#ABOUT UNFAIR EMPIRES.

[demonstars]

and I specifically feel very deeply evil about inca civilization because if white men get to talk about the literal roman empire as if it was wonderful and amazing I should get to talk about the inca empire without being told They enslaved their neighbors they were Evil

[etoilesombre]

mmmm… way too many people in that poll thinking that if flint is alive then it's a happy ending 💀

There are no possible happy endings, they are precluded by history. It's bigger than them. People apparently don't like tragedy though.

[ego-meliorem-esse]

Ok but what if another turning point for the world power dynamic was the Suez Crisis of 1956. France and England were adamant that they control the canal while the US and USSR were (surprisingly) collaborative in their demand for a cease-fire in the region. I can just imagine Alfred storming into a meeting room with a storm in his eyes yelling at these two raggedy fucks to quit their dumb-ass behaviour. Giving them an eloquent lecture in front of the world. The room full of nations, still recovering from all the events of recent years, going quiet while both Arthur and Francois (for probably not the first time) start reevaluating their roles in the evolving global landscape.

Arthur would likely have felt a mix of anger, embarrassment, and surprise. He had grown accustomed to being an influential world power, and being confronted so forcefully by Alfred, especially as his son, would have challenged his sense of authority and superiority. Despite his pride, Arthur would also have acknowledged a sense of resignation, knowing deep down that the world was changing and that his empire's dominance was waning.

Arthur has a complex relationship with his children, and Alfred holds a special place in his heart as his favorite child (I'm sorry but it's true). He might recognize Alfred's achievements as a reflection of his own influence and guidance, feeling a slight mixture of satisfaction and pride in seeing his protege step into a position of power. Seeing the United States, a former colony, rise to prominence and challenge the established powers could evoke a sense of pride in Arthur as he recognizes the legacy of British influence and ideals that have shaped the nation.

Arthur does recognize the accomplishments of his "wayward son" to a degree. (what a loser)

Francois would definitely feel anger. Even stronger than Arthur, I think. The failure and backlash of the crisis would have strongly wounded his pride. He would display a certain stubbornness and reluctance to accept the changing dynamics of power, more so than Arthur. His pride and desire to assert France's influence might have led him to defend his nation's actions during the Suez Crisis, even in the face of mounting criticism and geopolitical realities. (huge loser)

The Suez Crisis, a focal point of tension, becoming a catalyst for transformation, shaping the dynamics of power and diplomacy for generations to come. In that meeting room, the world witnessed the birth of a new era, where old empires bowed to the demands of a changing world.

[lesbianpegbar]

kinda crazy that right as the us military talk on here blew up my friends brought it up and told me it was unfair of me to generalize and say that all soldiers and veterans are bad and that there’s so much tragedy to veterans. i could tell they were just getting pissed at me for pushing back like bro idk how to tell you i don’t care how bad their life is or how much propaganda was pumped into their brain you’re literally maintaining the us empire and killing black and brown people i don’t think this is “just the government.” fuck off with the sympathy for colonizers

[ravencromwell]

I feel like this Chris Hayes primer on one Itamar Ben-Gvir is a necessary coda to this article's larger point about just what sorts of vile fringe Netanyahu either agrees with, or is willing to climb in metaphorical bed with anyway.

“But this isn’t just about people’s views on Israel. It’s about their views of Biden. He risks being seen here as not his own man. An old Bill Clinton quote has been kicking around in the media in recent weeks: After his first meeting in 1996 with an arrogant Netanyahu, Clinton asked his aides, “Who’s the fucking superpower here?” Netanyahu has only grown more arrogant over the years, which is astonishing. Consider: He’s extremely unpopular in Israel. He’s running a hard-right government that was the target of massive demonstrations since the time it was formed. He’s holding onto his office—and thus prolonging the war—to stay out of jail. His government and military let October 7 unfold for hours with no response. Beyond that, he’s been fine with Hamas running Gaza and letting Qatar finance that for years. And on top of all that, between now and November, he’s going to be playing a game of chicken with Biden. Cut me off, he’ll taunt, and I’ll be more open about my presidential preference (which, obviously, is Donald Trump).”

— Is Biden Really Going to Let Netanyahu Lose Him the Election?

[vaultsixtynine]

zari finding out about slavery for the first time was like. cognitive dissonance x10000000000

[kabuki-writes]

An Entertainment For The Gods

chapter: 2 chapter 1 | 3 | 4

pairing: emperor geta/emperor caracalla x acacius' daughter!reader

summary: Through an invitation from the Emperors themselves General Acacius and his daughter attend one of the bloody Gladiator fights at the Colosseum. But this time it is not only the brutality of the arena that encaptures Geta and Caralla.

warning(s): mention of violence | mention of alcohol consumption | swearing | sexual implications | semi-edited | english is not my first language, faults may occur | please let me know if i missed anything

Note: -

word count: 2.5k

There was no bigger temple in Rome than the Colosseum. A monument to the Roman Empire, an architectural masterpiece as well as a slaughterhouse for humans and animals. They had to die for the amusement of the masses in the pale white sand and under the eyes of the Roman citizens as well as the Emperor's. You've never visited the arena before, it just wasn't the entertainment you usually seeked as you fancied the amphitheater and stage plays of comedies or tragedies. No one really died from a well-spoken dialogue and the stages weren't drown in blood afterwords. Your father was a similar soul with this. As someone who had seen war and death countless of times, Acacius developed a distaste for the useless killing, which he argued was the mere core of the collosseum's existence.

