#90s fans fighting for their lives being like ‘HES NOT HIS DAD THAT WAS ONLY IN THE ORIGINAL COMICS’

[fairys-dream]

made a handy dandy guide for new sabretooth fans👍

[cutekittenlady]

LOL so I got a decent response to yesterdays submas polls, and tought I'd make a post summarizing some of their final results. In bullet point form.

NOTE: All of the results listed are based on the response to polls. These are not definitive reflections of the views of submas or pokemon fans as a whole and should not be taken as such.

When it comes to whether or not Emmet and Ingo share a braincell, results were faily mixed with at least a fifth of people replying that Elesa had the braincell, 17% said they had no braincell, 16% that the braincell is frequently dropped, and 10% agreeing that they share a braincell with another 10% adding that Ingo has it the vast majority of the time.

The question of the nature of Ingo and Akari's relationship had little contest with 47% of responders agreeing they have an uncle-niece style relationship. Which is impressive considering 22% of the vote was vanilla extract.

90% of fans agree that Ingo and Emmet embarrass each other as siblings are wont to do.

62% of fans think Emmet edges Ingo out as the stronger battler. This is likely due to his double battling format and what a challenge he can be in the original BW post games rather than lore reasons. ((although its insanely fun to think about in that context))

When it comes to who has more, uh, experience in relationships Emmet was voted to have the most game with 68% of the vote. Proving that being a tumblr sexyman and getting some are two distinctly different things.

A whopping three quarters of respondents agree that Emmet and Ingo likely live in an apartment with only 18% thinking they have a house.

88% of fans agree that, of the two, Emmet is the most likely to start an argument.

Over 70% of submas fans who responded think Ingo is the shyest of the two.

Altho not too shy because 66% of fans who responded also think Ingo is the better liar.

Do you agree with these results? Disagree? Discuss in reblogs and the replies!

And if you're sad you missed out on responding to the polls above, know that there are still some polls that have not yet finished! You can find and respond to any of the following

(time remaining roughly based on when post was put out)

Best at Video Games? (over)

Most protective brother? (10 minutes)

Who does the fandom mosts enjoy watching suffer? (1 hour left)

Who has changed the most since they were children? (3 hours left)

If given the chance Ingo would choose to... (3 hours left)

Who was the biggest crybaby as a kid? (3 hours)

Who can kick the most butt? (like fighting. Not battling with pokemon) (3 hours)

Who got the farthest in their gym challenge? (3 hours)

Who's the bravest? (3 hours)

Ingo and Emmets parents are; (3 hours)

Who is secretly Drayden's favorite? (3 hours)

Is Drayden the submas twins uncle or Dad? (still have 5 days remain as of posting)

Who does the cooking? (5 days remain as of posting)

Ingo may be a Tumblr sexyman but which twin is most likely to actually get married? (5 days remain)

Are Ingo and Emmet related to the original heroes/princes? (6 days)

When playing an RPG, Emmet is most likely to use a character that falls under which of the following archetypes? (Emmets responses) (Ingos responses) (Elesa's responses) ((One day remains))

I am almost guranteed to make more polls beyond this. Just thought I"d make a quick guide to a bunch of the ones I've posted up so far.

[mk-wizard]

15 Video Games that could translate well into a TV series or Film

Hi, everyone. I mentioned in my last post that my favourite Final Fantasy game Final Fantasy 4 would make an excellent TV series as long as it stays true to the source material, but after thinking about it, it’s not the only one. And with the success of the Mario Brothers film, I think other iconic stand a good chance at making a great show. Note that some of these game have already been made into movies or shows, but I mention them anyway because they still have what takes to translate into amazing TV shows or film when they’re respected and the follows the source material. And above all else, culture wars and politics stay out of them. Games and fantasies are a neutral territory for everyone. I will also not mention video games that already have great shows or movies made out of them, so I will not bring up Sonic the Hedgehog.

1- Legend of Zelda: A Link to the Past (anime series): This is the best LoZ video game in opinion and it had a very episodic feel to it within itself. It has been adapted into manga four times and I can confirm as someone who read them that they were all great. With that said, this game could definitely translate beautifully into in anime TV series. Heck, the illustrations in the manual were fit for an anime as they were.

2- Chrono Trigger (anime series): This is another video game that feels episodic for obvious reasons and it has a tight cast. Plus, the art was already made by Akira Toriyama who also did the art of several Dragon Quest video games which also got several successful anime spin offs. Plus, the characters are very well developed and animated. My only nitpick is that I would not give the hero Crono a voice. In fact, I think it would be better and a very nice twist if he was mute because you don’t need to be noisy to be a hero. Also, this anime would have to be drawn by Akira Toriyama. Period.

3- Secret of Mana (aka Secret of Mana 2 in Japan) (anime or cartoon): This game’s story and visuals are a fan favourite and are beloved even by adults. Plus, I could imagine this anime/cartoon as a big hit with kids too. However, it has to stay true to the plot and the characters have to be in character all the way down to their true names.

4- Resident Evil (CGI film): Now, I know what you’re all thinking, but hear me out. When I propose making a movie out of RE, I mean RE 1 the video game. Not a spin off, not a reimagining, not an AU and not a self-insert fanwork that got greenlit. I mean a film that stays 100% true to the plot of the game that started it all. Of course, we can leave out the puzzles and just reference them instead. Also, I would have the narrative switch between Chris and Jill. Who knows? Maybe a proper movie will remind Capcom what RE really is and set it back on the right path.

5- Silent Hill (CGI or live action film): Considering a revival of the video game franchise, perhaps a proper movie is in order. Like my RE suggestion, I can easily see the first game translating into an amazing film. Harry Mason is so underrated and he deserves more respect than being called “feminine” for being a good dad. He’s also a very relatable character because he isn’t a man of action. He’s everyman who dearly loves his daughter.

6- Darkstalkers (anime series): Usually, fighting games don’t translate well into film or shows because each character’s story is too unique and you usually too big of a cast to work with. However, Darkstalkers is the exception because it usually 90% of the same cast, each character’s story intertwines and Morrigan is a pretty badass heroine. She as “strong female” as they come. She kicks butt, is independent and she’s got style. Plus, she did it all FIRST long before Bayonetta.

7- Final Fantasy V (anime series): Like FF4, FF5 which I admit is also my second favourite FF game, has an amazing and unique story which would translate beautifully into an anime series. It has a tight well developed cast that makes you laugh and root for them, Bartz is a charming hero, ExDeath is a delightfully evil villain and the art and music of the game is stunning. However, it has to stay true to the source material unlike the attempt that was made in the past which was pretty bad.

8- Dino Crisis (CGI or live action film): This video game was made to be film material as it even feels like the long lost sister of Jurassic Park. It is also another video game that has a strong female protagonist Regina who breaks all the molds. Like with RE, I would just reference the puzzles and I would true to the source material, but I would forgive some liberties because the setting is supposed to be in the future and now, that future is past. Plus, you can’t go wrong with dinosaurs.

9- Dead Space (CGI, live action or cartoon film): Not much to say here except that this franchise already had an animated prequel, so why not just go the whole nine yards and make the first game into a film? The twist at the end is one of the best twists in writing I have ever seen. The story alone plays out like a modern Lovecraft film.

10- Castlevania (cartoon or anime series): I know this one recently had a series, but it was bad. The jokes were not funny, the plot was boring, the characters were not likeable or in character, and the obvious hate towards Christianity was in poor taste especially because the real Castlevania is religion neutral and positive. The art was solid though and the source material makes for a solid TV series. However, when creating a proper series for this franchise, you have to accept that it has Christian themes. If you can’t, then you shouldn’t be working on it. Plus, if you want to adapt it into your own way, the best blank canvas Belmont to use is Simon and even then, please make him likeable and a hero we can root for.

11- Parasite Eve (anime film): This video even felt like a cop-horror movie and considering it is actually the sequel of a novel with the same name which also got the film treatment, it would be great. However, I would make it an anime not live action especially consider what Mitochondria Eve and the monsters look like. In fact, this game had a manga based on it and it was nice. And Aya Brea was unjustly forgotten. She deserves to be remembered and known.

12- Marvel’s Spider-Man (cartoon series): Honestly, I’m surprised that this game was not pitched as a cartoon series first because THIS is exactly the type of Spider-Man we want to see more of. We’re long overdue for a non-child-friendly Spider-Man as it is. My only nitpick is that it would look even better and the facial expression would be more passionate if it was animated in 2D.

13- Final Fantasy VI (anime series): This was my brother’s favourite FF game and I have to admit that it was FF’s last great game before it developed an identity crisis. When I think about it, it can work, but you would have to condense the cast in such a way that some characters become secondary or tertiary ones. The main cast would work for this story in order for it work as anime would have to be Terra, Locke, Celes, Edgar and Sabin. That’s it. They have the most impactful roles in the story and the plot only moves on as long as they are there. Don’t get me wrong, I like the other characters too, but their stories are very personal and they are more like team mates towards one of the five main characters.

14- A Plague Tale (anime or cartoon series): Both Innocence and Requiem feel episodic and play out like a TV drama within itself. It is a beautiful story worth animated as a cartoon or anime because you don’t see many like it. The bond between Amelia and Hugo is absolutely touching and while it sad, it’s a beautiful kind of sadness.

15- Metal Gear (CGI or cartoon series): Did you know that Solid Snake was actually inspired by both Rambo and Van Damme? Well, that alone says a lot. Snake has the personality of a TV character to begin with and the series could play out like multiple seasons of a series that could become a cult classic. My only proposal is that one you do Metal Gear Solid, stop. After that game, everything got weird, contradictory and confusing. Also, let’s animate it. The actors who inspired Snake’s look are too old to play him and I can’t imagine anyone else doing so.

[monstrousgourmandizingcats]

Okay please tell me about this animorphs stuff because it seems like a WILD ride

Animorphs is an extremely moody and morose series of serialized mid-grade novels from the late 1990s (opinions vary on whether or not it's moody and morose enough to count as grimdark). They were everywhere when I was a little kid; you'd walk into an elementary school classroom at the beginning of the school year and there'd be six or seven Animorphs books already lying around, as if they'd spawned from the walls and floor or something. Unfortunately, they were produced in a very disposable, one-and-done way, and they're now out of print and semi-difficult to find as hard copies; for that reason, the author, K.A. Applegate, has explicitly advised fans to just pirate them. I've been finding a lot of them at public libraries instead, though, because I greatly prefer hard-copy reading when at all possible.

Applegate was a Midwestern housewife who co-developed and co-wrote the bulk of the series with her husband, Michael Grant. In addition to Grant, the later half of the series employed a bunch of other ghostwriters as well, although Applegate retained creative control and regularly vetoed what the ghostwriters were doing.

The premise of the books is that a group of five ordinary-ish teenagers stumble upon a crashed alien ("Andalite") spaceship and are given the ability to "morph" into different animals, subject to a two-hour time limit. They use this power to fight a guerrilla war against another alien species, the Yeerks, who are little grey slug-like creatures who take up residence in the brains of larger species and override their free will. For the bulk of the series none of them is sure who in their own families is and isn't a Yeerk; they know for a fact that at least two of their loved ones are. There's an atmosphere of paranoia that leads to increasingly toxic codependency as the Animorphs slowly lose the ability to trust, take any interest in, or care about non-Animorphs, although they do keep fighting for humanity as a whole.

The Animorphs are:

Jake. The leader of the group. "A dumb jock trying to play General Eisenhower." Likes basketball and the Offspring (which he just refers to as "Offspring" for some reason). From a secular Jewish family, although not completely secular since they light Sabbath candles. His brother, Tom, is known to be a Yeerk.

Rachel. Jake's cousin. A skinny blonde shopaholic and semi-serious hobbyist gymnast who develops worse and worse rage issues as the series goes on. Is she a brave soldier for humanity, or a violent maniac who gloms on to a good cause so she can avoid confronting the darkness within her? Neither; she's explicitly, textually both! She's my favorite.

Marco. Jake's best friend. A typical "funny" late 90s/early 2000s teenage boy with all the tastes and interests we generally associate with that--video games, South Park, Howard Stern. All that's missing is Family Guy. Of ambiguous sexuality and appears to be in love with Jake. Able to suddenly get incredibly serious, even ruthless, when he has to. His mother, Eva, is not only a Yeerk but an incredibly important and high-ranking one. Eva is Mexican Catholic but Marco doesn't appear to be religious.

Cassie. Rachel's best friend and Jake's love interest. From a middle-class black family that lives in a big farmhouse on the outskirts of town. Both of her parents are vets; her dad runs a wildlife rescue clinic and her mom works at a shitty for-profit zoo. The idealistic pacifist of the group, although she's a "kill 'em and then cry over 'em" pacifist and gets regularly dragged for this in-universe. Appears to be Catholic and at least semi-serious about it.

Tobias. Rachel's love interest. A mopey bully magnet with an unbelievably toxic and chaotic home life who accidentally-on-purpose gets stuck in morph as a red-tailed hawk in the first book and retains that as his default body for the rest of the series even once he regains morphing ability thirteen books in. A dreamer who's able to use his own ambivalent identity to build bridges between all sorts of different groups, but also has almost as much of a killer instinct as his girlfriend and occasionally makes calls that are even more coldhearted than Marco's.

A few books in they're joined by Aximili, an Andalite cadet trapped on Earth whose storylines alternate between goofy fish-out-of-water comedy and dark military psychodrama. For this reason, it's difficult for both the other characters and the reader to understand how they're expected to react or respond to Ax. Ax is technically Tobias's uncle since we find out Tobias's missing dad was an Andalite who became stuck in morph as a human.

As the books go on the morality is complicated significantly; the Animorphs resort to more and more repugnant tactics, and we find out that although the Yeerks' government and military brass are pure evil, a lot of individual Yeerks are just folks who've been dealt a crummy hand by evolution and have fallen for propaganda that they're justified in overriding other species' free will to "solve" this. There are Yeerks who believe it's wrong to take unwilling hosts, and Yeerks who wish they could find a middle way between being conquering slavemasters and "slugs beneath the Andalite hooves". Unfortunately, not many plotlines focus on them.

So that's Animorphs.

[greatwyrmgold]

The Age of Magneto

Here's a question for X-Men fans: How long until Magneto's expiration date? And what happens then?

You probably know what I mean, but this post is as much an excuse for me to spell out my thoughts on the matter as it is asking for other people's input. (I would still like to hear other opinions, mind you.)

Most metahumans' origin stories are free-floating in history. Batman's parents could have been shot in any decade, Krypton could explode in any decade, Dr. Doom's lab accident could happen in any decade. We just quietly accept a character barely aging between the 70's and the new 10's, if not longer, because that's how comics work. But if a historical event is central to your character's backstory, you could have problems.

The Holocaust was stopped roughly 77 years ago. Any mutant with strong enough memories of Nazi Germany for them to be a significant part of his motivation would need to be in his mid-80's, at minimum. That's longer than most people who don't regularly engage in superpower fights live; it's not old enough that still being an active villain breaks your suspension of disbelief, but my dad was talking about this when Magneto could plausibly be sixty-something.

Each passing decade makes it exponentially less plausible for Magneto to be an active supervillain, but he's a critical part of the X-Men. He's their most iconic villain, his dynamic with Professor Xavier is the centerpiece of everything X-Men says about civil rights, and while I don't follow the comics that closely, I know that Magneto is the father of several significant mutants. He can't just fade into the background when he stops being plausible, like Captain America: Commie-Smasher did.

So at some point, whether in the COVID 20's or the Cyber 30's or the Giant Alien Spider 40's, Magneto will have to change in some way. I only see three ways to do this, and none remotely preserve the X-Men's status quo.

The Natural Solution

The simplest way to make Magneto not unrealistically old to survive both Colossus and leukemia would be to have him just not survive. Possibly a big sacrifice or dramatic battle, possibly just old age or mundane disease, possibly dramatic disease or a mundane battle. Regardless, it seems likely that they'd want to kill Professor X around the same time, if only to put a clean coda on their iconic rivalry.

Now, they would still be important figures in the comics, but more the way that Uncle Ben or the Waynes are, or that MLK and the Black Panthers are to modern African-Americans. The older mutants fight to continue the legacy of their fallen leaders, the younger ones idolize them, but they are gone.

Despite being the only option that doesn't require a reboot or retcon, it's the most disruptive to the status quo, so I doubt they'd pick this one.

Same Genocide, Different Decade

Unfortunately, the Holocaust was not the last event of its kind. Sure, no genocide has been of the same industrial scale as the Holocaust (except the Holomodor, depending on what estimates you use and where you draw the line between "part of the Holocaust" and "just another Nazi war crime," let's leave it at that). But is the Rwandan genocide less tragic, criminal, or traumatic than the Holocaust just because "only" several hundred thousand people died?

Magneto's character wouldn't need to change an inch if he was a Cambodian in the 70's, a Hutu in the 90's, or even a Darfur (or is it Fur?) in the 2010's. But that doesn't mean there wouldn't be issues from this change, and I don't mean continuity ones.

First off, in all likelihood, executive mandate would cut away at this reboot of Magneto until it was, like, Magneto's parents died in a Latverian mutant genocide. Something comfortingly fictionalized. But let's pretend they'd keep a real genocide in there.

Losing a Jewish Magneto would suck. Even if we got different representation out of it, it would suck. And there's no way around it; antisemitism still exists, some organized antisemitism in the past 60 years probably qualifies as genocide, but none approaches the level of generational trauma caused by the Holocaust.

And then there's the race issue. You know how a certain type of reactionary flips out when a codename traditionally belonging to a straight white dude gets assumed by a "political" character? It would be so much worse if we couldn't point out "That's Kal's son" or "That's Tony's student" or "That's the Falcon with a shield". And any Magneto from a major post-WW2 genocide would either need to be a POC (and hence attract those chuds) or a Holomodor survivor (which would just change what chuds you pissed off).

This idea has a lot of good to it. It preserves the time-proven structure of X-Men storytelling, it's probably net positive for representation, and above all, it would remind the audience that the horrors which scarred Magneto did not end with the Nazis. But it also has a lot of bad to balance that out.

Iceman (not that one)

If Magneto is going to continue to be from the Silent Generation, and continue to be an active presence in the story, there will eventually need to be some reason for him not to be a centenarian. You could just make it a side effect of his magnetism somehow, but that feels like it's drawing attention to the problem more than it solves it. Luckily, the Marvel universe has an established mechanism for WW2-era characters to get from D-Day to the modern day.

(Come to think of it...Cap and Magneto were both around during the same pivotal historic period. Heck, Wolverine was, too. Are there any storylines that do something with that quirk of the timeline?)

Or you could use some functionally similar plot device, like being imprisoned in a stasis chamber for some reason. Also, Magneto doesn't need to be frozen for 60-70 years solid for this to work; if he gets put on ice during the 60's or so and defrosted a decade or two before the nebulous modern day, he could be kept at a comfortable middle age until the X-Men franchise stops making money.

But while this option makes it more plausible that his arthritis wouldn't cripple his powers and that one punch from Logan wouldn't break half the bones in his torso, it complicates his relationship to modern mutants.

The biggest problem is his rivalry with Xavier. It could be interesting if Xavier had several decades to get over the reasons he fought with Magneto and Magneto didn't, but that dynamic can only last so long before Xavier has the exact same problem as Magneto: If Xavier was Magneto's rival before he was frozen, X needs to have been an adult in the 60's, which makes him at youngest an early baby boomer.

And it would be supremely awkward to freeze Xavier alongside Magneto. Magneto doesn't not have bonds with his fellow mutants that would be distorted by the Captain America treatment, but Xavier is almost literally a goddamned institution of the mutant community. The school that bears his name would be radically different if Xavier wasn't there.

Which basically leaves us with Magneto being frozen in the 60's after minimal to no interaction with Xavier, then developing a rivalry with him in the relatively short period between Magneto's defrosting and the nebulous presence. It doesn't not work, but it's just not the same as a rivalry developed as the two of them grew up.

I've run out of stuff to say

So, yeah. Magneto needs to change some decade or another, but the least disruptive solution I see is to slap an anti-aging power on him (and probably Xavier) and hope nobody cares.

Maybe there's a solution someone else sees. Or maybe someone else has an interesting thought about or twist on one of the broad possibilities I've described. If you've read this far, I assume you have some kind of Magneto opinion. Would you like to share it?

[naoyas90dayfiance]

In which reality TV shows could the JJK characters be in?

Warning: this is canon, gege told me.

Characters: all I think

Author's note: this is messy.

Naoya Zenin: 90 day fiance.

• Naoya is reality TV gold.

•He's going to ask his "s/o" to walk three steps behind him on international TV.

•His s/o is an actress he hired because he wanted to be on TV and show how superior the Zenin clan is.

•Appears on every spin off.

•Eventually is the new face of Sister Wives.

Gojo Satoru: Love after Lockup

• In real life this man has been to prison CHANGE MY MIND.

• He spent his teenage years in prison for plotting and succeding on stealing money from big banks worldwide.

• Has been to Alcatraz twice.

• Ofc he got a s/o while being in prison. He put on his photo online and people went WILD.

• When he got out he met up with his s/o, acted all nice, charming and cute.

• Fan favorite because he's so wholesome and people wonder why he is on the show. He seems like a regular or even above average guy.

•In the final episode he disappeared and his s/o got swatted. The reason was that Satoru actually stole info and money from the Pentagon using his s/o's IP address.

• Satoru is on the run, please contact authorities if seen.

Geto Suguru: Love after Lockup

• It's canon basically, but i will explain for u.

• Terrorism. Mass murder. And a DIU for good measure.

• Sentence longer and thicker than his D- hair.

• Alpha male in Alcatraz.

• He's not allowed to leave the prison. You two only exchange letters.

• Add hearts when he signs his letters.

• Man so alpha he sends YOU money.

• You two got married somehow.

• Has a tatto on his lip (that says Satoru).

Fushiguro Toji: Gypsy Sisters

• yes, he's the main star.

• He likes the job. He beats up the crap out of his brothers, his uncles, his little cousins, his servants, other clans and even Satoru when he crossed paths with him.

• If you tune TLC at 2AM on Saturdays you can see the episode where he beats the shit out of Naoya.

• His show gets 12 seasons and it's still on-going.

• Sometimes you can see Megumi in the background chilling with his phone.

• Idk why but he got into a fist fight with Yuuji. Sukuna had to step in. The twins got beaten and sent to the hospital.

Mei Mei: Owner

• Owns TLC.

Shoko Ieri: My Strange Addiction

• She collects Furbies.

• One looks very much like Satoru.

• She's on the FBI Suspect list.

• She might have helped Satoru, idk, i'm not a snitch.

Nanami Kento: Beat Bobby Flay

• The challenge was to make the best sanwhich.

• He didn't beat Bobby Flay.

• Also on FBI Suspect list.

• They think he helped Gojo rob the Pentagon.

• he did.

• shhh.

Fushiguro Megumi: Ghosted

• He ghosted Yuuji.

