt religious (and military?) institution on many levels! As someone from the country ruled by a tyrant feeding the civilians propaganda excusing genocide and promoting xenophobia, as well as very corrupt and oppressive religious institution that yet is hardly a HALFWAY as awful as some countries I could explain how hard (impossible) it is to reliably as much as gather enough people to rebel (with no results but legal troubles down to getting imprisoned). Let alone gather enough people to go an die for the cause. Especially when almost everyone with ANY power and weapons is already by the government's side completely rotten by propaganda. Feeling outnumbered, not having any resources because they're all in the hands of people who ARE corrupt, knowing even out of other people who disagree most would not risk leaving their children and sick relatives and alike in trouble rising up against the enemy they can't reliably take down is already a huge problem here. Even considering the (very idealistic) sentiment that dire consequences doesn't erase the blame that comes from not speaking up, it doesn't change that there are real and reasonable people who don't agree! Let alone the separate topic of how even people rotten by propaganda deserve a chance for rehabilitation! Propaganda is a horrifying tool and not having immunity to it should not be automatic death sentence!

Shadow Realm is already full of burn Hornsent spirits questioning what did they even do wrong and claiming they only wanted to live and didn't do anything, further proving that they might not even be much aware of what their Inquisitors and Potentates do, let alone not being a solid monolith race of those who agree with extermination of the "impure"! They are people, living in conditions of the culture held by the throat of those truly evil! It were a bunch of civilians burnt, as well as Hornsent's (NPC) wife and child who 99.99% didn't do anything. To think of it, it makes it very bitter that Bonny's Village and Inquisitors in the Tower clearly were able to recover and bounce back, when it were civilians who payed the price. Very grim yet clever remark about the real world as well, but I am sidetracking. In general, yes, a culture that considers itself holier than others with extremist forms of it deeming them unworthy of living should be stopped and criticised, but genocide can NEVER be the answer!

^^^ It fact, something already suggests there was a different answer, an even obvious one. Marika's "betrayal" suggests a long social game on her part, as well as the fact that Hornsent culture were trusting her! Maybe they knew she was a shaman and things were happening past the point where they stopped persecuting them, maybe they had no idea. Yet, in any case, Marika held enough social power to bridge the gap between the cultures, to let them evolve beyond their past, traditions and prejudice against 'outsider' cultures and instead learn from them!

^^^ In fact, the gap was bridged, since Crucible, THE Hornsent thing, WAS considered divine even as Golden Order was established! That was like… after getting Elden Ring instead of Dragons (whatever the reason was), war with the Fire Giants and murder of the Fell God and removal of Destined Death from the Elden Ring? Nonetheless, with the power to stop vicious cycle and to let the horrible practices and past be buried and dissolve in her new order of life and radiance, so-to-say "civilization", she chose the path of genocide and revenge that has not ended even to this day! As well as essentially became "the very thing she sworn to destroy" by keeping those like Omens and Albinaurics oppressed!

And to bring back the previous chapter of this post, it is not an invitation to say 'aww then it is fair that she hates Omens so much 🥺', but a pointer that what she did was wrong. And so, yet again, the cycle continues, take Vengeance-Seeking Hornsent that swears to kill not only her and her family, but everyone affiliated with her in any way even if they were innocent and simply were born under such order! He mirrors how she/Messmer did not simply stop at punishing those who WERE guilty, how violence and revenge will always only birth more of violence and revenge, until someone decides to stop it and chose to solve the situation the pacifist way to their best ability. Even when some people claim that within this option those who will want their power back can survive and ruin everything again: likewise, if culture is exterminated, victims will survive and come back with revenge. Either way suggests the risk, but only one of these ways has even a CHANCE of better future! What IS certain is that humanity could never be at better place unless we as species keep trying peace over and over, that won't banish all evil from the first try, but we must choose peace and not genocide over and over!

3) "Miquella's character was assassinated"

No, it wasn't.

OKAY FINE but it is one of the topics that are hard to approach seriously, when someone mistakes the arc of the character falling from grace to a complete rewrite of the character's personality! How falling from grace inherently suggests there was no grace to BEGIN with? Character assassination suggests Chloé Bourgeois from Ladybug that the character has been written a certain way, but then deliberate effort was done by the writers to damage their image and make the audience hate them or no longer care about them!

What we learned about Miquella from the base game was all information about him from the times long before we, player, arrived in the game, and before his departure in the Shadow Realm! He was kind, he cared about his sister to the point of creating a new school of magic and then creating Unalloyed Gold all to heal her, he wanted a gentler order than the Golden Order and created his own tree that welcomed everyone but first of all those oppressed by the Golden Order, he wished his brother Godwyn could die honourably instead of being a growing virus to all living past death. At the same time, he naturally needed military force to protect his Haligtree, as well as was able to bewitch people with his powers!

In Shadow of the Erdtree, nothing that followed erased that information! In fact, he still boldly stated that he wanted Age of Compassion! What we DID witness though were two things: 1) the fact that he had to get a bit machiavellian, something that already was obvious from the base game because kindness alone is not enough to survive in this world and you HAVE to do some planning as the leader up against the current order with its own fans, as well as people who hate the compassion as an idea and 2) that he has been leaving behind what made him the person that he was, including his feelings and attachments, which logically included caring for Malenia for example! So, the dearest sister is 'loyal blade', because he abandoned his love! He does not still love Radahn either, but Radahn was a part of the promise; a very pragmatic thing and memory that did not have to go as his feelings did. He simply was part of the initial plan to ascend to Godhood; Miquella sounded scared of the idea when he asked Radahn to be there for him, but abandoning his fears and doubts would not automatically erase the OATH. Effectively, a "contract".

Miquella was hyped up as that kind, almost perfect, noble person, for us to find out that he is not anymore. The 'anymore' part here is crucial! Fromsoft have previously did the trick with hyping a character up to be great but us finding out they were not with Vendrick and Gwyn (and very briefly with Artorias who didn't DO anything yet was hyped as THE hero when he was in fact defeated)! Miquella repeats the trend with reveal that he did charm Mohg back then (was not perfect in his actions, but I'll get to it later), but also has the story of further descent from that not-perfect-yet-GOOD person that we follow! He is effectively the most elaborate incarnation of the concept, and we know Elden Ring includes Fromsoft learning from their previous games a lot, polishing the concepts they want to use! Miyazaki confirmed that Elden Ring is "close" to the dark fantasy game of his dream, yet is still not it (someone stop this madman fhfdhs)!

To suggest that revealing him as complex, as well as adding the tragedy of repeating Marika's mistakes no matter how much he was running from this sad fate, equates the devs wanting us to hate him (that is what CA is) is ABSURD! He REALLY did not want to be Marika, he was AVOIDING it, yet no matter what, it caught up to him... How comes you equate tragedy and imperfection with suggesting that you should hate him according to the writers' intention? I will go further and say that if your expected reaction to finding out your fav was never perfect in the world where perfection doesn't survive, and had road to Hell paved with good intentions is 'oh devs made him hateable' it only speaks of your own lack of understanding and compassion. Miquella is as much of the victim of this wretched world as everyone else, where you die a hero, remain a lazy fence-sitter or try to do something but only drastic means to do it make a change. Really, this is just Fromsoft's world and Elden Ring is in no obligation to change their philosophy of existential horror!

4) "Fromsoft failed fans by not making it [insert a thing from a wishlist]"

It could be a bit subjective, but personally I think this is simply not how creativity works as a concept. This kind of criticism suggests that upon deciding on the DLC, developers were supposed to look at the fandom's discussions, determine what would be most emotionally satisfying for them, and go that route regardless of what their vision of the story was or what…? It feels like a very entitled kind of thinking for me. Creator's one task is to bring their own vision to life and tell the story and messages they want to deliver! Not to cater to the audience, not to tell them what they want to hear, not to do what sells well or, god forbid, fanservice. (and you can probably see in which paragraph I will need to touch this one too!)

Miyazaki has a rather grim vision of the world and humanity, that is not completely nihilist and devoid of hope, but never gives the coherent answer to what the better future IS either. Character Aldia from Dark Souls 2 (and vaguely in DS3) is probably the best personification of his philosophy. The world is wretched, but the means to change it are so terrible that one might question whether it is even all worth it and whether the new world built on sacrifices is truly better, toppling the corrupt power just replaces it with the other corrupt power unless you decide to straight up destroy the world, but there must be something, right? We just lack insight to understand what it IS, but how can we obtain that knowledge without losing our humanity? Happy ending or blunt message about how if you remove corrupt authority things will magically be good are not his style.

And… regarding smaller things, honestly? He had a right to throw in a random ship that didn't have any foreshadowing if he wanted! It is HIS story and HIS characters! Creator must not obstruct THEIR vision and preferences for anyone, but it is OUR choice whether to take it or leave it. Just because we gave Elden Ring that kind of popularity and influence with huge amount of support and bought copies of the game doesn't mean that now Miyazaki is under obligation to serve us and think about our reception and tastes as sort of "gratitude" or whatever… And on a relevant note, it is his choice which topics he wanted to explore in SoTE and which topics he was done with and decided to leave be.

Again I might be different, as the very moment we had a DLC confirmed I emotionally distanced from Elden Ring knowing that any headcanons and expectations could get jossed at this rate! Getting invested into series that is still in development suggests obvious risks! No one is obligated to ENJOY whatever choices he made, but what we should do is to remember that he had RIGHT to HIS choices.

5) *claiming all hinted that it obviously should have been Godwyn*

I've heard it often that base game all foreshadowed that Miquella was departing in the Shadow Realm to bring Godwyn back to life, Eclipse thing and all, therefore SoTE "betrayed" fans by not focusing on Godwyn. Everything was supposedly set up for him to be prominent or maybe to be a final boss instead, even if he'd be a through and through failed attempt of resurrecting him! But…

Even in the base game, it was suggested that 'Eclipse' was already attempted, and failed. Nothing to suggest that they would go and try again via different means. And, in fact, there is another piece of evidence that Miquella was not going to attempt another way of resurrecting Godwyn! 'Please die a true death' suggests that Miquella wanted Godwyn to not exist as Prince of Death, but to die fully; with his body too, not only his soul.

This is certainly not about resurrection, so it is safe to assume that Golden Epitaph was made as Miquella gave up the hope of returning Godwyn's soul to him! 'Eclipse' was attempted, and it failed! Moreover, 'Eclipse' is a thing associated with the Castle Sol / Mountaintops! Nothing to suggest that it is properly done in the Shadow Realm, it is very much Lands Between's thing to do. (could it be relevant that Fell God of the Fire Giants was killed, and even before Furnace Visage thing his fire was shaped like an orb, so like a sun? no sun to eclipse to begin with? now Erdtree is THE source of light? some fuel for interpretations)

This is not the only reason, as we have a more bold one, that is Fia's quest getting broken! One of the endings is Fia laying with Godwyn and bearing a Rune to bring Those who live in Death back in the Elden Ring, and one of the remembrance bosses is Fortissax fighting within his dream! If Miquella's goal was to go and try to resurrect Godwyn, that would already remove his body from that area by the very existence of the DLC! So, should have Fia's quest/ending and Fortissax battle been timed events only for pre-DLC era? Or, again, if you say that event would only happen if we followed the entire DLC story to the final battle: Fromsoft's DLCs typically do not have any significant effects on the base games, it is usually just some extra dialogues here and there. And what would be about Godwyn's "virus" growing in Stormveil, as well as on some enemies and deathroots in the ruins where Mariners resided? What is considered his body goes FAR beyond just Deeproot Depths, should they have programmed removing of ALL that to not contradict their own lore, then? It really doesn't feel like the case even from technical standpoint already!