But while one would despise this form of humanity at its core brutality, other's simply loved it. First under Commodus the fights in the arena became more frequent, while Septimius Severus after him didn't change anything in that matter. Under Geta and Caracalla however Gladiator fights reached an all time high, especially those 'special' spectacles with exotic animals or ships. They themselves had an own Gladiator school under their wings, which was due to their wealth filled with the most skillful warriors and the best equipment, that it was almost unfair.

Given the fact that both twins enjoyed the performance in the arena and the bloody outcome, it wasn't surprising that they were frequent visitors. For the Emperor the colosseum had an own arena box with the best view over the inner pit and with two throne like chairs for each one of them to sit comfortably. It wasn't unusual for them to have guests here either and this time it was a special one. The moment Geta and Caracalla stepped out, the masses greeted and cheered for their Emperors, who - at least in Rome - offered them bread and games to forget the common sorrows of life. Both of them were dressed in the finest, colorful fabrics, while their golden laurel crowns throned on their heads. They waited for General Acacius at the balustrade to come forward, join them and speak to the people. He was still their celebrated hero, their triumph card, so to speak. It was an easy way to win the hearts of the people through a figure like Acacius, who was the ideal Roman.

After your father held a small, yet powerful speech about the braveness of the Gladiators they'll see today, a slave went forward to place a cushioned chair between the thrones of the Emperors. You hesitated a second, since usually you would be seated at the side of your father. "Since we've heard that you had never witnessed a fight in the arena befoe, we thought you might like a good view", Geta suddenly explained to you, before he sank into his own chair. "Please, sit down."

Your eyes went to your father for a quick exchange and you saw in them how he displeased this way of treatment, yet he nodded and you sat down. More and more you understood that the situation had a differnt tone in it. It wasn't mere courtesy why the Emperors treated you like that and given the way you'd read their eyes, it was more than clear that you've captured their interest. Usually any woman of the realm would fight for that privilege, but you had seen how your father acted in front of them, how worried he was when you first made your way to the palace - something was off. You knew you needed to pay attention and be cautious.

"Citizens of Rome, the arena welcomes you! Emperor Geta, Emperor Caracalla, we the people bow to your greatness and the mighty of our beloved Empire! Under the eyes of the sun the colosseum presents to you a spectacle like no other!", the high-toned, yet thunderous voice of the richly decorated announcer set the beginning of the show and drew all eyes on the white sand down in the arena pit, where a group of men in armor but with a limited equipment of weapons entered through a door from the Colosseum's catacombs. "First we present to you the brave Gladiators that will be our Theseus' today! They may not need to save their Ariadne, but they'll still have to face horde of Minotaurs today in an attempt to safe their own lives!" With those words a couple of other doors opened and six wild bulls entered the arena. Their massive and strong bodies stirred up the sands with every step of their big hooves. They may've been animals, but they had terrible weapons on their head with sharp horns that grew out of their heads.

Caracalla clapped with a joyful laugh. "Oh i love mythological pieces, even though they forgot the labyrinth!"

Your fingers nestled with the fabric of your dress in nervousness as you watched the men prepare themselves for the attack of the angry bulls, which were already pawing with their hooves. More than one set off to ran towards the Gladiators and given the fast but powerful movements of those animals, it didn't take long until the first fighter got overrun by them and another one faced the horns that drilled themselves like spikes into his torso, where blood spilled like a waterfall. The other fighters tried their best to ran or face the bulls with the few weapons they'd been given. One of them even striked down a beast by pressing his sword into its neck, when it was running towards him. You watched the spectacle with a neutral, yet pale face, while the Emperors seemingly enjoyed the show. Geta quickly noticed the way you followed the happenings down in the arena and leaned towards you.

"Are you not entertained, y/n ?", he asked you in a low voice, still loud enough to overcome the cheerings of the crowd. Your eyes went to him, facing the deep blue of his own, while you tried to put on a mask of apathy. "It is hard for me to understand, why useless killing is viewed as entertainment, I'm afraid," you answered, but it just got you an amused smirk in return.

"Oh it is not useless. You see, nothing is as entertaining as humanity itself. What lies more in our human nature than violence, power and the survival of the strongest? Without that, your father wouldn't be able to win all his great victories and our father would not have been able to secure the Roman Empire after the weak reign of the senate."

"And yet Emperor Marcus Aurelius believed that true strength isn't born in violence, but in mindfulness and kindness. The ability to speak, think and therefore to thrive for something higher than mere survival, is what distinguishes us from animals," you responded in a clear, settled tone. This sudden response surprised Geta clearly as his eyes widened and his fingers tensed up. Even Caracalla's eyes had left the arena for a moment and were locked at you. Even though he followed the fight down there, one of his ears had catched every word you'd said. What a sweet, naive woman you were... it made this whole moment even more interesting.

