#A very well thought out plot

[paradoxsun]

Sukuna's soul raised Yuuji. And Yuuji offered to raise him too. His absolution was always Yuuji.

A Yuuji who would have been abandoned by his grandfather or left to "Kaori" would have been damned, and a Sukuna who didn't have a Yuuji in his time *was* damned.

The softness that Wasuke held for Yuuji cradled Uruame in another life.

It was always about fathers and sons.

Also just noticed that in any cycle of reincarnation, Wasuke/Sukuna called Yuuji brat. Really should have been our first clue.

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[egophiliac]

I love your take on Crowley!

I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?

I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.

thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.

that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...

[w1f1n1ghtm4r3]

cooking up an idea that involves making a mv (which is probably ridiculously overly ambitious but is it really me if my video ideas arent way out of my skill level) but also involves hitting them with the sheep beam

[ifindus]

"Pirates" - for the 4th day of @aphfrukweek

still thinking about my steampunk pirate au fic and the sequel chilling in my drafts...

[thisisaname-whatahappyname]

LMAOOO

[alwaysyouuuuuu]

So i was thinking about your Wolfstar Marvel AU again (it should pay rent with how much it's spinning around my head) and like,,,, Sirius not having any kind of closure about Remus,,, he doesn't know what happened to him, they never found a body or any traces of him and then he was pronounced dead and Sirius just. Doesn't know. He doesn't even know why they took Remus in the first place. And he probably feels guilty about it too (bc ofc he would!!!). Just, the lack of closure of it all, the big question mark haunting him, up until 70+ years later when he's face-to-face with Remus again (I'm loving it)

Hi hi hi!!!! 💕💕💕 Thank you so much for the ask! I am so happy we both find it consuming haha and I agree. AU needs to start paying me hourly wages for just how much it keeps me up and wondering at night. I would be in tears and at the end of my wit, if I had to do just part of this research in school (I was not into history or any literature for school, and that's putting it mildly.) and now I do this willingly lol.

You know one of those, "I'm so glad you asked"- *7 hour long vm* memes? I fear this will end up like that. Bear with me.

Before we get into that, I'll clear up some background? So Remus was first taken along with a lot of their troop (ambush?), and they were partially injected (plot reasons plot reasons!! I feel like you can guess why!!) and the Sirius and co rescued them etc etc. And then Remus was targeted specifically.

So before the permafrost, I feel the situation was very bad for Sirius. For one, he would have agreed to the Serum in the first place because Remus was in captivity (also for the war effort, of course, but to Sirius, at that point there really was no room for question which may have been there otherwise), and then he got Remus back. Just to lose him again.

And then, to the Military and almost everyone else, Hope and Lyall Lupin lost a son, but Sirius Black lost a fellow soldier. He lost a comrade. Sure, they were friends, so him being vengeful is believable, to an extent. And no one really gets the blank look in his eyes, after.

I believe there was a quote that went like, "Should you lose a spouse/partner, there is a shared understanding of the relationship, but when you lose a friend, there's no tangible evidence, no widely acknowledged way to mourn."

Except, for Sirius, he did lose his partner, love of his life and dearest friend of so many years. And no one understands. Maybe James and Lily know, but it is the 40s. Realistically, they are quiet about it at best. For him it is both, and all the more painful. And he doesn't get exactly why Remus was targeted either. Remus was at an integral position in the OSS, unusual for his age, recruited at the very beginning, one of the sharpest minds, so it could have been that. And god, he was cold blooded when he got to fighting. But of course, he cannot shake the feeling that it was because of him.

So, in that time, the days he spent looking for Remus with James and Lily, (which really wasn't much, they would not have been allowed to!) he is partially cynical. Not to the point of self-blaming but enough to self-destruct. James tries to get him out of it, but Lily grits her teeth. She doesn't say much, because she understands, I believe, how much at that point he just wants it to end.

*BAM* permafrost.