• But Yuuji wants to know why.

• In the reunion, Megumi tells Yuuji he ghosted him because he was snapchatting him too much

• They ended up together again.

• Barely speaks. Doesn't want to be there. Still think the extra cash is nice but he's now worried he might not get a job because he humillated himself publicly.

Yuuji Itadori: Ninja Warrior.

• He won.

Ryomen Sukuna: Catfish.

• He used Uraume's photos.

• He catfished Ijichi.

• He got money from Ijichi.

• He got gifts from Ijichi.

• He got money from Jogo.

• He got gifts from Jogo.

• Nev and Max first thought it was Hanami who was doing the catfish.

• Never got caught.

Kugasaki Nobara: 90 day fiance.

• She met someone overseas.

• Only interested in tourism and doesn't plan to follow through the 90 days.

• Only there for IG followers.

• She's already dating Maki behind the scenes.

• High key the cutest participant on the show ever

Zenin Maki: Ninja Warrior

• She won c:

Panda: NatGeo's Wild Life.

• I saw him there last week.

Inumaki Toge: The Bachelorette.

• He pranks everybody.

• The lady thinks he's the sweetest and funniest.

• The dudes hate him.

• He doesn't get the final rose.

• He gets a bunch of attention after the show and becomes more famous than the lady.

• fuck her. Now he's rich.

Aoi Todou: My Strange Addiction.

• For collecting way too much of Takada-chan's merch.

• He needed another HOUSE to fix so much sh1t.

Kamo Noritoshi, Choso, Miwa, Momo: an educational channel for kids.

• They have an educational channel together.

• Noritoshi hosts a show teaching about science.

• Choso's show is about values and the importance of family and friendship.

• Miwa has numerous shorts about physical education.

• Momo has a show about crafting.

• Comfort channel c':

Mai Zenin: Married by Mom and Dad.

• They stepped in so Naoya won't take her as a wife xd.

• They married her to a wealthy man overseas.

• Proceeds to become part of Housewives of Beverly Hills.

• Living her best life.

Yoshino Junpei: True Crime Show Host.

• He enjoys to report the weird shit that happened to his bullies afterwards.

• Good for him. Good for him.

Mahito: Investigation Discovery Special

• They made a whole 4 hour documentary about this bitch.

Okkotsu Yuuta: Love after Lockup

•He's dating Rika.

• She was convicting for 10 accounts of first degree murder, vandalism, armed robbery, selling illegal substances, exotic animal trafficking, and car theft.

• He says she's the love of his life.

[from-the-dark-past]

Interview with Anders Ohlin in The Black Metal Murders: English translation

Translator’s note: Black metal-morden (English: The Black Metal Murders) is a radio documentary from 2017 produced by Radio Sweden (download). It’s about Mayhem and the Norwegian black metal scene in the ‘90s and contains interviews with Jørn “Necrobutcher” Stubberud, Kjetil Manheim, Eirik “Messiah” Norheim and Anders Ohlin (Pelle Ohlin’s younger brother). 

Here, I’ve translated the parts where Anders Ohlin speaks into English (from Swedish). I’ve added time-stamps and short descriptions for the different sections of the interview. 

I am working on translating the interviews with Necrobutcher, Manheim and Messiah and will post them soon. 

1:51 - 6:35 [Talking about him and Pelle getting into extreme metal]

Anders: We’d started listening to hard rock and it was… We’d, like, worked through all of those… Judas Priest and Iron Maiden. 

Narrator: It’s the mid-1980s in Västerhaninge, a suburb of Stockholm. Pelle Ohlin lives here. He plays in the extreme metal band Morbid and his stage name is Dead. Pelle has introduced his five-years-younger brother to hard rock. Together, they’ve worked through all of the main bands. 

Anders: And you, like, hungered for this… This Other. 

Narrator: The ‘Other’ that younger brother Anders is talking about is extreme metal; music that is faster, darker and harder. A progression of hard rock. Music that isn’t easy to get your hands on at this time. Anders is in his early teens and has gotten his first girlfriend. 

Anders: It was my first relationship and it was super-exciting, and I was at her house, she lived in Jordbro, which is, like, the neighbouring suburb. 

Narrator: Anders’ girlfriend’s older sister has an LP that Anders simply must show his older brother Pelle. 

Anders: It was, like, you knew it was good music, and it was that Destruction record. 

Narrator: Anders sees the German death metal band Destruction’s cover and it’s enough for him to understand that this must be good music. [...] 

Anders: This. This here isn’t Judas Priest and it isn’t Iron Maiden; it’s something else. I’ve got show this fucking record to Pelle. 

Narrator: Anders nags [his girlfriend’s older sister] to borrow the LP. He’s allowed to, but only for the day, so he bikes home in the rain from Jordbro to Västerhaninge as quickly as he can. 

Anders: And it was like [excited noise], like a cartoon; the evil wolf, their eyes bulge out and we both ran -- because we hadn’t heard the LP, only seen the cover -- ran to the record player och then Mom walks up and is like: ‘Stop! You’re forbidden from using the gramophone.’ And it was like, fucking hell, is it going to die here and then we explained to Mom -- ‘This is an extreme record and we’ve borrowed it for the day and it’s going back tomorrow,’ -- and Mom was super-harsh and was like: ‘It doesn’t matter. [...]’ And then we started negotiating and agreed that we could record the LP onto cassette [because you don’t need volume for that]. So, it was on full-blast the entire night and we recorded it and stood bent over the record scratches and were like,‘Shit, this is good stuff’. 

Narrator: Pelles hard rock style stands out against the usual sweatpant-Bagheera-jacket [style], not least the music. 

Anders: The ideals that existed at that time were that you were supposed to look like Arnold Schwarzenegger, which neither he nor I did [laughs]. You were supposed to be handsome and cool and have some fucking helipad on your head. 

Translator’s note: Anders is talking about a flat-top haircut commonly referred to as a ‘helikopterplattafrisyr’ -- helipad haircut -- in Sweden. Think H.R. Haldeman. I’m not sure what the English term for this haircut is. 

Narrator: Anders and Pelle are apart of a small subculture; extreme metal, with subgenres such as trash metal, death metal and black metal, which provokes with its satanic and morbid symbols. Pelle’s band Morbid pushes the limits of what music can sound like. With his stage-name Dead, Pelle sings on the demo December Moon. The new subculture is not embraced by the adult world. 

Anders: Like, we faced this fucking cultural oppression as hardrockers. It was that time-period… And especially if you wanted to do something that was worse than hard rock; it was completely judged. 

14:52 - 15:53 [Talking about Pelle being bullied] 

Anders: He was beaten at school and to such an extent that he actually died for a while, or however you put it. 

Narrator: There’s an explanation to Pelle’s obsession with death. At 13, he was bullied at school and once, he was beaten so badly that his spleen burst. Pelle’s brother Anders Ohlin tells the story.

Anders: He was beaten to death and had some near-death experience as he was laying in the hospital and he kept coming back to that all the time, and I think you can see that as some sort of theme in his songs too. Like, it’s always about the fact that he was actually there and touched something that he doesn’t know what it is, and that was the engine in all that. He was definitely [at the bottom of the pecking order] at school, precisely because he was a bit… He had his special... his special style and was, like, uncompromising, and that was what singled him out, I’d say, markedly from other teenagers. 

18:07 - 18:30 [Talking about Pelle’s depression]

Anders: He would neglect to eat, just to get a cassette tape out or arrange a gig somewhere. 

Narrator: Anders Ohlin, Pelle’s brother. 

Anders: To be a bit harsh, I think that the others gave up at some point. And that’s my personal interpretation. That he suddenly turns around and notices that he hasn’t got the gang with him. And I think that destroyed him. 

21:50 - 22:30 [Talking about Pelle’s suicide] 

Anders: At first, I was actually really pissed at him… Or, like, angry, enraged. I thought that he’d abandoned us -- which he has. That it was so shitty of him; to just take off and leave this big fucking abscess to the rest of us that just kept growing and growing as the years passed. 

Narrator: Christmases become especially painful for the Ohlin family, because that was the time Pelle usually came home. 

Anders: No one felt good on Christmas Eve. It was like a fucking ghost all Christmas. Brutal. So, I remember that I couldn’t celebrate Christmas at all for a very long time. 

1:06:39 - 1:09:31 [Talking about how he and Pelle’s Swedish friends remember him and his life today]

Anders: All of his Swedish friends see him as this exuberantly happy guy that spews ideas and is funny and has a sense of humor and stuff. Then, it’s like a line is drawn when he goes to Norway and they see him as introverted and mysterious and, like, difficult. And that’s two opposite images. 

Narrator: The Pelle Myth is associated with a lot of darkness and death but that’s not how his brother Anders and Pelle’s Swedish friends remember him.  

Anders: I think that’s been the devastating part, but it, like, helped him build… strengthen that myth. It’s hard being that funny dude and saying that you’re, like, Satan. It’s hard, it becomes, like, silly. 

Narrator: Anders is often reminded of Pelle. Usually because of happy memories but also because of that image that he is fighting to remove; the image that Øystein took of Pelle’s corpse which spread because it became the album cover of a Mayhem bootleg, Dawn of the Black Hearts. The image lives its own life on the internet. 

Anders: It’s difficult. It’s very difficult. 

Narrator: Pelle’s fans often want to become Facebook friends with Anders; he receives 3-5 friend requests per day. Sometimes, the people sending the friend requests have themselves shared the image on their social channels. 

Anders: You say you want to be my friend yet you have an image of my brother from when he’s just killed himself and like… body parts all over the wall. Would you think it was okay if I had an image of your brother like that? ‘What,’ they excuse themselves. ‘Oh, fuck, I’d forgotten that I had that image, that’s… Of course, I’ll remove it and I’m ashamed.’ 

Narrator: When Anders asks people to remove the image, most do. 

Anders: I’m terrified for when my children will start to Google those images… Øystein’s parents inherited the rights after Øystein died and [Øystein’s dad] has destroyed the images and I’ve received the rights, gotten to take over the rights from Øystein’s dad, so if anyone uses them in any form is printed media, I can sue the shit out of them. 

Narrator: It’s a small comfort every time one of Pelle’s fans tells Anders how much Pelle means. 

Anders: Most often, they have some story. They tell me how they’ve had a tough period in life and how they’ve, like, really been at a crossroads or something and feel that they received guidance from Pelle’s music. That warms -- That makes you happy. That really warms your heart. 

Narrator: Pelle’s grave is well-visited and every now and then, there’s a handwritten letter or a box of snus by it. 

[barkkletshunt]

Those Worth Fighting For Part eight

I feel like I’m really pushing out these parts right now lol It’s been so long since I’ve had a few days off to work on this. I hope you like it! 

Part one             Part two

Part three           Part four

Part five             Part six

Part seven         Bonus scene 1

Part eight (You’re here)

Taglist: 

@ladybug-182 @fruit-snacc-ace @miraculous-simmer7 @lavenderjunes @use-flamethrower @fan-written @all-mights-asscheeks @birdie-posts

Marinette looked over her pajamas, wondering why she thought having a pajama date as one of their first dates was a good idea. It was her idea and she wasn’t going to go back on it, but oh God why didn’t she own any cute pajamas? 

“Marinette, I thought you wanted to have a laid back date? Why are you stressing out about your outfit?” Tikki knew Marinette better than anyone else, but even she had a hard time understanding her current holders mind sometimes. “Why not wear your comfiest pajamas?”

The blue haired girl looked over to the pajamas she had worn the night before, the comfiest pajamas she owned, and sized up the hot chocolate stains and the tear on the left leg from when she got it caught on the balcony bar. She meant to fix it, but with school and her other projects as MDC the PJ’s were put on the backburner. “Yeah, no, that’s not happening. I’m still trying to impress him.”

“Then what about the set your Grandfather bought you for christmas?” Tikki asked, floating above Marinette’s shoulder to look at the silk pin striped PJ’s. “Those are impressive!”

“But they’re too impressive. It won’t look natural and it will come across as I’m trying too hard.” The woman began biting at her lip, looking over the other pairs of pajamas she owned. “What if I wore the pair Chat Noir bought me? They are comfortable, kinda cute, and they come with slippers to match.”

“The Ladybug ones?” Tikki thought it over for a moment. “They are nice without being too nice, and comfortable without being overworn. I think they’re a good bet!”

Marinette changed into the pajamas her former hero partner had given her, and tucked her feet into the boot slippers that matched. Although they were too big for her as a teen they now fit her perfectly now that her body looked more like her body as a heroine. She was taller now, and from constant training with her mother and Kagami her muscles had grown strong and resilient. She still couldn’t leap from building to building as a civilian, but she could certainly hold her own when it came to freerunning and parkour. 

“I wonder what he’s going to wear,” she said absentmindedly to her kwami as she changed, stripping off her school clothes and hopping into the pajama pants successfully without falling over. “Something flashy, I’m sure.”

“Maybe he has normal pajamas and is worried you’ll think he isn’t as fancy?

“Ha, I wish. He’s fancy through and through.” Marinette laughed, pulling the shirt over her head. “Maybe I can convince him to dress like a normal person like the rest of us mere mortals. He’d look really good in a turtleneck.”

She looked herself over in the mirror and sighed. She looked too much like Ladybug for her own comfort. While they were the perfect level of baggy, and the colour was slightly off from her actual suit, having red pants with black polka dots made her take a second look at herself. 

The shirt was white, with a pun on it, with red sleeves that matched the pants, and even the booties matched the ladybug pattern to tie everything together. She either looked like someone who absolutely loved Ladybug, or Ladybug herself trying to throw off someone's scent by pretending to be a die hard fan. Either way, she needed to change.

Knock, knock, knock.

Or she would change if Felix wasn’t so damned punctual.

Marinette grabbed her coat and the baked goods she got from her parents earlier and headed towards the door. On the other side was Felix, looking as handsome as ever. She could see baggy track pants underneath his black trench coat, but none of that mattered the second he leaned forward and placed a delicate kiss on the top of her head.

“I brought you coffee.” His voice was soft, as if worried saying anything would stop the butterflies that began to flutter in her stomach. “Are you alright with pizza tonight? I was running errands all day and I didn’t have a chance to pick anything up to cook.”

Marinette wrapped her arms around him and hugged him tight, feeling him stiffen for just a moment before returning the affectionate gesture. It wasn’t the first time she had hugged him since reuniting with the blond, but it was the first hug she had given him that she allowed herself to savour. 

She could feel his back muscles through his thin coat, and wondered briefly what he did to make them so defined. In his suits it was hard to tell how muscular he was, but from the hold he had on her she figured he was a lot stronger than he looked.

It was just a simple hug, but he held her like he was afraid to let her go. Maybe it was just her mind going haywire from how good the man before her smelt, like fresh soap and coffee. It was warm and clean and she loved it. 

The hug was over too soon and both parties let go with mild embarrassment at how much they enjoyed it. They looked at the walls and the floors, anything not to meet each other's gaze until they finally did. Neither could help the laughter that bubbled from their lips at seeing how the other felt the same way. It was easy and light being with him, and she wondered if that was how the starting of love was supposed to be. 

“So, Marinette Dupain-Cheng, are you ready to go back to my temporary Parisian home with my cousin and his fiancee and look over the seating placements?” Felix asked, trying to regain his air of formality but failing as his smile kept returning. He offered his arm to her, finally giving up on hiding his giddiness at their first official date. “And start preparing the invitations to what I assume is half of France itself?”

“Why, Felix!” She giggled, taking his arm and walking down the hallway of her apartment building with him. “I thought you’d never ask!”

Felix was a gentleman. This was an irrefutable fact. He took the bag of baked goods from her to carry it himself, he opened the car door for her and waited until she was in and buckled before closing the door and getting in on his side. He made sure to get out of the car first to hold her door open for her again, and did the same at the front door of the house. It didn’t even seem like he was trying to impress her, it was just his natural habits. 

“Fel! Mari! Good timing!” Adrien’s voice called to them the second they were in the house, before Felix had a chance to take her coat and hang it up. “We’re in the living room.”

The two looked at each other, their confusion etched upon their faces. 

“Well, better get this over with.” Felix sighed, slowly unbuttoning his coat and taking it off. Revealing the black t-shirt underneath with the design of a suit printed on the chest. She wanted to laugh. Of course, how did she not think of it? This way he could still wear a suit to bed! “Oh, it gets better. I have a matching pair of slippers to yours.” 

As Felix reached into the closet to put his coat away, he pulled out a pair of familiar looking slippers. She hadn’t seen them before, but she had seen up close where the design came from. The slippers Felix put on resembled Chat Noir’s boots. Without planning it out ahead of time the two of them matched. No wonder they liked each other so much.

When they made their way to the living room, with a slight detour to the kitchen to set down the pizza and the baked goods, they saw Kagami and Adrien sitting on one of the sofa’s dressed like they came right out of a 90’s parent teacher conference. Kagami wore a blouse Marinette was sure she had never seen on her friend before, and Adrien wore a dress shirt with a sweater vest over it. They both had glasses on, and she knew for a fact neither of them needed glasses. 

Adrien looked at Marinette and seemed to freeze for a moment before returning to his disappointed face. 

“What’s going on?” She began to ask, but the two crossed their arms and nodded towards the couch across from them. 

Marinette and Felix sat down, looking confused as ever. 

“Marinette, darling, we need to talk.” Kagami started, her monotone voice not matching her words. “We were informed today about something that shocked us to our core.”

“We’re not mad that you didn’t tell us,” Adrien continued, nodding along. Marinette noticed the model was wearing a fake mustache. “Just disappointed.”

“And what, prey tell, was I supposed to tell you?” She wanted to laugh. She knew their game, she knew exactly what they were playing at. It didn’t make it any less hilarious to her. 

“And Felix, I expected better from you than withholding secrets from me.” Adrien fake cried onto Kagami’s shoulder, who only patted his back in an attempt to soothe him.

“It’s okay dear, as her father I will handle this.” Kagami whispered.

“I thought I was the father, that’s why I’m wearing the mustache.” Adrien lifted his head.

“You’re the emotional mother who doesn’t know how to handle her daughter's secret life, and I’m the father who will be stern but also loves his wife despite the facial hair because you have a beautiful spirit.” Kagami stated. 

“You’d be a great dad.”

“I already am.” Kagami adjusted herself. “Marinette, how could you not tell us you were dating Felix?”

Felix stared at his cousin and his fiancee. He couldn’t believe what he was seeing. Had Adrien always been this goofy? Had Kagami?

“Mom, Dad, I’m sorry, it’s still new. This is our first date.” Marinette leaned forward and grabbed Kagami’s hand. Felix groaned, pinching the bridge of his nose. If he wasn’t already smitten with the blue haired woman, he was sure he’d fall for her again right then and there. His cousin and his soon to be wife, correction, his family loved Marinette so much that they had these silly little jokes and the woman had no problem playing along. She was every bit of the family already and if they were that protective of her then he knew he was falling for the right girl. 

“First date so far, but thankfully you two have given us enough excuses to spend time together that we’re bound to have more dates in the future.” Felix nudged Marinette lightly with his elbow. “Maybe we’ll even, gasp, become a serious relationship and rival your fame.”

“You will if Alya has anything to say about it.” Kagami mumbled. 

“What?” Marinette squinted at her friend, but Kagami shook her head and refused to answer. 

“Well, do I need to grab my sword and threaten you not to hurt my daughter?” Kagami asked Felix, all joking leaving her. 

“No worries, Ma’am, er, sir? I will treat Marinette with the utmost respect.” Felix gave a salute to the Japanese woman. “Now can we go and finish our mission of preparing the invitations to your wedding? While we may be dressed for night time, we aren’t planning on working all night.”

“Speaking of how you’re dressed,” Adrien’s voice wavered for a second. “Marinette, where did you get those pajamas?”

She looked down at herself. How was she supposed to say that the former black cat of Paris gave them to her alter ego self for Christmas? She wasn’t. “A friend got them for me, I’m not sure where he bought them from. Why? Are you jealous?”

Adrien laughed, but it almost sounded forced. “You got me. I wanted them, but oh well.”

Kagami looked at her fiance who just waved her off.

“Well, those pajamas look good on you, M’lady.” Adrien stood up and offered his hand to Kagami who took it and followed his lead. “We’re going to go spar for a bit. Let me know if you two want to join us!”

M’Lady? When had Adrien ever called her that? 

“Well Miss. Bug, shall we be off?” Felix’s voice snapped her out of her train of thought, and then immediately threw her down another hole of questioning. Did he just call her Miss. Bug? The same way that Alley Cat did? Was it just her pajamas making the two blonds act this way, or was there more to the story? God, she was beginning to sound like Alya. 

“Pizza first, invitations second, and third movie time! Sounds good?”

“Anything sounds good if you say it.”

Marinette’s cheeks burned. With all thoughts of Chat Noir and Alley Cat forgotten, the two of them left to the kitchen.

[rollerbrawl-hog]

Bust a Groove 2 Character Tier List

based off of pretty much everything related to these characters, their design, song, stage, etc.

(yes i know nobody asked for this. You could probably count all the fans of this game on one hand lmao)

S Tier:

Robo Z Gold: Robo Z, but ten times cooler. Fantastic level, and you fight in a helicopter. The song is pretty mid but I think his presentation makes up for it.

Capoeira: They have some of the best choreography, one of the best songs, and one of the funnest levels. I still jam to Algretto Break. 10 billboards out of 10

Heat: His moves in this game aren't as good compared to the first game, but his song definitely makes up for that slight setback. Plus he's just a cool racecar driver that controls fire and breakdances.

A Tier:

Strike: His song is so ridiculously 90's but still manages to be catchy. Fun to play and one of my go-to characters

Tsutomu: Another one of my absolute favorites in this game. My only complaint about this little guy is that his dance animation look floaty sometimes!

B Tier:

Comet: Her song is one I both hate and like. It kind of drones on and onnnnnn, but it doesn't get that old? The main reason she isn't C Tier is because of her dance style. Rollerblade dance was something I hadn't even considered as a possiblity within the game. Props to her motion capture artist!

Pander: I know most people hate this guy, but c'mon. His inclusion in the game is so out of left field and it's HILARIOUS. His level is completely insane and is probably my favorite in the entire series. Not A Tier though, cause his dancing is uninteresting.

C Tier:

Kitty N: Not gonna lie, she was way better in the first game. Her dance style isn't as energetic here. An okay song.

Hiro: He's just the disco guy. That's pretty much it. His song doesn't live up to the first game either. I dig the aesthetic tho.

Bi-O: This guy is probably the world's worst dad and nowhere as cool as Gas-O. BUT, his design is cool and so is his attack.

D Tier:

Shorty: She got shafted. Went from being one of the most fun characters in the first game, to having lame ass moves and a mediocre song. An okay design.

Hustle Kong: I like his design. He monki. that's it

E Tier:

Columbo: It's Shorty's cute mouse that loves to clip into itself.