The corners of Geta's mouth twitched and at first you weren't able to tell if he found your words disrespectful or not. In fact, he'd not expected such a bold answer from a woman, especially not against an Emperor. And even though he wouldn't agree with you, it proved him right, that you were not a simple-minded girl. Naive maybe, but not dull.

"Interesting thought, my dear. But would you recite the words to one of these brave warriors down there too? Who will ll earn their freedom, if violence keeps them alive long enough? We offer them a precious gift, and in return they entertain us."

Your eyes went to the pit again, which was mottled in deep red blood now with only one man and one bull remaining. The moment was intense as both animal and human watched each other with intensity, before the bull stormed forward and the speer of the Gladiator, who waited for the perfect moment, hit his opponent. The massive body fell to the ground and the people cheered in Ecstasy. Geta and Caracalla clapped with admiration for the celebrated Gladiator, as he sunk to his knee and bowed to them.

The next round began after the exhausted and wounded 'hero' stumbled through one of the doors, back into the darkness of the catacombs, before he was replaced by a bigger group of Gladiators, who now had to face armed chariots. Their opponents wore the armory of old Sparta while they teared down one after one with their arrows. You leaned back in silence, watched by Caracalla, whose eyes were taking in her side profile for quite a while now. Even though he loved the fights down there, the blood, the violence... you encaptured him more right now. Your stern face, which carried a deep displeasure for this, while you tried so hard to hide it, it was captivating.

Everyone, even his own twin tend to underestimate Caracalla. Even though he was born a couple of minutes earlier than Geta and was therefore technically older than him, his stature was smaller and he wasn't as tall as his brother. This was accompanied by the fact that he enjoyed the pleasantries the god Bacchus had to offer him: wine, music, arts and sex - even more than Geta did. Together with his rather impulsive way of acting, it often led to the false thought that the more capable brother of them was Geta. Oh, Caracalla hated this, it was a misinterpretation weaved like a thread through his whole life. Because he had a gift, he could read people and together with his extensive web of information sources and spies within the city of Rome and beyond, he had a power that lied in the dark. And it was a preparation he did on purpose after he'd learned about the plot that was once set against Emperor Commodus. Some would've said it was paranoia, maybe it was, but he would call it 'preparation'. Nonetheless it came with the pleasant side effect of knowing a lot about the people around him.

"I've heard that you rather choose the theater over the arena", he said with a soft, yet unreadable smile on his lips. "You're a dreamer, aren't you?"

As you heard his voice next to you, your eyes quickly turned to him. "There is nothing wrong with dreaming, my Emperor...", you answered and he nodded quickly as if he'd hoped for that answer. Caracalla even grinned, his golden tooth gleaming in the light. "No, not at all." My Emperor. The way you've said it with your eyes looking at him. It electrified him, so much so that the cheers of the crowd almost faded in the background. You'd faced the pit and the fighters again, but he was still staring at you.

"Which play?"

"Octavia," the name almost shot from you mouth.

"And you consider yourself to be?"

"Octavia. And you?" You didn't even expected him to give you an answer on that, but meanwhile Caracalla's grin grew wider.

"Nero," he said just as fast as you'd answered before.

Your eyes instantly went back to the Emperor, whose eyes were now focused on the deadly fight between a Gladiator and a chariot rider. He couldn't hold back a chuckle, while he watched how the man pushed his sword through the neck of his opponent, ripping off his head.

Nero.

"Why?", you suddenly asked, this time it were your eyes, that watched him.

"I cannot blame him for setting himself free." His answer was almost like a whisper, yet you heard every word. It was a very unconventional way of interpreting the mad Emperor, one she herself would even despise, if he wouldn't seem to be so certain of it. It meant something more.

The arena fight slowly came to an end, when only to oppontents were fighting for the right to claim the victory. Nearly all of the Gladiators and chariot riders were dead, their bodys laying in the pale sand and drowining it with their blood, a weird composition of death that accompanied your questions about Caracalla's answer.

After a final hit, one of the men went down on his knees. He was wounded, severely, and he now felt the tip of a sword against his neck. He surrendered and the gods had to decide what will happen with him. One of the Gods was Geta, who stood up from his chair and approached the balustrade, while the crowd called for a decision. The Gods need to decide, yet Geta suddenly turned his head to you. "What do we say,...? y/n, should he live or die?"

Your face grew even paler than it already was, your fingers were almost digging themselves into the armrests of your chair. You felt a thousand eyes on you, even though it was only Geta and Caracalla watching you, as well as the eyes of your father from behind. The Gladiator waited, while his opponent's arm was cut off and his head was bowed down as if he awaited death. And the crowd screamed and screamend. Death, Death, Death, Death, Death.

It rang in your ears, you didn't want to make this decision. But the moment you faced the Emperor, just as you opened your mouth, Geta simply bowed his thumb down - Death.

And the sword went down. Death.

The head dropped in the sand followed by the body, the cheers errupted in the arena, screaming the name of the victorious Gladiator. But you just stared into the nothingness that was in front of you, while you bit your tongue to the point of pain. "Don't pain yourself about this, my dear. There was only one answer anyways," Geta said while he suddenly reached out for your hand and kissed your knuckles, before he took his glass of wine. You didn't move, you couldn't.