After he gains consciousness, he would have blanked out for a while, because what even is this? But he doesn't, because after the first few excruciating minutes, when the blood is pounding in his chest, looking at every flash of light, every building and car that look unnatural, really, the first thing he processes is Moody telling him that the War is over. Good, at least something went well, he thinks.

They tell him many soldiers were rescued, because that's the first thing he asks. After it sinks in, he wants to hope, and maybe he does. Because this is real, he can see it. As outlandish as it is, he is in the future. If this can be real, how foolish would it be to hope that maybe Remus made it too? He would be old, and he would have lived his life. Maybe with someone else, and that's okay. If he gets to see him one more time, Jesus, it's okay.

They tell him what happened with HYDRA and his family. They tell him about James Potter and how he revolutionized weapons, they tell him about Lily Potter, who later went on to join the NSA. God, he gets fucking giddy hearing all of that, because it worked out. For someone, it did. For James and Lily, it did. He wants to meet Harry.

And he starts to have a nagging thought, because with how they speak of and to him, maybe they would have mentioned his known childhood friend. And Remus was known to his own credit.

So he asks, slowly about one Remus Lupin?

And lo and behold. They know of him of course, of course, he was Captain America's best friend. But nothing was known of him post war.

He tries to hold his face and nods, but Moody gives him a strange look. Tells him that he'll look into it for him. He tamps it down, though, there is no point in a wishful fantasy. He would have begged Moody if required, but there really is no point. And he doesn't think he can open his mouth without saying something incriminating.

Moody offers him the initiative, of course, but they tell him to take a breath, see the world, find himself first. And he does, he takes a few days. But then he gets time to think about it, to mull things over, to reevaluate his last choices. When he is trying to ease into the new world, he is busy, things are overwhelming. But once he gets home, he spirals. He remembers how panicky he had been during the first rescue mission. He had been desperate. And what if that clued them in? There were others in the OSS. So why just Remus?

It had to be him.

So he throws himself into missions, trains hard, exhausts himself so doesn't have to think. He does what he's always been doing, he helps SHIELD and doesn't question much, because he is still processing. Some things stick out but one can only handle so much, yeah? Besides, James and Lily were the co-founders.

He finds out. Well. Many things about his past and it's just so much (I'll stop or this itself will spiral to 3k.)

I feel he's quite mercurial at times in these days. Unsettled, but he keeps going. He drinks sometimes, gets shit faced. Those days are increasing, really.

Then he meets Elena.

And there is something striking about her. Such a young girl, and he can see it in her eyes that she has seen a lot. Too much. He sees himself in her. And he is protective. He is maybe a little taken aback. Because she seems so much... like an old soul.

And Elena is drawn to him too. She opens up, slowly, slowly, which she doesn't normally. But he is fiery. Like her. And they mostly have the same stances. She doesn't speak of her childhood, and so he doesn't ask. She does mention she had a dad, and though seemingly not for long, she remembers her name from him.

She seeks out his company and it soothes something in him. I feel he's a little more settled? With time? I mean it's hard to pity yourself when there is someone dragging you out to bowl and join soccer clubs, when that someone is a loner too. Even though thinking of Remus' hurts a little more each day, because he feels that Elena and Remus would get along so well. Man she even fights like him.

So when he sees Remus again, it is whiplash of the worst kind. Remus is just there. Because it is Remus and it is not, and he is standing there just staring because this Remus even fights the same. And he sees Elena standing frozen there, and it suddenly hits him that she looks... like Remus.

Except for her eyes and it is like he is watching everything from afar. All he can do try to hold Remus back. Until Neville flies them away.

Because what has his life come to?

Elena is not responding. She is not even looking at him. And Sirius is thinking a thousand miles an hour. I think he'd find out everything he can about whoever this Winter Soldier is.

Before they finally bring R in for questioning I feel S would be overcome with guilty and longing and a lot of painful confusion, really.

