#ALSO WHY ARE YOU WHITE MOCKING NAMES OF THINGS THAT ARE OBVIOUSLY NOT ENGLISH...... | Explore Tumblr posts and blogs

avintagekiss24 · 4 years ago

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WE LOVED WITH A LOVE THAT WAS MORE THAN LOVE || STEVE ROGERS

pairing: Steve Rogers x black!reader ; minor pairings: peter parker x michelle “mj” jones, andy barber x black!reader, sam wilson x black!reader, ransom drysdale x black!reader, bucky barnes x black!reader || word count: 19,080 || warnings: smut, sex, gang bang/multiple sex partners m/m/m/m/m/f, vaginal fingering, oral sex (male and female receiving), biting, marking, anal sex, hand job, nipple play, cult-like gathering, mentions of voodoo, voodoo lore, cult rituals

authors note: it’s here! took me forever. i wanted to post this much earlier, but the election week threw me off my schedule so this got pushed because i had another deadline to meet for another challenge. this is for @darkficsyouneveraskedfor once upon a midnight dreary challenge! i chose “believe nothing you hear, and only one half that you see”, an invitation to a stranger’s party, and a cultish gathering for my prompts. again, i got a little help from my girl @tropicalcap in helping me piece together a few plot points.

just a quick note :: steve never goes into the ice and the government doesn’t give him the serum... his transformation is achieved in a different manner. therefore, bucky’s transformation is also a little different than canon.

manip of peter & mj by sidewalk manips (i think they’re on instagram... not sure, i found it on google) // divider by @whimsicalrogers

MONDAY

The ornate envelope in your hand is heavy. It’s decorated with thin, gold leaf, hand drawn designs, almost resembling the intricate henna leaves. Your name is scrolled across the front in big, black Old English calligraphy— hand written as well; you can just tell. You flip it over in your hand, the weight of it making a soft thud when it rests against the heel of your palm. A red wax seal is pressed against the flap and the back of the envelope, two initials carved deep— S.G.R.

Flipping the envelope back over in your hand, you press your lips together in a hard line. Junk mail is getting really fancy now-a-days. You blink at the front, reading and then rereading your name. A tinge of something— you’re not sure what, pulls at your stomach, making it constrict as your breath deepens harder than before. You even stop walking. You just stare at the envelope, drawing your bottom lip in between your teeth as you blink down at it.

It’s just unsettling. The weight of it, the attention to the little details of the writing and the designs. It’s anything but junk mail, but the tiny shards of anxiety that are prickling up against your skin don’t want you to think too much into it.

You shove it to the back of the pile of mail in your hand and continue flipping through it as you walk down the hallway towards your apartment, your purse bouncing against your hip as you move. Once inside, you throw the mail down first, then your keys, before you turn on your heel and move towards your bedroom, already tugging out of your blouse.

The TV is nothing more than background noise at this point. You’re curled up on your couch, a bowl of popcorn in your lap and a glass of red wine in your left hand as your eyes flit across the screen of your iPad. You scroll slowly with your right index finger, gobbling up a Stucky fic on ao3. Your eyes widen at the written words before you, your mouth dropping open as your heart starts to beat just a little harder— you’d die if anyone at work ever found out that you spend your free time reading about Bucky Barnes getting his back blown out by Captain America— but nobody told them to be so attractive. It’s their fault, really.

There’s a heavy knock at the door, but you don’t budge. You just push back against the pillows and keep your eyes on the illuminated screen as the door opens, “Take your shoes off.” A heavy sigh greets your ears seconds later, drawing a smile onto your lips as you throw your eyes quickly towards your little sister, “House rule.”

She rolls her eyes hard and toes at her sneakers— making sure to kick them up against the wall so the thuds rumble through the apartment— you know, for added drama. She pulls her bag over her head and drops it to the floor before padding across the carpet and plopping down next to you.

“You readin’ the one I sent you?” she asks, grabbing the popcorn out of your lap, “Can we order a pizza?”

“Yes and yes.” You answer absentmindedly as your eyes nearly pop out of your skull at the smut on your screen, “MJ!”

She laughs, scrunching up her nose as she pops some popcorn into her mouth and nods slowly as she focuses on the tv, “I told you it was nasty.”

“You didn’t say it was this nasty, good God.”

The younger woman scoffs as she throws her loose, wavy hair over her shoulder, “But you steady readin’ it though.”

You cut your eyes towards her, “I didn’t say that I don’t like nasty, just that it’s nasty. I think I have a coupon up on the counter for Tony’s if you wanna order now.” MJ is up on her feet as soon as the words leave your mouth, “Get some bread sticks too.”

The rummaging MJ does in the kitchen blurs with the screams from the television as you start to read again, losing yourself quickly back in the BDSM world the author has so vividly painted. You leave a kudos and a quick comment before tossing your iPad to the side and lift your eyes to your sister again, blinking as you find her leaning up against the counter, the weird envelope in her hand.

“The fuck is this?” she asks, her lip snarled, eyes squinted as she turns it over in her hand, “Why’s it so heavy?”

“I don’t know,” you laugh a little, “I got it in the mail today. It gives me the creeps.”

MJ moves around the coffee table and falls next to you again, tossing the coupon at you before sliding her finger underneath the flap. You grab her wrist before she goes to open it, tutting softly, “Don’t. Just leave it.”

“Why?”

“Because! I’m gonna throw it out.”

“Are you kidding me? I’m opening it.”

“Come on MJ—”

She slides her finger underneath the flap before you can stop her again, breaking the wax seal in two. You huff as she pulls out the 5x7 piece of heavy cardstock, then tips the envelope to lodge whatever was weighing it down free. A brooch falls into her palm, both of you leaning up to inspect the intricate piece of jewelry. It’s floral in design— pearls, or what look like pearls, placed strategically between the little, diamond encrusted, platinum leaves. Three pearls are bunched in the middle— the center of the flower, with three larger diamonds outlining them.

“Holy shit, is this real?” MJ asks, lifting it up and turning it over, “Holy fuckin’ shit.”

You shake your head, “It can’t be. There’s no way.”

“It looks real.”

“No,” you scoff, waving her off, “It’s costume.”

She shoves it into your palm, “Feel that thing! It’s heavy as fuck, that ain’t costume jewelry.”

You furrow your brow as you let it sit in your palm, feeling it. It looks old— really old, like something that would have been worn back in the 1800s. You flip it over, bringing it up to your face as you spot another set of the S.G.R. initials engraved in the back of one of the small leaves.

“Fuck.”

The word slips out of your mouth effortlessly as you eye the jewelry and lick your bottom lip. You glance over at MJ who stares back at you with wide, hazel eyes, her lips parted, “See? That shit is real.”

You point at the card in her hand, swallowing quickly before you clear your throat, “What does that say?”

She takes a breath as you push your side into hers, your eyes scanning the writing, “We request the honor of your presence this Friday, October 31st, 2020 at 1543 Asher Ln. 8pm. No extra guests. S.G.R.” she slides her eyes towards you, “You know somebody with those initials?”

You blink, racking your brain, “No. I don’t— I don’t think so, at least.”

“Well, he or she obviously knows you.”

You grab the invitation from her, reading it again before you turn it over, hoping to find something else scribbled on the back. You drop your hand to your lap when you don’t and zero your gaze in on the television as it starts to tunnel.

“Bro,” MJ laughs quickly, “This is some freaky deaky shit.”

You eye the white invitation once more, reading it over again and again— as if you’re missing something, “What, um,” you start absentmindedly, “What do you mean?”

“This is some Eyes Wide Shut shit, sis!”

You scoff again, rolling your eyes as your shoulders slump, “Stop it MJ.”

“Girl,” she laughs harder, clapping her hands and letting her head fall back against the couch, “You gonna go?”

“No!” you squeal at her audacity, tossing the invitation and brooch on the coffee table, “It’s obviously some kind of joke or something.”

“That is no joke! The brooch has got to be at least ten g’s, easy.”

“It’s not real. That shit’s not worth ten dollars.”

“Keep tellin’ yourself that, prude.”

You feel anger flushing through your veins, your face heating up as you stand quickly and walk into the kitchen, “I’m not a prude, Mary Jane.”

“Oooh, my full name,” she mocks, “What are you gettin’ mad for?”

“I’m not mad, I told you that thing gave me the creeps. Everything is a joke to you.”

“I’m not jokin’! Somebody obviously went through a lot of trouble to send you that, I’m just callin’ it as I see it.”

You down the rest of the wine in your glass and quickly pour another, bringing it to your lips as you rub the back of your neck with your free hand, “It’s some kind of prank.” you exhale, taking another sip, “I’m throwing it away.”

MJ rolls her eyes again, grabbing your iPad before she props her feet up on the small, square table in front of her, “Sure, sure. Yeah, somebody sends a diamond encrusted brooch and a handwritten invitation just for funsies. Got’cha.”

You close your eyes and take another gulp of wine, using it to stop yourself from saying something that will more than likely dissolve your evening into a fight. You swallow slowly, pushing the smooth alcohol down your throat and letting it settle and warm in your belly.

“1543 Asher Ln. is a real house, just so you know. Pops right up on Zillow.”

You sigh loudly.

“And,” she starts, dragging out the end of the word, “It’s only fifteen minutes from here.”

“Are you gonna order the pizza or what?”

“You should go, I’m just sayin’.”

“I’m not gonna,” you stop yourself as you glare over at her, her eyes and posture taking that MJ tone as your voice gets sharp, “I’m not going to a strangers house. Okay? Drop it.”

“There’s no reason not to go.” You stare at her for a few seconds. You squint your eyes and let your mouth fall open as you scrunch your face, honestly in disbelief, “What?” she shrugs, “I literally met Peter last year at a party of someone who, to this day, I still don’t know. I can’t even remember how I ended up there.”

“MJ—”

“Don’t MJ me. It could be fun!” She smiles big as you sit next to her again, “You need to live a little. Get some dick, man.” You cut your eyes back over at her and lift your middle finger, “I mean it!” she laughs again, “There is nothing more fun than a Halloween party.”

You lean forward, reaching for the brooch. You roll it around in your palm, keeping your eyes on it as MJ babbles on. You eye the invitation as it lays on the table. The anxiety is back— constricting your stomach, making you itchy and jumbling your thoughts. It’s like it’s screaming at you— like something or someone is trying to get your attention.

You reach forward and slide the invitation to the edge of the table with your fingertips. You grab it swiftly and stand again, feeling MJ’s eyes on your back as you move into the kitchen. Shoving the invitation, the envelope, and the brooch in a drawer, you push the notion right out of your mind.

You’ve never entertained MJ’s crap before and you aren’t going to start now. Out of sight, out of mind.

TUESDAY

There’s a flower arrangement sitting on your desk the next morning. It’s lively— all of the flowers a different shade of pink. The stocks are a blush-pink, the roses spanning the pink spectrum. The spray roses are more purple than anything, but they bring the whole thing together.

There’s a small card leaning up against the glass vase, your name scribbled across the front. You pluck it up quickly and flip it over.

Hope to see you Friday— J.B.B.

Your purse falls off your shoulder and down your arm as your eyes go wide. You turn quickly, scanning the bullpen as people move about but you’re not exactly sure what or who you’re looking for. You drop your purse into the chair front of your desk and walk out to your assistant.

“Did you sign for these?” you ask, your voice slightly raised and agitated.

Nakia glances up at you slowly over the rims of her glasses, clearly picking up on your demeanor, “Uh, yeah? ‘Bout half an hour ago… everything okay?”

“What flower shop are they from?”

She shrugs, widening her eyes, “I don’t know, it came by delivery service.”

You tug at your suit jacket around your hip and let out a huff, “Don’t accept anymore, okay?”

You turn on your heel before she can answer and stomp back into your office, closing the door behind you. Heat ripples through you as you grab the handset of your phone and bring it to your ear, angrily dialing your sister’s number. You lean against your desk, arms crossed over your chest as it rings, eyes shifting around the room.

“Yo.”

“There are flowers sitting on my desk.”

You’re met with silence for a few seconds, “... okay?”

“There from someone else that I don’t know,” you huff, “The initials are J.B.B. this time.”

“Oh shit, I forgot about that. Okay, so two dudes wanna rail you at this party. That’s my kind of Friday night, sis.”

“Will you cut it out!” you hiss angrily, turning to face the windows behind you, “This is freaking me out!”

“Oh my god,” you hear her moving around, like sheets and pillows being rumpled until a muffled, groggy moan sounds, “Peter… wake up… wake the fuck up… what did you say about that weird party thing?”

You roll your eyes and tap your foot nervously as the two go back and forth. There’s shuffling again on her end, and then a heavy sigh, “I think it’s a masquerade party.” Peter Parker finally says, his words slurred with sleep, “That’s where—”

“I know what a masquerade party is Peter, thank you.”

“Oh yeah, okay, sorry, so,” he starts, shuffling around again, “I heard for the past couple of years that somebody has been throwing a secret masquerade party at different places around town.”

“How did you hear that?”

“So, there’s this girl I had a class with last year, her name was uh, Liz. She said her older sister was invited to it. And then, there was this other girl, Shuri, she also said that her sister got invited one year too. I didn’t get the full scoop from Shuri though cuz she ended up transferring to Columbia, which, okay, yeah it’s a great school and all, but—”

“Peter,” you say, closing your eyes, “Focus please.”

“Right, sorry. So, yeah, it could be that party. Liz said her sister got the same brooch.”

The hair on the back of your neck stands up. You clear your throat as you shift, cutting your eyes back to the vase of roses sitting in the corner of your glass desk, “Did she go?” you ask trepidatiously, rubbing the back of your neck with your hand.

“Uh, yeah. She said it was pretty chill.”

“Pretty chill? The fuck does that mean?”

“Sorry, um, she said her sister said it was fun. Plenty of alcohol, plenty of food. But, because of the whole masquerade thing, she never found out who invited her.”

Put it on speaker, your sister's voice rings, then a sharp, sudden sound of skin on skin followed by a squeal from Peter, “Ow! Okay!”

“So,” you start, your fingers picking at the spiral telephone cord, “They didn’t say anything weird happened or anything? They’re both okay?”

“Liz said that her sister said she talked to some blonde guy for a while. He was asking her a bunch of like, weird, artsy questions but she thought it was all a part of the allure of the party so she just went with it. Other than that,” Peter trails off, and you can practically see him shrugging as if he’s right in front of you, “She said it was fun.”

“See? Everything is on the up and up.” MJ adds, “You should go.”

You don’t answer right away. You slide the small card towards the edge of your desk, picking it up again.

Hope to see you Friday— J.B.B.

“Peter, thank you, sorry for waking you up.” You say a few moments later, clearing your throat, “I’ll call you later MJ, okay?”

“Okie,” she purrs into the phone, “Love you.”

“Love you too.”

Your answer is distracted— quiet and airy as you set the handset back into the base. You stare back at the flowers, chewing on the inside of your cheek as something starts to gnaw at you. Something deep. You set the small card back up against the vase and shake your mouse to wake up your computer, forcing yourself into your emails, the small sentiment running circles in your mind.

Hope to see you Friday— J.B.B.

WEDNESDAY

You’re barely home from work when there’s a knock at your door— in fact, you only have one shoe off when the thud sounds through your apartment. You sigh, slipping your pump back onto your foot before you stand from the bed and move to the door. Peering out of the peephole, you spot a FedEx driver, his hands full of packages.

“Hi,” you greet as you open the door, “Goodness, these are all for me?”

“As soon as you sign for them they are.” He laughs, handing you the small pen and handheld scanner.

You sign quickly as he places the boxes just inside your door, and wiggle your fingers as he makes his leave, hustling back down to his truck. You keep your eyes on the boxes as you close and lock the door— you didn’t order anything. You haven’t ordered anything in at least a week and when you do, it’s always from Amazon. All of these boxes are unmarked, except for the shipping label, that has no return address.

An envelope is taped to the side of the largest box and based on how your week has been going, you already half know what to expect. You rip it away from the box and slide your finger underneath the flap, pulling out another handwritten, five-by-seven card.

Hope it fits… A.S.B.

You shove the card back into the envelope and toss it aside before grabbing the large box, sitting it on the bar. With the help of your house key, you rip into the box, popping open the flaps once the tape is broken down the middle. You gasp as you pull out a black and gold ball gown, your mouth dropping open as your eyes go wide.

The corset top is strapless and intricately hand woven with small, black beads in a leafy design. A layer of gold tulle spills down an even longer layer of black tulle, all the way to the floor. The dress is thick— heavy, as you hold it up in your hands. You search for a tag, sewn in initials, something to try and place where this could have possibly come from, but find nothing, as if it’s one of a kind. You splay it out over the couch and move to the second box— your interest now suddenly piqued.

You pop open the second box to find a slightly smaller box inside. Tucking your fingers underneath the rim, you pull the top away and gasp again— this time bigger— and take a physical step back. You blink stupidly and you fumble around in your pants pocket, trying to find your phone. You slam your finger down on MJ’s name and bring it to your ear, lifting a gold Giuseppe heel up in the air.

“You need to get your ass over here, now.”

There’s total silence in the apartment as you, MJ, and Peter stare at the Giuseppe heels and a handful of jewelry. The most jaw-dropping being a thin rose gold chain adorned with ninety one (Peter counted), different shaped diamonds arranged to resemble the leaves of a vine. At the center, they all meet at a large— museum caliber— yellow diamond.

“So let me get this straight,” MJ starts, placing her hands on her hips, “Those are Giuseppe heels, and not just any Giuseppe heel, the Cruel Crystal Giuseppe heel, that they don’t even make anymore,” she emphasizes with her hands, “A necklace with a diamond that bigger than my goddamn fist, and a, hang on a second,” she closes her eyes, holding up her hands to add to the drama of it all, “A hand stitched ball gown?”

“Don’t forget the mask,” Peter breathes heavily, “That’s, I’m pretty sure that’s made outta pure crystal, so,”

You play with your bottom lip nervously, your left arm thrown over your stomach as you slowly turn your head towards your sister and her boyfriend, “Did your friend's sister get all of this shit too?”

The young, brown haired man scratches his head as he shifts his weight from one foot to the other before shrugging and expelling a breath out of his mouth, “I mean, I…” he shrugs again, completely at a loss, “I don’t know.”

“Maybe we can google the initials or something. Where’s your iPad?” MJ asks, turning on her heel and rushing into your bedroom.

“I tried that already,” you call, grabbing the shoes from the counter and slipping your feet into it, “Oh my god, they fit.” You whisper more to yourself than to anyone else in the room.

MJ rolls her eyes, “Well, what came up?”

“Steven Grant Rogers and James Buchanan Barnes,” you answer as you twirl around in a circle, completely enamored with your shoes, “So, nothing.”

Peter gasps and places his hands on his chest as his face fills with a quick fear, “Fuuuckkk, what if it’s them?”

You and MJ both scoff, “Don’t be stupid, Parker.” MJ says.

“It could be! You don’t know!”

“Ok, yes, Captain America and the Winter Soldier are behind this. Sure,” she cuts her eyes towards you, “He has such a crush on them. Did you try the third set of initials?”

You nod as you stare down at your feet, turning your right foot slightly, watching as the gold glints underneath the light, “Yeah, no luck there either. Just random ass dudes— look at how good these look on my feet, sissy.”

She waves you off as she sits on the coffee table, her face being lit up by the light of your iPad, “Okay, A.S.B., Andrew Stephen Barber, assistant district attorney— could be him… he’s cute at least.” she shrugs.

“I doubt it,” you let out a breath, “I should try on the dress, huh? I mean, you know, just to see.” MJ throws you a look while Peter glances between the two of you nervously, “What? I’m still not going, I just want to see how it looks.”

“Uh huh,” MJ squints her eyes, following you as you walk back into your bedroom, already pulling down the zipper on the back of your shirt, “Sure.”

THURSDAY

MJ💕 12:37pm

Lunch? I’m right around the corner from your building

You hear your phone chime, but you don’t tear your eyes away from your screen immediately. Voices come from the speaker on your phone as you type fervorously. You’re only really half listening— this meeting has nothing to do with you, but, you’re the account manager, so you have to at least try and seem interested while you work on another contract with a much more lucrative, expensive company.

The iPhone rattles again against your glass desk and you snap it up this time, your eyes scanning the message. Right on cue, your stomach rumbles.

You 12:40pm

Sure, sure. Chinese?

MJ💕 12:41pm

Yum.

A small smile tugs at the corners of your mouth as you open your SPARK messenger and tap on Nakia’s name. She knows you and MJ’s order like that back of her hand, and messages you back minutes later to confirm the food will be on it’s way within the hour. You return your attention to the large computer screen before you, pushing your glasses up your nose as you shift your vision to the second monitor slightly to your left.

There’s a small tap a few minutes later, followed by Nakia’s beautiful face peeking in as she mouth’s MJ before opening the door wider to let your lanky sister breeze into the room. You hold your fingers up to your lips as the chorus of voices still speak from your speaker, but keep your eyes on her as she pulls her bag over her shoulder and head and plops down in one of the plush seats in front of your desk.

She makes herself busy on her phone, no doubt texting Peter as you return to your emails and contract, losing twenty or thirty more minutes.

“Okay guys, I’ll talk to you next week right?” You ask, your fingers hovering over the speaker button, “Okay… alrightly, buh-bye.” you slam your finger down on the small, round button and widen your eyes as you let out an audible breath, “Sorry, sissy.”

MJ holds up her hand, her face still buried in her phone, “You’re an important lady, I get it.”

“I thought you had class today?”

“That’s the good thing about having a pregnant Professor,” she smiles, wiggling her eyebrows, “Morning sickness apparently lasts throughout the day.”

Another tap comes at the door before Nakia emerges again, this time her hands full of food, “Here we are ladies,” she smiles as she sits the bags on your desk, “This also just arrived for you too.”

Your face twists in confusion as she hands you something wrapped in plain brown paper. There’s a black ribbing wrapped around it, tied in a neat little bow in the center of the package. It’s light whatever it is. Your eyes drift slowly over to MJ, who sits up in her seat, peering at the package in your hands before she blinks up at you— a knowing look on her face.

“Thanks Nakia,” you smile, trying not to draw her attention to all of the air being sucked out of the room.

MJ’s phone rings just as Nakia exits the room. You hear her mumble a greeting, but your attention is quickly sucked back to your hands. Curiosity gets the best of you. You pull at the ribbon and toss it aside before curling your fingers around the edges to find where it’s taped together.

Just as your fingers find where the edges meet, Peter Parker’s voice fills the room, “Am I on speaker?”

“Yes!” MJ hisses, “Talk.”

“Ok, so, I was talking to Liz about the weirdo party her sister went to last year. She got the same packages throughout the week! Monday, she got the invite, Tuesday she got flowers, Wednesday she got a dress, shoes, and a masquerade mask, and Thursday she got—“

“A book of poems,” you breathe, the sound low and airy, “By Edgar Allan Poe.”

“Exa-Exactly.” Peter stutters.

It’s delicate, this book— the pages. You thumb through them gently, smelling the authenticity of it— the rarity. It’s been kept in pristine condition but it still looks old, the pages a dull brown; crisp and brittle to the touch. Your heart thumps against your chest as the hair on the back of your neck stands on end. Your throat constricts as you swallow hard, nerves filling your body.

“Which one is it?” Peter asks softly, the weight of this affecting him through the phone.

“Tamerlane and other poems.” You recite as you close the small book and run your fingers over the front cover.

MJ scrambles to her feet and scurries around you, her eyes plastered on your computer monitor as she starts to type.

Peter clears his throat, “Liz’s sister got a copy of Al Aaraaf. It was like, a first edition or something.”

“Fuck,” the obscenity falls from MJ’s lips with ease, but with a gentle discomfort, “This says there’s less than twelve copies of this in existence— twelve. I mean, how do you even get your hands on something like this?”

You can’t even speak. You just sit there, feeling the small book in your hands, staring blankly at the cover. Peter and MJ start to bicker back and forth as they try to make heads and tails of all of this. You aren’t taken by the book exactly, yeah, you're holding one of maybe twelve copies left in the entire world, but there’s something else gnawing at you in the pit of your stomach— something that’s been just at the tip of your subconscious all week long.

It’s like—

“Was Liz’s sister into Edgar Allan Poe?” You ask suddenly.

“Not at all,” Peter answers quickly, “She thought it was weird.”

“And the dress and the shoes? Did they um,” you blink up at MJ but avert your eyes just as quickly, “They didn’t fit, did they?”

There’s silence from Peter. You can almost see him, standing there in the middle of the college campus with a dumbfounded look on his face— his fingers threading through his hair, his mouth hanging open, eyes wide, “No,” he answers after a slow minute or two, “They were too small.” He goes quiet again before he says, “How did you know that?”

The feeling that’s been gnawing at you all week. You’ve felt like someone’s been looking for you. There’s been this… pull— somewhere deep inside of you— like someone is calling for you.

What scares you is that you want to answer.

“Deep into that darkness peering, long I stood there, wondering, fearing, doubting,” MJ recites slowly.

“Dreaming dreams no mortal ever dared to dream before,” you finish for her, “I used to read that to you when you were a kid.”

“He’s your favorite.”

“My absolute favorite,” you laugh nervously, “I wrote my thesis on Al Aaraaf when I was in school.” You fall back into your chair, “That dress fit me like a glove, MJ— the shoes too.”

She shakes her head quickly, her eyes closed as she slowly comes to the realization that you are. She runs her thin fingers through her wavy hair before she rests her hands on her shoulders, squeezing to comfort herself, “Do you think it’s—”

You shrug, “It could be.”

MJ drops her eyes from yours.

“What’s happening?” Peter’s voice sounds again, “What— what do you mean? Who do you think it is?”

“I’m adopted,” you say slowly, a soft smile on your face as you keep your eyes on MJ, “I was two, maybe three when they took me from my mom. I was placed with our parents, MJ’s biological parents, really quickly— I don’t remember a whole lot, but I remember someone reading Edgar Allan Poe to me, specifically Tamerlane.”

“Fuck,” Peter breathes, “You think it’s her? Your mom?”

You glance towards the floor, a small card catching your eye. You pick it up gingerly and turn it over, your eyes scanning over the handwritten note.

For passionate love is still divine

I lov’d her as an angel might

With ray of the all living light

Which blazes upon Edis’ shrine

See you tomorrow, love — H.R.D.

You drag your eyes back up to MJ’s as you pull your bottom lip between your teeth, “It’s definitely someone that knows her.”

FRIDAY

You don’t go into work.

Peter and MJ have been at your apartment all day, helping you piece this crazy story all together. Liz’s sister, Shuri’s sister— they were all you. Same age, all of you born within days of each other. All born at the same hospital. All adopted around the same age.

Someone is looking for you; and has been for years.

You and MJ are now on opposite sides about this party than you were at the beginning of the week. You want to go. You need to; especially if it’ll lead you to your mother. MJ voiced her newfound concerns, to the point where she shed a few tears— but, being the big sister you are, you brushed them away and explained it as best you could. You just need to know if she’s out there— what these people, S.R.G., J.B.B., A.S.B., H.R.D. know about her.

So, she helps you get ready. She curls your hair and pins it up. She paints your nails and helps you into the dress before she leans against the door jam of the bathroom, watching you do your makeup— just like she used to when you were a teenager. Peter knocks on the bedroom door before he barely opens it and shoves his arm inside, an envelope hanging off his finger tips.

“Hey guys,” he says softly, “This just came.”

“You want me to read it?” MJ asks, tapping it against her fingers. When you nod, she tears the flap and slides out the card, “A chariot will await you at 7:30 sharp… but please take your time. S.T.W.”

“What time is it?”

She glances at her phone, “7:25.”

You let out a shaky breath. You lean into the mirror and dab at your lips, removing any excess lipstick before you push back again and drag your eyes down your reflection.

“You know,” you start, keeping your eyes on your painted nails, “I don’t remember my mom at all. Not her face, not her voice, but I remember a man— my dad, I guess.” You blink back towards your reflection, squinting your eyes as the gears turn in your head, “I just remember blonde hair and a deep voice reading those poems to me. I remember feeling safe when he held me.”

MJ drops her eyes and nods slowly as she rakes her fingernails up and down her forearm, “I get why you wanna go. I do.”

“I just need to make these fragments make sense, you know? I remember these other guys too— which,” you shrug, “Would make sense since mom said that my real mom lived in a commune, but,” your words drift off.

“Remember when you thought Steve Rogers was your dad?”

You laugh wholeheartedly, “I do! I just always felt like I knew him, I don’t know why.”

You still do— feel like you know him.

“So, yeah. I get it, I really do. It’s gotta be hard not knowing where you come from— thinking that every stranger you meet, or every person you see could possibly be someone you used to know.” MJ sighs as she meets your gaze through the mirror, “You look great. You always look great.”

“Thanks, sissy.” You bunch your dress in your hand and lift it gently as you step towards her, “I’ll be fine.”

She nods quickly, pursing her lips as she cuts her eyes away from yours, “I know that.”

You smile and tilt your head towards her gaze to grab her attention again, “I’m your big sister, you know. I can handle myself.”

“I know you can, I just—” she shrugs, “I don’t want you to forget me.”

“MJ,” you start, grabbing her elbow when her chin quivers, “This has nothing to do with you or mom or dad. I love you guys, you’re my family, that will never change. I promise you, okay?” you pull her into a tight hug, rubbing her back, “You will always be my sister— no one will ever take that away from us.”

“Guys,” Peter calls, “A red Audi just pulled up out front, like, an expensive one.”

“Your chariot awaits.” MJ laughs as she pulls away from you, wiping the wetness on her cheeks away.

You thread your fingers with hers and walk out into the living room where Peter smiles softly. You hug him too— he’s the best thing that could have ever happened to your sister.

“You guys are staying here for the night, right?” you ask, grabbing your clutch.

“We’re not leaving until you come back.” MJ answers.

“Okay. I’ll um, I’ll stay in touch throughout the night, okay?”

MJ nods, “We’ll stay by our phones.”

You head for the front door, opening it quickly before you step out into the hallway, “Don’t have sex in my bed,” you say suddenly, whipping back around to face the couple, “Please.”

“Oh my god,” Peter scoffs, rolling his eyes as a red tint flushes through his face, “We won’t.”

“Yeah, we’ll have sex on the couch.” Your shoulders slump as you squint at MJ, her laughter rolling off her tongue, “Just joking. Have fun, please text us.”

“I will. I love you.”

“I love you too. Be careful.”

You have to turn away from them abruptly or you’d never leave. Grasping your phone and the small clutch you borrowed from MJ, and your crystal mask in your hands, you head for the elevator. It’s a slow ride down to the main floor— silent too. Nothing but the sound of your racing thoughts bouncing back and forth in your mind. The metal box slows to a stop, a soft ding fills the air, and then the world slides back into view— a sleek, red Audi visible through the glass front doors.

A man steps out of the driver seat as you walk towards the door and push through, tightening your grip on your dress. He moves around the car, stopping just at the back door. You notice his eyes dip to your chest and you can’t help but follow his gaze. The flower shaped brooch catches the artificial light of the street lights and each little diamond starts to glint and gleam, even the pearls taking on a new shine.

The driver smiles softly, “The invitation you received was handwritten in an Old English font. The initials at the bottom?”

A test.

“Oh, um, S.G.R.”

“Those flowers you received on Tuesday were beautiful— white carnations, right?”

You shake your head, “Pink roses.”

“I read a poem the other day, I can’t remember what it was called though. It went something like ‘know thou the secret of a spirit bow’d from its wild pride into shame’…”

“O! Yearning heart! I did inherit thy withering portion with the fame, the searing glory which hath shone amid the Jewels of my throne, Halo of Hell! And with a pain not hell shall make me fear again— o craving heart, for the lost flowers and sunshine of my summer hours,” you smile gently, “Tamerlane— the name of the poem.”

He opens the door and holds out his white, gloved hand to you.

1543 Asher Lane is lit up like Rockefeller Center during Christmas. Your mouth drops open as you pull up out front, every window glowing with a warm light. The front doors are thrown open with seemingly hundreds of people moving about inside. The driver opens your door and holds out his hand for you, prompting you to slide your palm into his. He keeps a firm grip on your fingers as you step out, and then helps you up the long front steps.

He only releases your hand when you reach the front door, bowing gently before he skips back down the stairs and towards the car. Your heart drums in your ears as you place your crystal, half face mask on your face and adjust it gently before you drop your hand to the necklace nestled in your cleavage. You play with the large yellow diamond as you step inside, your eyes going wide as the lively noise of a full blown party suddenly fills your ears.

An orchestra plays in the middle of the large, open foyer, the sounds bouncing off the walls and rising up into the tall ceiling. Twenty or thirty couples dance to the upbeat tune and you’d swear you’d just stepped into the 1800s. All the men that move about are dressed in black tuxedos, the only distinction between them all being their different masks. The women twirl in their Venetian ball gowns, their jewelry and intricate, flamboyant masks glinting underneath the light.

There’s double staircases winding up walls, leading up to the second floor, more people laughing and talking intimately on them. Waiters in white suits, black ties and white gloves move seamlessly about, slipping in between the bodies with plates of champagne and finger foods— each one bending forward politely and placing their free hand behind their back as party goers pluck the goodies off their silver serving plates.

The floors are made of marble. A large, ornate chandelier hangs from the high ceiling, spilling a warm, almost golden light over everything and everyone.

“Champagne, ma’am?”

You snap your head towards the voice as it breaks you from your trance, “Thank you,” you smile as you take the thin champagne flute from his tray.

Just as quickly as he arrived, the waiter is gone again, leaving you to admire the scene before you. You take a sip of the bubbly liquid and pull out your phone, taking a quick picture and sending it to MJ with a short message. You’ve barely tucked it away when another voice sounds at your side.

“Would you care to dance?”

You turn towards the calm, deep voice, your lips parting as your eyes bounce between two crystal blue eyes. Blonde hair is swept back neatly, a strong, smooth chin and jawline visible underneath his silver, laser cut Venetian mask. He’s tall— towering almost, his chest and shoulders wide and broad. You’re taken by him almost immediately. You nod quickly, blinking a few times as he takes your champagne flute from you and hands it to a nearby server before he takes your hand and leads you into the middle of the floor.

You gasp as he sweeps you up in his arms, resting his large hand on the small of your back and pulls you into his hard body. You can’t help but stare up at him as he starts to twirl you around the floor, taking complete control of your steps. A laugh bubbles up from your chest as he spins you away from him, extending his long arm until just your fingertips are touching, and then pulls you back into his chest.

He’s a confident man— you can tell by the way he spins you around the dance floor. Even as the tempo of the music changes, from upbeat and fun, to slow and somewhat sad, he stays right in rhythm. You’ve always been a sucker for a man that can dance.

A slow smile creeps onto your face as your eyes bounce back and forth between his while the orchestra plays, “What is this song?” you ask suddenly, breaking the ice between the two of you.

“Sicilienne in E flat major, do you like it?”

