#ALSO TO MY TWO OTHER ASKERS

[sun-stricken]

Is everything all right? It’s been a while since you posted. Hope you’re well

thank you for checking in🙏 but im alive and fairly well!

Got sick with either covid or the flu?? early march and started a new job around easter.

so ive been busy with both school and work and ive been in a creative slump, didnt even realize how long it had been till this came in, currently trying to finish a couple asks before i start anything else!

sorry for the impromptu break, hopefully ill be able to pump a few things out, thank you for being patient!!

[pyrriax]

6, 12, 30 for the writing asks ^_^

6. What’s the last line you wrote?

Shaking its head in what seems like disbelief before meeting his eyes again, almost like it wants to say something before it makes a noise like a growl, "oh, you're one of those seraphs, aren't you. A star-eater. No wonder you act like you've lost your mind."

(ignore that that's a couple sentences, the Thought is important)

12. Do you outline your fics?�� If yes, how detailed are your outlines?  How far do you stray from them?

Oh yes! I outline my fics thoroughly. Though, I do allowed myself to deviate as much from the outline as I feel like when things go off the rails. Some snippets of planning from a couple fics & concepts:

My outlines are very... One for one. With some exceptions. I tend to basically write a very brief version of the fic and try to get the feelings and words right before I actually write it. This is... Also why it can and will take me a month to write a oneshot. I try to get things Right.

30. How much do you edit your fics?  Do you edit as you write or wait until you finish the first draft?

So! I edit them a bit? I edit while I work, but often I don't really touch anything I've already written unless it's something longer that might be taking a few months to get through. I think the fic I've edited the most is the prologue of Artificial Stars, which was originally a quickly written 2k oneshot into about 5k of actually decent fic.

Usually I don't edit to make something shorter/more concise, since I tend to only come up with more ways to bridge concepts when I go back to it. Also to be fair... There's usually no difference between first draft and final product. I cannot be asked to edit my fics after I write them, I just release them to the birds and pray for the best. (Unless I actually decide to show it to my beta reader in full instead of just sharing snippets as I... usually do.)

Conclusion: Rarely, those thangs are being given to the world as-is unless something is horrifically wrong with them

[altruistic-meme]

20 for the handwriting game :>

[ handwriting asks ]

[salpho]

(Reblog 1/2 this is the first time I've reached 30 tags PFFH)

Something I noticed is a lot of people who hated BATIM love BATDR and a lot of people fond of BATIM dislike BATDR. To me, this seems like a mechanics vs story issue. The actual game mechanics and aesthetic of BATDR disguise the lackluster characters and plot holes. However, BATIM still suffers those same issues.

This is a vague question, but what are your thoughts on BATIM vs BATDR story wise? Is either of them truly better? Or are they just flawed in different ways?

Sorry, this is long, but so are BATIM and BATDR :')

I think you hit the nail on the head in the sense that yes- BATDR has better gameplay and mechanics than BATIM, but BATIM by far has a much more compelling story that was able to capture and keep attention over the course of five chapter releases. And yes, BATIM is not without its flaws, for example it's mainly a walking simulator in terms of actual gameplay- the only thing saving it being the unique ability to suck the player in through the rich, stylistic environments.

In terms of story, here's my take for both of them-

BATIM is more solid overall, there are more connected plot points and there's a thread there to be followed from start to finish. It does suffer from some WTF plothole moments, the biggest one being Alice's 180 degree turn with suddenly using Boris as a killing machine rather than...what I can only assume was a plan to use his ink/body as some kind of reparative agent for the hole in her face (like thicc ink premium idk), or...some kind of spell...? It's honestly not very clear HOW she was going to use him, but bottom line she decided to entirely change her plan off-screen, which could have been remedied with something like a cutscene's worth of explanation, and more of a buildup to Brute Boris. The "reveal" in the haunted house didn't hold that much weight (at least to me,) just because we didn't even get a cookie crumb of a hint that Alice was going to mutilate him and use him as a drone instead of just axe him.

There are other nonsense details like Allison's ominous "I'm no Angel" line, which didn't make sense when Tom was the one to want to leave Henry. It was never explained WHY the Ink Demon walks around with a limp when he can shapeshift into a bigger and faster Beast version of himself (and apparently he was ALSO the hand in the ink river??? I guess???) And can we talk about how the cult Joey started was just never brought up again? Wally talks about how workers were encouraged (or mandated, idk) to put offerings in the break room to "appease the gods." What gods? Was Joey worshiping Bendy like a god? NONE OF THIS IS EXPLAINED EVER and honestly I think Micheal D. and Meatstick just Forgot that Joey was a cult leader in favor of Sammy's cult storyline.

But despite all of the plot holes, we still get a tale of a deteriorating studio, humans being used as literal skeletons for lifelike versions of cartoon characters, themes of life, death, cults, art, and more. Honestly, going deep into the plot of Bendy would take its own post to really do it justice.

I guess the main plot is this: Ex-co-founder of Joey Drew Studios, Henry, is trying to get the fuck home to his wife, learning along the way that through the power of a mysterious ink machine, his ex-business partner decided to coerce and persuade people to Literally Die so he could have the necessary materials to create living versions of his cartoons, thus making "his" characters (and more importantly, Bendy,) a reality. Once Henry does escape, he learns that Joey has sent him through this same hell before, still filled with hatred and spite, just in time for Joey to assumedly "reset" him and send him on a different version of the same journey, as we can guess from the storyboards on display in Joey's apartment. THAT on its own is an intriguing and layered tale, and that's not even including the other details, voices, and faces we run into in BATIM, AND the new info we learn in BATDR.

Now, BATDR...is something I've come to view as a mixed bag.

Story-wise, it weirdly wants to have its cake and eat it to. Henry's story is elaborated on, and part of Audrey's origins are also brought to light. This is helpful information concerning the plot of BATIM...but then we get assblasted with a ton of new characters and lore for a completely new Cycle under the reign of a completely new Random Old Man. I know he's Nathan's son, and he was mentioned in both Illusion and Fade to Black...but those were de-canonized, so it almost doesn't help context-wise...???? So...????

In a lot of ways, BATDR almost acts like it wants to be an AU branching from BATIM rather than a direct sequel, which it was marketed/confirmed as.

I think my biggest problem with BATDR is that some of the main characters are bafflingly like. Mishandled.

I'm gonna have the mildest take on earth and say I didn't like the new Ink Demon. Old design was better and more uncanny by far, the new design looks like Generic Satan or something straight out of Baldur's Gate. He was given a deep, guttural growling voice because....tumblr sexyman I guess. Even if they needed him to talk, it could've been something more breathy and raspy, true to the heavy breathing of the original Ink Demon. Also, his alternate form was made very childlike, and I'm just weirded out by the fact that you have this oddly "sexified" version of the Ink Demon on the flipside of Bendy the Child. I don't think any ill intent was meant by this, but it's more confusing than anything thematically. I'm also not sure why Bendy's abuse was brought up and then never touched on....? Like wasn't this guy locked up and called a monster his whole life? Are we going to...say something especially considering the moral of this story......?

Memory Joey is completely fine, but I just can't shake the feeling that the narrative is trying to paint IRL Joey as "UWU fixed now" when that's not the case. The most sympathy I can extend to IRL Joey is that he was a gay man who desired to have a family at a time when that was not only frowned upon but dangerous, not just socially speaking but in terms of his physical safety. But beyond that, this was a dude who locked people in a building to keep them working, coerced and possibly forced the deaths of many people to get what he wanted (the ink machine was a scientific advancement that could've had AMAZING implications for society but he Did Not Give a Shit about that), and was abusive towards Henry. If we trust the Bendy books, he also gaslit and killed his teenage staff. This motherfucker isn't a patron saint of anything, and even if Memory Joey can learn from IRL Joey's mistakes, IRL Joey was still a shitbag who just happened to raise a daughter.

Which leads me to Audrey. Some of Audrey's tale is explained- she was raised by Joey, forgot Joey was her father, and came to work at Archgate as an animator. Got to know Wilson, who works as a janitor at Archgate, and then he drags her into ink hell because....idk, she's his version of "A Perfect Boris" I guess. Fair enough. However, it's NEVER EXPLAINED how Audrey doesn't remember her father, or WHERE she went to live after his passing, or WHO she lived with. Remember, Joey was as old as a cave painting, so he clearly passed when she was very young. While you could argue she doesn't remember his name because she was little, SURELY she remembers his face or voice, or the fact that she HAD A FATHER??? Like, was there some huge trauma there? (Other than the fact that Joey was her dad?) It makes little sense to me that she would forget so easily. If I had to make a guess (and granted I'm no Mark Twain), I'd wager that Allison probably found Joey dead. Remember that Nathan hadn't talked to Joey in years, and Allison was the one who went out of her way in the first place to visit. At this point, Allison's gonna find a little girl running around by herself, and assumedly her and Thomas would've taken her in. If that's not the case, someone else found Joey dead, at which point Audrey would've possibly lived with Nathan and Tessa, considering how much Nathan cared about Joey. Either party has ties to Archgate. But all of that is just speculation, not confirmed, and even if any of that were true, Audrey makes no mention of it. And I'm sorry, Audrey's backstory makes me want to cry, because it's just NOT THERE and she has the personality of a depressed bucket.

Alice was alright...but she was kind of stupid? Which is like....the antithesis of everything cool about her? Instead of using traps and luring the main character from a distance, she knocks out Audrey (via unspecified drink), plays Diet Jigsaw with Audrey, and then gets pushed off a balcony. She was also a lot more...idk, suave and sultry in speech mannerisms in BATDR, which isn't bad, but her unhinged and clever nature seemed a bit watered down.

I don't really have notes on the rest of the main cast. Sammy was brought back to die immediately, which honestly was fine considering his death track record. We get some mentions of BATIM characters. Wilson and Betty were fine, and even some of the lore explaining how the timelines work made sense.

HOWEVER,

I've already said it a hundred times, but the old cast was shoved to the side for a bunch of new characters we had no time to connect with. A new butcher gang member was added when we still have Miss Twisted as a potential female-role filler (keep in mind the Projectionist is based on Camera Man and Brute Boris was based on The Brute.) The whole "Amok" thing was a REALLY roundabout way to get the Lost Ones to stop attacking Audrey.

Wilson's motivations are mostly consistent and I'd argue somewhat compelling, but I don't understand why he didn't do more to protect Audrey if he was going to need her for the endgame for Shipahoy Dudley? Like what's all this about letting her run around and get killed? Was he just aware that she'd revive?

The main message of BATDR was fine, but it didn't work super well for Audrey's character. She'd already forgotten Joey was her father, and was living in blissful ignorance of that fact until Memory Joey decided to infodump on her right away. Sure, the "just because you were born of darkness doesn't mean you have to be darkness" thing applies to her AFTER she learns Joey was her father, but...Audrey was never threatening to Become Evil, so it almost didn't need to be said and was kind of a flat message...? I would argue Memory Joey would benefit more from that message- as he's a literal copy of a Very Bad Dude. My guy was projecting this whole time.

I do think BATDR was worse story-wise, but I'm not going to sit here and pretend it didn't have certain disadvantages from the start. The Kindlybeast debacle happened, BADTR was trying to continue a story from an existing property, and there was a severe lack of Adrienne Kress. Okay, maybe the last one was a bit much, but still. That doesn't mean I hate BATDR overall, I can appreciate a lot of things about it, but strictly in the story department, it needs soooooo much work and makes me want to jump off a Minecraft cliff.

[ranticore]

finally forced myself to draw the Odd Sirenians i did a poll about aaages ago since askers had them on my mind today lol

of these only the shortstrider is considered to be an actual hybrid, the rest are just natural variations of body shape/type within the same species. except the sea zeta, now so distinct as to no longer be able to hybridise with regular zeta.

i wrote about shortstriders before but their morphology & what traits from either parent will express themselves is completely random. you could have one who almost entirely resembles one parent, or one that looks like a perfect blend of the two, or one with uneven traits like having disproportionally long legs or big wings. most cannot fly, lacking the muscle for it, and also can't hop well either.

inland swamp phocids are the smallest phocids, only a couple of metres long. they live in the shallow water swamps and marshes of the interior western continent. their very impressive plant manes protect their skin from becoming too dry, as they rarely have access to water deep enough to fully immerse themselves. as with other phocids the plants need to be woven in and carefully maintained, but it's far more accessible to these guys because they barely have to do anything to get a nice growth going

river selkies are a similar sort of direction, an inland subtype but for the very dry eastern continent. they live around the few rivers that cross the dry bowl and they are teensy tiny. polar selkies are the largest of their kind.

the longwing is only odd on a technicality; the form is very alike other longwings (tail-less, quadrupedal, four wings etc) but unlike the vast majority these guys can plunge-dive. there is a large population of them in the western coast of the western continent where the sparse land rises into tall cliffs and spires. they do not have to be ultra-light to fly long distances and so can make use of heavy waterproofing oils (applied by hand).

the aquatic zeta is still a marsupial (the fur is short enough to show off the pouch) and still needs to be on land otherwise baby will drown. they do have longer gestation periods than their terrestrial cousins, to minimise the time spent with a baby in the pouch, but when the kid is born they have to haul out and stay out until that baby can swim. they usually pick caves or sheltered lagoons with underwater entrances, in some of the remotest parts of the world. their population is likely only in the few thousands by now.