McLoad: He's a dinosaur I guess? WHY does he have Kelly's moves?? is it trying to seduce the audience?? They couldn't have made it one of Kelly's weird party friends or something?

F Tier:

Micheal Doi: his design is just bad. sorry not sorry. Also just serves as an unfunny gay stereotype.

Chichi and Sally: MORE CLIPPING, except not cool like when Capoeira does it. They're kinda cute I guess? Seriously, who plays as these guys?

Sushi Boy: Sushi Boy. what.

Welp, that wraps it all up. I love this ancient game and I couldn't help myself. Thanks for coming to my TED talk lol

[ophiexb]

Coming Out

Julie learns a little more about her boys- or how Julie found out Alex was gay. 

-------------------

Julie doesn’t know much about…..any of the guys really, even her knowledge of Luke is pretty limited and was only expanded slightly by the guys' help. She knows his birthday, that he ran away from home after a nasty fight with his mom, and that he wrote all their songs. Besides that she really doesn’t know very much at all about the guys. Google isn’t help only the one article about this tragic death of a great band, their names, and nothing else.

She starts to pick up little bits of information here and there, she learns quickly that they are totally willing to talk and share way to much. She just has to make the effort on her end. Because she’s mostly banned them from the house(though she’s very aware it’s ignored completely while she’s at school.) Which means she has to come to them to learn anything or get any kind of conversation on who they used to be before they died. She starts spending more and more time in the studio, practically all her free time in there now listening to them, talking to them, and creating new music.

She learns Reggie likes country music. A lot. Almost more than rock music and it’s actually pretty funny, she makes it a personal mission to start showing him more of it and catching him up on the last 25 years of country. Reggies absolutely thrilled. She also learns he’s a huge Star Wars fan, though that doesn’t go over as well as the country music. There’s little small personal things she learns, like how his parents fought a lot. She makes mental notes to close doors a little softer and even when irritated with them she keeps her tone light. She learns that hes definitely weird, really weird. But he’s also incredibly sweet, he cares about the guys almost to a fault and loves them with everything he is. He’s a bit of a dork, but a lovable one and she finds his love for her Dad a lot more endearing. To have a true example of a loving father she can’t take that from him.

Luke is a bit harder, he’s totally willing to share a plethora of music, songs, and band related stories with her but outside of that she had to really catch him off guard. His songs exposed a lot of his feelings, it’s easy to pick things up from there. Things about his parents, about their band. Luke loves music, almost to much. He eagerly takes in all the new songs Julie shows him and asks her all kinds of questions about various artists and music related topics. He loves movies, and she loves showing him all the top movies over the last couple years. The cgi really gets him at first and she cracks up over it for far too long when she shows him a movie from this year first. She learned very quickly that starting with older movies and working up was better-he for a little less horrified at what he was warching. She also learns that the band is everything to him, which she knew but she saw the extent of how much they were a family. Luke shows love in gentle touches and concern. She watched the way he checks on the guys and touches their shoulders confirming they're okay. That they're there with him and okay.

It’s Alex she finds impossible, he’s definitely a lot softer spoken than the other two, but he’s far more sarcastic with them than her. She finds him constantly rolling his eyes at Luke, giving snide remarks and making jokes at their expense. Which means the side he shows her isn’t completely who he is. He gets worked up a little more than the other guys two, she’s caught him pacing a few times when she’s gotten off school but he immediately stops as soon as she comes in. He’s still not quite ready to open up to her the same way the others are and she’s not sure how to get him to.

“Alex...is I mean he’s just a little more…” Luke pauses looking for the right words to describe the blonde. Julie had come to him asking how to create the same bond she had with the other two. To learn about him and show him things he was interested in. Not just stuff the other guys like. “He’s just-you’ve gotta wait until he comes to you about things.”

She pouted, crossing her arms a bit. “But he’s got you guys he won’t come to me.” She gestured.

“I can’t really help you Julie….it’s. Alex is just a little more reserved I guess? We’ve known one another since we were like ten….” There was at least something. So him and Luke were friends long before the band.

She starts to pick up small things from Luke mostly about him. That after hed run away from home he wasn’t the only one living at the studio. It wasn’t full time but from the sound of it Alex spent almost all his time here as well. Enough to have bags of old clothes and personal items they’d found cleaning the loft. He didn’t cave to any of he questions about why, or when or how or anything and it was so frustrating.

She hadn’t gone to see them today, having dinner with her brother and Dad, getting caught up in homework and now she wanted to just unwind with a show curled up in her pajamas and catching up on some new episodes. Her thoughts kept drifting to them though, she should of at least checked in. There’s a soft knock and she turned slowly to see it wasn’t her Dad, the ghost hand coming around and she laughed. “Come in.” She said softly expecting Reggie, or Luke. Only it’s Alex that comes in wearing his shorts and soft pink shirt that she’d grown familiar with. She pauses her show sitting up. “Hey what’s up? Are you okay?” She worried mostly because he was alone and she’d never really seen the other alone before.

“Me?” He asks looking around a little nervously before nodding. “Oh yeah-Yeah. Luke and Reggie have been busy all day-and I guess….” He hesitates and she smiles, patting the bed next to her. This is her chance.

“Come on, I’m in the middle of a show. Your welcome to come watch it with me.” She encourages and he moves quickly at the invite coming to sit in the bed with he. He’s got his shoes off and she adjusts slightly to give him space to get comfortable before hitting play. She’d never invited any of the guys in like this and she’s sure he knows it, he’s being careful not to look around her room to much, to be respectful of her space.

“What’s it called.” He asked softly slowly unwinding more and more as the show played. His body relaxing next to hers as he curled around his knees.

“Its called Shadowhunter's.” She explained shifting slowly to sit up better with him. “It’s based off a book series; it’s pretty good. It’s about these people-they’ve got angelic blood and I guess they fight demons...there’s so much more to it than that but you get it.” He hummed falling silent as they just watch it together. He seems pretty interested and she wonders if she should ask if he wants to rewatch the whole show with her. If he’d like that. She’s so focused on thinking about Alex she’s completely stopped paying attention to anything going on in the show now.

“A-are they together?” Alex asked his voice so soft she barely catches it but her brows furrow and she looks at the screen. Catching the two characters and nodding.

“Oh yeah, Magnus and Alec-there together. In the books they get married and adopt kids and stuff it’s really cute.” She pauses because his eyes are so wide. For a moment she worries because he is from the 90s and who knows what his mindset is on all this.

“Married? But-but they can’t.” He protested softly. “I guess it’s a book or a show or-it’s fantasy but-but that’s-“ He’s stumbling and Julie can’t help but cut him off.

“Alex gay people can get married, like in real life. Not only that but they can adopt and everything-they’ve got rights now.... It got passed a few years ago.” She sits up a little better, his tone is off. It doesn’t sound like someone whose disgusted or repulsed and she’s absolutely floored to see tears coming to those blue eyes when she gets a better look at him. “Hey-woah. Woah what’s wrong I’m sorry.” She said quickly and he sits back further away from her a bit rubbing at his eyes and trying to wipe away the tears but they keep coming.

“No-no it’s. It’s not your fault I just. I never thought I’d see it.” He whispered looking away. “I never thought-I mean. It-it’s a lot.” Julie pauses for a moment looking at him and he’s really crying now his hands pressed against his eyes tightly. Her heart breaks and she wishes she could Comfort him in some way, hoping he doesn’t vanish before they can talk. It clicks now and she’s hesitant as she speaks.

“It’s come a long way in 25 years...it’s not perfect. But rights have come far, education. Acceptance. We’ve got a long way to go but it’s in media, actors are openly out...do. Do you want to see more? More stuff like this?” He nods slowly, his hands slowly moving away and she grabs her laptop, they gently lay out together Alex on his stomach alongside her the two of them close as they can be and she shows him anything she can think of. More shows with open characters, different actors who are out, she shows him when the laws passed and various couples that have adopted. He’s not crying anymore but his eyes are dark, red around the edges and he seems so deflated and yet she senses ease. He’s crying still, a slow silent cry that hurts her more than anything.

“I met a boy.” He says softly, there watching another show together, he’s curled around her pillows and she’d tossed a blanket over him. He looks cozy, his eyes still red and rimmed with tears but she smiles at him.

“Yeah? Recently?” She asks encouraging him opening up to her, just opening it up and being himself in general. She was kind of excited to hear about this guy he met to. 

“His names Willie. He’s a ghost like us.” He confirms and once he says his name it’s like he can’t stop. “And he-he makes me feel like I’m alive. He gives me these crazy butterflies and he has the sweetest laugh.” He confides and Julie beams at him.

“He sounds pretty awesome. Is that where you go when your gone all day?” He nods in confirmation a soft shy smile on his face as he tells her about some of the stuff him and Willie get up to. How he’s really helped Alex adjust to being a ghost and become more comfortable with this huge change in his life. Julie listens smiling and laughing along with his stories softly about how they went to museum and screamed, or walking around talking about celebrities and tourists.

“I’m glad you found him Alex…..you deserve to be happy.” She encourages and it seems like her words truly catch the other off guard his eyes wide and surprised and so soft. He melts almost, his cheeks red.

“Thanks Julie…” He said softly.

Alex unravels after their night together, she learns so much about him and she feels a little proud, the warmth all across her chest when she comes into the studio now and is able to talk with all of them. It’s finally happened the last piece falling into place that truly, and completely makes them a family now.

[popculturebuffet]

Static Shock: Shock to the System and Aftershock Review

“You know what? 13 years ago, me and some friends sat in a restaurant all night and daydreamed about the kinds of stories we would tell if we had the chance. We wanted to expand the concept of superhero to include characters that kind of looked like us, who had some of the same background, experiences and dreams as we did. We wanted to create something fun that a new generation would respond to the same way we responded to our childhood heroes -and damn if we didn't succeed beyond my wildest dreams. Today, Static Shock is a household name with millions of fans of all ages (Is there stuff I'd do differently? Yeah, almost all of season four but why nitpick?) Static is the most successful thing I've ever helped create and I'm both proud and gratified that people have taken it into their hearts. “ 

Dwayne McDuffie, Co-Creator of Static and Writer for Static Shock

This review is dedicated to Dwayne McDuffie and Robert L. Washington III.                                                        Rest In Power Static Shock is awesome. I grew up with the show watching it both first run on the WB and second run on Cartoon Network and loved it as much as I did other large parts of my childhood courtsey of DC like Batman the Animated Series, Teen Titans and both Justice League Shows. What makes this unique among the DC Properties is that Static wasn’t really a big name when he got a show. He wasn’t even part of the DC Universe. 

See as I had no idea for probably a good decade, Static actually came from Milestone Comics, a company ran by and focused on african americans. The goal was understandable: While black heroes existed at the time, and there were some fantastic ones like Storm, Jim Rhodes and Steel... these guys weren’t the center of their universes. The big faces of the big  companies, Spider-Man, Wolverine, Hulk, Iron Man, Superman, Batman, Wonder Woman, The Flash.. were white. So milestone was a shakeup of that with the main teams and heroes all being black, from Icon, an alien who’d lived among man but rather than end up in kansas like say superman ended up imprinting on a slave woman centuries ago and has been with us since, who was encouraged by an energetic teenager named Rocket to put on a costume and do something with his powers and his community, Hardware, a tech genius who had his work stolen by a white asshole and wanted to fight back and BLood Syndicate, a group of gang members all caught in the “The Big Bang”, a huge fight between all of Dakota, the midwest city where the comics take place, that ended when the police released a bunch of experimental gas that gave them all super powers. 

As most of you who have watched the show already know, this is where Static comes from. Static was the company making their own Spider-Man, i.e. a nerdy teenager who suddenly gets super powers, in this case Virgil Hawkins who at the prodding of a friend took a gun to The Big Bang to get revenge on a bully. .but ultimately couldn’t go through with it, decided it wasn’t him and got rid of the gun and ran.. and still ended up in it, becoming Static, a young hero dedicated to using his powers to fight other “Bang Babies”.. a term that dosen’t really sound that great and they really should’ve thought through. But Phrasing aside the character was great and I look forward to reading more and only haven’t because I have to buy the issues gradually, but DC is currently re-releasing the individual issues of Static, Icon, and Hardware weekly in anticipation of a reboot of Milestone Coming in May digitally on Comixology at only 2 bucks a pop, and rereleased the original print collections that were long out of print for 10 bucks each, though i’m getting static on it’s own since i’ts really not that much less expensive as it only collects four issues while Icon and Hardware both collect 8, so I can wait a bit there on Hardware and already own Icon: A Hero’s Welcome.. and really need to review it at some point. 

While Milestone’s output was good, at least from the two books i’ve read, with Robert Washinton III, who sadly not only ahs also passed but was fucking homeless for a while  in the 2000′s.. what the actual hell, writing Static alongside Dwayne McDuffie, whose later moved onto animation writing tons of Static episodes all of them classics including the school shooting episode, the first three rubberbandman episodes and both Anasazi episodes. Point is it had good writers and artists and even had a distrbution deal with DC, so they had a leg up on the glut of other comic book companies.. but happened to start at the start of the comic book crash, a huge downturn in sales in the 90′s as the speculator boom, i.e. a bunch of people assuming every number one would be worth golden and silver age money, forgetting a character has to BUILD INTREST and this stuff takes time, and whose attempts to sell fast flooded the market with comics no one wanted,, caused the roof to cave in and with a bunch of assholes pegging milestone as a “Company for black people” rather than you know, a company trying to add fucking diversity and represntation to the comics industry, and that simply wanted a unvierse that was centered around people of color instead of white guys. The company eventually had to shut down, and was left to lisencing.  This is where the show comes in. Producers HAD been trying to make shows based on Milestone for a while, as far back as the mid-90s and the company was was all for it but the closest it got was an x-men style team series using various characters whose first draft was terrible and whose second draft by Alan Burnett, a producer on various DC Animated shows who’d go on to produce Static Shock, that McDuffie and others really liked but sadly did not get picked up. eventually though with presistance Static ended up getting a series and as I said McDuffie went on to write for it though he did not develop it. Some changes went into place naturally to make it work for an early 2000′s kids show and while i’ll probably miss so since again, only read one issue as we go. But due to Milestone coming back my intrest was peaking, hence finally reading the copy of Icon I had to buy from the library years ago due to keeping it overdue but am now EXTREMLEY glad I own as i’ts incredibly rare and really damn good, and wanting to read static, doing so lately since it’s finally on digtiial and again not too expensive. So join me as I give you a shock to the system and revisit this hell of a series to see if it holds up.. which just to cut that short it does and i’m only holding off binging MORE because I want the first two eps to be fresh enough in my head to review properly.. and also go over the various voice actors because that’s a thing with me now and charcter co-creator dwayne mcduffie because he’s awesome. 

As I like to do when covering a series first episodes, let’s run down the voice cast. 

First up is an UTTER LEGEND, and I use the term voice acting legend a lot, and mean it every time and have good reason to use it when I say it, and Phil LaMarr is a GOD in the buisness, having done a metric ton of voice acting roles, and being easily the most proflific black voice actor in animation. He’s also done some acting work, mostly in pulp fiction which I have not seen, but his true staying power and talent is in animation so here’s just the roles I feel are most notable or may not be very notable but i’m bringing up anyway because it’s my list. 

His roles besides Virgil include Lester Payton the Texas Ranger who showed up for one very good episode of king of the hill to be badass and show up the hickish, stupid and very punchable local Sheriff, Gearld’s obnoxious older brother Jamie O on Hey Arnold, Hermes Conrad from futurama, Carver from the Weekenders (PUT IT ON PLUS DISNEY), Axel Foley for exactly one bit in Clerks the Animated Series, but anyone whose seen it will know exactly which one, Micheal on the Proud Family, Black Vulcan on Harvey Birdman (In His Pants), Hector Con Carne and Dracula on Grim Adventures of Billy and Mandy and Evil Con Carne, Jack on Samurai Jack something I didn’t know for decades (and I didn’t know about the carver thing till today though i’ts obvious in hindsight), John Motherfucking Stewart on Justice League and later Steel and Adult Static in the Unlimited seasons, Osmosis Jones on Ozzy and Drix, Bolbi Strogofski on Jimmy Neutron (And yes i’m just as shocked as you are.), Wilt on Foster’s Home for Imaginary Friends, Marcus on Life and Times of Juniper Lee, Bull Sharkowski on My Gym Partner is A Monkey and Also a Sociopath Please Help God My Life is a waking nightmare..... okay the rest of that title is implied but we all watched the same show, we all know in our hearts that was the title

Moving on, he was also, and yes there’s MORE: Maxie Zeus on The Batman, Philly Phil on Class of 3000, Both Robertsons AND Fancy Dan on the Spectacular Spider-Man, Jazz on Transformers Animated, Kit Fisto and Bail Organa on Star Wars the Clone Wars, Gambit and Bolivar Trask on Wolverine and the X-Men, Aquaman I, L-Ron and Green Beetle on Young Justice, J.A.R.V.I.S. and Wonder Man (Simon Williams) In Avengers: Earth’s Mightiest Heroes, Gabe and Carny on Kaijudo: Rise of the Duel Masters (Really miss that game and have been snapping up what cards I can get lately), Baxter Stockman in the 2012 Teenage Mutant Ninja Turtles (And there’s also an awesome photo of him with 2003 Baxter... the two best together in one place. I got chills), Dormammu (I’ve come to bargin) in various Marvel Shows, Noville in Mighty Magiswords, Zach’s dad Marcus in Milo Muprhy’s Law, Craig’s Douchey Brother Benard on Craig of the Creek, showing he’s clearly come full circle, And Mr. Scully on the Casagrndes. And given It took about two paragraphs to cover all of this, yeah, I MEANT legend. 

Next we have Kevin Micheal Richardson as Virgil’s Dad Robert, and it’s the first time since I started introducing Voice Actors on a show that i’ve overlapped. I already covered him during the second episode of legend of the three caballeros, but for the short version he’s also very acomplished, very damn good and I somehow missed he played the old blind guy in hey arnold> Needless to say the dude is awesome. 

Virgil’s Sister Sharon is played by Michele Morgan who was in the rap group BWP and did some smaller roles outside of this the one exception being Juicy on the PJ’s, which I have not watched much of but REALLY do not like, though i’ll at least give it credit for being a decently long lasted black claymation sitcom at at time when there were, and hoenstly still aren’t, many black animated shows. 

Back to long casting sheets, next up is Jason Marsden, who is one of my faviorites as i’ve realized recently as Ritchie. As I also found out only recently he started on the Sitcom Step By Step and while that show is .. ehhhhhhhhh, he is great in it because he’s great in everything. He also apparently has his own internet variety show which I have to watch now. His roles include Max Goof, ironically given I was just talking about that role a few days ago, Haku in the english dub of Spirted Away, Micheal, the kid being yelled at by a bunch of 80′s cartoons characters not to take drugs in Cartoon All-Stars to the Rescue!, Nermal in the DTV Garfield movies and The Garfield Show, Tino on the Weekenders (SERIOUSLY DISNEY), Snapper Carr on Justice League, Rikochet on Mucha Lucha! for the last season (Why I do not knkow and while I love the guy he was not the right choice), Felix on Kim Possible, Chase Young on Xiaolin Showdown (WHich I did not realize was him and now I do easily his best role and I REALLY should’ve), Red Star and Billy Numerous on Teen Titans, Speedy on Batman Brave and the Bold, Impulse/Kid Flash II on Young Justice, and Fingers on Kaijudo. He hasn’t done as much lately which is a shame but hopefully i’tll pick up again. 

Next up is Hotstreak, Virgil’s brutal bully turned unhinted pyromancer played by DANIEL COOKSY, another actor i’m happy to talk about and another faviorite I haven’t seen much of lately. Daniel was an actor from childhood, playing Budnick on Salute Your Shorts, but he quickly gained a long and storied catalogue of VA Work: His first big roll was as Montana Max on Tiny Toon Adventures and if there is a god he’ll be back for the reboot, Stoop Kid on Hey Arnold, the incomprable Jack Spicer on Xiaolin Showdown, far and away his best role and part of why Chronicles sucked so bad was he was he didn’t get to reprise the role, The titular Dave the Barbarian, Django of the Dead on El Tigre (Had no idea), Kicks utterly insufferable big Brother Brad on Kick Buttowski and apparently he’s back at it again after laying low for a bit as he’s voicing Snag in Long Gone Gultch.. which I already really needed to watch but hot damn, I missed him. Sign me up. 

Frieda, Virgil’s crush and close friend who in the comics was his main confidante and love intrest but here is eventually pushed aside, is voiced by Danica Mckeller whose work didn’t seem all that familiar.. until I found out she was Ms. Martian on Young Justice. Hello, Megan. Very talented and she did get a major role in a dc show eventually so good for her. Can’t wait for season 4. 

So with our major players out of the way,  let’s talk about Dwayne. McDuffie is an AWESOME man and my respect has grown for him more and more with time. A writer and editor at Marvel, McDuffie has a decent resume doing smaller but awesome books, which I got most of for free last year when Marvel was giving out free digital collections due to the lock down, like Damage Control, a sitcom set in the marvel universe about the company that picks up after superhero battles and the logistics and antics that insue and Dethlok, about a pacfist trapped inside a cyborg zombie. He was as mentioned one of Milestone’s founders, and wrote Icon, Hardware and co-wrote the first few issues of Static. He’d go on to a pretty stacked career in animation, writing on this show and Justice League before becoming  story editor and show runner for Unlimited , even making a return to comics as a result writing the Marvel miniseries beyond and an arc of Fantastic Four in which Black Panther and Storm filled in for Reed and Sue while the two of them worked on their marriage after Reed did.. pretty much everything he did in Civil War. He also became head writer and show runner for Ben 10: Alien Force and Ultimate Alien, revamping the franchise a bit, and Alien Force, at least the first two seasons are awesome and I feel people overreacted on the changes. Ultimate Alien is okay, but has it’s problems but the finale was awesome and left the man’s legacy on a high note.. as he sadly passed in 2011 due to heart complications. He is truly missed and produced some utterly amazing stuff whlie he was alive. So on that melacholy note let’s see what happens when his creation hits the tv screen shall we?