And mostly, Sirius is guilt ridden. Remus was in there, with them doing who knows what to him, for 70 years? He never deserved that. Sirius was outwardly rebellious. It was his family helping fund HYDRA. And then there's Elena. Is Elena Remus'? Because how in the world did Remus manage to have a kid while he was trapped in a facility?

There is something really cool about her name. if you look closely.

Outside of his blackouts, Remus solely spoke Russian to everyone around him for 70 years right? So it seems logical that's what he'd speak to elena in that environment, mind controlled half the time etc, before they were separated (she was like. 7) and he'd find it a little difficult to slip into English again, or that's what Elena thinks. So when he demands to meet her first, she storms in, defensive stance (Sirius is standing right outside by the way) but Remus just blinks. Because they said it was Elena Chernova. But it's not. It's Helena Black.

And Sirius just. Dies a little.

Basically. He is spiralling.

So is this, so I'll stop here.

Based on this post. + snippet.

[fromtheseventhhell]

I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.

Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.

[kaladinsspear]

Listening to The Well of Ascension:

Vin: Oh no, Elend saw me go full mistborn rager and kill 6 people! Hes going to think I'm disgusting and realize I'm not good enough for him. I have to pull away because he can't possibly want me, he just wants a mistborn knife.

Meanwhile, Elend: Oh my god. My girlfriend is so competent and effective and powerful! How could somebody like her ever love an incompetent idiot like me. I failed to keep my throne despite my best effort. How could she not react to that monumental failure? That must be why she is pulling away from me.

Me:....🤦‍♂️

[prince-liest]

I’m reading Witch King by Martha Wells, and now that I have read more than one (1) series by this author, I have been suddenly brained with a two-by-four sharpied over with “realizing that I really enjoy novels by Martha Wells because they live in the specific niche created by the intersection of casually and thoroughly queer casts and non-romance storylines”

I am as ever a sucker for non-human main characters struggling with their very human feelings, which is why I jumped on Witch King the moment I saw “the author of Murderbot wrote another book with a main character that’s non-human,” but I live in this dichotomy where I can really enjoy reading queer romances but I don’t really identify with non-ace characters (which is not actually something I figured out how to differentiate until I was Last Week Years Old). so there are lots of books out there that I enjoy reading but it’s comparatively rare for me to read something that feels like it was written For Me and Martha Wells does that very well

anyway, give me more ace it-pronouns human-spliced robot main characters and people-eating demons who consider rank over gender when finding new bodies to inhabit

[ovenproofowl]

a lot of people have said it, but I’m throwing in my two cents just to get it off my chest.

Picard season 3 was . Bad . For a LOT of reasons . It felt like - as many before me have expressed - a self-insert fanfic with the dullest self-insert in history.

Jack Crusher wasn’t much of a character but he could have had some promise if they hadn’t spent an aggravating amount of time having him decree how different he always felt, you guys. Did you get that part? He’d always felt different. That sort of dialogue might have flown if we were dealing with Picard’s adolescent son, but instead we’re dealing with a 24 year old played by a 35 year old who looks every bit his age. (It was a hard 24 years, we must assume.)

The reason that Jack Crusher didn’t work for me personally, though, wasn’t because of how cliché his character was. I would have let that pass much easier if it wasn’t for the big ol’ elephant in the room. And that is simply that :

JACK CRUSHER WAS NEVER NECESSARY

Jack may have served a purpose to the storyline that was presented if only because he was the sole reason there was a Big Bad to be defeated in the first place. Everyone wanted to kidnap him, he brought the old gang back together just to protect him and then later save him from said Big Bad which was also actually .. him. Everything Was About Jack. But I’m not talking about the main plot. I Really Don’t Want to Talk About the Main Plot. Ever. What I want to talk about is what Jack represented that made him so unnecessary:

He was intended to represent Jean-Luc Picard’s only reason to start living.