“It’s beautiful.” You laugh a little, turning your head to watch the young cellist, “He’s so young, is he local?”

“He isn’t, no. That’s Sheku Kanneh-Mason of Britain, you may—”

You snap your head back towards him, “He played at the Royal Wedding! Oh my god!”

He chuckles as he gently tightens his hold around your waist, “The very one.”

You turn your head to watch the young man as he plays, completely in awe of his raw talent and bask in it, knowing you’ll never be in such company again, “My God, this is incredible. I have no idea what I’m doing here.” You laugh.

“Well, you were invited, yes?”

“Yeah but I—” you stop yourself, shaking your head gently before you smile again, “I had a crazy thought about this party. I thought someone from my past was trying to reach out to me.” He tilts his head a little, his eyes scanning your face. You laugh again, “Don’t mind me, I’m just imagining things apparently.”

“Someone from your past?” He nudges gently.

You’re not sure if it's the champagne you’ve been sipping all evening, or just because for some reason you feel like you’ve known this man your whole life, but you start to spill your guts, “I thought, God, this is going to sound stupid. I thought my mom, or someone who knew my mom was trying to reach out to me through this party, which sounds insane now that I think about it. I was adopted, so,” you shrug, “I dunno, I was kinda hoping that she’d be here or that someone could get me in touch with her. Sounds crazy, right?”

He spins you again, this time slow, his eyes dragging down your body. He pulls you back into him and you rest your hand on his chest as you watch the orchestra, a soft smile on your face, “You are young yet, my friend, but the time will arrive when you will learn to judge for yourself of what is going on in the world, without trusting to the gossip of others,” you recite, “Believe nothing you hear and only one half that you see.”

His steps hitch ever so lightly.

You turn back to face him, blinking up at him as another smile spreads on your lips, “I didn’t catch your name?”

He blinks at you, something new in his eyes— something like relief? You can’t tell. His lips part and he takes a breath, trying but failing to get his mouth to move, “I’m sorry,” he finally says, laughing gently as he shakes his head, “Um, I’m Steven— Steve. Um, Edgar Allan Poe?”

“Yeah, sorry,” you laugh, “He’s one of my favorite poets. That last line just kind of describes my thoughts over the past few days is all.”

“It’s strange for a young girl like yourself to be an Edgar Allan Poe aficionado.”

You shrug again, nodding, “I know. I just, I’ve always had an affinity for him, it’s one of the few memories of my father that I have. He used to read Poe’s poems to me as a child.”

He stops dancing abruptly, “May you excuse me? I’m sorry, I have to um, I have to go see someone very quickly. I’ll be right back.”

Before you can even answer, he brushes past you, dipping in and out of the people still filling the dance floor. You blink in confusion, watching as he jogs up the stairs and stops at the very top step, leaning into a dark haired man. They both turn in your direction after a few minutes, catching your eye before they turn back to one another, the dark haired man grabbing Steven’s arm in… surprise, maybe?

They break apart seconds later, Steven jogging back down the stairs, the dark haired man walking briskly along the long catwalk, stopping only to tap three other men on the back before they too follow quickly behind him and disappear. You grab another champagne glass from a waiter and take a gulp as heat flushes through you— nerves suddenly racking your body.

You keep your eyes on Steve as he pushes through the people again, making a line straight towards you. Tilting your head back, you finish off the rest of your glass as he approaches you again, “I’m sorry,” he smiles, “That was rude of me.”

“Oh, it’s, it’s no problem,” you laugh nervously, clearing your throat as you glance around the crowded room.

He holds out his hand to you, “Would you come with me? Please?”

You shake your head as fear strikes you, “Oh, you know, I actually have to get going, I—”

“I know your mother,” your eyes widen at his words, stopping you dead in your tracks, “And your father. Please, come with me.”

You aren’t crazy.

Someone is really trying to contact you.

You grab his hand and let him pull you through the crowd and towards the stairs. He steps aside and lets you lead, placing his hands on your waist as the two of you move up the long staircase. Once you reach the top, he grabs your hand again and pulls you along the catwalk until you disappear down the hallway. You pass by a series of doors before you stop at the last one, Steve stopping to knock.

The door pops open seconds later and Steve steps aside again, dropping your hand to hold his out towards the door. You remove your mask and sweep your hair out of your face as your mouth falls open, your eyes wide as you stare at Steve.

“It’s okay,” he reassures, his voice soft and calm.

You take a step, and then another, your heart beating hard and fast, goosebumps popping up on your skin. You step into the room but stop dead in your tracks as the air is sucked right out of your body. Four men sit at a long, antique, baroque style table. Their hands are placed flat on the dark marble top, heads bowed. The room is dark except for the flickering candles that sit in their ornate holders in the middle of the table, the light accentuating the mens’ black and gold scaramouche masks.

Fear rolls through you in waves, your breaths shaky and heavy as it falls from your lips. The door clicks behind you and you feel a hand on the small of your back again, another one on your elbow, “It’s alright darling,” he whispers in your ear, “I’ll help you to your seat, okay?”

“Steve,” your voice trembling, “I don’t, I don’t understand, I—”

“It’s alright, I promise you. We are not going to hurt you. That goes against everything we stand for. Come.”

You blink wildly at the men at the table as Steve pushes you past them slowly. They don’t flinch— no one makes a move to glance up at you or even breathe harder than what they already are. You were so busy staring at the men occupying four of the five chairs at the table, that you didn’t even notice the hand carved chair sitting against the wall at the back of the room.

The frame is golden, the upholstery teal in color and covered with floral embroidery, the back designed with a diamond tuft. It sits up a little higher than the table— propped up on a small, hand built stage with three steps leading up to it. Steve helps you up the small steps, keeping your hand in his until you’re seated.

As soon as you're settled, the four seated men pull a candle from the center of the table and place it right in front of them. The golden flames dance at the tips of the long, white candles, casting shadows over the dark walls.

“You may begin.”

You snap your head towards Steve as he speaks, your mouth hanging open, your eyes wide, breath shaky. The dark haired man that Steve first spoke to stands, his chair scuffing against the floor as he pushes away from the table. He grasps the candle holder in both hands as he approaches you slowly, his eyes cast down towards the floor.

Your breath quickens as he nears you. You squeeze Steve’s hand as you push back into the chair, starting to draw your feet up as he kneels before you, “Wait, wait, wait, wait! What are you—”

“It’s okay, darling.” Steve purrs, his thumb sweeping over the back of your hands, “It’s okay. He’s not going to hurt you. Just relax.”

A hot tear streaks down your cheek as your whimper, your chin trembling as you push a hard, focused breath out of your mouth. The man in front of you mumbles something— in French you think, but you aren’t sure— before he reaches into his pocket. Your breath hitches in your throat as he starts to sprinkle rose petals at your feet, chanting as he does.

You feel his fingers brush over your exposed toes before he lifts your right foot and slips off your gold shoe— tracing a cross with the tip of his finger on the top of your foot. He repeats his actions to the left and stands, keeping his head down as he makes a cross over his face and chest and then turns and returns to his seat.

The next man stands, a thick beard covering his chin, his candle in hand as he approaches you, never making eye contact. Instead of rose petals, he lays money at your feet— a single dollar bill— before he traces the cross into your skin while he speaks in French.

The third man is clean shaven, like Steve, but his hair dark— some falling over his mask and onto his forehead. He leaves a handful of herbs and one white egg at your feet before sweeping his fingertips over your toes and branding each foot with an imaginary cross.

The fourth man that kneels before you repeats everything to a T. He’s tall, his skin a deep, smooth walnut brown. He leaves behind a handful of wheat grain and what looks like raw sugarcane before he blesses your feet and rises again. He taps his forehead and chest before each shoulder and moves away, retaking his seat at the table.

Tears still trickle down your cheeks as you blink furiously— your stomach churning, your palms clammy. You snap your eyes towards Steve as he finally releases your hand and grabs a bowl from the small table tucked into the corner of the room. He steps in front of you and kneels, setting the hand painted bowl at your feet. He lifts your feet gently, placing them in the bowl with care, massaging your ankles and lower calves to calm you.

It works— your voice trembles as you push out a gentle hum, focusing on his hands on your skin. He starts to speak in French, his voice low and calm, much like most of the evening. He pulls a small flask out of his jacket pocket and pops the lid before he pours the unusually cool liquid over your feet. You flinch instinctively but focus again on his soft hands, kneading your feet as he washes them.

Steve pulls the white silk pocket square from his suit jacket and dabs at your feet, wiping away the moisture. He traces a cross on the tops of your feet before standing again and cups your face with his hands. You’re drawn into him— resting your forehead to his as he continues to chant, his lips so close they brush against yours as he speaks.

“Bless this missing child,” he whispers, the only part of his chant in english, “She is home at last.”

As soon as the words leave his lips, every burning candle is suddenly extinguished by some force now filling the room. You blink in the darkness, your breath quickening as you grab Steve’s forearms.

“Shhh, shhh, shhhh,” he coos, stroking your bottom lip with his thumbs, “It’s alright. I’ve got you.”

The room is full— so full of energy; power. It whips around you, electrifying your skin and blood, rattling your bones. It’s foreign— anomalous— but yet feels so comforting and warm. Like love. Like you're surrounded by family. You loosen your grip on Steve’s forearms as the fear drains from your body, a voice— a soft whisper in your ears. A voice you’ve never heard before but have somehow heard your whole life. It’s a language you don’t understand, but yet you know exactly what it’s saying.

Your eyes pop open suddenly and the room is washed in a warm light as the candles are suddenly lit again. Steve smiles at you softly as your eyes, now full of wonder and a new sacred knowledge, bounce back and forth between his deep blues. There’s a new electricity between the two of you, something unspoken, but written in the stars all the same.

The blood in your veins rushes hard, the sound of your thumping heart beating in your ears as goosebumps pop up over your skin again. Your stomach tightens as the molten of your ardor starts to pool and spread through your body, blazing a quick path. Steve’s thumbs still sweep over your lips, underneath your eyes, over your nose as you hold loosely onto his wrists. You grab your bottom lip between your teeth and let your eyes fall to his mouth before you inhale sharply— soft and pink, his lips.

His large palms spread warmth through your face, his thumbs still circling— still pushing along your smooth skin. Blue eyes dart around your face, continually meeting your deep brown eyes before dipping to your expectant lips. He pushes closer— so close that his pillowy lips rest against yours, but he doesn’t rush it— doesn’t press any harder.

He leaves it all up to you.

The energy is back in the room, swirling, filling you up with the power and presence with each breath you take. You press your lips to his as the sweet sirens start to whisper to you again. A moan slips from your mouth and into Steve’s, where he gobbles it up, exchanging a deep, pleased groan of his own.

His lips start to travel, moving down to your chin and jaw. He nuzzles into the soft, warm crook of your neck where he sucks lightly— his velvet tongue sneaking out and slipping along your skin. You push your chest into his as your back straightens, a gasp filling your lungs with the sweet air that surrounds you.

The emotion takes over in the heat of the moment— the fire of his lips and hands setting you a flame. Your leg hooks around his waist as you curl your fingers over his broad shoulders, digging your black painted nails into his shoulder blades. His teeth nip at your taut flesh and you lurch forward, your head tilting towards the ceiling as a choked moan strains in your throat.

You feel his deft fingertips on your naked calf, slipping along the length— over and around your knee, up your thigh— where he kneads and gropes, pulling heavier, louder sounds from you as his lips caress your flesh. A shiver rolls down your spine when his thick digits brush over your sticky panties. He doesn’t shy away, he sweeps the pads of his fingers over you again and again, finding a sweet little rhythm as he applies a gentle pressure.

Hips roll. Chests swell. Grips tighten as your head rolls back. Your mouth falls open as you drag in a breath, pushing it out with a husky groan. Your teeth grab your bottom lip again as you slide your hand around his wide back, hooking your arm around his neck. Humming, you open your eyes, blinking slowly back at four sets of hungry eyes trained on you and Steve. You inhale again, letting your lips part as you link eyes with each man at the table.

The men sit stark still— not moving a muscle as the flame from the candles light your bodies. Shadows dance across their masked faces as they watch in silence, but you can feel each and every one of them. Each energy is slightly different but acutely masculine, acutely tuned into you.

You don’t mind them watching. The scene salacious— vulgar.

Wrapped up in two large, muscly arms, you’re hoisted from the chair as Steve grabs your lips again with his own. He walks you to the table and sits you on the edge, right between two of the four men occupying it. The marble top is cool to the touch as he helps you up onto your feet, holding the tips of your fingers with his hand. He leads you into the center of the table, five heads all tilted up towards you as you stand there, the bottom of your dress dragging behind you as you move.

You feel like a princess with all of their eyes on you, hanging on to your every move, drinking in every inch of you. You twirl— a giggle falling from your lips before you sink down to your knees, peeking over your shoulder at the only brown eyed man in the room. You place your thin fingers over your lips, playing with them gently as you bat your eyes at him and sweep your hair over your shoulder— exposing the zipper of your dress.

He obliges without hesitation. Standing to his feet, he reaches for you— a warm hand on your bare shoulder, another grasping the zipper. You nuzzle your chin and cheek against his long fingers before brushing your lips over them quickly. His warm brown skin melts into yours as he pulls on your zipper, exposing more and more of your naked back as he goes.

The soft smile on your face grows wider as he centers his large palm in the middle of your back. Warm skin to warm skin. His eyes are ablaze— dark, blown pupils against a lighter brown iris— set dead on you as his lips part, showing off a distinctive gap in his teeth as his fingers whisk across your back and shoulder.

You turn to face him, still kneeling in the center of the table, and reach for his mask— pulling gently on the black tie until the bow falls away. He lets you remove it from him, a soft smile playing on his lips as you reveal the handsome face underneath.

“Samuel Thomas Wilson,” Steve offers softly.

Samuel tips his head towards you as you run the tips of your fingers along his softly bearded jaw, “S.T.W.” you say easy, recalling the last of your calling cards, “Hi Sam.”

You lean forward and place your lips on his— one gentle, chaste kiss before you break away from him with a soft smack.

You follow Steve with your eyes as he moves to the man seated next to Sam. Steve places his hand on his shoulder, “Andrew Stephen Barber.”

You bat your eyes at Andrew as he stands and takes your hand, bringing the backs of your fingers to his lips, “Andy.” He supplies as he removes his mask and sits it gently on the table.

“A.S.B., thank you for the dress.”

His presence is calm— gentle, matching the softness of his beard and dark hair. You press your free hand into the halter top of your dress to keep it from falling, but all the modesty you once had is evaporating quickly. You feel like you’ve known them all forever.

The next pair of blue eyes bring a forceful energy, one of entitlement and defiance. Before Steve can get his name out, he’s standing, his mask in his hand revealing his boyish, clean face, “Hugh Ransom Drysdale.” He winks at you suggestively, “Ransom.”

He wraps his long arm around your waist and pulls you close, crashing his lips to yours in a fury. You giggle against him before accepting his velvety tongue into your mouth, letting it sweep along your bottom lip and then slide along yours. Steve taps his shoulder and after a beat… or two, Ransom releases you from his grip, a smirk on his face, a twinkle in his eye.

You turn to the fourth man— the dark haired man that Steve initially spoke to on the stairs. He’s standing, with Steve behind him, the tips of his fingers resting on the edge of the long table. He’s the only one wearing gloves. His breathing is controlled, his eyes set on you as you inch towards him, sitting up on your knees in front of him.

You walk your fingers up his chest seductively, your teeth digging into your bottom lip as you smile at him, “You must be J.B.B.”

He tilts his head, a smile tugging at the corners of his mouth, “I could be S.G.R.”

“While the guy named Steven stands behind you?” you squint playfully, reaching for his mask.

He grabs your wrist with his left hand, making you gasp. It’s a firm grip, but it excites something deep in you. You drop your hands into your lap, flattening them on your thighs as you take a deep breath and push it out of your nose. He glances over his shoulder at Steve, who nods just once before he turns back to face you and starts to pull at the fingers of his gloves. He removes the right hand first, tucking the black glove into his pocket before he starts on the left, pulling slowly— finger by finger.

Your mouth drops open as he pulls the nylon material away, your eyes going wide as he stretches out his digits, the candle light glinting off of the dark metal. The breath in your throat hitches as you watch him reach for his mask and untie it, pulling it away from his face to reveal a familiar one.

J.B.B.

James Buchanan Barnes.

So that means—

You blink towards Steve, whose mask is now off and sitting on the table. He rests his hand on Bucky’s shoulder as he exhales deeply, “James Buchanan Barnes,” he then points at himself, “Steven Grant Rogers.”

You blink rapidly— completely dumbfounded as the two super soldiers stand before you. Bucky takes your hand, brushing his lips over your fingers before he pops them into his mouth, sucking gently on your digits as he flicks his eyes back up to yours. Your stomach tightens. A hum accompanies the breath that vibrates through your chest as he drags his left hand up and down your arm.

Steve cups your cheek and turns your head towards him before he traces your jaw and chin with his index finger, “We’re gonna take care of you baby girl,” he whispers as he places his fingertips on your forehead and brushes them down your face, “We’ve searched for you for so long.”

You believe him— you don’t know what he’s talking about, but you believe every word.

You push in and kiss Bucky, wrapping your hand around the back of his neck and squeeze gently before you turn towards Steve, pulling him into another deep kiss, “Get this dress off of me.” You whisper.

Hands— so many hands, each pair distinctively different, are on your body within seconds, tugging and pulling at the heavy dress until you’re free of it. The only piece of clothing left on you is your thin thong as you lay back on the table, your hands over your bare breasts, covering them. You gaze up at the five men peering at you, their eyes wide and hungry.

Steve slips his hand down your sternum, the pads of his fingers sliding down your stomach to your hips, where he traces the thin band of your underwear— his touch making you raise your hips from the table. Sam drags his thumb along your chin and bottom lip before he pushes the tip just inside your all too eager mouth. You suck gently, running your tongue the length of his digit as Ransom pries your hands away from your breasts.

You moan softly, arching your back into Ransom’s hands as he starts to tweak your taut nipples, rolling them both between his fingers before he leans down and sucks your right breast into his mouth. Hands grab your thighs, kneading your flesh and pull them apart as Andy licks into your mouth, his tongue massaging the roof as he holds your chin.

The energy is back in the room— the power swirling as the men start to devour you. There’s tongues over your toes, hands on your tight nipples and abundant breasts, lips on your shoulders and neck. Fingernails scrape against your skin as they slink underneath the band of your panties, pulling them down your thighs and calves before they slide over your ankle and are discarded to the floor.

You feel the warm metal and flesh hand of Bucky around your ankles, drawing your legs up so they’re bent at the knee. He crawls onto the table, his heavy blue eyes drinking you in as he lets his metal fingers dance up and down the inside of your thigh. You start to shiver at his touch— your back arching away from the table as you gasp and hiss from the hands and mouths and tongues all over you.

Bucky sinks down— low, onto his belly— his eyes still trained on yours as he wraps his arms around your thighs. He starts to blow warm air against your sticky, hot sex, his eyes finally dipping away from yours and to your lower half as your hips jerk and whine. His metal fingers push through your folds gently, rubbing the sensitive nub at the center of you, then teasing your slit and opening.

Steve presses his balmy lips right in the valley of your breasts and peppers kisses along your jiggling flesh. The tip of his tongue circles your nipples before his teeth nip and bite. You gasp loud as a metal finger, and then a second push into your cunt— a thumb pressing against your clit. Your hips jut upward as you mewl, the sound quickly being covered up by Sam’s mouth as he kisses you hard.

Bucky blinks up at you as he withdrawals his fingers and waits— waits for you to make eye contact with him before he sucks them into his mouth, wiping them clean of your slick. He moans— heavy and hard as he closes his eyes, savoring your taste.

Your hips start to roll into his hand as he dips his fingers back into you, his breath washing over your quivering thighs. Ransom tickles your right knee, then skips his hand down the inside of your thigh, where he cups your sex around Bucky’s pushing fingers. Ransom starts to rub your clit, pressing firm circles into your wet flesh as Bucky curls his fingers to massage your muscles.

Andy sinks his teeth into your side before his tongue glances out over your stomach, circling your belly button before he sucks on your skin. He presses his hand into your lower stomach to add some pressure— Sam and Steve each taking a breast into their wet mouths, their tongues swishing and swirling.

You dig a hand into Steve’s hair and cup Sam’s head as they tease your nipples, a sharp yelp bursting through your lips as Sam bites down gently. Ransom spreads your folds with his index and middle fingers and suddenly, there’s a tongue— a warm, velvety tongue flattening against your clit. You push your head up to watch as Bucky sucks on your nub, his eyes searing into yours as he releases you with a smack, and then dives back in, the tip of his tongue flirting with your opening, his fingers still pumping.

Your head and hips roll as unrestrained groans rumble through your chest and fill the room, mingling with the deep moans and growls of the five men pleasing you. The sound of a zipper bounces off the walls— your hand then grabbed and pulled to your left. You gasp at the heavy warmth that fills your palm as your fingers wrap around Sam’s length. You roll your head towards him, biting your bottom lip as you watch your hand slide up and down his impressive girth.

You grab Steve’s hip with your free hand, digging your fingers into him as you lean up, beckoning him to come closer. You kiss him hard once he’s within distance, smacking your lips against his before you sound into his mouth as Ransom slaps your pussy, the gold band around his ring finger adding a heaviness to the strikes.

Bucky kisses up your thigh, sinking his teeth into your flesh every now and again until he reaches your ankle and foot. He thumbs at your black painted nails before he pulls your toes into his mouth as he massages your calf, “These are cute, these toes.” He murmurs, a light chuckle vibrating through him.

A chorus of zips start to sound, one right after the other. Their jackets soon hit the floor, the crisp, white sleeves of their button downs are rolled up their forearms before they all descend on you again. You’re lifted from the table into Andy’s arms as Sam slides into the space you once occupied on the table, his pants riding low on his hips. Andy kisses you deeply before placing you back on your feet on the top of the table, keeping a hold of your hand as you traipse along Sam’s side.

You throw your leg over Sam’s body and sit slowly, wiggling your hips as you position yourself on his lower stomach. You reach back, dragging your fingers through the curly patch of hair covering his lower half, tickling his skin. You slip your fingers into his unzipped pants and pull him free, stroking and squeezing him slowly before you swipe your fingers over his wet tip.

Two strong hands grip your waist— Ransom— as you slip your hand down to Sam’s base and lift upward, guiding him towards your entrance. Ransom holds you steady as you sit down on Sam, your cunt swallowing every delicious inch of Sam’s cock until he’s completely disappeared. You lean forward, splaying your fingers out on his wide, thick chest as he grabs hold of your thighs. You pull up, hissing as his cock slides out of the tight grasp of your pussy and then sit back down, moaning as he fills you again.

Ransom slips his hand up your spine and wraps his fingers over your shoulder as you start a slow rhythm, up and down, up and down, up and down. Your hips roll as Sam starts to buck his hips up into you, each stroke a little harder, a little sharper than the one before it. There’s a chest to your back and then teeth nibbling at your earlobe as you lean back into the body and rest your head on a shoulder. Ransom’s mouth then covers yours as he wraps his arm around your waist, holding you tight as you ride Sam, your nails digging into his rich brown skin.

You gasp as a tongue teases your thick nipple, and then a hand closes over your left breast, squeezing and kneading gently. You slide your hand into Ransom’s hair as you watch Steve flick the tip of his tongue against your nipple before he sucks your breast into his mouth, moaning as his tongue swirls.

Andy slips his hand down your stomach and starts to work your clit, grabbing your chin with his free hand and tilting your head towards his. His head is tilted upwards, his eyes hooded as he peers down at you through his long, thick eye lashes. You whine as Sam’s pace quickens, fucking up into you hard as he grips your hips so tight you’re sure he’ll leave marks behind. Andy snarls his lip as he watches you struggle to keep your eyes open, as your hips falter, as you get louder and less restrained. He licks into your mouth before he lays a filthy kiss on you— demanding and sloppy.

Ransom squeezes your shoulder before he pushes you forward with his other hand, nearly crushing you against Sam’s chest. You shiver when you feel his cock slide through your ass cheeks, leaving a wetness behind. He pulls back and the backs of his fingers glance over your ass, deep hisses and a grunt coming from him as he strokes his cock— a drop of his cum dribbling onto your skin.

He suddenly pushes his fingers into your mouth— index, middle, and ring— wetting them with your saliva before he drags them back through your ass, the tips circling your hole. There’s a tangy taste left in your mouth, some of you, some of him, as he slaps his dick against your ass and then spreads you apart. Sam slows beneath you and then stops as he drags his large hands up and down your forearms, grabbing your hand and sucking your fingers into his warm mouth.

You slam your eyes closed, tensing as Ransom starts to push the head of his cock against your asshole. He places his hand against the center of your back, Bucky cups your face in his palms, sweeping his thumbs over your cheeks as he pecks your lips with his, singing gentle praise to help relax you.

“You can do it baby,” Bucky whispers, rubbing his nose against yours, smiling softly, “You can take him baby, I know you can. Can’t she Steve?”

Steve sinks his teeth into your shoulder, humming as he drags his red, swollen lips down your arm, “This pretty girl sure can,” he reassures, his voice smooth and low, “And it’s gonna feel so good, baby. You’re gonna feel so full, so stretched.”

You whimper loudly. You grab Bucky’s shoulder as Ransom’s dick finally breaks through your threshold. Ransom lets out a breath, the warm splashing over your back as he stills, a shuddering groan vibrating through his chest. Ransom squeezes your shoulder again, leaning forward to place sloppy kisses on your back, “More?”

Steve kisses your temple before he nuzzles into the side of your face, “You can do it sweet girl. You can take him all.”

Bucky kisses your lips again. Sam nibbles on the tips of your fingers as he nudges his hips into yours, burying deeper into you. You nod quickly— you do want more. More, more, more.

Ransom starts to push again, spreading your tight muscles as he forges, filling you right up. He doesn’t stop until he bottoms out— his stomach now pressing into your ass as he wraps his hand around the back of your neck.

“Such a good girl,” Bucky purrs as he reaches between you and Sam’s bodies, starting to play with your nub, “Such a sweet, pretty girl.”

Sam is the first to move, pressing up into you before he withdrawals slowly. Ransom counters his actions, pulling out when Sam pushes in, delving in when Sam drags out. It’s hypnotizing— the rhythm, the push and pull. Your mouth goes slack as Steve rolls your nipples in his hands, his tongue and teeth nipping and licking at your damp skin. You roll your hips, pushing back into Ransom as Sam fucks up into you as electricity flows through your veins.

“That’s it baby girl,” Bucky praises through impassioned kisses, his tongue slipping along your lips and the roof of your mouth, “Stuffed full, aren’t you sweetie?”

Your stomach tightens at the words, your heart beat pounding against your chest and in your ears as a tingle rushing up your spine. There’s a pull deep in your belly, a molten heat and the raw emotions spreading through you as your body tightens hard. Your hips jerk as a sudden current strikes you— your cunt closing around Sam. He shudders and you feel it, feel it rumble through his chest as his own hips get desperate.

Ransom fucks your ass with fluid motions, his enormous hands and long fingers digging into the supple flesh of your waist. He grunts, hard and grainy as the warmth of your insides caress his cock. Ransom gets loud, Sam gets loud, you get whimpery— needy, almost to the point of tears as the waves roll harder and faster through you. Each stroke, each thrust, each plow of their hips driving you closer and closer to your demise.

A moan chokes in your throat as your orgasm blooms across your skin, but soon the sounds are pouring out of you. Loud, desperate, relieved as the waves finally crash. Bucky bites his bottom lip hard as his fingers slap against your jumping clit. Steve pinches your nipples as he rests his forehead against the side of your face, his hot breath sticking to your skin.

Sam drives his hips into yours once more and digs his thumbs into the creases of your thighs as his cock starts to spit, over and over again, spilling into you. Ransom fucks through it all, keeping a firm grip on your shoulder until he too comes undone in your ass. He pushes deep, deep, deep inside as he spurts, watching as your hole spasms around him.

Ransom pulls out of you as soon as he’s milked and you feel his cum bubble out of you, slipping down the inside of your thigh. You’re lifted off of Sam— brought to the edge of the table, on your hands and knees, your feet hanging over the end. A massive hand presses between your shoulder blades, forcing your chest and head down onto the cool surface as you try and catch your breath. You jump when a pair of warm lips connect where your ass ends and your thigh begins, a soft beard brushing against your skin.

Andy drags his finger up the inside of your thigh, collecting the cum that’s spilled from you and pushes two fingers into your hot cunt— your muscles still quaking, still constricting. He fingers you slowly, skimming his fingertips up and down your thigh as he pushes his digits, cramming Sam and Ransom’s cum deep.

You hum with each stroke, lunging forward softly, your nipples grazing over the marble table top as you move. You blink slowly as you lift your head, watching as Bucky climbs onto the table, spreading his legs as they slide around you. He slides his flesh hand into his pants and starts to stroke his cock— long, languid pulls as his metal fingers pull on his tight balls. You wrap your hands around his thighs, the excitement bubbling up in your chest once more as you watch him.

Andy replaces his fingers with his dick in one fell swoop. You mewl, your tits bouncing as he starts a brisk pace. The sound of his skin slapping against yours bouncing off the walls as Ransom, Sam, and Steve watch on, chests rising and falling hard as they tug their hands up and down their cocks at the sight.

You rock forward, your face inches from Bucky’s cock as he jerks himself, peering down his long body at you. Keeping your eyes on his, you push your tongue out from behind your teeth and lick at his shaft quickly before puckering your lips to kiss the thick vein running the length of him. You push your hands over his hips and up over his abs as your mouth slides over his wet, red mushroom tip.

Bucky moans deep, his back arching from the table as he pushes his hips up into your mouth, sending his cock right to the back of your throat. You pull upward as his hips sink back to the table, releasing him with a pop and smiling as his cock sways back and forth. You wrap your fingers around the base of his dick, wiggling him a little before you lower your mouth over his tip, sucking lightly as you swirl your tongue over his slit.

Your plump lips go slack around Bucky as Andy presses into a spot— sending a jolt right to your heart. Andy lets his hands roam along your back and sides as he fucks you, gripping and squeezing, groping and kneading your thick, soft flesh. He’ll push deep, and then just stay there for a few seconds, savoring the warmth, the tightness of your slick muscles before he wiggles his hips and withdrawals from you, just to plunge back in.

You release Bucky quickly to swallow the piquant spunk left on your tongue before you cram him back into your mouth. You suck on his cock head as you pump him up and down, twisting and turning your hand as you go. A muffled moan seeps from your mouth, vibrating around Bucky’s cock as you slam your eyes closed, feeling Andy’s strokes in your stomach.

The tingles are back— the pull in your belly. Your pussy tightens as the electricity within you starts to bounce around, synapses firing. Andy feels it, Bucky too, their hips pushing harder and faster. Your nails scratch at Bucky’s skin, squeezing uncontrollably as your heart beats in your ears, heat flushing your face.

Andy fucks into you good, hard and deep, sending you right over the edge once more. Your release spreads through you, warming every inch of flesh, every pore, every follicle. Andy thumbs your clit as he continues to pump his hips, fucking your right through your orgasm until your contracting muscles and slick coax his climax. Bucky erupts at nearly the same time— long, hot ribbons of his cum shooting from him, splattering on his stomach and dribbling down his cock.

There’s movement out of the corner of your eye, Steve standing from one of the chairs to grab your chin, pushing your head and face up towards him. He kisses you hard— sloppy, sucking on your bottom lip before he tongues the roof of your mouth. He pulls away, cupping your face in his hands gently as he rubs his thumbs along your cheeks, a soft smile on his lips, eyes full of affection.

“Such a good girl.” he whispers.

He pulls you into another kiss, but this time it’s softer— sweeter. Slower.

Andy pulls out of you, his hands still sweeping over your back and ass and thighs. He presses another kiss right into the creases of each cheek before he falls into a chair next to Sam. Bucky slides off of the table and sits next to Ransom, resting his head on the back of the chair and lets his mouth go slack as he lets out a breath.

Steve crawls onto the table as the four other men drag their chairs to the edges of the table, sitting up straighter once they get situated. Steve grabs your lips with his, a soft hum wavering in his throat. He separates from you but doesn’t go far— resting his forehead on yours as he nuzzles into you, rubbing the tip of his nose along the bridge of yours. He starts to guide you back, his hand behind your head, as he lays you down flat on the table, your knees drawn up, your feet flat against the cool surface.

You sweep your hands up and down your thighs in anticipation as you watch him unbutton his shirt slowly, his blue eyes wandering the length of your body as his fingers move. You push up onto your elbows, tilting your head as you blink at him when he pulls the material away from his buff torso.

Chewing on the inside of your cheek, you dip your eyes to his broad chest, his skin tanned and tight. There are faint scars littered along his skin— a few tiger stripes on his biceps and sides. His stomach is firm and flat, six perfect abs carved out, and the cutest belly button you think you’ve ever had the pleasure of seeing. You sit up, placing your hand in the middle of his chest, right in the middle of those hard pecs and watch your hand move with each breath he takes. Your fingers fall, down his sternum, over those abs, and slightly into the dark blonde patch of hair that peeks out of his open pants.

You draw your bottom lip into your mouth and send your eyes up to his as your hand digs deeper— your dainty fingers wrapping around his hard, hot cock. His chest tightens at your touch. You inch your body closer to his, throwing your legs open and around either side of his body as you start to pump him slowly. You draw your hand up his shaft, sweeping your palm over his sensitive, weeping tip before you push back down, squeezing him gently— feeling him.

His breathing gets deeper, his chest and stomach constricting, his lips parting and quivering ever so lightly as you massage him. All five pairs of eyes are on you— unwavering, barely blinking as they consume you and only you. The power swells in your chest. You feel like a goddamn queen. Captivating. Strong.

You pull him free of his dark slacks and have to take a breath at the sight of him. He’s gorgeous. Thick and long, his tip shiny and wet and red— eager— his dick jumping every now and again as cum dribbles out of his slit. You sweep the pads of your fingers over the tip again, collecting the warm, cloudy spunk and push it down his shaft, along the thick vein that runs down him, wetting every inch of him.

He pulls you into his lap in one swift move, like you’re absolutely weightless. His cock settles against your pussy and clit, resting against your stomach as he wraps his arm around your back and waist. You instantly start to roll your hips, sliding your skin along his dick— coping a feel— letting it radiate through you.

The current in the room picks up. The flames of the candles start to flicker as if there’s a strong breeze that threatens to extinguish them. You push up with the help of Steve’s strength, your mouth hanging open as you guide him towards your entrance. You push his flesh through your folds, teasing yourself a little before you align him with you, starting to sink your hips down.

You dig your fingertips into his shoulders, let your head fall back as he opens you up inch by inch. A growl scratches at the back of your throat when you feel his hot lips on your neck, peppering kisses, tongue lapping, teeth nipping as you take him. The candles flicker hard as Steve bottoms out in you— hip to hip; flesh to flesh.