Caracalla stared at this scenery and his fingers were shaking as his eyes darkened. The intense urge came up his mind: To simply take his brother and throw him from this box into the pit, his neck breaking from the impact. Those thoughts sometimes came and went, but they got more intense every time he saw Geta interacting with you. And this interaction hit a new high point in him that was only interruped by your form the moment you stood up.

"My Emperors, it was a pleasure to join you, but i need to leave now...", you said in a tone that tried so hard to be polite and not carry any emotion, before you turned your back and quickly stepped out of the imperial arena box, followed by your father General Acacius, who bowed and excused himself in an equally neutral tone.

Both Geta and Caracalla watched them leaving, before the taller one of the twins took a deep sip of his wine. "She'll learn to love it sooner or later."

______________________________

Tags:

@barcelonaloverf1life @naysha140 @shinnerslighttt @mmkkzz @ange-olras @earfq0ake @honey-eyed-munson @koshkahhh

Please leave a comment, if you want to be tagged in the next chapter.

If you liked my fic, please feel free to like, reblog and leave a comment. I am always happy to hear your thoughts <3

[whereserpentswalk]

Fae do not have a concept of good and evil. But they do have a concept of fair and unfair. They are creatures of politeness and impolitness. Even when they're doing things that would be horrifying to humans, they do these things with a specific set of rules around them.

Most of their weaknesses are only weaknesses because they see them as making things fair. Fae are physically capable of lying, but they consider it cheating to lie to someone who isn't familiar with the fae. Likewise, fae can create unbreakable curses or unsolvable puzzles, but it's considered improper to do so. Even their material weakness works this way, if a fae is cut by an iron sword they'll but hurt by it because it was the polite thing to do.

They'll also always match the power level of any human who wanders into the fae realms, so the human in question never meets a challenge they can't overcome. When a knight of the Holy Roman Empire and his men tried to conquer part of the fae realms in 1126 the fae fought like medieval soldiers, using tactics and strategies that would be clever and strange but understandable to him and his men, the numbers of warriors never being too much for him to defeat, even when he could. And when the D.T.L paranormal containment organization sent in modern soldiers with firearms and gas masks to assassinate the fae Queen of Winter Dawn in 2004, the fae responded accordingly, with ranged weapons, and hit and run tactics, that a modern commander could play off of. And, in 1873, when three children got lost in the fae realms, deeper then any human who had been lost there before or after, the fae filled their path of peril with puzzles and traps that the children could solve. One of the children ended up having her eyes turned into spiders, and all of them were traumatized, but it's the fairness the counts to the fae. When you're billions of years old you just care about different things.

And of course. There are some fae that break the rules, fae who will truly do everything in their power to affect the world. These fae are useally exiled from the fae realms, to far off and desolate planes, where they wander and seek power. They are truly terrifying creatures, though in the places they are sent they can rarely use their power. Few who encounter them who aren't their loyal servents escape with both their lives and their humanity.

And of course, fae politeness isn't universal. It applies to humans, and to other fae, and to some other entities. But when there's a true threat to the existence of the fae they will use everything in their power to stop it, polite or impolite. When the star spawn and the great old ones attempted their invasion of the fae in 700MYA they were very promptly destroyed, and pushed back using horrors humanity can't comprehend, horrors the star spawn could barely comprehend. And when the demons on the 8th abyss attempted their invasion in 10MYA they were given almost an equal horror, spared only from pure destruction because they fae found such creatures to be useful.

[emrystheedgedancer]

I’ve never quite understood the criticism for Mistborn that Vin is a “not like other girls” girl.

When literally her entire character arc is that she eventually learns that she can embrace her femininity in her own way and that it’s okay to be “like other girls” when she wants to be.

Even if she starts out a “not like other girls” girl (which I don’t really think she qualifies as in the first place), that’s the whole point.

I think Brandon Sanderson did an excellent job of dealing with the struggle that a lot of women face. Do I take on “masculine” traits because that is what gets me the outcome I desire? Do I embrace my femininity even if it earns me the scorn of my peers? Can I do both? Can I be a feminine woman who also is a leader?

Vin grapples with these questions through the whole series. That final ball scene in Hero of Ages was her really understanding that she is perfectly okay with being the warrior who also likes balls and dresses and that she doesn’t need to be one or the other to be herself.

Idk about the rest of you but I think that is a MASSIVELY important message for women to read.

So whenever I run across a BookTok girl talking about how they only read Mistborn and didn’t like how Vin was written I can’t help but think that by not finishing the series you didn’t understand that that was the whole point. It is unfair to judge how Vin fits into a feminist lens if you only read The Final Empire.

Her arc across the three books is SO important to me and it just doesn’t at all fit the typical “not like other girls” character.