From narrative standpoint, both Godwyn and Radahn should (have) stay(ed) dead for the story and emotional weight, however, elaborating Radahn didn't make his presence overbearing for Fromsoft's standards! On the contrary, he got more role besides kinda 'just being there' compared to other Demigods! Godwyn had a lot of impact and presence all over the story in the base game and one of the endings being tied to him! I will get to it in the paragraph about devs allegedly 'abandoning' some things that needed elaboration though!

Yet even then, devs still added Godwyn bits with Knights of Death getting sort of rebranding to still stand by him in death and the bit about Godwyn having custom-made medallions for his special knights! It is very clear that devs have not forgotten or forsaken Godwyn but instead keep reminding us how much he mattered for the idiots living in this fictional universe! However, they know where to stop so the character isn't devouring the story too much as they have their own style with balancing characters' presence! Saying that "only" adding Knights of Death going to protect what's left of their Lord like sort of fucked up plant culture in Shadow Realm is some sort of grave insult to his fans is just weird, because in fact devs were not supposed to add this EITHER!

6) "Scadutree fragments is a cheap way to force players to explore the map"

I don't think there is anything wrong about rewarding the players for exploring the open world map that is meant to be explored! And, yes, it is rewarding, not forcing! The bosses COULD be beat even without Scadutree fragments if you know what you are doing! Like, what surprises me the most is that this take typically comes from the gamers! You know, THE people who would know a thing or two about imbalanced builds or weapons, or have enough time and patience to memorise every single movement by the boss, let alone liking to challenge themselves!

Even then, Scadutree Fragments are supposed to be discovered naturally as you walk around, check niche places on the map, do platforming and search for optional enemies and bosses! If all you wanted from this DLC was to run very straightforward to just beat the boss already with ease so you check the remembrances faster, are you sure that you actually like PLAYING this game? Getting into an open world game when you don't want the 'open world' aspect seems counter-productive to me :/

Bonus mention: some people finding Abyssal Woods sequence frustrating and annoying! It is somewhat relevant to this complaint! Losing Torrent in this area perfectly adds to the sense of not being able to escape, and stealth game with Aging Untoucheable is straight up horror stuff! How are you supposed to experience getting into the forbidden area infested by the force that every living (and dead!) being in the setting fears, if you just can run straightforward to the boss willy-nilly without any buildup or obstacle! It feels like the same sort of complaint as Malenia being unfair boss when she should be hard as someone who "never knew defeat"! Fromsoft is very good at using gameplay elements to confirm what the lore says! This "criticism" just looks like straight up impatience to get your dopamine injection already instead of enjoying the process of learning this story like devs intended!

7) "Miquella has always been evil"

I suppose it goes as a sibling paragraph to 'Miquella's character was assassinated', except this time from the standpoint of those who either liked the "twist" or were indifferent to it… I think this is just a confirmation bias at play from the people who assumed this about the character from the start, often including but not limited to Berserk fanboys. I agree that the fact he has never been perfect was plain to see either, with Bewitching Branches being a sinister power as a concept and Haligtree Soldiers suicide-bombing being a bit too fanatical, but yet again: nothing erases the notion that he had good intentions!

Ansbach kind of reminds me of the same effect Kenneth once had; Kenneth described Godrick as pathetic and everyone agreed completely ignoring the bits that suggested otherwise, and now Ansbach described Miquella as a monster and this is what some people believe! Honestly, how do I develop this level of charisma to make people believe me uncritically fhfdhhfsd In any case, the "unreliable narrator" effect is very prominent in the game, and it is important to remember that developers make the character say what the character would, not give us the directions on what opinion to have!

Miquella's power is further elaborated upon in SoTE, as not inherently brainwashing one but a very strong remedy for someone's problems! Leda's fanatical murderous fixation, Hornsent's obsession with revenge, Moore's insecurities and Ansbach's fixation on avenging Mohg's "honor" (which is likewise a very questionable concept lol) all were muted, giving them peace and friendship instead of attacking each other OR himself! The key to them being pacified and happier being to fix their love on someone else doesn't make Miquella evil megalomaniac wanting an army of loyal dolls.. on the contrary, often caring for someone else IS the feeling that brings out the best in us humans!

Again, this one is subjective, and of course people can read the character any way they want! But I start to take an issue with this reading when people claim that it is canon and dig at the base game saying how he never cared for the compassion but just was sort of narcissist seeking the oppressed to make an army of admirers from or whatever… The DLC accentuates on how he has been abandoning the 'humane' parts of himself, that were making him vulnerable and as Demigod more human than God, so we meet him at his "lowest". Even then, he states his motivation to make a better world full of compassion and free of evil! He would make everyone hold hands in more peaceful ways if he could, but even from the base game his arc was basically trying and failing to heal his sister. Besides, Dane's last and only words are asking him to make a gentler world, without his spell in the effect-

Like, there are enough things that show he had enough reasons to make people see him as symbol of hope even without MAKING them to. With Radahn, we are repeatedly told that "he and Malenia helped him to cosplay Godfrey" stems from the oath they shared and Radahn agreed to! Whether you see Caelid battle as him wanting to die (to go to Shadow Realm) in a battle, or him rebelling against Miquella's world of shining flowers and kissing bunnies in the end as a warmonger but twins not having this "change" it still doesn't straight up speak of evil intent. Could be taken as despair and reaching that 'giving up' state! With Mohg we are not sure either. Maybe Miquella just wanted to "heal" his pain but his personality persisted and obsession/kidnapping happened, so he knew he was beyond help and TOO soaked in blood and sin! Or he was beyond help / didn't want help from the start, so EVENTUALLY (key word) amounted only to sacrifice in Miquella's eyes on his path to Godhood as he NEEDED one, maybe it was even seen as 'mercy'. Help is to build a better world as a honor and all.

He very likely wanted to make a better world for him too! Both their goals were connected to "love" after all! The reading of the character as evil is not as cut in stone and evident as some people make it look like!

(In fact, shortly after BASE game released, Miyazaki confirmed that Martin wrote some nice characters and Miyazaki wrote the ways to corrupt them. So, Martin wrote the kind guy, and Miyazaki put him through corruption arc. But I will get to it in due time -_-.....)

8) *views Messmer as just another (boring?) victim of Marika* (and variations)

This one I kind of saw in two forms: people who dislike the character or not care about him writing him down as "boring" for this one, and simps who kind of lift agency off the character in order to be able to like him! This is to put it roughly, as again, there are various variations but with the same sentiment at its core!

I do think that Marika having enough influence over his actions, and even having abused him emotionally in some way, is entirely palatable interpretation! The nature of Base Serpent, as well as supposed connection with the Fell God, is debatable and can vary from truly harmful thing to simply a force of nature that exists to ensure forces like Erdtree can't live forever. Regardless of interpretation, would a kind, loving mother truly allow for her child to hate himself so much?

Marika has….. a problem with fire. Waging war to put down the Flame of Ruin because it could burn the Erdtree and removing Destined Death that was fire-affiliated power already showed it; as 'Eternal', she of course wanted to live forever, same for her Erdtree! Messmer manifesting fire element would certainly be a problem for her, but was it though? Base Serpent is malicious but for this reason Winged Serpent exists, no? Can another side of universal balance be something that must be removed from the scheme of things? Can fire, or death, truly count as 'evil' things? Are not they simply forces of nature that Marika being the MILF Gwyn that she is did not desire personally, in her vision of a brighter, bountiful world?

My point is, even though she created many Divine Blessings to help him, she did likely inflict some sort of negative self-image on him anyways. Maybe it was not her intention, but she always feared him and eventually that brought her to hide him away!

So like, how does this NOT make Messmer just a victim? Okay, so here is the error that kind of started it all:

User drenched-in-sunlight explained it better in this ( x ) post, but the point is that taking up the Crusade that Marika wanted was Messmer's own initiative and not something she forced him to do like English localisation made it sound! So, she was still possessed with the wish for revenge, but Messmer was like 'hey no need to make your hands dirty, I can do it'! Like drenched-in-sunlight explained, Marika's 'wish' here is the same as in the description of her braid (same symbols), so Messmer sees what is hurting her, and ASKS to be the tool of her vengeance! I'd say that even without this bit, simply the fact that he is a grown ass man should give him agency and hold him up to proper judgement, but nuance is always important!

This does paint an interesting picture though: Marika has been trying to "heal" him (which is a debatable concept considering her character and what fire, save for Frenzied Flame, means in the setting, but I don't insist), he asked to deliver her vengeance FOR her, but also despite having sealed the Base Serpent within him she was still scared of him and sealed him away making everything connected with him heretical and warriors standing by him still shunned, and Messmer lived in hatred, begging her forgiveness before crashing her seal yet cursing her name upon his death! It looks to me as though she grew truly scared of him and decided she wanted him gone BECAUSE of seeing him in action during crusade! Him hating her for ditching him implies that was not something he expected, so maybe seeing him in Crusade made her go 'wow, my son is actually more scary than I thought'!

That speaks of Messmer as someone who can get carried away with cruelty in blind, fanatical devotion! (that also makes Queelign an interesting mirror into his youthful, more """innocent""" self but that's not the point fdhfhds) Marika might have been horrified by it, or horrified by her own ugly reflection in the monster she (unintentionally) created with her parenting, but nonetheless it describes Messmer's personality more. Someone whose reaction to his mother's trauma and yearning for vengeance was to not only take such terrible plan in his arms, but also to go too far with it, maybe even too far for HER. Not everyone would react the same way. A better person would've probably focus on helping his mother to heal and move on, or maybe even turn around and refuse to comply with such harmful intentions. But he, being a grown man who could think and choose, chose to commit genocide. He is evil! He is not JUST evil, either. He is NOT boring tool of Marika with no agency, though!

And on a relevant note, for the simps..

No but seriously fdhfhdfds I understand how that sentiment could have left a sour taste after SA Mohg truthers kept saying 'hey guys you aren't real fan of Mohg if you ignore what he did 🙄' (that certainly aged…….), but I still want to remind that a fictional character doesn't need to be stripped out of his agency to be found attractive! With Messmer what he is doing is a bit more direct, and it is NORMAL to simp for the characters you could not stand in real life! What is the fun of engaging in fictional worlds if you turn it into a morality contest and sort of a "practice" for what kind of endeavours and relationships you'd want in real life? It is for going wild and satisfying curiosity and dark impulses. No limits needed. This is just an advice if anyone needed one like this, because we just never know really.

9) *"corrects" people's interpretations (especially of Nanaya)*

Sigh...

