#A River Without Banks

[winterdaphne2]

Favorite Johnlock Fics (BBC Sherlock)

I went on a bit of a fic-reading spree this spring, and this list of favorites is the result! There are many other fics that I’ve enjoyed reading, but these are the ones that I’ve really loved for one reason or another.

I’ve tagged the authors whose tumblrs I could find. If that’s you, thank you so much for sharing your writing with us. If your work is on here, you wrote something that I really treasure.

1. A River Without Banks, by Chryse. E, 203,286 words. Starts right after Season 3. A mix of Sherlock’s perspective, John’s perspective, and the perspectives of other characters. Sherlock-focused for the first half.

Author’s summary: “‘You love this, being Sherlock Holmes.’ He had once. When had it all gone so wrong?”

This is my absolute favorite. The author’s characterization of Sherlock is amazingly accurate, and Sherlock’s character development over the course of the story is breathtakingly executed and moving. The plot is fantastic and takes you on a page-turning emotional roller coaster, especially for about the first half of the story. I was also continually impressed by how many details from the show and references to earlier parts of the fic the author was able to weave in throughout while still keeping the story creative and original. Most importantly, though, I love this fic for the message that it sends about Sherlock and John’s love, which is a far more positive message than the one that the actual show settled upon in the end. I’m grateful that we have this version of their love story, and, personally, I like to pretend that this was Season 4 and how the show ended.

2. Another Country, by Chryse. E, 67,414 words. Starts right after the end of TAB. Sherlock’s perspective.

Sherlock spends one month and three days under house arrest in 221B, trying to get clean from the drugs, track down the new Moriarty, and figure out what the hell is going on between him and John.

Another fantastic work by Chryse. This author really gets Sherlock’s character, and once again the characterization of Sherlock is spot-on and convincing. There are a few other elements that also make this a compelling story, including smart use of minor characters, a solid central mystery, and a complicated relationship between Sherlock and John that includes a pretty convincing post-Season-3 version of John. Excellent.

3. walk through ghosts, by @augustbird. M, 6,125 words. Written between Seasons 2 and 3. Sherlock’s perspective.

Author’s summary: “The thing is: Sherlock thought that the two of them would have forever to figure it out.”

This is the saddest fic I have ever read, and so beautifully written. The author captures Season 2 Sherlock’s character perfectly; the fact that this story feels so real is what makes it devastating. The day after I read this, I couldn’t stop thinking about it and walked around with my heart physically aching in my chest.

4. Nature and Nurture, by @earlgreytea68. M, 203,273 words. Set sometime after Season 2. Alternates between John’s and Sherlock’s perspectives, but mostly told from John’s.

The British government clones Sherlock. He and John decide to raise the baby.

A true fandom classic. The premise sounds super cracky, but somehow it really works. This fic is surprisingly serious at times, but overall it is the cutest and funniest thing I have ever read in my life. Basically 200,000+ words of Sherlock and John being adorable gay fathers together and working through some feelings, with line-by-line some of the most hilarious dialogue ever. The five accompanying ficlets that the author wrote as short follow-ups are also worth checking out; my favorites were School (T, 4,753 words) and The Radovljica Apicultural Museum (T, 4,540 words).

5. To a Friend Who Sent Me Roses, by @algyswinburne. E, 16,147 words. Set sometime after Season 4 (but ignores TFP, as we all should lol). Sherlock’s perspective.

Author’s summary: “Five times Sherlock is mistaken for John’s partner and Rosie’s father, and one time it isn’t a mistake.”

This fic is sad, sweet, and hot by turns. Absolutely lovely to read in so many ways, and with so many great details and lines. I think this story offers convincing portrayals of what Sherlock’s and John’s characters might be like after it all and how they might finally get together. This and A River Without Banks are my favorite alternate endings to the show. Beautiful!

6. for all that bitter delights will sour, by @darcylindbergh. E, 9,585 words. Set sometime after Season 3. Sherlock’s perspective.

John initiates a sexually and emotionally abusive relationship with Sherlock.

The second saddest fic I have read. I would never want what happens in this fic to happen to Sherlock and John, so I don’t exactly recommend it as a Johnlock fic. But as a short story, this is a gem, full of absolutely gorgeous and incredibly moving writing. It depicts difficult themes very deftly, in lines and paragraphs that I had to stop to read over and over. I appreciate this as an emotionally powerful and thought-provoking piece of writing inspired by Sherlock, so for that reason I think it deserves to be on this list.

7. The Ground Beneath Your Feet, by Chryse. E, 68,803 words. Set after Season 3, but as if the last two minutes of HLV never happened. “The plane went on to Eastern Europe, and this is what came after.” John’s perspective.

This fic is pretty dark; the author describes it as “a PTSD story in which John was wholly devoted to Sherlock.” I don’t love it quite as much as the other two fics by Chryse that I’ve listed here, but that’s mostly because those two are just so amazing! I still really enjoyed this one. It was wonderful to see a kind and caring version of John emerge out of Season 3, and the story had several memorable moments, including one particularly nail-biting scene. I also really liked seeing John and Mycroft become friends as they bonded over their shared concern for Sherlock.

8. The Adventures of a Single Girl in London (Plus a Consulting Detective), by @earlgreytea68. M, 32,913 words. Set soon after Season 3. Alternates between different characters’ perspectives.

Bored with life at her new cottage in Sussex, Janine returns to London and moves in with Sherlock at 221B. Hilarity, heartbreak, and eventual Johnlock ensue.

This is a Season 3 fix-it fic that features an absolutely lovely friendship between Sherlock and Janine and the best version of Janine that I’ve come across in a fic. Sherlock is vulnerable and sweet, John is an absolute idiot, Janine is perfect, and the last two chapters just make me scream. Great stuff.

And that’s it for now! If you know of any other fics that I might like based on the above, I’d be happy to hear about them, so drop me a line!

Happy reading 😊

[helloliriels]

Join the flood of applause in awarding ...

My heart isn't ready ... but to you brave and true who read it and loved it (and wept buckets to warn us!) ... I heard you! Multiple nominations appeared for this one!!!

Join me in honouring a fandom fave, christened by (literally) thousands as:

"Exquisite", "Ridiculously enthralling and BEYOND glorious ...!", "Like the sweet pull of a ROLLER COASTER!", "I need to slow down so it NEVER ends ...", "So powerfully written, but FUCK it hurts!", "Oh GOD, oh god", "💧💧💧", *shaking sobs & broken moans*", "*whimpers reading through fingers*"

A RIVER WITHOUT BANKS

by Chryse

@youcouldcallmegus @impalaparkedat221b @pansy-byke @chinike @rhasima @totallysilvergirl @inevitably-johnlocked @arabbitjohn @jrow @scrub456 @lovelenivy @iwantthatbelstaffanditsoccupant @thetimemoves @egregiously-chuffed @iwlyanmw @missdeliadili @masterofhounds @4thelneyj0nes @detafo @sarahthecoat @lavenderandvanilla @ceruleanmindpalace @bluebellinbakerstreet @a-different-equation @aquilea-of-the-lonely-mountain @janetm74 @superhollykat @zira-and-crowley @anyawen @shelleysprometheus @randomwordsonpaper @podfixx @insistentbass @strawberrywinter4 @purplevatican @quickslvxrr @bakersttardis @gh-0-sties-blog @trishthepotato @fluffbyday-smutbynight @marta-bee @the-sign-of-tea @shirleycarlton @carla-creates @naefelldaurk @compact-and-beautiful @dw91165 @bakingsherlycakes @mr-nauseam @glows-n-the-dark

yes! i am purposefully tagging different peeps but feel free to message me if you want added/removed at any time! this is a short award season and trying not to exclude anyone who has interacted lately! 💋 xoxo - Liri

[jinnazah]

what kills me is how people here in the west are so …. willfully, blissfully, ignorant of what’s transpiring in palestine. like i have even seen poc, even seen HIJABIS still buying starbucks and i’m like …… i guess dumbfounded at this point. “oh but it’s just one drink” “oh but my one dollar won’t make a difference if i spent it or not” “well it’s not my problem, the middle east is always at war”

are people so arrogant they think they are the exception to what’s happening in palestine? in fact. the victim blaming against the palestinians is insane “well they should’ve just left” “well they should’ve agreed to a ceasefire” “well they shouldn’t have let hamas take over” you guys make me sick to my stomach!!!! my god this rhetoric is so narcissistic it hurts!!!!!

[runalongprincevaliant]

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Being annoying is resistance. Email everyday.

[red-hemlock]

Headcanon: December

Most probably assume that River runs around in her Hemlock costume the whole month of December, murdering folks in all manner of not-quite cute festive ways. Truthfully though, her 'busiest' months are probably October and November, where she'll try to cram-in as many jobs as reasonable... She does this in the hope that she doesn't need to work at all in December, and that includes running the apothecary.

If the luck-gods smile upon her, River gets to spend the whole month with her daughter. Going all-out on decorating the apartment hideouts, breakfasts and lunches at the various diners in the city, shopping at the mall where they both take pictures with Santa; and walking around and enjoying the lights and decorations... Dagny's favorite thing to do is to go ice-skating with her mom, and have a gut-busting amount of hot chocolate and sweets afterwards.

Even in Gotham, people tend to be a little bit cheerier and nicer in general around the holidays... So River's slightly less anxious about taking her chatty gremlin out and about the town.

Oh, but if she must take a job during December, she's definitely killing someone by strangling them with tinsel or shanking them with a decoration; or poisoning the hot cocoa/mulled wine. That assumption certainly is partly-true.

[ceescedasticity]

Unforsaken, 7c

(All sections on tumblr)

(AO3, lagging behind but more polished)

Half the crate is left when they start to feel like they've practiced as much as they can.

Legolas suggests hiking a few days south and tossing the rest of it into the cave at Cirith Ungol. Just to be safe.

Gimli says blowing up a pass isn't much safer than Shelob. And anyway they're trying not to spread Saruman's tools, right?

Legolas counters: But Giant Spider.

Zena asks: Could someone clarify what they meant by giant? She's assuming it's something outside her own experience…?

—Turns out no one has caught the Hirnedhrim up on Middle-earth spider-related history and mythology.

Upon being caught up, they feel pity for the spiders — imagine the awful misfortune to be born as that! — which surprises Legolas and Gimli but probably shouldn't.

At any rate they leave the Mountains of Shadow without trying to blow up Shelob's lair — but they do leave the half-empty crate in Emyn Arnen.

Estimated sticks of Wizard's Clay left behind to threaten the peace of Middle-earth: 5975

Legolas, Gimli, Zuste, Zena, and Dyn return to the clay-caves.

The boats still aren't ready, but that's fine, because first they're going to need oxen and wagons. They have to get the Wizard's Clay out of the mountains and all the way across Rohan to reach the Anduin above the rapids. Roughly in the middle, they'll be fording the River Entwash.

No biggie.

The wagons aren't large — off-roading a large wagon down from near Isengard would be problematic, never mind the unknown territory in the north. They probably shouldn't carry more than forty crates each even under good circumstances, which these are not. They end up with eight wagons to be sure, and a whole herd of oxen.

The five of them cannot handle eight wagons. When it becomes clear what a production this is turning into Arwen asks the twins if they could come down to help out, but they really aren't sure it's a good idea to leave Maglor and Celeborn the orcs unsupervised in Imladris.

So instead, Arwen has to send drovers, and more guards, and also request an escort of Riders from Éomer.

Zuste trusts Arwen absolutely, and she trusts Aragorn and Faramir and Éowyn, and she trusts that they know what they're doing when hand-picking men for this task. But this still works out to almost two dozen people, and Zuste can't trust all of them. —Especially Zuste, but the others aren't arguing.