Personally, that really, really offended me. Picard didn’t need to have a biological kid to have a purpose. In fact, it’s been established time and time again that he wasn’t ever really dad material. More of a... weirdly intense uncle. For a while, he wasn’t a fan of kids at all. Eventually, though, Picard is seen to warm to the idea of letting children within his general vicinity. This starts in TNG and continues on in season 1 of Picard. The Only Categorically Good Season of this whole. show.

In season 1, we see flashbacks of Jean-Luc’s relationship with a young Elnor, how he would read him stories and have sword fights with him. He was an absent father to an adopted child he hadn’t even realised he’d adopted and yet Elnor still fought for his hopeless cause. In much the same way, Picard meets Dahj and then later, Soji. He feels a kinship with these androids because of their connection to Data. He wants to protect Soji becase he couldn’t protect Dahj and Soji even canonically questions whether she should allow Picard to act as her father figure before she begins to remember where she came from. Both of these dynamics were infinitely more interesting and a lot deeper rooted. Soji and Elnor were both young twenty-somethings without parental guidance but found that guidance through Picard. Soji had her connection to Jurati, too, and Elnor had his with Seven and Raffi and that’s what made the whole group so intriguing to follow. They all had interesting connections to each other that had so many avenues to explore.

Unfortunately, the show decided to more or less write Soji and Elnor out of the story come season 2. Elnor was killed off for the majority of the season and only brought back by Q intervention in the last episode. Soji wasn’t even a part of the story at all. And do you know what’s sad about that? What’s really sad? Season 2 was trying to sell us the exact same message as season 3. That Picard needed a reason to live. But, like, not that reason. Not the reasons he’d already been given in the form of his found family with his Romulan and android adopted children, or even the rest of the La Sirena crew. No no no, we can’t have that, better get rid of them. This time, Laris is the focal point. Picard had been avoiding a romantic relationship with her because of a never before mentioned dark history surrounding his mother’s suicide. Because, sure, at this point, why not? While we’re at it, let’s also kill off Rios in the most slap-in-the-face out of character way possible and fling Jurati at the Borg for good measure just so she won’t be around for season 3. Her character development into the Borg Queen was pretty intriguing, but we’ll totally ignore that they even exist post her departure, just for funsies. Oh, and Soji and Elnor? Best not mention them at all come that third and final season. Otherwise, people might get the crazy notion that Picard already had a reason not to hunker down and die at the vinyard at the tender age of 104.

Season 3 picks up where season 2 leaves off in that Picard is now in that aforementioned romantic relationship with Laris. Except, no he isn’t because he immediately gets an emergency call from his ex and literally never sees or talks to Laris ever again. There wasn’t even a throw-away line or implied reference to her, but by now I’m sure you know the reason for that.

That’s right, folks. Because if we were allowed to remember Laris and what she meant to Picard, then we might just remember that other thing. Say it with me now!!

JACK CRUSHER WAS NEVER NECESSARY!!

In summary, there were so many brilliant options to give Picard for signficant found family dynamics, but the show just wasn’t interested in any of them. Season 3 wanted a Picard who had given it all up, who was ready to die because he’d never had a family to pass on his legacy. They wanted him at his lowest so that we’d all rejoice to see him return to the TNG crew. Don’t get me wrong, I’m a massive TNG fan and I could rave about the fan service and nostalgia porn for hours on end. If season 3 had stood alone as a singular unconnected event, it might even have been passable as a warm hug from old and beloved characters with some fun new spins to their stories along the way, juust so long as you didn’t squint too hard at the actual attempt at plot writing going on in the background.

But the fact of the matter is, Picard season 3 came far too late into the game. Season 1 held the building blocks to something new and interesting. By the end of season 2, it was becoming clear we were never going to see those blocks stand. By season 3, those blocks were just scattered headstones in a graveyard.

They teased us with the potential new show of Captain Seven and her Number One Raffi Musiker and that might have just been okay. . .

. . .If the La Sirena Crew had been allowed to be a part of that future.