This kind of behavior in the fandom is certainly not exclusive for the past-DLC era, but it really felt more relevant to address again and- yes, like I said, with Nanaya thing it is something I've witnessed the most! Not long ago I said that despite hearing people question why there are so many uncharitable takes on Nanaya I haven't really seen any? But yes, like usual, it happened because Tumblr bubble is often different and you need to catch updates from Reddit and Twitter to have full fandom picture! An example: not reposting the art of course, but here is a cute comic of Midra reuniting with Nanaya in spirit after death ( x ). And do you know why the artist had to add a caption to ask people to not correct their headcanons? …..because on Twitter, they got pestered with people "correcting" them that Nanaya was aKtUaly evil / Shabriri / etc. 🤡🤡🤡

Honestly, I approve of correcting people when they legitimately, objectively contradicted or missed something stated in canon! I disagree with the notion that canon is just a suggestion and the whole fun is to just use names and concepts from it to create one's own thing! I am one of the guys that wears the T-Shirt that says "Just make an OC then" because primarily fandoms are about studying and enjoying the source material! A good headcanon knowingly differs from canon, know rules to break them at the right places, all that. It is especially relevant in Fromsoft's games because the information in them is very scattered and obscured. You WILL miss something, and so communicating with the fans, double-checking wikis etc is crucial! Similarly with fanart: there is a difference between giving a character heterochromia and more interesting look to add flavor in design and drawing them incorrectly because you haven't SEEN their datamined face and need a pointer (looking at you, white Henryk Bloodborne fanarts all because not everyone checked datamined faces!)!

As I got this off my chest that I am not an absolutist with the 'let fans do what they want' because if someone doesn't need canon that much they can always make OCs or original settings…. …when something is not canon but simply a popular interpretation, don't "correct" people! Midra asks Nanaya to forgive him when he succumbs, and it is anyone's own choice whether they take it as her never having wanted him to succumb when she was still alive or her having been secretly lyinh and ensuring long endurance would made him explode into more "sufficient result"! Fromsoft's lore often leaves bits of information that can be used to justify any interpretation! And discussions, even debates, to prove why your version is better are very interesting! Fromsoft's lore community at its best feels like we are all academics defending our thesis before the audience! But the whole "well aktualy" + "there is no proof so your headcanon is bad" + "let me educate you media illiterate casual" + "but [popular loretuber] said this" attitude just isn't it.

The last example is important! This problem IS also often the result of latching onto what a popular loredigger says. Usually Vaatividya (video lore), charredthermos (wrote a popular Bloodborne interpretation document), Lokey's Lore (has whole website with his interpretation of Fromsoft games bits) and so. And I often see people hate these popular Youtubers too, but I think that the blame lays on the crowd! It is none of these guys' fault that the crowd decided to promote them to the fandom's idols and give them this sort of influence! They were not loredigging to gain this kind of power, they probably never expected the popularity, and they would sure be unhappy to know that their work is used to shun creativity and start fights in the community that they care about! Yes, even when they 'lokey' (haha geddit?) speak in the manner that suggests being close-minded to other interpretations, they are not forcing and CAN'T force fans to idolize them.

In the end, they were just doing what they loved, and popularity probably came from them being pioneers. But instead of spilling vitriol towards them and saying how they should be "dethroned" as if they damage the fandom, why not turn our anger towards THE people who idealize them? We are all angry when we are "corrected" and they use lore of someone popular as a "proof", but this is the fault of THE people who "correct". Discourage this behavior, encourage thinking like individuals and not like sheep. No one asked for the popularity or the power to stomp out any curiousity and creativity. Don't hate the big guy AND don't take the big guy's word as a gospel. In the end, we are all just guys looking for answers in the places where they were NOT given.

10) "Mohg beating allegations made the story worse"

Sibling paragraph to 'they've failed the fans by not making it a thing from my wishlist'. Themes of sexual abuse and incest ARE quite interesting and important, but not inherently THE most important, or more important than any other themes! The information about Miquella having put Mohg under spell opens up equally interesting things to talk about and look for! How did he end up like this? Was it an accident of him trying to "heal" Mohg and it no working, and then he decided to just use what he had when he followed his plan? Had he written Mohg down as only working as vessel sacrifice for that mad plan from the start? What was the backstory between Miquella and Mohg considering this? There are still interesting things to work with, regarding relationship of the two, but now with added spin of Miquella's fall from grace arc that starts with following the plan with Radahn. Because, I remind you, requirement for a vessel, so, someone powerful dying and being used, was part of it from the start! Since Radahn needed to die! It is dark, just in a different way, and divided between two characters instead of just clear stated victim and abuser without shades of grey or nuance!

I say 'divided between two characters' instead of 'they've switched' because Mohg didn't instantly become a GOOD person over this reveal! I praised him as a valid character to point out that not all victims of awful childhood and mistreatment are automatically good people, which is a good way to diversify the characters! Make things more realistic than black and white thinking. Similarly how Rykard or Dung Eater are evidence that not all people up against the oppressive system are automatically good people. That benefit of Mohg as a character didn't evaporate, he still serves that point well enough! Nothing in the DLC said that all the kidnapping of surgeons, corrupting people with the blood and bringing in sacrifices happened because of Miquella's charm. Ansbach, in fact, confirms that the blood cult madness existed before Miquella's charm! When we admit to him that we killed Mohg, he also states that such were understandable risks of seeking Lordship, implying that Mohgwyn Dynasty, so, attempt to insert himself into Golden Lineage through mad, violent means, was also already a plan before! To think of it, SA accusation is the one and only thing he beat x) Reminds me of this meme: ( x )

Again, the story allegedly becoming "worse" solely boils down to 'they've made it about a starter point in Miquella's descent from grace and not about sexual abuse' that is simply not true. It is still interesting and valid story, just in a different way! I would normally argue that as far as fandom life goes, it should have in fact improved things; whereas Mohg was never addressed and explored as a character beyond "mohglester" thing, now he should get proper respect and analysis by the fandom, right? …right? WRONG, now people do often simplify him in a different way and forget that he DID do all that other bad shit! 🤦🏻‍♂️

And I can imagine that complaint about this reveal is not limited to but INCLUDES fans being annoyed by how people simplify Mohg and make him a good guy now! But fandom's habit of selectively reducing characters to just one trait ("mohglester" before, "victim of brainwashing" now) is not the fault of writers. How exactly the fact that we, as a community, are too shallow and unprepared for complex story and characters Fromsoft offers to us, is the fault of Fromsoft? Creator should not simplify their writing or direct it a certain way just because of the notion that majority will lack attention span or insight to understand it! We are the ones who should do better! Mohg offered enough complexity in SA allegations era, he still offers enough complexity now, it is right there in the source material for those who seek and care!

11) "Why some people are still coping instead of admitting the writing is bad???"

Yeah very mature of me to single out this paragraph by making the headline sound like the speaker is having a fit, I know. 🙄 In my defence, this particular one also truly got on my nerves, but it lacks the same huge gravity as the topic of approving of Hornsent genocide did so it is just… it is certainly something right.

Certain kind of fans that I lovingly call 'Twins Cultists' (as opposing camp to 'Chadahn Simps') has been terrorizing the fandom with the attitude of singling out and shaming other fans for "wrong" interpretations, saying how they "disrespected story and characters" with the awful sin of not reading characters Malenia and Miquella deeply enough while at the same time reducing Godrick and Mohg to a bad punchline and insulting fans that read deep into THEM, trashing everyone outside of their echo chamber, putting characters/ships malicious ragebait takes in the TAGS and then playing victims of the "toxic community" and such and such. And you would expect this kind of behavior to get significantly humbled up and them to self-reflect on how they were treating fans when THEIR takes were disproven? And I am glad that some people DID!

Full respect to the guys who reconsidered the attitude of swinging their One True Reading at the heads of "heretical" fans like a bat now knowing Fromsoft always has some cards up their sleeves! Especially if they apologised to the fans they were rude to! But also enough people didn't and now not only hate differing fans harder, but also are furious that writers sorta took away their privilege to be mean to "media illiterate weirdos". I wish I had the patience to accept the fact that of course people are angry, because something so important for them was……. no, fuck that lol I don't.

Okay jokes aside, yes I am aware that it is not possible to care about something passionately without at least somewhat slipping into the territory of defending your understanding from "threats". All we can really do is to draw the line between getting too carried away by our passion and outright obnoxious toxicity in the fandom and TRY to not cross it. To CHOOSE to not cross it when we see it, and step back if we did cross it. I do, however, take an issue with people who refuse to try and even encourages the mentality of seeing fellow fans as "enemies" and gets proud knowing they angered someone or discouraged them to check the tag. In Fromsoft fandoms, it is almost exclusively Tumblr behavior, we are sure luckier than every other fandom in the internets, but I still want to get it off my chest. Like I said, this particular attitude developed a new form after SoTE released, attacking the fans who seek reasoning within the writing decisions they deemed badly written or fundamentally wrong.

And these instances are EXACTLY where I put "just caring passionately" as their motivation into question. Because if someone says it makes sense to say that Miquella and Malenia admired Radahn's kindness when they all were younger and thus he likely faced a negative character arc since then into becoming obsessed with war instead, and you get mad at them for "coping when calling a warmonger kind is dumb and makes no sense"…? Sorry, but who cares about characters MORE in this situation: the person offering proper thought about them given some new information, or the person who is mad that their one-dimensional vision got broken?

People finding creative, interesting and reasonable ways to incorporate new information into lore, in the ways that do not contradict the base game (!!!) is not "coping" or "seeing through pink glasses" or "refusing to admit their fav dev can do wrong" or whatever you choose to call it. It is simply using analysis and imagination, it is adapting and accepting. If you can't do it, you are welcomed to do rewrites of SoTE reveals and characters and ending, it is not illegal! But don't go and say that the writing is so awful and broken that everyone who accepts it "never actually loved Elden Ring" or other nonsense just because for YOU this writing didn't work! The one and only unforgivable thing the devs did starts and ends at the fact that Radahn thing was not foreshadowed, and yet even HERE his relevance is EASILY incorporated and developed into backstory if you are willing to put in effort! This retcon is such a nothing thing compared to what some other writers do glares at Ladybug retcons for comparison. Like, working with it is possible, and if you don't want to it doesn't mean others shouldn't.

And in fact, at first I saw a lot of enthusiasm regarding the rewrites, AUs, "fixes", dwelling on pre-existing lore ignoring SoTE and all that. I really did, and it was valid. But then what I saw, personally, was that flame dying down and amount of such posts shortening but out of those who left this brand of toxicity followed! My interpretation of this change is that when initial shock and frustration waned, more people started to notice SoTE was not bad.. and THAT made people who continued hating SoTE feel less validated, in a way. When people started to warm up to certain plot twists and decisions, to elaborate new information into their vision of the lore… people that still hated and disapproved of the thing lost the image of being "the saviors of the fandom from Miyazaki's garbage writing" and became simply people who do their own thing. And for people who are driven with negative impulses, 'just enjoying the things they like' is usually not enough. They need to be "right", they need to "contribute to the fandom", they need to be "better" and so on. It is a known thing about fandoms even aside of SoTE and Soulsborne fandoms altogether, and I feel like this situation is the return of it, personally.

Of course, this is all speculation and the dynamic I've observed. Maybe someone observed different processes entirely! I just think it is safe to assume as I've seen absurd level of toxicity even despite staying away from 'active' fandom (no 'cool kids' circles, no following popular creators, no open Discord servers, no checking tag or Reddittube etc)!