[figthoughts]

jensen with a beard is my equivalent of greek god cause omg he looks so good with it,the dean look is fucking hot too but the beard?has me kicking my feet

also stubble dean goooood 🦅🦅🦅🦅👹👹👹

anon i am CRYINF you are so right !!!!!! lemme share my thoughts on this because oh my god

all i think about when i see S9 dean is how good it’d feel to have his face between your thighs, carelessly letting his stubble scratch at your skin as he devours you, too into it to realise until he pulls back and sees the pink rash adorning your inner thighs. he’d defs apologise profusely as he kisses at your sore skin, promising to shave in the morning, but you wouldn’t let him!!!!!! the stinging pain is worth him looking so entirely delectable UGHHHHH

and jensen — DON’T EVEN GET ME STARTED !!! i cannot deal with jensen and his fucking beard!!!!! him as soldier boy and beau arlen are my roman empires (do ppl still say that omg??) but him giving you beard rash along your jaw and neck as he attacks your skin with his lips. he’d probably be so smug about it, looking at you all marked up and covered in pretty pink little patches UGH or just the feeling of his beard against your forehead as you bury your face into his neck late at night?? need him so bad it’s unfair !!!!!

[scribblestatic]

So, like, if you've read SVSSS far enough, you know about the Bingmei vs Bingge part. And there's all sorts of stories with Bingge (basically a PIDW Binghe, not SVSSS Binghe) finding his own shizun in various ways.

Well, what about if he manages to summon a Shen Yuan, but his soul is in Shen Jiu's body? Which, like, wouldn't really be a problem, except he's already been torturing Shen Jiu for a good while now and he's down an eye and all of his limbs are mostly stubs at this point. Thankfully he still has his tongue and penis, which, after so often demanding Shen Jiu be castrated, he's pretty jazzed that didn't happen.

Shen Yuan, being the absolute freak he is, probably wouldn't mind too much. After all, he'd read this part of the story and cheered it on. Just cause he's now experiencing it himself, doesn't mean the revenge was any less cathartic.

Though, well, the dreams he has about what Shen Jiu went through does dampen his enjoyment of his suffering (so many lives lost that he can do nothing about, so much torment that just cycled on because no one thought to seek help, because the world was built so firmly on cruelty)...

And perhaps he'd woken up sobbing at times, crying his apologies to Binghe as though he was the one who had done all those terrible things to him, but he didn't, but those dreams were so vivid and felt so real

The girls at the Warm Red Pavilion, were they okay? Shen Jiu never had sex with them, only kept company to avoid the boys when he couldn't sleep and trained them in the four arts and gathered information from them, gods, he'd misunderstood Shen Jiu and thought him a remorseless villain and enemy to women

Liu Qingge, fuck--

At least now he can help Binghe actually enjoy his life and perhaps stop the cycle of abuse from continuing. Besides, cool motive, Shen Jiu, still child torment. And though the results were quite drastic, it was the dog-eat-dog world of xianxia China, and life was generally unfair. No reason to make Binghe's life needlessly unfair on top of everything.

But yeah! Now that he's in Shen Jiu's body, he and Luo Binghe get to talk, and Binghe, for the first time in his life, experiences regret for his actions, because now his lovely new kind shizun can't card his fingers through his hair or twist little braids into it. Moreover, Shen Yuan somewhat mourns over the fact Binghe's hair is straightened--he loved reading about his bouncy curls.

So now, imagining that, after time, Shen Yuan becomes a more prominent figure in the empire, especially post-marriage. He has a lovely eyepatch and wears soft red, black, and gold clothes, heavy on the red and gold. This nearly limbless man helps Luo Binghe do his taxes and works out various tips on using beasts to the benefit of the empire and remembering small notes about other races that allows the Demon Emperor to be both magnanimous and fierce in whomever's eyes he meets.

Others can't decide if Shen Qingqiu's mind was utterly broken, if he was cursed to act against his own will, or if he was possessed by some strange spirit. Regardless, the realms have never been in such peace before now.

Moreover, Luo Binghe has started changing.

While he can never regain the height lost to a childhood full of suffering and a lack of nutrients, he can change in other ways. He actually eats healthier because Shen Yuan insists on having him eat as well. He steadily stops straightening his hair, letting his curls return until they're like clouds. His muscles grow in firmer and his chest broadens.

Also, as he and his kind shizun speak further, even though he explores the worst parts of himself and uncovers those dirty, evil deeds and the ways they truly hurt him, Xin Mo doesn't get the chance to latch onto them anymore. As painful as discussing those things are...releasing them is exceptionally freeing. So, a sense of inner strength and ease he never had before starts to settle in his body, and his qi, usually constantly battling, stabilizes more than before, his heart demons no longer so adamant or strong.

As a side-effect of both parts, he was already handsome, but now, he's even more so. A wise, secure man no longer so strongly gripped by hatred, lust, or greed. Someone unforgivable to many, but becoming okay with forgiving himself.

Indeed, what a man!

Which is kinda a shame for Luo Binghe's many wives, because he's been heavily trimming down on his harem. Political marriages are substituted for other exchanges, fervent troublemakers are sent back to their homes (the ones who dared to attack his A'Yuan are never heard from again, strangely), and wives who simply ask for divorce are granted them, receiving a hefty gift for at least being loyal whilst married.

So, previously, a harem once numbering into the hundreds falls to the tens, and the remaining ones are either ambivalent or antsy.

Then, as though to answer everyone's burgeoning questions, he names Shen Yuan his empress during a meeting and proclaims that they will make preparations for his crowning ceremony.