So, as they move the crates from the caves to the wagons, they knot string around each crate so it can't be opened and the string can't be easily slid off, and seal the knots with wax. It won't keep anyone from getting into them, but it will at least make it obvious if someone does.

They also number each crate with chalk, and only put them one layer deep in the wagons, to better enable counting them every morning and every evening.

There are a hundred and eleven crates remaining in the cave, which Gimli says feels like it ought to be auspicious. Zuste says at least it's not quite as many as she thought.

Estimated sticks of Wizard's Clay left behind to threaten the peace of Middle-earth (counting the estimated 25 left in Emyn Arnen): 5575

[weepingfireflies]

People & countries mentioned in the thread:

DR Congo - M23, Cobalt

Darfur, Sudan - International Criminal Court, CNN, BBC (Overview); Twitter Explanation on Sudan

Tigray - Human Rights Watch (Ethnic Cleansing Report)

the Sámi people - IWGIA, Euronews

Hawai'i - IWGIA

Syria - Amnesty International

Kashmir- Amnesty Summary (PDF), Wikipedia (Jammu and Kashmir), Human Rights Watch (2022)

Iran - Human Rights Watch, Morality Police (Mahsa/Jina Amini - Al Jazeera, Wikipedia)

Uyghurs - Uyghur Human Rights Project (UHRP) Q&A, Wikipedia, Al Jazeera, UN Report

Tibetans - SaveTibet.org, United Nations

Yazidi people - Wikipedia, United Nations

West Papua - Free West Papua, Genocide Watch

Yemen - Human Rights Watch (Saudi border guards kill migrants), Carrd

Sri Lanka (Tamils) - Amnesty International, Human Rights Watch

Afghans in Pakistan - Al Jazeera, NPR

Ongoing Edits: more from the notes / me

Armenians in Nagorno-Karabakh/Azerbaijan (Artsakh) - Global Conflict Tracker ("Nagorno-Karabakh Conflict"), Council on Foreign Relations, Human Rights Watch (Azerbaijan overview), Armenian Food Bank

Baháʼís in Iran - Bahá'í International Community, Amnesty, Wikipedia, Minority Rights Group International

Kafala System in the Middle East - Council on Foreign Relations, Migrant Rights

Rohingya - Human Rights Watch, UNHCR, Al Jazeera, UNICEF

Montagnards (Vietnam Highlands) - World Without Genocide, Montagnard Human Rights Organization (MHRO), VOA News

Ukraine - Human Rights Watch (April 2022), Support Ukraine Now (SUN), Ukraine Website, Schools & Education (HRW), Dnieper River advancement (Nov. 15, 2023 - Ap News)

Reblogs with Links / From Others

Indigenous Ppl of Canada, Cambodia, Mexico, Colombia

Libya

Armenia Reblog 1, Armenia Reblog 2

Armenia, Ukraine, Central African Republic, Indigenous Americans, Black ppl (US)

Rohingya (Myanmar)

More Hawai'i Links from @sageisnazty - Ka Lahui Hawaii, Nation of Hawai'i on Soverignty, Rejected Apology Resolution

From @rodeodeparis: Assyrian Policy Institute, Free Yezidi

From @is-this-a-cool-url: North American Manipur Tribal Association (NAMTA)

From @dougielombax & compiled by @azhdakha: Assyrians & Yazidis

West Sahara conflict

Last Updated: Feb. 19th, 2024 (If I missed smth before this, feel free to @ me to add it)

[love-has-a-way-ofgrowingbackward]

just read the grindr logo fic jesus christ fuck me etc etc

[halalchampagnesocialist]

It's very frustrating that the world gives Israel a license to commit the utmost violence onto Palestinians and then expect Palestinians to be diplomatic in response. Then when Palestinians do try diplomacy, and Israel only barely upholds the charade in order to hold onto control as long as it can, Palestinians are still blamed for the violence Israel places upon them.

Even in the context of the current genocide in Gaza, so many Zionists said that the only acceptable response was Hamas surrendering and returning the hostages... but then what? Does Gaza still remain under siege? Or instead Palestinians get left with the corrupt PA rule that's only there to serve Israel's interests? If you return the hostages, then what? Are Palestinians prisoners freed or will they still languish in Israeli jails subject to inhumane conditions without a fair trial?

If you bring up the Nakba, they'll respond with "but the Arabs rejected partition!" When you bring up the occupation, they'll say "But Palestinians rejected [x] peace plans!" When Palestinians decide to bring justice to themselves by responding to Israel's violence with violence, people argue that Palestinians had it coming for whatever reason. If, in the words of Zionists, the current war is "justified" because of what happened on Oct 7 + the hostages, then in that case, Israel deserves to be sanctioned the world over for the casualty rate it is responsible for in Gaza.

Israel is the one with power here. It could've left the West Bank and ended the siege on Gaza like yesterday if it wanted to, but clearly it wants to maintain control from the river to the sea and then Palestinians get accused of wanting the entirety of the land from the river to the sea even though we have a rightful claim to it? Even though, Palestinians are literally criminalised for existing in their own land?

It's utter bullshit.

[supernovasilence]

Ok we all talk about the Pevensies' trauma at returning to Earth at the end of The Lion, the Witch, and the Wardrobe and their trouble readjusting to life there again but think of all the funny/good parts too

They return from the country, and their mom is surprised when all her children hug her at the station. Even Peter, who thinks he's all grown up. Even Edmund, who went away surly and withdrawn. She doesn't know her children haven't seen her in over a decade.

They miss their dear Cair Paravel, but they absolutely do not miss its chamber pots. Indoor plumbing is amazing.

It takes a while to remember how modern technology works, though. How many heart attacks did the siblings give their parents or the professor because they walked into a dark room only to turn on the light and find the children sitting there in the dark. (They were by the window! There was still plenty of light from the sunset! They would have gotten a candle in a minute!) The kids sheepishly remember oh yeah electricity is a thing.

(Edmund has a new electric torch in Prince Caspian. He was so excited to get that torch. Almost more excited than you'd think a kid his age would be, and his parents expect Peter at least to tease him, but the siblings all agree light in your hand at the touch of a switch is terrific.)

Suddenly getting really high grades in some subjects and terrible in others. Their grammar, reading comprehension, spelling, vocab, even penmanship? Amazing. History and geography? They don't remember anything. One time in class Susan forgets Earth is round and wants to die.

Also they can never remember what the date is supposed to be because Narnia uses different months and years. They can estimate time really well by looking at the sun though, and Edmund at least can always tell which way is north etc without thinking about it (again, using the sun)

Okay but how many times did they go to pick something up or reach something and realize they are so much shorter and less muscled than they expect? It's a common sight to see Peter climbing on counters to reach a top cabinet, grumbling about how he's High King this is demeaning. (No he never takes the extra five seconds to grab a stool. He will climb that shelf.)

Peter and Susan being delighted because they are no longer almost thirty. (In a few years Edmund and Lucy will tease them about being old and their parents will not understand.)

Lucy doesn't have to deal with periods anymore for a few years yet. Susan might not either. Heck yeah

Lucy loves to climb into her siblings' laps and be cuddled. In Narnia she eventually she grew too big, but now she is small and snuggleable again. Peter is her favorite, and if she's upset, he'll tickle her and tell bad jokes until she's smiling again, but really she loves cuddling with all her family. She grew up without her parents; how many times did she just want to crawl into her mom's lap and her mom was a world away? Imagine the first time she realizes she can now. Or, imagine one day, a cold and grey sort of day, when the rain is pattering against the windows, and it sounds like the rain on the windows of the Professor's house, that first day they went exploring. It sounds like the day they played hide and seek. It sounds so like the rain on the windows of Cair Paravel, that if Lucy closes her eyes she can imagine she's back there, having tea and chatting with Mr. Tumnus before the fireplace of her room, and soon the rain will stop, and they will go out on the balcony and wave to the naiads and the dryads and the mermaids, who have come out to enjoy the rain and visit one other on the banks of the Great River winding past Cair Paravel down to the sea.

But if Lucy looks out the window, all she'll see is the rain over London, so it's not only a cold and grey sort of day, it's a lonely sort of day too.

Susan and Edmund are playing chess in the living room (and they must have studied with Professor Kirke, thinks their mother, because they certainly weren't that good when they left). Lucy goes over to Edmund, and oh dear, thinks their mother, now he's going to call her a baby and be horrible to her, but instead he picks her up and puts her on his lap without even taking his eyes off the chessboard; it's simply a matter of course.

"Doesn't the rain sound familiar?" says Lucy in a solemn, wistful way.

Their mother doesn't know what that means, but her siblings must, because Susan says, "Yes, Lu, it does,” and Edmund gives her a little hug with his free arm as she tucks herself under his chin to watch the chess match.

(Five minutes later there is a crash from the next room as Peter falls off a counter. Their mother does not understand the words he must have picked up from the Professor, but he's grounded for them anyway. His siblings have no respect for their High King, because they refuse to stop laughing.)

[rafeandonlyrafe]

taken care of

words: 2.2k

warnings: 18+ only!, smut, established relationship, exhibitionism, VERY BARRY HEAVY FIC!, fishing and like description of cooking fish??? does that need a warning lol, mention of drugs, rafe and barry are drug dealers in this but its very brief, drinking, female receiving oral, sharing is caring lol?, p in v sex, male masturbation, voyeurism

“you don't wanna get out?” rafe asks, his hands petting over your thighs.

“im happy watching from here.” you hum, leaning forward to give him a kiss.

“okay.” rafe sighs, digging in his pocket for his keys, placing them in your awaiting palm. “you can keep the ac and radio on if you want.”

“you know me so well.” you coo, giving rafe another peck on the lips as he goes to the back of his truck, pulling out his tackle box and fishing pole. you keep the door open until you reach over from your passenger seat and turn the truck on, allowing you to roll down the window.

you wave at barry when he notices you in the backseat. “brought sweetheart fishing?” he questions, making rafe let out a grunt, while you just giggle.

barry loves to flirt with you in front of rafe, because he gets pissed and you get so shy, always ducking your head or hiding behind rafe.

“just watching.” you shrug, adjusting yourself so you're comfortable, glad the side of the road is so close to the river bank, letting you stay in the truck but still be close enough to listen to rafe and barry as they chat.

“fish on.” rafe calls out, huffing as he begins to reel. you sit up a little bit, trying to spot the fish in the water before it breaks the surface. your boyfriend hauls it out, a large fish but not a kind he usually keeps.

“wanna hold it?” rafe asks, looking to you.

“no.” you shake your head, hand coming to the lock button on the truck just in case he tries to get closer. “but ill take your picture with it.”

you raise your phone, snapping a picture of rafe with his fish before he undoes the hook from its mouth. he tosses it back into the river, the fish quickly retreating into deeper water.

you send the picture to rafe, knowing the grin on his face is only because of you. he doesn't even bother to check when his phone buzzes in his pocket. all notifications are silenced except for yours, even barrys texts being delivered without notification, only his emergency calls making the phone ring.

you don't even realize that you've fallen asleep leaned against the seatbelt, the warm sun on your face and calming sounds of the river flowing. you only blink your eyes open when the drivers door closes. you rub your eyes and look over to rafe, a gentle smile on his face. “sorry i woke you up.”

“it's okay.” you hum, leaning over the center console, arms circling around rafes shoulders, just wanting to cuddle up to him now that you're awake. “did you catch some more?”

“yeah, some nice bass. put a couple in the cooler if you're feeling up for fish tonight.”

“you wanna know what i want?” you tilt your head to the side, pulling back to look at rafe.

“what?” he hums out, eyes glancing between your lips and meeting your gaze.