Still, "I'll fix awful creators' writing because I actually love and respect the characters unlike they" is already a very questionable sentiment, but to attack the fellow fans over this is beyond any patience and understanding! Eventually there is no "right" or "wrong" way to love the characters and story and to be passionate, even if we are naturally inclined to believe in our own vision the most! Perhaps you express your love by putting in a lot of effort to give the characters different writing entirely, to "save" them from decisions of creators you don't agree with. But it is an OPTION, not the One True Way, and… really, it is strange to be mad at people for being happy and satisfied with the story and finding a lot of valid things in it and call them blinded Fromsoft dickriders incapable of critical thinking or whatever! Bonus points when such sentiments come from EXACT same people who resent the Youtube bros that bash every other new TV series AND insult people who dared to enjoy such aaaaawful product or whatever… You guys really hate the type of YouTube "critics" who take personal insult in people who enjoyed a thing and even reasonably justified the parts that THEY declared disgrace to the series and disrespect to true fans? Yeah most reasonable people hate them. We all know at least one modern TV show whose fans got this sort of treatment. But don't you guys see how you've became exactly the same type of "critic" at this rate? Unacceptable behaviour, not justified by 'but it comes from place of passion'! I am passionate about Soulsborne as you could tell and I disapprove of it, no correlation!

12) "Fromsoft became woke" (and variations)

For startes, I have to wonder whether we've been playing the same games all along. Where was it when Gwyndolin was intersexual and affirmed himself as a trans man later? Seath is also blind and has what is a disability for his species? Where was it when Pharis/Evlana was a very GNC woman in Japanese original, but for you she looked a trans woman because English localisation made Pharis a he/him a removed Pharis' nametag from "female archer" in the woods? Where was it when our good friend intersexual trans man was literally killed by the church? Where was it when they had female doctors, church leaders and scholars in Victorian era? As well as strong female hunters like Maria or Gratia? Gratia and Rom are also confirmed intellectual disability rep via Japanese script? Or when both male OR female hunter could propose to Annalise? Or positive sex worker representation in Arianna being the only kind person to step in Oedon Chapel? Where was it in the BASE Elden Ring with Ranni being bisexual, Malenia representing severe physical and mental illness, Miquella being GNC at least and trans+neurodivergent-coded at most, Dolores being a return of GNC woman, Blind Swordsman, Niall being another prosthetic-using fighter and Marika/Radagon? Speaking of blindness there were also Maiden in Black, Firekeeper, Irina 1, Irina 2 and Hyetta? Where was it when through their whole games they never sexualized their female characters and the ONE exception in Gwynevere was not even on purpose? WHERE WAS IT WHEN TRANS COFFIN???

...okay, I can continue and I'd love to be reminded of more examples. But on the serious note, this complaint has two ways to go about it: 1) an understandable fatigue with writers and stories placing pseudofeminist agenda on bland unsympathetic female characters, retconning pre-established characters to pretend to care for diversity and generally hating the audience for merely being born cis/white/male and 2) people being upset at diversity in the cast to begin with and complaining about "forcing the politics in art". And in both cases, this just doesn't apply to Fromsoft.

In the first case, they simply aren't hating their "privileged demographics" audience through characters and narrative, and doesn't seem like they will. They write very compelling, nuanced and even sympathetic characters, as well as the stories that make you ask questions to yourself! They insist on messages against corruption of religious institutions and fascism, but even THEN they'll give sympathetic characters on that side (!), show that not all people who oppose them are good either (!!) and make damn sure to recognise at the start of it all were good intentions (!!!!!!). From this angle, you could argue they are not woke ENOUGH, actually, because of how merciful, open-minded and non-forceful their messages are! They deliver their points through characters who are actual people, rather than writing characters as bland plot devices that hate you!

In the second case... Yeah, as memey as the phrase is, but "they've always been woke". Just because Miyazaki loves motherly woman archetype and and Fromsoft games always had compelling married hetero couples doesn't mean they are your allies in "preserving traditional values"! Again, messages against religious corruption and preserving long-overdue order of things fearing change are plain. Elden Ring had a slight increase in diversity, but to think of it, Elden Ring is also a bigger game with bigger cast. I do want to point out though that the very concept of worrying that with more diverse characters somehow cis and white cast will no longer be a part of From's stories is strange. They'll never make it all about JUST one demographic because they cover nature of humanity in general, but if anything, adding way more angles than their staple Medieval Europe culture route gives them more power for TYPE of the messages they want to tell! Because their power is, and always been, showing the situation from different perspectives.

13) COMMERCIAL BREAK LOL

14) "Devs artificially increased difficulty instead of WORKING to make battles"

This is very unfair criticism already from the very concept! Players had two years to advance through the base game, and if you play consistently, it is enough time to become ridiculously overleleved! Overleveled to the point of not being able to enjoy playing SoTE at all, as all enemies would drop dead instantly! It was easy to sabotage the challenge and simply not let the devs give us the fun experience they intended. But, no! Devs cared to make things so that even if you are 300+ level and have godly build, you'll be down in two hits by the first Furnace Golem, let alone bosses! So, yes, you either need to run around and collect Scadutree Fragments, or seriously study your boss and come up with clever strategy! I am still proud of a really smart way to fight Rellana I invented x)

This complaint did have a period of initial shock when it was really blown out of proportion due to the comfort zone of being overpowered broken, but this opinion still lingers and I just find it strange! Why NOT make sure that players of any level physically can't be too strong to actually PLAY SoTE, instead of just running through it with ease? Even then, how comes they "didn't work on bosses"? Boss battles like Messmer, Bayle and Midra are absolutely wonderfully well done on every level! Romina, Rellana and Putrescent Knight are really great and have super interesting battles even if not as epic and show-stopping, aesthetic and moves alone are immaculate. Non-remembrance bosses who are also very fun and beautifully designed! There are annoying bits about Scadutree Avatar and Gaius, but you can't seriously say they did not WORK on them! The bosses are challenging not only due to artificial difficulty, because even at high Scadutree Fragments level you still need to give them thought! And while you do… right, you can admire the sound and the battle design!

I am just really confused about this complaint because it could only be applied to reusing Radahn for the final boss.. but even then he is not fully reused, and sure not so reused for Stage 2 where you can't see shit because of Miquella's spells. One "kinda mid" boss can't and should not eclipse all those awesome bosses! If anything, he feels more like a hard to get joke! Fans have been saying things like 'oh if only we could fight Vendrick at his prime', 'oh if only we could fight Gehrman at his prime' etc etc… now, as they ALSO did want to fight Radahn at his prime, they got an option to do so, and he is not all that impressive, right? :p Let's be real he only sucks because Leonard isn't here hgfhhhgb

15) *admiring how fanatical Leda is while hating other (male) characters with the same quirk*

Sigh... I will just leave this meme by the user wraith-caller here: ( x )

Yes, fandom does have decent amount of simps for this type of male character, I know. Lautrec, Alfred, and D twins. (Coincidentally, all women-killers x) Even if Devin is actually justified) I suppose Queelign would go here too if people didn't write him down as a joke character by proxy over a cursed cleric haircut? 🤔 skill issue btw So of course it is not to say that they are not given enough love/lust/other positive interest…..

…but for some STRANGE reason, people who feverishly admire Leda and simp for her or at least hail her as such compelling character that ALSO hate Alfred or D for being such horrid fanatics are almost a staple by now! Why!!! This problem existed to a smaller extent with people who hated Alfred while simping for Adella and even shipping her with her victim- and no, it is cool and based, one does NOT get into a media with dark themes to demand healthy characters and healthy ships, but why so many times gender defines it? I don't care if you are a lesbian; whether you give character a justice should NOT depend on whether you are attracted to them, or else you are no different from straight girls that would like a male character and hate female character with the same issues! And sure I don't care if you are a feminist and are inclined to give "pay back" for years of misogyny in the fandoms by applying double standards!!

16) "Why could not we have JUST ONE genuinely nice character?"

Alllllright so… apparently, I was wrong this whole time about SoTE. I was convinced that it had no impact on the base game beyond like, Leda greeting us in Mohgwyn Palace, but I suppose I was misinformed very much? Because turns out that this whole time I was not aware that SoTE removed existence of Roderika, Hewg, Boc, Melina & Torrent, Latenna, Albus, Thops, Jar Bairn, Millicent and Enia from the base game!

….fine, okay, sarcasm is not my forte at all, but what I said still stands from both subjective and objective standpoint. Subjectively, I don't think counting out minor characters does any good for enjoying and analyzing the story! Should anything only "really" count when it is a significant, major character? This reminded me of that time when someone said it was 'incredibly fucked up how Bloodborne only had 2 non-white characters' when in reality it has 13 but minor characters supposedly didn't matter much…?

I want to specify though how this bit is more about how I interact with fictional worlds; I take them as just fictional realms that I enjoy exploring and "living through", I do not put much emphasis on how much 'weight' characters representing certain demographic OR worldview in the story as someone able to love every other minor gremlin genuinely! Maybe it is autism, maybe it is the fact that I am naturally hesitant to interact with the 'big guys' anyways with real people too. I enjoy tending to flowers and I suppose for most people the point or representation they want to see should be visible from every angle, like Erdtree x) With major characters, I think Rennala and Godwyn are the closest we have to good people, yet they were not able to be 100% good conceptually due to their high status.. much like Miquella himself, which brings me to a more objective point!

Conceptually, it is already impossible to be fully good when you as much as hold a lot of power! Some people have to be neglected if not straight up stomped out, for your own safety or safety of others, and it won't be a good thing *regardless *of intentions! Some sacrifices have to be made because if you are nice to everyone while having a lot of power, bad people will try to use you! Some social games, if not straight up violence, have to be applied if you want to make a change in the world! The big, important person can't be perfectly kind, because in that case they will no longer be big and important! It is just cruel truth about how society works! And Miquella HAD to be big and important. He had huge plans for the world, and as much as keeping himself and what tribe he has built within the Haligtree safe implied some morally questionable acts, let alone making his path through the position where he can change anything!

Pacifist character with unyielding principles who has a say in the fate of the world can often be portrayed from a very unpleasant angle, like, 'hug and forgive war criminals with unreal body count :3' angle (Steven Universe comes to mind first of all). Like, such decision make you wonder how this is being a GOOD guy here! But at the same time, is taking down those war criminals truly good either? When the character combines being the force of good AND being the force able to effect fate of the world, they inevitably are faced with the dilemma of either getting their hands dirty, thus sullying their grace at the very least, or making a decision that would feel like betrayal for the victims… which, again, sullies that grace but in another way. Miquella was already conceptually doomed to act Machiavellian by the virtue of being an Empyrean who wished change, much like Ranni except more subtly so!

And this is why true goodness could only come through the little guys. They don't have to make morally questionable decisions with no outcome that spares their innocence; their field of influence is to just care about their closest surrounding and to do their little tasks! They can't change the world, but they can change just the lives of their friends and their own.

Malenia, one of the key figures in the story, was faced with the choice to either "abandon her dignity" and nuke the continent to deliver Miquella's plan in full (the route she did end up doing), OR to preserve that "dignity" but thus hinder their plan that I remind you was against the Golden Order, to build a better world (which is also sort of morally questionable decision in the grand scheme of things)! She could not win and with all information we were given, more suffering in the setting would ensue no matter what! Do a drastic sacrifice for the greater good, or forsaken that greater good to preserve more lives but doom them to live in the same bad conditions forever was her picture! Yet Millicent, effectively a 'little guy' version of Malenia, had the privilege to die with her integrity intact without any big consequences for the world and great scheme of things! True good, certainly, can only exist in the smaller scale.

When it reaches the higher plane and higher decisions there is no way to remain 'unalloyed'. So, yes, we could NOT have 'just one genuinely nice character' out of people with huge power and importance. Not because Miyazaki allegedly hates hope and hates you! But because he is a writer that seems to understand such fundamental things and philosophical dilemmas from the track record of his games so far. ANY mature, insightful writer knows that the idea of someone 'important' forever being good might be a thing the audience wants, but not a genuine thing. "No matter how tender or exquisite a lie will remain a lie" and all.