I feel like that'd really set off what remained of Cian Qiong Mountain Sect.

Hmm... I think I'll talk more about this later.

---

Part 1: here Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10

Part 11+: links on Part 10

AO3

[codenamesazanka]

the thing is. Shigaraki dies with literally like three people left in the world to mourn him. Shigaraki dies without a body and a proper funeral or burial. Shigaraki dies leaving nothing - no possessions, no photographs, nothing but last words to his friend that must be given by his killer.

Yeah, Shigaraki killed people, but I just feel like. Those people still have a number of family and friends to mourn them. Those people likely left behind something to remember them by. Shigaraki has barely anything like that, largely because a villain (that no Hero saved him from) made sure of that, and the sheer unfairness of that hurts.

Shigaraki dies because the guy who said he wanted to save him (his inner child) directly contributes to his death - his supposed savior is also his killer. Because in a hero-saturated society, no one noticed a missing Shimura Tenko for 15 fucking years. All Might takes down organized crime and AFO's empire and never knew AFO's cultivated children existed.

Shigaraki dies because Deku, the Hero who says he wants to try "saving" Shigaraki/The Crying Child, tells at most 3 living people (Uraraka - "I can't ignore what I saw"; implied to have told Gran Torino his plan, to which Gran says 'killing is salvation'; maybe All Might, but we never see even a hint of this), and no one else. Plans with no one else. Stays silent when Gran advises him to kill Shigaraki, when Heroes draw up plans for a SKY COFFIN DEATH ARENA, when Heroes strategize about how AFO is a better opponent to face, implying the possession victim should stay possessed.

Deku talks about not ignoring the Crying Child inside of Shigaraki, wanting to save that Crying Little Boy, but then you realize he never even approaches the idea of saving Shigaraki from AFO's fucking possession. Never tries to save Shigaraki from AFO, the immediate priority - only saving Shigaraki from his own self-loathing, essentially putting the blame on Shigaraki himself. At best maybe saving the Crying Child has the vague, inherent idea of freeing Shigaraki from the possession, but in the end, it's really Shigaraki who breaks free of it on his own, with help from his League.

Shigaraki dies, and Deku now gets sympathy for feeling guilt about killing him, because isn't that so gracious of him? For thinking about his dangerous, deranged enemy? For promising not to forget the guy he half-heartedly claimed to want to save, and then only half-succeeded? For acknowledging his own failure? The greatest Hero.

Shigaraki dies in such an unjust way. But we're supposed to applaud Deku for his efforts in contributing to this death.

*as always, substitute how much blame you want to give Horikoshi for writing Deku so badly in Act 3, though imo Deku's been a shithead since Chapter 1

[sodaequalsbubbles]

Okay this is going to be a long ass negative Dragon Age the Veilguard post. So don’t read if you don't care about negative opinions on this game.

First of all, I should have never looked at the veilguard art book. I shouldn't have looked. WHY DID I LOOK THROUGH IT ughhhhhhhhhhh.

Before I just felt disappointed about this game. But now it's a genuine bitter sadness after seeing all of the art book.

I had a feeling that this game was probably frankensteined together, because datv felt so half-baked with chunks of story missing from it. Honestly parts of the game gave me the same sensation as when you skip a cutscene or speed run an area, it felt so off sometimes. So I knew there was probably a lot of stuff that was removed or altered until it was unrecognizable, but I didn't realize how bad it was. We were actually robbed. BioWare stabbed us in the middle of an alley way, made off with our wallets, and stepped on our hopes for this game on the way out. (Dramatic I know, but you get the point)

And before people start saying that it's unfair to criticize this game from its concept art because, "it’s just concept art and ideas. A lot of those concepts don't end up making it to the final game. Especially with the development of a triple a". I know that, but veilguard doesn't feel like they just cut out some characters, levels, game mechanics, etc. etc.

It feels like a whole separate game was cut out, and we were left with the glued together scraps of what could’ve been.(Sorry for the poor screenshots, it was difficult to find online scans for the art book )

What? The South of Thedas was actually going to matter instead of being nuked? Who was chosen as the Divine, and maybe even the rulers of Orlais and Ferelden were going to have more impact on the story? Yeah probably.

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The agents of Fen'Harel were originally going to be a part of the game like it was hinted at in the end of Trespasser. And constantly be sabotaging your plans to stop Solas. And instead of elves giving the biggest possible meh response, to the fact that the ancient elven gods were back and trying to restore their empire, by destroying the current world. They actually react as one should in this situation lol.

And many end up joining Solas ( and probably Elgar'nan, and Ghilan'nain as well). Because it kind of makes sense for enslaved, oppressed, and abused people that have been suffering for centuries to throw their lot in with those that promise to free them.

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Another cut idea made it seem like the first act of the game was going to start with your party sneaking into Tevinter, to get ahold of the red lyruim idol from DA2. But Solas and his agents are one step ahead, and he takes it before you can. Then turns the idol into the purified lyruim dagger he uses in the ritual at the actual start of the datv. (Better than Varric just telling you where the dagger came from, ah this game really loves telling instead of showing.) So that probably means the scene of interrupting Solas's ritual was going to be further along in the story. Instead of Rook just being air dropped into this mess, with even less of an explanation than the concept art lmao.