“you.” you say before leaning in and capturing his mouth in a kiss, frowning when rafe doesn't reciprocate the way you want him to.

you pull away with an intense pout. “rafeyyy.” you whine out.

“uh, babe-” rafe chuckles, a look of mischief in his eye. you hear someone clear their throat in the back seat. your eyes widen, turning to see barry sitting there with a smirk on his face.

“oh my god!” you squeal, turning forward so the seat blocks your view of barrys goofy grin, covering your red face with your hands. “rafe cameron, why didn’t you say something earlier?” you shout, reaching over to slap him on the arm as he laughs.

“you kissed me before i could say anything!” rafe argues back, still laughing as you turn back to barry and apologize. “hes coming over for dinner.” “okay.” you whisper. you know barry is a drug dealer, and you know rafe is part of it too, but he keeps you as far away as he can from the life of crime, insisting that hes being as safe as possible, only dealing to kooks at parties.

rafe and barry chat, with occasional interjections from you, as rafe drives the truck towards your shared house. you don’t even bother going inside as you all head towards the backyard where rafe has a fish preparing station as well as a full outdoor kitchen with an expensive grill that was your birthday gift to him last year. sure, you paid for it with his credit card, but its the thought that counts.

“gonna take a leak, back in a minute.” barry heads towards the renovated pool house instead of the main home as rafe swings the heavy cooler up onto the counter. “is he staying the night?” you ask. barry always stays in the pool house when he ends up sleeping over, usually because hes too drunk to get himself home. 

“why? afraid you’re not gonna be able to be loud?” the only negative is the pool house is not too far from the glass sliding doors that lead into your bedroom with a view of the backyard and then ocean just beyond the fence you insisted get put up to keep anything from getting in your pool.

“stop it.” you whine, propping yourself up onto a clean spot on the counter. “i want you so bad.”

“well, im making you dinner right now.” rafe shrugs. “you’ll have to be patient.”

“but you promise to fuck me tonight? come on, i don’t know how long i can wait and i don’t want you getting too drunk with barry to fuck.” you complain, feet swinging.

“promise you’ll get off.” rafe says, noting that his words don’t seem to truly please you as you continue to have a scowl on your face. he knows how quickly your attitude turns when you get too needy for him.

“what you want to drink, pretty mama?” barry asks as he emerges from the pool house. 

“hard lemonade.” you bat your eyelashes at barry, moving from your spot on the counter as rafe gets out the fish to prepare it. you hate seeing him cutting into it, so you move to sit on the outdoor sofa instead.

“will never understand how you guys can drink those.” you turn your nose up at the beer barry brings for himself, handing one to rafe.

“jeez, whats gotten into you?” barry lets out a stark laugh, cracking open his beer with his keys before doing the same with your hard lemonade, handing it to you. even with the alcohol diluted, you still don't like the taste as your nose scrunches.

“shes horny.” rafe simply says, not turning away from his preparation.

“rafe, oh my god!” you shout. 

“oh.” barry just smiles at you, inching closer. “she gets bratty when shes horny?” he questions, not even talking to you despite his eyes glazing down your body.

“yeah. feel free to eat her out, man. itll get rid of her attitude while i finish grilling.” rafe says it so nonchalantly it takes both of you a second to realize he’s serious.

“really rafe?” you question. hes usually the most protective guy there is, always reacting badly when barry flirts with you.

rafe turns to look at the two of you on the couch. “why not? you’re just getting your cunt licked so you can stop being all pissy.”

“maybe because she’s your girl?” barry is just as surprised, though clearly eager from the way he keeps glancing between your thighs, now pressed tighter together.

“you’re not gonna fuck her. she’s not gonna touch your dick. you’re just eating her out.” rafe shrugs. “it’ll be doing me a favor, keeping her busy while i finish our dinner.” “well, i aint gonna argue. what you think sweetheart?” barry turns to you. you glance between him and rafe, only nodding when rafe gives you an encouraging nod. 

“perfect, now take those shorts off, let me see that pussy.” barry grins, gold tooth on display. 

you look to rafe as you stand up, surprised to see him already turned back to gutting his fish. you push your shorts and underwear down with a quick motion. he glances over his shoulder, simply smirking.

“i can’t believe he’s actually okay with this.” you mutter as you sit down, keeping your thighs pushed together as barry moves to his knees.

“just taking care of his girl for him. like how i take care of his drugs or people who fuck with him.” barrys hands come to your thighs, rubbing gently.

“you don’t have to do this though if you don’t want to-” barry can’t even finish his sentence as your legs spread open, revealing a sticky wet mess.

“i-um…” you blush. “i really am horny.” “i see that.” barry clears his throat, his eyes on your pussy. “now, lemme taste that.”

he leans in slowly, giving you a last chance to change your mind before his tongue swipes through your folds, making you shout out. you lean your head against the back of the couch as barry continues dragging his tongue around your cunt, purposely missing the areas you want him most.

“fuck, that’s good.” you moan, watching as rafe moves the prepared fish to the grill, looking over the way barry is hunched on the ground, knees digging into the pavement, his face surprisingly blank of jealousy.

“not as good as your boy though, right?” barry chuckles, hands coming to your cunt, pulling your folds apart to give him a view of your spread hole. 

“no.” you shake your head. it’s true, while barry feels good, he’s nothing compared to rafe. “sorry, bears.” you use the nickname for him reserved for moments when he lets his sweet side show. not often, but you occasionally get it.

“its alright, mamas.” barry shakes his head, eyes glossing over with lust as he sees the way your hole clenches around nothing, begging to be filled. “i know im just getting to eat you out this one time, i’m not gonna waste it.”

he leans in, done teasing as his tongue pushes into your entrance. you let out a moan, reaching down to grip onto barrys hair, undoing his ponytail so it falls into your fists. you hold his face closer as his tongue pushes in and out.

“god, you’re even tight around my tongue.” he groans, switching between kissing your entrance and fucking it with his tongue.

“and you’ll never get to experience it beyond this.” rafe smirks, knowing he’s the only one who gets to fuck you, your first and only. he flips the fish over on the grill, knowing by the look on your face that you’ll  cum by the time its done cooking.

“like having dessert before dinner.” barry slurps at your juices, tongue traveling up to your clit. 

“isnt she the sweetest?” rafe smiles at you, closing the lid of the grill as he gets the table ready, plates and silverware as well as a prepared salad.

“like candy.” barry murmurs, sucking your clit into his mouth, making your back arch as you let out a squeal.

“keep doing that!” you shout out, not caring that your neighbors may hear the way you’re screaming for him. at least the tall wooden fence blocks any view of your exposed sopping wet cunt.

“cum for him.” rafe commands. “dinner is almost ready.”

barry works his hardest, sucking your clit while his tongue simultaneously flicks over it. you try to hold on for a moment longer before your orgasm rips through your body, hips pushing up as you cum with a squeal.

barry switches to gentle licks as your clit pulses, working you through your high until you let go of his hair, pushing his head away as you pant, chest moving rapidly up and down.

“god, that was good.” barry pulls away, wiping his mouth against his sleeve as he stands, looking down at you as he squeezes his clearly hard length through his cargo shorts. 

barry grabs his beer off the table, moving over to take his seat at the outdoor table. you’re surprised how quickly he’s able to return to normal, as if he wasn’t just eating his friends girlfriend out.

“come on, princess.” rafe grabs your shorts, helping you slide them back up your legs. “fish is ready.” he presses a kiss to your forehead, then cheek, then finally against your lips.

“yeah.” you nod, standing and wobbling slightly, rafe wrapping his arm around your waist to guide you to the table until you’re in your seat.

“feeling better?” rafe questions, preparing your plate for you, seeing you still need a moment to recover.

“way better, actually.” you hum, no longer desperate for an orgasm. “thanks barry.”

“just helping my friends out.” he shrugs, lips still slightly glossy.

--

“leave it open.” rafe says as your hand moves to close the large curtain that covers the sliding glass doors. your eyebrows raise as you turn to rafe. 

“barry did you a favor earlier, might as well give him a view.” he smirks, pulling his shirt off.

you glance towards the pool house, rafe of course keeping him supplied with plenty of beers, enough that he was too tipsy to go home. he’s sitting on the bed, eyes meeting yours as the blinds have been left open.

it doesn’t take much longer for rafe to have you kneeling on the bed, tits bouncing as he plunges into you from behind, hands tight on your waist, holding you up on display for barry, stroking himself, his cock just in view through the window.

taglist: @drewstarkeyslut @forstarkey @f4ll-for-you @dilvcv @drudyslut @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @kamninaries @buckyswhxre @rafeinterlude @bellbottombaby @deeaardiary @rubixgsworld @wearemadeofstardust0 @leighbronk @starkeysheart @pradabambie @tobesolovelysstuff @alexiskirkland @rafestar @brioffthegrid @juniebugg @magicalyoura @cokepewpsii @mysticallystilinski @luvdella @aerangi @folklorsweet @yourenogoodforme @auryyz @mayhem-72 @thestarlithideout

[murdrdocs]

perv!wally clark bc now i can let these thoughts out and i know someone will listen

perv!wally who has sexual needs even while he’s dead. he used to struggle but the day he saw you walk into the school with your little short skirt and your thigh high stockings his struggles suddenly ended. the nights of having to pray that a horny high schooler would leave behind a playboy by accident turned into nights of imagining himself buried deep inside of you. perv!wally who sneaks into the girls locker room before and after your gym class to be able to catch even a peek of you undressing and changing into the shortest gym shorts known to man- not that he minds how short they are. wally clark the panty stealing ghost of the girls locker room because they’re not really gone, he just gets a copy to release into as much as we wants needs to

oh this is sick in all the right ways MDNI 18+

he's not even made aware of your existence on purpose. truthfully.

one day he's sitting outside since it's a beautiful day, watching the way the wind blows the leaves in the trees, hoping that someone drives by with their window down and plays a song he actually knows, and then he sees you. taking your time getting out of your car, slinging your bag over your back, walking into the school doors an entire period late. but that's not what interests him about you. many high schoolers have skipped first period.

what attracts wally is your outfit. it's halloween, the school has allowed costumes to an extent, and he'd been able to recognize some of the other ones. but yours seems familiar. it's on the tip of his tongue. and he decides thats what it's driving him crazy. not because he's insanely attracted to the tiny black pleated skirt, knee high sheer black socks, and the white button up you have tied to show your navel.

he follows you around school that day. only to jog his memory of what the costume is. and then he's in the cafeteria with charley, staring at your pigtails that bob as you excitedly talk with your friends, and charley offhandedly compliments you with a "britney spears. nice", and wally is far too excited about the reference. totally only about the reference and not because you happened to drop your phone right in front of him, bending down to get it without a second thought. besides, only the pillar would see your panties. right?

his obsession appreciation for you started then. and it never really stopped.

he followed you around that day, always pretending to simply be roaming around the halls he knows so well if one of the others caught him. he was just taking in what he could, maybe saving some images for the spank bank if he ran low on what he already had. but then, you happened to get dress coded during 4th period, and wally just happened to have followed you into the locker room to change, and he just happened catch a full look of the red lace panties he only caught a glimpse of earlier in the day.

and if he wasn't addicted before. he was then.

guilt starts to eat at him after the initial look of you stripped down to your intimates, so he sticks to watching you in the halls. just admiring the way the jeans of the 2020s hug your ass and the way your shirt hugs your tits. he promises himself that he won't be a complete weirdo anymore. but then you're scrolling through your hidden images through your phone, and wally has always had a problem with being nosy, so he just couldn't help staring over your shoulder. and if he hadn't seen the lewd images you had saved of yourself, then he wouldn't have started following you into the locker room again. honest!

but he ends up there anyway, sitting on one of the benches as you get naked and then redress, only to put on shorts that have only gotten smaller since his time at split river high.

it's like clockwork.

you have bio, you go to the locker room, you undress and redress, you participate, you come back to the locker room, you undress and redress, then you go to calc. and wally is there for it all. he ogles at your body. he watches you get just a little sweaty. then he follows you to calc where he stares at how pretty your face is when you're concentrating.

that's it. he's just visually appreciating. he's an appreciative person. but maybe a little bit too appreciative. because there's one day, just one lucky day, where you have to change panties. you're one of the only people left in the locker room, you and one of your friends who's lacing up her boots but wally has never cared about her. you pull out a pair of panties from your bag, you gnaw on your bottom lip, and wally is already salivating as he puts two and two together.

he gulps. he tries to avoid palming his cock already.