17) *hating Radahn's inclusion because "dudebros got validated" and not over the story*

To be honest, this IS something I am also familiar with. I won't play the "unlike you snowflakes I don't care about online discourse uwu" persona because I SURE do! I used to dread Mariadeline ship because fans of it were easily the most toxic and unbearable type of Bloodborne fans, choosing to remain willfully ignorant about Gehrman's character actual lore, showing near-biphobia regarding Maria, having era of acting personally attacked when their ship was implied to be anything BUT cottagecore fluff dynamics without corners, playing victims of hate and "misogyny" when they themselves maliciously rage-baited fans that were just enjoying themselves, and doing that ableist 'no reading all this get a life' thing when shown where they were wrong! I had a period of really disliking Leda because she was an in-universe manifestation of aforementioned 'Twin Cultists' who act very similarly to common Mariadeline fans with spreading the "us CORRECT fans with MEDIA LITERACY who RESPECT story and characters vs them WEIRDOS" toxic mentality, with the whole joys of echo-chamber stuff, playing victims when they knew they were PROVOKING anger and feeling attacked when anyone dared to as much as to look at their favs as anything but perfect. I dealt with both and enjoy the ship now, and like Leda now. These are just two recent examples, but I faced a similar problem often, in previous fandoms as well. And I will be real here:

What helped me every time was to distance from the 'vocal' fandom, gather around a few friends to private chats and bounce around the ideas on our own. Without any outside influence, without deliberately skewing interpretation to "spite" anyone, without any motivation in it besides trying to look at things with clear gaze. The cure against the sour taste that bad fandom experiences have left is not to have the writers to "validate" you or to "spite" your opponents or whatever. The cure is ALSO not to completely abandon the ship/character/concept/etc giving up on it as if it was rotten and "not worth the stress". The cure is to hide away from this negative influence for a time being and build your own vision, that might have only like 3 other fans but be immune to everything! Us very few people here who like Mariadeline the different way keep FAR distance from its more 'common' fans, and we are pretty glad that we grew a Halightree in the contrary to their Erdtree x)

I do not really see why could not the same be done with Radahn as a character. In fact, it feels like there is an unspoken DEMAND for it. For 'reclaiming' him, even! My friend heraldofcrow made a post ( x ) about why Radahn is not 'Chadahn' at all but actually a sad character in his own right and just LOOK at the notes! Clearly, he does not have to remain a "mascot" of those dudebros and remain associated with the dumbest discourse you ever had to read!

I think the fandom really has lost the objective when prior the DLC you guys started to hope for certain outcomes based on the fandom experiences! People hoping for Miquella to be kind to make 'annoying Berserk fanboys' shut up, people hoping for Miquella to turn out evil to be vindicated after his annoying fans were toxic over "wrong" interpretations of him, people hoping for Mohg to be confirmed bewitched so everyone who called them media illiterate could eat their words, people hoping for the answer to Caelid battle to invalidate Malenia haters from Reddittube…… Like, how comes that we have forgotten that the first priority is to hear what the writer has to say and try to accept it as fans, or at least to have objective, reasonable wishes for the story rooted in our knowledge about writing and NOT in fandom discourse? It should not be a matter what group of fans gets validated or screwed over, it should be a matter of what it does to characters! It should not be important that now Malenia haters will NEVER shut up, but it SHOULD be important that we now have a better context for her moral failing and can work with it. She is not THEIR to trash on, she is YOURS to cherish as the girlfailure now with extra information!

There is a Russian saying: "Мышки кололись, плакали, но продолжали есть кактусы" (literally "(the) mice prickled themselves, cried, yet kept on eating the cacti"). It is a figure of speech describing someone who keeps stubbornly doing something that only brings them suffering without a reasonable purpose to it. This is exactly what those dudebros have been doing thinking about Malenia within the context of their fav and what they have been doing complaining about how hard it was fighting her when no one forced them to. But this is ALSO exactly what Malenia fans have been doing engaging in bad faith "debates" started by those guys and checking Reddittube knowing full well no good takes exist there!

If what you wish from it is effected not by your knowledge and tastes, but by your bias stemming from fandom experiences… really, distance from the fandom and heal. Characters are their own entities, not your tools to own other people in the fandom. It goes to both Reddittube AND Twitbr, to both people who started it and people who merely developed negativity as reaction. Fans are NOT part of the story and should never be, we are all just people observing it and reacting to it.

18) "They clearly gave Radahn spotlight because he was popular in (western) fanbase"

It is absurd to assume that Fromsoft would turn the planned story around because a lot of people on Reddit and their YouTube lore influencers declared 'Chadahn' their king. In fact, judging by the merch they're offering, Malenia is recognized as equally marketable if not MORE marketable! Besides, had they cared about Western fanbase's reception specifically (which IS where Radahn is loved), they would have likely avoided the potential backlash by that type of fans regarding making their fav LGBT+! With half-brother, no less. I've also heard a theory that they included Radahn as the very last moment solution, but I doubt that baking in Freyja into the story with her and Ansbach's questline, as well as creating Gaius, could've been something done in the last moment! I am not a game developer so correct me if anything, but it looks like a lot of work to do. Besides, there is not enough cut content in SoTE to suggest the plans were far different! And we all know that cut content always still lingers in the game's files with Fromsoft!

They can care about marketing- heck, using Vargram, an existing character with his own lore, to portray the "Tarnished" in promo materials because his set is more catchy than Knight/Tutorial set, for example! Or how replacing an option to murder Orphan of Kos as an infant with 'shadowy presence' because it felt too grim didn't undo the option to kill Arianna's infant and other celestial children, nor it undid how horrifying Fishing Hamlet was. They also obscured the fact that Annalise's baby got aborted, but not the fact that Queen Yharnam's baby was stolen while she has a bleeding wound where a big belly used to be. These are examples of making posters more eye-catching and dodging potential scandals about promoting abortion respectively, but nothing about nuking the plans for the story!

You know what sells even better than Radahn? Big boobs! Yet over and over they make their female characters have smaller chests, even Marika, and the ONE exception Miyazaki ever made, Gwynevere, was done because the guy who drew her concept was too happy! Heck, assuming that Miyazaki included Radahn because his coworker wrote a Miquella x Radahn fanfic he liked is more realistic assumption than him wanting to "sell better" jggfggfhgn In any case, my point is, they follow the vision they like and don't sacrifice integrity of the story!

(+On the relevant note, back then there was a scandal with press calling them "homophobic" for Mohg supposedly perpetuating a negative stereotype with incest/pedophilia accusation….. but while they debunked that impression, they've added consort thing with Radahn that falls for the exact same issues potential lol!!!! You know the only reason "Radahn is a groomer" takes don't exist is because people who care about Radahn aren't the discourse-starters of the fandom. They didn't escape certain side-eyeing even when they COULD and it is funny)

There is another thing I want to address though!

The screenshot is from this reveal trailer, and the excerpt is from Miyazaki's interview ( x ). I assume that this COULD be used as a reasoning behind thinking adding Radahn and final Miquella cutscene in the "last moment"; like 'you see, there was an ending where he 'reveals' (?) the Scadutree, but they cut it, and offered that unfinished clip of Miquella asking Radahn to come with him!' ..okay, sure, but you know what else was in that interview?

The confirmation that there would not be an extra ending for Elden Ring, of influence on the main game! Right off the bat, right after this trailer! Miquella "unveiling" the Shadow Realm or anything like that would have had consequences on the main game, certainly! They might have animated this prior because they wanted to add a new ending but then decided to not touch the main game under any circumstances but kept it for the cool trailer, or they animated it for the trailer from the start (like if Miquella is unveiling a new location for us, metanarratively)!

19) *refuses to use information and lore from the base game while looking at the DLC*

Yet AGAIN, "Free my man Mohg from SA allegations (he did do all that other shit though)". XD True, when it is not that people reduce (?) him to just a victim upon learning Miquella's Bewitching lore for the sentiment alone… it is then because they sort of forget. :clown: Ansbach's entire existence and what information we receive from him confirms that Mohg's scary bloody cult existed before Miquella's spell! It is up to anyone to interpret whether 'love' theme about his cult also existed before what Miquella did, or was, in fact, a side-effect, but kidnappings and sacrifices definitely were not caused by Miquella!

Another example off the top of my head is Maliketh and even Hoarax Loux / Godfrey basically evaporating from Marika's backstory, as though nothing ever existed besides her time at the Shaman village, Messmer and Fell God. And the latter one makes it especially odd, because base game hammered it down in every other Fire of the Giants' incantation that the motivation to put that fire down was because it was capable of burning the Erdtree and existed as anathema to it altogether, but now it got basically forgotten, as if all that ever existed about it was Messmer's presumed connection to it! I even got """corrected""" once when I stated that war with the Fire Giants happened to establish and protect the Erdtree, with something along the lines of 'we don't actually know what the motivation was but very likely to help with the curse that he caused on Messmer'! Also seeing the turning point of Marika's story in her becoming a God through Divine Gate, when in reality it was first her being chosen as an Empyrean by the Two Fingers! So, first someone now qualified to create the new order, and then actually creating it by entering the Divine Gate!

There were also Miquella things such as saying that he abandoned Malenia when she described his absence as "he will keep his promise", or saying that him forgetting Godwyn was a weird decision when the base game already suggested he failed and gave up with failed Eclipse and Golden Epitaph with words 'please die a true death'! To be honest, with Malenia one I myself fell for it at first, but… yeah, base game suggested he was going to return to her after/if his plan succeeded. Romina "creating" Scarlet Rot I also found to be often disconnected from (Outer) God of Rot existing 🤔

I suppose this could be justified because many people finished Elden Ring significant time prior the DLC, so many lore details got blurred and only general impressions of specific fixations stayed! It is just how memory works, and revisiting the source material from time to time is necessary! Even then, SoTE is so full of new information that it is easy to just completely fixate on it! I just think that it is important to remember that SoTE is still not just a whole game despite its absurd side and saturation with the new things, and things in it add into the base game! Not always like missing puzzle pieces but sometimes in a way that makes the puzzle itself bigger, but still. Gaius existing didn't replace Alabaster Lord that was Radahn's Gravity Magic teacher and Ogha, but he was also a "classmate"! Radahn being stated as an important sibling for Miquella and Malenia didn't replace Godwyn, but rather is added as someone also important! Hell, maybe he even became so close with them after Godwyn's assassination, but I'll get to the "it doesn't contradict stuff" in the meantime! Dryleafs and Needle Knights aren't supposed to make anyone forget about Loretta and the plan to find "proper" Haligtree Knights but never finding a master for such sword! They are just people who put faith into him after Erdtree started to die and his police force respectively! (Also no if I saw that Needle Knights are police then so have to you all, fuck you)

20) "How could they abandon [insert a thing that had enough place in the base game]?"

This kind of happens frequently, and usually it is about Godwyn! Sibling paragraph to 'it obviously should have been Godwyn' I suppose! Godwyn is not the first character who is very significant for the story yet everything happened behind the scenes, through descriptions and dialogues of other characters. In fact, meeting him in "person" is already a luxury by Fromsoft's standards! He had enough of spotlight already with his death triggering the VERY events of the plot with Shattering, one of Miquella's failed plans being about 'Eclipse' to bring him back, being grieved for by other characters, making peace with Ancient Dragons and thus a whole type of incantations in the game being linked to him, haunting the environment via Deathblight and being core figure in the questlines of Ranni, Fia and Rogier who are pretty significant characters all! He had enough development and presence in the narrative, I'd say to the point where bringing him into SoTE would overload the story with his presence! Not making him a core figure in the DLC and limiting new information about him to his most significant Knights rebranding into Knights of Death to protect the places where Prince of Death "grows", again, not some grave insult to his fans because what was there to tell about him happened in the base game!