[blindbeta]

A Collection of Posts to Read Before Asking About the Blind Prophet / Blind Seer Trope

Hi all,

I thought I would start creating collections of my posts on this topic. Please read these before asking about the blind prophet trope, as I believe these will answer most questions. To ensure you are reading the most up-to-date version, go to my pinned post and find this under the blind prophet trope discussion in bold. It should direct you to the most updated list if you found this through a reblog. See if these posts answer your questions before asking me.

Trope Discussion: The Blind Prophet / Blind Seer Trope

Below is a list of questions I have answered that seek advice on avoiding the problems often associated with this trope. In some, I highlight what writers are doing well. In others, I offer suggestions for possible changes.

A post that contains discussions of two different characters with future vision, only one of whom is blind, which helps in avoiding the association of future vision with blindness. It also discusses avoiding making up for blindness and having more than one blind character.

Here is a post about avoiding erasing blindness with prophecies and using other senses instead.

Here is one where the asker has written about the spectrum of blindness as well as a blind character who isn’t the only one who can see the future.

Here is a post where the writer displays a blind community and avoiding erasing blindness using a special visions of the future. The character seems to be totally blind and I offer suggestions of using other senses instead of sight or giving the character residual vision to use instead. Includes details and links about the spectrum of blindness.

This post is a great follow-up reinforcing another option for the above linked post and for this trope in general, which is writing a character whose future vision is the same as it is in the present. The character can use multiple senses, including residual sight, to understand the future just as they would in the present.

Another ask about giving the character future visions with the same sight they use in daily life. For example, tunnel vision or central vision loss should occur in both future visions and daily life. The writer also addresses having other blind characters, a twist on the prophet trope, and switching from writing the character as temporarily blind to being blind since birth. I also suggest having a blind character not a prophet. Having another prophet who isn’t blind might also work.

While the information in these posts may not address every possible scenario, I hope they are helpful.

[403tarot]

. . . NSFW Q&A ATEEZ HONGJOONG + SAN ✶

* yesterday i was chatting with my friends and they made some nsfw asks about hongjoong & san so i decided to share it here <3

** all answers were given based on tarot cards, take it lightly etc etc etc. just for your information, both askers are women.

SAN

what nicknames does he like to use? does he like using pet names in sex or just calls by your name and stuff?

san doesn't usually use pet names, he kinda prefers using affectionate names like, "love," "baby," "honey"...

does he enjoy that whole thing of having sex while looking in the mirror? *cuz he has a big mirror on his bedroom

he would like the idea of having sex with someone while they can clearly see what he's doing to them. i asked if it has happened before, and it might have happened but not intentionally. he would also like to see through the mirror to get another angle or just like something about self-affirmation here... like "look at what i'm doing to you now"

what's he like during aftercare?

he doesn't do aftercare like "oh now i'm going to do aftercare because it's important after sex"; it's something that happens naturally. when it's with someone he likes, san lays down with his partner, cuddle, and talk about random things, just chatting.

knowing he wouldn't be rough with me... would he slap me in the face without me having to formally ask? *i'm not thinking about a hard slap though, just gentle taps on the cheek like in blowjob or smth

not on the face. without you asking him to, san would like to slap you in other body parts, he would do that anyway because he enjoys it. on the face... he wouldn't even think about it, but if you asked for it, he would – very carefully but he would.

what about overstimulation? giving and receiving

san would enjoy overstimulating you, feeling in control with it... he might get a taste of being sadistic and mistreating you by making you orgasm so much, the thought of it would turn him on. but about receiving... maybe he would try it experimentally once but then i see he wouldn't like it/wouldn't be able to handle it then san would ask to stop or try to dodge it.

can we delve into the theme "san would like it if you two acted like puppies together" as a treat? [op is a pet play enthusiastic and is referring to the sexual reading i took for her & san]

san would prefer to act as the owner most of the time but he would also like both of you to act as pets. it's something like "can i also try it?" by the way, using a collar would be something that turns him on... having his collar pulled. so yeah, it would be a topic that really heats up for him, and if you two acted like you were puppies together san would really enjoy having sex like that. freaky sex.

i remember when you did my sexual reading with him, it came out things like he would enjoy if i stayed on top of him [in sex] but is there any other position he likes/prefer?

he would like positions where his dick goes in deep and where he can play with your pussy while fucking you, but his favorite would be you riding him. positions where he can see his dick going in and out as well, from behind also to see your ass, positions that give him access to your neck... he would be the guy who likes to hold your neck not to do breath play but just to put his hand on it (?)

knowing he can be a fan of explicit pics, what kind of photo turns him on the most?

he prefers to be surprised with a photo and not have to ask for it, just like getting a regular pic and then a more provocative one. he likes cute (kawaii?) aesthetic but also sexy & elaborated photos, might like the person dressed up for him then with lingerie or nice clothes/costumes. san might likes pics that show everything (explicit body parts!), pics posing especially sitting on thighs. he likes someone who knows how to take these photos, who puts on a little show, and then looks beautiful for him to keep. he might also likes to send this kind of photos.

HONGJOONG

what would hongjoong think of the idea of ME giving him a lap dance while i'm just wearing lingerie and he can't touch me until i tell him to?

hongjoong would be playful about it... "i can see it but i can't touch it, so close but also so far..." he would think in a bittersweet way. he would try to keep his hands to himself for the sake of the dynamic but there's a hint of impatience, he's not the most rational when horny

so would he disobey and touch me?

yes.

would he let me suck him under the table while he's working in the studio? [oh she's a real one]

actually he would really like that. a lot. the world card, just do it and he'll think about it like it's part of his creative process.

is he the kind of guy who would mark me in places that could be seen? like a hickey on the neck and stuff? even if it was unintentionally?

visible places, no. as for non-visible places, he might like to leave some marks but it would be more like slap marks, marks from gripping... all of it hidden though. and biting, of course ...

hongjoong may have a tendency for playing a "cruel"/cold role or lightly sadism and masochism along with psychological games. what exactly would he enjoy in psychological games?

there was a vibe going towards roleplaying of dubious consent like forcing something until the other person accepts.

i want to know if hongjoong is also an overstimulation enjoyer

he wouldn't enjoy doing overstimulation on you but he would enjoy receiving it. he would like to be induced to overstimulation. hongjoong would try to endure it properly... so eager for control, even if it's just to challenge himself.

what positions would he enjoy doing with me?

he would really like positions where you make eye contact, where he can see your face. he would like having sex with you standing out of the bed and seeing you riding him while he holds your boobs.

this isn't sexual but if i were dating hongjoong and a guy flirted with me in front of him, how would he react? (don't need to delve, just see the reaction like if he would say something or pretend nothing is happening, if he would make a face...)

he wouldn't handle it well. he doesn't really like to feel jealousy and for him it's not funny so he would feel kinda bad but would try to show that he's with you. he would come, grab you by the waist, "love, who's this you're talking to?" in a bittersweet voice then pull you away from there. he would get very touchy-feely to keep you close because he doesn't handle jealousy well but wouldn't verbalize it... although his actions betray him.

you can also get answers like these with hongjoong, san or any other idol of your choice buying a combo of questions ❤️‍🔥 dm me to know prices and additional infos about it !

[a-d-nox]

I mean, let's say the man's Venus sextiles my Saturn, but my venus squares his Saturn.... But there's his Mars conjunct my Lilith (trine sun) and his Eros conjunct my Mars..... Man, I'd really like a synastry reading in exchange for my dream interpretation (i interpret dream/nightmares)

aspects in synastry and composite charts (venus edition)

after a shorter fun post from the same asker about a year ago, i have decided to trial the start a series after popular demand (sorry i'm running behind schedule)! i am starting in the middle of the chart per the request and after chatting with the asker offline. by middle of the series, i mean that i will not be talking about aspects to planets/luminaries before venus in this post - all planets after venus will be included. when an ask is made for planets/luminaries before venus i will go back to aspects where venus is involved (if that makes sense lol).

all of this is in my opinion. some of it you may be like how tf did she come up with this. my answer: intuition and experience with other people's charts that i have available to me. warning i can be harsh: please don't take everything i say as predestined, astrology is possible outcomes not guaranteed ones. plus let's not forget orbs matter, dominance matters, etc. this is just a starting place for when examining a single planet in an entire galaxy. take what resonates and leave what doesn't!

TW: sexual assault, abuse, and infertility.

ADDITIONAL WARNING: this post does contain mature content.

let's begin!

venus-venus

synastry: positive aspects: you can see the admiration for one another. anyone who sees the two of you together can see you both absolutely adore each other. venus-venus couples may get married to one another at some point because venus represents alliances, companionship, lovers, marriage, suitors, and proposals - at the very least, you two may date for a very long time or go to a big milestone event together like prom. you two are likely very affectionate with one another; you do small things for one another that are utterly heartwarming and adorable - could be holding/opening the door, one person giving their coat to the other, etc. you both often check with one another if what you/they are doing "is okay." in a feminine-masculine relationship the masculine is likely a feminist and lets the feminine be dominant / in charge of the relationship. the masculine in such a relationship may also be a gentlemen and unwilling to do or act in any way that makes the feminine partner feel uncomfortable. you two are constantly flirting with one another. you both are probably very hopeful of this union especially since you likely have a lot of fun together. negative aspects: it is extremely difficult for others to tell if you two really don't like one another. some people may think it is sexual tension or a lovers' quarrel, but you two are likely not each other's biggest fans. you could reject each other's advances - this is the equivalent of receiving the retort "you're not even that hot" after you tell someone you won't go out with them. these people aren't long-term lovers; this is the couple everyone thought would be cute together, but they truly hate one another...

venus-mars

synastry: positive aspects: mars person likely performs a lot of acts of service to show that they care for venus person; mars person seemingly worships venus person. the mars person will likely be the first to make a move or ask the venus person out - it could also indicate that the mars person proposes to the venus person (mars is action and venus is commitment and alliances). mars person is likely to find the venus person to be an aphrodisiac; everything about the venus person turns on the mars person - smell, taste, looks, etc. negative aspects: mars person is likely to do a lot for the venus person but often feels unnoticed or a lack of gratitude for doing so. mars person is prone to starting arguments, while a venus person frequently is the type to immaturely interact with them in response (silent treatment, eye-rolls, etc.). mars person is likely to assert their thoughts and opinions in the connection, while the venus person longs for a true partner who sees and treats them as their equal. (***TW***) the mars person may be belligerent/abusive in the connection and likely has so much ambition regarding the relationship that they frequently ignore or cross the boundaries the venus person sets - the mars person is often impatient and thus can rush the physical aspects of the connection (raped, molestation, etc. ***END OF TW MATERIAL***). mars person is likely to underestimate and be unappreciative of the venus person's power - often a mars person will see a venus person as harmless, meek, and/or "cute". pain is a commonality with this synastry aspect / interaction - the mars person frequently causes the venus person wounds/pain that will take a while for them to heal from. venus person can be too lazy for the mars person's liking. venus person may also have a lot of false expectations/hopes regarding the mars person's character. 

composite: positive aspects: this is super erotic in a composite chart - mars brings the idea of passion and venus brings the idea of amorousness. this couple often is constantly doing things for one another to show that they love, care, and think about the other person when they are not around one another. they often are the couple who appears to enjoy a lot of public displays of affection from one another - they appear as those they are intoxicated by / addicted to one another. negative aspects: it could feel as though this connection is about competing with one another rather than aiding one another to be their best selves. often this connection is quick to fizzle out. both individuals in the partnership might lack gratitude for each other and what they do for one another. it may feel like this couple is constantly arguing with one another and that there is a lot of immaturity in the connection because of how the two argue (they are both unwilling to compromise in most cases). there tends to be an obvious power margin between the two in the connection. both parties can often cross each other's boundaries and cause discomfort for one another in the connection. the two may underestimate each other in the connection and be pleasantly surprised or utterly unsurprised, which causes a strain (they may cite the other as incapable - their lack of ability is why the connection didn't work out). each person may feel the connection has a strain and that they are wounded from/by the relationship. 