In closing: Picard season 3? Too little, too late, mate. 👎🏻

[regenderate]

by the way i've been going through rtd's non-doctor-who work and the first thing i watched was queer as folk and i have to say. there's a lot going on in that show but my main takeaway is "it's extremely obvious that the guy writing this really wants to write doctor who." there are ten episodes and of those i believe seven mention doctor who in some capacity. the theme starts playing in the middle of gay sex. k-9 is there. the character responsible for most of these references breaks up with his boyfriend because the boyfriend can't name all the doctors. at the end he has a couple lines where i was like "wow this sounds like something the doctor would say" and then the next lines out of his mouth were about doctor who. all of this is retroactively much funnier now that rtd kickstarted a 20+-year-long reboot for the show

[panncakes]

i have not stopped thinking about dare you to death since i've seen that pilot trailer thank you very much

[camgoloud]

one small detail that stood out to me about this latest episode that i haven’t seen anyone else talking about yet is that when the commentators are calling colin “inspiring” and the “man of the match,” they are celebrating him not for actually scoring the goals himself, but for providing the crucial assists to make both of them happen. and i really love that because for me it’s the absolute perfect wrap to his character arc across all three seasons!

like, we know that colin’s job on this team has never been to score goals. in fact i’m pretty sure we’ve never heard about a single goal that he has scored. colin is and always has been a team player, not a star—and we’ve seen that crop up over and over. notably, we’ve seen the fact that he’s not entirely at peace with that crop up over and over: see the way he was affected by nate’s entire holidy-inn-painting monologue, being benched to make room for zava, etc.—like, this is the thing he’s sensitive about! this is where all of his insecurities come from!

but at the SAME TIME it’s also tied very intimately with all his struggles re: hiding his sexuality— “colin’s a chameleon,” etc. it’s fascinating because there’s SO much tension there between colin 1. feeling bad about the fact that he never stands out on the pitch the way some of his teammates do, because of who he is on the team, and 2. feeling like he CAN’T stand out, ever, because of Who He Is As A Person. etc. it’s like. he’s filling this role in the background. he’s afraid he’s not doing it well enough. he’s afraid that what and who he is isn’t good enough and isn’t worthy of recognition. he wishes he were someone different. trying to be someone different in the locker room is clearly making him so unhappy and stressed out. it is All Connected and my thoughts have been doing laps around it at an ever-increasing rate since i watched episode 2.07 ‘headspace’ if not before!

and all of this is why it’s so incredible to me that in the end, colin’s big moment comes from making assists and not goals! because on the one hand i understand the fandom desire for the colin post-coming out glowup that we all knew was coming—to see him, like, ~prove everybody wrong about him~ and inspire people by suddenly becoming a standout player and scoring goals left and right, even though that never used to be his role on the team before. and don’t get me wrong, i was 100% on board that train, and would have loved it for him if that was how it went down in the end, also. i think he should get to score here and there! as a treat! especially now that richmond are playing total football and there’s been so much emphasis placed on how it’s not just jamie/dani/occasionally sam who are making all the goals anymore!

but i don’t know! especially after the events of the last few episodes, there’s something very special to me about getting to see a colin who, rather than becoming someone entirely new in the moments right after coming out, just feels free to become, and be at peace with, the best version of the same self he’s always been. he’s still a team player first and foremost, but now that he’s not as weighed down by the need to chameleon/hide/pretend to be someone he’s not, he’s so much better at it. and everyone sees this! he gets to be celebrated for his contributions within the role he’s always played! he (and everybody else!) finally recognizes the value that he adds to the team just by being himself—fully himself! it resolves all the tension and insecurity that we’ve seen him struggling with this whole time, on every level. and so this moment was genuinely the perfect ending for his journey in my opinion—i’m so so happy that we were tall enough to join him on the ride here, and so excited to see what he does going forward these last few episodes now that some of that pressure is off him <3

[ducktracy]

what a fantastic transition

[pen-papers]

Accidentally clicking QUIT instead on CONTINUE after finally reaching the top of Death Mountain in OOT

Remembering that there's the secret path back to Goron city through the Lost Woods