With Fromsoft characters, THE tragic culmination of their story often happens behind the scenes and we are intended to meet the character at their lowest point, or just dead! With Godwyn, that culmination did happen behind the scenes, with such beloved, important, enigmatic figure getting assassinated and sending Marika over the edge, and we have a second emotional culmination for the character that we get to experience where we DO meet him at his lowest - an abomination on all living and mockery of former self, knowing Miquella did not get the wish to either return his soul OR let him die a true death! He did not have enough screen time, but he had enough presence in the story and feelings!

A similar complaint could be made regarding 'Well, Miyazaki said that Miquella would be a focus of the DLC, but we only meet Miquella in the end and he just sits on Radahn's back instead of at least fighting us himself'! (no not me making up a guy, it was an actual claim towards Miyazaki allegedly "lying") First, you people take it BACK about a very clever Dark Souls 3 reference and Miquella's spells not letting me see shit. Second, like I said, his presence is all over the narrative! All core NPCs talk about him, we follow his traces and find flowers growing from his blood, we learn more about him and his past, Radahn's story is now connected to his and Mohg's story with him given some insight, Trina is inseparable part of him, Dryleafs and Needle Knights are HIS covenants, we see effects with and without his spell… How is all this NOT 'being focused on the character'? Fromsoft's style of giving character time and space is not specifically to show them on screen or let us battle them or have dialogue with them!

Personally, I also at first wrongly assumed that they forsaken Miquella and Malenia's connection for the sake of Radahn, but this is, again, the case of one not excluding another! His connection had enough weight in the base game: he started Fundamentalism with Radagon primarily as a sort of magic to heal Malenia and abandoned it when it was not working, she always identified as 'Blade of Miquella' and it is the only thing she holds onto as she is falling apart, her clothes, prosthetics and armor pieces are made of his Unalloyed Gold and it even digs into her very body, all which he created for her, Ephael is full of statues depicting their younger selves holding each other, she was the one to have his needle (different from the gold needle) and she awaited him to keep his promise since he was "the most fearsome Empyrean"!

(Cut Rico's dialogue in the base game's files ( x ) ( x )) The original intention seemed to give Trina less of a 'personality', making her more inseparable entity from Miquella or even straight up just his disguise like with cut Merchants' questline, so the plan to ascend Miquella to Godhood was already in the plans! They have changed the dream realm thing since, recontextualizing Miquella going to sleep to ascend into presumed dream realm into Godhood with dream Trina persona to Miquella departing into the realm where rather all dead drift to, but the POINT of him leaving for that mad plan rather than mysteriously vanishing and Malenia not knowing why was there from the start! Writers didn't just "randomly made him abandon her" - he ALREADY did so in the very early draft of the story!

In the interview ( x ) about SoTE, Miyazaki also confirmed how many things that were planned from the start were cut from the base game's story because it was getting too big:

Miquella also abandoned not just her but everything, and Radahn logically got special treatment because he was part of the plan from the start! Miquella, who left every feeling that made him the person that he was, did not need to love Radahn or care for him to remember that a God requires 'consort' (in this setting's lore). It is not outlandish to assume that he wanted Radahn to share that fate (a fate so bad that Trina begged us to rather kill him that allow it, mind you!) and not Malenia because she already suffered enough for him in his eyes, for example. She depended on him for everything, so why not ask the other tough guy rather than a person that never knew independency and true agency outside of his influence?

My hot take is that not asking her to hold his hand through horrifying ordeal further proved him caring about her with all the context! He maybe ideally would not have asked Radahn either but if you need the Second Guy as a God, who will you rather ask: a person that already never knew life besides self-identifying as your tool or a kind tough guy who was the second most reliable figure for you BOTH after Godwyn? And would Godwyn be interested in the idea to abolish the Golden Order anyway? Radahn presumably changed his mind later in life, but Godwyn was THE Golden Order guy since the start! But my interpretation is not so relevant, it is subjective and again saying 'there is no glaring problem that people think there is, it comes down to interpretation'. There was still nothing else to add about how Malenia and Miquella were connected in SoTE, it was already all said in the base game!

I might be talking from the standpoint of someone who very much used to the way Fromsoft reveals information; they are very minimalist and precise, they give as much of it as needed to understand the gist, and bringing up something not in one description of an easily missed item but several times across unskippable lore is generous for them! They said enough in the base game for everyone to get the point and decided to not milk the same thing in SoTE, nor they erased or contradicted the information from the base game!

Wanting more information for the sake of it is valid and natural for fans, but Fromsoft doesn't give it just for the sake of it! They didn't abandon these topics, they simply finished talking about them! Even so, Godwyn got now got confirmed to have his version of Cleanrots/Redmines, and Romina offered a fantastic narrative parallel with Malenia as someone unable to bring Scarlet Rot to blooming from the buds state yet cherishing it, when Malenia wanted nothing more but to get rid of Scarlet Rot yet it kept getting through no matter what! They added some extras without exhausting the point itself!

21) "Sote was a mistake" (and variations)

YOU take that BACK about Thiollier and Ansbach. You take that back about Leda and her potential of interacting with Loretta, about Freyja, about insight on how Tanith looked like before marrying Rykard, about Moongrum having a twin sister- heck, about RENNALA having a super cool badass sister! You take that back about Midra and Nanaya and the whole cool Abyssal Woods location, about cool Midra's Manse lore and the best fucking boss battle and soundtrack ever. You take that back about Messmer and the Fire Knights. You take that back about cool battle mechanics additions with many two-handed arms, hand/legs combat mechanics and throwing weapons mechanics. You take that back about Romina and super cool insight on Scarlet Rot. You take that back about Ymir and super messed up cool cosmic eldrich stuff with cosmic fingers and Metyr being a return of Ebrietas archetype no one could expect. You take that back about how everyone finally pays more attention to the Fell God and worldbuilding in general. You take that back about immaculate aesthetic and captivating lore of Hornsent. You take that back about meeting Trina. You take that back about how significant and important topics they managed to raise- no, honestly, how cool is that that they got us to discuss the topics of fascism and genocide, as well as cycle of revenge and dilemma of limiting free will vs accepting cruelty of the world so hard that we FORGET to simp for [choose Messmer or Rellana or both depends on you] during such passionate debates? You take that back about coolest fucking sets ever and ability to become a dragon. You take that back about Igon, Florissax, finally getting an explanation about why Dragon Communion was a thing if Golden Order made a pact with Ancient Dragons and BAAAAAAAAAAAAAAAAYYYYYYLEEEEEEEEEE! You take that back about Gaius- actually no screw that man, remove his battle lol

…sorry had to add that punchline.

My point still stands: you cannot objectively say that SoTE was a mistake. Subjectively, you can; if you were a fan that solely cared about Miquella only through a certain lense and nothing else, then sure, SoTE fucked your headcanons over and all the cool stuff won't make you shift your hyperfixation. For you, it would have been better if SoTE never existed, you would've been better off in previous state of things, endlessly debating Radahn's fans and bullying people with charitable Mohg interpretations and whatever. But people like this do NOT represent the fandom as a whole at all! Not even in relevance to the gaming-only part of it, I am talking about artists-writers part of it as well! Objectively, SoTE contributed a lot of interesting lore and characters without breaking pre-established lore; as I stated earlier, importance of Godwyn and Malenia did NOT get erased just because Radahn had a retcon to also be important person! SoTE answered some questions that required answers, like origins of the Formless Mother, Dragon Communion, Trina's nature, what happened with Mohg, what was the reason for Caelid and what were these darn weird crawling hands enemies!

No I am not rofling, I was seriously very confused about them and made at least three attempts to solve the mystery of their nature, but SoTE finally freed me from that torment!!

Adding more characters absolutely was not a mistake! None of these characters broke pre-established things, they are merely more 'dolls' to play with! Answering some questions was also not a mistake; whereas people might not like what the answers ARE, tying some loose ends of the story was a good call! It is not as if they've written elaborate document explaining every single bit of lore to the point no one can make interpretations or create new stories anymore! All they did was putting an end to some arguments, however new questions arose in their place; questions more interesting than who is "misogynist" and who is "media illiterate".

From the gameplay standpoint alone, I do not understand this claim either. How exactly SoTE would ruin base game, which is intact and still accessible map without changes? Shadow Realm's map exists separately from the base game, none of it breaks the main game's locations and bosses! I doubt that new mechanics and weapons from the SoTE completely ruin the main game and make it imbalanced either! For most of them, having a strong weapon doesn't automatically make you skilled and even base game's bosses could still kick your ass. And as for "imbalanced" ones, gamer bros of the fandom have been doing great so far self-regulating themselves to shame people who used Mimic Tear, Comet Azur, Blasphemous Blade etc 🙄 Their field of creating artificial "honor"-based difficulty and challenging themselves would not suffer because of the weapons from SoTE! They are able to make the challenges and PvPs what they want within themselves, encourage or prohibit anything. It is not as if Miyazaki is holding them at the gunpoint telling them to use mechanics introduced in SoTE that they believe "ruin" the playing process! Simply not use new weapons or not go in the Shadow Realm altogether if you don't want to - and Elden Ring will remain what it used to be for you!

I guess I can only agree with the notion that aside of SOME story loose ends, base Elden Ring was not lacking in anything. It was a very huge game, with many characters, many locations, many worldbuilding things to touch upon and discuss, many mechanics, very contained and packed with things for years ahead to dissect, discuss and create art and writing and videos for! SoTE just made it even bigger! We were mostly living fine without these characters and new information, save for the frustrating arguments I've mentioned!

Mohg fans against SA interpretations could disagree entirely because as SoTE aired they all said "the night, and the hunt, were long…" But, like I said before, fandom experiences should not define what we want from the story! Some questions remaining unanswered was bearable from the STORY standpoint, but it is objectively NICE that they did get answers! And… just adding more characters is definitely not a problem. Not characters that break the story, just MORE characters. There is a Russian saying, "Кашу маслом не испортишь" ("you can't ruin the porrige by adding more butter in it"), and it applies here very much. Unless some people, for example, hate Messmer and are frustrated that they have to remember about him when writing Marika's backstory or anything.. I would not get it either way because giving a character a couple of sentences of acknowledgement and tossing them away feels like the easiest thing to do in my eyes. Fandom is always doing it, they have always been doing it, so why NOW this is something so hard to do?

22) *blames Martin for all the parts of the story they hate*

As funny as the joke about Martin being responsible for the "incest ship" is, considering his track record, Miyazaki actually confirmed in the interview right after the first SoTE trailer that Martin did not have anything new to add to the DLC story! But then, just because he didn't turn in to add new lore for SoTE specifically, how could we tell that he didn't write these "plot twists" previously? For this, we need to dial back to when his contributions to the Elden Ring were discussed after base game's release!

(Start watching from 6:00 to 7:25)

“Elden Ring was going to take place in, let’s say the present of their game universe. But what they wanted me to write was what happened like 5,000 years before that,” he said. “So I went back and wrote a history of what happened 5,000 years before the current game, and who all the characters were and who was killing each other and what powers they had. They had these runes that were at the center of the game, and the rune got split into many pieces, and that’s what screwed up the world. I laid all that out.”