Throwing an arm around his neck, you really start to move, pulling up on that towering dick before sinking back down on it. Your tits bounce as your hips roll, a delicious burn starting to spread through your thighs. Steve’s hips fuck into yours, meeting you halfway as you crash down. There’s hands on you again— on your shoulders and arms, on your thighs, wrapping around your ankles— Andy, Ransom, Sam, and Bucky— grabbing, kneading, gripping, groping.

The electricity in the room bounces off the walls, energizing you, drawing you into Steve more and more with each passing second. The wind even kicks up outside, slamming against the sprawling house, shaking the lush trees. The warm moonlight cascades into the room and over your bodies as you fuck Steve unmercifully on top of the old table. You gasp and moan and pant— the sounds bitten off, choked, and heavy as your pussy constricts around him.

He appeases each whim of your hips, driving into you deep and hard, taking control when your hips jerk and shudder. He encourages you— they all do— sweet, tiny whispers, filthy, low declamations. Their voices rattle your brain and your bones as the candle light trembles again.

You’re slamming into each other, Steve bottoming out with each thrust. Your stomach is tight, your body warm and prickly, your clit stinging as another orgasm looms in the distance. Steve’s hips are rolling and pushing, his fingernails scratching your skin as he rakes them down your naked back. There’s teeth on your shoulders and neck, lips over your nipples, fingers prodding against your clit until you come undone, shouting and pleading to every God you know.

A sudden burst of warmth explodes inside of you— Steve’s strangled groans growing loud as he comes. Your face breaks with passion, tears threatening to spill as ungodly, high-pitched sounds spill from your lips. You’re all shrouded in darkness. The candle light whipped away, suddenly extinguished by the invisible forces in the room.

The candles relight again out of nowhere as you collapse against Steve as your body finally gives out after the thorough fuck session. You’re heavy and limp, air rushing out of your mouth, sticking to his damp, humid skin. You can’t even keep your eyes open. You hum intermittently as their hands brush over your skin before they pull you away from him, laying you back down on the table.

Their voices ring out, all in sink, chanting again in French. Sam sprinkles your body with the flask, from your head to your toes— Steve traces a cross on your chest. They all flatten your hands on you as their chorus finishes, and you hear the soft voices again. They’re warm and happy, the feminine voices, as the love— the familial undercurrent— fills the room again.

You’re lifted into arms, pressed against a chest before one of their discarded jackets is thrown over your shoulders. Your head is foggy, thoughts slow as someone carries you out of the room. You feel their protection, the fierce safeguard of you as suddenly you’re the center of attention. It feels as if hundreds of eyes are on you— because there are as they walk you right through the center of the party.

“Our missing child is home.” Steve announces, smiling softly down on you, sweeping his large hand over your forehead, “The family is complete once more.”

An exuberant applause erupts.

You’re moving again, slowly the eyes on you disappearing as the fivesome moves you through the house. A door clicks, the sound of the bottom of it sweeping across the carpet filling your ears. A warmth surrounds you as you’re laid down onto a bed, a large, full comforter covering your naked body. You squirm, your head rolling against the pillow as you murmur and whimper.

“Shh shh shh, little one,” Sam purrs, stroking your face with his thick fingers, “You’re safe.”

“We’re all here sweet girl. Just rest.” Andy says calmly, brushing his lips over the backs of your fingers.

Naked bodies surround you— cram you right in the middle of them. Arms and legs are thrown over you, fingers thread with yours, lips and beards glance over your skin as they whisper and blether. You roll into a body, you’re not even sure who’s, and you hold onto them tight, letting the sleep seep in, letting it pull you away into the deep.

SATURDAY

There’s an intrusive light burning into your face. You shift, rolling your head away from it before rolling your entire body over onto your side. You stretch your arms out and sigh slowly, wanting nothing more than to melt back into the soft, deep slumber that had been disturbed— but your brain has other plans. It slowly starts to awaken, the fog lifting, memories and visions of the night before playing before your eyes. Hands on your skin, lips locked on yours, eyes following your every move.

You spring upwards.

Your eyes pop open as you inhale sharply. You snap your head to the right and then the left before you scan the room, finding it completely empty. You turn back towards the windows, squinting and blinking as the sun belts into the room, the light spilling over the floor and bed. Voices float towards you— warm, male laughter— before it dies away again and all you hear are the random chirps of birds and the soft swish of the breeze against the trees and house.

That’s when the soreness seeps in. You roll your shoulders as you recognize the subtle pain, roll your neck before stretching your arms above your head. There’s laughter again, the clatter of pans and dishes and you blink at the closed bedroom door. Questions start to populate and swarm, pushing away the rest of the sleepy fog in your mind.

You throw your legs over the side of the bed and stand, but throw your hands back on the mattress as you stumble, having to steady yourself. Your legs are jelly. A hum vibrates in your chest and throat as you take a step after a few sobering seconds. The muscles of your sex scream at you— achy and tight— used. It’s sharp but also dull, nagging and deep— the soreness. It feels good. Feels right.

Spotting an egg shaped floor length mirror leaning up against the far wall, you pad towards it, squinting and hissing as pangs of the delicious pain prickle along your skin and muscles. You peer at your body, twisting and turning. You’re marked beyond belief— suck marks on your neck and shoulders, red raised welts on your sides and thighs, deep bruises and teeth marks scattered along your body like a map.

A smile tugs at the corners of your mouth.

You spot a small bench in front of the bed, a pink satin tank top and matching shorts tossed over it. You slip the tank top over your arms to cover your bare torso and pull the shorts up your legs, your ample behind poking out of the bottom of them. You start for the door and move into a long hallway, following the laughter and voices emanating from deep in the house.

This is a really big house. It takes a while, well, you’re nosey so you peek into each room you pass and stop to eye the paintings on the wall, but you finally find the source of all the noise. You turn into the vast kitchen, finding five men placed throughout it. Sam is over the stove, cracking eggs and flipping potatoes and fresh vegetables. Andy sits at the bar, his nose buried in the Saturday paper as he sips on a black coffee. Bucky and Steve sit at the table, talking hushly over some old papers, and Ransom leans against the fridge, thumbing through his phone.

Bucky’s the first to notice you. He greets you with a wide, bright smile, his eyes crinkling at the sides, his nose scrunching, “Good morning beautiful.”

The rest of the men all blink at you and a warmth flushes through your face as you play with your fingers. Before you can respond, Ransom sweeps you off your feet and into his arms, kissing you hard and deep before he sits you back down and swats your behind, “Mornin’ doll.”

“Don’t be so rough with her,” Andy chides the slightly younger man. He grabs your wrist, bringing the back of your hand to his lips, “Sleep well, baby?”

“I did, thank you.” You smile, nervous but flattered by the attention.

“Hope you’re hungry sweetie,” Sam says, leaning into you to peck your lips as you move towards him.

“I’m starving.”

“I bet. You slept hard last night.” He winks, nudging you with his shoulder, “Ransom, plates.”

“I’m not the help, Wilson.”

“Well you are to-fuckin-day. Get the plates, trust fund baby.”

You laugh as you move towards the table, getting swept up into another breathless kiss by Bucky before Steve pulls you into his lap, brushing his nose over the back of your shoulder. Ransom and Sam hand out the plates one by one, taking drink orders and handing them out before they take their seats at the long table. You stay in Steve’s lap as you eat, listening as they all chat and cut up a little, teasing the youngest of them, Ransom, and listening intently as Andy talks about his latest case.

“I bet baby girl over here has some questions, hmm?” Bucky says after a while, cutting into his sausage and popping a small piece into his mouth.

You nod as you chew and swallow, before your eyes go wide, “Oh shit! My sister MJ! I bet she’s—”

Ransom slides your phone towards you, “I texted her for you last night and again this morning. Convinced her not to call the cops— she’s a feisty one.”

“Oh God, thank you.” You sigh, glancing over the texts.

“You can call her if you’d like. We can step out.” Steve offers, peering at you over your shoulder.

“No, no. She seems to be pacified for the moment. I’ll call her in a little while. So,” you lead in, “How, um, what is all of this? How do you guys know me, or my mom, to be more specific?”

Steve wraps his arm around your waist, holding you to him before he takes a breath, “This is going to sound really strange and it’s a really long story.”

“I got time,” you laugh, “It’s the only reason I came last night. Didn’t expect to get fucked by five dudes, but, you know,” you giggle, “Shit happens.”

“Steve and I,” Bucky starts, “We knew your great-grandmother, Marie-Angelie Paris Laveau of New Orleans. Steve was… sickly.” You nod quickly, having read everything there is to know about the great Steve Rogers, “I had heard that there was this new religion, down south. A woman that claimed to be a healer and Steve was my best friend, so, we decided to check it out in the early forties— wanted to see if she could help him.”

“When we finally got to Louisiana and tracked Marie-Angelie down, it was nothing that Bucky and I had ever seen before.” Steve chuckles, “Your great-grandmother was a beautiful woman, had thousands of followers, just like her mother, and her mother before her.”

“Followers?” You ask, furrowing your brow.

Bucky shifts his eyes to Steve before they land back on you, “You’re a direct descendant of Marie Laveau, the voodoo queen of the French quarter.”

Your eyes widen at the words.

“The elder Marie was a very powerful woman, passed down her knowledge and her gift to her daughters who kept her spirit and her craft alive. Marie-Angelie took one look at Steve and knew she could help. So,” Bucky takes a breath, holding it in his chest for a second before he pushes it out, “We made our offerings, appeased the spirits and we had Steve stay with her for the night.”

“She prayed over me all night. Chanted, offered the spirits many gifts, had me drink this potion that she’d made,” Steve says slowly, “I’m not too sure what happened. I just remember waking up and looking like this. It came with conditions of course, one of which she told us about, the other she didn’t.”

“What were they?” you breathe, engrossed in the story.

“The condition we knew about was that Bucky and I had to join the society.” You raise your eyebrows, prompting Steve to smile, “The elder Marie, your great-great-great-great grandmother entered into a pact with Sam’s great-great-great-great grandfather.”

“He was a farmer,” Sam says after he takes a sip of his coffee, taking over the story, “My great-great-great-great granddaddy went to Marie for a little advice and to have her pray for his crops. He was flat broke, about to lose the farm, Louisiana was going through a terrible drought— he offered Marie the last dollar he had in his pocket. His crop came in more bountiful than ever, in fact, it was the only farm that yielded that season. Made him a millionaire overnight. So, in exchange for her prayers, he offered her and her offspring protection. As long as there's a Laveau bloodline, the Wilson’s will watch over them.”

Silence falls over the room as you blink back at Sam, unable to speak. Bucky leans forward, placing his flesh hand over yours and rubs gently as concern fills his blue eyes, “You okay, honey?”

You nod, closing your eyes as you swallow, “Yeah, I, um, so… okay, so Sam, Steve and you are bound to protect me? Because of this society that was formed?”

“Us too,” Andy adds, “My great-great-great-great grandfather, Reginald Barber was a politician, went to Marie for some help around the same time as Sam’s granddad did, and when she fulfilled his request, he also joined.”

“My grandad is a writer, he too ended up joining the society in the early sixties with your grandmother when his first novel blew up.” Ransom says, “Harland Thrombey.”

“Harland Thrombey, the mystery writer, right? I thought he had a daughter?”

“That’s my mom. When I was born, I took her place in the order.”

You lift your eyebrows, nodding your head, “Wow.” you laugh a little, “So, what exactly do you guys do for me?”

“We just keep you safe. Watch over you, try to fulfill all of your… needs.” Sam answers with a smirk on his face and a glint in his eye, “Keep the bloodline going, if need be.”

You squint suddenly as the wheels and gears in your brain turn, “Wait so, this is passed down? From generation to generation?”

“Yes.” Andy answers simply.

“So, that means that all of your fathers, had sex with my mother? Am I.. oh my god,” your hands fly to your face, “Am I related to you one you?”

“No, oh my god!” Ransom recoils, his face screwed up in disgust, “The fuck do you think we are, weirdos? No.”

Steve laughs, rubbing your stomach with his large hand, “Your father is James Rhodes. He’s part of the congregation, the followers of your grandmothers. He was chosen for your mother, just like your partner will be chosen for you.”

You blink, your mind empty, “Chosen?”

“It will be someone either in the society— one of us— or someone in the congregation.” Steve nods, “Either way, your partner will be someone who will understand our debt to you and your family. If your partner is indeed someone in the society, that person is then removed, so there’s no impropriety, and someone in the congregation will take his place to keep the society full. Once you’re paired with whoever, we all then have a duty to reproduce so our children can take care of yours— again, with women in the congregation who understand our duty, and so on and so forth.”

You fall back against Steve’s chest, slumping a little at all of the information, “It’s a lot,” Sam reassures, “I know, I’m sorry.”

Insane is what it is, you think, rubbing your forehead with your manicured fingers. Somehow though, it all just kind of makes sense, “You said there was another condition? After you and Bucky went to Louisiana? What was it?”

“Me.” Bucky smiles, leaning back into his seat as his eyes fall into his lap.

You glance back at Steve, “I don’t understand.”

“In order for me to achieve this,” Steve motions towards his body, “Something had to be sacrificed, “The spirits chose Bucky. Some years later, after we joined the army—”

You gasp, covering your mouth again, “When he fell from the train.” You finish for him.

Steve just nods, “I put two and two together after a while. I went back to Marie and told her I was done— I wanted out and I didn’t care what happened to me for it. So I ended up just kind of floating through life. Threw myself into my work and saving the world. I didn’t know at the time that some of my blood had gotten into the hands of the Germans during the war. They studied it— noticed that my enzymes were nearly indestructible. They created the super soldier serum to replicate my strength and healing abilities.”

“Hydra, is what they were called. They found me and started experimenting.” A sad smile covers Bucky’s face. You lean forward, cupping his cheek in your hand and rub your thumb just under his eye. His smile turns upward as he nuzzles into your warm palm, “I’m alright.”

“I got wind of Bucky in the eighties, he had assassinated this researcher, they actually got a picture of him. I had to bring him home,” Steve shrugs, “But he was tricky— elusive. I tracked him for a few years but I couldn’t ever get close, and I knew I only had one option at that point.” Steve rests his lips against your shoulder, brushing them back and forth slowly against your warm skin, “I tracked down your grandmother and your mom for help.”

You feel him smile against you and you turn, throwing your arms around his neck as he continues his story, “You were barely walking when I met you the first time. You were so cute, so little. Even though I was still pissed, you stole my heart as soon as I saw you. You were the only innocence in this craziness.”

A tear slips down your cheek. He wipes it away with his fingers, smiling softly at you as you’re overcome with emotion, “Did you used to read to me?” you ask with a shaky voice, the early, fragmented memories you have of a blonde, blue eyed man suddenly making sense.

“Tamerlane by Edgar Allan Poe was your favorite.” he smiles, “That’s how I knew it was you last night. Poe was your favorite, even back then.”

You hug him tightly and feel hands on your back and shoulders, a pair of lips on the top of your head and the side of your face as Andy, Bucky, Ransom, and Sam crowd around you, “We brought you home now.” Sam voices gently, “We’ll take care of you baby. From now until the end of days.”

You let them soothe you. Let them stroke your hair and whisper their sweet nothings. Let them kiss your skin and wipe away the tears as the sun cutting into the room through the windows washes you in warmth. You lean back after what seems like forever, sniffling gently as Steve brushes those fingers underneath your eyes, “I want to meet my mom.”

“Of course. We’ll take you to her whenever you’re ready. She was supposed to be here but, she couldn’t deal with the heartbreak again if it wasn’t you. She’s been looking for you for so long— they both have.”

You exhale deeply, closing your eyes as you rest your head against Steve’s chest, nuzzling into him, “Why was I taken?”

“Somebody sent a tip to the police that your mother was living in a commune—” you feel him tense, his tone going harsh, “Just a nosey ass woman who didn’t have anything better to do with her time. Made up some shit about drug trafficking coming out of the house. It was raided while I was in Europe— they took you, put you up for adoption. I should have been there. I should have protected you.”

“You're protecting me now. That’s all that matters.” You whisper, “But,” your voice drops away as you open your eyes, blinking slowly.

Ransom’s massive hand runs up and down your back, “What is it, honey?”

“My sister. My mom and my dad— the people that raised me. I love them.”

“We are not going to take you away from them,” Bucky answers quickly, “They’re a part of you. We understand that.”

“Can’t wait to meet that sister of yours,” Ransom adds, “She seems fun.”

You laugh through the fresh wave of tears that have wetted your face, “She is fun. She has a boyfriend named Peter, he loves you two,” you smile, gesturing towards Steve and Bucky, “He’s gonna shit his pants.”

You close your eyes again, your head starting to pound from all of the information that’s been placed at your feet. Your stomach churns and you shiver, causing Steve to tighten his grip, “Let’s lay you down, huh? That was a lot to take in.”

They all follow you and Steve back into the bedroom where you first woke up that morning. You’re stripped naked again, crowded in the middle of their hulky bodies. They let you cry. They let you talk aimlessly. They let you get angry, and then sad, and then content as you work through your sordid history. One by one, their lips are on yours again. Hands dig into your sides and grip your thighs. Languid thrusts, hot breaths, short whimpers, and long cries fill the room as they make love to you over and over.

Your bones are liquid. Your body, your cunt stretched and used— so sore you’re not even sure your limbs are connected anymore. You come, time and time again, from their mouths, their fingers, their wet, hard cocks. You take it all— two of them stuffing you full while a third occupies your mouth, the other two not-so-patiently waiting for their turn at you.

Sleep tugs at you from every angle after a while and you fade in and out as the day drags on. Women come to you in your dreams— the women of your family. They whisper to you, the great secrets of your long lineage. They smile and lay their hands on you, filling you with their spirits, their love.

You’re suddenly at a large body of water— Bayou St. John. A woman perches by the bank, her hand swishing back and forth in the cool water. You traipse towards her through the tall grass, your feet sinking into the wet ground. You kneel next to her as she sings a native song. She’s wrapped in a red, white, and blue shawl, her eyes sparkling as she turns towards you. She cups your face, running her hand down your cheek and jaw before she reaches into the water and pulls out a large, multicolored fish.

You spring forward, gasping hard and deep as you wake from the vivid dream. You cover your face with your hands as a chill runs down your spine, your forehead covered in a cold sweat. Without thinking, you splay your hand over your stomach as your heart stills. There’s movement behind you— Steve slinks his hand around your middle, settling his hand over your much smaller one.

You peek over your shoulder and he’s staring at you, his lips parted slightly, his blue eyes wide and full of knowing. His words from earlier coming back to you. Your partner will be chosen for you. It will be someone either in the society— one of us— or someone in the congregation. You lay back down, curling into him, tracing his nose and jaw, his chin and eyes with your fingers as he blinks back at you.

“Did you see her too?” You breathe. Great-great-great-great grandmother Marie Laveau.

He nods, “I’ll take care of you,” he whispers as Sam, Andy, Ransom, and Bucky all sprawl out around the two of you, “I promise.”

You nod, smiling slowly, “I know.”

You mean it. You know he will— that they all will.

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weasleyswizardpleases · 4 years ago

Text

And the Living is Easy (Fred x reader)

Summary: You spend the first night of summer vacation getting into trouble with the Weasleys + Harry and Hermione. Fred x reader. Fluffy mischief mostly, but sex is discussed and implied.

Warnings/Notes: Light sexual content but not all out smut, alcohol, heights, language. I wrote this to be a stand alone, but I enjoyed it so much that it might become part of a loose series of slice of life-y reader x twins fics set at the burrow over the summer! ps i did not edit this at all after writing it at 2am so. uh

Summer at the Weasley’s is my favorite time of year. After my mother passed, you were tossed around from boarding school to boarding school, relative to relative, never really having a say in where you went, or with whom. But ever since becoming fast friends with Fred and George while repairing brooms for the Gryffindor Quidditch team, you’ve pretty much been considered an honorary Weasley.

You stow your suitcases in the overhead and squeeze into a seat next to Fred and George. Across from you, Ron, Lee, and Harry are packed in.

“Do you reckon you’ll ever make it out to the burrow, Lee?” asks George pointedly.

“Yeah, you don’t know what you’re missing out on. Mrs. Weasley’s hotcakes are out of this world.” Harry says.

“And there’s loads of space to play quidditch.” you say.

“And loads of secret spots not even Mum knows about where we can basically do whatever we like.” adds Fred.

“You know my mum will hardly let me out of her sight for a day. Merlin’s sake, she’s practically ass to elbow on me all summer.” Lee says, faking a pout. “Quit ribbing at me, would you? Or I’ll spend the summer in my room coming up with derogatory names to call you on the Quidditch pitch.”

Murmurs of “Come on, we’re only joking.” and “Fine, fine.” fill the packed compartment. You lift your rat Pansy up to the window to show him the scenery.

“Bet you’ve never seen the fine English countryside like this, eh Pansy?” you baby-talk at him, scratching his little noggin.

“You know that thing is never gonna talk back at you, right Y/N?” says Fred, rolling his eyes.

“You never know. Look what happened to Scabbers.” you say, wiggling you eyebrows. “This rat could also secretly be a creepy little pervert who watches me undress at night.”

“I suppose it isn’t unprecedented in the rat community,” agrees George. Ron scowls in disdain.

“That’s my pet we’re talking about!” he says, causing everyone to burst into laughter.

“Yeah, fine pet he was.” says Harry, grinning.

“I will say, Ron-” Fred begins, clearing his throat. “You’ll never find another like him.” He claps his little brother on the back and stands up, peering down the hallway. “Oi, it’s the trolley, look alive Georgie.” George rises and straightens his coat. The boys have been planning for ages to charm the trolley witch into selling their skiving snackboxes. They run off down the car towards her. You tuck Pansy back into his cage and watch the scenery go by yourself. Before you know it, you’re being shaken awake by Fred and George.

“C’mon, Dad is waiting!” says George.

“Got you some chocolate frogs, but that means you owe us one.” says Fred, shoving a wriggling paper bag into your hands. Delighted, you expertly open the bag, catch a frog, and slurp it up before it manages to escape.

“Tank -ou” you mumble, your mouth still full. Lugging your trunks over to meet Mr. Weasley, you smile with excitement. Every summer with the Weasleys is a blast, but you know this one will start off with a bang because last week Fred absconded with a jug of top shelf mead from Filch’s office. You’d all agreed that you needed it more, since you want to have fun and have no money, while Filch obviously dislikes fun and ostensibly has some amount of money squirreled away from all his groundskeeping or lurking or whatever his job is.

After greeting Molly, you and the twins bound up to their room- and, when you’re here, your room- pushing and shoving your way up the narrow stairwell. You toss your things down and throw yourself onto a bed, spreading your arms as if making a snow angel.

“Oh, boys, it is good to be home!” you say, laughing. Fred and George always joke that their mother likes you, Harry, and Hermione better than any of her own actual children, and you love teasing them about it.

“Speak for yourself, she’s already got that sending-us-to-de-gnome-the-

garden-while-hungover gleam in her eyes,” retorts George good-naturedly.

“And get your shoes off my bed! Mum will have all three of us beating out the rugs if she sees that.” says Fred. You close your eyes and pretend to be asleep, baiting the boys into attempting to push you off the bed. You wind up making such a ruckus roughhousing that Hermione comes in looking concerned, seemingly appearing out of nowhere. You all three pause from your compromised position to look at her, you releasing a vise grip on Fred, George dropping your left leg, which he had been twisting violently.

“When did you get here?” you ask, running to hug her.

“Just apparated over, my parents would never forgive me if I didn’t at least drop by for dinner before practically moving here for the summer!” she replies, turning to greet the twins.

“Are you going to be participating in our little soiree tonight, ‘Mione?” asks George, raising an eyebrow.

“What are you three planning?” she asks sternly, stifling an excited smile.

“You’ll just have to wait and see,” you say.

“But don’t wear white shoes.” warns Fred. Hermione gives you all a funny look before running off to finish her greetings.

“Where are we going tonight, Freddie?” you ask, looking up at your tall friend. He gives you a cheeky glance.

“Oh, out by the bog. There’s a huge hill between there and the house, so we can make a fire and nobody will see.”

“And there’s a huge stand of trees and a pond between that spot and the neighbors’,” says George.

“You two have got it all figured out. And you’ve got the firewhiskey! What a night, what a night it shall be.” you say, your voice singsonging as you dance exaggeratedly.

“Too bad nobody invited any girls.” says Ron from the doorway. He’s been standing in the hallway looking in the mirror for some time now, fussing with his hair.

“What am I, chopped liver?” Ginny shouts from her open door down the hall.

“YOU don’t count!” Ron replies.

“We know you’ve got someone else in mind, little brother.” George says, flicking Ron in the ear.

“It’s pretty obvious,” Fred agrees.

“You get all flustered when she corrects your grammar,” you say.

“And you let her braid your hair.” says Fred.

“And you-” begins George, but Ron interrupts, his face beet red.

“Shhhh! Buzz off you two, or I’ll start blabbing on about who you’re interested in as well.”

The twins exchange a somewhat threatened glance, but say nothing.

“That’s right, I’m not as dull as you lot like to think, thank you very much. I notice things. So let me alone or I’ll sing like a canary!” Ron finishes, turning back to the mirror for a final glance at his hair before trotting downstairs.

“You two have crushes?” you demand, turning to stare down the twins. Fred shrugs with his usual attitude but you notice a light blush spreading across each of their cheeks. You swat him across the chest. “Why didn’t you tell me? Who is it? You motherfuckers.” You grab George by the collar. “George, tell me who it is! A crush, my god.” You throw your hands up in the air. They’re being super weird, so you decide to drop the subject. “When you snog every girl and half the boys in the school, between the two of you, you practically hold us all down to tell us the details but now you’ve got a crush and suddenly you’re like a couple of mimes.” You look each of them in the eyes, and both avoid your stare. “Fine! Don’t tell me.” You throw your hands up in mock anger and lead the charge downstairs to begin setting the table for dinner.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~After dinner, you pass the evening playing cards and chatting until Mr. and Mrs. Weasley retire for the night. Then, you’re left with all your friends and Percy, who it has been agreed simply cannot know you’re sneaking out to drink in the woods, because he is a killjoy. Using a previously discussed maneuver, Hermione attempts to trick him into believing that she and Ginny are going to bed, hoping that he will get nervous about being bullied if left alone with you and the twins, and elect to follow them to bed soon after. However, Percy is in an unusually jovial mood, and so Ron and Harry are forced to retreat as well. As a last line of defense, you pretend to fall asleep on George’s shoulder, nuzzling into his sweater. When Percy gets up to go to the bathroom, you dash outside into the moonlit yard, covering your mouth so your giggles don’t give you away. You run to crouch behind the garden shed, doubled over with laughter.

“I thought he would never stop yapping.”

“God, how are you two related to that bore?”

“We can’t help it.” Fred says, bending to gather rocks from the ground.

“What are you doing?” you ask.

“Watch!” he raises his hand to throw a pebble at Ginny��s window, but you grab his wrist.

“Have you lost the plot? Percy will hear! And probably your mum too, with your aim. I’ve got a better idea,” you say, peeking around the garden shed while gesturing for the boys to stay put. You pop out of the shed with a dusty, rickety broom.

“Does this thing still work?” you ask.

“Well enough,” says Fred, getting a running start and jumping on the broom. Wobbling a bit, he sails up to Ginny’s window and confers with the girls, then moves on to Ron’s window, where he perches on the sill, one foot dangling out the window.

Beside you, you’re aware of George’s presence beside you in the cool, sticky night.

“Bloody brilliant,” he murmurs, elbowing you gently. “How’d you even know that thing was in there?”

“Lucky guess. I mean, with a family full of Quidditch players, there’s bound to be a broom lying about someplace.”

Fred jumps down onto the broom and turns a few experimental loop de loops overhead before nearly falling and coming to a shaky landing near your feet.

“That one belongs on the rubbish heap, honestly,” he says, laughing as he tosses the old thing aside.

“Oh, sure, blame it on the broom,” you tease.

He’s soon followed by Ginny and Hermione on Ginny’s broom. They glide down and come to a halt next to you, stepping down gracefully.

“How are Harry and Ron going to get out? They’d have to go right by Mr. and Mrs. Weasley’s room, unless Harry has his broom up there with him, but I think I saw it in the foyer.” says Hermione, looking at Fred worriedly.

“Well, err, I told them to climb down,” says Fred earnestly.

“What?!” says Hermione. “They’ll be loud as bison, besides probably breaking their necks.”

“It’s not my fault they’re too dumb to pass their apparation O.W.L.S! They’ll be fine.”

As he finishes his sentence, Ron’s window slides open and Harry’s head pops out. He lowers what appears to be a rope made of sheets and blankets tied together. Hermione’s brow furrows as she watches, helpless, while Ron artlessly slips one leg out the window, before even checking to see that the “rope” is nowhere near long enough to reach the ground. Ginny giggles, biting her lip when she sees Hermione’s distress.

“Do something!” Hermione hisses, nudging her. Ginny groans and soars over to boost Ron onto the back of her broom, going back to do the same for Harry.

“Shite! The firewhiskey,” you whisper, smacking your forehead. Everyone lets out a collective groan, but before you can send someone back up to hunt down the alcohol, Ginny opens her backpack, revealing the gleaming jug. Everyone cheers, but then quickly realizes that loudly cheering may have blown your cover. Fred and George scurry off into the brush and you all follow them down a lightly trod path through the countryside, eventually reaching the open bank of a large, murky pond. This is a spot you’ve never been to before, probably because it’s a fair stretch away from the house, and apparently from any civilization at all.

Hermione quickly conjures a large fire, creating a pocket of warmth in the chilly night air. You lean against a large rock and shiver when the cool stone brushes the back of your neck. Ginny pulls out the firewhiskey and hands it to Fred, who pops the cork, shouting with glee before knocking back a sip and passing it to George, who passes it to you. The familiar sickly sweet liquid burns your throat and warms your stomach, and you feel your (already barely existent) inhibitions begin melting away.

Before long, Ron suggests that you all play a game, and you run through your options: truth or dare, spin the bottle, a wizarding game you’ve never heard of, and hide and go seek. Hermione refutes hide and go seek on the basis of safety, and Fred refutes spin the bottle on the basis of the fact that four out of six of you are siblings. Not everyone brought their wands, so you can’t play the magic game, and you’re left with truth or dare as the apparent winner, which you were rooting for anyway, because you want to see what you can get the twins to do. It almost makes you wish Percy was here so you could put him in a compromising position, but knowing him, he’d find a way to make walking on hot coals boring.

“I’ll start, I’ll start!” you volunteer, looking around the circle. “My first victim will beeeee…” you look at Hermione, who cringes nervously, then spin around to point at Harry. “Harry Potter. What will it be, Mr. Potter, truth or dare?” you ask.

Harry shrugs. “Hmm.. I’ll do.. Dare, why not?” he replies.

“Alright Harry, I dare you tooooo.... Oh, easy. I dare you to smack Ron every time he says something you think is stupid tonight. And be honest, or we’ll smack you,” you say. The twins nod in agreement.

“That’s not fair! That’s barely a real dare!” protests Ron. You raise an eyebrow at Harry, who turns and gives his friend a good wallop.

“Alright Harry, your turn.”

You play for nearly an hour, all the while passing the bottle lazily between you, until everyone’s good and tipsy on the strong liquor. Several good dares are exchanged: Fred is dared to give you a lap dance, which he does with gusto and an uncomfortable amount of eye contact. You dare Ginny to race you across the pond and back, and you both strip down to your skivvies and plunge into the chilly water. Ginny wins, of course, but you just wanted an excuse for a swim. Fred lends you his cloak, patting it onto your shoulders to dry them before you pull your pants back on. George dares Ron to walk back to the house and get food, which he reluctantly agrees to after everyone bullies him into it. By the time he gets back with a basket of pastries and jam, you’ve transitioned to mainly truths, because the well of dares has run dry.

When it’s Hermione’s turn to ask Fred, she blushingly asks if he’s lost his virginity.

“What, do you all think I’ve snogged every girl we know without scaring? Have a little faith, please.”

“Clever, but that’s not an answer!” slurs Hermione, pointing at him and grinning. “Have you actually had sex before, or do you just talk a big game?”

“Well, have you?” you ask, laughing as he tries to bluster out an answer.

“”Course I have. Ask anybody. Everybody must think George and I are the male sluts of the century, the way you people talk.”

“Still not an answer!” you say, looking at him mischievously.

“How’s this for an answer, then?” he retorts, pulling you to his waist and kissing you on the lips melodramatically, throwing you up against the rock, practically fucking but for the clothes. What’s probably thirty seconds of kissing at most feels like an hour. Everyone goes “Oooooh!” and when he finally lets you go you’re flabbergasted, but you recover your senses.

“Point taken, then. Alright Freddie, your turn,” you say, straightening your clothes and trying not to look like you enjoyed that.

“I dare Hermione to let us play hide and seek, for fuck’s sake,” he says, lazily.

“Ugh! I might be drunk but I’m not letting anyone stumble around alone in the pitch black plastered out of your mind. Ask me a real question!”

“What if we weren’t alone?” Harry asks, looking around. “I mean, we could go in pairs or little groups. Like team hide and seek, basically.”

“I call Fred and George!” you cry, throwing your arms around their sweaty necks.

“Fine, but please be careful. And everyone should be on a team with at least one person with a wand,” says Hermione, who teams up with Ron. That leaves Harry and Ginny on the last team.

George produces his wand and casts an illumination spell.

“Not it!” You shout, immediately echoed by Ginny.

“Alright, we’ll count to 50” says Hermione, but Harry and George protest until they finally agree to 3 minutes.

Fred tears off into the woods and you and George follow, bushes thwacking you in the face, vines snagging at your ankles. You break through the brush into a field, panting, and stop for a break.

“Where are we going?” you ask, looking around. “And where are we?”

“No idea!” Fred says gleefully.

“What about over there?” George nods towards a patch of grass and trees down in a glenn. You lope down hill through high grass and crash to a halt in the stand of trees, crouching low. Fred huddles next to you and George clambers clumsily into one of the trees, flattening himself into one of its crooks.

You can feel your stomach churning after your run, but you manage to successfully push down the acrid taste rising in your throat. Above you, you hear George belch, and just manage to slip out of the way as he spits a pitiful glob of vomit to the ground.

“Oi, we’re down here, you lout,” hisses Fred, ducking.

“Look at the state of you,” you drawl, bumping into Fred as you readjust around George’s vomit. He groans from his spot up in the tree and lies back down sleepily. To your surprise, you feel the urge to pull Fred closer rather than pushing him away. The earthy smell of the forest floor calms your stomach, and you find your mind wandering to his lips, his hands on your waist and neck. Buzzing with drunken impulsivity, you wrap your arms around his slender waist and pull him to sit beside you. He looks surprised, but readily slouches against the tree trunk next to you. You can feel his chest rising and falling with each breath. The air is still and cool in that settled way characteristic of the night.