venus-jupiter

synastry: positive aspects: venus person generally looks up to jupiter person and admires their achievements. venus person is also enamored by the jupiter person's ability to keep their word. venus person often will celebrate the jupiter person's wins. these two are a match made in heaven - venus person often feels jaded and/or hurt in their connections, while jupiter person knows the perfect thing to say to make the venus person feel better and more secure in the connection. for the venus person, the jupiter person is the most understanding and accepting individual they know when it comes to the validation and reassurance they need. the jupiter person tends to be the knight in shining armor to the venus person's princess in a tower. the gentlemanly jupiter person is often the king of consent; which is extremely appreciated by venus person. the jupiter person's desire for the venus person is often very obvious. jupiter person often proposes to the venus person. the jupiter person often likes to spend a lot of time with and money on the venus person. negative aspects: venus person could envy what the jupiter has and has achieved in life. jupiter person may feel as though they can't 100% rely on the venus person to consistently do what they said they would. the venus person can feel like the jupiter person is gaslighting them or feeding them only what they want to hear (venus person may question the jupiter person's genuineness to them; it might be too good to be true). venus person might feel as though the jupiter person is a misogynist. the jupiter person may feel that they love the venus person more than the venus person loves them. venus person may feel that the jupiter person is extremely clingy. jupiter person may eventually get tired of apologizing and become standoffish: "i don't know what you want from me". venus person can default to immature commentary during fights saying things that are meant to hurt the jupiter person's self-esteem. jupiter person might feel as though they do more in the connection than the venus person does. jupiter person may be a bit careless/unappreciative when it comes to the acts of service or romantic gestures that the venus person makes. jupiter person can be a bit stoic when they are in an argument with the venus person. jupiter person often seeks to improve their connection, while venus person might be too lax to change/improve their connection. the jupiter person can be a bit too possessive for the venus person. 

composite: positive aspects: there is a visible abundance of admiration for one another in this connection - they are extremely wholesome and cute together. often the couple is very strong together and can achieve a lot together in the alliance they have with one another. often this couple is very content with each other. they boost one another's confidence and celebrate their wins as a couple (usually, anniversaries are big for this couple). they are very supportive of one another. this pairing knows how to have fun together, and they are often engaged in flirty banter. this couple is often hopeful of a long-term connection - they often get married to one another. frequently, someone loses their virginity in this connection, and/or they often have children together. make up sex is real in this connection - and they both are very generous towards one another in the bedroom. erotic devotion is very clear in the connection. negative aspects: sometimes people see these two as an old married couple - they bicker and give each other a hard time. sometimes, it might seem likely they are putting each other down. it may seem as though the feminine is extremely dependent on the masculine and as though they are trapped by the masculine in the connection. feminines may feel like they are forced into a submissive role in these connections. they might seem to want a lot of space from one another and could even sleep in two different bedrooms. it might seem as though the couple has given up on their own connection with one another. 

venus-saturn

synastry: positive aspects: venus person often appreciates the saturn person's ambition and their determined attitude - venus person appreciates that they aren't quitters. venus person knows that one day saturn person will be what they want them to be and do what they want them to do because of their determination. saturn person is often very serious when it comes to building a solid foundation and future with the venus person. the saturn person is often very loyal towards the venus person and never would do something to them that would make them feel betrayed. saturn person has a sense of duty towards venus person and tends to do whatever it takes to please them and make them feel content and cared for in the connection. saturn person picks up on the venus person's habits/idiosyncrasies via self-other overlap. a masculine saturn person is often willing to submit to a feminine venus person. venus person knows that they can rely on the saturn person. saturn person often shares their customs with the venus person. saturn person is very patient with the venus person. negative aspects: venus person may feel that saturn person is hesitant to appreciate them the way they want them to. saturn person can feel apprehensive about getting into a relationship with a venus person. this is likely a relationship in which a saturn person represses and denies their admiration for venus person; whether this emotional admiration exists depends on the moon, while sexual/physical admiration depends on mars and pluto. venus person may not receive the commitment from the saturn person that they crave. saturn person may find they are repulsed by venus person post-coital encounter or say that all they can offer venus person is sex. (***TW***) venus person is likely to have their beauty diminished by the saturn person. saturn can represent disdain, grudges, harm, and hatred, while venus can represent the erotic and consent. this combination with a negative aspect, and depending on the tightness of the orb, can indicate the possibility of sexual assault done by the saturn person; see the story of priapus (***END OF TW MATERIAL***). venus person is unlikely to feel contented with the saturn person long term. if the venus person is masculine, they may be ungentlemanly and lose their chivalrous manner when in a more lowkey relationship with the saturn person - as the saturn person seems to lack gratitude for the venus person's manner and mannerisms. the venus person's immaturity in a romantic relationship may be emphasized due to the saturn person's inability to commit to them. venus person may propose to the saturn person, and the saturn person is likely to reject them. venus person may find saturn person boring after a while, and saturn person may find that venus person cannot be serious after a while. saturn person may fear a long-term connection with the venus person - they could feel as though they can't trust the venus person. saturn person may feel neglected in the connection. venus person may trigger the saturn person's previously experienced trauma to the point of a regressive episode. saturn person could feel rejected by the venus person. 

composite: positive aspects: this is a great indicator of a monogamous relationship that is long-lasting. this couple often shares the burdens of life with one another. this couple is often so committed and proud of their coupling that they are the type to promote they are together (monograms, mrs. & mr. shirts, rings 24/7, etc). other couples are the "private but not secret" types that we frequently see on social media (pictures together without one of their faces in the image). negative aspects: this couple may be unappreciative of one another: kind gestures are often overlooked, they neglect one another, they don't seem affectionate/adoring of one another, etc. the couple likely doesn't know how to do nothing in peace with one another - they might not be capable of just relaxing with one another because it feels "awkward". this connection can be very short-lived in some cases because there is likely a lack of romantic commitment between them. (***TW***) there may be sexual aggression between the two (***END OF TW MATERIAL***) or a regret regarding coital interaction. there is likely a lack of honor/chivalry in the relationship - this relationship could present as immature and having plenty of arguments as neither partner is well suited for the other. the coupling could be built on the individuals' shared fear of being alone for the rest of their lives. 

venus-uranus

synastry: positive aspects: uranus person may abruptly tell venus person that they like them. the uranus person is often very submissive to the venus person outside of the public's vantage point. often the uranus person is curious about the venus person and will do some sleuthing about them. venus person is typically touched by their interest and fandomship towards their brand. venus person often looks up to uranus person for their intelligence and generally is intrigued by their mind. the uranus person can be very prompt in communicating with the venus person. venus person tends to appreciate the uranus person's ability to be extremely honest in any situation. venus person often finds uranus person's unpredictability to be incredibly attractive. negative aspects: uranus person could cheat on the venus person in some cases. if they are married at that point, the uranus person frequently has to pay alimony to the venus person. venus person is often bossed around by the uranus person and most of the time that irks them. uranus person is known for having emotionally hurt ex-lovers that might get in the way of the uranus person having a successful relationship with the venus person. this is because often the venus person finds information where the uranus person has, for example, a string of texts in which their exes are asking to get back together with them or the exes are angrily messaging them. uranus person can very quickly change their mind about the venus person and withdraw completely from the connection - a lot of the time, this is one of those connections where they disappear with all their stuff taken from the house overnight or before the venus person gets home. uranus person can discover that the venus person was cheating on them, sort of like how hepheatus discovered aphrodite cheating on him. uranus person may be inconsistent when interacting with the venus person. often, the uranus person wants freedom in the relationship or for the relationship to remain inclusive/"open". the uranus person sometimes rejects the venus person's advances and can even be revulsed by the venus person in some cases.

composite: positive aspects: this coupling is quick to come together - one minute they are just friends, and in the next, they are in a committed relationship. in some cases, these two elope or have a "shotgun" wedding. these couples are open to experimentation and/or a third (fourth, fifth, sixth, etc.) person in the connection. this couple often has a healthy sex life, in which they frequently partake in coital relations. these two feel very lucky to have found one another because they share a lot of "unpopular opinions/views" regarding relationships. sometimes, this couple attempts a trial separation and comes back together stronger than before. negative aspects: sometimes there is some heavy drama in this connection where those involved are alleged "swingers", someone is cheating on someone, etc. not everything that you hear about this couple is always true - oftentimes, there is something worth uncovering about this connection. this relationship doesn't typically end cleanly - often, there are a lot of fights and dramatics. this is the couple in which one person wallpapers the room with text messages to show that they knew the other one of them cheated, someone slashes the tires of the other person's car, one person gets locked out and the other throws all their belongings out of the window, etc. sometimes an "illegitimate child" appears in this connection which causes strain. (***TW***) alternatively, it could be very difficult for this couple to become pregnant and have a successful birth (***END OF TW MATERIAL***). sometimes, these individuals are in a falsified relationship so they can get governmental benefits or security.

venus-neptune

synastry: positive aspects: venus person finds neptune person to be alluring and often finds their chaos and creature mind to be beautiful. the neptune person is the first to confess their feelings for the venus person. venus person can be fascinated by the neptune person. with the neptune person, the venus person can feel as though the relationship is the best one that they have ever been in. venus person can feel as though the neptune person is always reading their mind with how attentive they are towards the venus person. the neptune person is often very comfortable with being vulnerable toward the venus person. neptune person is very sympathetic towards the venus person. negative aspects: neptune person could be hiding a whole other relationship from venus person or could be merely cheating on the venus person in a more lax manner. neptune person is the type to disguise themself in public when with or without the venus person - they often want no one to know what they are up to in terms of their romantic relationships. this is likely to bother showy venus who wants everyone to know that they are in love with one another. neptune person tends to be too emotionally unpredictable for the venus person. the neptune person might be insecure about the connection with the venus person because they see the venus person as better than them. neptune person could be a poor wing person for venus person by misrepresenting who they are. 

composite: positive aspects: these two tend to be addicted to one another. they often are the couple that will wear matching outfits or appear as though all that exists in the world is them as a couple. this couple tends to be sex-positive and might enjoy spicing up their sex life by making a tape together. this is one of those couples who are in a "private but not secret" relationship - they will post faceless pictures together, that they are going somewhere with "their love", etc. this relationship can feel almost dream-like or as though it is a fairytale. it can feel as though this couple reads each other's minds. a wedding between these two is always so beautiful because they write gorgeously, poetic vows to one another. negative aspects: there is a tendency for these two to become codependent on one another - they can't do things apart without one of them getting annoyed/angry/paranoid about the distance. this couple can be extremely chaotic - in a single day, they could be happy and holding hands, then in mere minutes, they could be arguing over a notification, then one could be threatening to move out, then they could be planning their next vacation together. both individuals can have a history of cheating and not being faithful to one another - so they are likely both suspicious of each other. (***TW***) one of the individuals in the connection might film the other, who may or may not know about the filming, during coital relations then leak the tape on the internet (***END OF TW MATERIAL***). often there is a scandal that arises from this relationship. 

venus-pluto

synastry: positive aspects: the venus often feels alive around the pluto person. the pluto person has a gift in awakening the venus person to their surroundings and even who they are and what they are worth. very quickly this relationship becomes exclusive because most pluto people aren't comfortable with inclusive/"open" relationships. venus person is often content in this connection because the obsessive pluto person is willing to do anything they want to keep them happy. the pluto person is likely to treat the venus person like their queen/king. venus person is very grateful for the protective pluto person. negative aspects: pluto person doesn't tend to be trustworthy - they keep a lot of things to themselves and can even keep a sidechick or secret relationship from the venus person. because of this, the venus person should be careful where STIs/STDs are involved (use protection, get tested regularly, see their gynecologist regularly, etc). (***TW***) the pluto person often has an extremely high sex drive, and sometimes, in certain cases, the pluto person can not control their sexual impulses or simply enjoys the power they feel when having sex, so they might sexually assault the venus person (***END OF TW MATERIAL***). venus person tends to be more morally upholding than the pluto person - the venus person can sometimes find what the pluto person does to be "morally atrocious". the venus person is often baffled by what they learn from the pluto person, often it has to do with their obsessive nature or how they betrayed others or even the venus person. pluto people often hurt the venus person - frequently, this is physically or emotionally. venus person comes to loath the pluto person or view them as "evil". pluto person might degrade the venus person and make them feel bad about themselves physically and emotionally. pluto person often feels guilt that they aren't more helpful or better at being in the relationship with the venus person. venus person can feel like the pluto person lies to them very often - the pluto person often is lying to the venus person though they may attempt to gaslight the venus person to cover up their lies. venus person may want to marry the pluto person, but the pluto person may not believe in the institution of marriage.

composite: positive aspects: this is a power couple, and they know it. the couple is happy to exclusively date for a long time - they could keep their relationship on the down-low for a while as well. this is the couple who makes a lot of lewd jokes with one another, and often, you can see that they are comfortable around one another - they can make these jokes without feeling weird or without ignoring one another. they are generally just a super flirty couple. they are the type of couple that keeps each other's nudes in their wallets. sexually, there is often a component of BDSM in these relationships that brings life to their connection and makes both partners extremely pleased. this coupling, in general, reminds me of the smutty novels. this couple may even go to sex parties with one another for fun. negative aspects: this couple often meets unconventionally - on a date with other people, when they are dating someone else, etc. the relationship is typically not long-lasting - sometimes it feels like the relationship is like a vase of flowers that withers away day by day (beautiful and thoughtful at first then smelly, attracting bugs, and rotting away). this couple might have a difference of philosophies that gets in the way of this relationship progressing - for example, pluto can bring nihilism into the relationship "what is the point? nothing matters anyway." the relationship can't grow if both parties do not wish to work on it. 