Shock to the System:

This episode is written by Christopher Simmons, who is apparently a huge art designer guy.. but i’m not sure that’s the same chirsptoher simmons. Much more notable is the writer of the episode after this Stan Berkowitz, who was showrunner for season 1 and has done a LOT of DCAU work and is suprising talent, having written a lot of awesome Justice League episodes including Secret Society and The Royal Flush One. Point is we’re in first class hands.  Before the episode itself I want to talk about the intro and how it’s unique among DCAU shows. Like most Western Animation the intros for DCAU shows didn’t change much over the seasons with the most I can see is JLU changing up the footage to preview the current episode and later adding Hawkgirl to the intro after her return to the team. I THINK superman the animated series changed some of it’s footage too, but I can’t confrim it and may of just been imagining it. As i’ve talked about on my blog it’s normally a pet peeve of mine, mostly because shows you know, change after season 1, characters get added some one shot characters used for the intro never return, and after a while it can feel dated especially in more recent shows where the status quo is not at all set in stone and things change quite a bit. But sometimes it can be good enough that either the dated elements don’t matter or general enough that you don’t need to change it and i’ts just that good.. and given Batman the Animated Series has both in spades, you can see why i’ts probably my golden standard for intros and after superman the animated series DC mostly followed suit. But being part of the teen superhero boom of the 2000′s Static is unique in that it splits the diffrence: It’s intro gets the character across perfectly like a good intro should starting with Virgil getting out of bed and running a comb across his head before showing off to his sister to bug her and literally running into his dad who hand shim his bag and smiles, silently showing off his family. He then runs to school and runs into some trouble.. and said trouble changes for each intro, with Rubberband Man for season 1, Kanga (Whose name I only know because I happened to run across it) for season 2 and your guess is as good as mine for seasons 3 and 4, though Hotstreak is a constant. They still save some money for seasons 1 and 2 by recycling some animation.. but that’s alright with mea s it was good animation, and the improtant thing is cycling out old villians for new ones, while Season 3 is the only out and out redo to show off Richie taking on the Gear identity, adding about 10 seconds of intro to let him show off.  Seriously it’s an utterly great intro and like the other DCAU intros outside of superman, stuck in my brain. 

The other change that’s ENTIRELY diffrent from the rest of htem is that the music changes each time. The first two have the same formula just with a difrent vocalist and backing track: a superhero theme but with some hip hop beat boxing over it. The first intro is fine enough, not specattcular but stilll god. The second song.. is eh. Not really great and feels like a marked downgrade from season 1 and just dosen’t blend an ocrehstiral superhero theme with the beatbox elements NEARLY as well. The third song though is my faviorite.. even if I HATED Little Romeo as a  kid because I really did not like his nick show, it’s more a straight up rap song, but it has a faster beat that fits the intro better, and Romeo’s bragging fits Virgil’s character and penchant for Spidey quips perfectly. I also find it ironic that the theme that blends in with the dcau the most, the first season’s, is the one from BEFORE they decided to put it in the same universe. Still this season’s intro slaps, I just like the LIttle Romeo one a bit more.  The opening scene is picture perfect. Some masked crooks looting a warehouse are loading some stolen TV’s into a van when suddenly the lights come on one by one above one of the crooks before his tv switches to various channels before going haywire. Cue our heroes’ entrance. Let’s tak ea good look at him

Static’s Costume is awesome. While I prefer the season 3 redesign, and clearly DC agrees as the redeisgn was used for both pre and post new-52 when they used him, and while he’s getting a fresh design for the reboot, said design takes a lot of cures from said outfit. As for how the outfit differs from the comics itself  this is the design he had in the comics

It didn’t change much from the first issue, with the exception of his now iconic big puffy jacket which was added pretty early into the character’s history but I was unaware of that and just assumed he had the bodysuit the whole time. The more you know. But as you can see outside of the cool puffy jacket over a costume the two couldn’t be more diffrent. While the Dakotaverse outfit is more a standard superhero outfit, with some regular clothes touches on top the first cartoon outfit comes off more realistic, looking fantastic, but still coming off as something two teenagers could realistically have thrown together with what clothes they could buy, while still looking awesomely superheroy. IN short it’s perfect and only topped by the season 3 onward look...

But the slicker look, with an even cooler jakcet and the new colors all fitting the lighting ascetic better, but fits: not only has Virgil come along farther since he started, but with Richie now having a genius brain as Gear, he can provide a far slicker, far more professional superhero outfit on the budget the two have.  This show is just great  at costume design. 

So getting back to the episode at hand, Static puts up a huge sign in elecrticy saying “Bad guys here”, PFFFT, and then hides away and narrates that a few days ago he’d be the last person anyone would’ve expected to be a hero. Cue Flashback. 

We meet Virgil Hawkins on an average day: rapping into his razor, getting into a petty argument with his older sister Sharon, as a younger brother myself I relate to this, and talking to his dad who tries to get them to cut that out. We find out his mom has passed via his sister making really terrible eggs and saying that’s how mom made them. Exposition! Though we do get a great bit through this as when his sister gets distracted by her boyfriend calling, he uses the opportunity of her leaving the room to dump the eggs.. after having earlier jokingly prayed to his mom for a way out of breakfast. “Thanks for looking out for me mom” That’s both very sweet and very hilarious. 

This is a change from the comics it turns out as I was utterly flored to find Virgil’s mom alive and well when reading the first issue of Static. Turns out this was a change made during development and one Dwane McDuffie admitted in the interview I got the tribute quote from to not liking as he had a good reason for having Virgil have a nuclear family, as most black families in media at the time were just one single parent and a kid or two with the other having either left or died. He wasn’t too bothered by it as while he preferred what he came up with in the first place, the show DID get some really good stories out of her being gone and didn’t just have her be absent because shut up. Virgil is still working over her death and the way HOW she died ends up playing an important role in this episode and gives Virgil a dislike of guns, as she died to gang violence. So the change wasn’t for stupid or racist reasons, but likely both to keep the character count down while giving them something to work with for storylines. Or it could’ve been for stupid reasons and the writers simpily made lemonade out of that very dumb lemon, either way it ended up working.  Virgil also plans to ask his friend Frieda out. Frieda was a bigger deal in the comics, being Virgil’s friend and confidante as well as his ocasional love intrest, but here while she was inteded to at least be his love intrest here, that sorta fizzled out. As for the best friend role we meet her replacement in Richie, which McDuffie conceded was the kind of change a studio would make swapping out a female character for a male one. That being said the crew made the best of it and Richie is awesome, a bit of an overcompensating dipstick at times, but a good sounding board and pal for virgil and funny as hell too. He was also gay, something only revealed post series by McDuffie.. but unlike say Dumbledore, it’s a bit easier to swallow here: The early 2000′s were an even worse time for gay characters in tv let alone cartoons, and if they couldn’t kiss or have sex scenes on regular tv, there was no way we were getting any representation in a children’s show. So it was largely just hinted at by Richie overcompensating in how “into girls” he was and i’m once again fine with this being word of god as it was literally the best they could do and his counterpart in the comics was also gay, if not as relevant.  Ritch encourages Virgil to work on his opening to ask her out as it’s awkward as heck, hits a bit close to home.. but I do appricate the show just .. having him try and ask her out from the first episode. They likely would’ve drug thigns out a bit granted had they used Frieda more, i’m not blind to the convetions of the time. .but as someone who got the very wrong idea from tv that just waiting around meant a girl would like you eventually, when no you need to actually try even if rejection happens, I honestly wish we had more of this in media than the other garbage morals at the time. 

So he prepares to , not helped by her mentioning guy after guy is asking her out.... but before he can F-Stop, the future hotstreak, shows up.  F-STOP

That being said...... it’s not as bad as the original gangster name for the comic’s version, Biz Money B. Yes BIZ MONEY B

So yeah while F-Stop is no more intimidating, it at least means I can stop laughing. Francis, because I can’t type F-Stop without laughing and this review is already behind, shoves Virgil out of the way and agressively hits on Frieda, even saying “you smell good”, the international sign your a douchebag and also to call the police. Virgil steps up to the guy and gets PAINFULLY slammed into the lockers, something I give the animation team a lot of credit for, as you can FEEL how fucking painful that was. Virgil is saved by Wade, another local gangbanger who in the comics was a close friend of Virgils but here saves him seemingly just because.. seemingly. 

On the way home though Virg’s problems don’t end as naturally, the giant sized asshole with nothing better to do has his goons corner virgil before VIOLENTLY beating him.. off screen but the noises, and the clear brusies including a black eye, on virgil afterwords.. just holy damn i’m suprsied they got away with this but it shows just how horrifing it was and that this is a step above regular bullying, which make no mistake is absoluttley terrible and the series would later do an episode on it and school shootings, into straight up gang violence. Wade shows up again and gets the bastards to flee.. but also makes it clear he can’t keep doing this.. and forces Virgil to meet him at his base under the bridge. And it’s a tense sequence, with Virgil KNOWING this is a bad idea but having no real choice and Wade making it abundantly clear that he wants Virgil to join his crew, and makes a chilling point: while Virgils dad RIGHTFULLY dosen’t want his son to join a gang as Virgil points out.. he can’t be there for him all the time and eventually one of those times, Francis will be around. And he may not surivive that. Virgil nods noncomittaly.  At home it gets even more grim as he dosen’t open up to his family, understandably as his dad would jsut say to call the police and well.. we’ve seen how the police treat black people. At best they’d just try and use Virgil as an informant and that likely wouldn’t end fucking well for Virgil. Ritchie points out he can’t join a gang, virgil’s mom died that way.. see told you it’d be important to the plot.. but I like how the story dosen’t offer an easy answer.. well okay he gets electric powers soon enough but without the fantastic element this is just an innocent kid caught between either joining the very thing his mom hated or hoping a system not built to protect him will keep him alive. It’s utterly saddening and chilling and holy shit is it amazing a cartoon in the early 2000′s was able to get away with.. ANY OF THIS, and they handle it great, paired down a bit from the comics but even then it’s still incredibly balsy they got THIS much in. 

Naturally Wade calls in his favor and our hero is forced to come running.. and soon finds out Wade’s brought him in for a massive gang war. Welcome to the big bang, baby. He hands Virgil a gun as things get started and Virgil.. drops the thing and tries to escape, in a harrowing sequence.. and runs into Francis because god apparently REALLY hates this kid today. As if to prove that the police show up and while that prevents a beating, they demand they disassemble. then release untested gas on them because of course they do. 

As a result the big bang truly begins, with the various gang members getting mutated.. and naturally so does virgil. Though he wakes up the next day seemingly fine. How’d he get home? Does his dad know where he was?

I don’t know and we’re not getting any answers, but Virgil soon finds weird stuff happening like his clock shorting out, change being attracted to him and his razor going wild. It’s only once he get sback to his room he gets an inkling of what’s going on and calls Ritchie to meet him at the Junk yard.. though it is a bit of a dick move as he dosen’t you know, tell him anything about Wade or Francis right away. He does at the yard though.. and that he has powers, having finally figured out how to use them to a point. And the series does provide a decent justification later as to why he’d get this so quickly: Virgil is a smart kid, gets great grades at school and apparnetly there’s even an episode later where he gets a scholarship to a fancy genius school. So him getting how elctromagntisim works or being a quick study on it makes perfect sense. 

Richie suggest the obvious.. to become a superhero. And the thought.. hadn’t occured to Virgil. It’s honestly a nice twist on the old trope. That he hadn’t thought of it, not because he’s selfish or any of that or needs to learn a hard lesson, those have been done.. simply because the rush of getting his powers, and implicitly of having a way out of his current predciament, a way to keep Francis off his back and keep Wade from pulling him in further. His own path. But once i’ts brought up.. he jumps on it. Part of it is being a nerd like you or I, of course he wants to.. and being a good intetioned one, he knows this is the right thing to do. It’s waht makes a superhero a hero: Anyone can get powers in a universe like this, esepcailly the dcau, but it takes true courage and heart to use them selflessly and knowing you’ll be in danger. It’s why I love surperheroes: they often didn’t ask for this but they do it anyway because somebody’s gotta. We also get an intresting wrinkle is superman is, at least I think in this episode I could’ve missed it or misremembered things, mentioned as a fictional character. That’s because originally like the comics this wasn’t part of the DCAU.. but eventually the crew decided it shared staff from it, shared a network, both first run and on reruns, why not just make it part of the DCAU proper. I fully support this decisionf: While i’m midly annoyed unlimited never really used anything from static shock outside of Static himself in the time travel episode, despite you know Static and Gear having BEEN to the tower and not being much younger than Kara and defintely older than Courtney, I chalk it up to weird rights issues or something like that. But having Batman, Batman Beyond, Superman, Green Lantern and the Justice League itself all guest star was a good idea, and expanded both static’s universe and gave the DCAU something differnt as most heroes in it were older and more experinced in contrast to the up and coming virgil. Again really would’ve been nice if he and gear could’ve been a part of the expanded league but production might of just been too far ahead or, given he had his own series, they might just have wanted to stick to toher characters. Also begs the question why Icon or Hardware wasn’t adapted for the expanded League but hey, questions for later and the tricky logisitics of the milestone rights might’ve been the issue. I don’t know I wasn’t in the room. 

So we get a costume montage, including Black Vulcan from Superfriends, who again ironically would be voiced by Lamarr not too long after this, though weirdly they DON’T use his outfit from the comics for this montage. I mean why not? It fits the gag and would’ve been a good second to last choice.But what could’ve been aside we get our winner and cut back to present day...

Thanks boys. Static finds out one of the things in the warehouse is a shipment of computers for the school and can’t help but show off, showing up to the school, where Frieda and Richie are setting up for the dance, and dropping off the computers, and even saying his catchphrase for the first time “I’ll put a shock to your system” (Which Richie chimes in with awesome line and I agree, great catcphrase), before helping set up and flirting with frieda. 

Though as Richtie says he’s a natural. He’s not wrong as he can work a crowd. .but back it up too as his first run out had him easily taking out the crooks, and as many teen superheros and fans of heroes of hte type, myself included will tell you, getting it right in one is not easy. Not even Miles MOrales was immune. All Static needs now is a villian. 

And the end of the episode provides one as we see, in horrifc and once again damn suprising detail most of hte new metas aren’t doing so good and are melting and other stuff and we catch up with Francis whose burning up.. and naturally given that hair, though given he named himself F-Stop it’s the least of his problems, he’s got fire powers and escapes to “Have me some fun”

So with that we end episode 1. And it’s excellent, a great way to introduce the hero and while the warehouse opening is a bit superflous, it is a decent addition, showing our heroes first outing in costume and giving us a bit of an action scene to get us through the very heavy rest of the episode. But the rest of the episode is no less grippping, telling the tale of a teen caught in an unwinnable scenario who suddenly finds a way out. And speaking of which waht of Wade? Will we see him again? Is he perhaps Ebon, the series big bad as I thought when I was a kid? What comes of the man who directly caused static’s origin?

Yeahhh that’s the one mistep I think the pilot makes. Frieda is understandable as that was likely a simple change in creative direction. This though? Why build this guy up if your not going to bring him back. I mean where he went was probably the grave, as he probably did due to his mutation, but it’s still VERY weird to spend a whole episode focusing on this guy, building him up as a big personal threat to our hero.. and NOT have him become the series big bad. And maybe he WAS supposed to be ebon and they just changed their mind. I don’t know but it bothers me it bothers me a lot. Otherwise though flawless. ONe more to go. 

Aftershock: We open outside an electronics store, as our heroes watch the news reacap what happened in the first episode, with the media dubbing it the Big Bang and revealing their could be hundreds of “Metahumans”, as Virgil dubs after deciding the media’s term “Mutant” dosen’t fit, a nice wink to the fact that that’s the term used in dc comics and I believe milestone but could be wrong there. Me I like the term, has a nice ring to it. 

At the store while Richie mulls over waht this means Static finds out he’s a human CD player.... this was before mp3 players and streaming on your phone made them horribly obsolete mind you and if you don’t know what one is congradualtions you live in some sort of bubble and you made me feel really old junior. 

Frieda happens to be there and Virgil quips “What’s the matter they run out of britney cds”. Dude she’s not bad. Also be careful what you wish for man. Nickeback returned the year after this. You have not truly suffered through bad music yet my young friend. They spot a kid looking feverish, and he soon turns into a purple werewolf, as you do. It’s a bang baby.. those are richie’s exact word and you may not want to start a panic there bud. Just saying your best friend is one. THeir not all like this. Our heroes book it only to run into Francis who naturally refuses to let them leave and only doesn’t try to beat up Virgil because Virgil points otu the werewolf and nonplussed, he goes to fight it, scarring it off by revealing his own powers. He’s now dubbed himself Hotstreak which points for getting an actually good name kid. No points for what happens next as unsuprisingly getting powers did NOT mak ehim a better person and he attacks Virgil who blocks with a garbage can lid and thankfully is blasted into an ally. Richie tries to guard frieda for damn obvious reasons but gets hsi shirt burnt up because shut up Thankfully Static shows up, and we get our firsdt full on superhuman fight as both fight each other with aplomb, and it’s a damn good fight.. and one that goes pear shaped for Virg as he’s caught off guard when he finds out Hotstreak can use his powers to fly, and tackles him and his previous trauma causes him to freeze up. Thankfully , as Frieda put in a call earlier, the fire department arrive and HOt streak has to retreat, though Virgil is bummed that he “Choked”. And I love this as it not only shows Virgil’s inepxerince, as this is his first time fighting a bad guy but that just because he HAS power now dosen’t mean trauma and his previous fear of Hotstreak goes away or you won’t freeze up from time to time. It dosen’t make him weak or anything like some assholes would call it .. it makes him human. Humans make mistakes, and it makes him all the more relatable that he’s not pefect and that he did freeze up as I know I certainly would at last once in the circumstances. 

Things don’t get better at dinner as Sharon and Pops argue over the bang babies with Pops calling them a meance and Sharon pointing out Static exists so they can’t all be bad. See assuming a group of superhumans are bad because a handful of them ar edick sis why the x-men had to get their own island nation. You can only save an ungreatful populous so many times before you say “fuck it i’m getting my own island, pay me for life saving drugs, save your damn selves and stop doing genocides on us. Kay thanks”. But he does bring up a valid point that rattles his son: We don’t know anything about the Bang Babies or their biological structures and it’s likely they might further mutate into monsters, Static included. 

Virgil, understandably, wants to check this and thus he and richie compare blood samples in science, to no real conclusion. She he checks out with his doctor who assumes he’s sexually active in a great getting crap past the radar bit and a bit of realisim, but he agrees to the test though if something came up he would have to tell Virgil’s dsad and is up front about this. Nice dose of realisim.

That night City Council has a meeting and the Mayor TRIES to deflect Papa Hawkins questions about the bang babies which again, while being a judgmental ass as not every person hit was a gang member (Virgil, and as we discover later some others), and not every gang member is there by choice, some by circumstnace some, like virgil almost was, because they HAD no other option. Again years of reading x-men may of just made me a bit touchy on assholes admitely assuming superpower people bad. But it’s clear the public is upset and while she says an investigation is underway... Virgil and Richie are not only not convinced, but figure she’s actively covering it up. And unlike everyone else there who probably suspects the same, they can do something about it and tail her.  It’s during this, and cleverly as I didn’t realie till writing this using similar skills to his human cd player act, Virgil listens in and discovers whose behind it: Edwin Alva, whose apparently richer than bill gates and a beloved phinarophist Alva, as it turns out, was actually the arch enemy of Hardware in the comics, taking advantage of the guy in his civiliian idtentiy and thus casuing him to launch a war on the asshole. He does transition into this series well though, being the one behind the gas that caused it and with the mayor agreeing to back off, planning to simply dump the info about the big bang on a disc then destroy everything for now till the heat dies down. Yup sounds like a corprate douchebag. 

Static tails him, finds the lab and infiltrates it, stealing the disc.. but getting caught by Alva’s goon, and trapped in a glass prison, forced to use ALL his power to escape and barely getting out alive, but not before bouncing off alva’s car. Still he now has the proof.. and meanwhile Hotstreak, who I was wrong did get captured, is forced to take pill sbut spits them out once the orderly is gone. Dude.. WHY DIDN’T YOU WATCH HIM. Make sure he swallows that shit especially since, as he has no powers right now and can’t harm you. 

Hotstreak escapes off screen and our heroes discuss the disc before he shows up, and we get a REALLY fucking amazing scene: Virgil ducks into an Alleway and ritchie is worried.. and Virgil disarms him with just one word responses Ritchie: Virg you can’t take him.  Virgil: Gotta. Ritchie: Well at least wait for the fire department Virgil: Can’t.  It’s simpile but it gets the point across: This is his fight, he can’t wait for help, and people need him. And this is what makes a true hero: It’s easy to be a hero when everythings going well.. but it’s the true ones who stick it out against the odds and fight anyway. And he’s going to.  So we get one hell of a fight, though naturally Hotstreak burns up the disc. And I do like this as it dosen’t feel contrived.. yes Static could’ve left it with ritchie.. but he wasn’t thinking in the moment and dind’t really have time to think abotu the disc, only that people were being hurt and he was all they had between them and Hotstreak. It was no choice at all. Still that pisses Virgil off that the last night’s work is now worthless, and he fully charges up and curbstomps francis who retreats into a clearing. Hostreak brags when static follows, as even he’s figured out Static needs to be around metal, as he’s usually on his disc or the street, and in the park there suppodsidly isn’t any. But he’s not THAT smart as Virgil points out two things: one, he hoped to do this on PURPOSE so they wouldn’t be around people and no on e would get hurt and 2).. this is a city, there’s metal everywhere.. and he awesomely and cleverly proves it by unlodging a sewage pipe with his powers and dousing his foe, winning and proving his stuff. I love this solution, it’s a clever spider-man type way to disarm him, using smarts and the einvroment instead of just brute forcing it. Though the sewage part wasn’t intetional our hero still won and gets praise from the people dumb enough to follow the fight. 

However at home Virgil points out it was  Pyrrhic Victory and shows off his smarts by telling the tale behind it, which I didn’t know,because tv tropes didn’t exist yet: king pyrhus fought the romans and WON.. but had so little armies left that he still lost overall. That’s what this feels like to Virgil: he beat hotstreak but any chance at a cure for Bang Babies and Alva going to jail for causing them is gone. His mood does get a boost though as the doctor calls and reveals he’s fine, he just has a bit too much elctrolytes and just needs to lay off teh salt. He celebrates, we get a quick gag and the episode ends

Aftershock is another stellar episoe, giving us Virgil’s first super foe and a personal one at that, while showing some growth. As richie tells him he’s not virgil anymore he’s static and he can’t let his past get to him.. and he does’nt going from cowering in fear to easily beating his foe with simple logic. It’s a good followup that answers questions you may have from the first ep, like what does this do to virgil’s body, who supplied the gas, and why has no one done anything about this, and sets up another villian for Static in Alva. Great stuff. I highly recommend these episodes and the show as a whole: it’s fast paced, grounded and enjoyable, having just enough levity to not be too dour but just enough tension and stakes to be intresting. A throughly fantastic superhero show and one that i’d certainly love to revisit on this blog If you have an episode of static or the dcau in general you’d want me to cover, my comissions are open and details are on a tab on my blog or can be gotten simply by asking me via ask or dm. Tommorow we’re going deeper underground, there’s too much damage in this town as the Lena Retrospective continues. So expect gay ducks, straight ducks and some terrfirmains. See you next rainbow. 

[therainroguebts]

Kingdom: Legendary War ep.7, no thoughts, just chan screaming Felix’s name like a concerned parent

- oh no I'm not looking forward to the global rankings bro

- I'm like 90% sure stray kids fans are all powerful and are gonna bump them up in the global ranking

- I FUCKING KNEW IT AHHHH

- well at least ateez is second!!