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Rivain was going to be a trading post, kind of sleazy and a melting pot of different Thedas cultures. Instead of an endless sandy coast with ruins strewn about.

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The real Tevinter was going to be seen. Its opulence, pride, and strength built off the backs of slaves and magic. Because believe it or not, outright ignoring slavery in Tevinter is worse than showing it. Instead of giving us the chance to confront it, and put a stop to it like the Shadow Dragons, Maevaris Tilani, and Dorian have been trying to do for years, the game just outright acts like it’s not happening basically. Making me feel like no one in the game gives a damn about these people that are suffering. Pretending it’s not there doesn’t change anything.

A little section in the book shows that we maybe could have started a slave revolt in Tevinter as well.

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Whoever was left behind in the Fade after Inquisition, was going to appear when Rook gets trapped there.

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Isabela was intended to be an advisor, perhaps alongside Morrigan and Dorian (like Leliana, Cullen, and Josephine were in DAI). And provide you a ship, and a captain for your journey. Instead of being a glorified WWE announcer for a fighting ring. She was also going to have a proper outfit; unlike the absolute mess we got in game ugh.

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In the concept art there was more politics. Such as gaining allies from opposing sides, like the Qunari and Tevinter.

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There were also perhaps plans for more divisive and conflicting sentiments within the companions. And events where they could betray you depending on choices made in the game. (Real conflict and consequences, in my Dragon Age?!)

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The Inquisitor probably was going to have more involvement in the story.

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You could ride a GRIFFON while hunting dragons.

So yeah, the art book brought more sadness than curiosity out of me. I will now go into the salt mines, to mourn the game we could’ve gotten instead.

[generalsdiary]

my roman empire is us (the trailblazer) meeting ratio and him greeting us with "oh it's you, I remember you", and the realization hitting we have not seen him, as the mc, since the bug and cat cakes event. and to him we are just that. my mind went immediately to;

"you were a wonderful experience"

"you were everything"

because we ratio defenders, analysis writers, we explain him, defend him, research him, love him, we go ON AND ON about him and, I was so excited when I saw him standing in penacony near the current divergent universe, and to be met with such a reality check truly broke my heart. veritas ratio you are everything, even when we are, in game and out of the game, just perceived as a mere fan, enthusiast. but I would mention, that it is refreshing to be perceived and talked to like a normal person from a scientist and a genius when EVERY genius so far has treated us like an experiment, and a need to explore our bodies and use us- to the point of poisoning us. it is so in his character at the end of the day, to do, the bare fucking minimum btw, and treat us as a human being. hopefully, we get more of him, a companionship mission or something, because it is unfair that a character as great as him is kept away from us, we are left to live on crumbs, moreover left to live on dust when it comes to our canonical interactions in game.

they could never make me hate you, Veritas.

[wlntrsldler]

blurb based on this post.

pre-claiming, pre-betrayal, luke castellan x poseidon!reader, fluff.

while i bathe in cliffside pools with my calamitous love and insurmountable grief.

“rumor has it, capture the flag is coming up,” luke said. he was ripping blades of grass from beside him as his head laid on your stomach. he was facing the blue sky, letting the droplets of water roll off his bare skin.

you’d just emerged from your impromptu dip in the lake to escape the growing heat of summer. you had his camp shirt on top of your body, finding the faint scent of his cologne on the neckline of the shirt comforting. “already? they’re really trying to get us at each other’s throats as soon as possible.”

“yeah,” he scoffed. he rolled his head to face you. “it’s beth’s turn to come up with a strategy.”

there was pride in his eyes, like there always was when he talked about annabeth. you wondered if you had the same sparkle when you talked about her too. it was hard not to be proud of annabeth. after all, you’d known her since she was seven, when you, luke, and thalia found her wandering alone.

you tried not to think of those days too much. those days were painful and lonely; unfair that children were left to fend for themselves. even though you and luke were the oldest of the bunch, you were still just fourteen. at fourteen, you should’ve been dreading the perils of freshman year of high school, not wondering if you’d be fortunate enough to reach sixteen.

“how’s percy holding up?” you asked. your fingers tugged on a strand of hair that was bouncing back into his usual curls. you felt luke soften at your touch.

“he’s doing okay,” luke answered after a beat. “as well as anyone would be after finding out.”

“he’s a tough one, i can tell,” you replied. you attempted to move your hand from luke’s hair, but he held it in place. you complied, starting to rub his scalp. “has he been claimed yet?”