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[teaboot]

I'm Singaporean, I just saw the posts about schools in Canada vs Korea and now I'm kinda curious how things vary within this half of Asia.

Looking at your questions for the Korean asker, dyeing your hair isn't allowed but how strict the teachers will be about it probably depends on school. My secondary school (age 13-16) had one teacher who made a classmate with (presumably naturally) lighter brown hair dye it black, which was hilarious. If necessary for explanation, it was a Christian school with pretty strict rules on grooming no one had the energy to follow leading up to graduation.

We have uniforms up until you finish secondary school, then it depends on where you go. You have to buy them yourself unless you're on financial assistance or getting some kind of government subsidy, in which case I'm not sure how it works exactly.

And now the actual asking part of this ask: do y'all split math up into different subjects and if so, why??

Kids had to dye their hair to match as a group? What the fuck???? What the hell does hair matter???? Then again... bra straps and shorts don't matter either, and those are restricted everywhere, so maybe school is just dumb everywhere.

And math!!! Not super sure what you mean, but until about grade 10 here in BC all math is taught in one math class that's just "math". In grade 10 you can take precalculus or... the other one? And the idea is that Precalculus is for students going into university and the other one was for students going into trades. You NEEDED precalculus to go on to higher learning, is what we were told.

"Math" was just all math. Multiplication, geometry, algebra, etc.

"Precalculus" was all the basic skills meant to prep for calculus used in STEM stuff- polynomials, trigonometry, more algebra, that junk.

I failed it hard two times but passed the government exam so they weren't allowed to fail me again.

Also I'm good at math so they can kiss my ass now 👍

[absolutebl]

Hi P’ABL, building off an earlier ask you answered, what are your top recommendations if I want to watch a BL where the main focus is the romance between two characters? Something along the lines of Semantic Error for example? Or even Old Fashioned cupcake?

Hum, you mean where there is little to no outside plots, external pressure, or secondary characters? Most KBLs are pretty closed systems but they of have external pressures. Lemme think... there are shorts of course. Okay I did a ratings sort and then just read through my favorites with this in mind... this is pretty darn subjective tho.

BLs that are just simple sweet romances

High School Setting

I Cannot Reach You AKA Kimi ni wa Todokanai (Japan 2023) - a very simple friends to lovers romance.

HIStory 2: Crossing the Line (Taiwan 2018) - classic sports romance

My School President (Thailand 2023) - the high school version of soft boys being soft, there's a side "plot" and a band but who cares?

About Youth (Taiwan 2022)

University Setting

Semantic Error (Korea 2022) - asker chose this as their primary example.

A Breeze of Love (Korea 2023) - reunion romance

A First Love Story (Korea 2021) - 2 part short that is exactly what you want.

Oxygen the series (Thailand 2020) - the university version of soft boys being soft, this one is a hyung with the young rich boy chasing the older orphan

We Best Love (Taiwan 20210 - part one is enemies to lovers, part 2 is office reunion enemies to lovers 2nd chance.

2gether (Thailand 2020) - oh the pining ridiculousness

Star in My Mind Star and Sky (Thailand 2022)

Hidden Agenda (Thailand 2023) - that isn't hidden at all

Love By Chance (Thailand 2018) - watch for AePete and TinCan but don't bother with the other threads

Why R U? (Thai 2020) - I mean it's madness but there is no other plot but the romances

Why R U? (Korean adaptation of Thai original) (Korea 2023)

2 Moons 2 is kinda the same thing, but I don't rate it as high as the Why R U?s. There are many who would call me crazy for this.

I thought about including the Love Class series but both of them have stalking sub plots. And I'm inferring you don't want any darkness or stress at all.

Office Romances

Old Fashion Cupcake (Japan 2022) - asker chose this as a second example, although I would call it a bit more complex given the themes of self discovery and worth.

Our Dating Sim (Korea 2023) - basically a reunion romance (second chance) but there is a bit of work stuff.

Be Loved In House: I Do (Taiwan 2021) - office romance, it's Taiwan so like We Best Love it'll be a little chaotic but I think it's what you're looking for.

Love is Science? BL Cut (Taiwan 2021) - the gays are the side couple there is a noona romance lead and a mature romance side, everything soft romance all day long.

Step By Step (Thailand 2023) - pretty classic office romance, Korea's version is called The New Employee and is also good but there is a lot more about the actual job as part of the plot.

Love Mate (Korea 2023) - aggressive pursuit from the new intern but it's a Kdrama so its ultimately soft...

Roommates of Poongduck 304 (Korea 2022) - cohabitation and office enemies to lovers

Foodie Romances

Bon Appetit (Korea 2023) - reunion romance

The Tasty Florida (Korea 2021) - love at first sight

What Zabb Man! (Thailand 2022) - he knows him by the taste of that one dish!

You Are Ma Boy (Vietnam 2021) - had to throw in something from Vietnam

Countryside Setting

Love Tractor (Korea 2023) - city boy meets country boy, they fall in love, opposites attract

A Tale of Thousand Stars (Thailand 2021) - okay this does have lots of extra characters and some complexity because it's GMMTV and Thailand but it is the most classic "romance" that Thailand has ever done gay. Kissing on cliffs at sunset and parting at airports and everything.

Some More (Korea 2018) - another great short that meets your criteria

Okay I think that's it, if you want to give more restrictions I could tailor the list down more.

[justsomeectoplasm]

Hhhuugh so the reddit incident came and went but I know there's going to be a handful of twitter users that don't know jackshit about tumblr and are migrating here. Honestly it's valid that you all jumped ship because there's only going to be two outcomes to this:

-Muskratatouille is going to realise he fucked up and remove the rate limit.

- He refuses to admit his mistake and kills twitter.

So welcome! I hope you like my blog. Here's a revamp of some things you need to know before interacting with me and some general notes you need to know:

Massive porn bot problem here that can actually harass you and other users by sending porn through dm's and asks. Also shares malicious links to sites which is a big no-no. Therefore, PUT A DAMN PFP AND CUSTOMIZE YOUR BLOG, AND REBLOG POSTS. That's the only way to let people know that you're not a bot and that you're 100% a living breathing human. Lurking only works through reblogging without adding tags. (Side note: irl Hot lady pfps are not that great. Bots use them all the time. Anime hot lady is fine.)

Likes do jackshit. Tumblr is more of a blogging website than a social media platform. The way it circulates and brings attention to posts is by a sharing system called reblogging. If you really want to support artists, writers, game devs or just wanting your friends to see some funny posts, reblog it. (Reblogging artists work is not the same as reposting on this site. It helps us.)

Tags are your friends in this site. You can use them to navigate through content of your favorite subjects or you can add your thoughts to them. They can also help sort out your own original posts on your blog. (for example I use 'I ramble' on posts that have nothing to do with my fandoms.)

If you censor a word I will personally break your computer. You can say whatever the hell you want on this website and you won't get in trouble (unless it's hate speech, which you can report.)

Pt 2 of the above point: The reason why I'm so adamant on this point is because tumblr has a filter system. Users use this system to filter out content and tags that they don't want to see. This helps a lot for people with triggers and over all curating your online experience. By censoring words, you are bypassing these filters and doing more harm then good. Don't censor your words. If you want to use this feature go to settings and click on "content you see".

Pt 3. With that said, please please tag your posts if they have triggers or upsetting material. Whether you do dark content or not, it is important to tag your posts if they have a well known trigger.

There is no algorithm. You create it using tags. Your post going viral is a 50/50 gamble and you better hope it's a post that's actually great.

You can block anonymous askers since you need to use an account to send asks. Have fun.

Blocking users is much more effective. You can't see or interact with their posts and vice versa. Go wild.

[cripplecharacters]

Hello! I want to write a horror book with characters that are not human but were a long time ago and now are something changed. What I want to do is explore themes of body horror, but what I do not want to do is be offensive or stereotypical towards physically disabled people. I have been doing some research and making sure the horror I am writing doesn’t have real world people it is affecting. (for example, characters with multiple eyes or arms or who have bare skeletons on their limbs) Do you have any tips to be non-offensive in my writing?

P.S. thank you! Your blog has been so helpful to me 💛

Hello beautiful asker!

We have a post on body horror right there! I would just do your research very thoroughly (read Sasza's part, he worded it much better than me). Characters transforming into something non-human is such a cool concept and cool to explore. And while this isn't our area, I would also research stuff like identity, race, body dysphoria, dysmorphia, Ethnicity, queerness, on their intersectionality with body horror, outside of disability and such. It's really interesting and it all intersects in such a fascinating way!

~ Mod Virus 🌸

Hi!

I think that as long as you're making sure you're not passing off symptoms of disabilities as said body horror, you're fine. If there's no connection between the two, then it won't be offensive to physically/visibly disabled people :-)

With that said, there's an incredible number of conditions that can be disabling (literally thousands). So to avoid including any of them as "body horror" or "gore" or what have you, you will need to do research.

There are disabilities that involve extra fingers (polydactyly), extra limbs (polymelia), extra eyes (diprosopus), and other things that involve what's widely considered "body horror" by the genre. Yes, they're very rare (except for polydactyly maybe) but they're still very much real; the Witches movie tried to pretend that limb difference was just some magical scary thing rather than an actually existing disability and it was horrible.

That doesn't mean you can't do it, just don't mimic it 1:1. Put the eyes on their neck, or make their fingers come out of their mouth, whatever. Things that don't happen to visibly disabled people, including the ones that die from complications of their disabilities - I think it's incredibly cruel for the horror genre to treat many of them as some sort of "evil creature inspo" because of severe congenital conditions.

That's just my view on it, I hope it makes sense. Good luck with your writing.

mod Sasza

[doodler16]

an anonymous asker already said this on chais blog but its worth mentioning again since someone brought it up - what stolas did in apology tour is a technique often used by narcissists called "triangulation". simplypsychology.org states: triangulation in relationships refers to a communication pattern where one person (stolas) avoids direct interaction with another (blitz), instead using a third person (verosika) as an intermediary. this can create misunderstandings and conflicts, often serving as a manipulative strategy to control or gain power. triangulation typically entails a dynamic where the victim (blitz) and persecutor (stolas) engage in conflict while a third party (verosika) assumes the role of the rescuer. (ex; "how you doin', baby? you holding up okay?" "tell us all about your experience with blitzo. that cock sucking motherfucker! c'mon baby, speak from the heart, we all here know how you feel." (they dont know that they dont,) followed by stolas not truthfully going into details and claiming that he thinks "it ("it", being their full moon deal,) didnt mean a thing at all" when yeah, i sure hope your "favors for favors", your "transactional fucking" DIDNT mean a thing romantically, thats a weird and entilted thing for him to think.) this creates a communication triangle, often exacerbating conflicts and misunderstandings, serving to control or divert attention from the core issues. (the full moon deal,) it is problematic because a third person (verosika acting like stolas has been severely wounded by blitz when the reverse is far more true,) becomes intertwined in a situation that should be between the two individuals participating in the conflict. (again, the full moon deal,) it is a strategy emotionally unstable people can use to influence a situation. triangulation is often an attempt for individuals to try and possess control of a situation (stolas being confronted on his behavior by blitz directly and him understandably demanding confrontation because he feels he deserves it after yeah, like he says, everything stolas has put him through in s1, and even s2 tbh,) and seek advantage from it in the form of loyalty or attention from the other parties. (which in this case is literally just the anti blitz party,) it brings difficulties and confusion because too many people (again, anti blitz party,) can get involved, raising the risks for the occurrence of harmful behaviors. (these people festering on their feelings EVERY YEAR on halloween, literally making pinatas, voodoo dolls, an entire cake of blitz they mutilate, which is all portrayed as a rightfully batshit crazy thing to do, but also not towards the end of the episode when they need to make blitz seem like a dick who actually deserves this treatment,) if verosika wouldve been disgusted and been able to relate to feeling used like she felt used by blitz for sex due to the lack of reciprocation, just imagine how an entire party of people who felt used by blitz would feel if they knew about the full moon deal, ESPECIALLY since theyre all imps of some kind. stolas is the real motherfucker here, and that bird wouldve been burned like a goddamn walmart roisterer chicken if at any point blitz had revealed himself on stage at the party, which would be more in character then him letting his self loathing get the better of him when it comes to stolas, and said, "YOU shouldnt even be allowed to be here, bitch! why do you count as an ex when THE ONLY THING we did was FUCK, because YOU MADE ME FUCK YOU?! how the FUCK was i supposed to keep my business afloat without your fucking fancy ass book that let me up to the human world?! THATS why you made me pound your pathetic bird pussy on the full moon every month! and now you wanna act like what we had was actually a RELATIONSHIP?! WELL, FUCK YOU!"