- please let ikon be one rank higher please I'm begging you

- ateez third place... the global viewers are stupid as fuck this is driving me crazy

- I'm happy for sk but I also hate it lmao poor ateez

- ahhhh shindong!! 17 years bro, wow Donghae too!

- Bobby is the only rapper in ikon? Oh God the pressure lol

- seeing rappers be so charismatic on the stage to being shy little beans when they meet each other is the most precious thing in the world

- look at Bobby making friends omg this is adorable

- bobby: wants to meet / them: cancels their schedule before he can finish his sentence

- Bobby the bunny 🐰🐇

- lmao never let Bobby set up the camera omg he totally broke that bitch

- I think the auto tune was a bad choice but I think it will still be dope

- they did so well!! 👏

- they haven't even fucking started yet but the rap unit of mayfly is off the charts they're gonna kill it

- MINKYUK TEASING CHAN IS MY NEW AESTHETIC

- and then minhyuk forgetting his own lyrics lol how is this man so relatable

- HONGJOON TAKING THE TEAM TO THE GRAMMYS WHETHER THEY WANT IT OR NOT LETS GOOOOO I'll get the car

- "We're going to eat now. Jealous?" GET THAT SHITTY LOOK OFF YOUR FACE CHANGBIN 😤 I am jealous bc I'm soooo hungry rn

- can we have a variety show where idols just go around to other agencies tasting their food? Lol

- dude their song is so lit 🔥 there's no way they're not gonna win!

- I WANT THAT SONG GIVE IT TO ME I will sell my first born for this fucking song please kingdom put your feckin shit on Spotify you bastards

- If they don't win.... I'm quitting

- YES I fucking knew they were gonna win it was just way too hype not to ahhhh I'm so proud

- I love how it just spoils the fucking dance unit members 🤣

- bro it's so awkward oh this is gonna be painful but DK is here and he's gorgeous so it's worth it 👌

- also they do not seem the same age at all lol

- I feel like I'm about to watch a period drama 👀 I wonder how it'll turn out. DK fighting!!

- bro I never thought I'd see the day where I was so captivated by a dance performance. I was silent the whole time and you know my loud ass never shuts up. Ahhh I'm worried for mayfly that performance was really feckin good

- as someone from the states where honorifics isn't a thing, I always feel strange when they make a big deal out of calling someone by their name. I understand that politeness is super important in Korea but my American side just doesn't understand. It's cute watching them lose their minds over it tho, unable to drop the formalities haha

- lol poor peniel, forced to be leader and everyone is looking up to him like toddlers asking their papa for milk

- I have high expectations for my boys, and they better bring it if they want to beat that drama performance

- duuude how is team mayfly so perfect 🥰 I am literally in love I want these boys as one group lol

- I just want to take a moment to complain. Idk if it's the site I'm using, my internet, or if the universe hates me but the video plays smoothly until I get to the feckin important part - THE PERFORMANCE and then it buffers every few seconds it's driving me insane and only does it during the performances UGH

- THE WAY BANG CHAN SAID FELIXS NAME AS IF HE WERE HIS DAD WARNING HIM NOT TO DO SOMETHING STUPID I CANT FUCKING BREATHE CALL 911

- THAT WAS AMAZING

- bro team mayfly might just get a triple crown omg 👑👑👑

- "mayflys journey ends here" "Who are you to decide when it ends?" FUCK HER UP PENIEL SHE DONT KNOW SHIT once a team, always a team 👊🏻 brothers (wolves) for life!💯

- (mayfly will live on it our hearts) yes it fucking will 😭💙

- oh fuck you for the cliffhanger kingdom you bastards 😤 you know it leaves me emotionally drained and i have to take a break! Ahhhhh

[copias-thrall]

Cause I'm Young and I'm Here and So Beautiful

A look into the rise and fall of Mary Goore's flash-in-the-pan modeling career.

~12.5K Mary Goore/Reader *drug/alcohol use; mentions of past child abuse; brief homelessness; plot no porn; POV shift*

This fic was inspired by and is very loosely based on Aurelio Voltaire's early days in NYC in the 90s, though I have set it in Boston in the early aughts. 😊

Many thanks to the artists who did commissions for this! 🥰

One Way Streets

Mary stepped off the regional rail and gripped his backpack. He had $72.57 in cash rolled into his socks and a give-em-hell attitude.

When he’d packed his bag the night before, he wasn’t even sure if he’d go through with it, but he couldn’t stand being home anymore. Some of his friends had told him he was crazy.

"Three more months, dude. You got this. Just finish high school, then bounce."

But they didn’t have to live with his dad and the step-monster. Every day was a new indignity. Having them bitch about his music and his style was one thing—that he could have dealt with—but everything else had just kind of…escalated.

Now that the kiddies were older, they’d turned into gremlins. They’d somehow sensed that Mary wasn’t their beloved older brother—he was some sort of half other. They’d stopped questioning why "mom was so mean" to him and had accepted that she was because there was something wrong with Mary. They realized they could be little shits and blame everything on him.

And dad just didn’t care. He’d throw up his hands and say, "I have to live with her"—as if Mary wasn’t in the same boat.

Dad hadn’t stopped her when—in a rage—she’d smashed every single vinyl album Mary had owned because the twins ruined her nice tablecloth. He’d shrugged when she cut all Mary's guitar strings so he couldn’t play "the devil’s music." He’d held Mary back when she took a match and burned all his secret stuff that Mary kept under his bed—action figures, books, guitar mags, journals—in the backyard because he got detention for smoking. He hadn’t said a word when the police showed up after she came at Mary with scissors because he’d dyed his hair black and he’d pushed her away before she could scalp him.

Mary thought for sure he was going to get carted off to jail as she screamed about him terrorizing the family and being afraid he was going to kill her sons in their sleep, but the officers had just looked at her bored and told her being a teenager wasn’t a crime.

So, no: Mary couldn’t wait 3 more months.

He’d scraped together what money he had left from his secret shifts working as a busboy under the table at a local dive downtown, packed his backpack with the essentials, and walked the 5 miles to the train station instead of going to school.

Eighteen was 10 weeks away. He could fudge it for a few months, especially since he could already get away without using his fake ID to get into shows most of the time.

So, to the big city it was.

He shifted his weight and tried to pretend that he belonged here in Boston, but actually facing the busy streets was a lot different from looking at a bird’s-eye view map. He had a printout in his pocket, but he didn’t want to look like a doe-eyed tourist. So he set off down the seemingly labyrinthine streets in the direction he could have sworn was the correct one.

It wasn't.

When he came out a side alley into Faneuil Hall, he almost wondered if he'd gone through a fairy portal, since he was clear on the other side of town. Begrudgingly, he checked his creased map, and set out once more.

And ended up spit out by the State building.

Finding the hostel turned into a fraught adventure, and he got turned around several times more. When he tried to ask for directions, most people pushed past him while one lady shoved $5 at him. He used the cash to buy a hotdog, and it was the vendor who ultimately gave him directions in his thick, Southie accent.

Of course, making it to the hostel ended up being just part one. The rates were almost double what it stated online ("Sorry, honey—that site hasn’t been upgraded since the 90s."), and two nights were practically all his savings. Mary had thought he’d at least have a couple of days to find a job, not 36hrs.

He left the hostel, wondering for the first time if maybe he shouldn’t go back home…but he decided it was a nice day out. Surely there was some place he could hunker down. Just for the night.

What he hadn’t anticipated was the cops at every fucking turn telling him to move along. And any place out of line-of-sight seemed to already be inhabited.

He finally found a place behind some rocks in the Seaport where he didn’t think he’d be murdered in his sleep, curled around his backpack, and drifted off into a fitful sleep.

Mary woke up damp from the dew and the morning sun streaming into his eyes. The birds were creating an awful racket, but Mary guessed it was as good an alarm clock as any.

He ran his fingers through his bird's nest of hair, and he made his way back to the South Station. The men’s room may have smelled like a sewage treatment plant, but at least it was free. He had expected it to be mostly empty at the crack of dawn, but it was full of commuters making that last run to the head before they had to take the train 2hrs out of the city for work.

And it was a sight: a bunch of suits with their fancy lattes washing their hands, and Mary in the corner trying to surreptitiously wipe down with paper towels under his Misfits t-shirt and his shredded jeans. At school, he’d have probably gotten into several altercations by now—no one would have let him just turn into Mary Goore without a fight—but this was Boston, and no one gave him more than a cursory glance.

Just another college kid.

It emboldened Mary to go full-out in the kind of way he had only done when going out to the punk shows downtown at night: kohl all the way around his eyes, and some on his cheekbones; mascara because his lashes are long and thick, and he knows it (his dad had said it made him look hard, and Mary had sneered that maybe that was what he’d been going for. But maybe it had been because he’d liked the way it had made his green eyes pop.); a smear of the step-monster’s fanciest matte lipstick on his full lips; and airplane glue in his hair to give it that lift.

He made a kissy face at himself in the mirror, and headed back out.

It was a nice Spring day—almost boiling in the direct sun—and it tempted Mary to wear only his battle vest, but even he kind of figured applying to jobs half dressed was a mistake.

He walked all over the city, trying not to get lost, looking for any kind of work—dishwasher, busboy, barback—but all he had to show for it was blistered feet and a raging appetite. The only good part of the day was that he noted any restaurant or bakery that looked like it might toss perfectly good food at the end of the day.

He and his friends had become experts at dumpster diving in his podunk town, and he felt confident that he had a good feel for a jackpot. Mary staked out a bakery and was rewarded with a find of "old" bagels. He shoved as many as he could into the nooks and crannies of his backpack before slinking off to the Commons to inhale at least two of them.

Cold, stale dough never tasted so good.

He watched the tourists and the professionals walk by in ones and in groups while he ran his bare feet through the grass. Some laughed with each other as they sauntered down the path while others seemed singularly intent on their ultimate destination. A pack of dogs ran and played with each other as their owners looked on fondly, and nearby the baseball diamond hosted a casual game.

Mary counted his lucky stars that his first week in Boston was April at its kindest—always mild during the day, even when it turned cloudy, and a few times even downright warm. The nights turned chilly, though, and it had Mary in more layers than an onion. If the birds or damp didn't wake him, his butt cramps from being curled in a tight ball all night did.

He spent those days walking around the city proper looking for work. He wasn't adventurous enough to make the leap across the bridges to Cambridge just yet, but his travels gave him a good sense on how the different sections of Boston connected—and showed him potential places to crash at night. He didn't even mind living off day-old garbage food and drinking from bubblers (he'd bought a water for the express purpose of reusing the bottle), but the barren wasteland that seemed to be the job market was beginning to weigh on him.

At home, he could always find a shit job if he was willing to put up with shit hours and ridiculous requests. Here, though, Mary was just one of many desperate people willing to do desperate work.

And he didn’t look particularly trustworthy or reliable.

@dipendancesld

Hashtag WTF

I’m scrolling through Insta on the T, and I’m way down the rabbit hole of hashtags. New content was at a minimum this morning (how can I follow accounts in triple digits and only see the same 4 posts?!), so I’d started with some art tags and ended up where I usually end up—trolling social media for blurry pictures of my boy.

His band has been a local staple for years—or at least that’s what he told me on our first date. I had just moved from New York after a nasty breakup, ready to start fresh, and I’d seen him at a coffee shop hanging posters for his next show in his leather jacket, asymmetrical Metallica crop top, and stomping boots.

Fresh had never looked so good.

Then, a few months back, an online publication had featured his band in the year’s 50 best bands "you’ve never heard of," and now the band's starting to gain traction.

He’s starting to gain traction.

Finding the new online content of him first has become a game the two of us play. We had to stop counting images posted from the popular fan accounts because Mary's now acquaintances with most of them, and I said it was hardly fair to snipe me that way. Mary had pouted—but it was to cover up his grin. So now we troll for the pictures of his latest gig or at his favorite haunts from either his  casual fans or one of his new ones. I even have a whole range of hashtag typos saved if I really want to triumph, since Mary just doesn't have the attention span.

I usually win, though, by virtue of not keeping Rockstar Hours—and because Mary doesn’t have a smartphone. Mary delights in spending the wee hours while I'm sleeping finding new content, and I'll often wake to one he's pulled up on my laptop and a "suck it" sticky note stuck to my monitor.

(But I’m reigning supreme.)

There’s a thirst tag I sometimes comb through (for reasons), and today I’m desperate for that morning serotonin to keep me from dozing off, which is why I stumble across a particularly convincing cosplayer in some…risqué poses and outfits.

The dude is really good, and I have to admit he really does have Mary’s mannerisms down pat. He’s younger and a little skinnier than Mary is now, but his facial expressions are on point. I zoom in to see the contouring technique because he's using one of those filters to make it look old…and that’s when I sense something off. I can’t quite place my finger on it, but usually there’s an uncanny valley to his serious cosplayers, and this dude looks so real. He’s even 100% accurate with the mole placement, which is something I never see.

My heart does a flip-flop.

Is that…actually Mary?

Foundling

Mary's sixth night in the city, it rained. It was more of a brief Spring shower, but it was still enough to soak him and his backpack through. He shivered through the early morning hours until the sun came up, then he made his way to the Commons to lay his belongings—and himself—out into the sun to dry.

By midday, he had a slight sunburn across his nose, but most of his things were dryish—though the food was a soggy lost cause. He cut his losses and decided to buy a sausage from the hotdog vendor, even if that meant he was down to $52.37 in his sock bank.

It was the most amazing thing he'd ever eaten in his entire life (sometimes he still dreams of it), and he gobbled it down as he sat in the grass and watched the show of people pass by.

He could take today off from his job search.

Just another Groundhog Day of rejections.

A gaggle of kids about his age walked past, and he lit up when he saw them: studs and bright hair and cuffs and combat boots. They ran and shrieked and shoved at each other, and Mary had never felt such longing to be a part of something.

Not that nebulous feeling of "my world is out there somewhere," but "my world is right there if I can just get to it."

And he realized maybe he could.

These were his people.

Mary hopped off the bench and approached the boisterous group.

"Uh, hey…guys."

The pack stopped and looked him over, confused but not hostile.

"Oh hey, man" said a girl with green fins and a studded, leather jacket.

"Hey."

I have nowhere to go. Can I go with you?

"Sorry, I forgot your name."

"Oh, you don’t—"

A guy in a tight striped shirt, snake bites, and blue hair interrupted him.

"Shit, were you in my intro into film class last year?"

Mary was a high school dropout.

"Nah, dude. I’m new and shit."

…But he wasn’t stupid.

A curvy white goth with bleached blonde hair and a cream princess dress smiled at him.

"Aww, that’s rough, honey. If you think about it, they really ought to give transfers on-campus housing. It sucks to be so new and away from the action."

Mary nodded. "Yeah. Sucks."

"Well, we’re going to The Pit, wanna come?"

"If you guys don’t mind…"

"Fuck, the more the merrier!"

Mary smiled as they assimilated him into the group. He found out the goth’s name was Vanessa ("But call me Vanity."), green fins was Alexa ("Or Alex. I’m trying it out."), striped shirt was Billy, and the two other punks were Mandi (Manic Panic red) and Aaron (band tee, spiked collar).

No one laughed at him when he introduced himself as Mary or asked him why he had a girl’s name.

They took him onto the T at Charles MGH, and Mary marveled at the setting sun over the Charles River before the train ducked underground to barrel in Cambridge. At Harvard, they ushered him off the train and directly into The Pit, and Mary almost cried when he saw the pit rats there playing hacky sack, strumming guitars, and smoking cloves. Mary watched as his group high-fived, bumped chests, and hugged nearly everyone there before introducing him as if they’d known him for years.

He was shit at hacky sack, but he accepted a round on the guitar and shared a clove with a white girl who had a rat's nest of hair.

"Fuck their beauty stands," she said when she caught Mary staring.

Mary smiled and pointed to his own mess of hair. "Fuck ‘em," he repeated.

She cackled and handed him a brown bag with what he expected to be whiskey, but tasted like turpentine.

She laughed harder at his face as he coughed, and she pounded him on the back.

"Moonshine, dude. Lenny makes it in his bathtub."

"Which one is Lenny," Mary asked as he wiped off his mouth with the back of his hand.

"Oh, he’s not here. He goes to MIT. We have a strict trade agreement—booze for pot. I’m Katie."

Head fuzzy, Mary had made out with her until Aaron tugged on his arm.

"Shit dude, we gotta go before the T closes. You live close to here?"

"Uh…"

"Aww, I think he got into Lenny’s moonshine," said Vanity. "If he’s a transfer, I bet he’s at some shithole in Allston. You in Allston, honey?"

Mary just nodded.

"All right then," said Alex, taking charge. "We’ll put him up tonight. There’s no way he’s gonna make it back to Allston by himself, and I’ll be fucked if I’m trekking out there without a BU party to crash."

Mary wobbled slightly as Alex took his arm in his and led him to the T.

"Ok, we gotta go now or we’ll all be hoofing it."

They took Mary back to their dorm by the Hatch Shell and signed him in as a guest.

"Is this ok?" Mary asked warily—he didn't want to get kicked out in the middle of the night.

Mandi patted him on the back.

"We do it all time. No one really gives a shit. Vegan Mick dropped out 2 semesters ago and they don’t even check for his ID."

That night, Mary slept in the common room on a lumpy couch that was half as long as he was.

It was heaven.

The next morning seemed like the end, and Mary slumped as Vanity to sign him out. For one brief day he'd been a part of something, and now it was back to Mary, party of one. But Vanity took one look at his face and asked if he wanted to get breakfast at the dining hall.

Of course, he wanted to…but he thought of the dwindling cash in sock bank and hesitated. Vanity, bless her, misread his trepidation.

"It's on me, sweetie. I know most transfers don’t opt in. Too expensive when it’s not bundled. No worries, I got a ton of points I don’t use."

Alex and Aaron were already half done with their food when Vanity and he joined them, and they looked on in amusement as Mary ate half the breakfast buffet.

When the subject of classes came up, he shrugged off questions.

"None this morning."

Alex narrowed her eyes at him.

"What year did you say you were?"

"Sophomore."

"Not a freshman?"

Mary shook his head. "I’m not a freshman."

She seemed about to ask another question, so Mary quickly changed the subject.

"I thought I’d spend the day applying for jobs. You guys know of any place that’s hiring?"

"No work study?"

"No."

"What kind of work you looking for?"

"Shit, anything. I’ll sweep the fucking floors."

They bandied about ideas, places for Mary to try, but no one had any leads. Too soon, some unknown gong had them scurrying to get to class.

Mary suddenly panicked.

"Hey, do you guys mind if I spend the night again? I mean…"

"Yeah, sure," said Vanity. "Aaron?"

"Yeah, man. Meet me after class and I'll swipe you in."

It apparently was a time-honored tradition, passed down from upperclassmen to underclassmen, on gaming the guest system. Most kids used it to essentially move their significant others into their dorm rooms, but a handful every year used it to give haven to others who had questionable housing situations.

So, just like that, Mary had a place to rest his bones.

@dilfpassing

A Deeper Look

I’m so intent on scrolling through the comments on the grainy pics—which I'm sure now are actual scans—that I completely miss my stop, and I have to put my phone away so I can wheeze lightly jog my way to where I work as a receptionist at an alternative hair salon.

It’s really important that I start a good hour before we open so I can return any calls left on our voicemail first thing in case I can fit anyone in today. Which means I have to shelve my find for now, much to my irritation.

Mornings are super-busy because apparently there are some people in the world that like getting up with the sun and want everything done by noon. (June Cleaver’s salon lets me get away with a lot—like coming to work in denim short-shorts and ripped tights, free hair colors, and a snarky attitude—but late start times aren’t one of them.) I honestly don’t have room in my brain to obsess about the pictures because I’m too busy answering calls, making coffee, settling accounts, and giving the new customer spiel for the 57th time to a walk-in.

It’s just after midday, when Penny, the shampoo girl, collects my cash for the salon-wide sandwich run, and I finally have a moment to breathe. And obsess.

I take out my phone again, and I have to retrace my steps because of course the app has refreshed, which is why Sonia has the time to look over my shoulder.

"Missing dream boy’s dick so much you gotta spend your lunch hour ogling pics of him on the internet?"

I zoom in on the one of maybe!Mary in his underwear.

"Who does that look like to you?"

Sonia makes a guh sound in her throat and backs away.

"I don’t need to see your intimates!"

"That’s the thing! It’s not mine!"

"Your boy’s nudes get leaked??"

I wave my arms around.

"I don’t freakin’ know! They may not even be him. Fucking. C’mere and help me out!"

Sonia warily creeps back over, and so does Ryan, since all the yelling has attracted him.

The three of us peer over the phone as I scroll through the images again.

By the time Penny comes back with lunch, we’ve gone back and forth on who’s in the images—Mary or a fake—and I haven’t been able to do any actual research. The afternoon rush starts, and I have to table the whole thing again, having made no progress at all.

It isn’t until near-closing, when most of the other stylists have gone home—and it’s only June who does the post-work crowd—that I can really dig into the matter.

A deep dive and a couple of defunct, decade-old forums later, I find that what I took as an aspirational hashtag was actually the name of a zine called "Heroes."

There’s like, zero online trail about it—except for a few other grainy scans of other pages of articles, poetry, concert pictures, and art—but it seemed to be an early aughts missive for local underground culture and color.

It still doesn’t explain why Mary’s in there in various states of undress and poses.

Or why Mary has never said a word about it to me.

Stripped Bare

Mary settled into a sort of routine. He spent most days looking for a job—any job—with his backpack full of food from their dining hall. Most nights he rotated couches on different floors so the RAs didn’t notice that he basically lived there.

He made friends with Vegan Mick for about 5 seconds until Mary had eaten an entire Rotisserie chicken from 7-11 in front of him. Mick had launched into a whole spiel, and Mary had pointed out that Mick's jacket and Docs were made of leather. He’d only meant it as a joke—a callout in answer to a callout, like he'd do with his friends back home—but Vegan Mick had turned purple, then iced Mary out every time he saw him after that.

Oops.

The brief friendship had lasted long enough, however, for Mick to give Mary some tips and tricks of being homeless.

Homeless.

That had been a tough pill to swallow. Until Vegan Mick had put Mary’s situation like that, Mary had just thought of himself between places.

But it was true: he didn’t live anywhere. He skated by on the kindness of his new friends, and he didn’t know how much longer he could keep up the ruse of "transfer student who didn’t like his shithole apartment and was too busy job searching to concentrate on classes."

He still spent a few nights a week finding an out-of-the-way place outside to hunker down in or huddling in with Katie and a few of the other gutter punks under their boxes in the corners of the T stations. He knew they would have been more than happy to make room, anyway, but Mary always emptied his backpack of all the pilfered dining hall food for distribution amongst them.

It honestly wasn't so terrible now that he had friends and a warm place to go on cold or rainy nights, but.