"turn around i have to change underwear," you tell your friend, who immediately does as told. and wally feels like maybe he actually has crossed over and this is his heaven.

because not only is he getting to see your bottom half completely bare, but you fling your panties onto the bench, right beside your backpack which is right beside wally. and he would be a complete idiot if he let this moment pass. the opportunity has practically landed in his lap.

so he reaches over, picks them up and stuffs them in his pocket, and enjoys the rest of the show. you tuck the used pair in your bag, slip your jeans back on along with your shoes, and then leave for calc.

but wally stays behind this time.

[wynnyfryd]

Trailer Park Steve AU part 4

part 1 | part 2 | part 3

September

He doesn’t talk to the Munsons much. (Doesn’t talk to anyone, really, aside from his mom and Robin and that one older woman who keeps renting and returning Gone With The Wind as an excuse to leave her house.) He keeps his head down and his nose clean, doesn’t care to make friends with the neighbors; just wants to get by.

One day Eddie approaches their door, waving a gas bill that got mixed up in their mail, and Steve greets him pleasantly enough.

“Stab anyone today?”

“Eat glass, Harrington.”

So it goes.

Steve watches the world pass and the weather turn, lets the hours bleed into weeks and squeezes his eyes shut against the flashbacks when they threaten to overwhelm.

Things with his mom are weird.

They don’t really speak, preferring to shrug their way past each other with careful, tight-lipped nods, and his mom takes these pills the doctor gave her that keep her perfectly pleasant and calm. Silent. Physically present but not really here.

And he can’t imagine how it feels to be her: Florence Harrington, ripped from the comforts of the upper crust and left to rot in a tin can seven miles across town. She spends most of her time letting out weary little sighs as she swans from room to room, drifting like a shade on the banks of the River Styx. (He can make that reference now because Robin won’t shut up about mythology. “It’s so gay, Steve. The Greeks were literally so gay.”)

Anyway.

Shit’s weird with the kids, too. He still drives them around — lets them loiter at Family Video when it’s slow; hangs around when they need a ride to the arcade or the movies or the skating rink; and he’s still on the hook for ‘ice cream. for. life,’ so…

It’s just not the same.

Like. Not to be dramatic, but who the fuck is Steve Harrington without the house and the pool and the free-for-all fridge? Just some kid with a car and a bat and a punchable face. And he can barely afford to keep the car now, anyway, so pretty soon they won’t need him for that, either. They’ll learn to drive; they’ll get their own jobs. Maybe Lucas builds enough muscle to take over as the party tank.

Maybe it’s better if he shelfs himself now before they realize he’s become obsolete.

“Oh, my god, you’re being pathetic,” he groans to himself. His voice is muffled where he’s lying face down on the couch. Ridiculous behavior, because everything is fine; Steve is fine. In the grand scheme of things where there are monsters and melted corpses and all kinds of crazy, horrible shit?

Yeah.

He’s being obnoxious. It’s a lovely sunny Saturday afternoon with just the right Autumn breeze going — gentle but cool; long sleeve polo weather; his favorite kind — and he’s sitting inside throwing himself a pity party.

Fucking absurd.

…Five more minutes.

Just five more minutes, then he’s getting off this couch.

He gets to a minute and a half when he hears the crunch of tires against the gravel, the clanging of a little bell from the handlebar of a bike, and then:

“STEVE!!!”

And that’ll be Dustin, trying to bang the door off the hinges and piss off the whole park at the same time. Kid’s nothing if not a multitasker. Steve lets another aggrieved groan loose into the couch cushion.

His mom’s out with the car; the lights are all off. Maybe he can just play dead ‘til Dustin leaves? He loves the kid, he really does, but his left ear is full of static, and he just wants to fucking sleep. Or sulk. Or both.

“STEVEN CHRISTOPHER, I KNOW YOU’RE IN THERE.”

Jeeeeesus Christ. “Okay, chill,” Steve grumbles as he hauls himself upright and throws open the front door. His limbs feel like lead; there’s drool on his chin. “Wake the whole goddamn neighborhood, why don’t you?”

“It’s two in the afternoon.”

“Yeah, and half the people here work nights.”

“Oh-kayy,” Dustin drags out the word, “but you don’t.”

Ugh. Whatever. He’s not gonna be shamed by a toothless teenager for his depressing loser tendencies. “Did you need something?”

Steve scratches at his belly hair through his shirt, feels a muscle twinge in his shoulder and send a spark of nerve pain skittering up to the base of his skull.

Dustin either doesn’t notice or doesn’t care that Steve’s body is falling apart where he stands, because he just rolls his eyes and says, “Uh, yeah. I need to know why you’re avoiding everyone? Mom’s tried to invite you to dinner six times now.”

“I was working.”

“All six times?” Dustin glares. Steve feels a little pinned by it, feels guilt seeping through the cracks as he fidgets with his bad ear. This kid’s gonna be the scariest lawyer some day. “She’s worried.”

Goddammit.

Guilt squeezes hard behind his ribs; he knows Dustin uses his mom as a mouthpiece for the feelings he can’t express. “I’m fine,” he sighs, letting his eyes and voice go soft. “Honest.”

Dustin holds firm, gaze fierce and fists clenched. “Bullshit,” he insists.

“Man, don’t—”

“Bull. Shit.”

Suddenly, their impromptu interrogation gets interrupted by a crashing drum fill, a shriek of electric guitar as Munson’s van squeals into the lot. He’s blasting some melodramatic metal shit about wizards or whatever; Steve doesn’t know. He only knows that the skitter of nerve pain he felt is ramping up to a fullblown migraine now because this guy has to listen to his racket at full fucking volume, apparently, and isn’t this all just “fucking great.”

—

part 5

[woso-dreamzzz]

Injured: Before

Alexia Putellas x Baby!Reader

Summary: Alexia struggles

Sometimes Alexia will look at you, asleep in your crib without a care in the world.

Sometimes, she will watch you and try to fathom how you came from her. Sometimes, she looks at you like you've come out with two heads and a tail. Sometimes, she will not see you as a baby.

But other times, she looks at your little fingers and little toes and tiny little feet and just be in awe of you. She laboured for hours to have you, cursing your existence in those painful moments before scolding herself for those words when she finally had you in her arms.

You were so beautiful then, passed out asleep on her chest after your stressful birth. You napped and napped and napped before finally awakening again.

Alexia expected to look at you and find everything slotting into place.

She expected to look at you and have the whole world stop in awe of you.

Her Mama had told her countless stories of what her own and Alba's births were like. She spoke at length about how magical it was to have her girls in her arms, for everything to finally make sense in the world, to be filled with such love for their tiny bodies that she couldn't help but stare at them.

Alexia had been ready for those feelings, for those months of indecision between giving you up for adoption and keeping you for herself to finally settle, to finally know that there was no way she could ever think about giving up the perfect little baby girl in her arms.

She had been excited for those feelings.

But they never came.

Not truly.

You looked into Alexia's eyes and...you looked like any other newborn in the world.

There was no instant connection.

There were no fireworks or bells ringing.

It was just you and her and the complete lack of recognition between you both.

You could have been any other baby in the world in that moment.

There were moments though, like now, that Alexia can see the light at the end of the tunnel.

You fit almost perfectly in her arms, wrapped in the almost perfect swaddle Alexia has made for you. Alexia looks at you now and sees her daughter. She can imagine you growing up with her. She knows in these moments that she did the right thing in not giving you up.

But Alexia knows that these feelings will disappear by the end of the week. She doesn't know what's wrong with her. Some days, she can do nothing but stare in awe at you but other days she can barely get out of bed. She can barely do anything but cry even as she feeds you and puts you down for naps.

It's like drowning, Alexia thinks. It's like drowning in a river.

She's fighting against the current carrying her downstream, to the waterfall at the end that will surely be her downfall. She fights it sometimes, desperate to surface for air before being forced under again.

There are longer moments of calm where she can grab onto a branch of a nearby tree and try to climb to the safety of the banks where you wait for her but the current is too strong and Alexia can only hold on for so long until the water claims her again.

She savours these moments with you, where she looks at you and can be so happy with your little eyes and your little nose.

You don't look like her yet but you are still practically a newborn, coming up on one month soon. Newborns don't really look like anyone in particular.

Alexia hopes that you will look like her soon. Maybe that's what she needs to pull herself out of the river. Maybe seeing you look like her will snap her out of whatever stupid daze she is. Maybe you looking like her will be what finally calms the current.

Alexia clings to a branch now as she settles down on the sofa with you, letting you latch on for one of your feeds.

The house has been on lockdown since your birth. Just you and Alexia.

Her Mama has tried to come around and weasel her way into helping but Alexia's adamant she can do this on her own. She doesn't need help. She doesn't want it.

But she also doesn't want anyone to see her like this, so broken and confused and unable to form a real, proper attachment to her newborn.

It's just a little hiccup, a bump in the road that will be over soon so Alexia can fully focus on you and love you like how you deserve to be loved.

As soon as this is over, as soon as the river calms or Alexia finally hauls herself out of it, she will let people visit.

She doesn't want anyone to see her like this.

You whine a little bit and Alexia winces.

Your latch isn't good.

"It's okay, it's okay," She says to you, forcing you to unlatch so she can adjust," Just give me a moment."

Her grip on the branch loosens.

You whine a bit more, growing fussy.

"I know," Alexia insists," Just...Just wait."

The current picks up and Alexia tries to hold on.

You try to latch again but it's even worse than before.

The current forces her off the branch.

You start crying.

"No," She says, panicked," No, wait. Wait. Please...Please!"

She's forced downstream again, dunked under the water.

You keep crying. You sob and you can't latch again no matter what Alexia tries.

"Come on," She begs," It's okay. See? You're nearly there! Just...Stop crying...You just need to stop crying..."

The stream takes her closer and closer to the waterfall and Alexia's sobs mingle with yours.

[gallusrostromegalus]

Hi Gallus, I'm doing some worldbuilding and you seem like you could be connected enough for me to find an answer to the problem of dwarven agriculture. Many problems are created by the requirement of no sunlight, as even the common response of mushrooms still need light to break down decomposing matter as a primary energy source. Currently, we're thinking that they use a special type of mushroom that breaks down rocks in an energy-producing reaction, giving them enough energy to absorb nutrients and grow - this would serve a second purpose in explaining why building a massive hollowed-out mountain fortress doesn't produce an equally large amount of gravel.

Any thoughts? We're grasping at straws kinda lol

Well, some thoughts:

There's plenty of cave systems (especially Karst Systems) that are at least partially open to Sunlight- especially the kind that have rivers running through them, which is something else that's really helpful for agriculture.

For Example: This Cool AF Sinkhole cave in china that has an entire Forest in it

Now There's a view to put outside the city Gates!