Reading this really makes me want Stolas as a villian that IMP can overcome and kill. Stolas is such a professional victim that it’s not even funny anymore. I really wish Blitz said that instead of watching Stolas, Vortex, and Verosika sing how Blitz is a motherfucker.

[writingwithcolor]

Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction?

Dear readers: 

Today we are trying something new. To give you some insight into our process in the Japanese moderator section, we are presenting our response in the form of running commentary to show you how we dissect and answer long asks. We hope this makes clear what points are useful and not useful when sending us a query. As always, this is for learning purposes, not callouts. Be prepared: this is a long one. 

To summarize: the asker is looking to create a comic drawn in Japanese manga style, and has provided a long summary of the story and worldbuilding which involves a mix of “reimagined” Japanese yokai mythos and cultural symbols from many other sources. They have questions with respect to cultural appropriation, coding etiquette, and “what is and isn’t ok.” 

Opening Comments

I know a common advice when it comes to the thing I am about to ask is to talk to people involved in __, but I struggle with opening up to strangers for reasons I'm uncomfortable explaining. 

Marika (M): This is already a red flag. If you want to engage with another culture without talking to people from that culture, then research is going to be very challenging. You won’t have members of that culture to guide you towards sources and perspectives they feel most accurately represents public opinion. If I were in your shoes, I might start with tackling my discomfort when engaging with other people, if only to improve my work. If you aren’t ready to engage with a culture and its people directly, then I think you should wait until you are. 

I should note, reaching out to the Japanese mod team at WWC does count as engagement, but WWC should not and cannot be the only point of contact because there is no single, legitimate cultural perspective. 

Rina (R): Also, you don’t need to “open up” to strangers or talk to them in person to get perspectives. Asking specific research questions anonymously to a forum or on social media requires very little vulnerability. You managed to do it here on WWC. So give it a try! 

Anyway, my question basically amounts to the what is and isn't ok [sic] in terms of depicting fantasy creatures and concepts outside of their respective culture.

R: So, the reason why we turn away rubber stamp questions by that ask “is XYZ okay?” is because “okay” & “not okay” 1) is vague and 2) creates a dichotomy where there isn’t one. 

When we say something is “not okay,” do we mean:

It’s offensive to the general majority of XYZ group? 

It’s contentious among people who ID in the group? 

It has a potential to be interpreted in a certain negative way, but may not be a red flag to everyone?

Insetad try asking:

What are the reasons this subject is offensive? 

What makes cultural appropriation bad? 

When might it be “okay” to intentionally discuss a difficult or controversial topic?

What is your reason for including something that may be interpreted as offensive and can it be sufficiently justified? 

What stereotypes or tropes might it be consistently identified as or associated with, and why? 

When might it be justified to bring up these tropes?

With That In Mind...

Let’s get into the rest of the ask below. 

…a story I've been working on in recent times is largely inspired off the Japanese yokai, and the setting is basically Earth in the far future, as far as when the next supercontinent may form. These yokai, although portrayed differently here, do retain their main characteristics [...] Included in this world are two goddesses of my own creation, primarily representing the sun and the moon. [...] There will be thirteen nations, named and based after the Chinese Zodiac, and the life force found in the living things in this world, called qi, comes in two forms that are always opposing each other but can never fully overpower the other, this being based off yin and yang. They're even directly named this; yin qi and yang qi.

M: This reads more like using Japanese and Chinese culture for the “aesthetics”, not the cultures themselves, which I personally feel falls under cultural appropriation. From a world-building/ coding standpoint, the actual use of concepts is workable, and, dare I say, typical, given how Chinese cosmology influences Japanese culture. However, naming a concept “yin qi” or “yang qi” is the equivalent of naming something “- charge” or “+ charge”, respectively. That you don’t seem aware of this tells me you are pretty early in your research phase. In that vein, we’ve covered translating terms and names from foreign languages in fantasy before. See the following article linked here for our recommendation against using RL terms outright but instead encouraging people to create their own conlangs. 

R: Worldbuilding-wise, I think you would have to figure out the chicken-or-egg of the zodiac nations. Did the nations come first, and the zodiac later as an origin folk story (which you would have to rewrite to serve the nation-building narrative)? Did the zodiac come first, and the nations named (most likely re-named) by a political entity? What is the justification? Otherwise, again, it’s a shoehorning of aesthetics. 

There is also a third, lesser known god based off of fox spirits and trickery and I imagined he's the patron deity of a family that honors and worships him, but his influence on them has transformed them into Kitsune-tsuki, which I depict as fox-like anthros. 

M: Not related to this ask directly, but I have jokingly ranted about how often non-Japanese people prefer using imagery related to kitsune-tsuki in Japanese coded world-building (link). This makes me feel the same level of petty irritation. See my troll answer below for a similar experience.

R: Same. It’s boring tbh. 

M: Troll Answer: I get that kitsune-tsuki are very sexy furries, but Japanese folklore has other sexy furries too! These underrepresented demographics also deserve recognition and appreciation!!

The plot of the story is this; modernization has left the goddesses neglected of their worship and forgotten, something that is necessary in this world to stop them from fighting each other. The Moon Goddess awakens first, punishing the humans by unleashing the yokai. Then the Sun Goddess wakes up to fight in humanity's defense…

M: This could feel rather like Shinto-like coding (Ex. the myth of Amaterasu and the Cave, or Tsukuyomi slaying Ukemochi), but something about this scenario feels a bit too binary in terms of themes of good v. evil, light v. dark to be Shinto. The plot also feels more Gaelic/ Nordic in influence for me as a person raised in a Japanese Buddhist and Hindu household. I imagine this dissonance could have been fixed with better guided research. 

…but their fighting has caused a perma-eclipse and this world is in danger of ending. The yokai have run rampant; some are loyal to the Moon Goddess, and some aren't, and it lies to the main characters to bring balance back to Midgard. Yeah... the name of this future Earth is Midgard. I debate changing it since it and some other things I will mention sorta feel out of place.

R: Marika, looks like you were right on the Gaelic/Nordic influence /j 

Also, worldbuilding question: if the Earth is in the far geologic future, how long has it been since modernization (19th-20th century)? Centuries? Millennia? How long has this fighting gone on for? What triggered the perma-eclipse, and why now? Why is this time depth necessary? 

One of the main characters in question is a humanoid woman with wolf features named Ling, and she is a descendant of the dynasty that had first ruled the one of the nations, particularly the one based off the dragon zodiac. She accidentally summons the other main character to this world as she's praying at a shrine, a humanoid with dragon features--I call them drakon--named Angelynn.

[on the names of characters] is it appropriating by not having the world entirely based on [Chinese, Japanese, and Indian] influence? it's a little weird to me how worldwide the creatures are referred to as yokai, implying a strong Japanese influence not unlike how it is today with Western culture being so dominant, yet there are still names like Keith and Kiara.

M: I will give you credit for recognizing you have unconsciously veered towards white-washing/ race-bending: either presenting European cultural influences (drakons, Angelynn, Keith, Kiara, Midgard) as default or utilizing general E. Asian cultural influences and aesthetics for a Western-style story (Ling, qi, Chinese zodiac, yokai). I agree with you that this creates a sense of cultural dissonance. At this point, I’d say you have a clear choice: write a Western-style high fantasy using a background with which you have more familiarity, or get some better guidance on research with East Asian cultures so you can code the story more effectively. 

The focus of this story is centered around meeting all these yokai and showing that there's more nuance to them than Ling believes, all while saving the world. But I worry if I'm appropriating these concepts and creatures by 1, drawing from more than one culture--I initially imagined that there would be a mix of Chinese, Japanese and Indian influence because according to a website I am getting the info on yokai from, the yokai in question already draw inspiration from or have been based on something in Chinese mythology or Hinduism [...]

R: Sure, some yokai have Chinese or Hindu parallels as that tends to happen with folk tales. But not all–some are unique to Japan, and some are more modern. Sometimes it’s very political–some people consider the Ainu Korpokkur as being a “Yokai of Japan” despite it belonging to the indigenous culture. It’s up to you to research, untangle, and understand these influences. 

The fact that you bring up that the Asian continent has seen a lot of cultural exchange is not a sufficient reason to randomly combine influences for the sake of visual appeal or “coolness.” That is appropriation. These influences must be understood in their historical context so that you know how/why certain things combined or morphed into another, and what makes sense to combine/morph. 

M: This also indicates that the character views the yokai as evil/inherently bad, which I would argue is not a typical stance for much Japanese folklore. Again, this shows a deficit in research. 

2, reimagining these yokai in a new context even though I have done the research on them, because one thing I kept seeing in regards to cultural appropriation is that it's bad to do that […]

R: Refer above to my note on “okay” and “not okay.” The thing with folklore and fairy tales is that every–and I mean every–folk tale is reinterpreted with every new iteration of it. Reimagining in a new context is what people do every time they pass on a story or tell a story with the same plot or characters. Do not think of folklore as an “original” that is altered and rebooted, but rather a living document that gets added to. Reimagining is not the inherent issue. HOW you reimagine something matters. 

So I suppose my question is...if someone were to do research upon the creature they want to use, given they are allowed to use it, and gained an understanding of what the creature or concept stood for, are they allowed to pick it apart and reimagine it? Alternatively, is it ok if it's explicitly pointed out that it is derivative of the original?

It has actually become my biggest fear that I may have internalized something that could both continue to do harm long after the fact and attract the wrong people to me work. I don't wanna let people down!

M: As Rina has noted several times, I think the problem is in trying to ID a set of specific variables and circumstances that make a thing “okay” or “not okay.” I want to recommend that you read my joking response about writing in secret rooms while wearing a disguise (Linked here). Who can you hurt if no one knows what you are doing? There’s a difference between creating for oneself and creating to share. 

You have internalized a message incorrectly, but not the one you cite. The goal of many recommendations against cultural appropriation is to avoid causing direct harm to people who have seen their cultures demeaned, discredited and devalued, especially in shared spaces. Assessing cultural engagement, whether we are talking about appropriation, appreciation or exchange is not a measure of personal virtue or a collection of commandment style do’s and don’t’s. Rather, I believe engaging with other cultures is the state of mind of acknowledging that when using these cultures’ in one’s own work, there is value in consulting members of that culture and giving credit where credit is due. This will be challenging if you are only comfortable engaging with all of these cultures in a distanced, minimal capacity. 

FWIW, I’ve written stories that probably will offend people from other cultures and backgrounds, but I don’t show them off. I don’t think writing these makes me a bad person, but I also don’t see the need to give unnecessary offense, so those stories are just for me, to be written and read in my own secret room. However, I’m not ashamed of having written them, and I’m also comfortable to “let people down” provided that my own shared work reflects my personal principles of what I consider to be sufficient research and engagement with other cultures,  As a creator, my work wouldn’t be mine if I didn’t first please myself. I think the trick to the creator role is deciding what to keep private, what to share and what constitutes sufficient engagement. 

P.S. 

We’ve referenced the need for research multiple times in this ask, and in some of the other asks that have gone up this week, so we thought this would be a good place to plug a beginner’s guide to academic research created by the mod team.. Look for it soon under WWC’s pinned posts!