Overhead, you think you can hear George beginning to snore.

“Freddie-” you begin, but before you can say a word, his lips are on yours, his hands tangled in your hair. You push him down and roll over so that you’re straddling him, gripping his jaw in one hand as you kiss him, hard, then gently. His lips are softer and more relaxed than they were when he kissed you earlier, and his body less certain. There’s no false bravado in him now, and you bite his lip gently, your tongues barely batting together. You reach down to unzip his pants but he pulls back.

“Y/N- I- Look, I may have lied earlier,” he says, his face flush with desire and embarrassment. You look at him quizzically, your drunken mind not connecting all the dots.

“What do you mean?”

“Well, I haven’t… done this before. I’ve only ever kissed. Although I’ve done quite a lot of that.” he says quietly. You blink.

“Oh. Oh! You total freak. Why go to all that trouble to convince everyone you have?”

“Have you considered that maybe I just wanted to kiss you?”

This shuts you up. He pulls you back down to kiss you again, this time on the cheek, on the forehead, the neck.

“Don’t do anything you don’t want to do,” you say carefully, brushing a bead of sweat from his forehead.

“No… no, I’m ready. I want this now,” he says, tugging at your shirt. You pull it off over your head and toss it into the grass, the game of hide and seek forgotten. Let the shirt be a warning flag to any nosy passerby. Fred kisses across your chest.

“Freddie, we’re drunk,” you remind him, your breathing growing heavier as his tongue flicks across your nipple.

“I want you,” he mumbles into the crook of your neck in between kisses. “I want you, I want you, I want you,” he says. You kiss him in reply, and move again to unzip his pants. You feel his hard member ready to burst out of his jeans, and it sends a thrill through you.

You had considered that you might one day wind up with Fred or George, and honestly, you had figured it would be on some less-than-sober whim like this, but you never really pictured it. You certainly never imagined Fred like this, innocent and tame, hoping for someone else to take the lead.

“Will you show me how?”

“Yes,” you breathe your reply into his mouth.

“Will you go slow?” he asks sweetly, his coy submissiveness sending tremors through your body.

“Yes. Come closer.”

In the morning, you groggily open your eyes at the sound of birds chirping. You sit up, your head throbbing, and look around. Above you and a few feet to your right, George is sleeping soundly on his belly in the flat convergence of an oak tree’s branches. To your left, shirtless and smeared with dirt, is Fred curled on top of his cloak, also fast asleep.

“Guess they gave up on finding us,” you mutter, running a hand through your hair to smooth it into place. You remember what happened last night well enough, although some parts are cloudier than others, and you don’t remember deciding to fall asleep at all. You suppose it just happened at some point. Your heart beats faster, wondering if you and Fred will be an item after this, or if he’ll want to keep it quiet, or if you just won’t talk about it. You’re not sure what you want, yet. It’s still purple pre-dawn in the countryside, the sun not quite peeking over the horizon yet.

You know you enjoyed yourself, and you adore Fred- as a friend, certainly. As something more? Maybe. You brush away your anxieties and trust that you’ll settle things when you’re less groggy. Suddenly, it dawns on you that you’ve got to get back to the house before Mr. and Mrs. Weasley wake up and notice your absence. You stand up as though the ground caught fire, kicking at Fred and shouting at George to get down.

You fetch your shirt from a nearby bush, and pluck a twig from Fred’s hair as he looks up, dazed.

“God, my head,” he says, squinting up at you. “What the hell time is it?”

“Never mind that, you’ll have worse than a headache if we don’t get back to the house by like, yesterday.”

“Merlin!” George exclaims, perking up and basically falling from his perch to the ground. Recovering he stands up, taking his surroundings in. “Hold on, what the hell happened to you, Fred? Where’s your shirt?”

“No time for all that, go!” you say, shoving George in the direction you suppose the house is in. You muster as fast a pace as you can and follow him, Fred scrambling to gather his cloak and tee shirt before catching up with you. With George’s back to both of you, you exchange a goofy grin and a wave of relief runs through you. He obviously doesn’t consider last night a mistake, either. You slip your hand into his and make your way into the breaking dawn.

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lunewell · 3 years ago

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The Lunewell Saga - Natura: Chapter 1

Finally, finally I can show you guys a preview of the horror book I’m publishing in October (:. You can find chapter 1 below, and if you’d prefer, you can read it on ao3 by clicking here!

Chapter 2 is now out and can be found here (:

Enjoy!

Book Sumary:

Zarifa Birch, an antique shop worker with an unusual past, has made a home for herself in the sleepy town of Lunewell. Though the shop she works at is not exactly ordinary, with cryptid items and odd occurrences, she has managed to carve the normal life she always desperately wished for out of it.

However, all that comes crumbling down, as a woman from Zarifa’s past throws everything into chaos. Faced with unimaginable horrors, seemingly unsolvable mysteries, and returning repressed feelings and memories, Zarifa along with her coworkers, must find a way to return the balance- and escape the cruel hands of death in this eldritch horror mystery.

Chapter 1:

Thorn’s Antiques and Restoration, tucked away in the tall trees that encircled the small town of Lunewell, wasn’t the place where one would expect a woman like Zarifa to work. The building was merely a converted two-story brick house, though even then the antique shop itself only operated on half of the ground floor and the basement, and the employees could consider themselves lucky if even so much as a single soul wandered in.

From an outsider’s perspective, it made no sense. Zarifa did not originate from Lunewell, had little to no interest in antiques, and had a Bachelor’s in English of all things, whose only tie with antiques was the pompous, ivory tower assholes pestering both fields. However, if said outsider were to ask Zarifa herself, or any other of the two working in the building, why she had this job, she would have said that it was the only path she could have ever imagined herself working.

Though even she had to admit, for as much as she loved her job, it could sometimes be… tedious.

Very tedious.

“How many crates of… art did we receive again?” Zarifa asked, white patched ebony fingers holding one of the many, many paintings of eerily realistic human eyes shoved haphazardly in a box. The crates had arrived this morning, heavy and worn, and were sitting in the off-white ‘employees lounge’, that only equated to a singular desk, a sofa, a microwave that never heated all the way through, and two uncomfortable plastic chairs.

“Only two,” Bruin responded, not bothering to look up from the wooden desk, where he had his nose buried deep in a black title-less book. Zarifa would have asked what he was reading, but stares through dark thin eyes and sighs had long taught her not to. “Bought in by an Anthony Bell earlier this morning.”

“Thank you,” Zarifa said, giving Bruin a warm smile that didn’t go noticed. She then turned to her other coworker, who had been sitting sheepishly on one of the back-destroying white chairs. “Why do we have two crates of creepy eye-paintings, again?”

“Okay there’s actually a good reason this time boss,” Grant said hastily, chestnut brown hair messy and glasses half sliding off his face, “I was taking a walk to that cosy little bakery- you know, the one owned by that very sweet elderly couple on the other side of town, which by the way makes cakes straight from the heavens-”

“So you were walking to the bakery, and then?” Zarifa interrupted.

“Oh right. I had walked a little ways from the house, when I saw a white van stopped up by the road with a man looking quite pissed off outside. I went up to have a chat with him and found out he was an absolutely fascinating art major named Anthony who had run out of petrol. To make a long story short, I invited him in for a cuppa whilst he waited on the towing truck, found out he was getting rid of these absolute gems, and bought them off him.”

Zarifa and Bruin, who had finally looked up from the pages, both stared at him. Bruin was the first to break the silence; “you bought antiques from an unverified source, in a van out of petrol, who you also invited inside my home for tea?”

“Hey! I pay the rent too!” Grant defended, “and besides, I got, you know, the feeling off him. There was already a description of the antiques inside the box, meaning they’ve been passed around a little. If you two don’t want them here, I can take them.”

“We can keep them,” Zarifa decided, looking at the realistic paintings once more. They were all extremely similar, each one having a blue iris and white pupils. As she moved around the box, it almost felt as though they were all following her movements. She shivered and put the lids back on; “I’ll carry this down. Grant, go open shop, and Bruin, go register these in the system, please.”

Grant gave her a mock salute, before trudging out of the door and into the shop room, whilst Bruin nodded and turned to the big, archaic box of a computer sitting on the desk. Zarifa stacked and grabbed the two worn crates, surprisingly light in her arms, and made her way to the spiral staircase. They were narrow, seemingly ever looping steps falling into darkness that made walking down them almost impossible. She had once tried to convince Valour to install some lights over the stairs, to reveal the actual length of them and to make sure Grant would stop tumbling down into the abyss, but she had only received a stern no and an icy glare that could kill.

So her only options were to walk down carefully, whilst gripping onto the wall for dear life, like she was currently doing. The stairs went on for what seemed like minutes, nothing in her sight as she was swallowed in complete darkness, with no way to judge her surroundings except her shoes hitting the steps. Finally, a flickering light made its way up the stairs, and she saw the start of grey concrete.

To say the archival basement was lit, was perhaps a bit of an overstatement. There was precisely one dim and occasionally flickering lamp in the room, slightly illuminating cobwebs glued to the walls and dusted shelves of antiquities, but not much else. However, the room was like a scorching desert sun compared to the void Zarifa had previously descended.

Making her way between the shelves, past the bag of hand-sewn doll-heads, slightly cracked vases, and mirrors so ladened in dust that one couldn’t see the distorted reflection anymore, she found a small group of paintings. Paintings were one of the rarer antiques for them to receive, so there was plenty of space for the two crates.

Before slotting them in, she opened them, quickly counting the amount. There were fourteen in total, seven in each box, all in a roughly similar condition and all painted in the same way. Oddly enough, there was no signature nor name, but there was a little slip of paper at the bottom. She picked it out of the crate, and stuffed it in the pocket of her blazer, before closing the lids again.

Zarifa slid the boxes between a painting of a single red rose titled ‘Chaos’, and a two-hundred-year-old painting titled ‘A Girl in Field’ containing a suspiciously girl-less field. There had been a debate on whether they were all just missing her, whether it was a mislabelled piece, or if it was supposed to be some kind of metaphor, but seeing as it was hardly the weirdest thing in the basement, they had all just grown to accept it. She shivered once again, the basement giving the feeling of being watched, and grabbed the golden butterfly that hung around her neck. She fiddled with the wings, every touch calming her slightly as she began making her way up the stairs.

The ascent up the spirals always seemed to take a considerably shorter time, perhaps because the imminent danger of falling had disappeared. Zarifa was up at the top in the blink of an eye, walking into the lounge to see both Bruin and Grant inside. Bruin turned to her from the computer; “‘Antique Eye-Painting x14’ has been written on the document,” he informed. “Did we have any other information?”

“I couldn’t find any signature or date on the painting itself,” Zarifa said, reaching into her blue blazer pocket and pulling the paper with a heavy brown tint out, “but there was a note accompanying it. The paper looks old enough to consider it an antique, at least.”

“Well, go ahead,” Grant piped up from the couch, “tell us about dear Anthony’s creepy eye pairings.” Zarifa nodded, unfolding the paper as carefully as she could, and began reading.

‘The Grey Man’ by Elizabeth B.- 1885

He is watching from the water. Watching with the trees.

Tick. Tock. Tick. Tock.

The Grey Man is knocking

“Grey Man?” questioned Zarifa, “that’s not a reference to anything, is it?”

“Not as far as I know,” Grant said, sitting up from where he had flopped on the couch, “help us out Bruiny?” She heard a sigh from the corner, and a slight grumble, but he did eventually speak.

“The Grey Man isn’t a reference to any historical event, no,” Bruin began, “but it isn’t something we haven’t heard before. I believe it’s referenced somewhere in Valour’s notes”

A heavy silence fell over them at the mention. “Oh no,” Grant began, “no, no, no. The weirdly detailed cult worshipping cows with inverting eyes was enough, and the murderous glare Valour gave me afterwards almost made me piss myself. I am not going through those notes again, I don’t want to be skinned alive by our own version of Leatherface.”

“That’s a bit far, isn’t it?” Zarifa said, “We shouldn’t go around accusing her of being a murderer, just because she’s a bit…”

“Mental?” Bruin quipped from the back.

“...peculiar,” she settled on, “she’s a bit peculiar.” Zarifa knew, of course, that calling Valour peculiar was a massive understatement- and even calling it a massive understatement was a massive understatement, but she would not be the one to speak ill about her boss with a potential murder streak thank-you-very-much.

“Need I remind you of that day Valour came covered head to toe in ‘red paint ’ that smelled suspiciously like copper?” Grant said, “she obviously did some serial-killering-“

“Killering?” Bruin asked with a cocked brow, turning Grant a salmon shade of pink and bringing a bright smile on Zarifa’s face that reached her dark brown eyes.

Grant made sounds akin to a drowning man. “It doesn’t matter,” he finally sputtered out, “what matters is that our dear creepy landlord was covered in what was clearly blood, passed it off as paint, and we just acted like it was normal!”

“I don’t like it either, but I’m not going to be the one to call her out. Besides, maybe it’s a good thing. At least the days here are... interesting.” Zarifa said with a smile. “If we stopped the weirder stuff from happening, these days would pass slower. Especially since we don’t have any custom-“

The sound of the bell that hung above the door, a loud and horrid thing, rang through the building.

“You were saying?” Bruin said, looking as amused as Bruin could be. Meanwhile, Grant shot up like a puppy, sprinting in an unprofessional manner towards the counter. Zarifa joined him, though her walk was much more slow and graceful.

She crossed through the shop door, which always stood wide open nowadays, and turned the corner. However, she stopped before she could reach Grant, who was staring at the stranger as much as she was.

Now, what needs to be said and understood about Thorn Antiques Shop, and the town of Lunewell in general, was that strangers were one of the rarest sights. Sure, occasionally one could find one of the neighbours’ relatives, or a gang of cyclists and hikers, and even tourists that had gotten hopelessly lost, which was impressive considering landing in Lunewell was a skill within itself, though these were few and far in between.

The customer, who was scanning through the shop with what Zarifa could almost call interest, didn’t look remotely like a relative, a hiker, a cyclist, or even a lost tourist.

She was short, with strawberry blonde hair tied into pigtails by two baby pink ribbons, pale but warm skin that made the light freckles on her cheek pop, and a stark black leather jacket which was visibly well-loved. There was something incredibly familiar about her, though Zarifa couldn’t pin down exactly what it was.

The customer’s fingers trailed over one of the antique chairs, before she sprawled over the priceless thing like a rag-doll. The violation snapped Zarifa out of her trance; “Excuse me, miss, but you can’t sit in those chairs!” she informed the customer, her voice raising a pitch higher when the blonde started fiddling with a lighter suspiciously close to the fabric.

The customer’s head snapped up like a predator hearing prey, and for the first time, Zarifa noticed the woman’s eyes. The irises were a bombastic explosion made of hues of bright green, though it was almost impossible to tell from a first glance, as the pupils were blown so wide as to make the colour but a ring around a black hole.

There was both something incredibly dangerous about the way she stalked over, sizing her up with those void eyes, but simultaneously, something incredibly intriguing- dare she say attractive- about the girl that made Zarifa want to keep her eyes on her forever.

“Waste of a good chair, really,” the customer began, leaning over the counter, “what the fuck kind of shop doesn’t allow you to test the chair before you get it?”

“I know!” Grant exclaimed, turning to the dark-skinned woman. “That’s what I keep saying! How can I know if the chair is good if I’ve never tried it!”

Zarifa shot a disapproving look at him, irritated that he would encourage this girl. “What can we help you with, miss?”

“Oooh, miss.” the woman drawled, “I’m looking for a collection of very… special papers that I left in the hands of one Valour Thorn a few years back.”

“Special?” Grant asked, a look of confusion passing over his face. Zarifa was sure she mirrored the same puzzlement, but the woman merely grinned- an expression that yet again invoked that familiar feeling.

After a few seconds had passed, and it had been made clear that she would not elaborate, Zarifa grabbed the notepad and pen on the counter and asked for her name. Maybe she was registered somewhere in the frankly ancient system. Assuming they even had a sort of registering system. She had never been the one to handle the technical aspects.

“Lottie. Lottie Rose,” she said, and Zarifa’s hand froze on the paper. She glanced back up at the blonde, eyes wide and mouth dry. Of course, how hadn’t she seen it earlier? The clothes, the eyes, the lighter everything suddenly made more sense as her memory flooded back.

“Lottie?” she whispered, faint as the whispers of a breeze, and there must have been something in her tone, because the striking green eyes widened comically, before the blonde suddenly burst out into a tension filled laugh.

“Should’ve guessed it,” Lottie said after calming down, “can’t be that many Southern old-book nerds with vitiligo around. You should get name tags, I would have recognised Zarifa anywhere.”

Her name was said in a smaller tone, filled with… with something that melted Zarifa’s insides like molten lava. They stood there in silent pressure, eyes on each other but gazes not quite meeting. It was for the better, as Zarifa’s heart was hammering hard enough that she was worried her ribcage might break. Whether it was from fear or something much scarier, she couldn’t quite tell.

Grant snapped his fingers, both of them practically sighing in relief as the tension lifted; “Oh”, he began, smiling widely, "exes or childhood friends?” And just like that, the tension was back to crushing.

While Zarifa wasn’t quite sure of the state of her own face, Lottie had gone a complete shade of tomato red. “We’re neither,” Zarifa squeaked out curtly, Lottie nodding frantically along. “Can you give me a description of the papers?”

Lottie straightened out at the request. “Can’t miss them. They’re in an ornate wooden and gold box, with a leaf engraved in the front,” she said, “it’s locked, as far as I know. Don’t know where the key is, but that’s hardly a problem.” She made yet another predatory smirk.

“I-I’ll go look for the papers, uh, in the back... miss,” she pushed herself from the counter at an almost inhuman speed and paced into the lounge. On her way, she bumped into one of the chairs, toppling both herself and the object. The sound alerted Bruin, who looked at her quizzically.

“Was she your ex?”

“No!” Zarifa exclaimed exasperatedly, “Not every woman I know is an ex!”

“No need to get defensive,” Bruin said, flipping a page, “I was just wondering if Grant’s observations were correct.”

Zarifa took a deep breath. “Sorry about that. I suppose her visit just… surprised me.” she straightened the chair, and looked at Bruin, “You haven’t seen a wooden and gold box engraved with leaves around here, have you? I can’t recall it, but you’re usually the one sorting the items, so I figured you might have seen it.”

Bruin hummed, putting down his book and looking pensively at her. “I might have,” he said, after a quiet moment, “though if we do- or did, at any point, it’s not anywhere in the basement.” He glanced up at the ceiling, before returning to the book.

“I suppose it’ll be upstairs, then,” Zarifa said, with a heavy sigh, “I’ll make Grant call Valour, see if she can bother to show up from… wherever she’s gone.” And try to explain to Lottie that those papers might be inaccessible, she thought, but didn’t add. Lottie was a lot of things, but patient and calm, she was not.

As she made her way back to the counter, gripping the golden butterfly hung on her neck tightly, she tried to calm her heart and thoughts. A part of her still refused to believe Lottie was here, after all these years, in an antique shop of all places. It almost felt taunting, in an odd way. The life Zarifa had tried so hard to run from and avoid sneaking through the door, looking more dangerous and simultaneously more intriguing than ever.

What life had Lottie led? What had happened since that last night? How did she know Valour? What did she want with the papers? All the questions buried themselves into Zarifa’s head, burning and begging for answers. And as Lottie, drumming her fingers on the counter as Grant rambled off about something, came into view, she realised what Eve must have felt like looking at the apple.

Lottie perked up as Zarifa entered the room, though as her eyes drifted to the empty hands, her smile fell. “Thought I asked for a box,” she said, a raised eyebrow and mean glare that would have been intimidating, had Zarifa not had to deal with years of Valour, and not known that for her, Lottie was all growl.

“We do, most likely, have the box,” Zarifa began in her most soothing voice, placing her hands on the counter, “but, it’s currently upstairs, in Valour Thorn’s flat, to which none of us has the keys.”

Lottie sighed, in an exasperated and slightly overdramatic way; “‘Course you fucking don’t. Guess she hasn’t changed at all, still closed off, disappearing, and secretive.”

Pot meet kettle, thought Zarifa, though kept her cranberry painted lips sealed. “Grant will give her a call in the morning,” Zarifa said, pushing over a blank slip of paper which had Lottie R- half-written on it in quite nice penmanship. “Just write down your number, and we’ll call you when she arrives.”

Lottie pulled the paper closer to herself, though made no move to write. “Think she’ll even show up?” she asked, turning to Grant, who smiled at that.

“Valour actually seems to like me,” he said, proudly, “or, tolerate, at least.”

“Huh. Didn’t know people still practised witchcraft around this part.”

“It’s all in my muffins, cakes, and pitiable nature,” Grant said, only half-joking, “I’ll give you a taste one time if you decide to stick around.”

Lottie nodded, before scribbling onto the paper, and sliding it back. It contained no number, but the name had been completed, albeit with a much sloppier if artistic handwriting. “I’ll know when she returns,” Lottie said, bouncing from foot to foot. There was a firmness in her voice, and she said it with such confidence that Zarifa almost believed her. Almost. “How’s the nightlife here? Worth sticking around for?”

“Horrid, simply dreadful,” Grant butted in, before Zarifa had the chance to give a quick answer and an even quicker goodbye, “but we do have a lot of pretty places to take a midnight stroll. Trees are lovely here, especially now in the autumn.” He paused, a contemplative look over his face, “Come to think of it, I do know quite a lot of dealers around here that can hook you up, if you’re up for it.”

“Grant!”

Lottie chuckled, amusement painted in neon on her face. Seeing some of that flame inside her come to light filled Zarifa with a sense of joy, that she pushed down with a strength bodybuilders would be jealous of.

“Oh, I like him,” Lottie declared to Zarifs, jabbing a finger in Grant’s general direction. Her green eyes- which Zarifa had to stop looking at, traced down from Zarifa’s own eyes before landing on her neck. Lottie’s posture, previously energetic and bouncy, froze. “You kept the necklace,” she whispered, though the sound felt louder than all the explosions of the universe.

Zarifa’s hand was instantaneously on the golden butterfly hanging around her neck, shielding it from the world. The metal felt cool against her skin, even if she could feel her racing heart where her hand rested. “Felt it was a shame to let it go to waste,” Zarifa murmured, technically true, “so I just kept it.” She shifted in the silence for a while, doing her best to ignore Lottie’s eyes glued to the necklace, before clearing her throat and putting on her best ‘professional’ tone; “Was there anything else you needed?”

Lottie shook her head, leaning back from the counter and adjusting her leather jacket. “No, I’ll be back soon,” she said, before speeding towards the door. She knocked into the vases, making them wobble like jelly, before pushing the door open like she was assaulting it, and leaving nothing but the sound of a bell and the distant thrum of a motorbike.

“Lottie, huh,” Grant said, his tone dazed as though he was lost in a daydream, “she was certainly interesting. I’m a fan. Think we’ll see her around more?”

“Hopefully not,” Zarifa said, running fingers over the butterfly, “hopefully not.”

#original writing #book excerpt #bookblr #writeblr #writing wip #The Lunewell Saga - Natura #the lunewell saga #natura

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sayonarasanity · 4 years ago

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Reverberation

Chapter IV

link to AO3

Chapter 1 - 2 - 3

Hideous. It was the most hideous thing she had ever seen.

Hanji observed her reflection in the mirror, with her mouth twisted in disgust, each and every hair on her body standing on end. Her hair fell down from one shoulder as a short braid, its tip barely reaching the slightly visible bump on her chest under the school uniform.

“Disgusting,” she commented.

“You look beautiful,” her mother exclaimed, wiping the imaginary tear from under her eye. Hanji sent her a very Levi Ackerman signatured gaze from the mirror. “I hate it.”

Her mother approached her from behind. She was a little shorter than Hanji, her head merely reached her neck. The older woman put her hands on her shoulder and caressed gently.

Then, getting her mouth closer to her ear, she whispered, “You lost the bet, honey.”

That she had. Cold-bloodedly and ruthlessly lost a bet which should’ve been the last thing she would agree to let alone losing it in the first place. Never again would she challenge the instincts of her mother while watching a TV series and guessing whether the main character would live or die.

Worst, and biggest mistake of her life.

“Mom,” she whined, losing every drop of dignity she had with playing the emotional blackmail card. “Please. At least, don’t make me do this on the first day of high school.”

“Rules are rules,” her mother said, ignoring her entreaty then proceeded to fold the clothes piled on top of her bed. “And since when do you care about what people think about you?”

“It’s not that,” she sighed. “I just don’t feel like myself like this.” She pulled at her hair, wrinkling her face.

“You’re not a kid anymore, Hanji.” She walked to her closet and put the folded clothes inside one of the drawers. “Bear it for one day.”

“But I don’t want to.” She groaned, covering her face with her hands and lying her head backwards.

Hanji felt her mother come close, then her hands cleared the dust on her shoulders and fixed her hair. “Have a nice day at school.”

Hanji let out a frustrated moan which was very successfully brushed off by her mother.

“Morning,” she muttered insipidly while she entered the kitchen. A bowl of cereal was ready for her already and she poured milk inside of it as she sat down on one of the chairs.

“Morning, honey,” her father responded. Hanji noticed that his voice had faded towards the end. “Umm, you look, uh, nice.”

“Don’t,” she warned, her mouth full and directed her spoon threateningly towards her father. “Dad, don’t say another word.”

Her father’s face was very red as he obviously held back his laughter. He coughed into his hand and cleared his throat, nodding. “Yes, of course, of course.”

Just then, her phone vibrated with a text message. She didn’t need to look to know who it was from. “I’m leaving.”

“You’re not really mad at me, are you?” Her father asked as she got up from her seat and dropped her bag on her shoulder.

“No, dad, of course, I’m not.” She rolled her eyes and waved. “See you.”

Levi was waiting in front of the house, his back facing her. When he heard the sound of the door closing, he turned around.

And he froze.

“Levi, listen to me very carefully,” Hanji started calmly, while Levi stood as rigid as a stalactite. “If you so much as breathe I swear I’ll chase you to the school.”

Levi looked her over, with his customary, blank gaze which was almost impossible to read. Yet, Hanji knew him well, maybe better than he knew himself and she also knew that he was giving one of the biggest wars inside of himself to not give up and laugh at her face.

However, Levi Ackerman was not one to laugh. He had other ways to show his belittlement and mocking. He lifted his fist to his mouth, as his eyes shone vaguely with amusement and snorted, audibly. “Lookin’ good m’lady,” he said as if he was a 19th century English gentleman and was about to ask a high-born lady to dance in a flamboyant ball.

Frankly, Hanji didn’t even know what felt so wrong about braiding her hair, neatly and orderly on the first day of school. But for some reason, maybe because of the goddamn puberty she was going through—she was almost fifteen anyway—it irked her in a way nothing else did. And Levi was oh so aware of it.

“Ackerman!” Hanji snarled, as blood rushed to her cheeks in light speed and hence started their first-day marathon.

Levi had inhumanly fast reflexes. One second, he was standing in front of her, and the other he had already hurled himself to the street, running like a goddamn horse on a race. Hanji didn’t lose much time following after him, her steps were hard and fast on the ground. The braid her mother had so delicately made was winnowing left and right on her back as well as her backpack.

After almost ten minutes of exhausting and intense chasing, Levi was the first one to throw himself into the borders of the school. Hanji’s lungs were burning as if they had been exposed to hot, boiling water when she stumbled into the wide yard, breathing heavy and coughing miserably. Her neck, chest and back were all sticky with sweat. Levi was bent over, hands on his knees, his shoulders were rising and lowering with his fast inhales. He was tired too obviously.

But Hanji wasn’t done with him yet.

After her breaths more or less stabled and her heart quieted down, she sneaked up to him from behind being very aware of the crowd of students around them. No one cared about them just yet. And most certainly Hanji didn’t either. Levi slowly lifted his body, his schoolbag almost slipping down from his shoulder, and his neck shiny with droplets of sweat. He made the mistake of not checking what was behind him and hence gave Hanji the golden opportunity to jump onto his back.

“Hah!” she exclaimed. “You thought you could run away from me that easy—"

Her sentence was cut short when she realized that things weren’t going much as planned.

“Hanji!” he snarled and then, “Hanji, you fucking idiot!” Levi grabbed her legs and stumbled dangerously to the left. To where a table full of plastic glasses of lemonades was located.

“Oh no,” she gasped and held his shirt in her fists, tightly. “Oh, no. Levi, shit, watch out—"

So much for taking revenge. They both screamed at the same time when Levi couldn’t carry her sudden weight with his already tired and unstable body and together, they fell.

“Holy fuck!”

Hanji blinked her eyes. She was sitting on the ground, the ground which was wet with lemonade, as well as her uniform, her legs and she guessed, some parts of her hair. And if she was in such condition, then that also meant that Levi too—

A pair of arms wrapped around her neck from behind, making her gasp in shock. “Make your last wish, Zoe.”

“Levi,” she breathed, as he clung to his forearms with her hands. “Levi, please. Have mercy, have mercy!”

“In your goddamn dreams,” he tightened his arm around her neck just vaguely. Hanji knew he wouldn’t hurt her on purpose.

She couldn’t help it. She started to laugh. “I didn’t mean to—” she managed to say. “But you deserved it.”

He snarled right next to her ear. Oh, shoot. He was so, so pissed. “You’re dead.”

“The first day of high school,” an older and authoritative voice spoke from somewhere above them. Hanji looked up to see a man around his forties, with dark yellow hair and round glasses, wearing a well-ironed white shirt and black trousers. He had a blank, serious and bearded face. “And I see some of our newest students are already having fun.”

Hanji opened her mouth, unsure of what to say, or what excuses to line up, but Levi spoke before her. “It was my fault.”

“Levi!” she whispered harshly, turning her head slightly backwards to look at him.

“I am touched,” the man continued. Was he a teacher or someone else Hanji couldn’t exactly tell. He appeared to be way soberer to be one. “I didn’t know teens these days cared for each other this much. What are your names?”

“Levi,” he answered without so much delay.

“Hanji,” she followed right after.

The man nodded. “I am Adam Smith,” he introduced himself. “The headmaster.”

Oh, dear, Hanji thought bitterly, I wish I had the chance to look at my books one last time. Then she closed her eyes, afraid of having to face Levi’s wrath.

“And this is my son.”

Surprised, and with a slight hope, she dared to have, Hanji half lifted her eyelids, and her eyes travelled up until they met a blond boy around their age who had eyes as blue as agate. He was the most clean-cut boy she had ever seen since Levi. His school uniform was ironed straight without a single wrinkle left, and his hair seemed like quite an effort had been spent on it just this morning. But he looked friendly.

“Erwin, escort your friends to their houses and make sure they come back until the end of the first class,” the headmaster ordered the tone and his expression not altering just a bit.

“Yes, sir,” the boy affirmed, nodding.

Mr Smith then stared at Hanji and Levi. “I won’t give you two any punishment since it’s the first day of your high-school life,” he said, his eyes moving back and forth between the two of them, intimately. “But I won’t be as considerate as I am now in case of any further improper conduct.”

“Yes, sir,” Hanji said, successfully remembering the fact that she was able to speak.

“And young man,” the headmaster directed his piercing gaze to Levi. Hanji felt the rising and falling of his chest on her back. She wished she could see his face too. “Mind your language or else I might have to speak to your parents the next time.”

Hanji couldn’t see Levi’s reaction but he must’ve at least nodded for the headmaster soon turned around and started to walk towards the door of the building.

“Here, let me help you.” As soon as his father left their side, the boy, Erwin, extended his hands to them to help them get up. Hanji accepted the gesture with gratitude and smiled at him as she stood on her feet again.

“Thank you.”

Levi stood up by himself and glared at Hanji then at Erwin. “Why the hell there was a table of lemonades on the goddamn schoolyard?” he asked, already forgetting the very threatening warning he had just received.

“My father thought it would help new students to get adapted easier,” Erwin explained. “I hadn’t thought it would work, to be honest.”

“Well, it didn’t.”

“I am Erwin,” the boy introduced himself then, nodded at Levi and smiled at Hanji.

“Hanji,” she said, beaming at him. “Say, Erwin, how is it like to be the son of the headmaster?”

“Complicated,” he replied gently. “I can tell you more on the way.”

“That would be great!” she exclaimed. “Right, Levi?”

He was still glaring at her, his clothes were half-wet, one side of his hair was sticky with lemonade, he looked like a forcefully bathed, grumpy cat. “I need to take a shower.”

“We don’t have that much time,” Hanji looked at Erwin for confirmation. “Can he?”

The boy shrugged. “Sure, if he makes it quick.”

Levi nodded then turned around toward the exit of the school. They started to walk behind him with Erwin. Hanji felt pretty much guilty watching him go, although she was the right one here in the first place. Still, she felt bad. She even felt more uncomfortable about the lemonade on him than on herself.

“Best friends?” he asked, probably noticing Hanji’s regretful gaze following the boy walking in front of them.

“Yeah,” she nodded, looking at him. “Childhood friends.”

Erwin hummed; his sharp, blue eyes moved to Levi. “He seems… intense.”

Hanji couldn’t help but laugh. “Yeah,” she confirmed. “He kind of is.”

When they got out of the school borders, she realised she wouldn’t be able to keep this tense atmosphere any longer. She needed to talk to him. “Sorry,” she said, sheepishly. “Do you mind if I catch up to him?”

“No, of course. Go ahead.”

“Thank you,” she touched his arm. “It was nice to meet you by the way. I hope we’re in the same class.”

He smiled. “You too.”

Then she turned around and ran up to Levi, who was radiating his dark aura as if he was some kind of a nuclear weapon.

“Frailty, thy name is woman,” she recited when she reached up to him. Then bit her lower lip when he glared at her from the corner of his eyes.

“Fuck off.”

“You can’t stay mad at me forever, you know.”

“Watch me.”

“Leviii!” she exclaimed, then wrapped an arm around his neck. They stumbled together a little until they found their rhythm back. “I am sorry, okay? But I still think you kind of deserved it.”

“Get off me,” he pushed her lightly from the stomach. “You stink.”

“You stink too. We’re both sweaty.” She paused then added. “And we’ve just taken a lemonade shower.”

“And whose fault is that?”

“Of us both.”

He sighed. “Whatever.”

She watched his profile for a while. “Am I forgiven?”

He met her gaze, eyes searching hers. He didn’t seem much angry anymore. “I’ll consider it.”

She smirked. “Roof after school?”

He nodded without even stopping to think. Seemed like she was forgiven already. “Sure.”

At the end of the first month of high school on a supposedly autumn day, she was standing in front of his door, wearing a black, denim jacket, sweatpants and holding a scissor in her hands.

“Missed me?” she stepped inside without waiting for an invitation. Levi closed the door, eyeing her suspiciously.

“It’s been only two hours since I’ve last seen you.”

She gasped as she stepped out of her shoes. “It’s been precisely four hours, thirty-seven minutes and—” she looked at her watch briefly. “Forty seconds since you’ve last seen me. I can’t believe you can be this reckless about the time we spent apart, Levi. And you call me your best friend.”