So, he wrote the base premise for the backstory - what happened and existed before the Shattering, and up until that point! So, how characters got corrupted, how their plans changed and what happened to them later etc was up to Miyazaki to create! Take the concept of the character - who, what power, what status - and put them through the arc and development! Not Martin wrote the events that unraveled after the Shattering AND unravel as we play the game! Miyazaki himself also confirms this, according to this ( x ) interview:

“So it was more up to us to interpret this and say, ‘how did they become such inhuman monsters? And how did the mad taint of the shattered shards of the Elden Ring and its power affect them?’ So that was our job to take these grand heroes and sort of misshape them and distort them into something they were not.”

"…if we get a chance to show Martin and if he gets a chance to see the game and see these characters, I think he might be a bit shocked. When he wrote them, he was really envisioning something a little bit more human, a little bit more traditional human drama and fantasy characters. So I hope he gets a kick out of that.”

I recommend reading the whole page, but this is the gist of it! So, not only what events we are following are Miyazaki's work, but also their fall from grace, their sins, their mistakes and everything you might hate ('you' mostly as in, people upset that Miquella was not as perfect and pure as you wanted) is ALLLLLL on him! YOU leave Martin OUT of this! we also all know he only writes hetero incest fsdhfdghsfdg

23) "SoTE contradicted the base game's lore [example that doesn't contradict it]"

This one is less focused than it may seem, because it is not just about Godwyn and Malenia! In fact, it is rarer about them as complaints about them mostly do the "they got abandoned" route that I've already ranted a lot about! god it feels so good to finally rant lol I've seen some instances of people JUST throwing the 'ohh my GoD this new info is SOOOOO contradictory to [thing]' and refusing to elaborate, pouting and playing victims of blinded fanboys when questioned, which is in itself very infuriating! Regardless of how you are frustrated with SoTE, how it screwed your expectations and preferences personally, you are a garbage critic if you just waste your emotions without any real argument to your point, there is no way to put it lightly! That being said, for this particular reason, it would be easier to address concrete examples that HAD some explaining behind them from the critical people! But, it NEEDED to be said!

Personally, I've stumbled into a couple of things, in which I managed to add my say! The first was a claim that the whole story of the base game was not supposed to happen because if Marika got driven by the impulse of revenge and despair, she was supposed to succumb to Frenzied Flame but she didn't! And this is NOT some groundbreaking discovery about how the story is allegedly fundamentally broken, but simply a huge overlooking of pre-existing information, if not confirmation bias! Frenzied Flame and Three Fingers are very interesting topic in general, that I've covered in a couple of lore posts already, but for the subject: whereas the sickness of Frenzied Flame, aka the 'become too sad and you will start to burn' illness, is the case in the Lands Between and started because of Shabriri's crime, the story of Marika and Midra's Manse logically happened before Shabriri! Abyssal Woods and Midra's Manse have the eyeballs that are evidence of being directly grasped by the Three Fingers as the only eyeball items, whereas the Lands Between has Shabriri Grapes as eyes scorched from within but being grasped by Three Fingers became not a staple but an exception (Vyke)! Marika was contacted by the Two Fingers, not Three Fingers, to have the power that she does. Even then, is not it logical to assume that even after Shabriri caused his curse on the Lands Between, a God would be immune, especially if the "counterpart" of the Three Fingers is their guide? Not to mention how Messmer did take a lot of burden off her by doing her wish for revenge by himself-

Alright, you got the point. It is very easy to logically conclude why there is no glaring contradiction at all, and you don't even need to dig deep into lore to find out why! This is the brightest case from my memory that is best described as 'if you WANT to believe that Fromsoft completely broke the story, you WILL find a backup claim for it'! But unfair criticism that doesn't address the possible counter-evidence is not the way to analyze! When you want to make a claim, you need to scan the overall volume of information for possible objections to your claim and deal with them! Explain why they do not work, or why they are not truly saying anything! Sometimes, as you deal with the potential counter-evidence, you find that there are things you cannot reliably argue against and it might make your initial claim appear less solid or lose validity altogether! And this is fine! As big as the temptation to "prove" something is, the true purpose of having a claim should be to make sure that it is valid all things considered!

Just because you are already too upset with the story and the writers to give it proper effort and analysis doesn't mean you can just toss a bold, easily debunked statement and expect to not have any objection! This is not in particular to the 'Frenzied Flame makes Marika's backstory impossible' person at all, but about a behavior in the fandom I've also noticed; where someone's response to the information that deconfirms their criticism is 'well, but I am already too hurt and disappointed to dig deep and analyze, so…' No, not how it works. You are making a claim about existing piece of writing and thus put skill of the writer up to scrutiny, not writing your own AU/headcanon, therefore be ready to deal with counter-evidence if there is any!

Another example off the top of my head was that existence of Gaius allegedly contradicted the pre-established lore about oppression of Albinaurics! I want to point out though that the person who originally made this claim was nice and never denied validity of the counter-arguments! But as for the subject, I will repeat that it is very easy to assume that there would be some double standards put in action! Like 'oh yeah Albinaurics are cringe, but this one is nice to me so he is an exception'! Or 'yeah we all hate Albinaurics, but this one is HELPING us in the Crusade against those spurned of Grace, he is paying the price for being an impure species himself, let's be nice to him guys :)' (🤡🤡🤡).

In this case things are easy to explain not through digging into information in the game further, but through putting into consideration how humans tend to work! Though Messmer, for one, has his more humane traits stated with how he respected the wishes of his Fire Knights when some of them protested against burning Rauh Ruins, and Gaius might be an extension of that sympathetic side of him! Opinion that saying Radahn was admired by the twins for his kindness contradicts the lore falls apart even EASIER; it is not hard to assume he maybe used to be kind! Miquella even specifically revived his younger version, and it is very telling!

All in all, the writers do not need to overexplain every single thing to prove that there is no contradiction or things make sense! Elden Ring is entirely written in such a way where by just digging deeper, connecting the dots or even applying your imagination and experiences you can easily explain why things work! I just want to really, REALLY accentuate it that before you cry 'bad writing!!!' or 'contradiction!!!', give it SOME extra thought! And if you are not willing to because of disappointment/weak attention span/anger/etc, then don't make the claim to BEGIN with! What is the point of making a claim when you are not in the right state of mind to make SURE it is valid? Bashing a story or a writer while willfully not being fair to them with your effort and research is something better reserved for private chats with the friends just to let it all out, but not for the public blog for all other fans to read and REACT at!

24) "If fans have to fill the gaps and think themselves it's a bad writing"

Sigh… This is relevant to the earlier addressed complaint about fans 'coping', and somewhat relevant to the complaint about 'they should have given more information', AND reverse complaint to how they've answered some questions in SoTE, I suppose. For starters, this argument could not be further from truth at all! Do you really, genuinely, want to say that instead of provoking you to think, to express creativity and curiosity, to apply your knowledge or experience for understanding, writers should have just spoon-fed you every single thinkable bit of information as if you are a toddler? For sure, the discussion about how writers treat reading comprehension of their audience cannot come without addressing the demographics that supposedly would benefit from "over-explanation", so I'll jump RIGHT into it, skipping through the normies:

As an autistic person, I do have my own problems with sometimes skipping through a subtext or an "obvious" clue in the writing, this is true, and maybe people who want to state this are also autistic, I can't know for sure. But.. do we REALLY want to have our intellectual abilities insulted, as a group? Accommodating to autistic people should come locally, like in teaching the society to be more patient with 'stupid' questions and explaining the 'obvious' social cues! It SHOULD be about society being better! It should NOT be about quality of fiction in videogames and movies and TV shows dropping! It should NOT be about writers sacrificing the amazing language of subtlety, nonverbal storytelling and speaking through assumption that our own experiences as human beings will fill in the gaps! We can understand subtexts and unspoken lore, even if it might be harder. When we cannot, autists that did understand the subtext explain it to us! When THEY cannot, there will always be the guy on Youtuber or elsewhere musing about what they liked or disliked in the writing, revealing the information that we might have missed, and we will go 'huh'. We can help ourselves and each other!

Instead of being mad at the writers for not giving more spoken information and evidence, let's place the pieces of the whole puzzle that we did find together to discover a full picture and teach others AND themselves to be patient instead of screaming "reeee media illiterate!!!" at every sneeze! I have insulted another autist's intellectual abilities over not reading the clue I managed to. I had MY intellectual abilities insulted by another autist over not reading the clue THEY managed to! We should strive to be better and kinder as society, AND we should have pride in the ability to do so and ourselves, instead of implying that complicated, subtle writing is "too hard" for our "tiny toddler brains"!

Aside of the general sentiment that the writing that provokes you to use your brain/heart/both to fully comprehend it and gives fuel for debates and discussion, I want to address specifically Miyazaki and how he approaches writing, and why he does so. I want to link the video by Zullie regarding the topic, too:

To paraphrase it: Miyazaki, in his youth, loved reading English novels, but because he didn't have as great knowledge of English language at the time, some words or even sentences evaded him and he had to use his own imagination to understand what might have happened in the parts he could not read! The experience of having general layout and understanding of the story, but details being missed here and there and left up to you to think about, is precisely what he wanted to emulate! You might guess "the words lost in translation" correctly, or you might end up with a completely different meaning than the actual one, but what matters is the fun of this process! To include YOU, an individual, into completing the story! Bloodborne was the first Fromsoft's story I've gotten into, and even before knowing this information I had the feeling like, 'ah, they've written the full story, but then dragged an eraser across random parts'… and so, the hunch was correct!

Miyazaki doesn't just lazily drop ingredients in your direction expecting you to cook anything from them and then praise it as though it was HIS brilliant recipe, that some writers WILL do to sorta take the credit for your creativity! Nor he just cooks the full meal and gives it to you. He removes some ingredient from it so you CAN eat it and enjoy it, but you are always tempted to add something! Something feels missing, but it is up to you WHAT spice you add to complete it! Yet this meal is coherent enough for you to have a hunch on whether you should add something sour, sweet or salty, it is not quite JUST anything! But if you don't think hard about it and add what YOU like, regardless of whether you think it fits the meal or not, the meal won't necessarily taste bad… There IS recipe that exists. He DID write the story. He just lets you choose your own experience!

^^^ It goes in line with how he creates the games; he stated they are not adding the difficulty levels so players can overcome the challenge in some way that suits THEM as a player. Whether you want to cheat, or to grind levels until you become a God, or to cleverly use the tools and items you are given, or to study every move until you dodge them all or whatever! There is no "right" way to beat these games, though we could conclude from levels designs and tools what was 'intended' way to beat them! A 'suggestion'! You might end up going just the 'intended' way, or you might not! You might just happen to guess the missing story bits 'correctly', but also not, and this is okay!

We are endlessly teased with this feeling that if we think just a bit harder we will discover that hidden "right" way, and we all want to believe that we did! Fandom has two extremes between people who DO believe in One True reading of the story and stomp out every alternative suggestion AND people that claim there is no story and you can do whatever and canon doesn't matter and doesn't exist and all. The truth is somewhere in the middle, and it is so frustrating, it is so torturous at the times… but also, so clever and beautiful.