He needed an actual place to live. To afford an actual place to live, he needed a job. To get a job, he needed a place to live.

It seemed like a catch-22, and he began to despair that he’d never get ahead…until Mandi offered him a leg up.

Mary was sitting on the grass in the Commons in the shade, thinking that with summer coming up, maybe he could fudge it until the gang came back in September. There was always Katie and The Pit, and Mary was sure he could chip in somehow.

Mandi sat down next to him.

"I thought that mess of hair was you, Mare."

"Hey, Mandi. What’s kicks?"

"You still looking for a job?"

Mary put his head in his hands and sighed.

"Don’t remind me."

"You over 18?"

Just last week. But Mary hadn’t said, since they thought he was a Sophomore.

"Yeah."

"Wanna be at least 21?"

Mary grinned at her.

"That’s what my fake ID says."

She laughed, a tinkling thing.

"You got anything against strip clubs?"

Mary furrowed his brows at her.

"Uh…what’s the right answer here?"

She shoved him playfully.

"Do you want a job?"

"Yeah?"

"Then say no."

"No. No problems with strip clubs." He squinted at her. "Are they looking for male strippers?"

She laughed again.

"Definitely not." She canted her head at Mary. "I mean, you're very pretty, Mare. I could probably put you on as one of the girls…even with these triple As," she flicked playfully at his nipple, which had him grunting and batting at her, "but I was thinking more behind the scenes."

Mary held up his arm and made a weak muscle.

"I don’t think I’d be much of a bouncer, Mands."

"You said you’d wash dishes, sweep floors and shit, right?"

"Yeah?"

"Well, the club I work at—"

"The club at you what now?"

Mandi gave him a strange look.

"Yeah. The strip club I work at."

Mary’s eyes bugged out.

"As a…waitress?"

"As a stripper, Mary. Duh." At his dumbfounded look she shook her head. "It’s kind of extra credit, as a dance major. I’m going to turn it into my thesis. Plus, I make hella bank."

She swept her arm across the park that made up her college "campus."

"How else do you think I can afford this rock-and-roll lifestyle? Not all of us are here on scholarship or mom and dad’s dime."

She tilted her head at him.

"I thought you’d get it."

When Mary didn't respond, she touched his shoulder.

"Mare. I know you don't go here."

"W-what…? I…"

He looked at her, wide-eyed as the blood drained from his face.

"Hey, it's ok. I'm not gonna tell anybody. Not if you don't want me to."

Mary looked down. "Thanks." He rubbed the back of his neck. "You know that means I've got no address."

Mandi bumped his shoulder and waved his words away.

"A lot of the girls dance. Paddy is used to dorm rooms as addresses. You can use mine."

Mary looked at her, hoping he could convey every ounce of gratitude he was feeling.

She grinned and punched him in the shoulder.

"So, you up for it? Sweeping floors and bussing tables?" She leveled a look at him. "Cleaning up puke?"

Anything.

"Fuck, I’m desperate, Mands. I’ll hold their hair back if it means a paycheck."

"That’s the spirit!"

***

Mary was sure Patrick was part of the mob—or at least in cahoots. The guy had taken one look at Mary’s ID and had said, "But how old are you really?" and Mary had said, "Nineteen."

Patrick had thrown up his hands. "Well, you ain’t gonna be serving alcohol anyway, kid. Your job is to do whatever I tell you. Some asshole breaks a bottle, you clean up the glass so the girls don’t hurt themselves. Some idiot ralphs all over the toilet seat, you scrub the shit out of that fucker. A bachelor party leaves a table a hot mess, you better be out there clearing off the table for the next one, got it?"

Mary had nodded.

"You show up at 5 to help the girls set up the bar. You stay til whenever it takes to close down—but you only get paid 'til 2am—and you get an hour to eat, unpaid. You don’t bother the girls, and," Patrick had leaned in, "you don’t steal from me."

Mary had gulped and nodded emphatically.

Patrick had jabbed a finger at him. "That includes the booze. If I get fucked because some snot-nosed, underage kid is drinking with my good friends Jim and Johnnie, I’m gonna be very put out."

"Got it, sir."

"Don’t call me sir. I’m Paddy to my friends, so you can call me Patrick."

"Yes, Patrick."

Patrick had looked him over.

"You get paid as an independent contractor just like the girls, so you gotta deal with your own taxes, you got that? I’ll start you at $10 an hour."

Mary’s eyes had gone wide. Back home he was lucky to get 5.

"Ten…?"

Patrick had tilted his head again.

"No, you’re right, 12. Do a good job, and I’ll think about raising it to 15."

Mary had to physically stop his jaw from dropping.

"You do weeknights for now so if you fuck up it’s not that much of a problem. If you don’t fuck up and the girls don’t hate you, you can get weekends. Deal?"

Mary had sat up straighter. "Deal." He’d held his hand out, but Patrick had just looked at it until Mary pulled it back into his side.

"Ariel vouched for you, so I’m giving you a shot. Don’t make her regret it."

Mary had shaken his head as Patrick had handed him some forms to fill out.

"Come back at 4 tomorrow with these and we’ll get you started. Now, get out, I got shit to do."

Mary had taken the forms and skedaddled.

Mandi was outside waiting for him, all smiles.

"Did you get it?"

"Yeah, but fuck—your boss is scary."

"Nah, he’s a teddy bear."

***

The job was awful.

The puke was an almost nightly occurrence, and by the end of the first week, little cuts covered Mary’s hands from the broken glass. The customers were loud, rowdy, and acted as if their mother was going to clean up after them.

Mary swore he would never get the beer smell out. It now lived in his soul.

One dude punched Mary and broke his nose for no reason Mary could tell before the bouncers dragged the guy away. The girls gave him some tampons to stop the bleeding, and Mary finished his shift.

Patrick paid Mary in cash at the end of every week with a "It’s your job to report that, not mine," and at the end of the month, Patrick bumped Mary up to $15/hr. He worked 5 days a week because, according to Patrick, "The Lord gave us a day of rest, and you get one day off per week."

Mary never reported a single cent to the IRS.

The girls loved him, and joked that Patrick had gotten them a pet. They showed him winged eyeliner and smokey eyes and how to contour. They guffawed when they watched him try out their shoes like a newborn deer. On slow nights, they tried to show him pole techniques.

He saw the gang less and less because by the time they were getting out of class, he was going into work, and when he was done work, they were crawling into bed. Fortunately, the desk sitters seemed to forget that he wasn’t an on-campus "student" and didn’t even bother signing him in anymore. There were a few sticklers, but Mary found that—while back home he was less than scum—here, he attracted all the right kinds of attention…and a smirk with the right compliment went a long way.

By the time their school year ended, Mary had saved up $1,000 (and he needed to transfer his money out of sock bank and into the ripped lining of his jacket).

Even though they didn't know just how much they'd saved him, Mary showed up on the last day as thanks to help them all move their stuff into family cars or rented trucks. They hugged him goodbye and said to ring them next semester.

Mandi bopped him on the nose and told him to keep his nose clean.

Mary took a sublet in Allston with 2 BU kids and a Berkley grad student. The "room" was a closed-in porch with a sleeping bag left by the last resident—but it was $400 a month until September, utilities included.

At first, Mary didn't know why the gang was so snobby about Allston, but the summer seemed to be one continual party. It didn't matter what day Mary got up, there were always broken beer bottles and stale beer on their front stoop, and the apartment had a designated watering can for washing away the vomit that dripped down from the top porches to their own.

But he took it in stride, and when he wasn’t at the strip club or sleeping, he was partying with the BU kids, or letting the Berkley grad show him better string fingering techniques.

Mary still tried to get out to The Pit with what groceries he could spare, but Katie had moved on with some of the others to do a protest tour with an activist street band that had come through town, and without her or the gang, it made Mary feel lonely.

By the end of the summer, Mary had saved up enough money for first, last, and security. He even had some left over to buy more than ramen and some new clothes. To Mary, it felt like a million dollars. He rented a garden-level apartment in the cheap part of Jamaica Plain for September 1st and spent that entire day with the BU dudes driving around in their rented truck for Allston Christmas’s best furniture finds.

Mary ended up with a mattress that he hoped on a wish and a prayer didn’t have bedbugs, a mismatched set of dishes, plastic drawers that were slightly warped, and a broken futon frame he swore he would fix. Throw in a few sets of slightly used string lights, and Mary’s cave felt downright homey.

When the gang got back, he simply told them he’d dropped out.

"Yeah, I just don’t think college is for me. Music’s my real passion, you know?"

Alex had groaned.

"I knew that Berkley kid was gonna be a bad influence on you."

Mary shrugged.

"My grades were shit anyway. But I’m still around, you know. The strip club’s only a block from campus."

"Because we saw you so much then," deadpanned Billy.

"Hey! Stop piling on Mary," said Vanity. "He’s following his path."

Mary shot her a wide smile.

"Thanks, Vanity."

Patrick finally gave him a little more leeway with his days off, and Mary started taking Saturday night to join the gang in Harvard Square for the shadow cast of Rocky Horror. One of Aaron’s classmates, Amber, was in it, and they all wanted to support her.

Mary felt that something again. That thing that told that this was his place and his people. This eclectic group who got up in front of strangers every week in their underwear for free enthralled Mary.

He and Amber bonded immediately, and Mary began going even without the gang. The cast welcomed him in as an honorary groupie, and Mary's friendship with the gang waned. There was still Mandi to cavort with at the strip club, but now when Mary wasn't there, he was at any one of the Rocky crew's apartments getting high and playing dress up.

"You’ve got such a Look, Mare," sighed Amber. "I’d kill for your cheekbones."

"I’d kill for your tits."

She slapped him playfully. "Don’t be gross."

"No, I’m serious. Someone once put it in my head that I'd be a hot chick."

The girls had giggled and proceeded to dress him up in bras and corsets with cutlets. They added a wig, and the glo-up surprised even Mary.

Still buzzed, they went out for girl’s night and hit up all the bars in Fenway and flirted their way to free shots from the dude bros before batting their falsies at bouncers to let them into the clubs ahead of the line and without the cover.

The cutlets eventually became a nuisance—and soon they were all flapping them about above their heads as they danced—but Mary had loved the feel of the lace and satin corsets against his skin.

When they’d all collapsed in a pile at the end of the night, Mary wondered if they’d tell him where to get some lingerie for himself.

***

By August, Mary was ready to quit the strip club.

He was tired of cut fingers (they were making it hard to play the guitar he’d bought), the drunks, and the sick everywhere. Now that he had a little cushion, he thought maybe he could at least find something with better hours.

Mandi had graduated and was well into a summer internship at Disney in hopes they’d bring her on as a dancer.

Alex had also graduated and moved out to LA to make it as a film editor.

Vanity and Aaron had started dating after finals, and they had moved in together in Cambridgeport for their last year.

Billy had stopped going to classes before dropping out altogether. No one seemed to know what happened, and when they called his home, his mother just said he was unavailable.

There didn’t seem to be much reason to stick around the Grid anymore, and it was a bitch of a commute back to his place if he wasn’t going to hang out with the Rocky crew. He landed a job at a record store that was walking distance to his apartment.

Patrick seemed surprisingly sad to see him go, saying, "Ah, the good ones smart up," and gave him a $500 bonus for not "fucking up."

Tim, one of the older Rocky people, turned out to not live too far from him, and when Mary started hanging out there, so did the party.

Now that Mary was no longer shackled by the strip club’s hours, his world opened a few more degrees. He spent his nights dressing up while he watched the cast rehearse. (When he showed them a move or two he learned from the women at the club, they tried to get him to do a guest star as Frank. But Mary had shaken his head and said that wasn’t the kind of performing he wanted to do.)

When they weren't rehearsing, they dragged Mary to TT The Bear’s, The Middle East, and The Milky Way Lounge for underground shows. They took him to fetish night at ManRay after a trip to Hubba Hubba for pleather and lingerie, and Mary made a lot of new friends.

Sometimes, Mary would show up to work straight off a night out in his club clothes, eyeliner smudged and lipstick smeared. It should have got him fired, but his boss just shrugged.

"I used to keep rockstar hours too."

Mary still wore all his old vestiges—his battle vest and his ripped jeans—it was just that now he sometimes added a corset and heels.

Wherever Katie was now, he hoped she knew he was still fucking their beauty standards.

ry.omen Insta

Answer Me This

I practically vibrate the entire way back to our place. I'm still trying to wring information out of the internet like it's too-wet clothes, but the only thing I accomplish is making myself motion sick on the bus, so I put my phone back in my pocket and breath through my nose.

When I get home, Mary is sprawled across the couch in his pjs with various limbs hanging over sides and edges as he watches some extreme sport show on my laptop.

I wonder if he just got up, but I see the start of dinner on the stove, so I decide not to snark at him.

"Hey," he says without looking up.

I am, however, gonna need some answers on "Heroes."

I gently close the laptop, and he meets my eyes.

"What?"

I climb onto the couch, and Mary’s limbs recede like vines to make room for me as I scroll through my phone to my photo app where I’ve saved screenshots.

"Lucy," I say in a terrible accent, "you have some ‘splaining to do!"

Mary squints at me and takes my phone, his expression morphing into one of surprise.

"Shit, babe. Where’d ya find these??"

"So they are you!"

He chuckles.

"Christ…I haven't thought about these in fucking years."

"Mind telling me what the fuck?" I ask, my hands on my hips.

I'm only half joking.

Mary grimaces at me.

"Ah."

"I'm gonna need more than that, mister."

He rubs the back of his neck.

"Fuck, you know those were hard times for me."

I know about his family, the homelessness. I know he tried out a lot until he found a life that fit. He'd given me the overviews with occasional anecdotes filled with names I never remembered.

But none of them included naughty pictures.

I worm my way under his arm.

"Yeah, I know, Mare."

His hand strokes down my arm.

"I mean, shit. I was kinda an asshole, you know?"

I wrap an arm around his chest.

"You're still kind of an asshole, Goore."

"Thanks."

"No problem."

When he doesn't say more, I poke him hard in the side.

"I’m literally dying here."

He laughs a little.

"Fine. But you gotta remember you asked."

Model Behavior

One day, Mary was walking down the street on his way to drinks with the new friends he'd made the weekend before. It was a good day. He wasn’t hungover as fuck, his makeup was only smudged artfully, and he was pretty sure he was going to get laid.

A guy in a leather jacket and tight jeans maybe a few years older than Mary stopped him on the street.

"Hey, man! I love your style."

Mary batted his eyelashes at him. "Thanks, dude."

"You ever think of dark modeling?"

Mary squinted his eyes at him.

"Dark what now?"

"You know—modeling but like," he gestured up and down Mary’s form, "for dark beauties. Show the world beauty isn’t cookie cutter."

"For like what? A website or some shit?"

The guy dug into his pocket, pulled out a card case, and handed one to Mary.

Heroes Greg Karson, Photographer/Web Design Butera School of Art

Actually, Mary had heard of this. It was a zine about the local happenings around town—concerts, art shows, parties, etc. There was a stack of them next to "Rrriot!" in the record shop. He’d flipped through one occasionally, mostly interested in the band reviews.

"We’re really on the lookout for anyone with the right look. You know, wear stuff you already own."

"So like a street fashion spread?"

"Well, we might do a little more with it, but—you know how it is. Most of the budget goes toward printing costs."

Mary perked up.

"Would I be paid?"

Greg laughed.

"Peanuts, my dude. But yeah. Even if it’s a T token. You interested, then?"

"Hell yeah!"

"Mind if I take a few test shots."

Mary smirked at Greg.

"How do you want me?"

"Just natural."

Putting his hands in his pockets, Mary arched his back and gave Greg his best snotty hipster face.

Greg dug out a digital camera from his carrying case and took a dozen or so pictures of Mary from different angles while telling him to turn this way or that.

Afterwards, the two of them huddled over the camera and scrolled through the shots.

"Aw yeah, this one. I love the attitude. The guys are gonna love it. You have a number where we can reach you?"

Mary gave him the number of the record shop. (His apartment had a phone, but he’d never gotten around to wanting to pay for service.)

Later, he and Amber looked up the Angelfire website on the back of the card. It was one page that contained the mission statement, bios of the creators, and locations to pick up the zine.

"Omigod—you’re gonna become a famous model, Mare!"

"Yeah, right. You know most of it ends up in the trash, right?"

But when Ben called, Mary said he was game. He directed Mary to a co-op in a converted warehouse in Dorchester, and Mary brought his favorite clothes in a borrowed duffle.

A girl in cat pajamas opened the door and pointed at a set of metal stairs with her cereal spoon.

On the second floor, Mary found Greg setting up a makeshift studio. A girl with multiple piercings and yarn dreads leaned against the wall in her black babydoll dress.

Mary sidled up to her.

"You here to model, too?"

She gave him an unimpressed once-over.

"I’m the art director, asshole."

Mary flushed hard as she turned to Greg.

"Couldn’t find one with brains?"

She turned back to Mary.

"I don’t know if you thought this would be a good way to meet chicks or what, dude. But I’m letting you know right now that I’m here on my day off to make sure this adheres to our aesthetic, so if you're not serious, fuck off."

Mary rubbed the back of his neck.

"Shit, sorry. I was expecting a dude named Ben."

She waved her hand in the air as if dispelling Ben.

"The Bens are morons. Good idea, terrible execution. I’m here to make sure we remain true to the idea of 'Heroes,' so don’t fuck up my shoot." She gave him a once over. "Christ. You have any experience?"

Greg turned from where he was testing the white balance.

"Angelique, stop harassing the talent. We get it, you have a degree from RISD."

Angelique snorted.

"As if I don't hear you going on and on about being a professional photographer. 'Hey, lemme shoot your portfolio, baby.' Whatever. As if we're not your only professional credit."

"Hey—you wanted a photographer for peanuts? You got me. You wanted models for peanuts? You got him."

Mary gave her his full snaggle-toothed grin.

"I take T tokens."

Angelique sighed, then pasted on a smile.

"Hi! So happy you’re here!" Her smile drooped. "You got your wardrobe in there?"

"Yeah."

Mary handed her the duffle, and she handed him release forms.

"Here: sign these"

She pawed through his offerings.

"Not bad, not bad." She pulled out a corset and his heeled boots. "We'll keep you in your jeans and have you wear your jacket over your corset. Cool?"

Cool.

The shoot was as professional as a shoot in a warehouse in what Mary was taking to usually be a living room could be. Angelique directed Greg with what she wanted. Greg called out positions and expressions for Mary to pose in.

It was surprisingly hard work, and by the end of a solid hour, his smirking lip was getting tired. Angelique and Greg scrolled through the shots, murmuring to themselves and nodding.

Mary waited—greeting at the other inhabitants as they squeezed by on their way either up or down—until Angelique approached him.

"That’ll do. You mind if we post on our website?"

Mary preened.

"Yeah, that’s kosher."

She handed him a pen and pocket notebook.

"Write down a quick bio."

He scribbled down a quick elevator pitch

Into general skulking and metal \m/

and handed the notebook back to her.

"Great, thanks."

She handed him a $20 bill, her eyes skimming him up and down.

"Next time we should show off those hip bones. Just jeans, I think."

Mary perked up. "Next time?"

"We’ll call you."

***

"Omigod, omigod!"

Amber perched on the record store counter, flipping through "Heroes," as Jon peered over her shoulder.

"Mary…look at you!"

Mary tried to swallow his smug smile.

Failed.

"Yeah. I’m hot shit, ain’t I?"

She bopped him on the nose with the newsprint.

"Don’t be vain."

He showed her his toothy smile.

"I like to think of it as confidence."

"So did Icarus."

Mary snorted and went back to putting prices on the new CDs.

"The camera loves you," said Jon, who was always quiet and reserved as you please…until he put on Frank’s corset and heels.

Mary had tried flirting with him, but Jon always ducked his head and played it off.

"Thanks, man," said Mary, giving him a softer smile.

"So??"

"So what, Amber?"

"Are you gonna do it again?"

Mary shrugged.

"I mean, if they call me, sure."

But he was kind of hoping they would.

When the next issue came out weeks later, Mary stared at the cybergoth on the pages and felt himself deflate. Listlessly, he thumbed through the delicate print, barely skimming the section devoted to the World/Inferno Friendship Society’s set he’d been at the week before.

He set it down with a sigh before he picked up his guitar and plucked out a tune he was trying to coax into a riff.

By the time a Ben called again, Mary had given up the modeling thing as a one-off.

"Hey, dude—thought maybe you guys forgot about me," Mary said in a teasing tone.

The Ben on the other end chuckled.

"It’s like herding cats to get shit out. Nah, dude—we definitely want you to be one of our regulars. You in for next Saturday?"

He was.

***

Over the course of a year, "Heroes" had Mary come out multiple times for shoots. Mainly, Mary wore his own clothes and did his own makeup, but occasionally, Angelique wanted something specific.

"How comfortable are you with boudoir shots?"

"With what?"

"Like a pinup, but more…saucy than sexy."

I'd pose nude if you paid me enough.

(Sure, he was a noodle boy, but he knew he had the goods.)

"Yeah, I’m cool with that."

Angelique brightened at him.

"Great!"

She picked up a set of complicated leather garters and thrust them at him.

"Put these on."

Mary had only ever worn lace garters—mostly out to clubs, but occasionally under his ripped jeans for an extra pop—but he found he liked these even more, liked the way they emphasized his thighs.

"Hey—where’d you get these…?"

(He was already thinking of what he could pair them with for goth night.)

"Local leatherworker. He mostly does pieces for Renn Fairs, but he'll also do custom. I can give you his info."

She led Mary into what was clearly someone's bedroom.

"Don't fuck anything up, or Joye will never let us use this again."

Mary shot her his best shark smile.

"Hey, I only mess up the sheets if someone asks."

Angelique gave him a flat look and called for Greg.

(But when he draped himself over the bed and told Greg to "Paint me like one of your French girls," Mary could have sworn she almost smiled.)

On one memorable occasion, she brought in a guy whose rope bondage demo she watched at a sex convention.

"Put on some of that lingerie and we'll truss you up. You ok with that, Goore?"

Mary ran his fingers over the coils and gave her a wolfish smile.

"You know I'm game for anything."

She gave him a vulpine smile of her own then, and she looked down at him from the height of her platformed boots.

"Good. I thought you should be submissive for once."

Mary had no witty rejoinder for that.

He listened with interest as the guy carefully explained what he was going to do, complete with pictures, and he relaxed easily into the process. (They put bunny ears on him, and it would be much, much later that he got that particular joke. Well played, Angelique.)

The ropes hadn’t let him do much posing, but Mary had kind of liked the constriction, and his thoughts were already on asking Amber to help him create a more versatile version for fetish night.

He’d left that day with a new kink…and the guy’s number.

"Why not just do one big shoot?" he asked another time. "Get it all done in one big bang!"

Angelique held up his garments to eyeball over him.