“I am regretting that sometimes.” Hanji ignored him as she walked inside the house. “Where is everyone?”

“In their rooms,” Levi raised his brows. It was almost midnight. “Why are you here?”

“Do I need a reason?”

“In this hour, yes,” Levi said matter-of-factly. He had no problems with having her here, never had, but it was Friday, and he was kind of tired. “So?”

Hanji raised the big ass scissor with one hand. “I want you to cut my hair.”

“Your hair?” His eyes scanned her hair, as messy as always, brought together with a black hair tie on the top of her head as a ponytail. “Four-eyes, I think you mixed the buildings. The hairdresser is down the street, on your right.”

Hanji rolled her eyes then stepped closer to him. “I don’t want to go to a hairdresser. I want you to cut my hair.”

“Hanji I’ve never cut anyone’s hair. Are you out of your mind?”

Rather than answering, she pressed the scissor on his chest so much so that he almost felt it on his ribcage. Her eyes were resolute and serious. “I am going to give you all my power.”

Levi sighed; his eyes moved up to the ceiling. The yellow light dazzled his sight, and he wondered what the hell had he done to deserve this at this hour of the night. Yet, there was a part of him, a part he was sure controlled more by Hanji rather than himself, and that part kept up with her bizarre mind almost subconsciously. “Samson?”

“Yes.” She was smirking when Levi lowered his gaze from the ceiling to look at her.

Levi shook her head. “You should stop living your life by fictional or Biblical characters.”

“Where’s the fun in that?”

Levi took the scissor she was continuing to press upon his chest when she applied more pressure not so subtly to imply him to hold it. She took her jacket off when he did and started to climb the stairs. Levi fell into step with her without losing much time.

“Why do you want to cut your hair anyway?” He asked, wondering.

“Because I don’t want to be the subject of my mother’s evil deeds anymore,” she replied with a low, dark voice.

“You are the one who is adamantly losing the bets,” Levi reminded her. Meanwhile, they had started to walk towards the bathroom through the dark corridor. Levi turned the light on as he passed by the button, then followed Hanji into the bathroom.

“Whose side are you on?”

“Your mother, obviously.”

She threw him a nonchalant look, “Traitor.” Then she reached for her hair tie and pulled it off.

When had her hair grown so long? Levi blinked as he watched the brown strands falling down from her shoulders in waves. Towards the end, a few of them were curling slightly on her back. He also noticed the different tones of brown, light, dark and chestnut, shading some parts of her hair. When her glasses followed the hair tie after, and Hanji put them on top of the washing machine along with her jacket, he asked, bewildered. “Who are you?”

She eyed him first like she was trying to figure out the reason why he was so shocked. It didn’t last long until the wheels sat in their places. “I am the evil twin,” she replied easily then, with a glint in her eyes. “We have to wash my hair first.”

Oh? Hanji willingly offering to wash her hair? She was that desperate about cutting her hair then. “We?”

“I can’t wash it on my own. I am practically half-blind right now.”

“Just say you have no idea about being clean, and we can get it over with four-eyes.” Levi dropped the scissor on top of her jacket and bending over the bathtub he turned on the tap, waiting for the water to get hot enough.

“Who am I to talk in your presence, Your Cleanliness?” She said, then laughed at her own joke, tilting her head backwards.

“Shut up,” he had tried to be strict and curt, not that he had failed. If only he hadn’t snorted right after. “Idiot.”

To wash his best friend’s most of the time hygiene neglected hair was a once in a lifetime opportunity, so Levi took his sweet time, rubbing her skull and her long locks with his shampoo two, three times until he was totally satisfied with the result. Hanji was restless as expected, she whined when shampoo got into her eyes and grunted when he pulled on her hair by mistake. Levi didn’t quite care about her compliments. She was the one to offer this whole thing after all.

After he thoroughly rinsed the shampoo out of her hair, he handed her a towel then got out of the bathroom to bring a chair for her to sit down.

When he came back, she was combing her hair in front of the mirror. “You sure about this?” he asked as he dropped the chair behind her and gestured her to sit down.

“Of course, I am.” Hanji settled down on the chair, and Levi, after getting the scissor back from the top of the washing machine, stood behind her. “I wouldn’t be here if I wasn’t.”

“I am not promising a clean-cut,” he warned her beforehand and travelled his hand through her wet locks. The smell of the shampoo was clear and fresh and on the reflection in the misty mirror, her cheeks and eyes were vaguely red. She smiled when they made eye contact.

“I trust you.”

Cut.

The brown strands fell on the white tile one after the other, the metal scissor was the only one making sound inside the bathroom. Levi tried his best to cut her hair in a straight line just above her shoulders as she had requested. He didn’t know if he made a good job or failed miserably and gave her the worst haircut of her whole life. And he wasn’t sure if Hanji was faking it or not, but she looked ecstatic when he was done with the cut.

“I love it!” She was grinning at her reflection, now standing in front of the mirror. “Thank you, Levi!”

“Yeah, sure,” Levi said, doubtfully. He was still pretty much convinced that she was pretending. “You’re welcome.”

The stupid grin stayed plastered on her face as she wore her glasses and tied her now quite short hair. It wasn’t a successful attempt. Only a quarter of her hair had managed to fit into the tie, the rest was falling off on her nape and around her face.

Hanji gave him a thumbs up when she saw the way he was watching her. Still not satisfied but thinking that if Hanji was happy then it was all good, Levi shrugged. “You’re gonna stay the night?”

She paused for a second, thinking. Then nodded seconds later. “I’ll text my mom.”

After cleaning the bathroom, Levi brought Hanji a set of clothes for her to change into. He then went back to his room to prepare his bed for the night.

“I am so tired,” Hanji said, yawning as she joined him after a few minutes. She closed the door and sat down on Levi’s bed.

“You can take the bed,” Levi offered and patted his own pillow which was lying on the head of the makeshift bed on the floor. “The sheets are clean.”

“How very nice of you,” she said, smiling.

Levi turned off the light before he got under the sheets. He lied on his back, watching the dark ceiling. Every now and then, a car swept by and its yellow headlights filtering through the curtains created shadow patterns above.

When only minutes passed by, “Levi,” Hanji called him softly.

“Hmm?”

“These sheets smell like you.”

“Oh?” He blinked up to the ceiling, and his mind made a quick tour around the events of the past two days. He must’ve forgotten to change them. “Well, shit.”

She laughed quietly, and Levi turned his head to the side looking up at her. “Sorry, do you want me to change them?”

“No, it’s okay.” She tossed over to lie face down. Half of her face was on the edge of the bed. He could make out the lines of her lips and nose, and fluttering eyelashes. “You always smell nice.”

“I smell—”

“Clean, I know,” she snickered. “Hey,” she said then.

“What?”

“What do you think about the high school?”

“An asylum stuffed with a bunch of arrogant teenagers.”

“You are a teenager too, Levi.”

“I am not arrogant.”

“No, right, you’re a clean freak.”

“And you are a half-mad genius. We blend in.”

“Yeah,” she agreed, quietly. “We do.”

His eyelids got heavier and his breaths steadier when he thought the conversation was over for the night. Darkness lurked over him, it was deep and wide, and dominant. It demanded him to surrender, and he almost did until he heard Hanji’s voice again.

“I think our classmates are cool, though.”

He blinked open his eyes, “Yeah, some of them,” he muttered, voice dripping with sleep.

“Erwin is very intelligent,” Hanji went on, unaware. “He knows a lot of things. I think I like him the most. What about you?”

And just like that, he was wide awake again. “You sure do seem to get along really well,” he said bitterly, ignoring her question.

“Don’t tell me?” Levi heard the sheets rustling and felt Hanji looking down at him. “Are you jealous?”

“The hell does that mean?”

“So, you’re jealous.”

“Fuck off,” Levi turned his back to her, lying on his left.

A few blissful seconds passed in silence, then Hanji said, “You are though.”

“Am not.”

“Levi, come on,” Hanji urged his side until she made him lie on his back again. “Look,” she took the hand which was resting on his chest and enlaced their fingers. “You don’t need to be jealous. You know why?”

“I am not jealous. For fuck’s sake—”

“Because we are soulmates,” she cut him as if he never made a single word. “Which means there is nobody in the world who can understand you better than me,” she went on. “And there is nobody in the world who can understand me better than you.”

In the dark, Levi stared at their hands curled together, the tip of her fingertips was touching the back of his hand. And he pondered over how warm, smooth and somehow strong her hand felt against his. Strong as her existence, strong as her very soul and mind. Warm like the first days of summer and resilient like the frost-bound fist of a fallen soldier. She pressed their palms into each other, and as another car drove by the street Levi looked up to her face half-hidden in the shadows. Newly cut, damp hair resting like a dark nimbus on her cheek. Dark shades of her eyelashes were lined up on her cheekbones and they were reminding him of the beams around the sun. And she was staring at him like what she had just said was the only truth on earth.

He felt himself nodding, approving because she was right. Of course, she was.

I am an astronaut, he thought abruptly, completely out of the blue .

“Goodnight,” she whispered then, he caught her smile just as the light vanished, and she was covered by darkness again.

Not entirely. It was innate in her. “Goodnight.”

He had no knowledge of the period after his conscience left the screen but until then he didn’t let go of her hand.

And neither did she.

“Hanjooo!” A muscular arm wrapped around her neck all of a sudden, while she was reading a book during the break, in front of the window on the school corridor.

“Hey, Mike,” she said, overcoming her shock at his sudden appearance.

Mike was a blond, green-eyed boy from her class. He was pretty tall and muscular for their age and she was almost certain that if the headmaster let him, he would absolutely grow a beard. “Are you free after school?”

“Umm, I guess?” She blinked. “Why are you asking?”

Mike smirked, playfully and kind of slyly. “I thought we could hang out together.”

“Together?”

“You and me,” Mike explained to be clear.

“You and— oh,” Hanji stopped as she kind of understood what Mike was implying. “But aren’t you, uh, I mean, don’t you have a thing for Na—”

Mike let go an uproarious laugh and patted her shoulder, almost making her choke on her own spit. “Joking, joking. We are thinking about hanging out after school. You know, me, Nana, Erwin, you and your little friend too if he would like.”

“You mean Levi?”

“Yeah.”

She hummed and shrugged. She didn’t think Levi would say no if she agreed to go. “I’ll ask him…”

Just then, she saw Levi climbing the stairs with Petra who was another classmate of theirs and one of Levi’s friends from middle school. They were talking at the same time; Levi was nodding to something Petra was telling him. The scene was quite ordinary, just two friends talking to each other, but Hanji had realized it was the mimics that were kind of different. The way Petra pushing a lock of hair behind her ear, the way she was smiling shyly at something Levi had said, the way Levi’s features were relaxed and almost soft as he talked to her.

And also, as for herself, the way she felt her shoulders tense, the way something murky, almost venomous walking tiptoe on her gut. It was a strange and unwelcomed feeling and she quickly got disposed of it as Levi moved his head and their gazes locked for a second before his eyes travelled down to her shoulder and he glared at it as if he had just seen his biggest enemy.

Petra touched his shoulder lightly and said something Hanji couldn’t hear, and he nodded absently while Petra walked away to the other direction toward the class after a brief glance at Hanji’s side.

Levi walked up to where Hanji and Mike were standing. “Hey!” she greeted him, smirking.

He squinted at Mike who was retreating his arm from around her shoulder at the time and nodded at her stifly.

“I’ll see you after school, then,” Mike said. “You too, man,” he added addressing Levi, then turned around to walk up to Erwin who was sitting at one of the tables placed next to the wall.

“What is that giant talking about?” Levi asked after Mike left.

“Well, buckle up,” Hanji told him while shutting her book with a thud. “We’ve got plans after school.”

It was February, and it was cold.

The five of them were walking through a park, all around there were giant, old and naked trees that were reaching high up to the sky. On the earth below them, thousands of pale leaves were piled up. The colours of fall were still visible here and there, on the yellow, orange and red skins of the leaves, on the pine trees down the road, on the dry rustle of the brown branches.

“How pretty,” she cooed.

As Mike suggested they were hanging out after school. If walking through a park counted as hanging out that is. Erwin, Nanaba and Mike were walking before them while Levi and Hanji were following them right behind.

“What is?” Levi asked.

“The colour of fall,” she replied with a smile.

“It is Winter,” he objected but looked around himself nonetheless then hummed confirming.

“Hey,” she urged his shoulder lightly. “Wanna race to that tree?”

Levi followed the direction Hanji’s head gestured with his eyes. A single tree just some miles away from where they were. “Why would I race with someone knowing they will lose?”

Hanji scoffed, “Don’t underestimate me.”

“Are you challenging?”

“What do you think?”

She put an arm on his chest to stop him from walking any further. “On three.”

They took position side by side. Hanji felt her mouth curling up, and a peal of laughter shaped on her throat, but she avoided it from going out and counted to three instead. “Go!”

They both hurled forward at the same time and she felt their friends looking at them surprised as they ran past them, but within minutes Levi was far beyond her. Like the first day of school, he was running like his life was depending on it, his dark hair a wild wave and his steps seemed like he was more like flying than running. Hanji was laughing breathlessly as she forced her legs to their limits, her short hair sticking to her nape with sweat, and she ran, ran and ran to the tree with him, with a wind he carried, the storm he ruled. As if she were a ship without a helm so she merely let the wind lead her to the harbour.

Levi won, in the end, but he lost his balance when Hanji, unable to slow down, crashed against his back. Along with grunts, swears and laughter they fell down, lying side by side on top of the leaves. Breathing heavily and loudly, chest moving up and down, watching the clouds sliding slowly one by one.

She turned her head towards him, still breathing hard and traces of laughter on her lips and she saw him looking upwards with the slightest but peaceful curl of his mouth. His eyes shone like the sand under the midday sun, like invaluable pieces of stone, like the surface of the moon. The colour of fall around his head, sweaty, raven hair scattered on the leaves whose time had long passed. The red colour of fall on his cheeks, because of the cold and because of their race. For the first time, she realised how dark his eyelashes were. Black like the wings of a crow, the feathers of a raven.

For the first time, she realised how beautiful he was.

Beautiful? The word startled her like an unexpected jolt of lightning. She almost winced, frozen on the spot. She didn’t know why, she couldn’t name the curl, crawls on her stomach. She also didn’t know the reason why she felt like crying, her breath hitched, her eyes wide, terrified. She couldn’t understand what felt so wrong about this but somehow it was undoubtedly close to denying gravity.

“What?”

He was staring at her, a frown shaped on his face. She winced visibly; she hadn’t noticed him looking back at her.

“What?” she asked.

“Are you okay?” His frown deepened.

“Yes,” she lied and quickly stood up albeit a little clumsily. Then fixed her clothes and hair. “Perfectly fine.”

He was looking suspicious as he too stood up. “You sure?”

She nodded drastically, avoiding meeting his eyes. “Let’s go join the others.”

Then she turned around without giving him a chance to speak. Crashing whatever had happened just now with each step she took and relentlessly stepping on the wildflower she felt sprouting within her stomach.

Watching the way the flames moved was addicting. She couldn’t take her eyes away from the dancing fire, the red knots flying around it like fireflies, the transit of colours from tip to the end and the crackling sound it made. It was a good enough distraction from her uninvited thoughts.

“Didn’t think this was what they meant by hanging up.” He sat down next to her on the sand. They were on the beach, stupidly challenging against the cold weather.

She smiled playfully. “Why? Did you think we would go to a party and get tanked up?”

Levi threw her an unimpressed look, “No. I thought we would go to a café with an air conditioner and drink hot tea.”

He got a point, she couldn’t deny. “They managed to make a fire though,” Hanji said, extending her hands toward it.

“Yeah, I am impressed.”

She snorted lightly and wondered where the other three had been. They had gone to buy beverages and snacks to eat about ten minutes ago.

“Hey.” Hanji felt him sliding closer to her. Their shoulders almost touched. “Are you okay?”

She nodded watching the flames with unfocused eyes. “Can I ask you something?”

“Of course.”

She looked at him then to find him watching her carefully, with his full attention on her. She thought about the wildflower, and as she sought a solution, she found it on him again. “We are besties forever, right?”

Seemingly confused, Levi frowned vaguely, trying to see beyond her words. And maybe he did or maybe not when he replied she almost lost her courage to continue. “No, not forever.” It lasted for merely seconds, because she had understood what he was coming to. “To the last syllable of recorded time,” they said at the same time, echoing each other.

She smirked, as he chuckled. “I can’t believe you make me say it every time.”

“I don’t make you say it,” she said, matter-of-factly. “You are saying it willingly.”

He grunted and looked away, a smile stayed hanging on the corner of his lips, the flames painted his face, played with the colour of his eyes. It was there, the word, so close to invade her mind yet again with guns and rifles. It was that perilous to let it stay because it would only cause a ravage in her mind.

For that, she looked away too.

Do not water the plant, she thought to herself then. Let it grow old and decayed. Let it fade away.

#levihan #levihan fanfiction

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casijaz · 5 years ago

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Well turns out the other post won’t be the last one.

Decided not to put anything under a cut but this post is tagged ‘long post’ so you can click on it at will. I’ve added shorter sections in (brackets) to put together the point.

It’s always been like this. In fact a couple of months ago I made a silly post about it. Please stop giving each other ass-pats about how not-racist you might be. Or how your one non-white friend says whatever you posted is not racist.

White people: Stop being performative allies.

My fellow peas of the seas, or individuals who aren’t white who interact on this western website: Being a poc is not a trump card to claim we can’t contribute to specific forms of racism.

---

I remember back when I was 17 I defended some (then not obvious to me) clearly racist art a white friend of mine made. I spoke to the people who came onto her art and told them they were trolling, they had to be. Spoke in all caps sometimes, had bolded stuff, all weird ways of talking with this demeaning or passive aggressive tone. I remember thinking ‘hey, do they know I’m a person of colour? They must feel silly! Here I am, a poc, who clearly says this is ok!’ But it wasn’t. In this instance the racist art depicted an indigenous person, and this was an instance of racism against indigenous people, and I am not indigenous. (Translation: Defending racism is bad, even if the people who say racism is bad might be mean to you.)

I also have defended white people who lived in a bubble of whiteness. I figured, well, they live in the bubble, or they’re young, and their actions weren’t coming from a place of malice because they didn’t know any better. (Translation: Even if you’re a nice person, your actions can still be bad, and you should acknowledge this.)

When someone points out to you that something is racist, you shouldn’t jump to a knee-jerk defence or being passive aggressive in acceptance of this fact. It’s a tough pill to swallow, but you’ll have to go through it. Remember this is not about coddling white feelings, it’s about the reproduction of white supremacy and racist ideologies in a multitude of settings. (Translation: Even if you don’t know anything about racism, or don’t think you’re racist, you could still be. Racism is not as simple as one action. It is a global structure that influences the world.)

Reproducing racist ideologies is something that people of colour can also be guilty of. This means that they don’t have the power to be racist (as racism is about a hierarchical power structure where whiteness is as the top, aka white supremacy) BUT they have the ability to reproduce (or repeat, mimic, etc) the racist ideologies that are prevalent all over the world. (Translation: Because racism is everywhere, everyone can do it, even if they don’t wish to.)

Yes, not everyone has the luxury of being able to understand English to a level that certain concepts come across. Which is why I’ve taken the liberty of adding tl;dr to the end of each paragraph to get that point across for my fellow ESL speakers. However not speaking English well enough can be used as another excuse for condoning racist actions by others. (Translation: Saying I don’t know better is not the solution to stop being racist. Trying to understand the other person is.)

The point is to stop making excuses. Stop defending the racist. Stop defending racist actions, no matter how small or big they are.

It is also not up to the people who are actually hurt by this to coddle you and teach you. If you wish to learn more please follow blogs that are specifically talking about these issues. Here’s one. Here’s another. Here’s a fandom specific one. Here are also my own posts about xenophobia and more xenophobia. Unfortunately they are heavy with academic writing but I’ll hope to make a simple English version of it one day. (Translation: Here’s helpful blogs for you to learn more from!)

---

As for the people of colour who talk about adding nuance, different perspectives, and how racism is complicated. Yeah. It really is. But whichever argument I see brought up about ethnic issues are still ethnic issues. That’s about xenophobia. I often talk about xenophobia and racism not being the same thing for a white audience, but I feel like maybe I’ve left fellow people of colour out of the conversation.

I’ll speak from my own experiences regarding this, because I could pull situations from all over the world but it wouldn’t be genuine nor would I be the expert. So. In my mother’s country we have many different ethnic groups who most of are not white (I’m pretty sure they make up less than 1% of the population), who sometimes get into conflict with one another. When they discriminate against one another, that’s definitely a bad thing. However when these groups fight both discrimination against ethnic groups and racial categories come to light, as the two are almost always heavily interlinked for people of colour. (Translation: Racism and xenophobia overlap and connect when it comes to people of colour.)

This country (Suriname) was colonised by western forces so it brought along a lot of strife. While no Surinamese person would probably refer to themselves in Suriname as a person of colour, when they are put in a Western context they definitely always do. When groups fight against each other they use both rhetoric imposed on them by western colonial forces (racism) and hatred for other ethnic groups (xenophobia). Because both groups are still groups of colour, they are only capable of reproducing racism, not producing it, as they have no power to in the structure of racism. (Translation: People of colour can discriminate one another with something they have power over, and reproducing racism.)

---

This entire conversation has also highlighted something that I’ve deliberately avoided in my previous posts, but my fellow black Tumblr friends haven’t, and that is the issue of anti-blackness.

Throughout all of this it seems like many different ethnicities have obviously come together and argue on different sides, but one side seems to be devoid of a certain race that has spoken up against these issues over and over.

When black people tell you that something is racist, your knee-jerk reaction shouldn’t be ‘but it isn’t, because I’m not white, and I approve of this.’ Going back to that story of 17-year-old me, I was not the racial group affected by the drawing. I was not offended, because it wasn’t my racial identity that was being mocked. When black people tell you that something is racist, you can assume that they’re telling you something is anti-black.

Don’t turn this a conversation only about the voices of people of colour when at the heart of the topic it’s been about anti-blackness shown by a multitude of people from different ethnic groups, white or not.

I’ve seen people act like they’re on the good side because surely they’re supporting people of colour who’ve told them that the side I’m arguing on seems to be ridiculous. I’m calling people names! Making assumptions! I’m stuck in a western perspective talking over non-western people.

Then turn around and they’re not boosting black voices. They’re not mentioning anti-blackness anywhere. I see MLK quotes taken out of context. They’re clamouring to reblog or create art depicting black characters or meta about them, while that art is either fetishistic or was proven to be made by a racist (who was proven to be so like 2 whole minutes ago).

(Translation: Don’t throw black people under the bus. Listen to us when we’re talking about anti-blackness. All poc are indeed not the same, so don’t treat it like it is.)

I hope this will be the last time I’ll talk about this. But I have a bad feeling it won’t be.

#anti-blackness #castriestalking #long post #edit: altered the link after anon suggestion

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allthefilmsiveseenforfree · 4 years ago

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Dangerous Minds

Those of my readers who haven’t known me long may not know that I was once a corps member of Teach for America. I taught 10th and 11th grade English for about 5 weeks, then I was told on a Friday about my “involuntary transfer” to another school in the district, where I’d be teaching 7th and 8th grade English instead. I went from having about 110 students to about 190. My classroom had no books (textbook or otherwise), no pencils, no paper, no markers or chalk, but it DID have one of those folding lamps that come out of the ceiling at the dentist’s office. The kids had been in there for 5 weeks with a rotating roster of subs; they’d done no schoolwork of any kind. I was teaching in a very poor area of the city, and my students were predominantly Black and Hispanic. One of my 10th graders wrote his first personal essay about getting shot the previous year. I say all this to tell you that when Chad asked that I review Dangerous Minds, the 1995 adaptation starring Michelle Pfeiffer of the true story of Louanne Johnson’s experience teaching in inner city schools in California, I was prepared to laugh it off as a cringey, Lifetime-movie representation of my experience. Is that what I got? Well...

For the most part, what I got was a ball of anxiety in my chest. It’s well-worn territory, obviously. A teacher bonds with their students from the wrong side of the tracks, and ends up learning just as much from them as they learn from him/her. Usually poetry or music features heavily as a tool that can set the students free from the depressing circumstances of their lives. Depending on the rating, usually a student dies, and the teacher learns just how Important their job is, so they commit to it even harder even though it pays no money and garners no respect from the administration who just doesn’t “get it.” But these cliches and stereotypes and broad strokes exist because at their core, they’re true, and they make me anxious and uncomfortable and I can’t laugh at them or Michelle Pfeiffer being a Nice White Lady because I’m too busy being angry about the systems we put in place that straight up abandon so many kids, all in the name of white supremacy.

Some thoughts:

Oh we’re starting right off the BAT with “Gangsta’s Paradise.” Fantastic news. Two things I associate so strongly with this song is skating around the skating rink in 2nd grade and buying the Weird Al cassingle of “Amish Paradise” and wearing it out.

Ooh, the score was composed and performed by Wendy & Lisa! Love that, you don’t see nearly as many film scores as you should composed by women.

God, the salary is $24,700 a year and Louanne acts as though that is appealing - I can’t tell if that’s because it was 1995 or because teacher salaries are so dismally low that this feels like a good salary?

This scene in which Louanne goes into her classroom for the first time and the kids are all shouting at her and getting in her face and sexually harassing her and throwing paper balls at her is giving me stress hives.

Also her friend Griffith (George Dzundza) saying, “You wanna teach, so teach! All you gotta do is get their attention” is rather disingenuous. Trust me, you can have their attention, and still not be able to teach.

I’m excited to see Sally-Can’t-Dance from Con Air as Raul (Renoly Santiago). He’s honestly fantastic in this, with a tough exterior but a sensitive and gooey inner sweet boy. All of the teens give pretty solid performances, but he’s a real standout.

I recognize this is based on a true story and Louanne Johnson’s lived experience, but I am not sure it’s wise for any teacher, regardless of grade or subject, to be teaching her students how to fight each other. Or taking them to dinner on what looks to outsiders like a date. I know some people have a problem with the bribery (giving her students candy for speaking up in class) but I have no problem with it - you get paid to do all the dumb stuff you don’t want to do at work, why shouldn’t kids be compensated for going to school if they don’t want to be there? External motivation goes a long way to building up internal motivation.

Mm I do love me some Courtney B. Vance, but he’s such a quiet, condescending ass in this. It’s a different vibe than I’m used to seeing in a principal in a movie like this.

Ooh, Griffith grading papers and saying “What a fuckin’ idiot” is a real mood.

“Since when has the Board of Education done anything for us? We barely get fuckin lunch” is legit. The lunches my students were served in summer school were some of the most horrifying things I’ve ever seen. One day it was spoiled milk, white bread, and pickles. And one of my students put his in a microwave that was hidden in the back of my classroom behind some dividers and left it for a week. And just so you know, as stomach-churningly awful as that sounds, the day I found “pickle man” as my student called him, isn’t even in my top 5 worst days teaching list.

I like Griffith, and I’m glad Louanne has a friend, but frankly I’m not that interested in these interludes between them - they really feel like they slow down the momentum from the scenes of her in the classroom slowly earning the kids’ trust. The pacing is kind of a mess, because the most dynamic sections all revolve around the kids in the classroom, and I feel like that only makes up about a third of the movie.

One thing I know for sure is you do not get in the middle of a fight between students. I have a friend who worked in the same district I did who interrupted a fight and got punched in the face because of it. And her principal blamed her.

Oh wow the way the soundtrack picks up when Emilio finally engages in the class is some kinda cheesy. And it continues through the rest of the scene to a distracting degree. Oh Wendy and Lisa, I hoped for better.

Can I just emphasize that to reach these kids, Louanne uses her experience as a LITERAL MARINE by demonstrating she can kick all their asses, and then she bribes them by paying for 25 kids to go to an amusement park for the entire day with her?

Also, even if they like and respect her now, I call bullshit at any scene in which ALL of the kids are A) sitting in their seats or B) silent, and especially C) both.

Um suddenly feeling some weird vibes with Louanne and Raul having a dinner date at this fancy restaurant by themselves. Also, the double standard here is pretty telling - there’s no way this scene makes the movie if Louanne had been a male teacher and Raul was a female student.

Wait wait wait, she’s also loaning Raul $200? Like, is this why I didn’t make it as a teacher? Because I wasn’t a former Marine taking students to amusement parks and fancy dinners and lending them money? I was 25 and could barely afford rent. Maybe teachers who have enough money to take care of themselves are better equipped to take care of others. Idk, I’m just spitballin here.

Oh “Gangsta’s Paradise” is happening again! We already heard the whole song over the opening credits but now it’s happening again about 3/4 way through. I mean this song is definitely the best thing about the film, so I get it, but it feels weird that they think we wouldn’t notice it playing to completion twice.

Michelle Pfeiffer is doing everything she can to make this movie feel less cheesy and more real. Like, you can tell she’s really trying with her performance. Of course, it’s not like the character is a huge challenge acting-wise, but she is definitely committed to the part and can walk the line of both accessible and tough.

This scene where Louanne tells her class she is not going to be there next year, that what happened to Durell and Lionel and Callie and Emilio made her too sad to stay has not aged well at all. And it’s certainly true to life, and I say that as someone who did the same thing. It’s not something I’m proud of, but it’s a reality - the fact that I’m a nice white lady is exactly the reason that I can choose to leave when things get too hard. Just because the kids convince her to stay at the end in this very rushed “all’s well that ends well” way doesn’t sweep this scene under the rug, and it shouldn’t.

Ope, “Gangsta’s Paradise” shows up one last time in the credits for good measure.

Side note: after the film, I researched Louanne, and she’s still teaching, which honestly made me emotional (in a good way). And I’d like to point out the racist ass bullshit the studio and screenwriter Ronald Bass pulled by changing the poems the students read to Bob Dylan lyrics when Louanne originally used rap lyrics from popular artists in ‘89-’90 to teach the kids about poetry.

Did I Cry? No, but I did get heartburn from anxiety flashbacks.

This genre of film is easy to mock and parody because it tells the same story and hits the same beats to the point that they’ve become cliche. Ultimately, the truth at the heart of the movie (which is the un-nuanced and candy-coated depiction of Johnson’s real memoir, My Posse Don’t Do Homework) is that high schoolers crave someone who will see them and validate them, someone who is willing to put in the effort. The quality of the package that truth is wrapped in varies, and this one certainly leans in hard on stereotypes that feel like cheat codes rather than any real illuminating depictions of living teenagers. But as cringey as it is to watch, maybe it’s not a bad thing to remember that all people - including those who are trapped in poverty and all the cruel injustices that entails - want to be seen and valued for who they really are.

If you liked this review, please consider reblogging or subscribing to my Patreon! For as low as $1, you can access bonus content and movie reviews, or even request that I review any movie of your choice.

#121in2021 #dangerous minds #dangerous minds review #michelle pfeiffer #renoly santiago #courtney b vance #louanne johnson #movie reviews #film reviews #patreon review

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fappellmoan · 4 years ago

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the promise (ch. 1)

a/n: hi yes i wrote for the clown gays like a year ago and im deciding to post this now sjdghfg pls be kind

pair: richie tozier/eddie kaspbrak

word count: 8.5k

warnings: swearing, blood ment, homophobic slurs, abuse mentions, psychological trickery, richie’s parents start out a lil absent but they get better i promise

excerpt: “You’re gonna miss curfew, Rich,” Eddie mumbles, leaning out the window on his elbows. And Richie hears it: you’re alone, you know what could happen. Stay safe.

“I’m not afraid, Eds.” He means it. Richie can’t draw up what fear even feels like right then. With a flick of an eyebrow, he nods toward the door. “Mother is waiting.”

“I know.”

read on ao3

No, it’s not that Richie is gay. It’s not like he daydreams about taking it up the ass all fucking day.

Henry Bowers and his dipshit crew might have a different opinion, but they can honestly, truly suck his dick (in the non-homo way - he has taste). The fact that they took joy in throwing him and his friends around, calling them names, and threatening their whole lives never mattered before; the losers took care of each other, and most of the time it was easy to forget about those other assholes.

Being called four-eyes when he needed glasses in the second grade never got to him that bad - they were saving him from having to see their ugly faces when they knocked them off, so really, he should have thanked them - and he didn’t care when they shoved him around for being short before his growth spurt, and it didn’t even bother him that much when they mocked his totally refined voices. He knew his own talent, and what he could do with it if he could just focus.

But the first time they singled him out as the fag of the group, well, it stung.

He never told the others about that day. He never told them how long he cried, how broken he felt sobbing on that park bench. He never worked up the nerve to tell them why he couldn’t face Paul Bunyan anymore, no, he simply breezed past without lifting his eyes, without missing a beat of conversation.

At least it got easier with time.

All things considered, his home life isn’t terrible.

Richie has his own room, a roof, and usually a decently-stocked fridge. Enough to get by.

He’s left alone a lot. His parents are always at work, and when they’re not, they take on the personalities of monotonous robots sitting in front of the TV, so he spends a lot of time skimming through comics or jacking off when he’s not running around with his friends.

But, that’s just the thing. Somehow, Richie, life of every conversation, King of Comedy, Trashmouth, funny-man Tozier, was born to the most boring people of all time. They never engage with his jokes; on a good day, he receives a breezy, “That’s nice, sweetie,” from his mom, or, “Okay, that’s enough, son,” from his dad. Blank stares. Pasty, purple-tinted white eyes. Never a hug, never much past a ‘goodnight.’ Not even a simple, “How was school?” when they got home.

Richie vividly remembers the day that he bounced in his seat at the end-of-the-year ceremony at school, a bustling bundle of nerves prepared to brag and boast to his parents about his awards in science and, surprisingly (his teacher hated him) English - he took to the dramatics of Shakespeare quite well. He practiced his entrance to them several times over in his head, perhaps overly, unconvincingly modest or Shakespeare wants what I have. Anything to get a laugh. A ruffle of his hair from his dad. A forehead kiss from his mom, like when he was little.

They didn’t show. He still doesn’t know where he went wrong.

In a stark, bubbling contrast to his parents, there’s this kid in his group of friends. He remembers one of the first times they met, the boy approaching him, all sweet apple-cheeked and neat polo and ironed khaki shorts; Richie had flicked an eyebrow upward, a not-so-subtle really?, because he never figured that clean-freak Eddie Kaspbrak would be able to handle more than three seconds in Trashmouth Tozier’s presence.

But boy, was he a lot of fun.

Eddie was loud and super easily wound-up, screaming about fucking UTIs and do not fucking push me man all the piss on the walls of this city could fill the lake and despite his good-boy appearance, he shot back with just as much fire as Richie threw at him.