Karst specifically is a landscape where underground rivers hollow out the limestone underground and then the cave roofs fall in. This kind of landscape answers your gravel question nicely: the hollowed out mountain does produce an equal amount of gravel, but the gravel turns up as the sandy banks of the river system hundreds of miles away.

So, there's your sunlight that can be used directly, or reflected or magically transferred deeper into the cave system.

Or they just put more holes in the roof! Unless your dwarves are also vampires, there's no reason for them to not hollow out a few Skylights into the mountain too.

But let's talk some other cave ecology and agriculture!

For starters, your dwarves could be sitting on top of a literal gold mine that would allow them to trade for a lot of needed materials and crops.

And by gold mine, I mean Salt Mine.

Historically, salt comes out of hollowed-out mountains and is worth more than gold.

Also something the humans have historically fought a bunch of wars over, so there's some free political tensions if you needed that!

I can also mean the possible fucking enormous piles of bat guano that accumulates in Karst caves, which is the world's most insanely good fertilizer, and ALSO something that has been worth more than it's weight in gold.

Speaking of Gold, another thing that often lives in sinkhole caves in abundance is BEES. turns out, limestone stalactites are a terrific place to build a hive that is difficult for predators to reach, stays dry and the stone substrate means the hives can reach many tons in weight before they start having structural issues. That sweet, sweet insect-derived liquid gold is already important to Dwarves in a lot of folklore- it's really hard to have a Traditional Dwarven Mead Hall without the honey to make the mead, you know?

So you got your mushrooms, you got your sunlight-grown sinkhole crops, you got your traded goods and you got your source of alcohol- the only thing really missing from an ancient food pyramid here is a staple carbohydrate. To that end, may I propose our good Peruvian Friend: The Potato.

Grain crops aren't actually all that nutritious and were kept around in ancient societies more as legal tender that kept the peasants busy, because wheat or rice takes months to grow, an enormous amount of labor to harvest, and wheat also needs to be milled before it can be turned into food- all enormously time-consuming processes that keep peasants busy and easy to rule tyranically over.

Potatoes though? Pop one in the ground in spring and you can dig up fingerlings all summer, and if you make potato towers, you can harvest up to 40lbs of delicious, easy-to-prepare-and-store carb out of a single plant- a real space-saver for the limited sinkhole skyspace.

If your dwarves have cheese, the potato makes even more sense, because Potato+dairy is the easiest, most nutritionally complete survival food there is.

Finally, consider: Dwarven Vodka.

This post is open for anyone to comment suggestions on, but that's my take: put your dwarves in a Karst-sinkhole cave system, give them a highly in demand resource like salt or guano, bees, and taters. Boom. Whole agriculture, economy and political scheme starters.

[javier-pena]

embers

Pairing: Arthur Morgan x f!reader

Word Count: 9.5k

Rating: Explicit

Summary: You're engaged to be married to a man you've never met. Arthur Morgan is supposed to escort you across the country to meet him. You should keep your distance, but the dangers of the road bring you closer and closer together with each passing mile.

Warnings: smoking | drinking | canon-typical violence | allusions to rape | reader is a virgin | loss of virginity | descriptions of injury and medical procedures (Arthur gets stitches) | reader has hair that can be pulled | hand job | oral (m receiving) | masturbation (f and m) | mutual masturbation | dirty talk | voyeurism | exhibitionism | praise kink | fingering | (unprotected) p in v sex

Notes: So there's this post ... and It has been on my mind for months so I had to write this exact scenario with Arthur, naturally. Again, this is way longer than it was supposed to be, but working on this fic allowed me to daydream a lot, so I can't complain. As always, I wouldn't have been able to do it without Dani @alexturner, who pushed me in the right direction and came up with the ending (because I'm not good at writing those)!!

***

You’re not pretty. At least that’s what everyone told you from the moment you could understand those words. Your mother, the maid she hired to look after you, the boys working for your father, the marm, the people in town. Since you were little, you’ve been hearing it over and over again. “It’s such a shame she ain’t pretty, what’s she gonna do with brains?”

The thing is, you also don’t feel very smart. If you were, you’d have found a way to leave your godforsaken town for one of the big cities in the east as soon as you could read the timetable down by the train station. You would’ve found a way to get out of this marriage your father arranged for you. Ambrose Longabaugh was his name. Ambrose Longabaugh. From what you have heard, he shares your lot: anything but handsome, but at least he has money.

No one was sad to see you go, save for your little brother, who held you tight and made you promise to come back if you didn’t like your betrothed. You had promised, knowing you were lying. It didn’t matter if you liked him or not, he was the man you were going to marry. You weren’t getting out of this. Your father had made sure of that.

Mr. Morgan is riding ahead of you, sitting in the saddle with his shoulders slumped, a cigarette dangling between his lips. You can smell the smoke on the crisp fall air, even though you’re trying to keep your distance. It’s not that he scares you – not as much as other men do, not as much as your future husband does – but you don’t like him very much. Your father is paying him to take you out west where Ambrose Longabaugh will one day take over his father’s cattle business. And Mr. Morgan is doing it without complaint, hardly acknowledging your presence. He talks more to his horse than he talks to you.

You let your eyes wander across the mountains around you and sigh. The first time you had seen them, your mouth had hung open in awe. Now you feel trapped by them. You can’t go back, and there’s only one way forward. You sigh again. No, you’re neither pretty nor smart.

“Break?” Mr. Morgan asks from up front. It’s only the fifth word he has said to you today; the others were good morning and let’s go.

“Yes,” you agree, not because you need it but because it gives you something else to do.

You stop near a small river with a shallow bank where Mr. Morgan can refill your waterskins. While he’s busy, you stretch your legs and pick up a few rocks from the riverbed to toss them into the water. The rushing of the water fills your ears, drowning out both thoughts and sounds. You take a deep, calming breath and close your eyes.

When you open them again, Mr. Morgan has taken off his lambskin coat and rolled up the sleeves of his shirt. He’s washing his face and neck in the cold water of the river, a wet stain forming on his collar, drops running down his lean, muscular forearms that are still tan from working outdoors all summer. Your face heats up with an emotion you don’t quite understand, and you turn away from him, pretending to be interested in some moss-covered rocks. You’re not supposed to look.

He startles you when he touches your arm lightly, making you turn around. You hadn’t heard him coming over the sounds of the river. His coat is back on, but you can see his neck glistening in a few places still.

“You shouldn’t wander, ma’am,” he says. That’s four more words for today.

You look around. “Indians, right?” you ask with a small laugh.

His face remains serious. “No. White men. Gangs. They like to hide out here.”

You watch his Adam’s apple move as he swallows and your throat immediately mimics his. “Then why are we taking this road if it’s so dangerous?”

He shrugs. You realize he hasn’t let go of your arm yet. “It’s fast.”

“My father –”

“Your father planned this route.”

You swallow again. “I’ll be careful, sir. Thank you.” He lets go of your arm then, and you walk back to your horse, your face now heating up with an emotion you definitely recognize: embarrassment.

You make camp later that day where the trees are standing close together. While he builds a fire, you pick at a pine cone you found on the ground. Somewhere in the distance you hear a howl, but you’ve learned that if it’s not loud enough to make Mr. Morgan look up from his task, then it’s nothing to be worried about. And he stokes the fire, eyes fixed to the flames.

After dinner, he hands you a small bottle and when the sharp taste of whiskey makes you cough, he smirks. So you take another sip, holding his gaze. He looks away first, pulls a torn-up pack of cigarettes from his coat, and offers you one. You accept, surprised.

“Don’t let my father find out you’re corrupting me,” you tease.

He only makes, “Hm,” in response.

The smoke from the cigarette burns your throat, just like the whiskey, but this time you manage to suppress the cough. “Do you have family, Mr. Morgan?” you ask, watching how he uses a branch to stoke the fire.

“No,” is his simple reply.

Now it’s your turn to make, “Hm,” before you add, “No one you’re sweet on?”

You don’t really care about the answer, why would you? But when he gives you another, “No,” a careful one, it makes your heart pound faster. Until he turns the tables.

“What about you?”

“Oh,” you say, “I don’t know, I haven’t met my fiancé yet.” And you don’t want to be thinking about him right now.

Mr. Morgan looks at you, his head cocked to one side. “Come now,” he pushes, as if you’re being evasive on purpose. “That ain’t what I’m askin’.”

You sigh. “It’s not? I’m spoken for. I have no business thinking about other men.” You don’t mean to be so frank, but the words are out of your mouth before you can stop them. And you can tell from the look on Mr. Morgan’s face that he still thinks you’re not honest with him.

“Hm,” he makes, and you dread what might be coming next.

“I’m going to bed,” you tell him, putting an end to your conversation. He opens his mouth to add something, but you don’t give him a change. You lie down and pull your thin blanket over your body, face hot with embarrassment. The last thing you see before falling asleep is Mr. Morgan staring at the flames, a quiet smile on his lips.

Later that night, you wake up to shouts. What pulls you from your sleep entirely is a gunshot that reverberates through the forest. “Mr. Morgan?” you shout, because he isn’t sitting next to the fire anymore and you can’t see him anywhere. Then you hear a sound that makes your blood run cold, a snarl, a growl, but animalistic, wild, unlike anything you’ve ever heard. You jump up from your bedroll, ready to run, but then you remember Mr. Morgan’s warning. It’s better to stay here, in the light of the dwindling fire, than to take your chances out there. “Mr. Morgan?” you try again, this time a hiss, as you frantically search the darkness beyond your camp. It gets so dark out here at night.

A shout is your answer, a deep, “Hey!” Short and fast. The horses whinny, and you’re only now realizing they’re stomping the ground, tearing up the soil with their hooves, the whites in their eyes visible, ears pressed tightly back. You try to swallow your panic, but it gets harder with every passing second.

Then something moves between the trees and Mr. Morgan stumbles back into the camp, a gun in one hand, a torch in the other. He has a wild look in his eyes too, just like the horses, but when they land on you, he relaxes, his face assuming its usual, stoic mask. “Mountain lion,” he says. “It’s gone.”

“What does that mean?” you ask, your voice trembling.

“Chased it off,” he explains. “It ain’t coming back here.”

“The horses …,” you start.

But he walks toward the fire, toward you. “You did good,” he says, dropping to his knees next to you, so close, too close. You can smell the gunpower on him, and the sweat; you’ve never been so close to a man before, not even your own father. “Here.” He hands you the whiskey again. “It’s gone, I promise.”

You wish your hands wouldn’t shake so much. He grabs yours with one to steady, his warm skin like fire against yours, unscrews the stopper with the other, not with impatience but oh so gently. You manage to take a sip on your own, but he watches you intently for any signs of distress.

“You’ll have to get used to it,” he says, stowing away the bottle. “This land out here … it’s wild.”

You nod. Now that the initial burst of panic is dulled, you feel tears sting your eyes.

“But you’ll manage.” His voice is so calming. “You’re a brave girl.”

*******

The hooves of your horse pound out a slow, steady beat against the hard ground. You’re tired, every muscle in your body is sore, but you push on without complaint, following Mr. Morgan up a winding mountain and back down on the other side. The days are so similar they’re bleeding into one – the mountain lion … did it attack three nights ago? Five? You don’t remember. All you know is that your heart picks up speed when he looks at you, that every evening your conversation around the fire becomes a little bit longer, that you wish you could go on like this forever, never to arrive at your destination.

Sometimes at night, when you can’t sleep but you pretend to, you can hear him sing, sometimes to himself, sometimes to the horses. Your heart almost flies out of your chest when he does it. He hasn’t touched you anymore since the night of the mountain lion attack, but you wish he would. Even though everything else about him confuses you, you wish you could feel his skin against yours again; such longing, it almost consumes you.