[raven-at-the-writing-desk]

Something has been bugging me since the end of the Playful land event: How does the world not notice that these people are never seen again after going to this park. Even if its stated that only the positive magicam posts are the only things that leave the park, surely those guest's families/friends/employers/neighbors that didn't attend the park wouldn't eventually notice their absence. Moreover, how does no one still on land notice that the moving park leaves whilst everyone is still on it, and it never comes back to drop them off.

Makes me wonder if Twst has some sort of United Nations that would be alerted of this and set a worldwide lock down, so when the park needs to connect to a mainland again the country's military can apprehended them.

One of the biiig question marks of both Glorious Masquerade and Stage in Playful Land are all of the potential repercussions of Rollo/Fellow's schemes coming into fruition. The stakes of these two events are notably much higher than your typical TWST event, and that opens their stories up to further scrutiny. I'll talk about GloMasq first, then Playful Land, since I feel the former is also relevant to the points the asker mentioned.

This is going to be kind of a long post, so I'll slap everything below a cut! ^^

I don't know how frequently this is brought up, but I've heard some say it's unrealistic how Rollo was able to find the seeds for a supposedly wiped out plant and cultivate a ton in secret for his master plan. Now, I'm willing to suspend my disbelief in this instance because:

Spite can make a person do insane things (and what is Rollo is not spiteful as heck)

Rollo has lore which paints him as a diligent person who has a talent for gardening, so it feels in line for his character; he also seems to have an interest in history and is extremely neurotic so I could buy that he obsessively researched until he came across records or some trail to the flowers

The Bell of Salvation's ringing twice in a row is what triggers the flowers to bloom, and this has not happened prior to GloMasq because Rollo is the one who is consistently tending to the bell + the bell normally has a preset schedule; anyone that passes by the flowers would do so when they are inactive, and they are such an old phenomenon to begin with that no one in modern day would really recognize it or the danger the flowers pose

The narrative of GloMasq does not call extended attention to HOW Rollo was able to get the seeds, so it's not something that comes to mind unless you as the fan speculate about it; this doesn't come across as a plot hole, but it would be one if the narrative had pointed it out because then it would practically be obligated to fill the details in

The other major fallacy of GloMasq is that Rollo's machinations would have inevitably led to chaos once the flowers reached the rest of Twisted Wonderland, as some sections of society are reliant on magic. Now, I disagree with the notion that mages could band together and fight back against the flowers; we've seen from how the NRC students handle it that this would be a pretty useless effort since only the super powerful (which are few and far between) would be able to muster up enough magic to overpower the flowers. The majority of people are non-mages though, so the argument could be made that these people could help the mages by weeding or something similar. The question is, could this truly outpace the growth and attack of the flowers, especially when the average mage has far lower magical reserves than the average NRC student??? Remember how long it took the NRC kids (who are mostly healthy, youthful, and strong) to weed just the flowers in the waterways? My money's on the crimson flowers just overrunning the entire world long before they can be plucked out.

I actually think most societies would still be intact and able to operate without magic, seeing as 90% of the human population (which is implied to be the predominant race) are non-mages. Only very select industries and professions require magic to operate, and these are overrepresented to us (the players) since we are seeing the perspectives of mainly students who attend an elite magic school. These magical sectors, as well as societies which run primarily on everyday magic use (like Briar Valley) are the ones that would be the most in danger. This most likely explains why Malleus in particular was so panicked about Rollo's plans: if fully realized, his people would be in peril. This is not outright stated, but can be inferred. The main story also retroactively affirms Malleus's fears of being powerless. He was always told by his grandmother that the Draconias have great power so they can defend their people's smiles. What happens if that magic is stripped away? Then he is no longer able to protect his people nor his loved ones. In this way, GloMasq works well as both a standalone event as well as supplements TWST' grander story. It does not challenge what we already know but does support it.

Altogether, most details in GloMasq make sense and the event doesn't go out of its way to create more questions than answers. They all tie together in the end to feed into the overall themes of forgiveness and atonement, which are also consistently present throughout the event. This... isn't the case for Playful Land. In fact, I would say that Playful Land does the opposite (in trying to explain plot holes, it creates a LOT more questions) and tries to hand wave everything away with one thing: money.

Firstly, Playful Land is kidnapping and trafficking innocent people (even if the park is said to be a more recent phenomena). Would their friends and family not notice they went missing and report this to the local authorities? My guess is yes, it's just not elaborated on in the event itself since the perspective through which the story is told is limited (Yuu doesn't know this world that well + the NRC kids, who are the people Yuu gets a lot of the lore from, are mostly privileged and don't need to worry about crimes of this magnitude). I believe the "people go missing, why aren't the police doing anything about it" can maybe allude to real world crimes that occur but aren't reported or resolved, which is very scary to think about. I don't know if this was the intention of the devs, but the comparison is certainly there and can be made. Or maybe it’s just that law enforcement hasn’t caught up yet?

It’s also odd to me that so many people were able to be taken by this huge, very showy moving park. I think that Fellow lures people out under the cover of night (which was the case with the NRC students, I will assume this is the case for the other victims too) and the park starts moving away from the pier after the guests go inside, but???? Even so, there are night owls and cities that don’t sleep. You mean to imply there were zero witnesses whatsoever??? Even though Playful Land is so big and bright, especially at night… Maybe this part plays into the idea that crimes may be reported but aren’t necessarily resolved…? That’s the only way I can rationalize it in my head.

Where the bulk of the issues start to come in is in alllllll the surrounding details. For example, a lot of the NRC students Fellow is kidnapping are connected to wealthy and influential families. How the heck are Fellow and his benefactors going to keep Vil’s fans, the Kingscholars, the Shrouds, the Asims, the hypothetical Leech mob family, and maybe even Maleficia herself and Malleus, from coming after their asses???? AND FELLOW SPECIFICALLY FUCKED UP BY ENCOURAGING THEM TO “INVITE THEIR FRIENDS” FROM SCHOOL… because guess who will be spilling the beans to the headmaster about students going missing the day after inviting everyone to go to this supposedly “free” amusement park?? All the students Fellow told them to blab to just so he could catch more of them 😭 Then from there it would definitely escalate and governments might get involved since Leona is a prince and Kalim has royal relatives. I could see Playful Land having to go on the run (as in, have supplies delivered to them rather then docking for them, knowing that police or military would be there to arrest them at ports). But they can’t do that forever, especially since not being able to dock effectively prevents them from picking up new prey.

With the combined powers of the NRC victims’ families, they would surely be able to challenge the people behind Playful Land, no?? Unless you mean to tell me these mysterious people somehow have more power than literal royalty AND the Asims combined??? And we’ve never heard of them until just now??? Okay, you’re starting to lose me here because this is adding on top of the lore we already have but in a way that comes off as difficult to believe since the amount of wealth and power some of the NRC kids have is already ridiculous.

Playful Land is also supposedly constructed by very powerful mages which makes me wonder why they got together to create such a thing???? Did they literally all get bribed with enough money to agree to this project? Were they deceived about the true nature of it?? Are the other 4 of the top 5 strongest mages involved in any way??? How was this not publicized that it was a project that very strong mages were working on given how few mages there actually are and how much Playful Land is talked about in online rumors?? And let's remember that the park also somehow has tech that easily disables Ortho's functions so he can't send a SOS signal or anything. Okay??? And you're telling me this supercomputer child who was made by a genius inventor CAN'T override it???

Speaking of online rumors, that’s another thing. How are the people behind Playful Land able to monitor any and all talk about their park to this degree?? This is the internet we’re talking about here, surely stuff will fall through the cracks or come to light eventually. Someone would leak insider info or make up conspiracy theories about the park, someone would say something. It doesn’t work if you claim the park cuts off wifi after hours so the only things circulating on socials are the positive experiences of the park. That’s still leaving a data trail implying the last place these missing people were seen was in this shady park… And even if the people behind Playful Land purged the web of the proof, it doesn’t stop others from saving or downloading that proof. It also doesn’t stop non-attendees from theorizing or spreading the news.

And what happens to all of the non-NRC students who got puppet’d???? Their fates are never addressed, and nor do any of the characters mention helping them. You’d think at least Kalim would try to lend a hand, even if the others are self-serving. But no, the NPCs that got turned into puppets are never relevant again.

The easy explanation given for everything is that there are very rich and very powerful people running these operations. They would be able to silence people who speak out against them or bribe the corrupt into complying or looking the other way. Maybe that’s just a sad truth I don’t want to acknowledge (because this stuff for sure happens irl 😞) but that all sounds WAY too convenient for fiction (where the devs have total control over the circumstances) especially when we’re given so little lore for who these benefactors actually are.

There’s still way too many questions and even turning on suspension of disbelief couldn’t stop those questions from arising in my head. At best, I think we could give the devs the benefit of the doubt and say this was intentional to keep up the idea of a “shadowy” underbelly to Twisted Wonderland society. Even so, that doesn’t account for every little thing and the event’s attempts to explain it all only makes more things to explain. There’s also themes of poverty and privilege that get touched upon, but never elaborated on in a meaningful manner; it feels kind of carelessly tossed in there despite how tricky and nuanced of a subject it is.

I tried to explain my perspective as best I can here! However, I admit that there may be bias in my judgment because I’ve made it no secret that GloMasq is my favorite TWST story event. Please let me know if you have any other issues with GloMasq’s narrative or if you have explanations for the issues I pointed out for Playful Land; I would love to hear your takes too ^^

[stillness-in-green]

Counting Cliffhangers: The Heroes Are Not the Underdogs in BNHA's War Arcs

(Being a project to tally up which side, if either, of Team Hero or Team Villain is "on top" at the end of each chapter in the war arcs, in consideration of the impact of the overall totals. This is one of those mega-long list posts; do not click the Expand/Read More unless you're prepared for a lot of reading and/or scrolling.)

One of the things that bothered me throughout both of the war arcs was the persistent sense that, for all that the manga was trying very hard to convince me that the Heroes were up against the wall and really having to give it everything they had, I never really felt that level of danger.  Of course, one always expects a degree of that—it’s not as though any sensible reader would really think this manga could end with the Villains winning!—but the problem went beyond that.  Expecting that the protagonist will win out in the end is the standard, after all, but good stories still find ways to keep readers engaged and believing in the stakes.

So why didn’t I?  I certainly believed in the stakes for the Villains—Twice’s death happens very early in the first war, and it sets the stakes quite clearly!  Was it just the difference between my own engagement with the Villains compared to the Heroes?  That didn’t seem quite right—even if I cared about one side for more than the other, it shouldn’t have been the case that that affection alone was skewing my suspension of disbelief about the dangers faced by the Heroes.  The threat posed to Midnight certainly seemed real enough, as was also the case for the Heroes left trampled in Gigantomachia’s wake, like Gang Orca and Fatgum.  As I’ve had to tell the occasional asker here before, just because I don’t particularly care about a character doesn’t mean I become incapable of evaluating their story beats!

What was the problem, then?  Why did the dangers to the Villains seem so desperately real, while the dangers to the Heroes, for the most part, just had me rolling my eyes and waiting for the next asspull that would save them?

I think there are two primary factors.  The first and biggest factor is simply baked into the worldbuilding and the decisions made in the writing: the sides are poorly matched.  I’m not going to go into all of that here, but as a thought exercise, go through the arcs of the story that contain active conflict and consider which side has the advantage in each of the following categories: individual combatant quality (stuff like raw power, endurance, and training/experience to improve upon their inherent capabilities), equipment quality, information about the opponent, ability to set the terms of engagement, and raw numbers of warm bodies to throw at a fight. 

By my measure, much of the early confrontations in BNHA work because these advantages are divided evenly between the Heroes and Villains.  Likewise, My Villain Academia is so gripping because the Meta Liberation Army has virtually every advantage over the League, making the League really and truly feel like the underdogs in the fight.  Conversely, the Heroes are the ones with virtually every advantage in the war arcs,[1] meaning they cannot convincingly be the underdogs the story so desperately wants us to believe they are.

1:  I swear I’m not going to go into all of it, at least not in this post, but to be very brief, I think the only advantages the Villains could even kind of claim during the war arcs are numbers and combatant quality.  The numbers advantage is mostly illusory; the PLF are leveled in the cursory mass arrest of the first war and, despite repeated insistence otherwise, the only place where the Villains’ numbers are a true threat in the second war is at the hospital attack, where said numbers consist chiefly of untrained and easily swayed civilians in a battle it’s desperately unclear why the Heroes allowed to take place at all.  The quality advantage, meanwhile, is heavily concentrated in only a handful of hard-hitting, A-to-S-rank threats on the Villains’ side, while the Heroes maintain clear quality supremacy in rank-and-file or side character battles.