And fuck, Richie loves it. He loves the ease with which they bounce back and forth. He loves the fury in the boy’s eyes when Richie pisses him off, the laughter that always comes about between them once they settle. The crossing arms and pouting Eddie, who he theorizes secretly loves it when Richie calls him pet names (not that he’d ever admit it); the loud and greatly-gesticulating Eddie who yells louder and pushes harder when Richie coos at him; the one who quietly accepts Richie’s affection, and offers it back in subtle ways: simply holding Richie’s arm when he slings his arms around Eddie’s neck from behind, allowing him to sit next to him thigh-to-thigh, and overall not completely cringing and pushing him off. He took it as a compliment, though they’d never mention it out loud.

On an unfortunate night, his comfortable little world comes crashing down.

His parents are out for some sort of conference weekend trip or whatever, and they’ve called in his deadbeat uncle to ‘watch over the house.’ Not necessarily him (probably because he isn’t home that much), but the house obviously can’t stand up by itself—and, well, maybe they didn’t trust Richie to not accidentally leave the door open, or leave the stove on, or some other stupidly irresponsible little thing. So, the crusty old guy shows up with his greasy, oiled hair and his lack of deodorant and his wilting knees. It makes Richie miss Eddie so, so much when they part, because a.) he smells a lot better, and b.) it would be fucking hilarious for him to see what Richie has to put up with. Like, he’s really not the most rodent-like of his family.

Anyway, Richie doesn’t remember what he says. Something slightly instigative, about the lack of any gourmet-level food in the house (he claimed calmly while wasting away on microwave tater tots and bread, even though his parents had left behind plenty of money to keep him alive), and then suddenly hands were on him.

It stings like a bitch.

His uncle gets up, with a quiet mumble that Richie makes out to be, “Well, let’s see…” and when he finally gets in the kitchen, facing Richie with eyes rung red and shaking fists, he grabs his nephew by a fistful of t-shirt and shoves him against the counter.

At that moment, he really wants his mom. Why the fuck did she and dad leave him with this guy?

“I don’t see you fucking working, or doing much of anything around here, kiddo.”

“Funny, I was gonna say the same to you.”

A blow to his mouth. Richie resists the urge to lift trembling fingers to the spot that he can feel swelling.

“Don’t talk to me like that, asshole! You think you’re so fucking funny, huh?” His uncle drags him forward and shoves him back with conviction, and this time Richie doesn’t answer.

He should have known to stay quiet when he saw his uncle drinking and smoking incessantly in the house, even though his mother had requested that he stay outside for that. It must have been a rough day at the bar, or wherever the fuck he spent his time.

“You need to learn when to be quiet, dipshit. Have some fucking respect.”

For the guy who ignored him for years, didn’t stay in touch, and wasted his existence away on the couch.

Right.

But Richie is snapped from his indignant, grounding thoughts when his uncle lowers his voice. “Do I make myself clear?”

Richie frowns in his face, utterly confused from the swell of attention, still limply holding a bag of bread in his left hand.

“Do I make myself clear?”

“Y-yes sir.”

The wretched man makes a point to push him into the corner of the cupboards with such a force that he collapses to his knees and can just feel the bruises forming. And he sits there for a minute, all sorts of betrayal and anger and sadness suffocating him.

But he stands up.

And with stinging eyes, a stuffy nose, and shaking hands, he makes himself a simple peanut butter sandwich.

And he stays upstairs for the remainder of the night

It’s a warm, soothing day outside; the sun glows and birds are chirping like some kind of fucking cartoon. In the tall grass the losers sit in frogs croak and crickets chirp and they make a mess of themselves in the circle they form.

“Damn, Rich, what happened to you?” comes Stan’s voice, concerned eyes flashing down to his now royally fucked-up mouth.

“Yeah, dude, what the fuck?” says Bev through a sandwich, truly a charmer.

Richie grins at Bev but answers to Stan, ignoring the sting in the corner of his lips. “Guess I’m a fighter at heart.”

“Richie—“

Bev chimes in once again, a bright, snarky grin on her face, “Richie, you can tell us if it was another accident, we won’t judge. Promise.”

Bev has a way about her; he knows she’s not genuinely the largest, most gaping asshole on earth, and that she actually cared a lot and cried over her friends in the darkest nights, but she also knew how to make light of something dark (even the worst). She probably knew. She probably just had his back in her own funny way, like taking the pressure off the reality.

“Bev, I’ve really, truly, always appreciated your charm, but as my dearest favorite person on earth, fuck off.”

“Richie,” Bill says, then hesitates. In that time, Bev flips Richie the bird, which he answers with an air kiss. “What really h-ah-happened?” He looks him over with a frown, clear blue eyes swallowing him in concern and maybe love.

Richie offers a simple smirk before settling against the trunk of a tree. “Don’t worry about it, Billiam. I’ve got it under control.”

“Whatever you say,” Bev says. She tosses a baggie over to him with his favorite sandwich.

Stan isn’t so easily convinced, eyeing Richie up carefully, but he sits with Bev on the boulder she’s settled on when Richie doesn’t falter in his casual disposition.

It takes a lot of work, as always.

Ben shows up moments later, with a calm and tender, “You alright, Rich?” and when Richie goes off on a stupid tough-guy spiel, he simply lays at the foot of the boulder and flicks open a book, meeting Richie with one of his melting smiles, a gentle invitation, a sweet If you ever need it, I’m there, but allowing him the space to go on as normal. Which is nice.

Richie knows they all care. He knows he could tell them, could pour all of the terror and tragedy he felt the night before into the air and they’d fill up the space; Mike would give him the tightest hug in the world, one to combat the most heinous of things; Stan would sit with him as long as he needed it, Bev would come through with a smoke and the best advice in the world, and Ben would tell him stories or just hang out with him until everything felt a bit lighter, and Bill would give him anything in the world because Richie would do it back. That’s the way they were.

But he can’t do it.

“Sorry I’m late guys,” comes a nasally voice, huffing and puffing, new pressure leaning against the tree, and Richie grins. Eddie.

“It’s okay, Eds,” he says, reaching over a few fingers to tickle Eddie’s knee, giggling when the boy smacks at his hand and doubles over with an exclamatory, Richie!

The others offer a few sleepy greetings, all soaked up in their own forms of entertainment for the quiet afternoon: Bev and Ben, heads close enough to share his walkman; Stan, reading some lengthy oath to birds or something; Mike snoozing lightly on Bill’s shoulder while Bill pores over some adventure map from a fantasy novel.

They had all agreed that it was too tiresome to go swimming today, as the previous night was spent out at Stan’s with a bonfire, and for a few of them, some stolen booze (not very much, but enough that they could pretend to be drunk and giggle profusely). But they still wanted to hang out, so this was the middle ground. An afternoon picnic in the shade.

Eddie quickly notices his lip and drops down to his side. “Richie, what happened to you? Was it Bowers again? I swear to god, I will fucking kill that guy--”

Richie smiles softly at the protective words, and tries to turn it into a smirk. “Eddie, baby, don’t worry,” he says. “It’s just a little bump.”

Surprisingly, Eddie sidles up next to him, using the pad of his thumb to press at the sides of Richie’s mouth, apparently assessing some sort of damage. “Don’t call me that.” He scowls. “What did you do? Did you ice it? Clean this cut at all? Cause you could get an infection, you know, you really should clean it.”

Richie bats his eyes. “Clean it for me, sweets?”

“Fuck off. Forget I cared.”

“Ah, come on, Spaghettio. I didn’t mean it.” He pulls Eddie down with a simple gesture, pressing his palm to the boy’s shoulder and dragging. The boy rests against the trunk, nestled in Richie’s side.

But that’s the complicated thing. He sorta wishes he could mean it. In a small, poking-at-the-back-of-his-head-always kind of way.

“Just—tell me what happened,” Eddie pipes up quietly from his side.

When Richie glances down, he takes to heart how disgruntled Eddie still looks, crossing his arms and almost pouting.

He shrugs. “Your mother was simply affronted by how good I am with my mouth, Eds, she couldn’t take it anymore.”

Eddie presses his mouth into a line, rolls his eyes at the stupid British voice Richie had developed, and busies himself with a thrilling edition of The Lancet

Later, as dusk settles in and pale purple skies replace the bright blue, and the club leaves with simple ‘goodbye’s and promises to do something fun tomorrow, Eddie shifts from his nap. He’d passed out with his head slammed back against Richie’s arm (he’d caught it just before he fell to the ground, avoiding a lengthy rant about potential concussions and medical bills), curled in the opposite direction from Richie’s abdomen. As he wakes, through, he rolls over, elbow digging into Richie’s side.

“Ah-ow,” Richie groans, sitting up from his cataconic state of reading Ben’s stolen comics and avoiding moving and waking Eddie. But he’d just dug the pointiest part of his entire firecracker body into Richie’s ribs, where Richie had attempted and failed to nurse a bruise he’d accrued from a vicious cupboard corner. It was at an awkward angle, and he refused to go down to get more ice packs once they melted, so he slept unsoundly and laid uncomfortably.

“Sorry,” Eddie mumbles, voice muddled with sleep. “Shit, it’s late. When did I fall asleep? My mom’s gonna kill me.”

Even in that gurgly, world upside-down state of post-nap consciousness, the boy freaks out about his mother. Richie sighs and rubs his shoulder.

“You’re all good, Eddie boy,” he attempts for a creaky, witchy voice, but it’s half-assed because he gets so tired of this lady. Not Eddie ranting, that was fine, and he knew the kid needed to get it out of his system; but he was fucking tired of Mrs. K hurting his boy. “You took your meds on time, fell asleep shortly after. Might need to amputate my arm now, though.”

His boy.

Eddie sits up, and Richie stares at his back, illuminated in the dusk, because he wore a fun yellow today, resting prettily against his tanned, freckled skin.

(Maybe Richie had looked over, amused, for a few moments, as Eddie snored and twitched his nose in his sleep; and he counted the freckles on Eddie’s arm, his cheek, whatever he could see for entertainment.)

Eddie glances back at him, and Richie distracts himself with his bag, shifting his eyes awkwardly from the boy’s gaze.

“Well, well, good sir, shall I walk you home on this fine night?”

Eddie’s brow furrows. “Richie, what’s that?”

His eyes are trained intently on the aforementioned bruise, and its cousins that pepper his hips, only exposed because he slipped and let his shirt ride up when he bent over.

He clears his throat, scrambling for some dumbass answer, wholeheartedly unprepared for the severity of this conversation. “You know how the ladies throw themselves—“

“Okay, you know what, fine.” Eddie stands quickly, stumbling slightly, and braces himself against the tree. “You don't have to fucking tell me. Just come home with me, okay?”

“A night with Eddie Kaspbrak? Why, you’re really a dream-come-true kind of guy.”

“Your lip is bleeding again,” he responds simply, apparently not one for fun at this very moment. “I can clean it.”

Richie pops up from the ground, feeling quite pip pip, tally ho about the whole thing. “Righty-o, Eddie boy.

That’s how he ends up sitting on the edge of Eddie’s porcelain-white bathtub, dirtying it with his messy jeans and dirt-coated nails.

It takes a lot of strategic planning, lots of sneaking past Mrs. K, and then sweet-talking and kisses from Eddie once she wakes up freaking out about how late he was. But, after about fifteen minutes of contest-worthy screeching from the woman, Eddie stomps up the stairs, slams the door with a very I’m gonna pull my hair out look, and has to take about three extra minutes to compose himself, ranting under his breath.

Richie just stares at his distorted reflection in the shining silvery faucet, the violet under his eyes and the renewed puffiness of his lip, Hawaiian pattern of his shirt disheveled in the odd mirror.

He knows not to engage unless Eddie actually speaks up to him, meaning this run-in was probably just overly grating and mentally draining, considering, well, how his mother is. He just needs a second to get it out, not any kind of heartfelt talk (which Richie sucks at anyway) or even a lighthearted joke. The boy paces and growls into a fist. Then, eventually, he breathes, “Okay.”

Eighteen minutes. Eighteen minutes of sitting around and waiting for Eddie, just for him to kneel in front of Richie, doe eyes clear and focused, dabbing so, so gently at his battered lip.

In a way, it’s heaven.

“I take it your mom can’t wait for me to buy dinner, eh?”

Eddie sighs. “Apparently this time I’m gonna contract malaria, Rich, didn’t you know? There’s an incredible outbreak this time of year and I’m obviously not prepared to avoid fucking mosquitoes, what with my fifteen bottles of bug spray and essential oils. I’ll probably die tomorrow!”

“I will make sure that your funeral is a fucking rager dude, don’t you worry. Booze on me.”

A ghost of a smile.

“Richie…” he breathes out in a long winded way, saying nothing and everything for way too long. “Why don’t you stay here tonight?”

Richie raises an eyebrow. “Man, I thought you were gonna back out on your previous offer, but I guess the call for a night with Richie Tozier is too much to back away from. I get it.” He smiles painfully at the way Eddie’s face crumples with something like boredom. “Christ, dude, what’s your poison?” He makes a face at the antiseptic substance that trickles into his mouth.

“Maybe if you kept your mouth shut for once, this wouldn’t be an issue.”

Richie beams, which just causes Eddie to huff even more.

“Please, just stay still!

“It was my uncle,” Richie finally says, forcing a bored expression onto his face as he flips through a rather dull magazine, sprawled on Eddie’s bed. “And it wasn’t a big deal.”

Panic flashes across Eddie’s face. His cheeks burn red, and his leg jitters anxiously against Richie’s, but his voice remains level, which Richie thanks dear lordy Jesus for. “Your uncle? He hit you?”

“Well,” Richie pauses. “Uh, kinda. He was just really drunk, Eds, and he got mad and I was in the way.”

“In the way?”

He shrugs, a small smile quirking his lip up. “Am I not usually?”

“Rich.” Eddie’s voice is really soft in that moment, gentler and quieter than anything Richie has heard from him in all the time he’s known his fellow loudmouth. It simultaneously terrifies and thrills him. Eds. Eddie brings his knees to his chest, leaning back against the headboard. “You say a lot of dumb shit, but that doesn’t mean you should be hurt.” He must notice Richie’s uncomfortable look, because he adds lightly, “Most of the time, anyway.”

“Woah, Eddie, don’t go overboard with the kindness or anything--”

“Damn it, Richie.” He casts his eyes downward. “I’m just trying to say - um - thanks for telling me. Sorry if that’s fucked up to say, but I know you didn’t want to, so, yeah. We don’t have to talk about it anymore.”

Richie swallows deeply with a slow nod, focusing his eyes on the blurry words in front of him. “Well, if there’s anyone I’d tell, it’s Dr. K. He’s gonna be the one to save my life, right?”

Eddie rolls his eyes. “Right.” He kicks at Richie’s foot, a subtle way of telling him to move over so he can get under the covers.

“Night, toots.”

“Goodnight, Richie.

Richie thinks he knows everything possible about Eddie thus far.

He knows when he needs to take his meds, an internal clock he recently developed; he knows that the boy is not nearly as fragile as he sometimes seems, and if he really tried, he could pack a punch; he knows that he loves fervently and he’ll always take care of his friends, even if it’s in a way that would usually disgust him.

Case in point: he didn’t seem to freak out at Richie’s bleeding lip, even when a steady stream of blood started dripping down his chin from the contact of trying to clean it out, though he usually cringed if he got so much as a scratch from a twig. Somehow, some way, he simply held pressure on the wound and told Richie to hold some ice on it (“Ordering me around now, hot stuff? I can work with that,”), and washed his own hands thoroughly in the sink.

What he doesn’t know until that night, is that Eddie is a cuddler. At least, half-asleep, groggy Eddie is. Like, this kid must be more starved for affection than he is. Richie had curled himself in a ball toward the edge of the mattress, willing himself not to do so much as even press his back against Eddie’s, way too afraid of the ease with which two people can tangle themselves together in the night, terrified of what would happen if he woke up with Eddie’s hands on him, wrapped up in Eddie, Eddie’s terrible morning breath against his cheek, Eddie Eddie Eddie. But while Richie had stressed himself into falling halfway off the bed, Eddie had flopped over in his sleep, slung an arm across Richie’s waist and, seeming to sense that he had something to hold, pulled him in tight to his chest. Though Richie’s breath caught in his throat, he figured, well, no one could really see them then, so what was the harm in passing out like that? No one had to know. He could pass it off like he’d been sleeping the whole time.

But he cherishes every fucking minute of it

Richie wakes to the sound of something pounding, a steady beat, and in that state of slowly waking from a dream he thinks it’s some old drum, playing lowly in the corner by some restless figure. When he comes to, his eyes creaking open slowly, he sees the gentle orange-ish hue of the morning sky, the neat room around him, the scent of detergent and soothing fabric softener wafting near his face. And he realizes his head is tucked into Eddie’s side, the boy’s slowed heartbeat thumping softly against his ear.

Normally, he’d just let Eddie sleep, as he’s usually only the asshole waking everyone up when it’s the whole gang. He doesn’t mind spending a few hours by himself in the morning. In fact, he enjoys the opportunity to try to fall back asleep (even though he never does).

But with a sudden impulse, he lays a palm on Eddie’s ribcage and pushes himself up onto his elbows, then shakes the boy.

“Eddie.”

A muffled, “Mmph?”

“Eds, wake up.”

The boy drags a pillow over his ears for all of two seconds before Richie tickles his stomach. Then he crankily sits up and lets out a gruff, “What?”

Richie grins. “The sunrise, Eds! Look, it’s so pretty, you have to believe me.”

Eddie responds by laying his cheek on Richie’s shoulder blade, slumping forward with his eyes still closed. “You do know,” he breathes, “that if the sun is just rising, it’s like, six a.m.?”

“Hmm, 5:49, but close enough, I suppose.”

The most huffy breath that Eddie can manage at this hour tickles the hairs on the back of Richie’s neck. “Did you know that people who don’t sleep enough die a lot younger? There are serious health consequences.” It doesn’t come out in his usual fiery, punctuated tone; it’s soft and filled with a yawn and he’s pretty sure Eddie might fall back asleep just like that. “You can’t die early on me, Richie. And I don’t want to. Go back to sleep.” He peeks one eye open at the window, squinting at the glow of the sun. “It is pretty, though.” With that, he falls back against the pillow and curls into a ball against the wall.

And Richie’s pretty damn sure in that moment that he’s, like, in love

And, sure, that’s terrifying.

He has no one to talk to about it and nothing could convince him it’s normal, so he shrugs it off and pretends it isn’t there.

Cause that’s a good way to cope, right?

It doesn’t matter that Eddie is so easily comfortable with him—he’s a low-pressure person, is all. And no one had called out the way pet names rolled off Richie’s tongue so easily, because that was just a part of his joke. Normal. Easy.

Until it wasn’t

You see, there’s this bitch Pennywise. This idiot clown terrorizes his friends, kills people, haunts their nights and days, and fucks with their minds. Tries to turn them against each other. And they can’t even throw a jest back! It’s a sick system.

Well, anyway, the losers end up in some crickety, wooden, falling-apart-at-the-seams murder house on Neibolt, because Bill wants to find his brother and none of them are willing to abandon him. Instead, Richie gets to see himself dead, face off with a monstrous fucking clown, and hear heart-wrenching screams from Eddie that he can’t even help, because he can’t get out.

When he does, he reunites with Stan and Bill, using the few seconds he has to catch his breath.

Just as quickly, he loses it.

In front of him lies Eddie, arm twisted at the ugliest, most heinous angle, and not only is he probably in pain and freaking out about the arm, but a 7-foot tall clown is sauntering towards him with a stupid swaggering gait, like it knows that they can’t do anything to save Eddie.

Eddie.

The boy cowers against dust and fallen wood that must be itching to give him splinters; tears streak down his dirty face and his chest rises and falls rapidly, as Pennywise taunts him. Fucking horses around, making stupid noises and joking while Eddie falls apart, and Richie doesn’t know how to save him, even after everything Eddie’s done for him. Richie is vaguely aware of Stan grasping his shoulder, trying to ground him, and he silently thanks him as he glances around for fucking anything to use as a weapon, because he certainly can’t jump into this blindly--

Then Beverly busts into the room and stabs the bitch in the head, and Richie can’t think but his feet are moving and he lands in front of Eddie in the few seconds’ time he has to play catch-up. He reminds himself to remind Bev of just how much he loves her later.

For now, though, his focus is Eddie. His ears are ringing and he’s noted the commotion going on behind him, he even realizes that Bill ends up at his side, but his gaze is right on his Eds, grasping at his face, trying to do anything to help him.

“Eds. No, no, no! Look at me! It’s okay. Please be okay.” He steadies his voice and tries really hard not to think about how much he sucks as a caretaker, how he has no fucking clue what to do, but he’s scared and he desperately just wants to take Eddie from the room and keep him safe, forever and ever.

Terror-filled eyes find him as the clown continues toward the three of them, flexing horrendous claws; Richie kneels in front of Eddie and Bill’s at his back, and Richie knows Eddie acknowledges him but he’s whimpering and shaking and staring back at the clown. And Pennywise is thriving.

“Eds,” he says, louder, grabbing Eddie’s chin and forcing it in his direction. “Please just - fuck the clown, okay? Fuck everything. It’s me and you. I’ve got you.” And he’d probably be much more convincing if he weren’t shouting and clinging to Eddie’s shoulders like it means death.

But, he seems to capture the boy’s attention, as he keeps his eyes steadily on Richie and blinks a few times. “My arm!” he cries. “Fuck, I can’t fucking move. I’m gonna die. It hurts, Rich.”

“Hey, you’re not gonna die. I don’t die early on you, you don’t die early on me. That’s the deal.”

“Some deals are made to be broken.”

Eddie is just staring at him, blank eyes staring through him with a grin, a stark contrast to the screaming that was going on just moments before. A surge of panic rises in Richie’s chest, like a freezing wind knocking through his stupid little preteen body. He shakes his head in confusion.

“Eddie, shut up. It’s just your arm. You’re gonna be fine!”

A shrug. “Who’s to say?” And then he sits up, arm convulsing at his side like some dying snake, and Richie flinches and flies back into Bill’s chest. He can’t do this. He can’t help Eddie like he should, he can’t take care of him like he wants to. He’s a coward.

“Rich.” Bill is a million miles away.

Right here, right now, is that thing in Eddie’s place, body rattling like a rag doll. “They’ll find out.” Eddie’s voice is fucked up, scratchy, and his eyes are all wrong; the way he’s staring at him is fucking uncanny. “Get too touchy, Rich, and you know what’ll happen.”

“Stop, please, fucking stop!”

“Richie!” Bill is finally right there, shaking both of his shoulders from behind. “S-stop. You’re f-f-fine. It’s just fucking with your head.”

It takes a few deep breaths, but Richie turns to him and says a quick, ‘Thanks,’ before turning back to real-Eddie, who is now dry-heaving and wailing at the sight of his arm.

Eddie’s chest thrusts forward and back rapidly, and he keeps trying to back further from the bedlam in front of them. His face contorts into an absolutely heart-wrenching cry, and as he looks at Richie, gripping his hand with an iron fist, Richie’s heart splits in two. It’s hard, it’s way too hard not to say I love you, after all that. And it’s hard not to run.

“I don’t wanna die - ”

Richie crawls closer to cradle Eddie’s head. “Eddie, if you die I’ll kill you.” He wants to go home, he wants to cry, he wants to sleep for about three days and pretend this never happened. But he can’t. He has to be here for Eddie, as much as he wants to flee right now. “You’re not going to, you know that? I still owe you ice cream. And I’m gonna get you inside the arcade—“

“Fuck the arcade!”

Somehow, in all of the fuckery going on, Richie laughs. “That’s the spirit!” Eddie, in a scramble to back away from the startle of Pennywise running away, shifts into Richie’s lap. “Okay, Eddie, breathe.” Richie gulps down a breath himself. “I’m gonna snap your arm back into place.”

Eddie’s eyes light up, completely on fire, spitting poison at Richie. “Rich! Do not fucking touch me!”

Richie winces at the words but he hears Bev screaming, “Richie, his arm!” and uses the moment of yelling to just do it, to get Eddie’s arm back to a relatively normal shape, and then he’s screaming and it’s like he wants Richie to cry in front of everyone.

“Okay okay okay, it’s done. No more.” Richie, awkward and lost at what to do, brushes back sweaty hair from Eddie’s forehead, because he’s pretty sure the boy would hate how sticky everything had gotten, and if he could help even one thing, well, it’s something.

He wishes he could help carry Eddie home, sit with him in the hospital, anything to cheer him up.

But he doesn’t get the chance. Mrs. K is outside and snatches Eddie from the losers in the flash of an eye, talking like they broke his fucking arm or something.

That’s when it all goes downhill

Richie storms away from his stupid feud with Bill, the fucking dumbass who punched him in the face because he said he didn’t want a clown to kill him and his friends. He thinks it’s the most reasonable thing he’s ever said, objectively, but whatever. He doesn’t want to lose his friends. But in that moment, he doesn’t see many other options.

When he trudges back home after his third day alone at the arcade, following newly-formed muscle memory to avoid his uncle (close the door slowly, shift weight and run upstairs, wait at least twenty minutes to go back down for food in case he stirs), he notices another car. Immediately, Richie throws open the doors, calling out, “Mom!” and finds her in the kitchen, with his uncle.

“Hey sweetie, I just got home—“ she startles at the sight of him.

“Jeez, that bad?” he jokes, running a hand through his hair. “Just remember, mom, half of this is ‘cause of you.”

She approaches him quickly, summer blazer flowing behind her from the speed, and crouches down just slightly to be at eye-level. “Richie, honey, what did you do to your lip?” she asks. He doesn’t realize right away, but he tilts his head into her touch, and she strokes his cheek gently.

Richie had forgotten about the whole ordeal—his friends almost dying at the hands of a killer clown was pretty damn distracting from his low-life uncle—but now, he sets a spitting glare on the man leaning back and manspreading at their kitchen table.

“Uncle Alan had a few kind words to say over dinner the other night.”

Her tender touch to his face is lost when she whips around to face his uncle, and Richie feels like a little kid again, standing behind his mom and clutching at her coat while she takes care of everything.

“You hit him?” she says, her voice threatening in a low mumble, teeth clenched together. “What the fuck is wrong with you? You touched my kid?” She holds back a hand as though to shield Richie as she slams her other fist on the table.

“How do you know it wasn’t one of his faggy friends? Or maybe some other kid with common fucking sense?”

She leans down and takes him by the front of his shirt. “Don’t you dare, Alan. What the fuck were you thinking?”

Uncle Alan yells back in her face, spit flying, and Richie would jump forward to defend her if she weren’t holding him back so protectively (with one hand!). “Listen, Maggie, if he’s gonna act like that, I’m just preparing him for the real world.”

“You absolute shit! You don’t get to make that decision!” Richie has never, ever seen his mother so angry. “You battered a twelve year old boy! What, do you feel really big now, you pathetic piece of shit? Get the fuck out of my house!” At this point, she’s shaken him and thrown him back against the chair so he falls, catching himself just in time as it cascades to the ground.

“Fuck you, Maggie!”

She follows him down the hall.

“Fuck you!” Richie calls out at his retreating back, before his mother screams about pressing charges and slams the door behind him.

Richie’s mom rushes back into the kitchen to face him. She’s red in the face, eyes on fire, but she softens at the sight of him.

“Richie, sweetheart, I’m sorry we left you.” She cradles his face again. “Hey.” She holds him with both hands. “Listen. If anyone ever hurts you, you call me. If anyone ever so much as threatens you, Rich - ”

Richie, choked up, interjects, “I didn’t know the number, mom. I don’t know where the little paper you wrote it on is, I’m sorry—“

“It’s okay.” She looks at him for a few more moments, then swaddles him up in a big, mama bear hug. “I love you, kid. I hope you know that.”

“I love you too.”

For a few minutes, she just holds him, stroking his back while silent tears fall down his face and onto the chest of her shirt. She doesn’t seem to mind

It’s late. Richie doesn’t know what he’s doing, but he’s on top of the world.

He ends up at Eddie’s house, even though he knows they’re not talking and Eddie’s mom might kill him on sight, he has to see him. Mrs. K can go fuck herself.

Outside the boy’s bedroom window, he raps quietly with his knuckles, just about buzzing with a high, high feeling toward life. He can see Eddie lying in bed, struggling to prop up a book to read, lamplight cascading onto his skin - that is, until he hears Richie, and flies toward the window with a crazed look.

“What are you doing here?” Eddie asks, brows knitting together. “My mom will kill you if she hears you.”

That doesn’t matter so much to him at that moment. “Eddie!” He swings his legs over the banister and jumps into the room, adrenaline and something like love pushing him to lift Eddie to his chest and spin. “Eds, my mom came home early and she kicked that motherfucker out of my house!”

Eddie’s eyes are crazed from the spinning and he clings to Richie’s shoulder with his good hand; and he grins, a giggle caught in his lips. “That’s great, Richie. Fuck that guy.”

“Yeah, fuck him! And god Eddie, she - she protected me, and we just spent hours together, watching movies and making dinner like old times, and it was amazing, and - god, I know I sound like a dork, but I - ”

He pauses, mostly because he’s out of breath from machine-gunning a paragraph out of nowhere; but also because in his flustered state he didn’t register the sweet-cheeked smile that Eddie is currently melting him with.

But when he does, Richie thinks to himself: sure, blue eyes are great; they can be compared to the sky or the ocean or whatever other cheesy nature bit all goddamn day. But Eddie’s eyes - hell, he doesn’t care if he sounds like a cornball - they’re fucking amazing. They usurp all of that bullshit. He’s used to them when they’re blown wide in surprise, or holding him in a steely glare for some dumb joke, and he loves them then; but right now he catches a kind of tenderness hidden in the dark. Something that envelops him in warmth and pinks his cheeks.

Eddie takes the opportunity to pipe up. “Richie,” he says, “I’m really happy for you.”

He means it. Richie knows he means it, because for the last several days, he’s heard Eddie mumbling to himself somewhat privately about ‘that piece of shit,’ and right now he’s clutching Richie’s sleeve and smiling without a trace of mockery.

And he’s perfect.

His tousled hair that’s rustled from what looks to have been a constant stream of fingers, stressed over the book or his mom or god-knows-what; the oversized t-shirt he’s drowning in and short shorts and perfectly matched socks; and those shining eyes and friendly smile and soft fucking hands that hold all the electricity of Richie’s excitement - all perfect.

And Richie, Richie could just kiss him.

He doesn’t.

Mrs. K knocks at the door.

“Eddie bear, it’s time for your nighttime oils!”

Richie cracks a wise-ass smile. “Eddie bear, if I’d known you needed nighttime oils, well, I would have come prepared.”

“Get the fuck out,” Eddie says. The laughter catching on his lips tells another story.

Richie throws an utterly charming wink in his direction and crouches in the window, preparing to jump out and make his escape.

“Wait!” Eddie grabs the back of Richie’s t-shirt. “It’s cool that you stopped by. It’s - it’s been lonely in this hellhole. I might have gone insane if I thought you guys forgot about me.”

“Aw, I’d never forget you, cutie.” Richie, stomach twisting and turning, supports himself with his forearm on the outside of the window. “And, anyway, I gotta practice my Romeo somewhere, right?”

Eddie lets out a characteristic huff. “Whatever.”

It’s quiet, save for the distant tweeting crickets, and the scent wafting through the nighttime is intoxicating, and for the following moments the world reminds them to just breathe.

“You’re gonna miss curfew, Rich,” Eddie mumbles, leaning out the window on his elbows. And Richie hears it: you’re alone, you know what could happen. Stay safe.

“I’m not afraid, Eds.” He means it. Richie can’t draw up what fear even feels like right then. With a flick of an eyebrow, he nods toward the door. “Mother is waiting.”

“I know.” He smiles. “I’ll see you, Tozier.”

Richie, without any reservations (until he thinks back on it later), reaches out as though to pinch Eddie’s cheek, but instead, runs his thumb along Eddie’s cheekbone. “See ya, Eds.” He smiles. “I’m gonna get you out of here someday.”

Eddie shakes his head as Richie takes his hand away from Eddie’s newly red cheeks and makes his way back to the ground, muttering, “My hero.”

And Richie looks back with a grin at the silhouette of the dork in the window, saluting before taking off

It sucks when Beverly leaves.

It’s an early morning, red and orange hues breaking across the skyline like a cracked egg, and Richie, Stan, and Ben all gather around to watch her disappear off to the nearest airport, and then disappear from them forever. Though it’s not nearly as mopey and depressing as it could have been, it’s hard to watch her go; a warm energy follows her as she hugs them all goodbye, looking at them with her all-knowing, crooked little smile, rolling her eyes but expressing more love than any of them had ever known, and Richie knows she means every word of loving and missing that she says. And he knows he’ll miss her more than anything.

He does. Not much helps with the pain of missing someone, but as the days go by, pieces of her slowly slip from his mind, until finally she’s all gone

New Years offers promises of ‘new me’s and resolutions and maybe some kind of peace. And considering everything, it’s the saving grace Richie thinks he needs.

A chance to forget his uncle, the murderous clown that haunts his dreams, and his personal revelation that he loves Eddie Kaspbrak.

It didn’t ruin their friendship by any means, just made his cheeks flush and heart throb and his rebuttals come back stutter-y when Eddie merely smiled at him. It was stupid textbook puppy love. He never thought he’d fall for that.

And, he’s not gay. He can’t be, or he’ll have to pay the price.

It's just that Eddie is his best friend. They’re all best friends, but Eddie never really stopped engaging with his exhausting jokes like the others, when it was finally too much. Eddie always bickered back, he took the bait and bit back. Eddie took him home when he got hurt and cared for him and then went right back to fighting.

He loves Eddie the way he should love someone like Bev.

But it’s nothing.

The night is cutting, crisp with a fresh wintery bitterness, biting at Richie’s nose until it’s practically bleeding. To be fair, he’d opted to only wear one of his lighter jackets and some gloves, so it’s his own fault that his scalp is freezing over and he’s shaking on his way to the loser’s little spot in the meadow.

At least his friends are smart.

Stan sports a matching tartan hat and scarf, bundled up around his face so only the pinkish tip of his nose is poking out; Bill has a nice puffy coat and a hat with a bauble rested atop his head; Ben’s ushanka hat is wrapped tightly under his chin, and he waves at Richie with mittens keeping his hands warm; Mike is representing a lot of fleece, and he grins at Richie, shaking his head when he sees his lack of winter clothes; and then there’s Eddie, wearing a coat that has to be at least an extra large, and a knitted cap, bundled up so only his fussy eyes and nose are squinting out at Richie.

In Richie’s defense, he was running late, and he had sprouted a little bit in the last few months, so his previously comfortable winter coat was now tight and painful in the shoulders and chest. This jacket was his best option in the 30-second long window he had to get dressed and run out the door to attempt to be on time.

Stan levels a look at him, thoroughly appreciating his idiocy, and obviously not pitying his shaking form more than a quick flash of sympathy in his eyes; he cares, but Richie obviously brought this upon himself. The ensuing cold would be his own fault, and he’d call Stan to complain, just to grin quietly as the boy went on the calmest rant about how stupid he is and then hang up. It’s just how they worked.