Is this what it’s supposed to feel like? Did your cousin feel like this when she ran off with that cowboy? Did your mother and father feel like this; is that why they got married? Are you supposed to feel like this when you meet your fiancé? Or is this something else entirely? Is there something wrong with you?

“Break?” he asks once the ground is beginning to even out.

“You know, you keep asking for breaks so much I’m starting to think you don’t want us to reach our destination,” you tease.

He just shrugs and stops his horse. You halt too and climb off, your legs steady when they hit the ground. It wasn’t like that in the beginning; the first few days he had to help you off your horse and you could barely stand. It’s astonishing what a difference a few weeks can make.

You stretch, then begin to walk up and down the path. It’s cold, sitting so still up on that horse, and you flex your fingers, trying to get some feeling back into them. Mr. Morgan, meanwhile, sits down on a tree stump to write in a leather-bound notebook. You’ve seen him use it before but you don’t quite know what it’s for. He’s probably tracking your progress or taking notes on the weather.

Careful to keep him in sight, you veer off into the underbrush, looking at the trees and the different kinds of plants growing on the ground. You pretend you can read the language of the forest, looking for tracks of animals or some mushrooms you might be able to eat. Just like you’ve seen Mr. Morgan do countless of times. When you do find something, you’re not sure what to make of it.

“Mr. Morgan?” Your voice is raised as you try to keep it steady.

You hear his footsteps immediately but you don’t dare to turn around, your eyes fixed on the sight before you. He stops next to you, and you can hear his steady breathing. The knot in your chest immediately dissolves.

“Hm,” he makes.

“What happened here?” you ask. Now the tremor in your voice is all too audible.

He hesitates just for a second, weighing his options, but then he says, “Some people were camping here, a family by the looks of it.”

“Where are they?” you ask, finally turning toward him. The cold, calculating look on his face sends a shiver down your spine.

“Ma’am …,” he says slowly.

“You can tell me. I can handle the truth.”

You look back at the burned-out wagon, the torn clothes hanging from tree branches, all that blood on a log next to a cold fire pit. You don’t need him to tell you. You just want him not to confirm your suspicions.

“They’re dead,” he answers. “Killed. For money.”

“All of them?” you ask.

He winces. “If there were women …”

“Can’t we help them?” You know you can’t, but you wish there was something you could do.

“Stay on the path next time,” he growls. “No more wanderin’ ‘round … ma’am.”

“Mr. Morgan …,” you try, but he’s already trudging back toward the horses.

You spend the rest of the day in silence, riding next to each other but avoiding each other’s gazes. You shouldn’t have called out to him; it was obvious what had happened in that camp. They were a group, and you’re just two people … your father couldn’t have known about the dangers of this journey, or he wouldn’t have made you go. He would’ve found another way. At least that’s what you’re telling yourself. Because you don’t want to even consider the other option and what it would mean. When the sun slowly disappears behind the mountains around you, dread settles onto your heart, the heavy kind you haven’t felt since you were a little girl, afraid of the dark.

Finally, Mr. Morgan stops his horse. “We camp here tonight. No fire.”

“It’s so dark,” you whisper.

“The darkness ain’t what’ll kill you,” he growls.

You can’t sleep; of course not. So you watch him all night, sitting up straight next to you, not so close that you could touch him, but close enough so you’ll always see he’s there. He doesn’t sleep either but he sits very still, keeping his eyes on the path, making sure nothing evil comes out of the dark. And you wish all you had to worry about were mountain lions.

*******

Two days later, Mr. Morgan’s face is pale and you’re frozen through. You haven’t had a warm meal since you found that destroyed camp, and Mr. Morgan has barely slept. You haven’t talked at all, apart from the necessities. And still you haven’t left those mountains and woods behind you. At least the daylight makes you feel less afraid.

“Is it far still?” you ask when the silence becomes unbearable.

“A week,” he answers, looking up at the sky, “if it doesn’t snow.”

The weather is the least of your worries. “And how long before we’re past the mountains?” You hate them now as much as they awed you at first.

“Three days maybe.”

Three more days without warm food. You straighten your back. “Have you come this way before?”

“Yes.”

“Has anything ever happened to you?” You don’t know if you’d prefer confirmation or denial.

“You’re safe with me, so don’t you worry about that.” There’s something in the way he says it that makes your grip tighten on the reins.

“I’m not worried,” you lie. “Just curious.”

“Hm,” he makes before going back to observing the surroundings with caution. “Bad people are everywhere. Not just here.”

“That’s a grim way to look at the world.” You try for a teasing tone, but it sounds like you’re reprimanding him instead.

“You ain’t seen much of it then,” he replies.

“More than you know.”

He looks at you curiously, just for a moment. “You –” he starts, but a shout ahead on the path interrupts him.

“Hey!”

You almost jump out of your skin and stop your horse reflexively. That’s your first mistake. The second one is to shout, “Arthur!” Because it costs him valuable seconds, that distraction. He turns around to look at you, and then suddenly two men are on him, pulling him out of the saddle. Two more appear next to you, a young, handsome one with a dark mustache and darker eyes, and a man your father’s age, but scrawny, with a mouth full of yellow teeth that he exposes to you in an ugly grin. You pull on the reins and your horse dances nervously, ears pressed tightly against its head. And then you hear a shot.

A fifth man stands in the middle of the path, a smoking gun held high over his head. His thick, gray beard quivers as he shouts, “Everybody stay calm and no one is gonna get hurt!”

You look at Mr. Morgan for guidance and see him struggle against the two men who are restraining him by holding his arms tightly pressed against his back. His pants are dirty from where he hit the ground when they pulled him off his horse.

“Get her down from there,” the man with the gray beard barks, and before you can do anything, thin but strong fingers have closed around your arm and you tumble out of the saddle with a shout.

The man who is holding you stinks of rotting things and nicotine. He twists one of your arms until it is pressed flush against your back and uses his other hand to hold your chin, so you’re forced to look straight ahead at the man with the mustache.

“Pretty little thing, ain’t she?” he snarls, and the other man licks his lips.

“We just want your valuables,” Graybeard says to Mr. Morgan.

“We ain’t got any,” he growls.

“I’m sure you don’t,” is the calm answer as Graybeard starts going through the saddlebags of Mr. Morgan’s horse.

You roll your shoulders but the man with the rotting teeth only tightens his hold on you. His companion takes a few careful steps toward you. A lump is forming in your throat as you begin to realize just how dangerous this situation is. You try to kick back, like a horse, but you miss your captor. It only earns you a cruel laugh and a pinch to your cheek.

Somewhere to your right, you hear a dull thud and a pained groan coming from Mr. Morgan. You try to look at him, but you can’t move, not because you’re being restrained but because fear has taken over your body and you can’t do anything but relinquish control.

“Check her horse,” Graybeard orders, but the man with the mustache doesn’t move. He’s only a few steps away from you now, his eyes hungrily roaming over your body. “Now!” Graybeard barks.

“There isn’t -,” you start, but the man who is restraining you clamps a hand over your mouth. You could vomit when you taste his skin.

“There’s this,” the man with the mustache says, holding up a cheap necklace your mother gave you as a parting gift.

“Take it,” Graybeard orders.

“What about her?” the rotting man asks and shakes you.

“Her too,” Graybeard answers with a nod. “Shoot the man.”

“No!” you shout, even though it makes the disgusting man get more of his fingers in between your lips.

The man with the mustache stuffs your mother’s necklace into the pocket of his jacket, then walks over to you. You can hear the blood rushing in your ears as he grips your skirt and begins to pull it upward so your boots and then your drawers are slowly exposed. A hot tear rolls down your cheek but it only makes him smile.

“I bet you’re lovely.” His voice is deep, almost as deep as Mr. Morgan’s, but hearing him speak only fills you with revulsion. “I bet you’re all tight …” He lightly strokes your cheek, then uses his free hand to unbutton his trousers.

“No!” you shout again, but it’s muffled, and your feeble attempts to free yourself are met with an evil snicker.

Then you hear a shot and all the life goes out of your body. It’s done. You’re alone now. And if you’re lucky, you’ll soon be dead too. Two more shots ring through the forest, each one as painful as if you’ve been hit by the bullets yourself. The man with the mustache doesn’t even flinch. His trousers hang open now, and you can see dark hairs peek out from between the fabric, before he cups one of your breasts hard and licks a broad stripe up your neck.

The other man moans, low, wetly, and it’s the most disgusting sound you’ve ever heard. He lets go of you, but it’s too late; you can’t run anymore. A wet, dull sound is followed by another moan, and you know exactly what he’s doing. You’ve heard people talk about it, even though you don’t quite know what it means when a man touches himself. All you know is that you feel bile rise at the thought of it.

The man with the mustache freezes and looks behind you, his eyes wide with shock. Maybe they have a different bargain, maybe he wants to keep you for himself and feels threatened. But then, so fast he’s only a blur, Mr. Morgan rushes past you, grabs the man by his collar, and pulls him off you, landing a punch against his jaw. You blink a few times as both men go down, not sure if what you’re seeing is real or if it’s a vision your panicked brain conjured up to calm you. The man with the mustache lands a kick between Mr. Morgan’s legs, gaining the upper hand. He pulls a knife from his boot while he straddles your companion to pin him down, but Mr. Morgan doesn’t hesitate. He grabs the man’s arm and bites down until he lets go of the knife. You catch a glimpse of Mr. Morgan’s eyes and where you expected him to be all feral rage, he’s cold and calculating. It sends a shiver down your spine and you stumble back a few paces until you step into something soft that squelches on impact. You don’t have to look down to know what it is.

Despite the loss of his knife, the man with the mustache is putting up a good fight. He lands a blow in Mr. Morgan’s face, then scrambles off him, grabs the knife, and pushes himself upward. Mr. Morgan moves faster than you’ve ever seen him move, jumping up while dodging the glinting blade of the knife.

“Stay down, big boy,” the man sneers.

Mr. Morgan shoves into him with such force the knife ends up in the dirt again, right next to the two men. But this time, Mr. Morgan has the upper hand, landing blow after blow in the face of the other, grunting with grim satisfaction when he draws blood, continuing even when the man retches up blood and spits it in Mr. Morgan’s face. He doesn’t stop until the man doesn’t move anymore and his face is nothing more than a bloody pulp, entirely unrecognizable. Only then does he grunt in pain and rolls off his opponent, lying on the forest floor, breathing labored and hard.

*******

You make camp that night as far away from that spot as you could travel before the light faded. Mr. Morgan gets a fire going while you sit on a log, trying to hide your trembling hands in your lap. You haven’t cried yet but you know it’s coming. He hasn’t said anything yet, and you’re not sure he will.

In the flickering light of the fire, you can see the cuts and bruises in his face, the sleeve of his shirt drenched in blood. And when you close your eyes, you can see the five dead men, their broken bodies left in the dirt for scavengers to feed on. He did that, all on his own.

You force yourself to stand up and walk over to him. He’s not the man who calmed you down after a mountain lion attack anymore; you’ve seen him beat a man to death today with his bare hands. No, he’s someone new now, someone you have to get to know first. And when you crouch down next to him, he looks at you with dark eyes like he’s never looked at you before and you feel all the air being pressed out of you.

“Let me take a look at your arm,” you say, pulling it toward you by his hand. The dried blood on his knuckles is rough against your skin.

He doesn’t protest, just watches as you carefully roll up his sleeve to expose a deep cut, undoubtedly left by the knife. It must have happened so fast you missed it. Even though it’s not bleeding as much as it used to, each pump of Mr. Morgan’ heart pushes some more blood out through the cut.

“You need stitches,” you tell him.