"Honey, we never even know if there's gonna be a next issue. The Bens spend most of the time arguing. My god you should hear them—Ben bankrolls the whole thing, so he says he should get final say on shit, and Benji wants total artistic control because it was his idea, because 'he's the graphic designer', and because it's his Kinko's employee discount they use."

She gave Mary a curled-lip smile as she tossed a few items at him.

"In the end it's this bitch you're looking at who gets shit done."

Mary began to change (they were long past modesty).

"How'd you get involved?"

"Went to school with Benji."

"Ben too?"

"Neg. The Bens are childhood friends. Ben works some cushy start-up job, so Benji lets him bankroll them both. Rent, utilities—everything. I love Benji to death, but he's a giant mooch."

"Shit, that must be nice."

Angelique shrugged. She stood back to appraise Mary's look.

"It's fucking lame. But it least it gets us fucking paid."

Mary didn't say I'd do this for free. Instead, he struck a pose and said, "I'm just happy for the exposure."

Angelique rolled her eyes and went to fetch Greg.

***

That year and a half would become a nonstop party with Mary as one of the VIPs; he wouldn't say no to anything—be it casual sex, club appearances, or whatever drug the current pretty thing was offering him in the bathroom.

But recognition started slow.

At first, it was customers who would leaf through the zine and recognize Mary.

Then, it was the occasional scenester who’d stop him on the street in JP as he walked about, and Mary would pose for grainy cell phone pics.

Soon, he was being approached at shows and clubs. The first time it happened, Mary was high off his new infamy and ready to please. A woman in a black bandage bra and pleated skirt with bondage straps approached him, and Mary was already thinking of what he could do with those.

"You look like that guy in ‘Heroes’!" she'd shouted to him over the music.

Mary had flashed her a crooked smile and leaned in.

"Maybe I am the guy in ‘Heroes’."

She'd given him an exaggerated once over before sidling closer with hooded eyes.

"I dunno…you're wearing way more clothes."

Mary had pulled his mesh top down by the collar in a tease as he'd curled over her.

"Take me somewhere more private and I’ll let you do a comparison."

She'd compared him all night.

And that was before he and the other "Heroes" models formed their own posse.

The Bens had thrown a BBQ and had invited everyone they'd ever met. There were people packed into their little 2 bedroom in Brighton, spilling down the back stairs, and equally packed into the little square of shared backyard. Ben had taken the 12-pack of 'Gansett beers Mary had brought, then introduced him to the other dark models.

"Now you're all here!" said Ben. He slung his arm around Mary. "Guys, this is Mary. Mary this is Mayhem, Lesley, Lola, and Bryan."

Mayhem was a rivethead, and Mary took to him instantly, but he was wary of the others. Lesley was the cybergoth who'd been in the first issue after him, and Mary still felt a bit salty at them, even though Mary knew by now the Bens rotated the models. Lola, the romantic goth, reminded him enough of Vanity that he felt guilty for losing touch with her and had him projecting a little. Bryan was a metalhead, so: competition.

Mary had thought they'd get along like cats and water, but weed, booze, and "Never Have I Ever" went a long way to creating a shared bond.

And there it was again. That pull. The magnetic force telling him that he'd found the place he was supposed to be. They quickly coalesced into their own pack, calling themselves the "Deathbutantes" (because they always killed it when they debuted for the night).

It had been rare for Mary to miss Friday and Saturday night shenanigans with the Rocky crew, but now, every night was Friday night. There was always a show or a concert or club that one of them knew about—and if they couldn't get lucky with the local color, they'd just go home with each other.

Mayhem taught Mary what Lola jokingly called the "grab a bat" dance, and the two of them cut quite the picture on the dance floors.

Lesley took to Lola, and the two of them could always be counted on for scintillating conversation in dark corners when Mary's limbst needed a break from flailing about.

The clubs weren't really Bryan's scene—take him to a sticky hole in the wall with concrete floors and a stage close enough to feel the sweat from the bands, and he was in heaven—but he liked to come along to hang. He'd drink PBRs, rub Lola's feet when she invariably abandoned her heels for the evening, and argue with Mary about the purity of death metal.

Mayhem and Lola weren't really into live music of the screaming kind, so—while Lesley, Bryan, and Mary bounced off each other in the mosh pits—they'd save a "home" base at one the bartops.

Amber noticed Mary's diminishing presence and stopped by the record shop to call him out.

"So you're not dead! Could've fooled me."

Mary was organizing the albums into order, and he grunted at her.

"Yeah, yeah, yeah. I'm a cad. I'll make it up to you."

"You missed game night."

"Sorry. Jethro Tull played some tiny venue in nowhere Mass, and Bryan was salivating. I mean, Jethro Tull. Can you blame me?"

He looked at her, arms out wide in supplication. But she just blinked at him.

"You have no idea who Jethro Tull is, do you?"

"Sorry, dude. But christ, Mare. You should have invited me. I'd've gone. Maybe I would have even liked them. Now you'll never know."

"I could just lend you an album."

"Nope! The moment passed. Too late!"

Mary riffled through the stock and shoved a Jethro Tull CD into her hands.

She tapped it against her thigh.

"So, when do I get to hang?"

"I can get us into 80s night free."

"No, I mean, with your cooler friends. Your 'murder models', or whatever."

"You wanna hang out with the Deathbutantes?"

Amber scrunched her nose.

"That's so fucking pretentious."

Mary kind of liked it.

"Dunno if they're really your scene."

"Oh? And what's my scene?"

"Musical theater on crack."

She mock gasped at him, "Called out!" before smacking him with the CD. "Whatever. You love musical theater on crack."

Mary draped his arm around her shoulders.

"Yeah, I do. But I don't live it, you know? You guys have your niche—and fuck…I love to visit—but it's not mine."

Amber looked up at him, her expression serious.

"So the Dumbutantes are your niche?"

Mary shrugged and went back to shelving.

The Rocky crew had been good to him. They'd taken him under their wing, no questions asked, and helped him realize things about himself. Tim had taken him to the ER when Mary had come down with a serious case of the flu. Matty had taught him the basics of sewing. Gretchen had held him after a bad trip. Omar and he had had many drunken heart-to-hearts about their shitty home lives.

And Amber was his best friend. She'd been his #1 cheerleader for years and had never been afraid to call him out on his shit.

So yeah, he loved the Rocky crew…but they laughed at anyone who took anything too seriously. Mary would show up to game nights in his latest creation—with everyone else in pjs or jeans & hoodies—and they'd tease him about trying to impress the wrong people. He'd try to talk about the newest guitar god he'd been mainlining, and they'd make snoring noises at him.

How could he explain the kinship he felt with the Deathbutantes? That they were as serious about music as he was, that they just…got why he felt the need to dress the way he did to express the way he felt inside on his outside.

Instead, he said, "I'm just trying shit out, Ambs." He quirked his eyebrow at her. "I gotta do something while you guys do your real-person jobs."

(Amber had recently started as a junior marketing assistant at the American Repertory Theater. "Purely mercenary," she'd said. "Maybe it'll give me a leg up during auditions.")

She made a disgruntled scoffing noise in the back of her throat.

"Fuck, don't remind me. I actually gotta go to bed a reasonable hour now."

"Don't worry." Mary winked at her. "I'll keep ya honest."

"That sounds a lot like my head in a toilet, Mare."

"I'll hold your hair back."

She gave him a good-natured shove, and he pretended to cower.

If she wanted to cross pollinate, who was Mary to stand in her way? So, he invited her out the next time the Deathbutantes went to a show, and it went exactly like he thought it would.

They disliked her, and she was equally unimpressed. They thought she was too loud and frenetic, and she thought they had no sense of humor.

"I fucking told you," Mary had snorted as they sat on the curb sharing a clove.

"Shut the fuck up, Mare."

But she'd put her head on his shoulder.

"They make you happy, though. So I guess I approve. Just as long as I don't have to play nice."

Mary still hung out with the Rocky crew—there were still game nights and drug-fueled sex parties and theater games—but the Deathbutantes introduced him to the underground scene. They always seemed to have insider knowledge about the best up-in-coming bands and the secret shows. Theme nights at the goth clubs were always a must, and they rarely missed one. Sometimes, Angelique would crash, and they'd take the commuter rail to Providence to party at Club Hell before collapsing in a sweaty, smeary pile at a friend of a friend's hole in the wall.

As a bit player in the Rocky crew, Mary had been another made-up face in the crowd. As a certified member of the Deathbutantes, Mary became the face.

They all did.

The owners loved them because they bought round after round at the bar, and if word got out that the Deathbutantes were there, their admirers came to spend money as well. The employees loved them because they were fun and talked to them as equals. The clientele loved them because they were pretty young things.

Sometimes, though, Mary wasn't in the mood to party or get laid, so he talked to the DJs instead. He'd buy them rounds and stay past closing to help them pack up while they talked about the history of punk and 80s new wave and nu metal. There was one in particular, Dave, that Mary even considered a friend.

The two of them would sit in the club past closing, sharing a whiskey and talking about life while the bartenders closed down and cashed out. Occasionally, Dave's other friends would be around, and they'd all walk back to his place; he'd fool around spinning in his home studio, and they'd drink box wine as they danced and laughed before Mary would have to sit on the ground in an intoxicated exhaustion, good for only thumbing through Dave's vinyl collection.

Mary was just happy to talk shop with another music aficionado, but Angelique had pointed out that he should leverage his minor clout.

They'd been waiting for Greg to finish setting up, and Mary had been struggle city after a particularly hard night out. It was all he could manage to sit there quietly and hope some god would put him out of his misery.

"You need to get your shit together," Angelique had said out of nowhere.

Mary had cracked a puffy eye and had slowly (as to not bring the nothing in his stomach back up) turned his head to her.

"As if I haven't seen your melted ass on the floor wanting to die."

"Fuck, Mary. You've turned it into an art form."

He'd closed his eyes and given her the finger, but that hadn't stopped her.

"You wanna be a rockstar, boy? You can't just sit on your ass and hope the right person on the right night hears you. You're effervescent and charismatic—heads turn when you walk into a room and not just because of your skinny jeans—but you need more than air, Mary, which is all you are right now."

"Fuck you, Angela."

She'd clapped in front of his face, and she was lucky he didn't Exorcist bile all over her.

"You're a fucking pain in my ass, Goore. I'm doling out the good stuff, try not to bite my hand off, k?"

"All right, all right!"

"You wanna start that band? You wanna get play and amass fans? Well, make that demo you're always droning on about and give it to those DJs you're alway fanboying over. Fucking network, Goore."

At the time, Mary had been too hungover to care, but her advice would sink in…

Eventually.

For the time being, Mary was content. He loved the attention, and it made him feel invincible, made him feel like it was finally His Time. And he was going to make up for every slight, every unfair situation, and every beat down with sex, drugs, and rock-and-roll.

With his newfound nightlife, Mary's day job had become an afterthought. He started sleeping through opening shifts, but with the extra foot traffic Mary brought to the store, his boss seemed resigned to let Mary slide (after a stern talking to and a pay docking).

The shadow cast had started using him as a mascot of sorts, and he was happy to show up on Saturday nights and hype up the waiting line with a pseudo striptease. (Even if it was sometimes to kick off his evening with the Deathbutantes and not hang with the cast after.)

Mary started a band ("auditioning" any and all of the many admirers who said they’d be more than happy to join it), and after a few false starts and a couple of lineup changes, they began working on an EP. (At least, when Mary showed up to rehearsal, they did.)

A Boston Phoenix reporter got wind of the Deathbutantes and called around about doing a story on them. The Bens were excited about the exposure that meant for their zine, and Angelique and Greg were excited about what it could mean for their careers. Mary did a brief interview over the phone where he answered questions about his style and talked about his dream of making his band a household name.

Mary saw his name up in lights, and he was reaching for it, full speed ahead.

But then things turned.

The story fell through at the last minute with no further explanation or contact by the reporter.

His boss finally fired him after Mary showed up too high to function too many times—or not at all.

The shadow cast had a turnover, and suddenly he was old news—a cringey hanger-on.

A trip to the clinic and a round of antibiotics for an STI had him way more wary of who he hooked up with.

"Heroes" lost momentum when imitators popped up and Ben cut off the gravy train.

Angelique moved to NYC for "better opportunities," and the Bens took their brand of counterculture to Portland, OR.

Greg took down the website when he got offered a legit job as an apprentice at a food magazine, and that was that.

The physical zines were cheap things, most ending up papering the sidewalk after trash day or lining the bottom of cages. Without the online presence, did Mary's "modeling career" even exist?

Mary was a little sad to see the era go, but when he woke up in Maine on the hood of some girl's car and only a hazy recollection of how they'd gotten there, he was beginning to see Angelique's point. He needed to get his shit together if he was ever going to become a rockstar. And frankly, he kind of felt like he needed to spend an entire month eating carrots and hydrating.

The 24/7 party had always been an ephemeral thing; it had been sand passing through his hands in a finite amount as he'd tried to hold onto it

He put himself on detox, and waking up sober for the first time in months felt like a revelation. And as it turned out, playing the guitar without badly shaking hands was way, way easier.

He found another job in another music store, and his starter!band was bringing butts into the smaller venues, like Toad.

He still had his old Rocky friends and the Deathbutantes. The club and venue owners still let him in for free, and Dave was always happy to give his demos a spin. By anyone's else's measure, he was steal one of the scene's darlings.

But Mary was beginning to realize that he needed to stop seeing himself as that scared kid who’d arrived in Boston 4 years ago with only a backpack, $72.57 to his name, and void where his family should be.

He needed to stop finding people to please into loving him.

Instead, he needed to live for himself and let them love him for who he was—fuck ups and all.

@slimylayne

Epilogue

"Honestly, that’s probably the reason I even got a band together," he says. "I was still kind of shit at guitar, but people came to see ‘Model Mary’ perform in his underwear."

He shoots me a smirk.

"I’m sure there’re pictures out there of me looking more glam than metal. I kind of played up the whole pinup thing for a while."

"Fuck, I would kill, literally kill to see that."

He pulls me into his lap until I’m straddling him.

"I could open up my underwear drawer and show you right now."

"Goore, you temptress."

I lean down to kiss him, and his hands sneak under my shirt, but I pull away again.

"I kinda thought I knew all your torrid secrets by now. Shit, how come Dave's never needled you about it?"

After 2 years with him, I’m surprised I hadn't even heard a peep from his oldest friend.

Mary snorts.

"Dave would miss shit hanging off his nose. Great dude, amiable as fuck, but he's always had fucking tunnel vision for his music."

I smirk at him.

"Sounds like someone else I know."

Mary pulls a face at me, and I apply kisses to every line until he laughs and bats me away.

"But really, Mare—how come you never told me about your brief career in blue steel?"

He blows out a breath, his hands smoothing up my thighs.

"Fuck. Cuz maybe I was a little embarrassed at how off the rails I was then, ok? Didn't want you to know what I fuck up I was." He takes my hand and kisses my palm. "And even I know it's a shit move to pitch woo at someone by telling them about banging half of Boston."

I make a face at him, and he laughs.

"Yeah, that’s what I thought."

His hands rest on my waist.

"Christ, everything about that year's a bit fuzzy, and it was like 10 years ago. Sometimes it feels like it happened to someone else, honestly. And shit—most of those people aren’t even around anymore. College kids who moved on and 20-somethings that grew up and moved who knows where. I used to watch Amber have—what is it when it’s four people?—and now she lives in bumblefuck Pennsylvania with 3 kids. After she left, I just kinda drifted away from all that."

He shrugs, his eyes downcast.

"I’m sorry, Mare," I say as I smooth his eyebrows.

He shrugs again.

"I mean, we all kinda keep in touch. It's like the only reason I have Facebook."

"When was the last time you even signed into that?"

Mary grins at me.

"Lola's birthday."

"One of the models? What happened with them?"

Mary bites his lip and thinks.

"Mayhem found religion after an OD and kinda ghosted everyone. Lesley followed a girl to New Hampshire. Uh…Lola pursued a PhD for something sciencey involving renewable energy with sugar beets in Idaho, and Bryan moved back to Florida to care for his grandma, who raised him."

Mary leans his head back on the couch and rubs his eyes with the heels of his hands.

"I mean, shit. We were fucking babies back then. Head empty except for a good time and unlimited potential."

I run my fingers through his hair.

"You miss it?"

His eyes pop open to look at me.

"Fuck no. Not for a million dollars. Too many question marks." His eyes glint as he runs his hands down me. "I like what I got going on right here."

I wrap my arms around his shoulders and kiss his forehead. The fucking sap.

Mary picks up my phone and scrolls through the pictures again.

"Fuck. I used to be goddamn adorable, though. Half this shit wouldn’t even fit me anymore."

I squish his little potbelly, and he grunts at me indignantly.

"Do you still have any originals?" I ask.

He shakes his head, his eyes wistful and his smile sad.

"Nah. Got destroyed when my roof collapsed and leaked everywhere. Fuck, landlords are useless. Glad we fucking own now, babe."

He scrolls up, scrolls back down.

"Just these four?"

I nod.

"Yeah. They were the only ones I found—and I did a lot of searching."

"Christ, I think there were at least 10."

I smile ruefully at him. "It’s not gonna be long anyway before they make their way into the popular tags and shit starts coming out of the woodwork."

He tosses my phone onto the table.

"Whatever. Just shows that I’ve always been cool."

And then he’s kissing me again, his hand tangling in my hair.

"You know, I’m your family now, Mare. Just for you."

He brings my hand up and kisses it.

"Fuck, I know that. Why’dja think I put a ring on it?"

[izayoichan]

For the 100 OC Questions:

Flynn: 91-100

Fannar: 81-90

Chris: 31-40

Hayle: 51-60

Hayden: 61-70

Vy: 71-80

Lucas: 21-30

River: 41-50

Brooke: 1-10

Meadow: 1-20

A few questions for almost everyone XD

This will be LONG, so under a line.. because LONG!!

Flynn:

91. Do other characters respect your OC, if so, is it out of fear? Or do they respect your OC because they like them?

Some respect him, most do and it's mostly from him being who he is. A friendly guy that's generally nice to everyone. Flynn is simply a very likable fellow.

92. If they were given minutes to live, what would they do? Who would they want to see and say?

The one person Flynn would go to see is his dad, and he'd probably tell him that he loves him and to not take blame for anything that has happened, and to care for the rest of his family. Then he would just hug him until his time was up. His dad is the most important person in the world for Flynn

93. How do they deal with stress?

He tends to go for a run, or talk to someone about what stresses him if he can. Most often this person is Brooke, or later Emil.

94. Do they have a more submissive or dominate personality type?

I think he is a bit of a mix, but like his mom, leaning on the submissive.

95. Do they have a pet?

Atm not really, he has Emil as a familiar, and the family has two pets in Lobo and Felix that he kinda considers his as well without either really being his.

96. Do they have a stash of weapons?

Nope, no stash!

97. Where do they live? Who do they live with?

They live in Brindleton bay with their entire family. It's a lot of people, but he likes that in a way. Even though sometimes some alone time is good too.

98. How do they calm themselves down?

Watching movies, working at the shelter, or just talking to their dad. His dad is his biggest source of calm.

99. Are they co-dependent?

In some ways yes, but also not. He is a very independent person, but he is also used to living very close to family and friends. So he would be a bit lost without them all I think. College should be interesting ;)

100. Are they a day, or night person?

Day person, definitely.

Fannar:

81. Do they have any tattoos? If so, are they significant?

Is it bad that I don't really remember? I don't think I gave them any, but I also have a bad memory.. so maybe, but they're not significant, just something they would have done for fun.

82. Are they good at mental math?

Very, they have that after their dad.

83. Do they get along with others?

Yep, he does, he also has a bit of a tendency to get fans along the way somehow. He doesn't exactly like that part as much though.

84. Are they lazy?

Generally no, but they also can be. They do like to not do anything but slack on occasion ;)

85. Are they self-motivated?

They tend to be more motivated by others, but when needed, they can motivate themselves, so I guess a bit of both?

86. How do they cope with anger?

He isn't a very angry type of person, but when he gets angry he copes fairly well with it. He has always been told being angry is okay, and a valid way to feel.

87. Have they ever been in a situation where they were helpless?

When they saw Emil attacking their mom, and then their twin stepping in and eventually making it his familiar. He felt awfully helpless then and it was not a feeling he liked.

88. Are they organized or messy?

Their fairly organized, better than most teens.

89. Can they remember a lot of information at once?

Yeah, they have a dragon's memory, and they are pretty good at remembering a lot of information at once.

90. What is their occupation?

Currently, they are to be College Student.

Yvreon/Vy:

71. Who do they dislike?

Mages.. hunters.. yeah.. that's their main dislikes.. Death to an extent.. Jael mostly for breaking the Heartlight.

72. What is their motto?

I think to help, and just be helpful in general. Or learn, as much as he can.

73. Do they have any markings on their body?

They have quite a lot of scars, from being attacked by hunters. They also have a heart-shaped scar on their chest, from sharing their heart with their husband Hayden.

74. Have they ever been abused?

Sadly, yes, both by the first humans they encountered, hunters who wanted their heart, and also to an extent the mages at RoM who wanted to experiment on him.

75. What is their biggest fear?

To lose Hayden.

76. What are their goals?

Healing people, helping people. He would love to get his Heartlight back if it was possible so that Hayden would be well, or better. Learning as much as he can, and of course, acquire many shiny things and books!

77. How do they go about achieving their goals?

He works at a hospital, where he helps as many as he can. And the money he earns often go-to books and shiny trinkets as he knows he is well cared for at home money-wise.

78. Do they have a fight or flight response?

Depend's on son the situation. If Hayden or his family is close, he will fight with all his might. If he is alone, it would be flight, to come home and protect those he loves.

79. Is there someone in their life that they care about more than themselves?

Their kids and Hayden.

80. How would they fare in a zombie apocalypse?

Fairly well I think, they are a dragon after all ;)

Hayden:

61. Are they comfortable being in a crowded room?

Yeah, he doesn't really mind. He prefers quiet, but a crowded room doesn't bother him much.

62. How do they relax?

Lying in bed watching movies, preferably using Vy as a bed, as that is the best and most comfortable thing he knows. Oddly helping the kids with math is also relaxing to him.

63. Have they ever harmed anyone and regretted it? Verbally or physically?

The sharing of the Heartlight with Vy, hurts Vy when he feels bad. Or well it did when it was connected. He was never comfortable with that, and it always made him feel bad. Even if Vy told him it was fine.

64. Do they like to dance?

Yes!

65. How do they get around their environment? Examples - horses, bike, vehicle

They have been carried a lot.. other than that, he mostly gets flown by a dragon or uses a portal.

66. What is their pet peeve(s)?

People who mistreat animals, he hates it, and he will call you out on it.

67. Do they have a disability?

Yes, they were born with one. They were born with two magic types that fight each other. Ice and Fire, where the fire side is slightly stronger and was damaging him. He quickly gets tired, and after the loss of his twin, and the breaking of the Heartlight, he has once again gotten worse.