Richie wonders if he’d tell a potential partner that they should have brought a coat to a date if they complained of the temperature. It’s beside the point, but amusing.

“C’mon man, you didn’t think about a scarf at least?” Mike says as a greeting, laughing a little bit as he removes his own and wraps it messily around Richie’s neck. In that moment, Richie would give up his life for this kid. The body heat/fleece combo immediately brings him back from the brink of a nosebleed.

“Richie doesn’t think, period.” Stan sticks his hands in his pockets and stares at him, ghosts of amusement playing on his cheeks.

Richie flashes his teeth in a big ol’ grin. “That’s pretty accurate, actually, I just wanted to be with you guys on time so badly, you know.”

Bill lets out a small, unenthused, “Aww.”

Richie simply chuckles and tries to wrap his fingers in Mike’s scarf to help with the inevitable hypothermia. Eddie winds up next to him in their gathering, sucking in a big breath through his nostrils and huffing out shortly.

He bumps Eddie’s arm with his elbow and says, “What’s up with you, Eds?”

Eddie nearly topples over from the size of the coat weighing him down, and he curses under his breath before standing back up and glaring at Richie. “You really didn’t wear a bigger coat, dumbass?”

“As you can see, no,” Richie chuckles.

Eddie presses his tongue into his cheek. “Well, you can share mine. It’s more than big enough.”

Oh.

Right, sharing a coat. That’s fine. No pressure or anything.

Richie aims for a cool response, some funny voice or smooth and subtle, and lands on, “Yeah, cool. Thanks.”

So, they share. And it’s pretty great.

Eddie unzips it and pulls Richie in, and they collaborate to pull it up and then Richie is pressed up against Eddie’s side, in public, already sweating even though he’s still cold because he doesn’t know if he can handle this.

Fortunately, they’re hidden by the dark, so maybe the boy or their friends won’t notice his red cheeks (or they’ll chalk it up to the cold) and the extra focus he has to place on acting normal. Because Eddie smells nicer than most boys their age, and he’s got a heart too big for his body, and Richie’s sure that Eddie loves him back in at least some way. It’s not just anyone that would get to be this close, squeezed into a coat with him.

Richie feels sick.

But the fireworks are starting, and they might be sparse and lackluster in the hell that is Derry, but each loser looks to the sky with love, with appreciation, in awe of the fact that something beautiful can apparently come from hell.

Barely, just barely, Eddie’s head falls against Richie’s shoulder as they gaze up into the inky black sky illuminated by cakes of fireworks, and he whispers, “Wow,” under his breath right next to Richie’s ear, and now Richie’s contemplating between the two possible causes of his death: he combusts, or he stops breathing - to be determined.

Richie begs the universe for advice in the ultimate predicament. And to his great relief, memories seep back into his brain; those of freckled cheeks, teeth balancing a cig as a mouth talks, and bundles of ginger curls bouncing as her head turns in his direction.

“Bev would love this.”

Riche catches the way Ben looks over at him pretty much immediately - at them, sharing body heat in Eddie’s coat - and then how the boy stares at the ground and mumbles a soft, “Yeah.” He looks back at Richie, holds his eye contact for a sweet, lingering moment, then gazes back at the sky, hopefully thinking of love as much as Richie is.

Bill, Mike, and Stan all follow, tearing their eyes away briefly to make quick eye contact with each other, and then Richie, and Eddie even shifts to look up at him, and they all smile wistfully as though the girl is there with them, snarky remarks and toothy smiles keeping them all afloat. Richie feels like he’s going to break open and cry enough to fill the whole universe, so he sniffles and looks back up at the sky, breaking the moment of magic.

But it remains with them.

It remains as they share this together, as they enter the new year together, promising hope for a happier future as long as they stick with each other.

And it remains as Eddie Kaspbrak takes his hand under the coat and murmurs, “Happy new year, Richie.”

#reddie #richie tozier #eddie kaspbrak #it 2017 #fanfiction #fluff #angst #sharing a bed #pining #new years #summer #mine #gosh i hope this isnt too dorky sfhdgjhsdfg

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ask-artsy-oncie · 4 years ago

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I'm on meds so forgive me if this isn't very coherent.

But there's something that's been bothering me and like I think I JUST FINALLY figured out how to put it into words

On the subject of internet discourses, namely on media/shipping purity (which I already have a hard time 100% agreeing with) I notice that some of the most aggressive advocates for media purity or fan-content purity (like, people who outwardly bash or target anyone liking or making something that isn't 100% un-problematic (and, yes, desclaimer, there's a sliding-scale of okay-ness in problematic content in most sane people's minds, most people won't give passes to just anything because they gave it to some things)) TEND to be white Americans. And like, they're not usually completely un-marginalized, but they are usually white Americans.

And the problem I have with that demographic being the one most commonly enforcing media purity is that the very ACT of doing so as a white American infantilizes people who aren't like them. And I say this because a massive part of white American culture - EVEN IN PROGRESSIVE CIRCLES - that STILL needs to be broken down and heavily analyzed is this idea that they somehow know best and so we need to do what they say. In this case, being so aggresive in demanding that people only consume or create "pure" content auto-assumes that people (read, people of color and non-Americans) are somehow incapable of critical thinking and only enjoy problematic media because they're "ignorant" rather than just. Because they happen to like it.

This gets ESPECIALLY clear when language barriers get involved, I end up seeing a lot of people in these discussions have a higher chance of being targeted/talked down to if they make a post or response in broken English, and I really shouldn't have to tell people WHY talking down to an ESL person is inappropriate. You can also tell that, when purists make posts mocking problematic content enjoyers/creators, they'll often use baby-ish language and openly act as though they are a person with zero critical thinking skills. It's very clear that this IS how they see their detractors, and the detractors they love targeting are non-English speakers (read, non-American, often people of color).

This also is why most people of color who side with people like these tend to be 13-15, where being talked down to or infantilized doesn't completely read as inappropriate, yet (which obviously varies from person to person! I do not wish to generalize! But I am speaking from my own experience and the experiences of friends I had during that time of my life). And the idea that predatory discourse accounts are able to get away with this makes me so upset. The age difference is already something I commented on as worrying and something worth being called out, but recently I realized that the power-imbalance often manifests itself through a combination of both age AND race, and that's not something we should let these predatory accounts continue to deny.

The takeaway from this is that if you're a white American and you partake in discourse like this, take a fucking step back right now and take a good hard look in the mirror, analyze your worldview and past actions. Consider WHY you feel the need to police the content people consume, and why you don't think they're capable of consuming media critcally. There's a degree of colonialism than has never left the culture, and it's high time we ALL worked towards breaking it down.

#media analysis #Discourse #Purity culture #Problematic media #Colonialism #Long post #?#I could write something much more complete but I had to get this out before i forgot

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gunnerpalace · 5 years ago

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Hi! Same anon as the previous one. Tbh, I agree wholeheartedly with you. Y'see I do ask rhetorically,too but i could really accept and understand how and why ppl can be oblivious to IchiRuki, and somehow felt that the 'canon' should suffice, even the most excruciating of all is the fact a number found the ending even acceptable (ships aside, too). Again, I could respect that. But it's my greatest bane when ppl ask 'why' and not be clear they are asking rhetorically because I literally will

provide you an actual answer. And I get it, it’s the reason why ppl find shipping wars toxic and silly. But then again, as human, conflicts are always part of us (partly because as social psych explains so, we are gravitated to the negative for that allows us to change and survive), and the reason why “logical fallacies” are coined in the first place. Human will always debate, and argue about something; the only thing we could change is how we approach the opposing views.

Again, I dont condone any way, shape or form of abuse and harm. In some certain extent, I could perhaps understand it’s much harder for some IH to approach the actual argument being there’s either too much noise, and trapped in their own island between sea of salt. Thus becoming too acquianted w/ few IH who shared the same thought until it became their views as the only truth (see, that’s why its important to have debates! it is what keep us grounded and fair! Just like you said)

Who am I to speak though? I never ever challenged anyone anyways. And as you said, you just have to understand things in every way you could possibly think of–endless ‘whys’. Which is where I agree in your reply the most–this silly fandom wars is just the black mirror to every truth that lies beneath human psyche–the dark and the grimy. Heck, being a psych major is like staring at dark hole–at times, good, but most just plain confusing, revolting even or just heartbreaking.

Sorry it’s been long, but for the final of this ask: let me tell how glad I was with IchiRuki fandom I found in tumblr. It was the saltiest I’ve ever been (im not generally a fandom person anyways) but it’s the himalayan salt–expensive and actually nutritive it really deepened my desire to become wiser in general. And you for your wonderful essays, critiques and whatnot. I definitively would love to talk with you more not only about IchiRuki but the wonders and nightmare that us humans! Kudos!

I have sitting in my drafts a post spelling out my thoughts on “canon” (and thus, the people who cling to it) in that as a concept it privileges:

officiality over quality when it comes to validity (thus violating Sturgeon’s law)

corporations (intellectual property rights holders) over fans, and thus capitalists over proletarians

hierarchical dominance over mutualist networking within fandom

curative fandom over transformative fandom

genre over literary content

plot over characters

events over emotions

It is notable that (1) generally degrades art as a whole, (2) generally advances the capitalist agenda, and (3–7) generally advances the dominance of men over women (as the genders tend to be instructed by society to view these as A. dichotomies rather than spectrums, and B. to ascribe gender to them and make them polarities). These form the sides of a mutually reinforcing power structure (in the typical “Iron Triangle” fashion) designed to preserve and maintain the status quo.

Who really benefits from say, the policing of what is or is not “canon” in Star Wars? Disney, first and foremost. And then whomever (almost certainly male) decides to dedicate their time to memorizing the minutiae of whatever that corporation has decided is “legitimate.”

One can imagine a universe in which fan fic is recognized by companies for what it is: free advertising. (Much like fan art already is.) Instead, it is specifically targeted by demonetization efforts in a way that fan art isn’t. Why? Because it demonstrates that corporate control and “official” sanction has no bearing on quality, and it is thus viewed as undermining the official products.

In the same way, by demonstrating that most “canonical” works are frankly shit, it undermines the investiture of fans in focusing on details that are ultimately errata (the events, the plot, the genre), which is the core function of curative fandom and the reason for its hierarchical structure. The people who “know the most” are at the top, but what they “know” is basically useless garbage. And those people so-engaged are, of course, usually male.

To “destroy” the basis of their credibility, and indeed the very purpose of their community, is naturally viewed by them as an attack.

(This is not to say that efforts to tear down internal consistency within established cultural properties are good unto themselves, or even desirable. For example, efforts to redefine properties such as Star Wars, Star Trek, Doctor Who, and Ghostbusters, for the sake of a identity-politics agenda have largely A. failed as art, B. failed as entertainment, C. failed to attract the supposedly intended audience, and D. failed to advance the agenda in question. Trying to repurpose extant media in the name of culture wars is essentially always doomed to failure unless it is done deftly and gradually.)

(At the same time, this also shows what I was talking about last time, with regard to people seeing whatever they want to see. You will see people complain that Star Trek and Doctor Who didn’t “used to be so political,” which is obviously nonsense. These shows were always political. What changed was how their politics were presented. For example, Star Trek has, since TNG, always shown a nominally socialist or outright communist future, but was beloved by plenty of conservatives because they could [somehow] ignore that aspect of it.)

Of course, almost no one is seriously suggesting that one side of the spectrums outlined above be destroyed, rather merely that a new balance be struck upon the spectrum. But, as we have seen time and again in society, any threat to the status quo, whether that be 20% of Hugo Awards going to non-white male authors or the top income tax rate in America being increased by a measly 5.3% (from 28.7% to 34%… when the all-time high was 94% and for over 50 years it was above 50%) is a threat. This is why, for example, Republicans are out there branding AOC as a “socialist” when her policies are really no different at all from a 1960 Democrat who believed in FDR’s New Deal. (Which they, of course, have also demonized as “socialism.”)

(As an aside, all this ignores the fact that most of the “literary canon” of Western civilization, or at least English literature… is Biblical or historical fan fic.)

And this is when I finally get to my point.

Those people out there who denigrate and mock shippers and shipping, the people who hurl “it reads like fan fiction” as an insult, and so on, are the people who benefit from and enjoy the extant power structure. You will see the same thing with self-identified “gamers” complaining about “fake girl gamers.” Admitting that the hobby has a lot of women in it, and a lot of “casuals,” and is indeed increasingly dominated by “non-traditional demographics” is an affront to the constructed identity of being a “gamer.” They are “losing control.” And they don’t like it.

This exact same sort of population is what the “fanbase” of Bleach has been largely reduced down to through a slow boiling off of any actual quality. Of course they’re dismissive of people who are looking for anything of substance: their identity, their “personal relationship” with the franchise, is founded on a superficial appreciation of it: things happening, flashy attacks, eye-catching character designs, fights, etc.

(What this really boils down to, at heart, is that society at large has generally told men that emotions are bad, romance and relationships of all kinds are gross, and that thinking and reflecting on things is stupid. So of course they not only don’t care about such things, but actively sneer at them as “girly” or “feminine,” which is again defined by society at large as strictly inferior. And this gender divide and misogyny is of course promulgated and reinforced by the powers that be, the capitalists, to facilitate class divisions just like say racism generally is.)

(The latest trick of these corporate overlords has been the weaponization of “woke” culture to continue to play the people off one another all the time. “If you don’t like this [poorly written, dimensionless Mary Sue] Strong Female Character, then you are a racist misogynist!” They are always only ever playing both sides for profit, not advancing an actual ideological position. It is worth noting that there was a push by IH some years ago to define IR as “anti-feminist” for critiquing Orihime for essentially the exact same reasons [admittedly, not for profit, but still as critical cover].)

Which makes it very curious, therefore, that the most ardent IH supporters tend to be women. (Though there are more than a few men, they seem to tend to support it because it is “canon” and to attack it is to attack “canon” and thus trigger all of the above, rather than out of any real investment.) I think there are a number of reasons for this (which I have detailed before) and at any rate it is not particularly surprising; 53% of white women voted for Trump, after all.

What we are really seeing in fandom, are again the exact same dynamics that we see at larger and larger scales, for the exact same reasons. The stakes are smaller, but the perception of the power struggle is exactly the same.

Of course, the people who are involved in these things rarely think to interrogate themselves as to the true dimensions and root causes of their motivations. People rarely do that in general.

Putting all that aside, I’m glad that you have found a place you enjoy and feel comfortable, and thank you for the kind words, although I am not of the opinion that there is anything poignant about the non-fiction I write. It is, as I keep trying to emphasize, all there to be seen. One just has to open their eyes. So, it’s hard for me to accept appreciation of it.

Anyway, don’t feel shy about coming off of anon rather than continuing to send asks. We don’t really bite.

#Asks

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dani-aka-that-one-namechanger · 5 years ago

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@totallycorrectghostpokemonquotes here ya go XD

Froslass: Gengar, you would not believe what I saw this morning when I was folding laundry! It was the most amazing thing!

Gengar: Was it the ghost of Rotom rising from the grave to take the region back to its proud Kantonian way?

Froslass: No. No, it wasn’t.

Gengar: Shame…

Froslass: It was an alien!

Gengar: WHAT?!

Froslass: I know! I just got done starching and I saw it! It was so bright and so shiny and I almost dropped the iron on the cat because it was so amazing!

Gengar: And you’re sure it wasn’t Spiritomb and the Russians?

Froslass: No sweetie, I’m sure it wasn’t Spiritomb and the Russians.

Gengar: Well, damn again… now how should I know that what you saw was actually some sort of extra-terrestrial and not some sort of weather balloon or Soviet Russia's Invasion?

Froslass: Because I’m your wife, Gengar, not some power hungry communist or a big weather balloon flying around.

Gengar: But you’re a woman.

Froslass, laughing: Of course I’m a woman sweetie!

Gengar: …Right. But there’s no way of confirming what you saw was an alien coming to Earth or not.

Froslass: Well I saw it, and… and Polteageist across the street saw it too! We were both doing our laundry and we both saw it at the same time!

Gengar: Hmmm… another woman. I’ll call up her husband Shedinja, we fought together back in the war and he should be able to confirm what this whole ordeal is about.

Froslass: Perfect! I’ll go and make deviled eggs and Jell-O pudding and talk politics! Maybe even this time I can vote for myself.

Gengar: Great idea! I love Jell-O pudding! Let me call Shedinja up right now. *Talking to Shedinja* Hello Shedinja, me and my woman here would like for you and your woman to come over and talk about things. Alright. Sounds great. See you at 4. Arceus Bless Kanto. Death to Spiritomb. Okay. Buh-Bye. *to Froslass* They’ll be here at 4. I’m going to read the newspaper.

Froslass: Do you think she’ll make something? Last year when we were celebrating the 4th, do you remember when she brought the tuna fish casserole? I never thought to use onions! Onions of all ingredients! And then she brought the quilted napkins and I told her, I said “Polteageist, I just can’t belie-“

Gengar: Null matters woman, her tuna casserole tasted like pesto and regret. Don’t bother me anyway, as I am reading the newspaper. Oh, seems here, a bird Pokémon named Decidueye wants to make Pokémon equal.

Froslass: He’ll probably get shot somewhere in Cerulean City.

Gengar: You’re probably right. Says here Sears and Roebuck are going to make more catalog houses in the area. They’ll never go bankrupt!

Froslass: No chance!

Gengar, laughing: Ah… I trained you right.

*Shedinja rushes in*

Shedinja: Gengar!

Gengar: By Arceus, Shedinja! I haven’t seen you since the war!

Shedinja: Still smoke without a filter?

Gengar: Still a lazy drunk that cries when your mother writes?

Shedinja: You dog! So good to see you!

*Polteageist enters*

Polteageist: Did somebody ask for tuna casserole!

Gengar and Shedinja: NOPE!

Froslass: I did! Oh and it smells the same as it did last year!

Gengar: You two go off and do something feminine while we talk about things we believe are too logical for you to understand.

Froslass and Polteageist: Okay!

*Froslass and Polteageist leave*

Gengar: So Shedinja, when I go home today, Froslass said the wildest thing to me!

Shedinja: Did Rotom rise from the grave to bring Kanto back to its true form?

Gengar: Sadly no.

Shedinja: Damn.

Gengar: But what she did say was particularly peculiar and that’s why I wanted to have you over for dinner. She said she that she along with your wife, saw an alien in the sky this morning!

Shedinja: An alien, you say… not a communist invasion lead by Spiritomb?

Gengar: No, I already got rid of that idea.

Shedinja: Weather balloon?

Gengar: That too. What I’m worried about is that if she is right, we’re going to have to tell the paper, and then there’s going to be people everywhere and the military is going to come…

Shedinja: Not to mention that we’re going to have to admit they’re right.

Gengar: That too! I just haven’t been able to make up my mind on whether she saw an alien or not!

Shedinja: Here’s an idea; let’s eat dinner and test them to see if they actually saw aliens. If what they say makes sense, we’ll call the paper and tell them that what they saw and… *rambling*

*Froslass and Polteageist enter*

Froslass: We’re back, you two!

Gengar: *to Shedinja* But they’re women!

Froslass and Polteageist: We are!

Froslass: Gengar, I don’t know why you keep saying that. I’m obviously a woman, you know… how we’re trying to have a baby…

Shedinja: You found a good one.

Gengar: I really did.

Shedinja: Mine just wants to talk about artifacts all the time.

Polteageist: You know Gengar, I’ve been meaning to ask you about where you got your little Tapu fellow at, he’s just so cute!

Gengar: You weren’t kidding.

Shedinja: Not one bit.

Gengar: I hope she has good child-bearing hips. Do you folks want to start dinner?

Everyone: Of course!

Gengar: Great. Froslass, take it away!

Froslass: Okay. What do you want me to take?

Gengar: You- you- you- Just bring the food woman.

Froslass: Oh… okay!

Shedinja: Like a dog, Docile.

Gengar: Exactly. Polteageist, would you mind saying grace? I feel like I haven’t heard a word from you this evening!

Polteageist: That’s how you boys like it! I’ll start if you insist. Dear figure of omnipotence, may you rest in peace somewhere peaceful, like Poni Wilds or somewhere close to that.

Froslass: I hear Alola is quite nice this time of year.

Polteageist: And they have the world’s biggest artifact museum in their region!

Shedinja: Hush woman! Proceed.

Polteageist: Anyway Mr. Arceus, I hope you can do all the things we want in the world or something like that. Also, I really hope my casserole doesn’t flop, last 4th of July, I put way too much pesto in it.

Gengar: I told you, Froslass. I told you.

Polteageist: Oh, and don’t forget to get rid of my dad’s cancer. Amen!

*silence*

Gengar: That was beautiful Polteageist. Now let’s dig into this tuna casserole and-- OH MY ARCEUS!

Froslass, Shedinja, and Polteageist: What?

Gengar: AN ALIEN!

*a ridiculously colored Blacephalon enters*

Blacephalon: Hey guys, did I make it into Alola?

*everyone starts screaming*

Gengar: By Arceus!

Froslass: It’s an alien!

Shedinja: From another planet!

Polteageist: That somehow speaks English!

*silence… then contunied screaming*

Gengar, holding a chair: Fend off, satanic being or this chair will be perpetually stuck in your face!

Blacephalon: What do you mean?

Gengar: I mean, I will beat the devil outta you, you devilish foe!

Blacephalon: Why are you talking like that?

Gengar: I… Don’t know.

Blacephalon: Well anyway, do any of you guys know where Alola is?

Polteageist: Why do you want to go to Alola?

Blacephalon: Well, you see, I was initially planning on Galar but then my other alien friend, Lunala, was all like “Nah, man, Alola.” and I was all like “Alola?” and she was all like “Alola!” so yeah…she died on entry but I still wanted to play the slots, ya know?

Froslass: We’re in Kanto.

Blacephalon: Now how far is that from Alola?

Froslass: Very far… from Alola.

Blacephalon: Oh…

Shedinja: Listen here, you white freak! What’s going to happen to you is that I am going to go next door, grab my M1, come right back here, and shoot you in the face!

Blacephalon: No, you’re not.

*Blacephalon kills Shedinja*

Gengar: By Arceus! Why have you done this? Such horror is none I’ve ever seen before!

Blacephalon: Look, buddy, you really gotta stop talking like that. It’s weird.

Gengar: You’re weird.

Blacephalon: Uh, yeah. I’m an alien. So, I killed him because he was going to kill me first. And I’ll kill you if you keep talking like that. *starts mocking Gengar*

*Froslass and Polteageist laugh at Gengar*

Gengar: That’s not fair.

Blacephalon: Well, life isn’t fair, kiddo. Trust me, I’ve been alive for 3 million years.

Gengar: That explains the wrinkles-

Blacephalon: Thin fucking ice Gengar! You are walking on thin fucking ice!

Gengar: Wait, how do you know my name?

Blacephalon: The person writing this script made an error. Listen, what I’m going to do is that I’m going to take a straight shot from here to Alola, making a stop for some Kantonian BBQ, make a fortune on slots, and spend the rest of my life as an alcoholic in Hau'oli City. This *kicks Shedinja* never happened.

Froslass: Wait a second… make a fortune?

Blacephalon: Yeah baby. You, me, and all of the money in the world!

Polteageist: Can I come along? I hear Alola has the biggest artifact collection in the world!

Blacephalon: Sure thing suga, go outside and warm up our ride.

Froslass: You fly an alien spaceship?

Blacephalon: Actually, I rented a Buick. It’s got leather seats though!

Polteageist: Leather?! *knocks over Gengar to EXIT*

Gengar: You- you can’t just do that to me!

Froslass: I’m sorry Gengar, it’s just that he’s so charming and he’s going to make good money, and his Buick has leather seats!

Blacephalon: So does my regular spaceship.

Froslass: And his spaceship too!

Gengar: That is kinda cool. Just one thing before you take my wife and go for BBQ and slot machines…what planet are you from?

Blacephalon: *puts on MLG glasses* Planet Cool. Come on woman, let’s go eat some brisket and make interstellar love, ratio 2 to 1.

Froslass: You had me at brisket!

Blacephalon: Oh, and don’t forget that tuna casserole, Gengar. I smell pesto!

*Blacephalon and Froslass leave arm-in-arm*

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vocalfriespod · 5 years ago

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Cheaper than Therapy Transcript

[Music]

Carrie Gillon: Hi, and welcome to the Vocal Fries podcast, the podcast about linguistic discrimination!

Megan Figueroa: I’m Megan Figueroa.

Carrie Gillon: I’m Carrie Gillon.

Megan Figueroa: Oh, Carrie, I was so weirded out when I was about to say my name because we just recorded a future episode about names.

Carrie Gillon: And you’re like, “What is my own name? Ahh!”

Megan Figueroa: It’s true because sometimes I say /mɛgən/ and sometimes I say /mɛɪgən/ because I’m the weirdest Megan.

Carrie Gillon: Oh, I’ve never noticed that. But for me, I basically can’t tell the difference before a G because I think I just collapse it to one of them. So, it’s not distinctive for me.

Megan Figueroa: Yeah. It is for me because it’s my name and I’ve heard it so many which ways, but when I say it, I feel like I’m collapsing them on purpose to give people the out of you can say it either way because I hear it either way all the time. Just letting people know, it’s okay if you say /mɛgən/ or /mɛɪgən/.

Carrie Gillon: That is good to say that.

Megan Figueroa: Yeah.

Carrie Gillon: Whereas, I’m like, “No. Has to be /kɛɹi/.”

Megan Figueroa: Well, my mother says /mɛgən/. If for some reason I really wanna articulate my name carefully, I think I definitely say /mɛɪgən/. I don’t actually know how my dad says it because he always says, “Mi hija.” I’m like, “I’m gonna notice next time.” Either way, ya’ll, is fine.

But speaking of language – just kidding. [Laughter] I’m so bad at these transitions. We’re always talking about language. It was a big weekend last week for Parasite at the Oscars.

Carrie Gillon: I was watching the Oscars and I actually voted for it to win all the categories that it won because I just love the movie so much. I was shocked that it won for all of the things that I said it would win for.

Megan Figueroa: You’re shocked not because it didn’t deserve it but because you just didn’t expect the academy to do it.

Carrie Gillon: Because I love it, so clearly, I think it deserves it. I just was shocked, especially after it won Best Non-English – whatever they call it now. I was like, “Ugh, it’s for sure not gonna win Best Picture,” but I chose for both for some reason and it did.

Megan Figueroa: Well, chills because it kind of – okay. This is the way the Oscars has set itself up that I have, and I think a lot of people had, the expectation that there’s no way the picture that won in Best Non-English would also win the Best Picture because it’s literally never happened.

Carrie Gillon: Right. I couldn’t remember if a movie like that had ever been nominated for both categories before. We were trying to remember – couldn’t remember.

Megan Figueroa: But not won. Certainly not won.

Carrie Gillon: Certainly not won, but possibly never even been nominated. It was definitely unprecedented in either direction. I was so happy because last year’s winner was a bit problematic.

Megan Figueroa: Was that Once Upon a Time… in Hollywood? I don’t even remember – no, no. Sorry. La La Land? What was last year?

Carrie Gillon: La La Land didn’t win. It was Moonlight, remember?

Megan Figueroa: Oh, that was the best! The chaos.

Carrie Gillon: No. Last year was The Green Book.

Megan Figueroa: Oh, yeah.

Carrie Gillon: Anyway.

Megan Figueroa: Was that like a mea culpa thing? The – Parasite – god.

Carrie Gillon: I just think – obviously, I can’t read their minds. I don’t know what happened but, honestly, I think this movie is just that good that it kinda blew the competition out of the water. I thought maybe Once Upon a Time… in Hollywood would win because it’s about Hollywood and LA loves to give itself plaudits – kind of why I thought originally La La Land had won, even though it didn’t. But, no, they went with the actually, genuinely best film.

Megan Figueroa: I haven’t seen it. I’m one of the two people –

Carrie Gillon: Get thee to a theater!

Megan Figueroa: I know. I know. So, no spoilers here. Just the fact that – I mean, again, I am glad that we’re moving a little bit forward that we can break this precedent where no non-English film has won Best Picture because of course non-English films can be best picture. C’mon.

Carrie Gillon: Well, right. Last year, Roma was nominated.

Megan Figueroa: Oh, that’s right.

Carrie Gillon: Roma probably should’ve won. It’s certainly better than Green Book.

Megan Figueroa: Did it win Best Foreign Film? Because it was called “Best Foreign Film” last year I think, wasn’t it?

Carrie Gillon: I think you’re right, and I don’t remember.

Megan Figueroa: Well, anyway.

Carrie Gillon: I don’t remember if it was nominated for both.

Megan Figueroa: I think he won for Best Director though – the Roma director – because it was like Mexico, Mexico, Mexico, that same director.

Carrie Gillon: I think that’s correct. Anyway, speaking of Parasite, John Miller – @MillerStream on Twitter – tweeted this lovely tweet, “A man named Bong Joon Ho wins #Oscar for Best Original Screenplay over Once Upon a Time…In Hollywood and 1917. Acceptance speech was, ‘Great honor. Thank you.’ The he proceeds to give the rest of his speech in Korean. These people are the destruction of America.”

Megan Figueroa: There’s – okay. [Laughter] It’s so layered, Carrie. Racism is the stinkiest onion of all. I hate that – I think, just given his tweet, he’s making a point of the quote-unquote “broken English,” right? I’m imagining him pulling it out and writing it exactly word for word what he said because what did he say?

Carrie Gillon: He claimed that Bong said, “Great honor. Thank you.” And, honestly, I don’t remember –

Megan Figueroa: If that’s what he actually said?

Carrie Gillon: Yeah. He said something along those lines, but I dunno if he’s quoting directly or not.

Megan Figueroa: I don’t have any – Alberto Rios called it “generosity of spirit.” I don’t have any generosity of spirit. I think that he’s probably mocking his English too in that little bit.

Carrie Gillon: Right. I mean, why would you give him any benefit of the doubt? He’s saying these people are the destruction of America.

Megan Figueroa: Okay. He starts out mocking his English and then being upset that how dare any other language be spoken on the Oscar stage and then othering – okay. That’s the ultimate othering. And then you’re just gonna directly other by saying, “these people.”

Carrie Gillon: I mean, it’s worse than othering. This is straight up xenophobia.

Megan Figueroa: I mean, I’m surprised he didn’t pull out some of the cockroach imagery or – you know.

Carrie Gillon: Right. I mean, the next step is that, for sure. Then, he claims in the next tweet that he’s not talking about Koreans. He says, quote, “These people,” unquote, “are obviously not Koreans, but those in Hollywood awarding a film that stokes flames of class warfare over two films I thought were more deserving simply to show how woke they are. That should be clear from the rest of what I tweeted about tonight’s production.” No. It’s not clear. And also, I think you’re lying.

Megan Figueroa: So lying. Well, because it probably went viral, he got ratioed I’m sure, hopefully.

Carrie Gillon: I can’t tell, but I’m pretty sure. It did get 32,000 likes.

Megan Figueroa: Well, there’s a lot of racists on Twitter. It’s a cesspool.

Carrie Gillon: I mean, there’re a lot of racists in general, period. And, in this case, super racists because a lot of people are racist. But anyway.

Megan Figueroa: Oh, yeah. Yes. This outwardly “I don’t want your language or you people in my Oscars or in my grocery store or anywhere in my space – in my white public space.”

Carrie Gillon: And also, no. I am sorry. Neither of those movies are more deserving. Okay. We have an email from Kelly. “Hi Megan and Carrie, I just listened to your February 3rd episode and wanted to echo something that Daniel mentioned re: one of your perspective guests he suggested to you” – the Scottish Gaelic consultant for Outlander. I’m not saying his name because I forgot to look up the pronunciation beforehand, and I don’t wanna mess it up.

“If you’re already Outlander fans, you may already know this, but if not, you might enjoy checking out the series.” I still have not seen it. I know so many people love it.

Megan Figueroa: I know. I need to watch it.

Carrie Gillon: I just have so many shows that I love that it’s hard to slot in a new one, but I do really kinda wanna hear some Scottish Gaelic.

Megan Figueroa: I know. Well, how am I supposed to fit it in when I keep watching Schitt’s Creek over and over again? [Laughter]

Carrie Gillon: At least I’m not doing that.

Megan Figueroa: Anyway, back to the email.

Carrie Gillon: One of my favorite shows is about to start again so, anyway. “He’s been a guest on a couple episodes of the Outlander podcast where he’s talked about his approach to consulting on the Scottish Gaelic used in the production. The showrunner, Ron Moore” – who’s also the show runner for Battlestar Galactica, just FYI – “also talks about the use of Scottish Gaelic in a couple of episodes of THE OFFICIAL OUTLANDER PODCAST” – all capital letters, so I think that’s actually its name – “and how they opted not to use subtitles for it to keep the audience tightly in the protagonist, Claire’s, point of view. Since she doesn’t understand the Gaelic, we don’t get subtitles for it. In other parts of the series, they’re in France and, since Claire has French, we get subtitles so that we understand the same content that she does.” That’s an interesting choice.

Megan Figueroa: That’s really interesting, yeah.

Carrie Gillon: “I just thought that was a cool and unusual way for a TV production to approach incorporating an additional language. Also, Outlander does a pretty good job overall of portraying languages and multilingualism in a positive light. One of the main characters, Jaime, is a polyglot. In the books, he’s described as having a talent for languages and he knows at least English, Scotts – Scottish Gaelic – French, German, Latin, and I think Classical Greek. Claire speaks French and English. More recent seasons also include Spanish, Mohawk and, if I remember correctly, a character who speaks Dutch. Anyhow, they build a world that includes the basic assumption that people will and should speak different languages, which is refreshing.” I agree.

Megan Figueroa: Yeah!

Carrie Gillon: “There’re still some arseholes. One scene stands out in which a bunch of British soldiers make fun of a Scotsman’s phonology, but it’s a really enjoyable series with a lot of details that language nerds can enjoy. Hope you get a chance to check it out.” Thank you, Kelly.

Megan Figueroa: Well, now I have to watch it because a listener suggested it.

Carrie Gillon: Yes. And also the language stuff does pique my interest quite a bit.

Megan Figueroa: Is it on Netflix? Do we know?

Carrie Gillon: I do not know. I’m sure listeners will let us know.

Megan Figueroa: Yes. Also, this is not an advertisement for Netflix.

Carrie Gillon: Unless they would like to. [Laughter] Yeah, Netflix, you wanna send some of those billions of dollars you’re spending on content. Doesn’t even have to be in the millions.

Megan Figueroa: No. No. We’re very humble people over here.

Carrie Gillon: Very humbled all the time by things. [Laughter] All right. Well, this week’s episode is all about storytelling. We talk with Anna Marie Trester – not Anna Maria, which I briefly mis-call her.

Megan Figueroa: Me too. What a good sport.

Carrie Gillon: Yes.