Before you can second-guess what you’re doing or change your mind, you’re next to your saddlebag, looking for the sewing kit your bother gave you. Only you’ve never used it for something like this before. You don’t even know if it’ll work, only ever having read about it in books, but it’s better than doing nothing. You also grab the bottle of whiskey from Mr. Morgan’s bag.

“Drink this,” you order, handing it to him once you’re next to him again.

He takes one big swallow, then another one, his throat working to get the liquid down. You pretend not to notice. Then he wipes his mouth with the back of his hand while you stare at the cut with much more focus than necessary. Taking back the bottle, you pour some of its content on the cut, drawing a low groan from Mr. Morgan that heats up your cheeks.

Your hands are shaking as you try to thread the needle. “Have you ever done this before?” Mr. Morgan asks, his face stoic as if he’s ready to accept his fate no matter the answer you give him.

“Technically, no,” you answer, finally pushing the thread through the eye.

“Huh,” he grunts.

“But I’m very good at mending stockings.” You offer him a feeble smile and he nods. “This might hurt a little bit,” you warn before pushing the needle through his skin. Holding his arm in place with your other hand, you can feel his muscles flex at the intrusion, and a short burst of breath tickles the top of your head. He doesn’t complain.

“Have you ever been stitched up before?” you ask him to distract him.

“No,” he replies through gritted teeth.

“Oh, good. Then you have to believe me when I tell you I’m doing a very good job.” What’s wrong with you?

He grunts again, but maybe, possibly that sound could be hiding a laugh.

“Still, when we arrive at our destination, you should have a doctor look at this,” you instruct.

“Eager to hear from a professional how good of a job you did?”

Your cheeks ignite and you drop the needle. “Shit.” He is laughing now, a low chuckle, as you try to locate a glint in the flickering light from the campfire. Luckily, you don’t have to look far – the needle fell straight down and is lying between Mr. Morgan’s boots. You wipe strands of hair from your face, then wipe the needle clean on your dress before getting back to work.

“No,” you answer his question, forcing your voice to sound steady. “Because I have no idea how to prevent an infection. Or if I’m even doing this correctly.”

Mr. Morgan leans down, his big hand closing around the bottle you discarded earlier, and he unscrews the cap with his thumb and forefinger. “Looks to me like you’re doin’ fine.” A big swig, then another one.

You glance up at him just to see his face looking unusually pale. “Does it hurt a lot?” you ask carefully.

“I’ve had worse,” he answers, but flinches when one of your stitches comes too close to the wound.

You blink fast a couple of times, trying to shake the image of him on top of that man, punching and punching until no trace of life was left. The memory of the sheer brutality makes your hands feel clammy. No, this wasn’t his first time getting hurt, just like it wasn’t his first time killing someone. And now the same hands rest peacefully in his lap, cut and bruised, yes, but a far cry from the deadly weapons you saw today.

“Thank you for what you did today,” finishing up with two final stitches, then quickly add, “There,” and pet his arm before he can acknowledge your words of gratitude.

He lifts his hand from his leg and flexes his fingers. “Thanks for this,” he replies, examining the stitches.

Your gaze lands on his knuckles that are covered in blood, his own and that of the men he killed. “Do you want me to take a look at your hands?” you ask, your throat tight all of a sudden.

“I’m used to that.” He stretches out one of his legs so it rests next to you, close enough that you feel the ghost of a presence next to your hip.

“I’ve never met a man who was used to so much violence.” Your eyes are still on his hands, bruised darkly.

“It was either them or us.” He shrugs.

Us. “I was sure they had killed you when I heard that first gunshot,” you tell him, lowering your gaze to your own hands that have some dirt on them, some streaks of Mr. Morgan’s blood, but that look so clean compared to his.

“And break the contract with your father?”

You laugh. “A father who selected this route knowing full well about the dangers we would face?” The silence that follows your question is filled only by the crackle of the campfire and by the sounds of creatures moving through the woods. “I don’t know how I’ll ever be able to repay you,” you finally say.

“This ain’t the first time I had to save someone,” he says with a dismissive wave of his hand.

“And how did those other people repay you?” you ask, eager for his answer. Being indebted to him puts you on edge.

“Money,” is his short reply.

“I don’t have any,” you say, feeling a tug at your heartstrings. But maybe that doesn’t matter; maybe when you arrive, you could talk to your fiancé. He’ll want to reward the man who defended your honor and saved you from a horrible fate. Still, you wish there was something you could be doing for him right now. “There’s also other ways,” you say, very slowly.

“Hm,” he makes, a sound that has started to fill you with a certain warmth for reasons you can’t quite explain. Then he shifts, moves his legs a little further apart. And you’re there right between them, looking up into his face that betrays nothing except for the smallest glint in his eyes.

You’ve never even kissed a man, but you’re not stupid. You know what certain gestures and movements mean. You’ve watched your father’s hands when a woman walked past them, you’ve attended dances where everyone around you was getting drunk … growing up on a farm, you’ve seen things. But you also know that those things are wrong and they should only be happening between husband and wife behind closed doors, no matter what everyone else is doing.

It's getting harder to breathe, and you feel a tug low in your stomach, almost like an ache. You’ve never felt anything like this before and you can’t quite place it, but the way he looks at you, mouth slightly opened, his eyes deep and dark, only fuels that sensation. And when you think back to this afternoon, it becomes so strong it makes you shift on your knees.

“You’re a pretty little thing.”

It’s the second time today someone has said that about you. Whereas the first time made your skin crawl, the second time makes your cheeks heat up and your breath get stuck in your throat. You notice that Mr. Morgan unbuckles his belt, eyes locked to yours, and you make sure your gaze stays on his face. It’s only when he groans and his eyelids flutter shut that you look down and see he has his hand wrapped around himself, moving it up and down his length with sure strokes. Something in you is released at that sight.

“Here, let me,” you offer, shuffling closer on your knees until you’re trapped between his legs.

Before you can think better of it, you wrap your fingers around the base of his cock. It’s warmer than you expected, feels heavier than you thought when you move your hand up in the same move you saw him use. He groans again, louder this time, and removes his hand, resting it on your arm. You tremble.

Back home, you were taught that what a wife does in the bedroom is fulfilling the duty to her husband. It sounded neither pleasant nor enjoyable, and so far, you’ve managed to push the thoughts of what is awaiting you at your destination from your mind. But your mother couldn’t have meant this, because this doesn’t feel like duty at all. You stroke the tip of his cock with your thumb, he tightens the grip on your arm in return, and you feel a surge of pride well up. No, your mother couldn’t have been talking about this.

Eager to try more, you twist your wrist on the downstroke, then lower your head and kiss the tip of his cock. He growls this time, and his hand lands on the back of your head, pushing you down. You have no choice but to open your mouth further and take him in. The weight of him presses down against your tongue, the tip of him brushing the back of your throat makes you gag as tears shoot to your eyes. He grips your hair, pulls you off, then pushes you back down again, and you got it. It’s not so different from the hand.

Steadying him at the base with a tight grip, you pull off him again, but let your tongue run along the underside, the sharp taste of him filling every corner of your mouth. It will take some getting used to, but you’re determined to get this right, and from the way his hand trembles at the back of your head, you have a feeling you might be.

You close your eyes, focusing on taking him as deeply inside as possible because he seems to enjoy that. Sometimes, when you think there isn’t any room left, he pushes you onto his cock that little bit further and then groans contently, a sound that tightens parts of your body you didn’t know could tighten. You run your tongue over the tip of him, hum around him when your mouth is full of him, just to find out what kind of sounds you can draw from him. If this is what it’s like, you can’t imagine why anyone would call this a duty.

Mr. Morgan stiffens and pushes his hips upward so you take even more of him into your mouth. This time you can’t help the gagging sound pushing past him. But instead of forcing you to take more, he grips a handful of your hair and pulls you off. Your mouth feels strangely empty for a moment, even though his taste lingers, and you blink in confusion. Was that it?

You lick your lips and look up at him expectantly, waiting for him to say something. But he’s quiet, only placing his forefinger under your chin to tilt your head back a little more. For some reason, that gesture leaves you breathless. And you know why a second later when his lips lock onto yours and your breaths mingle, and you suddenly understand why people would kill for this. Why he killed for you.

You can’t help the moan that comes out of your mouth, don’t even realize at first that the sound is coming from you. His hand glides to the back of your head to grip you and hold you in place, and you push yourself toward him, one hand on his arm, the other on his thigh. He licks into your mouth and you try to mirror him, feeling a strange sense of pride when he opens up for you.

He pulls away, holding you in place by the hair at the nape of your neck. “Did you like havin’ me in your mouth?” he asks and his voice is so low you barely recognize it.

“Yes, Mr. Morgan,” you answer, and you also almost don’t recognize your own.

“Oh, you’re somethin’,” he says with a wicked smile, then stands and pulls you with him.

Your legs are trembling and your knees threaten to give way when he kisses you again, pressing his entire body to yours. Just when you think you could spend eternity like this, he closes his arms around your backside and lifts you up, so you don’t have any chance but to sling your legs around his middle. You squeal against his lips, but he just carries you past the campfire toward your bedroll. Beneath your palms, you can feel the muscles in his shoulders and arms flex and tighten with each step. Something in your stomach flutters as you remember he's strong enough to beat a man to death.

Before you know what you’re doing, you’re kissing his jaw and neck, biting down on a tendon that’s jutting out with the effort of keeping you in his arms. When he rumbles deep in his chest, you flick out your tongue to lick across the spot in apology, but he drops you to your feet. You both stand there for a second, looking at each other with heaving chests. His hands come up to grip the neckline of your dress, and he pulls, a tearing sound echoing through the trees. Your torn dress crumbles to the ground around you, exposing your undergarments, and even though your first instinct is to cover up you don’t because he pulls his shirt over his head to expose his naked chest beneath, and that sight is enough to distract you from any embarrassment you might be feeling.

His pants are next, and then he stands before you stark naked. You try to touch his stomach with a trembling hand, but he grabs your wrist and pushes you down to the ground. With precise movements, he pulls off your drawers, taking your shoes with them, then tears open your corset to expose your breasts. Your breath hitches when he cups one in his calloused hand and squeezes, making pleasure spike through your body.

You kiss him again, lean into his touch, and then you discover you can make him tighten his hold on you by licking over his bottom lip. You can make him press his hard length against you by moaning in pleasure. It feels so, so good to have this effect on him, to be able to do that to him without words. Never, in a million years, would you have expected that giving yourself to a man would feel like this, would make heat blossom at the base of your spine, would make you ache between your legs. You shove your fingers into his hair, deepening the kiss, and he sighs against your lips, a sound that makes your knees weak. How can all of this make you feel so good yet fill you with a hunger you don’t know how to satiate?

You run your nails over his scalp, testing to see what other sounds you can elicit from him, when he suddenly shifts both your bodies, pushing you to the ground while caging you in with his body. Your heart hammers in your chest so hard it’s almost painful, but even when your back is uncomfortably pressed against your thin bedroll, you still crane your neck to keep kissing him. God, why can’t you get enough of him?

With a sharp slap against your knee that sends another spike of pleasure through your body, he pushes your legs apart, then draws back to look at you. His lips are red and swollen, and both shadow and light are dancing across his face in quick succession. You reach up to touch his cheek, but he catches your wrist and pins it down next to your head with so much strength it steals the breath from your lungs.

“You’re the prettiest little lady I’ve ever seen,” he mumbles.

You feel your face heat up, but he doesn’t notice how flustered you are. With his free hand, he grabs himself, then lines himself up between your legs. You watch, eyes wide, breathing so fast your head is starting to swim. What comes next is a pressure that is not painful but not quite pleasurable either. And the more it pushes, the more it hurts.