The other factor, and the one this post concerns, is the structure of the chapters themselves, to wit, the way that they end.  In a serialized story being published and read week to week, each installment’s ending is a crucial factor in the story’s overall tone.  What happens on the last page is a major factor in the impact each chapter makes, the feeling the reader is left with while they wait for the next part.  If the intent, therefore, is for the Heroes to feel threatened, pushed to the very edge of their endurance, then a very basic thing needs to be observed: don’t end every fucking chapter with the Heroes having the fucking advantage.

I’m so serious here, guys.  It’s not that the Villains never have the advantage, never get twists or reveals or reinforcements that turn the tide of the battle in their favor.  It’s that, by and large, those advantages come in the middle of chapters, while the Heroes’ twists and reveals and reinforcements get the benefit of being at the end of chapters, so the dominant feeling—the side that’s left wildly cheering for their “team” at the end of the week—is usually the Heroes.  While it’s possible that the impression left is different when reading the story in volume form,[2] when reading week to week, that imbalance critically damages the story’s ability to portray the desperation and strain of the Heroes’ struggle.

2: Having not read the arcs in this fashion, I couldn't say. Obviously I don't know how a volume-only reader would experience this aspect of the story, but even reading (or rereading) a bunch of chapters all in one go online suffers from some impaired momentum between chapters by having to specifically navigate to the next chapter webpage and wait for it to load rather than just being able to turn pages freely.

That, in any case, was my thesis when I first started this count, listing which side has the upper hand at the end of each chapter of the two war arcs, as well as the total overall.  With the second war arc finally having ended, I figured I’d go ahead and post my results. 

Hit the jump!

For each arc, I started counting at the chapter where active conflict breaks out, including as a dramatic end cliffhanger.  Thus, for the first war, I didn’t start in Chapter 258, where the groups are still gathering, but rather in Chapter 259, when the forward momentum begins and the first Villain (Ujiko) is confronted.  Likewise, the second war count begins with Chapter 343, when the armies confront each other.  The counts end with the last chapter containing active Hero/Villain conflict rather than narrated montage.  Thus, the first war ends in 295, when AFO and the League flee the field, not in 296 with the looming threat of the long-awaited jailbreak.  The second war ends with Deku’s weather-clearing fist in 423.

My basic categories are Hero Advantage, Villain Advantage, and Neither.  Fake-outs are categorized as they are perceived in the moment of reading them, not as they read in retrospect.  Further, I do not categorize based on the overall tenor of the chapter, but only the impact of the final page.  This is by nature somewhat subjective, but I’ve done my best to call them as I think they’re meant to be read.

What is the feeling the reader takes with them into the next chapter?  Excitement for the heroes?  Dismay and fear?  A simmering tension?  Which side, if either, got the HELL YEAH HELL YEAH fist-pump?  If there's a relative clear answer, I'll call it for one side of the other; chapters that end with no particular new reveals, arrivals, power-ups, or other such shifts in the tides with be called as neither.

Finally, for ease of tracking and reading, my tallies and accompanying brief explanations are separated by volume. I'll provide totals for each category at the end of each volume, and full totals, as well as a total count for which category the volumes end in, at the end of the arcs. Final counts and commentary will close the post.

Let's get started.

FIRST WAR ARC

Volume 27: 259: Hero Advantage.  Endeavor and company confront (apparently) Ujiko, catching him completely flat-footed.

260: Hero.  Mirko crashes into Ujiko’s lab, to his horror, and kills John-chan in doing so.

261: Neither.  Mirko and the High Ends square up for their Round 2.

262: Hero.  The Villa gets cracked open like an egg, catching its inhabitants entirely off-guard.

263: Hero.  If they were on more level footing, I’d call this Neither, but given the positions Hawks and Twice end the chapter in, and the clear difference in emotional preparedness, this one goes to the Heroes.

264: Neither.  The Hawks/Twice fight continues inconclusively; Dabi is revealed to be on his way, but has not yet arrived on-scene to affect any changes.

265: Villain.  Dabi makes a strong and, for Hawks, unexpected entrance, pinning Hawks beneath his boot.

266: Neither.  Twice dies, which is a huge hit to the Villains, but the narrative sympathy is so clearly with Twice and Toga that it’s impossible to describe the chapter as ending on a fist-pumping note for anyone.

267: Hero.  Doubly so, as Endeavor and Tokoyami both show up to intervene in fights that were about to go to the villains, but we'll be fair and only count it as one anyway.

                   Heroes 5 | Villains 1 | Neither 3 | Total 9     

Volume 28: 268: Neither.  Basement action.  The tube gets cracked; Aizawa and Mic are told not to let Shigaraki wake up.  Nothing conclusive.

269: Hero Advantage.  Literally ends with Ujiko wailing that the Lord of Evil’s dream is over.

270: Villain.  It ends with Deku getting a warning about Shigaraki, which makes it a bit borderline, but Shigaraki being awake at all has to count for the Villains.

271: Villain.  Gigantomachia stands up.

272: Neither.  The kids start rallying against the Decay wave.  Deku gets a new move that doesn’t seem like it should have any effect but is played as being effective.  Shigaraki’s Decay wave is being monstrously effective, even apocalyptic, but the tone of the last page is ambiguous.

273: Neither.  Shigaraki faces off with Endeavor.  Both are known factors on this field of battle.

274: Neither.  Deku is on the move in hopes of leading Shigaraki to a more deserted area.

275: Hero.  Aizawa arrives at the Shigaraki fight, locking down his quirk use.

276: Hero.  Deku and Bakugou arrive in time to save Aizawa from what likely would have been the same kind of blow that will later cost him his eye.

                   Heroes 3 | Villains 2 | Neither 4 | Total 9     

Volume 29: 277: Neither.  Mount Lady attempts to stop Gigantomachia.  Results inconclusive; both known factors.

278: Neither.  Leans a bit Hero side because it’s Momo dramatically getting her head on straight, but it’s really just more preparations for a face-off.

279: Hero Advantage.  The League is getting swarmed and Mina is on the brink of delivering what’s framed as a knock-out blow to Machia.

280: Neither.  Shigaraki laboriously gathers himself, preparing to monologue.

281: Villain.  Shigaraki readies a quirk-destroying bullet with Aizawa’s name on it.

282: Villain.  Gigantomachia, who is very much not knocked out,  looms over an unsuspecting city.

283: Hero.  Deku negates the (immediate) danger of Decay by activating Float.

284: Hero.  Deku lands a full-power blow on Shigaraki, who’s been largely unable to fend him off in the air.

285: Villain.  It pains me to grant this because I knew good and well Bakugou would be completely fine.  But he is a major combatant and face for the Hero side and this is clearly intended to look like it will take him out, at least for the fight.

                   Heroes 3 | Villains 3 | Neither 3 | Total 9     

Volume 30: 286: Hero Advantage.  The action moves to the vestige realm.  Very borderline, but Nana’s words are definitive: “Let us handle this.”  The implication is very much that there’s no need to fear because the vestiges have got this.

287: Neither.  Chapter ends with Toga reflecting on heroes and the weight they give to the lives of Villains.  Could represent a major turning point for Toga, but it’s still soft-pedaled by making that turning point dependent on a Hero’s yet-unspoken words.

288: Neither.  Chapter ends mid-dialogue in the Toga/Ochaco fight.

289: Villain.  Machia and his passengers arrive.

290: Villain.  A little borderline because the actual very last panel is the plane containing Best Jeanist, but the audience doesn’t know that yet, and the bulk of the final page is dedicated the devastation of the Touya Reveal, so I have to give this one to them.

291: Hero.  Best Jeanist arrives.

292: Hero.  Mirio arrives with his quirk restored.

293: Hero.  Machia goes down because the sedative finally kicks in.

294: Villain.  Mr. Compress backstory reveal and big escape moment.

295: Neither.  The battle ends save for the wrap-up.  The villains are neither victorious nor defeated.

                   Heroes 4 | Villains 3 | Neither 3 | Total 10

FIRST WAR TOTAL: Heroes 15 | Villains 9 | Neither 13 | Total 37 Volume End Advantage Count: Heroes 2  |  Villains 1  |  Neither 1

                       

SECOND WAR ARC

Volume 35: 343: Hero Advantage.  The Heroes counter AFO’s army by “unexpectedly” whipping out their own via Warp Gate.

344: Hero.  The Heroes take the offensive and split up the villains’ army.

345: Villain.  Toga lassos Deku through a gate, separating him from the field he’s supposed to be on.

346: Villain.  The beginning of Fingervetr.

347: Neither.  Borderline because it’s a big dramatic page of Toga, but it’s more conversational then confrontational to me, and isn’t revealing anything particularly new.

348: Neither.  Deku flees the island, leaving Toga to Ochaco.

349: Neither.  Dabi gears up to provide the answers Shouto has specifically asked for.

350: Neither.  Dabi’s coming on strong, but Shouto remains undaunted.  I’d give it to the Villains if the last page were Dabi liquidating the All Might statue, though.

                   Heroes 2 | Villains 2 | Neither 4 | Total 8                    

Volume 36: 351: Hero Advantage.  Shouto unleashes Phosphor.

352: Hero.  Shouto appears to beat Dabi.

353: Neither.  AFO is talking a lot, but not about anything groundbreaking.

354: Neither.  AFO and Jirou exchange smacktalk.

355: Hero.  Hawks and Jirou combine efforts to break AFO’s mask.

356: Neither.  Endeavor has a big moment, but AFO gets his hands up in time to block and is still shown intact at the end of the chapter.  Borderline, but I’d say not quite definitive enough to qualify it for the hero side.

357: Villain.  AFO regenerates.  A little borderline because it actually ends with Deku, and the approach of what I guessed at the time were the American jets, but I think it’s a similar enough scenario as the end of Chapter 270 to call it for the Villains as well.

358: Neither.  No impact from the Hero attack leaves it a little unclear how much effect it will have, and a new attack is not a big enough game changer for me to really count it even unproven.  It’d be easy to call it for the Heroes, though.

359: Hero.  Return of the Big Three.

360: Hero.  Bakugou’s in rough shape, but there’s a hint that he’s noticed something important, which could foreshadow a change in the tides of the battle.

361: Hero.  Suneater’s Chimera Cannon, which certainly looks incredibly hype and impressive in the moment.

362: Villain.  Bakugou’s “death.”

                   Heroes 6 | Villains 2 | Neither 4 | Total 12                    

Volume 37: 363: Villain Advantage.  AFO finishes regenerating; full face reveal.

364: Hero.  The impossibly moronic Edgeshot-as-Bakugou’s-heart business.  Not conclusive, but it steals one of the Villains’ victories out from under from them.

365: Villain.  A shift in Inner Tenko’s emotional state heralds Shigaraki’s next form.

366: Hero.  Deku arrives at the Sky Coffin.

367: Neither.  Deku attempts conversation to ask about Shigaraki’s status.

368: Hero.  Deku lands a full-power hit on ShigAFO while Yoichi talks to his big brother about letting this being the day that their battle ends.

369: Villain.  A scene change to Spinner that’s timed in such a way that it could really only foreshadow Spinner’s victory.

370: Neither.  It’s very close to a Hero call, but mostly what Shouji’s doing is shaking off mundane attackers and making a dramatic proclamation.  Not quite enough direct impact for an end-of-chapter Hero Advantage.

371: Neither.  Even closer than the last one, but neither blow the kids are gearing up for actually connect on-page.  I wouldn’t fault anyone who called it for the Heroes, though.

372: Neither.  An extremely effective cliffhanger, for once, as Spinner and Mic call out to Kurogiri simultaneously.

373: Villain.  Kurogiri gets up, calling himself the protector of Shigaraki Tomura.

374: Villain.  Toga deploys Sad Man’s Death Parade; Hawks proves he hasn’t learned jack shit from the last time he faced this question.

                   Heroes 3 | Villains 5 | Neither 4 | Total 12                    

Volume 38: 375: Hero Advantage.  Toga’s narrative-destined rival manages to follow her off the island and to the Villa ruins.  Close to a Neither call.

376: Neither.  Setting up a Dabi/Endeavor clash with Endeavor not caught on the back foot.

377: Hero.  Return of La Brava.

378: Hero.  Return of Lady Nagant.

379: Neither.  Sets up a reengaged clash between Shigaraki and Deku.

380: Hero.  Arrival of Shiketsu.