[Music]

Carrie Gillon: Today, we have Dr. Anna Marie Trester who is the founder of Career Linguist. She’s an educator, researcher, and consultant who is passionate about bringing linguistics to work. She helps linguists figure out better ways of articulating how our expertise is useful and helps a world of work use linguists to solve the kinds of puzzles we are uniquely equipped to solve. She’s also interested in storytelling as the author of Bringing Linguistics to Work: A Story Listening, Story Finding and Story Telling Approach to Your Career. Welcome, Anna Maria – Anna Marie? Anna Maria. [Laughter]

Anna Marie Trester: Oh, yeah. That has been my whole life. I answer to both. I’ve had business cards that say “Anna Maria” and I, yeah, I understand and celebrate this.

Carrie Gillon: Well, it also makes me think of Anna Maria Tremonti – a Canadian journalist – and I think that’s where I always wanna go because your name is so close.

Megan Figueroa: And you’re from southern Arizona so, like, or at least spend a lot of time.

Anna Marie Trester: I’ve lived a significant portion of my life in Tucson – high school, college. And, yeah, I still light up – I was at a book reading the other night and the author hinted that she was from Arizona. And it’s like, “Where are you from?” And she goes, “Tucson.” And ahh! [Laughter]

Megan Figueroa: I love that. Surely, you’re not the only Anna Maria in Tucson.

Carrie Gillon: Anna Marie.

Megan Figueroa: I mean – I know. That’s what I’m saying, you know?

Anna Marie Trester: Also, there’re Tresters in Tucson. My last name is quite uncommon, but when I say “Trester” in Tucson, I’m often asked, “Are you related to the So-and-So Tresters?” I am not, that I know of.

Megan Figueroa: Well, you’re so close – Rebecca Traister.

Carrie Gillon: Oh, yeah! [Laughter]

Megan Figueroa: I’m sorry. What we’re really saying is, your name is very, very perfect and interesting.

Anna Marie Trester: I love it. I teach storytelling to people, and one of the first ice breakers that I like to do is tell a story about your name. There are endless – or I do this at networking events too. We just go around and, you know, the linguists always have interesting stories to tell about their names. It’s a great way to start.

Megan Figueroa: So, you say you spend a lot of time in Tucson, but I am hearing a little bit of Minnesota.

Anna Marie Trester: I’m Canadian and mid-western. I moved around a lot when I was growing up and I blame that on why I became a linguist because every time I moved, I would have an accent, and then try to not have an accent, and then have more of an accent, and what I have now is a big mix.

Megan Figueroa: Well, I think every linguist has some sort of story or a moment where they realize that their language was X or someone else’s and they want to know the answer, and then all of a sudden, they’re down this rabbit hole of what is linguistics.

Anna Marie Trester: 30 years later.

Megan Figueroa: Yeah. Sure.

Carrie Gillon: Let’s begin with Career Linguist. Why did you start that?

Anna Marie Trester: Well, it’s a funny story actually. I was teaching at Georgetown University. I was the director of a program that was focused on professional applications of linguistics – the MLC shout out, the MLC program, Masters in Language and Communication at Georgetown. I taught them a course that was called “The Professionalization Seminar.” In the course, one of the things that we did was your picked an organization and your did an ethnography – I called it a mini ethnography – where you spent some time and, if you could, get in the doors of that organization. Be an ethnographer. Talk to people who work there, spend any time that you can learning about it in any way that you can.

Anyways, we were doing this project and my students were like, “Why aren’t you doing an ethnography of an organization of interest?” It’s like, “Oh, okay. I accept that challenge.” So, they had a portfolio that was an online portfolio. I had been kinda blogging and doing some stuff but, you know, put it all together into Career Linguist. That started in, like, 20 – I mean, that was probably 20 – oh, yeah. In the aughts we said 2006.

Megan Figueroa: Yep. We sure did.

Anna Marie Trester: I mean, I first was dabbling when I was a graduate student then I guess it became – I think it became a thing in like 2012/2014 that I was Career Linguist. I even forget. Anyways, that’s how it started. Then, over the years blogging, sort of found my voice – what is this gonna be? Why am I trying to say? Who am I trying to talk to? Defining – so now I would say, yeah, it’s a resource center and it’s a blog where I share ideas about career. I think, write, and speak about career – so musings and job ads. Today I posted some job ads up there.

Megan Figueroa: What does a job ad look like that you might wanna share with people?

Anna Marie Trester: I share things that I come across that sound interesting. The ones I posted this morning were job ads for an organization called “Appen,” who’ve actually hired me recently to talk about – they wanna think about making recruiting be more human.

Megan Figueroa: Instead of algorithms and stuff?

Anna Marie Trester: Yeah. I’m actually organizing networking events in different cities where people who work at the organization come – and I’m hoping to do one in Tucson soon, or Phoenix. We’ll see. This organization hires tons of linguists. No matter where you go in the states or in Australia – they’re actually housed in Australia, this organization. I dunno if they’re gonna send me to Australia but – hey! If anyone’s listening, who wants to? That’d be great.

But just get people to talk about “You work here. What’s it like to work here? I’m thinking about working here,” just bringing it to an interpersonal interaction. Then, I posted another job. I have been really interested in Nextdoor. I dunno if you know this app. It’s big out here and – I live in Silicon Valley area. They seem to be very thoughtful about what that app can do. It builds community. They’re always asking, and they listed: sociologist, psychologist, anthropologist.

And I’m like, “Hello! You’re looking for a linguist.” They want people who are thoughtful about community and are theorizing about community and the role of social media in organizing community. They cite Bowling Alone, extensively – you never see this in a job ad where they’re doing a lit review and citing research, so I need to meet whoever this is that’s writing these job ads.

It’s an app where people can get to know their neighbors, ask things like –

Carrie Gillon: This one, yes!

Anna Marie Trester: You’ll ask like, “Is there a power outage?” This kind of thing. “Did somebody just hear a noise? What was that?”

Megan Figueroa: I joined that and then, as someone who likes true crime as – like, I’m one of those women that listen to true crime for my anxiety – I thought that it was really scary because people were like, “Why are the cops” – so I was informed of every situation in which the cops were involved.

Anna Marie Trester: This is why they need a social – they know that they need people to be thoughtful –

Megan Figueroa: Yeah. That’s good.

Anna Marie Trester: Yeah! They’re aware.

Megan Figueroa: Right. And it was a little bit racist.

Carrie Gillon: Oh, there’re a lot of people on there who’re racist, yeah.

Megan Figueroa: I was like, “Why are you informing me that a sketchy-looking person was walking through the neighborhood?” Let people walk through fucking neighborhoods, you know?

Anna Marie Trester: Well, if that conversation happens there, it’s a tool, it’s a platform, so people have these conversations. Exactly this conversation happens weekly, daily.

Megan Figueroa: This kind of job would be to see what people – you kinda wanna be behind the scenes and see how that can be facilitated or prevented or what is that, do you think?

Anna Marie Trester: I have so many different jobs, but the one that I posted was about – so they call it the “product.” This is how Silicon Valley talks about the community as a product. So, these people are thinking about how the technology, I guess, could be structured. I’m not a tech person, but I like to think about how tech needs us because they do.

So, I mean, kudos to them. They’re realizing they need someone who’s aware of social science and human theory to think about how they’re developing this technology so that, if there is that – if that is making certain conversations really easy to have – maybe we can shape that.

Megan Figueroa: Absolutely. Then, you need – this is great – you need linguists because – or people that think about these questions – because then you’re like, “Okay. At what point is it hate speech, and when can we flag that, and when are encroaching on the first amendment?” and all of that.

Carrie Gillon: Well, it doesn’t encroach on first amendment because it’s not the government.

Megan Figueroa: Ah. Good point. Yes. But that’s not – so I did a, how do you say it, a consultation with a tech company and they were asking me these questions about their avatars and if people can talk to each other about these things, when will people feel like their first amendment rights are being encroached upon?

It’s not just that maybe they know, perhaps, that they can do whatever they want, but they don’t want people to feel like their rights are being encroached upon because then people get pissy.

Carrie Gillon: Yes. They do. Because they don’t understand what the law actually is.

Megan Figueroa: As I just showed. [Laughter] I’m just in the presence of Anna Marie and I’m thinking about all these ways linguists can help people in other sorts of jobs.

Anna Marie Trester: Absolutely.

Megan Figueroa: I mean, who thinks – we don’t think about it enough.

Anna Marie Trester: We have something to say in every – we are thoughtful about language and communication and how it means, like, how language does things everywhere. No matter where you are, if you’re working, you’re using language, so you could use a linguist. You need a linguist. I’ll say it.

Carrie Gillon: Everyone needs a linguist. They just don’t know that they need one.

Anna Marie Trester: They just don’t know it.

Megan Figueroa: Just put that linguist in your pocket. You need one. Just carry it around.

Anna Marie Trester: I think a lot about job ads, right? I actually was writing – I’m putting an activity in my new book where I’m calling it, “Put yourself into conversation with a job ad.” This is an activity that I like to do. There was a job that I saw recently at Earthjustice, this is a law firm that focuses on climate change. Their tagline, I love it, is “Because the earth needs a good lawyer.”

Megan Figueroa: Aw, that’s awesome!

Anna Marie Trester: That’s their organizational catchphrase. But then they’ve realized that they need people to be helping them communicate internally, like within the organization, and the way that they wrote this job ad, it’s just – I’m putting it in my book. I’m using it as an example of when you see a job ad like this, it almost is – they’re not asking for a linguist, but they are saying what they need is someone who can help them be thoughtful about how they are talking to each other in ways that can be excluding or –

You know, when people think about diversity, they’re like, “Oh, yeah. We need to hire more. Yeah. It’s great. Hire more diverse teams.” Then, the work really begins when we start talking about thinking about how does the way that interact, talk inclusivity into being. It’s gonna happen all day every day, a thousand times a day, that there’s gonna be a million interactions that we can all be more thoughtful about.

Megan Figueroa I’m actually impressed that they got to that point because a lot of places will check the box of being quote-unquote “diverse” because they hired someone that doesn’t look like everyone else or whatever. Then, it stops there.

Anna Marie Trester: It starts there.

Megan Figueroa: Exactly, right? Yeah!

Carrie Gillon: Well, I think it’s actually certain kinds of organizations are more thoughtful about this than others. Universities are possibly – I might as well say the worst – but they’re way behind some kind of organizations because they’re just – they’re like, “Well, we’re good. We have all these students from all over the place.”

Anna Marie Trester: Carrie, I love that you say that because – so a lot of people reach out to me with questions about applying for jobs. They’ll see a job ad or have an interaction with somebody where they’re like, “This person isn’t very thoughtful about – they’re telling me I need to get more training in Python.” And you’re gonna encounter plenty of people who don’t get it, but we have to be okay – better than okay – we have to welcome this opportunity to talk about who we are, or what we do, what we can bring.

A lot of people aren’t gonna get it, and that doesn’t mean that we need to stop. That’s why we need to keep talking about why we care about what we care about and what we can offer because we have – I say, the world needs us. The world needs more of us.

Megan Figueroa: I was thinking recently about what happened because I’m on a campus and there was an ad for an accent modification workshop, and I was just thinking, it’s like, “Someone probably asked for that or require” – I don’t know who on the uppers wanted it. But why can’t there be someone that’s like, “If we’re gonna do that, we need to do accent accommodation workshops too” or something like that? If this is something that we’re really gonna keep doing – because I see it all the time, and I don’t see it dying.

Anna Marie Trester: Well, so my dissertation research was on improv, so I take a “Yes, and…” approach always to life. It’s how I think. When I was at Georgetown, the business school approached me. Somebody went to a conference and learned about ethnography, and then they came back and looked at the course calendar – who’s teaching ethnography – and it was me. They brought me over for a meeting and they were like, “We wanna have some resources for our international students.” And I was like, “Yes, and what I see here is an opportunity to talk to everybody about what we all can learn about” –

To their credit, they took me up on it and that turned into a five-year project that we called “Talking Business” where we all learned – and we have so much that we can learn from the experience of an international student who can tell us so much about what they’re learning and observing about how we communicate.

Megan Figueroa: Perhaps here how when they’re in class, how hard it is for them when they’re listening to an American accent. I mean, just these things that would make others more empathetic toward others.

Anna Marie Trester: Well, at the end of the day, we just have to realize that our ways of speaking are always unique. We decide that there is a way that we talk to one another, but that is always contextually situated and negotiated and constructed.

Megan Figueroa: “Talking Business” – I love that. I’m happy to hear to there are some places that are running with this idea of we’re all in this together, basically, as cheesy as it sounds.

Anna Marie Trester: It is so much fun. They really opened their doors to us. What we did was they let us record all of their interactions. Then, when somebody in that group wanted to know – we just would offer it to them. Like, “If you would like to have a conversational style consult, let us know.” If they said yes to us – and I’m gonna be reaching out to these folks because it’s now been 10 years, so how has this – has this helped? I hope that it has.

We would be able to pull up – we had video. And I had, at that time, a team of seven research assistants, so we could cue up the video and we could find an example of them, like, “This is how you have an argument with a classmate,” “This is how you make a persuasive presentation,” “This is how you” – and we could help them be thoughtful and reflective on, “This is how you are using language. Here’s some ways that could be interpreted, misinterpreted. There’s ways that this makes a lot of sense in this context, how could this” –

I had one student, he was about to become a Dean, and he realized that he had to totally recalibrate – moving from being a student to being a Dean – he had to totally recalibrate how you do humility, for example. When invested with a lot of institutional power, it’s totally different how you be folksy.

Megan Figueroa: That’s something I didn’t even think about because I just don’t have a lot of power, Anna Marie, so I don’t have to think about how I talk when it comes – how am I gonna sound more down to earth? Well, I couldn’t be further down here.

Carrie Gillon: There’s always lower you could be.

Megan Figueroa: I know. I’m sure. [Laughter]

Anna Marie Trester: With Career Linguist, I find I’m often experimenting with trying on a little bit more power. There’s ways that, especially women – and we live in a world where what gets heard as “confident,” and I’m using air quotes. People love to tell women, “You need to change the way that you talk You need to sound more confident. And you need to” – you know?

Megan Figueroa: Right. Plus vocal fry.

Anna Marie Trester: Aye yae yae. Okay. Let’s think about what gets heard as confident. I’m working on this new book that is – right now, I’m calling it, “Employing Linguistics,” we’ll see how that – I want there to be that ambiguity because it’s about work, but it’s not just about work. It’s how you use linguistics.

I’m starting off with a story from a woman who’s just starting off her professional life. She just graduated. She’s got a masters in linguistics, and she’s launching her own business. And I do workshops. I travel and do workshops at linguistics departments around the country and world, now. I went to Finland last –

Megan Figueroa: Ooo!

Anna Marie Trester: It was so great. Yeah. In Finland, they were saying, “Maybe it’s just here, but we have a hard time projecting power.” Like, “Yeah, no, it’s not just here.” But I was playing them this interview from this woman because they were saying, “She doesn’t sound confident.” And I’m like, “And yet, I’m telling you, this woman is launching her own business. She knows what the hell she’s doing. She’s doing it.” Okay. We need to really question what we are saying when we say, “That person sounds” –

Megan Figueroa: Going back to job ads, some of the language they use in job ads is so off-putting.

Carrie Gillon: It makes it sound really boring, a.), and then b.), yeah, it’s like, “Oh, I don’t think they want someone like me.”

Megan Figueroa: Or I’m like, “Is there some tinge of sexism or something here?” And I’m like, “Do I wanna work for them?”

Carrie Gillon: Yeah. That’s kinda what I meant.

Anna Marie Trester: This is where I mean we have to – I like to say that we linguists, we lean in when we hear miscommunication, misunderstanding – yeah. There are problems, and they need us. I mentioned that collaboration. I’m finding this organization, Appen, they’re open to me talking with them about even it starts with the job ad. When you’re talking about who you’re looking for, there’s gonna be – we all have a way that we can become more aware of how we’re using language and embedding our own perspective. This is a process that we all need to be working.

Megan Figueroa: Someone emailed me and asked me for some perspective on a job that they were sending out. My first thought was, “Can you explicitly put that ‘You may read these job qualifications and think that you’re not qualified. Try anyway’?”

Anna Marie Trester: Nice.

Megan Figueroa: Because I’m like – this is something that I run into where I’m like – and I have to be like, “All right. Put on your cap and think about all the people that are just like” – you know, more confidently.

Anna Marie Trester: “I have one of those things.”

Megan Figueroa: Yeah. Just be more like that because you never know. I wanted them to put that specifically because it’s women or other minoritized people that are going to read that and say, “I’ll pass on even applying.”

Anna Marie Trester: Absolutely. A thousand times, yes.

Megan Figueroa: I was happy just to know that someone was reaching out, that people are being more thoughtful about this.

Anna Marie Trester: People are. They need help. And we’re gonna make mistakes. We’re gonna make a couple of mistakes. We need to get better at – this is where my improv, I think, is such a boon to me because it really taught me how to make mistakes and to be a little bit easier about “I messed that up and we need to try again.”

Megan Figueroa: What? Are you telling me that improv is basically therapy? Is that what you’re saying? Because it’s like, that’s where I learned that!

Anna Marie Trester: What if I told you my improv troupe was called “Cheaper Than Therapy”? [Laughter]

Megan Figueroa: Oh, perfect. Well, I mean, it’s funny because you said you’re always “Yes, and…” because my therapist taught me that.

Carrie Gillon: So, your therapist is probably from improv because –

Megan Figueroa: I think that’s what they’re teaching now to people that go this route – all these new techniques. But it’s like, sure –

Carrie Gillon: Someone from improv started that.

Megan Figueroa: The facilitator of what workshop or whatever.

Anna Marie Trester: I taught improv for about 10 years in Washington, DC. I got so many people, they would tell me, that they came into improv because their therapist told them to come to improv. I started having relationships with therapists who were recommending their clients come to work with me because they knew that I was thoughtful and welcoming, particularly embracing of this kind of work.

Megan Figueroa: I mean, it applies to anything, right? Just thinking of getting to the jobs ads, maybe you’re looking at these qualifications and you might say to yourself, “Ah, I don’t have the two years of experience. Yes, and I have so much experience in X.” It’s just a way to remind yourself that – I dunno. It’s a way to be kind to yourself. That’s what I’ve learned, for sure.

Anna Marie Trester: I call job ads a wish list. That’s some committee’s wish list. That’s great. They can ask for their purple unicorn. That’s fine. This is the real world, and you’re gonna get somebody who’s gonna have 10%, 20%, 30% of what you’re asking for.

Megan Figueroa: I just helped a friend. I was like, “No. You need to apply for this. I don’t care that you think that you’re not – you really want it. Try.”

Anna Marie Trester: Absolutely. There’s often – I dunno if you’ve read the book, there’s a book written by Stanford Design School professors called Designing Your Life. They are kind of down on job applications. They say don’t even look at them. But I say do look at them because that’s enough to look at and see if there is a spark. If there is any interest, then go for it and use that to start a conversation, use that to launch in.

But the truth is, so few jobs actually – when you look at the hiring process – or [pɹoʊsɛs] – there’s such a misalignment. There’s so few job ads that actually correspond to the thing that gets hired. I look at their book to talk about the numbers. I’m not the most quantitatively oriented person. But it’s a lot. Know that if you find a slight interest, a slight alignment, apply, and it could well be that there’s another job or a different job or a new job that they see when they see your materials. They think, “Oh, we didn’t even know that we were looking for this person. Let’s create a job for them.”

Megan Figueroa: You have clients. Are your clients the companies that are looking for linguists?

Anna Marie Trester: Sometimes. It’s a new thing started last year where I have this organization that’s trying to – I would like for it to be both. But it has been, for many years, that I’ve been working with universities to help their students or individual jobseekers to help make their materials –

Megan Figueroa: So, someone could send you their materials and you’d be pointing out, “Why aren’t you talking about how great you are at this? Obviously, you have this skill.”

Anna Marie Trester: Yeah. I feel like I give – I hope I give – a different – I’m not your typical resume helper person. I’ll look at a cover letter and I’ll notice things like you are not shifting your dietic center the way that you should be. This is a classic thing. In cover letters, people write about why this will be a great job for me – this will be a wonderful opportunity for me. It’s understandable, right? You’re in your head and you’re thinking about “Wow, I speak French. This will be a great opportunity to practice my French.”

What you have to do in job materials or at large, but especially in a cover letter, you need to say, “You need someone who speaks French because think about how that’s gonna help you with this initiative that I see you talking about in the press.” That signals a lot of things. That signals that you’ve been reading about them, you’ve been thinking about them, and that you’re thinking about how your skills help them.

Megan Figueroa: Because they are their center, right? They’re thinking about them, so make sure you appeal to them.

Anna Marie Trester: Yeah.

Megan Figueroa You do work with the Linguistics Society of America?

Anna Marie Trester: For four years, and now I stepped down. Anastasia Nylund and I were the co-organizers of a special interest group for “Linguistics Beyond Academia.”

Megan Figueroa: Okay. That was you.

Anna Marie Trester: We restarted it. It had been started a long time ago. We sort of breathed new life into it in 2014. We carried the torch for four years. Now, we’ve passed it off to a team that has a ton of energy and they are just kicking butt. We just had the meeting – were you there?

Megan Figueroa: I wasn’t there, no. It was my first time. I haven’t been in a while. I had a little bit of fomo but – yeah.

Anna Marie Trester: I was telling Carrie, one of the top tweets for a long time about the conference at the #LSA2020, one of the top tweets from a presentation that one of our SIG members made to a department chair meeting where it was a list of dos and don’ts for when your students get a non-academic job. The big don’t was – and somebody took a picture of this. It was Lauren Collister, and her tweet blew up. It was, “Don’t say ‘We’ll miss you.’ Say, ‘How wonderful! You got a job that I hope you’ll come back and tell us about. Keep us connected to you. Keep coming back and telling our students.’” That’s an act of erasure that is probably not intended. How othering is that? That is so common.

Carrie Gillon: It happened to me after I decided, “You know what? Fuck this shit.” One of my Facebook friends, who I’d known since I was an undergrad, he was like, “Oh, we’ll miss you.” And I was like, a.) I still have stuff coming out. Still. I still do. And b.) what? We’re still connected on Facebook. We’re still gonna be –

Megan Figueroa: You’re not not a linguist anymore.

Carrie Gillon: Right. I’m still a linguist. I’m still doing stuff with language. I dunno. I was mad.

Megan Figueroa: As you should be, yeah. When I graduated, someone told me, “It’s a shame because you’re such a good researcher.” And I was like –

Carrie Gillon: Like you can’t do research anywhere else?

Megan Figueroa: I still am. I don’t have a tenure track job or I’m not a postdoc, but I’m still doing research. It was like, “Ugh. I know you mean so well.” I can tell that you think that’s a very – you’re speaking highly of me, and I get it, but it hurts. I’m glad that you brought that up because I just want to say to all of the undergrads and grad students listening that you don’t have to go into academia. If someone shames you for it, that’s some of their stuff going on.

Carrie Gillon: It’s part of the cult of academia, right?

Megan Figueroa: It is. Absolutely. I hope you have an advisor that is comfortable enough with whatever. I know the numbers look good when you have, “Oh, look. My student went to tenure track.” I know that’s what’s underpinning all of this, but it’s like, academia doesn’t look like it did 30 years ago. Not everyone wants to be a professor. All these things. It has to be okay.

Anna Marie Trester: I have to say it again, the world needs us. On this panel that we had at the LSA, we had an asylum officer talking about how his linguistics – of course, his linguistics skills come into play a thousand times a day as an asylum officer. The world has some wicked problems.

Carrie Gillon: I think lawyers should hire linguists on retainer because we can help you a lot.

Anna Marie Trester: Sometimes, I show up at a school and people are like, “I’m gonna get an academia job!” And I’m like, “Okay. Wonderful.” I’m not trying to take that away from anybody. I was scared too when I – so I started this job, I was one of those PhD students who was gonna get an academic job and I just knew it. I had magical thinking it was just gonna work out. When I was graduating, there was this program that was starting at Georgetown, and my advisor, Deborah Schiffrin – well, she was one of my committee members. She was not my advisor. Sorry, Natalie. Natalie was my advisor. Deborah Schiffrin was on my committee.

She advised me in that moment to apply for this job. She said, “This is why you’d be good at it.” Again, talking about how we don’t think about our own expertise. Before grad school, I had worked in an investment bank. I had some industry experience and I came to linguistics from that. Anyways, I was good at that job, but the whole time I was still applying for academic jobs, and I was gonna get an academic job, and I was convinced that was the path that I was on and, gradually, started to realize that –

Oh, now I remember what I was gonna say. The point I was gonna make was that Debbie Schiffrin, when she was getting me started with this job, she was like, “Okay. The first thing you’re gonna do is have 50 informational interviews.” And I was like, “What’s an informational interview? Huh?” I didn’t know. One of the reasons I wouldn’t have thought to apply for that job is I dunno how to help grad students figure out non-academic careers.

So, I just started – well, “Yes, and…” – having these informational interviews where I went and talked to alum and said, “What do you do? How does your linguistics come here?” One of the first ones I went to was an alum who worked at the Census Bureau. She’s like, “I have the best job, right? Of all the people that you’ve talked to, I have the best one, right?” And I was like, “You’re the first one. I don’t know! Maybe? You seem really happy.”

She was so happy with her job, and so in touch with how her work was really having real world – she had done research in Chinese – well, she was, herself, a speaker of Mandarin, I believe, and she was helping the Census Bureau think about, as they were bringing surveys to Chinese-speaking communities, there was a way that they were gonna need to restructure the letters so a, quote-unquote, “American style” – like a white, non-thinking-about-it style would be to say, “Please complete this survey because blah, blah, blah.”

But in the discourse style of Chinese-speaking communities, you needed to structure the request such that it said, “Background, background, background, background, background, build up to the request.” The survey, when it was restructured that way, was getting a much higher – people were actually responding and getting the data that the data that the Census Bureau needed.

Megan Figueroa: And she did that. She helped with that.

Anna Marie Trester: She did that.

Megan Figueroa: Awesome. Especially since it’s so fucking important – the census.

Anna Marie Trester: Yeah.

Megan Figueroa: That’s awesome.

Carrie Gillon: I’m looking forward to it coming. I like filling those things out.

Megan Figueroa: I know! I do too. I remember being 10 years old or, like, 13, and being like, “Can I fill it out, Dad? Can I be the one? Can I do it?” Such a nerd.

Anna Marie Trester: They have a bunch of linguists working there.

Megan Figueroa: That’s good. That’s awesome. Doesn’t every state have their own little census bureau too? I mean, I’m just thinking about all of – there’s so many places for linguists. It’s not just like there’s one centralized census bureau. Every state has something that’s working on these things and all of that. So many jobs.

You collect stories for your books?

Anna Marie Trester: It’s one of the things that I do, yeah.

Megan Figueroa: That’s the kind of stories that you’re collecting?

Anna Marie Trester: As a community, we need to hear more stories. I think through stories we learn about the different kinds of things that people can do with their skills and training in linguistics. That’s why I’m writing this book now, again, another one, because I felt like the last book I wrote didn’t have enough stories. It had, like, five, but now I wanna have 50 because I wanna tell a story of career diversity.

That’s one of the ways that – I have this approach where I think about story telling, story listening, and story finding. The story telling part of that work is just getting lots of stories out there. Then, I advocate for an approach that is more ongoing. It’s sort of like what I was talking about when I’m talking about that job at Earthjustice that I see having such potential. We could learn a lot from paying attention to the stories, listening to the stories that are being told in a job application, at the workplace. Adopting a story listening approach could be really informative about anything.

I always think about Charlotte Linde’s work when I think about story listening. She was hired for many years by NASA to – well, I always say she was chasing astronauts around, but I think that’s not exactly what she did all day. She could capture the stories of missions when they were being retired. It was one of the things that she did. They had her having her job responsibility, they called it “Knowledge Management.” But, as a linguist, she has expertise in what is the knowledge – the expert knowledge – that is contained in these stories that will not – they will not be codified when these people retire, or leave, or this mission gets retired.

Having someone who’s listening for a story and being very thoughtful about the knowledge and wisdom and institutional best practices that are contained in – so, again, everybody needs one of those linguists story listening at their organization.

Carrie Gillon: That’s amazing.

Megan Figueroa: Yeah. I wanna work for NASA!

Anna Marie Trester: I visited her one day and I was like, “Charlotte, you are doing nothing to dissuade me from saying you have the coolest job in the world” because she took me to the Mars model and we were chasing around –

Carrie Gillon: Oh, man! [Laughter] Dream job.

Megan Figueroa: I was gonna say, isn’t every little nerdy kid’s dream job NASA? You don’t even know what part of NASA. You’re just like – NASA!

Carrie Gillon: Well, when I first went to university, I went into engineering because I was like, “Star Trek. Yeah. I’m gonna build shuttles.” Then, I was like, “Nope. Hate this.” But if linguistics could’ve gotten me there – oh, man!

Megan Figueroa: Yeah! You’d want her job the whole time.

Anna Marie Trester: Linguistics got Charlotte Linde to NASA twice. Twice! You’ll have to read her story in my book to learn how. In the book, I’m telling stories about how people use their linguistics as a Mom, or how people use their linguistics in bystander activism. It’s not just at work. But, for many of us, work is gonna be the way that we bring – I grew up in a family that doesn’t have a ton of money, so my job was gonna be how I travelled. It was gonna be how I got to try on different worlds and explore. Career has been a major way that I have expressed my sense of contributing to the world.

For many of us, it is that too. It is not just our livelihood – but it is also our livelihood – but if you’re trying to use your career to express meaning and purpose and find that broader “What do I wanna give to the world?” it’s gonna be more bottom up, I think. It’s both. It’s top down and bottom up.

Carrie Gillon: That, I think, is particularly for people who went into academia. That’s really important for us is that we wanna be doing meaningful work.

Anna Marie Trester: One of my favorite networking groups – I participate in this group here in the Bay Area called “Ethnobreakfast.” A lot of them are –

Megan Figueroa: That’s just nerdy.

Anna Marie Trester: It’s so nerdy. All right. Professors who are listening, do this. This was a professor of anthropology. She has kept such a tight, close community of her grads that, every month, one of them invites a group of nerds into their workplace. We all trudge out to Facebook or to Workday, and we sit for an hour. We read – well, whatever the host gets to decide what we’re gonna read. We all read something. Then, we talk about some theoretical thing or.

They get to invite their colleagues who get to learn a little bit more about “I always knew that you had this anthropology or ethnography or linguistic interest, but I didn’t know how you used it or how it came” – they get to learn about us. We get to learn about them. I think this should be happening everywhere.

Carrie Gillon: That sounds amazing.

Anna Marie Trester: It’s breakfast, so it is early in the morning. But it doesn’t cut into anybody’s workday. We have it from 8:30 to 9:30 on a Friday which, let’s be honest, who can start to work at 9:00 a.m. on a Friday anyway? We all bring – it’s a potlatch. It doesn’t cost anyone anything. Those are the conversations that we need to be – okay. So, story finding. Talk about a little cue that I left for a long time. That’s what I think of when I think of story finding. Let’s look for places where conversations could be happening but aren’t and let’s build spaces for them.

Megan Figueroa: I would totally go to that breakfast.

Carrie Gillon: Me too.

Anna Marie Trester: It’s the best. Make one! So many alum from U of A are doing so many interesting things. For the record, I think that that’s what your podcast is also – a story finding thing. You’re out there making space for conversations that should be happening, but they haven’t been.

Carrie Gillon: I agree. It’s also story telling by letting the rest of the world who are not linguists know that, hey, these are things to think about. We should think about that more carefully than we have, but absolutely.

Anna Marie Trester: It seems like what we’re talking about are these tiny little interactions. I was inspired – I was telling Carrie – by Anne Charity Hudley’s amazing plenary at the LSA. She was sharing this model, and this is a social activism model, where it’s tiny little changes, when they are amplified a hundred-fold and consistently reinforced, that’s a movement. I think we’re engaged in a movement. It’s gonna be tiny little things, but they are happening all over the place. When you hear those little moments, or those little moments where you caught yourself being an asshole or –

Carrie Gillon: Which we all do.

Anna Marie Trester: Try to adopt that mindset of like, “Here’s a moment. Here’s a tiny moment.” We can be easy about it, and we can admit that we make mistakes and learn – after Anne’s plenary, I went up and tried to say this, so I’ll say what I sort of said that we all have to adopt a learning mindset. It's so powerful.

We’re bringing these messages to people with power so, especially people with power out there, remember, when you have power, it is especially important that you adopt this learning mindset and remember that it feels – I think sometimes people with power, it feels very dangerous to let go of any of that power or to admit that you could make a mistake.

Megan Figueroa: That’s why I was afraid of this podcast. I mean, this is my little bit of power, right, too, where I was like, “What if I say something wrong?”

Carrie Gillon: A.) we can edit.

Megan Figueroa: It was very scary.

Carrie Gillon: B.) we can learn!

Megan Figueroa: Yes. The learning part has been very – I thought it would be scary, but it’s actually very freeing.

Anna Marie Trester: It’s like this for me. It’s human.

Megan Figueroa: It is, yeah. Absolutely.

Anna Marie Trester: I remember K-Cat – Kathryn Campbell-Kibler – at a session at LSA a couple years ago where she invited us to come practice in the lobby. They had a panel on ethics. Then, she was like, “Meet me in the lobby.” And I was like, “Oh my god! I’ll be there.” I was there early. “Let’s practice having these conversations.” It was just – let’s practice having these conversations where we just say, “Huh. That wasn’t great” or “We can do better,” however we learn how to say these things.

Megan Figueroa: Absolutely. I think that all boils down to, don’t be an asshole, right?

Anna Marie Trester: It is absolutely how you do, don’t be an asshole. That’s how we all make sure that happens. We’re all responsible for it. Yeah!

Carrie Gillon: Acknowledging that you made a mistake is Step 1, and it’s good to acknowledge.

Anna Marie Trester: What a life-affirming conversation.

Carrie Gillon: I know! This has been great.

Anna Marie Trester: Go be awesome.

Megan Figueroa: I’m gonna cancel therapy on Tuesday.

Anna Marie Trester: Go share your power with the world.

Megan Figueroa: Yes. Go be empowered, for sure. Thank you so much for being our guest today.

Anna Marie Trester: Thank you guys.

Carrie Gillon: It was so great.

Megan Figueroa: It’s been so lovely.

Carrie Gillon: Yeah. Don’t be an asshole.

Megan Figueroa: Don’t be an Asshole.

Anna Marie Trester: Yes, and…

[Music]

Carrie Gillon: The Vocal Fries podcast is produced by me, Carrie Gillon, for Halftone Audio, theme music by Nick Granum. You can find us on Tumblr, Twitter, Facebook, and Instagram @vocalfriespod. You can email us at [email protected] and our website is vocalfriespod.com.

#transcript #linguistics #linguist #careers #career linguist

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