“Stop,” you say, your voice not more than a whisper.

Either he doesn’t hear you or he’s ignoring you, but he continues to push up into you, and now it’s so painful you’ve lost all sense of pleasure entirely.

“Stop,” you try again, bracing your hands against his shoulders, trying to push him off you. He’s too strong for you. “Arthur, stop!” you bellow.

And he hears you. He immediately withdraws, and you scramble to sit up, pulling away from him as best as possible on the small bedroll.

“Did I hurt you?” he asks, and the concern in his voice makes you look at him.

“Yes,” you answer, hugging your knees to your chest. You wish you weren’t so naked.

“Have you ever …?” He doesn’t need to finish the question for you to know what he means.

You shake your head.

A deep, red flush creeps up his chest and neck. “I’m sorry,” he mumbles. “I didn’t know. I wouldn’t –”

“It’s alright,” you interrupt him, his apology embarrassing rather than harming you. “You didn’t know.”

“The way you were kissin’ me …” He trails off again.

Your ears prick up at the compliment. “It all felt … good,” you stutter. “More than good. It’s just …”

“I can … we can slow down,” he offers. “If you still want …”

You look at him, kneeling before you, his skin glowing orange in the light from the fire. His dick is slowly softening between his legs, goosebumps are covering his arms, but he is showing you all of himself without shame. That bold display of his body makes your blood heat up again, but you hesitate. Touching his naked skin is one thing, giving yourself to him entirely is something you’ve been warned of your entire life. And yet … now that you’ve pushed through the initial shock, you slowly realize your body is demanding to feel him again.

You nod. “Yes. I still … I want you.”

Your cheeks are fever-hot, but the way his eyes light up is worth the embarrassment you feel. Arthur moves toward you, loosening the hold you have on yourself, and you relax, dropping your knees, letting him come even closer. He smirks, his eyes darting to your lips and then back up again before he leans in for a searing kiss, and it feels like the last few minutes didn’t happen at all. Without breaking the kiss, he reaches for your wrist, then slowly guides your hand between your own legs, while you tremble in anticipation. He doesn’t touch you, but when he presses your own fingers against all that heat and wetness, you moan deeply.

Arthur breaks the kiss first. “I want you to play with yourself,” he whispers, his breath hot against your ear.

“I don’t …,” you start, suddenly unsure.

“Yeah, I know.” He kisses your neck. “You’re gonna figure it out though.”

You take a deep breath and nod, and when he captures your lips for another kiss, you move your fingers over yourself in a motion that makes pleasure shoot through your entire body. A shaky pant escapes you and lands on his mouth, turning his lips into a smirk even while he’s kissing you.

“There you go,” he whispers.

You find a rhythm and pace that makes you feel like you’re about to explode but that doesn’t light the final fuse, and he continues to kiss you for a while before drawing back to watch the hand between your thighs. Any shame you could have felt is replaced by pure lust when you see the arousal in his eyes; you shift to open your legs further, and he raises his eyes in surprise. You shift under his searing gaze and moan when you notice his hand closing around the base of his cock.

You’ve never felt like you’re feeling right now, completely in control but also like you’re surrendering yourself to him. It’s so addictive it makes you wonder how people don’t want to feel like this all the time. “It feels so good,” you groan, struggling to get the words out because your teeth are clenched.

“You’re so pretty,” is Arthur’s answer as he moves his hand up and down his length.

You can’t help but believe him. “I love you strong you are,” you return the compliment, and before you can think better of it, you raise your free hand and cup your breast, squeezing your nipple.

His eyes lock onto your chest. “Fuck.” Pleasure shoots through you from the tip of your toes to the top of your head. “You’re such a good girl,” he adds, and it makes your heart flutter so painfully you feel like it’s about to fly out of your chest.

“Say that again,” you demand, not recognizing yourself at all.

Arthur shifts closer until he’s right between your legs, fisting himself eagerly. You can smell the sweat and arousal on him, a scent so overpowering you wish you could bury your nose in his skin and inhale it forever. “My pretty, brave girl,” he says, and when you lower your gaze, too overwhelmed by what his words make you feel, he grips your chin and lifts your head. “Oh no, you’re gonna look at me.” You blink once but don’t lower your head again. “Yeah, that’s it.�� He smirks. “Look at you … so eager to please me. You should see yourself right now … goddamn prettiest woman I’ve ever seen.”

You do lower your gaze then because it feels like too much. Your eyes land on his cock, on the tip that’s glistening wetly, and you lick your lips, remembering the feeling of him in your mouth.

“You want me inside of you, don’t you?” Arthur asks, and you nod. His rough, calloused hand closes around your throat and you can’t help it – you move your own hand faster, a crescendo building in the pit of your stomach. “Use your words, pretty girl. I know you can.”

You swallow hard, knowing he can feel your throat move against his grip. “Yes, I want you inside of me.” Your face doesn’t heat up this time as you realize you’re not only saying that to please him. It’s exactly what you want.

He rewards you with a deep kiss, then mumbles against your lips. “Are you ready?”

You hesitate. “I’m not …”

But Arthur doesn’t let you finish. “Let’s find out together.” He leans back. “Finger yourself.” The way his eyes darken when he says it isn’t lost on you.

You shift and move your hand lower, his eyes fixed to your movements. He has stopped moving, his hand grabbing his cock, holding it between his legs. You feel yourself flutter against your fingers in anticipation at the same time as he licks his lips. And then you push the tip of your finger inside of you, past the initial resistance, deeper and deeper until you can’t go any further.

“Breathe,” he instructs and you exhale sharply. “Did that hurt?”

You shake your head before remembering he likes to hear your voice. “No.”

“How does it feel?” he wants to know.

Carefully, you pull your finger out until only the tip remains inside of you, then you push it back in. “Good,” you manage. “Really good.”

“You’re sweet when you can barely talk,” he says with a smirk and the muscles inside you clamp down on your finger. You moan and close your eyes, unable to keep them open. “You like that, don’t you?” You hear him shift closer. “You like hearing my voice. Bet you’d like me to talk you through it, too.”

Your chest rises and falls rapidly as you feel something building inside you. It’s like a wave that will drown everything out. You lean back further and further until your back connects to the ground, until you can raise your hips to meet your finger, trying to get it as deep inside you as possible.

Then his hand is covering yours and he pushes you to the ground, stilling you. When you open your eyes, you’re met with his, dark with lust, and you’re rewarded with the sight of his chest, flushed so deeply red it looks almost purple. His cock is leaking onto his fingers. “Not yet, sweet girl,” he says in a voice that sounds familiar to the one he uses to calm down his horse. “You’re doing so well, but wait until …”

Arthur removes his hand from yours, but then you feel the tip of his finger right where yours is disappearing inside yourself. You steel yourself for the pain you’re about to feel, but when his finger joins yours, stretching you open, all you feel is pleasure so intense it makes it hard for you to stay conscious.

“Fuck,” you groan, a short outburst, almost like a bark.

“You can say that again.” Arthur’s voice is so husky it’s almost impossible to understand. He cups your hand with his, and then moves the both of you in tandem, pulling back out and pushing back in. You tentatively meet his thrusts by rolling your hips and he growls. “Look at you, spread open just for me.”

You don’t know why his words make you feel like they do, but the muscles between your legs are working hard to keep both your fingers buried as deeply as possible. That earns you a smirk from him and you smile back in return.

“I think you’re ready.” He grips your hand tightly and pulls the both of you out, making you sob. To calm you, he cups your cheek and presses a soft kiss to your lips. “Don’t worry, I’m gonna fill you right back up again.” All you can do is nod.

He positions himself above you, stroking himself a few times, then lining himself up. It’s easier for you to relax this time because you know what to expect, but when he breaches that resisting wall of muscles, you still feel a burn and hiss.

“Shhhh,” he makes and kisses your forehead. “You’re doing so good.”

And then he’s inside of you, stretching you open as much as you can take. His eyes flutter shut and he groans, shifting to adjust himself. “You feel perfect.”

“You’re … you’re big,” you manage, drawing a chuckle from him.

He shifts again, then pulls back out before slamming back into you, making you see stars. “Fuck, I’m sorry,” he apologizes immediately.

“No,” you press out through gritted teeth. “Do that again.”

He does, and you grip his arm, burying your nails in his muscle, slinging your other arm around his back. There’s a strange taste in your mouth and you only slowly realize it’s blood from biting down on your bottom lip. He kisses you, licks over the wound, pulls a sharp moan from you. And then he slams into you so hard you scream, clawing at his skin, leaving bloody streaks down his arm and back. The pain only seems to spur him on and when you pant, “Harder,” he doesn’t hesitate.

You clench around his cock in return and he whispers, “I like you like this.” You feel yourself clench again and he groans. “You’re perfect,” he repeats. You kiss his neck, then bite it, until he pushes you back down. “I bet you’ve never had an orgasm before, have you?” You shake your head and he mimics that motion, tapping your bottom lip with his thumb. “Use your words, sweetheart.”

“No,” you manage to say, your voice hoarse.

He rocks into you, not as hard and fast as before, but it makes you pant helplessly nonetheless. “Yeah, I thought so,” he mumbles more to himself than to you.

“Please,” you whisper.

He smirks down at you, then shifts his knees ever so slightly to change the angle. Suddenly, he’s brushing against something deep inside of you that makes a sob erupt from deep in your chest.

“Do you even know what you’re asking for?” he teases, but there is a strain in his voice now, as if he’s struggling to hold onto something.

“Please,” you repeat louder, unable to fully grasp the meaning of his question.

Arthur’s thumb is back on your lip and then he pushes it inside your mouth. You swirl your tongue around the tip eagerly, then suck on it, grazing your teeth over his skin. His breathing turns ragged, and the warmth of pride erupts in your chest. With a wet sound, he pulls his thumb out from between your lips and pushes his hand between your bodies until it comes to rest on that small spot you were toying with earlier. You howl and twitch and your whole body erupts. You spill over, you lose sense of where and who you are, you’re shaken by forces beyond your control. All the while, Arthur pounds into you, strokes you inside and out, and you think you hear him say, “That’s it, just let go. You’re so fucking beautiful – just let go.”

As soon as you feel like you can breathe again, he pulls out of you, leaving you aching and empty and cold. Through hooded eyes, you watch as he moves his hand up and down his cock fast until he spills all over his hand and the edge of your bedroll, gaze not directed downwards, but staring at you with insatiable hunger in his eyes. And you return that gaze just as hungrily, wondering what it would feel like to taste his release on your tongue.

Arthur stands unsteadily and retrieves his coat from the other side of the campfire. You feel the cold of the night now and hug your knees to your chest, still trying to make sense of the world. “Now, no more of that,” he says when he gets back, draping his coat over you, the weight of it making your limbs grow soft. He lies down next to you, pressing his front to your back, one arm possessively slung over your chest, the other shoved under your head for you to use as a pillow.

*******

The morning sun is warm on your face as you ride through a slowly thinning forest. The plains and your destination cannot be far from here. Your thoughts are though; they’re still somewhere behind you, stuck at a campfire, busy chasing the feeling of the man next to you between your legs.

When you reach a fork in the path, you stop your horse and look off to your right, back into the forest and the mountains. “What’s back there?” you ask.

Arthur stops his horse next to yours and looks down the path. “Never been over that way,” he answers.

“Do you want to find out?” Your voice is firm, but you don’t look at Arthur.

He’s quiet at first. “Your father –”

“– already paid you,” you finish the sentence.

Arthur nods. “Alright,” he says, then looks back at the path you just put behind you, then off to your right again. “Let’s find out what’s over there.”

***

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