381: Hero.  Tokoyami lands a blow that AFO is explicitly afraid to get hit with.

382: Hero.  Shinsou and Kirishima arrive with a brainwashed Gigantomachia.

383: Neither.  Reiterates that AFO is in trouble, but it’s not new information, and the choppers coming in at the very end are an unpredictable element.

384: Hero.  The choppers are full of Hero-supporting journalists here to tell the world how incredibly hard-working and earnest and admirable Heroes are.  Gag.

385: Neither.  AFO’s belated but impressive show of force gets dampened somewhat by the Heroes refusing to give in, and even getting one of their number back.  It’s back and forth, but Stain really tips it for good over to a neutral chapter ending.  While he’s obviously not aligned with the Villains, he’s far too murderous to chalk him up as a Hero yet, either, especially on-scene watching two kids he tried to kill last time he saw them.

386: Hero.  All Might gets a cool robot suit and the last-page chapter title drop references his iconic catchphrase.

                   Heroes 8 | Villains 0 | Neither 4 | Total 12                    

Volume 39: 387: Hero Advantage.  Rei is, of course, a civilian, not a hero, but she’s clearly aligned on the Team Good Guy, so I have to give it to them.  It’s not a hill I’d die on, however, particularly with the very last panel being the flashback to Touya emphasizing Rei’s culpability.

388: Neither.  What a nice vision of hell as everyone burns to death, including Dabi.  If I gave it to anyone, I’d lean Villain, because it’s certainly more in line with what Dabi wants—what he’s always wanted.  But in terms of impact on the reader, it certainly isn’t going to get anyone whooping and cheering for the Villains.

389: Neither.  It’s a good last few pages of Shouto and Iida, but the reader already knows they’re on their way, so it’s not a pleasant surprise to see them enroute.  The fact that they are still enroute rather than dramatically arriving to save the day keeps this from being a full Hero moment ending.

390: Neither.  Teasing more of the fight between Toga and Uraraka, but no sudden turns, new elements, or grand statements on either side.

391: Neither.  Ongoing fight; while Ochaco gets the stirring line, the actual last page is Toga lashing out.

392: Villain.  While I’m loathe to give it to them on the basis of an injury I was not for one second actually worried about, the chapter does end with Toga putting a knife into Uraraka’s gut and a flashback to Twice asking Toga about a Villain name.  A clear Villain-upper-hand ending.

393: Hero.  Ochaco comes through with flying colors, getting a quirk awakening and making Toga an offer she’s dreamed of her whole life.

394: BOTH.  For literally the first time in this whole count, I can’t count this against either side.  If pressed, I’d call it a Hero win, but it’s a win because it validates both sides.

395: Neither.  Sorry, gang.  I’m utterly incapable of calling this one in an unbiased way.  It’s an all-too-real death scare for Toga and, regardless of how happy she is in the moment, I can’t call her potential death a victory.  But since Ochaco obviously feels the same, it’s not a Hero win, either.

396: Hero.  And get ready, ‘cause there're about to be a whole lot of them.  Good god, but I hate this All Mech sequence.

397: Neither.  Ongoing battle, no major tides turning in the final page.

398: Neither.  As above.

                   Heroes 3 | Villains 1 | Neither 7 | Both 1 | Total 12                    

Volume 40: 399: Hero Advantage.  The big turn-around with Aoyama, with All Might dropping the Aoyama-themed laser of AFO.

400: Hero.  Stain’s return.  Stain’s a Villain himself, but far too aligned with Hero orthodoxy for me to count him returning to help All Might as anything but a Hero-side victory.

401: Neither.  All Might’s still kicking, AFO is within range of Shigaraki, but nothing decisive deployed on the final page.

402: Neither.  To all appearances, All Might continues to shovel more battle damage onto AFO.  There’s a death threat in the explosion, one I don’t think I took very seriously at the time, though plenty of others did.  Left to my own devices, I’d call it for Team Hero, but I’ll err on the side of restraint and call it a hero equivalent of Toga’s death threat.

403: Hero.  Unequivocal Hero victory—Bakugou’s back up.

404: Hero.  Saving All Might with the literal power of prayer.

405: Hero.  If I wanted to be snide, I’d point out that Final Boss is definitionally a Villain role, so Bakugou enthusiastically claiming it for himself implicates Heroes as having been the Villains all along, while the Villains are the clear heroic underdogs struggling against a corrupt, violent system.  But that’s just my bitterness making me perverse; this is a clear Hero victory.

406: Neither.  Exchanging of smack talk, Bakugou gets a good but not definitive hit in.

407: Neither.  AFO’s flashback ends with one of the most crushing emotional defeats of his life, but you can hardly call AFO slice-and-dicing Yoichi a Hero win, either.

408: Neither.  AFO’s going all-out, but Bakugou remains undaunted.

409: Hero.  AFO’s effective defeat at Bakugou’s hands.  Yoichi’s regretful glance is not enough to shift the needle.

410: Villain.  Shigaraki does what the narrative has long been warning that he can and steals a portion of One For All, grabbing Danger Sense for himself and stealing Shinomori from the OFA collective.

                   Heroes 6 | Villains 1 | Neither 5 | Total 12                    

Volume 41: 411: Neither.  Deku’s readying an offensive that gives Shigaraki lots of Danger Sense tinglies, but nothing definitive.

412: Neither.  The temptation is strong to call this for the Hero side, as it’s the moment Kudou formulates the plan that will soon be leading to Shigaraki’s ultimate defeat, but the caveat that the plan requires losing One For All kiboshes that feeling very triumphant.

413: Hero.  There’s some nominal sadness for Deku gearing up to lose OFA, but the tone here is much more about how great and awesome Deku is for being willing to do it, on top of how incredibly fucking rad the art plainly wants us to think that he looks.

414: Hero.  I’d normally call it Neither for lacking new elements or definitive actions, but I have to acknowledge the sheer disparity between, on the one hand, the vestiges telling Deku that it’s working and to keep going as Deku gears up to unleash another punch while, on the other hand, all Shigaraki can manage is huddling in on himself and choking out a few pained grunts.

415: Neither.  Borderline in that Eri is a clear Hero-side ally with an absolutely game-changing power, but the truth is that she’s at U.A. with no immediately clear way to make it to the battle even if anyone were to let her go, so it’s not too different from any other chapter that ended with a major player en route but not yet arriving.

416: Hero.  Deku finally breaks into Shigaraki’s inner mind, over Shigaraki’s protestations.

417: Neither.  Deku and Nana make a major breakthrough, but Shigaraki’s backstory yet has terrible bombs to drop.  I can’t call it a Villain advantage, though, because it’s still stuff Shigaraki very much does not want Deku meddling with.

418: Villain.  AFO returns yet again, spoiling Deku’s hard-won moment of equilibrium and understanding with Shigaraki.

419: Hero.  We can’t even get a week to savor/freak out over Deku losing his arms because the actual last beat of the chapter is Aizawa bringing in a pair of classmates via Kurogiri’s warp gate, suggesting (albeit inaccurately) that Kurogiri has settled as a Hero ally.

420: Hero.  More of the above and Deku gets his arms back after a world-shakingly relevant and momentous chapter and a half.

421: Hero.  All around Hero support, now including from civilians too.

422: Hero.  More of the above and now Deku’s punching Shigaraki at the end of it under a chapter title of Midoriya Izuku Rising.

423: Hero.  Deku’s triumphantly raised fist clears storm clouds, changes the weather, and kills the man he was trying to save.  This is framed as a victory anyway.

                   Heroes 8 | Villains 1 | Neither 4 | Total 13

SECOND WAR TOTAL: Heroes 36 | Villains 12 | Neither 32 | BOTH 1 | Total 81 Volume Count Total: Heroes 2 | Villains 3 | Neither 2

                   

TOTAL CHAPTER COUNT FOR BOTH WAR ARCS: 118 CHAPTERS Final Page Hero Advantage: 51 Final Page Villain Advantage: 21 Final Page Neither: 45 Final Page Both: 1

Total Volume Count: 11 Volumes Last Page Hero Advantage: 4 Last Page Villain Advantage: 4 Last Page Neither: 3

---------------------

Now, you could (and I might) write a whole different post about the unbalanced strategic advantages that I discussed at the beginning of the post, but I think this breakdown also serves to illustrate the scope of the problem with raw numbers (percentages rounded off a bit such that they total to neat 100s).

In the first war, 40.5% of the chapters end with the Heroes on the upswing, 35% have no clear advantage, and only 24.5% end with the Villains waxing triumphant. Despite Hawks reflecting at the end of My Villain Academia about how the Paranormal Liberation Front was a power on par with, or possibly even greater than, that of Hero Society, the numbers don't really back that up. Instead, Heroes have the advantage over half again as often as Villains do, and even the uncertain chapters are still more numerous.

The second war is worse—much worse. Hero Advantage chapters account for nearly half of the arc at 44.5%, while chapters where Neither side clears account for the bulk of the remaining chapters at 39.5%. Only 15% of the chapters, well under a quarter, are Villain Advantage. For an endgame that wants to be about "saving Villains," only one single chapter (1%) ends with something you could credibly call both sides winning.

Now, of course, the second war is the climax of the whole series, so of you might say that of course the Heroes are going to ultimately do better. They have to win in the end, after all, so of course the arc will eventually feature mostly Hero victories.

I would counter that, while that is true, the story repeatedly tries to convince us that the Heroes are really struggling, that they've lost so many people, that they're at this huge disadvantage that neccessitates the extreme measures they use. And the numbers simply don't back that up, even less than they did in the first war!

If you look at the totals for each volume, Heroes have a wild advantage in two of the first four volumes (the arc is seven volumes in total), numbers the Villains never come close to meeting. There's one volume (the third, Volume 37) where they have the majority of the chapter-ending advantages, and even there, it's a narrow margin. Volume 38 is then a blow-out with not a single Villain Advantage chapter cliffhanger in the whole book, and in the final three volumes of the arc, the Villains get exactly one Advantage chapter per volume.

Not very convincing numbers, if the aim is to convince the reader of how much Plus Extra effort the Heroes are going to have to exert, if you ask me!

Between them, Hero Advantage and Neither chapters make up a shocking 81% of the two war arcs, with merely 18%, less than fifth, of the chapters ending on Villain Advantage beats that could serve to freshly drum up, "Our heroes are really in trouble now!" anxiety.

Looking back to what I said about the Heroes having the bulk of the strategic advantages for both arcs, that surely can't be all that surprising. You can't expect a set-up that slanted to leave much room at all for Villains to get time to shine; they simply don't have the room in the story for that when, for everything they try, the Heroes already have some countermeasure.

As a final comparison, remember I praised MVA back at the start for being gripping in large part because the "Heroes" of that arc, the League of Villains, were at such a disadvantage?

I briefly ran the numbers there, and I'd say, of nineteen chapters that contain active confrontation of some sort between the League and an antagonistic force (Gigantomachia, Ujiko, and the MLA), the League have the chapter-ending advantage beat in four of those chapters: Toga's victory in 226, Twice overcoming his mental block and starting to replicate himself in 229, and the two chapters covering Shigaraki's ultimate victory over Re-Destro, 238 and 239. That's a grand total of 20% "Hero" Advantage chapters for them, and half of those are the arc climax chapters.

The "Villains" for the arc likewise have the ending advantage in 20% of the arc, four chapters: Machia having comprehensively whipped the League at the end of 419, RD making the League an offer they can't refuse in 223, Skeptic pushing all of Twice's buttons in 228, and RD plucking off Shigaraki's fingers in 233.

The remaining eleven chapters—60%—go to the Neither category. Compare that back to the percentages for the war arcs, and you can see that, while the Villain Advantage percentage is similar (~5% higher in the first war and likewise lower in the second), the Hero Advantage is twice the percentage (40+%) in both arcs, while the Neither chapters are accordingly lower (the war arcs are 35% and ~40% Neither respectively).

In other words, the Heroes in the war arcs just straight-up have more chapter-ending awesome moments and reveals, and spend less time facing chapter-ending uncertainty, compared to not just the Villains they're fighting in those arcs, but also compared to what those same Villains got when they were being Heroes for an arc.

And to think, Horikoshi wants me to think his Heroes are being challenged. Pull the other one, Sensei; it's got bells on.

(I welcome anyone else to run similar numbers with e.g. the trainng camp attack or the Hassaikai base raid. For myself, I'm too sleepy to figure out a better ending for this post, so I'm just turning out the lights and hitting the sack. Sorry if there's any formatting wigginess or the closing analysis is lacking; I will clean it up later if need be.)