“no, he hasn’t.”

the topic of being claimed was a touchy subject for you as an unclaimed child. the first few months at camp, you had your hopes that your time was coming soon. your godly parent had to claim you eventually, right? but as the months turned into a year and a year turned into five, you lost all hope. somewhere along the way, you convinced yourself that you made peace with it.

luke, on the other hand, never did. there were many things he hated about the gods. most of it were general things that made sense; neglecting their children, having them do their dirty work, making them go on dangerous quests where they’re likely to get killed; but the thing that he hated them for the most was that they made you feel unworthy of being acknowledged.

to everyone else at camp, they saw you as someone who beat the odds despite not knowing who your godly parent was. you became a skilled swordsman, coming second only to luke, skilled at archery, and such an incredible leader, but luke didn’t attribute that to your godly parent. he attributed that to your character. your greatness had nothing to do with the gods.

but luke also knew you better than anyone else. he knew that even though you acted like you didn’t care about being claimed, there was still a part of you that stayed fourteen, that stayed hopeful, that one day your parent would claim you.

luke let his lips linger on your hipbone, a reminder that he was still there, as if trying to convince you that while your parent didn’t care enough to claim you, he did. he would shout it from every rooftop, if he could. in fact, on the trip to olympus, he stood at the top of the empire state building and declared his love for you.

chiron, who was forced to discipline him for his antics, banned him for getting dessert for two weeks, but sent you a sly wink as he was telling luke his punishment. you didn’t comment about how you managed to be given two desserts ‘accidentally’ everyday during luke’s punishment.

“we should probably head back soon,” you mumbled, though you made no effort to get up. luke snuggled deeper into you from where he laid. “it’s almost dinner.”

“yeah,” luke sighed. “you’re probably right.”

neither of you made it to dinner, but grover managed to sneak the both of you a handful of strawberries to eat.

[felis-rach]

This world needs more bowsareach! So here's a little something I wrote for them! (It was part of a bigger fic I didn't finish, but it doesn't need context)

Mario was starting to think that all the “hero” thing made him forgot how to deal with mundane challenges.

He realized that when he saw himself using the cat-bell to climb up the wall and get a book from the top of the shelf. And when he tried to explain the claw marks to Peach, saying, “but what ELSE could I have done?” Her answer was silently pointing to a chair.

Bowser thought this was all hilarious, of course. And Mario had to remind him of who breathed fire into the oven when it wouldn’t turn on. And the reason they had to eat microwaved food for a week.

It was just a simple memory of some random day, but it made Mario feel so nostalgic. Their little home, hidden in a hill on the edge of the kingdom and accessible through a warp pipe they built, was no less than a dream come true.

After all, dating two monarchs meant that the three of them couldn’t simply rent an apartment together. Peach had to stay at her castle, and Bowser, at his, and when they eventually arranged the marriage that would unite the two kingdoms, it would be time to live together and Mario would come along.

But for now, the three of them settled in getting a little house to be the place they could run away to when Peach and Bowser got a moment of peace. It was great, especially when they managed to spend a whole weekend there.

Mario had the time of his life watching The Royals get used to the cottage. Peach, as a regent who always placed herself at the same level of her people and hated to be perceived as superior, gave her best to act naturally, so Mario tried to hide his laughter when they sat down to eat and her face just read “Oh, indeed, this table has but four chairs and doesn’t occupy the whole room.” He could see her dying inside a bit when all the plates and cups got too cramped up.

Bowser, on the other hand, being made of ego as he was, absolutely made sure he was seen as superior by his subjects (which never prevented him from being a caring ruler, going personally to a civilian’s house if they had any trouble, and screw his schedule). So he didn’t even pretend to be comfortable there. It was such an ordeal to prevent him from turning the house into a second palace. The most that Mario and Peach gave in was to make a living room big enough to fit a grand piano. Even so, he complained at every possible time about the house’s size.

“Pff. The fifty-second heir to the mighty koopa empire, living on an ant’s house like this… Of course, we left it to Mario to lead the project. He measured the house based on his own size.”

And Mario simply answered by sitting on the table in front of him. “Truly, I am so very small.” He placed Bowser’s hand on his back. “Look, I even fit on this huge and scary koopa’s hand. Oh, my stars! I sure do hope he doesn’t take advantage of all this size to grab me and kidnap me to some dark castle. Poor me!”

His voice was casually innocent, and Bowser’s face was on fire since he was still a mess whenever Mario and Peach gave him attention like that (and the two of them abused the heck out of it).

“Don’t you tempt me, plumber.” Bowser warned, holding his breath.

“Your hand is still around me.”

“…”

“Oh, no! That terrible monster is kidnapping my Mario!” Peach entered the room, and Mario fondly smiled with the “my”, dumb as their playing was. “Will I have to rescue him? But what if he kidnaps me, too?” She threw herself at Bowser with a hand dramatically at her forehead.

“STOP THAT!” Bowser jumped out of the chair, like Mario and Peach were contagious. “You two, you’re… you’re unfair, that’s what you are!”

“Weeeeeee?” They got closer, blinking innocently at the koopa, who got all the more red.

“…Dddddon’t you blame me when I actually kidnap you.” He turned to leave, visibly wanting to die in some corner and regain his dignity before he could even think about flirting back. And hit the doorframe with his shoulder. “STUPID small house! That’s YOUR fault, Mario!” They heard, as he ran to the room. And just laughed together.

“I definitely won’t mind if he goes through with this threat.” Mario smirked. “What about you, Peaches?”

“Not at all.” She agreed, before placing herself in front of her boyfriend, pinning him to the table with both arms. “Just beware, or I might take you first, sweetie.”

And she kissed his nose. Yeah, he’d definitely not mind that too.