This approach is why discussion about the meaning of Dark Souls and Bloodborne is STILL alive a decade later and even "apparent" lore questions constantly get revisited, and Elden Ring will meet the same fate! Every boss will be beaten but there is always a different way. Every lore question will be answered, but there is always a different answer. Isn't it much better than if we just cOnSuMeD cOnTeNt in a short time and forgot it all, waiting the next one?

25) *frankly unfair toxicity towards creators, down to racism against Japanese*

(Jeez.. I am REALLY paying a hard price by not saving the screenshots of the terrible takes I am referencing, aren't I. -_-" Everyone will just decide that I've made up a guy because a take like this sounds too awful to be real, doesn't it…..) Look- Some lines should NOT be crossed. Say all you want about the writing quality, but how DARE you to bring in this sort of anime fetishes into this discussion? I am just without proper words, and I will not tolerate this slander of Miyazaki! Everyone, EVERYONE knows…. that his fetishes are feet and dying in absurd ways.

sdfjfdhfdsh OKAY OKAY SORRY I HAD TO, but in any case! Did you guys miss the part where Miquella's ever-young body was a curse, was acknowledged as a curse, was a counterpart to Malenia ever decaying as inability to change at all, and something he transcended when he became a God? At NO point his curse was brought up as something quirky and attractive, at NO point Radahn or anyone was addressed as someone finding guilty attraction to him! We had one (1) guy suggested to do that, Mohg, and they confirmed that his behavior was result of enchantment, but even if it was not: without the new information, it already looked like a BAD thing. Like a HORROR thing, even! Miquella wanted Radahn to be there for him as a consort/king, by STATUS, that we know as much! Nothing is there to outright state any of 'that' brand of attraction! It can range from 'yeah they kind of pulled the dynasty-preserving incest thing, very authentic to medieval royal dynasties vibe' to 'it was innocent and not romantic or sexual in any manner, consort is just a status of the second person after a titular God in this setting that doesn't have to be a partner'. You know what is missing from this range? This being a "fetish" that you could flail around in that 'well what else to expect from jApAnEsE developers, you know jApAn has a problem with such things right??????' (🤡🤡🤡🤡🤡🤡🤡)

________________________________

*long, relieved exhale*

So..... yeah, I am done I suppose fhhfds I know I forewarned it as sort of super angry and rude rant, but in a way, it turned out to be more of a love letter to SoTE than a hate letter to a certain kind of fandomry that I just was not able to avoid..

It is funny how it turned out, as at first I've had strong negative reaction of shock, and Radahn consort reveal even soured the first days of playing this DLC for me, heh. That disappointment hadn't vaned yet.. I do not vigorously oppose weird, problematic ships of course, I still stand by what I said about creative freedom. But I guess I kinda did not want Miquella to have any "ship" in canon...? It is hard to explain why, since I do not insist that he is mentally a child too. Maybe I've fallen for the person he WANTED to be, a 'God' that 'loves everyone equally / no one', so him singling out someone disagreed with that "possessive" streak more than I disagreed with how random Radahn felt?

Even so, aside of this, I've been slowly understanding writers' decisions more and more! And those I did not understand I've found to be valid and not broken at all as well! But despite warming up to SoTE more and more with every day and becoming a fan, I was not able to avoid the "window" to VERY toxic and awful takes, some from very toxic PEOPLE, that was my (ex) mutual abundantly reblogging them and.. I guess when I've finally snapped about how strongly I disapproved of that behaviour and how it was all passive aggression all along, my very only inhibitor was just- *snaps fingers*

Moral of the story: if something rubs you a very wrong way, do not keep it in and ADDRESS it. Because if you hope that the alert factor will go on its own, all you'll end with is telling each other very unpleasant things. Pent up aggression ALWAYS breaks through.

In this case, I just feel relieved after having finally written all these thoughts down SOMEwhere. They were eating me from inside, reducing my HP by randomly appearing in my brain even when I was busy and I just could not help but rotate them. Venting is good and healthy. I have some bad troubles with both mental and physical health these days, but at least now there is one LESS thing to siphon my energy away. 🛏️

[sunlitlemonade]

YOU WATCH F1 TOO?!?!?!?!???????!?? RAHHHHHHHHH🏎🏎🏎🔥🔥🔥🔥🔥🔥 can we plz get thoughts on drivers 👀🥺🙏🫣🫣🫣🫦

anon i know you sent this sometime around suzuka but that last emoji made me laugh every time i tried answering this. as for the drivers......... sigh. I'm swinging a very bedazzled bat at a swarming hornets' nest. pray for me.

under the cut because i yapped a LOT. also. uh. possible slander. so like.

Red Bull Racing

Max Verstappen: starting off strong here with my favourite guy of all time. He's Inevitable™. He's fast. He's amazing. He's sweet and blunt and gorgeous and I want everything good for him. He's phenomenal, he moves me, he makes it's so easy to root for him and yet, it's incredibly taxing to be a fan given the British bias in F1 journalism and the fandom, not to mention FIA occasionally losing it's goddamn mind.

Sergio 'Checo' Perez: I'm actually so fond of him. His recent performances leave more to desired, I know, but fuck if he isn't the funniest mf around. Also it's simply a matter of time when he gets back in form [the bias is STRONG here I'm aware]. Also he's an extremely good second driver because I for one think he knows how to handle a team built around his teammate. I don't think any other driver on the current grid would have gelled with Max and Red Bull's structure [and strategy to win] the way Checo has.

Ferrari

Charles Leclerc: Il Predestinato. Saint Leclerc. Curse bearer and curse breaker. He's made to be a dream. He can make the hopeless hope. I know I said Max is generational talent but we're quite lucky to be in this era where we have not one, but TWO generational talents because Charles..... this guy..... you have to be blind to not see the sheer talent and insanity this man holds. Ferrari get your shit together istg. I need a Verstappen - Leclerc WDC fight. IT WILL BE GLORIOUS.

Carlos Sainz: *cough* ok, so, I wanna start off by saying I do think he's a chill guy off-track, ok? I really do think that. He's funny, quick, hot [ofc]. As a driver though. I just. He's good --not as good as F1 media wanted you to believe after his win in Australia and the circumstances surrounding it [WDC material??? Any GP winner now is considered WDC material??? ok]-- but he whines A LOT and I would actually prefer if his aggressiveness on track is directed less at his own teammate and more on their opposition? That would be cool. Plus sometimes he forgets it's not 'yippee we are all friends haha' all the time and inevitably fires up when someone serves cunt on track and he's bearing the brunt of it. I call it the Mclaren syndrome if anyone is interested.

Mclaren

enough said [ignore the shit quality i grabbed the first template i could find sjskdjfke]

Mercedes

George Russell: HES SUCH A HILARIOUS DIVA!!!! WHO DOESNT LOVE THIS GUY?? He's so entertaining and fun and he is a very good driver! I feel like we still have yet to see all he can achieve and I am very excited to see what happens next.

Lewis Hamilton: Legend. I truly have nothing else to add. Forget his fanbase, forget his tunnel vision when it comes to winning [and this applies to almost every driver, most of all my favourite ones lol], he's seven time world champion for a reason. Since we're asking for my opinions here though, I'll tell you this: anytime he wins I'm happy enough to see it [though I will forever want to see my favs on P1], any time he doesn't I don't care much, if he has a bad race I will give it less notice- basically, he exists in the periphery of my vision. I have been in awe of him for years and admire him but I cannot call myself a fan. One thing I can't help but obsess over is how cunty and unapologetic he is [which is also something that I love about Max].

Alpine

Esteban Ocon: He's a good driver, he's grinded hard to be here in F1 and I love to see it. Also, he's geek! In my books, that's always a plus.

Pierre Gasly: He's actually one of the most unremarkable drivers on the grid currently. Like there's nothing wrong with him and every time he pops up in interviews or whatever he's fun to see but that's about it? Honestly he seems like a cool guy, a driver okay enough but doesn't stand out much to me in anyway skdjhsjd

Sauber

Valtteri Bottas: THE MOST UNDERRATED DRIVER EVER MAYBE????? I love this dude and I'm hoping he can get something better than the tractor he has this season, as unlikely as it is.

Zhou Guanyu: Again, he's a nice enough driver and I really enjoy his vibe but he's crawling on the track in the tractor Sauber cooked up and I don't really know what to think of him beyond what I have stated.

Aston Martin

Fernando Alonso: Anyone who has a problem with Mr. Alonso has a problem with me. This is a strict Alonso Stan account, I do not take criticism and idc what anyone else has to say about him. He's a legend, he's an icon, he's the spirit of F1. I'm quite literally obsessed with him. You know what. Max is the Only One for me BUT if Fernando happened to win a 3rd title........... Did you know that Adrian Newey was recently acquired by Aston Martin [MAKE IT HAPPEN NEWEY].

Lance Stroll: idc. truly idc. some hate this guy, some love him. im at the camp of idgaf. just complete indifference.

Haas

Kevin Magnussen: If you've noticed anything by now, it's that I love love love track terrors. Not the stupid bitches who divebomb everyone all the time and start barking when it happens to them. Nah, the ones who race. I fucking love them. I love Kevin. Hoping against hope that he gets a seat somewhere next year, I will miss him so much. He's incredible to watch. God. I will actually miss him so much. Fuck.

Nico Hulkenberg: Another underrated driver, he's actually quite skillful and entertaining to watch. I just wish he had better luck like 😭

VCARB

Daniel Ricciardo: I miss him. His performances had waned and yeah, it had been time for him to go but I will still miss him and idk man I will admit I wasn't his biggest fan a while back, which had hurt because at some point, years back, he was the main reason why I watched the sport at all. But he had slowly wormed himself back in my heart and fuck. His last race actually made my chest clench ngl. He was absolutely amazing.

Liam Lawson: Consider me sat. I'm SO curious to see how he performs. We know he's got potential but just how far can he stretch?

Yuki Tsunoda: How many times have I used the word 'love' already? I'm sorry but what else can I say? I genuinely love this fella. He's so good and exciting to watch on track and also, plain funny. I wish for everything good to happen to him.

Williams

Alex Albon: infatuated with his billion dollar smile. Now that that's out of the way let me also just say HES SUNLIGHT INCARNATE, also I COULD LISTEN TO HIM YAP FOREVER. Idk I'm actually really happy for him because he seems to be flourishing at Williams and I mean this in the best way possible: he shines at a midfield team. [Also, note me saying he's sunshine doesn't negate just how fucking sly & sassy he can be. I adore that about him.]

Franco Colapinto: MY BELOVED. I perk up like a sunflower under the sun when I see him. He's such an intriguing driver. I detect hints of track terrorism abilities brewing here and cannot wait to see more of it. Also! He's so refreshing to listen to. I know like 80 percent of the grid is no-nonsense and transparent but man idk how to say this. He's a fucking comedian. Not a thought that has any sort of filter at all in that pretty little head of his. Just. No PR training at all here.

Logan Sargent: This boy. He did not deserve even a smidgen of what he had to tolerate. I actually detest the collective treatment from the fandom and his own fucking team that he had to constantly weather. I hope whatever racing division he advances to, he fucking demolishes. I hope he has so much fun winning. I miss him and his reserved smiles.

Special mention:

Oliver Bearman: I mean he raced twice this season, I can't skip over him just like that. Anyways, he's a BABY [< girl who's half a year older than him sjedhbwje] and I WANT HIM TO DO GOOD. He's done relatively well till now in the limited time on track [in F1] we've seen him, we'll have to wait and watch how he does next year. This F2 season for him has been... eh but like I get why.