68. How do they react to getting flowers?

He would be surprised, but thankful. He likes flowers but prefers them alive in the ground.

69. Would they ever wear a flower crown?

Yes, especially if made by the kids or given by Vy.

70. Do they like themselves?

Somedays yes, most days.. not really. He tends, still, to feel he is everyone's burden.

Hayle:

51. Do they like science?

Yep, he finds it fascinating!

52. Are they more emotional or logical?

They used to be more logical.. now they're more emotional, and perhaps a mix of both. The mix makes him a very good dad and grandad.

53. How do they deal with their emotions?

Depends on the emotion. Most he talks with Chris about.. Anger on the other hand still gets handled by hitting things, hard. Preferably a boxing bag.

54. How do they cope with sadness?

Often with anger.. by hitting things because being sad makes him angry. But also with talking to his husband, or his family. Sometimes though, destroying an old house into dust is needed.

55. What is something they care about?

His family.

56. Would they die for anyone/anything?

As above.

57. What do they do when they are happy?

Smile a lot, dance with their husband, laugh, and cook!

58. How would they come across to other characters? Examples- messy, lazy, childish, caring, etc.

Caring, very much like a dad friend, that type of person that feels like a dad when you talk with them.

59. Do they have a phrase they use over and over?

Hmh... not really no.

60. In a crowded room are they in the corners, sides, or in the middle?

All of the above depends on the crowd and why they are there.

River:

41. How was their childhood?

Not the best, their dad only saw them as a mage and pushed for him to be the strongest, while his mom kinda tried to make him into his dad after his dad dies. He had an awful relationship with his mother by the time he was a teenager.

42. Are they close with anyone who is going to screw them over?

Nope.

43. How do they adapt to different situations? Do they adapt at all?

It depends a lot on the situation. As a Sage, he adapts to whatever is needed of him. As a Vet, he adapts to what is needed of him there. And for his son, he tries to adapt to being the parents the kid needs.

44. How do they speak? Examples - Are they soft-spoken, hot heated, vulgar, etc.

They have a fairly soft way of speaking, a caring one. But it can also be brunt, harsh and aggravating to many.

45. Are they opposed to violence?

On a general basis.. yes, for occasions, they're fine with it.

46. When is their birthday?

I don't think it has ever been mentioned, I think Mahv will have to say, if not, I guess it is time I give him a date for it!

47. Are they quick to judge?

In general, yes, but he is trying to be better after he misjudged Rylan so badly when they met.

48. Do they have anything they are trying to hide from others?

Mostly how bad they still feel after the death of their husband. How guilty they still feel and so on.

49. Do they act differently around different people?

Yes. He can be loving and caring to some, while asshole to someone else.

50. Do they enjoy the arts?

Yes, especially music.

Chris:

31. How do they overcome obstacles?

By thinking things true, finding the best way past it most of the time. On occasion, he pulls the reaper card though.

32. When faced with a difficult decision do they get stronger or break?

They get stronger. They have a breaking point, but it takes a lot for him to hit it. 15 years away from his family was close to his breaking point, and both Jael and Kieran knew it.

33. Do they have any special powers?

He is a reaper..he has quite a lot. For instance, he is one of very few reapers that can kill a god.

34. How do they change throughout the story?

Well, Chris was a bit of a loner.. so they changed to become someone's lover, a dad, a family man, and someone who often wishes he could be home a lot more than he can.

35. Do they have any friends? If so, are they close-knit?

He has one, Nat, with whom he is very close. Kieran is more the boss than his friend. There is also Mark, who's after him to finding love, they have slipped a bit apart, both having a life outside of work. His best friend is of course his husband.

36. How is their family life?

Busy, especially with his work being on top of it all. But he would not trade it for the world!

37. Are they likable?

Yes, it's a good trait to have when you ferry souls over to the next step.

38. Are they the hero, or anti-hero?

He wouldn't consider himself either, but to some, I guess he is the hero

39. Do they make questionable choices?

Not all too many most were perhaps made before he died 😎

40. How do they become who they are?

They did something questionable and stupid and died. Luckily for them, they also said yes to becoming a reaper and that's why this story even exists.

Lucas:

21. What are their hobbies?

Singing, which is also his job.. he is also a pretty decent kitty bed by now if that qualifies as a hobby.

22. What are their ticks?

Hmh... not sure he has any, probably just fiddling with his fingers when he is nervous if that counts?

23. Do they like children?

Yes, mostly, unless they cling to him and want a photo.. although that more teenage girls. 😂 But in general, yes he likes children, he grew up with quite a lot of them around.

24. How do they react to being around wild animals?

With fascination and awe.

25. If they were given the task to prank someone, who would it be, what would they do, and would the prank work?

It would likely be a bandmate, and it would probably be putting something they hate in their drink. As she isn't the type to prank someone, he would probably fail miserably.

26. Do they have any survival skills?

Yep, they can make fire with two twigs, and they can play music to make some busking money if needed.

27. Are they more book smart or street smart?

Street smart, he likes books, but he grew up in an orphanage, so he learned street smarts along the way.

28. How do they get out of a difficult situation?

Would depend on the situation, he can pay his way out of it, or he can try and run of course. He isn't a fighter so he would rather try and avoid stuff like that.

29. Do they use their body, mind, personality, or force to get what they want?

They don't really do that much.. but to work at the shelter, he used his personality and what he knew they would have to say yes to.

30. What music do they enjoy?

Absolutely everything! If it's music, he likes it. Although everything for its situation. Its not always that black metal fits what you're doing.

Meadow:

11. Do they have a romantic interest?

Yep, and you will soon see who that is.. soonish anyway.

12. How do they cope with struggles?

Fairly well really. They work their way through it, although often they can be a bit snarky when it happens. It's just their way of dealing with it.

13. Do they have anyone they can lean on?

Her half-brother River, his family, her dad, and her mom. Unlike River, she is quite close to her mom, and their relationship is much better.

14. How do they react to someone dying?

If it's someone she cares about, she would like most people be sad. If it's not, then it's more.. eh, shit happens!

15. Can you name 5 personality traits they have?

Friendly, Hardworking, Ambitious, Romantic, Proper

16. How did they become a character?

It was Mahv's idea to have River have a little sister, then she kinda became the kid's mom friend and person outside the family to talk to.

17. Do they get along with others?

Yes and no. She has a way of being that alienates some, but if you see through it, you find a sweet person who is easy to get along with really.

18. What flaws do they have?

They can be a bit hot-headed, snappy, and abrasive when put in a situation they don't expect. She also expects a lot of herself, like becoming the first sage potion maker!

19. How do they influence the story?

She becomes a bit of an icebreaker between River and his mom when they are re introduced. As well as becoming a very good friend to the current kids in the story, the one they go and talk to when things are meh, and parents aren't an option.

20. What do they look like?

Sneaky I know.

Brooke:

1. How do they present themselves to others?

Very straight forwards really, they are nicely dressed and well behaved in general.

2. Do they like animals?

Yes, they love them, specially horses. Sadly animals don't seem to love her back for unknown reason to her.

3. How do they dress?

Nice clean clothing? Nothing special, and never high fashion.

4. How many languages do they know?

Quite a few actually. She speaks Simlish (English), Japanese, Chinese, French, Italian, German and Spanish.

5. How big is their family?

Not big at all, its basically only her and her parents.

6. What is their purpose in the story?

Now that is a secret still. But it will be shown eventually, and she does have a purpose yep! Her purpose has even changed several time over already.

7. Do they know how to fight?

Yes in her own way. (Cryptic, I know, but you will see one day)

8. What is their back story?

There isn't that much. She has grown up with her parents, they have always been strict but quite fair. As long as she follows their rules and guidance, she is fairly free to do what she wants. Their not overly happy with Flynn as her boyfriend, and think she could have done better, but they have accepted it.

9. Why is their name, their name?

Because random name generator made it so!

10. Do they have any nick names?

Not really, Brooke is short enough on its own. Closest is Flynn calling her his Brooke I think.

AAaaand that is that.. thank you for asking, I hope you enjoy!

[nobody-knose--archive]

i’ve been aching to commentate spirit phone’s commentary for ages. glad i finally got around to it, this was an ejoyable experience. liveblog below the cut

-i'm like half certain i've heard this commentary before. maybe not the whole way through & it was probably actual years ago

-nice hearing stuff like this. in-depth personal view of the album-making process. makes it seem like more of a real thing i could do myself someday

-neil cicierega real person momence

-i could probably go real in depth about neil cicierega/tally hall parallels specifically concerning like. the arc of their musical careers. but i won't, here

-wild how i legitimately don't care much about micheal jackson

-didnt we get a bunch of spirit phone stems from the needlejuice release/his patreon? we could probably hear the funny track he speaks of here in that

-i love hearing musical artists, especially neil cicierega, talking about the meanings of their songs. like, not only has this song been claimed to hell & back by the tumblr gays, but with later ones i just can't see where he gets these ideas from. also, claiming there's any one meaning or plot to a song just seems silly to me

-shoutout to neil reusing a midi from like, 1998, that he made at 12 years old, whose entire melody was reused for the main verses of everybody loves raymond. loved finding that out on my own 2 years ago. now it's common trivia in this fandom. not bad times

-it'd be neat if neil did individual trans tracks here like he did with view monstel, those things are half of why i consider it my favorite album

-it's a lot easier to ignore the creator's intended meaning behind a song when he can't even remember it. thanks neil

-seesaw effect

-and there's my joke all but 1 of my followers wont get. moving on

-what kinds of movie theater lobbies has neil been to where there are arcade machines. i mean im not one to talk but that does sound rather strange

-why do songs' titles even need to be taken from the lyrics. ive never seen that as any sort of requisite. it's like titling any form of prose you can just give it whatever name ya like

-"this part sounds pretty cool right"

-is neil's vocal range only mildly better than mine? with training i could change that

-oh i haven't processed any of the last 25 seconds hold on

-god. a shit ton of vocal modification in this song. it's like neil returned to his roots but with quality this time

-i, as an ace/aro, have never related more to an allohet guy in my life. what is the point of eyes!

-professional humming/whistling takes skill. it's different from the recreational or casual stuff. i'd know

-there's a name for the way sound (especially music) gets distorted when moving past you and i can't remember it but it's probably what neil's referring to here in the way he recorded the intro

(- update: it's the doppler effect no need to tell me cas already did)

-as someone who hasnt seen the rugrats or take me there by blackstreet i'll just say it sounded like a bouncy music box melody. nice to hear a song that messes with the typical scales though. lydian & diatonic.

-that's a rather specific thing to be glad about, but given what he talked about in his last full audio commentary about the jew harp i suppose i'm not surprised

-i know that tmbg song now. listened to it & saw the music video too. yep they're different alright

-where the hell does neil get all these instrumence from anyway

-huh. hadnt heard this part of the commentary before making my oc concerning this song but i like to hear neil's approval concerning part of my interpretation

-i love how ive heard a billion different tellings of this mellified man story from lem dem fans talking about this song and neil's is by far the wildest

-good god that does only make it worse neil

-i love making liveblogs of lemon demon albums. with the fullerenes or tally hall i cant name a specific dude to take out my woes on generally but with lemon demon i can just say neil all the time. i like being on a casual first name basis with this dude ive never interacted with once ever

-is sweet bod the one other than cabinet man with a demo in the bonus tracks? i forget

-holy shit the boston molasses disaster someone call up soapy if it doesnt already know, it'd love this

-two thousand nine. god i miss the fiddle solo. the ver with it is truly the best one

-he pronounces it jeff? i've always read it as gef with a hard g. that's what i get for knowing words that are never spoken aloud

-that's a fun meta interpretation of this ghost story that's over a century old. i like that

-i've noticed neil generally does the same synths across a whole album. it's especially more clear in the earlier ones, and does mean i occasionally mix up songs between clown circus & live from the haunted candle shop

-ah! ancient aliens! my least favorite track on this album. i cant even claim to have the least interest in a popular one i've just generally not liked this one much from the beginning. so im curious to see what neil's got to say, i think ive been in ~new commentary zone for a while now

-anyway. newest update on the loolin not realizing a song's funky time signature front: i think this one's in 6/4. or at least switches a lot between time signatures. granted i dont listen to it very often for the reasons stated above

-see the way neil describes it. eldritch horror upon being visited by the unknown at a time when humanity'd hadn't even yet had a chance to imagine such a thing occurring. should be right up my alley. but the sound itself & many of the lyrics simply turn me away.

-must i specify i don't dislike it? spirit phone is neil's best album it not being my favorite doesn't mean i think it's bad yadda yadda nobody should be surprised by this it's not like anyone in these fandoms reads my liveblogs <3

-granted i think this is. the first bit of spirit phone content i've made on my blog ever. so who knows things can change <3

-the transitions in spirit phone are much less view-monster transition tracks & more extended outros. view-monster's were a bit more intro than outro sure but they also seemed directed upon making a 2-way rather than 1-way bridge between tracks. or something like that

-.............soft fuzzy man is an incredible nickname for a cat. i'd steal that if i werent afraid of introducing my relatives to lemon demon

-jirls

-an underlying metaphor is good enough. the literal side of the lyrics are fun. nothing but agreement here neil my good man

-the transition into as your father i expressly forbid it from soft fuzzy man is the best one in this album

-buddy you ask if a musical idea has been used before odds are the answer is yes in this day & age the question is has it been used in the way you're using it. like sure this soul jazz record from the 60s that was sold out in kansas stores for a week used this bassline that youve found yourself copying. but seeing as youre using it in some angsty garage rock ballad type tune does anybody actually care

-doesn't everybody like to say things in an unhinged manner from time to time

-imagine having a guitar dad, i say, with my dad being a folk accordion/fiddle dad, which is infinitely worse in every way

-i think he was in an actual folk band at some point. idk the 90s were weird

-iron my life?

-m-more intimate? there are a lot of ways i'd describe this song but intimate isn't one of them. granted as your father is negatively intimate so from there i guess you've got nowhere to go but up

-...still glad to see his interpretation kinda supports my oc at least

-the way he says characters in songs shouldn't worry about death really strongly makes me think this is some sort of. thematic continuation of stuck from dinosaurchestra, even if there's no real death in there. interesting. would also mean that the dad from these past 2 songs is named carlos betty (no last name)

-i literally never assumed this was a flute solo. piccolo at best. it's pretty clearly a recorder

-my mom plays the recorder. i wonder if she can play recorder better than neil cicierega

-we can throw a party in honor of the crushing weight of responsibility! i simply won't be the one throwing it because i have enough on my plate already <3

-what the hell does "a sense of intent" mean

-i've never heard rush before however i disagree with neil's understanding of 6/4. 6/4 is meant to have emphasis (onbeat or another term i can't remember) on the 1st & 4th beat of every measure, which is greatly different from a measure of 4/4 then a measure of 2/4. it's why his 5/4 always sounds weird, because while it's recognizable in sequences of 10/4, it's more 2 measures of 4/4 with one of 2/4 tacked on the end. that's also how it's different from 3/4. i don't know much music theory but what i do understand i will fight to the death about

-"canonized" that's. a very interesting term to use when referring to a former president

-from now on i will interpret every love song directed at some unseen "you" to be inviting me to marry them for tax purposes. thanks neil for being an aromantic icon

-ah hell yes hell yes man-made object is my favorite goddam song on this album

-short & sweet & good damn vibes. neil's thoughts on it all are only making it better

-wild how he uses very few vocal effects for a song that he clearly is straining his vocal range for. go off neil

-the qualifier of man-made is a wonderful thing. oldest or biggest thing? oldest or biggest man-made thing? what a incredibly important specification. a world of possibilities lie between the two. oh i love it

-just gets me thinking yknow! what we consider weird/impressive in another species, in our own species- what kind of equivalent to that would there be from an outsider looking in? are there alien versions of the significances we place upon things, that we could never imagine? the limits of the human imagination mean we could never conceive of something else in the world that isn't, in some way great or small, just like us- and are we wrong for thinking that? such a juicy topic i wish there were a name for it because it's kinda hard to explain concisely

-spiral of ants. my second favorite song from this album, in fact. a good one to experience

-the vocals are just another instrument. they really truly are. i wasn't going into this commentary expecting to feel solidarity for neil cicierega in this chili's tonight on more than one occasion but here i am.

-like, his whole stance on interpreting songs is something i agree with almost entirely. you can take it at face value, you can dig to their very depths, you can listen to songs without caring what the lyrics mean whatsoever, and those are all fun. & yeah while any of these people can be annoying as one of the types who enjoys gliding on the surface more than anything i find those who dedicate themselves to figuring out the whole meaning of a song over anything else to be both slightly scary & slightly annoying <3 keep up the good work

-i want to make songs for my siblings the way neil makes songs for his sibling(s)

-spinch

-neil really shouldn't be allowed to be this funny like this whole album youre thinking golly! he's just a normal man this neil cicierega! and then he starts listing the cat hacks jokes & you remember he's had ridiculously consistent viral success with all his humorous endeavors and holy shit it's neil cicierega in action talking about his music. god bless you neil

-you're welcome, no problem, my pleasure. good eveternoon, radio audience!

[himooonlight]

who are you? pt. 3 (reggie x reader)

pairing: reggie x reader

word count: 4.7k

plot: you dream about reggie constantly and when you see him perfoming with julie, you decide to ask her about him

warnings: sad stuff?

A/N: hello again! i'm super excited about this chapter, so hope you all like it :) two things though: 1. this story takes place after the season finale and i'm trying to keep everything accurate and 2. the dream is in italics. NOW ENJOY!!

oh and just in case you missed, here's chapter 1 and chapter 2

- You know, I was thinking. - Reggie says as I wave my sister goodbye. She did talk to Julie's dad about having me for dinner, making sure he was okay with it, just like I knew she would do. Mr. Molina seems like a very nice person. - “I’ll always find you” sounded a bit creepy. How about “we’ll always find each other”? That way I’m not the only creepy stalker in the relationship. We can be weird together.

  Reggie knows I can't reply, but I can't help but smile. He's too cute.

  - Y/N, come in! - Mr. Molina screams from the door.

  Daisy goes back to her car and when I can't see her anymore due to all the plants and trees in their front yard, I walk inside. The first thing I notice is a large wooden straight staircase and a lot of different carpets on the floor. Everything is neat and in brown tones. A lot of frames are decorating the yellow walls; some are pictures and some are paintings. Everything is elegant and cool, detailed even.

  - Julie, Y/N's here! - He screams at the bottom of the sairs. He's looking up, so I'm assuming Julie's room is upstairs. Soon enough, his daughter appears and smiles at me. I like how her front teeth are separated and she doesn't wear much makeup; it makes me feel more accepted and understood somehow. - Girls, I'll be in my room working on some editing, so behave, ok? Oh, and there's some fresh strawberries in the fridge. Maybe you can make Y/N that smoothie.

  He winks at Julie and goes upstairs. Meanwhile, I'm frozen, inebriated with a memory.

  Fresh strawberries. That house. The open kitchen.

  I've seen that place before in my dreams. With Reggie. When I was a man.

  The cabinets were light blue and the orange chairs gave the kitchen some sort of happy vibe even though I wasn't comfortable there. A few people were sitting on the counter, close to the big fridge, holding cups. The strangers were flirting, kissing and singing with the loud music that was playing. Overwhelmed, I looked for Reggie.

  It was the same house. The floor was covered in white porcelain tiles and there was a big leather couch where Julie's dinner table was, but I knew it was the same place.

  - Are you ok? - Julie asks me.

  Her dad is gone and suddenly I feel inadequate. I have to focus on breathing normally while trying to remember more details. Everybody is connected somehow, I know, and maybe recalling a conversation or recognizing something could help Reggie and the boys.

  - I need to explain my connection with Reggie. - I whisper. My voice is shaky and she looks worried. Reggie tries to hold my hand and fails, making me smile softly at him. It's nice to know he is around, somehow. - I've been here before, in my dreams. It's… are the boys here as well?

  I look around just for a moment, taking in more details. The curtains in the dream house were beige. There were a lot of plants around and a few picture frames in the living room. I can't quite see the faces in the photos, but it's a family of three in front of a Christmas tree. There's too many people around me and it's overwhelming.

  I sit on the floor and Julie follows me. Closing my eyes, I try getting back to that dream just in time to recall Reggie touching my shoulder and saying "there's some fresh strawberries in the fridge; you said you like it so I bought you some".

  He looks shy for a moment and I can't help but stare at his eyes in awe. I don't feel very relaxed at the party and Reggie picks up on the way I play with my fingers in agitation and look away, trying to see if we can go out. He takes my hand and soon we're at the back of the house, in a big garage with a lot of instruments.

  - Thanks for coming. I know you're not a huge fan of parties, but I'm glad you're here. It wouldn't be the same without you.

  His stare is too much for me to handle, so I walk around the place, looking attentively at the instruments. The drums and a guitar are inviting to the touch, but I hold back. Even though we are alone, it's like being with him is wrong so I act like I'm walking on eggshells. Feels right liking him, but it's wrong; it's a fight that I know my head will win and my heart will be devastated.

  - I came here to say that I… - I start, not looking at him. He's too pure and I'm too weak. The music is still playing in the background and we can hear a lot of screams and laughs coming from the house. - that we can't do this.

  Reggie looks offended.

  - Do what?

  - This. You and I. - I replied, turning to face him. He looks perplexed. Did I misread the signs? - My parents would kill me.

  I can cut the tension with a knife. However, I don't have to try because Reginald is doing that for us by putting a mask on and looking frustrated. He opens his mouth a few times, as if trying to justify or explain himself.

  - Ethan, what are you talking about? - He asks, with a scoff. I don't recognize that reaction on his face. It's like he's trying too hard to play a part he doesn't even want to. - We're friends. I like girls. I flirt a lot, sure, but it's all a joke.

  He bought me strawberries as a joke.

  He held my hand and called me pet names for the laugh.

  He was pretending when I thought he felt something more.

  - I'm sorry. - I said, staring at some papers on the floor. Probably unfinished lyrics. A notebook is open with the name Emily on the top of the page and then it hits me: he could never love me the way I loved him. I was the weird one; I was wrong. - I have to go.

  - Y/N. - Julie touches my arm, making me open my eyes. - Tell me what is going on.

  She's fairly calm. Reggie, however, looks like he's about to scream.

  - They are here, right? - I inquire and Julie nods in response. - I've been having dreams about Reggie for a year now. The first five dreams or so were different. I was a man and he was… himself. But things were different somehow, not just me. The world was not the same. The last dream I had before meeting him as me, a girl, I was at this house. Again: this was not your place. The decoration was totally different and people were dressed like they were in the 90's. He said his bandmate was throwing a party since his parents weren't home and that I should come. I actually did and he said he didn't like me because I was a guy. So I left and the next thing I know I'm me and he's asking for help, saying he needs me. At first I thought he changed his mind, cause we were going on dates, talking about the future, laughing and just enjoying everything together. In my dreams, of course. Now I just... it felt like different lifetimes, to be honest. And I liked him in both.

  - Alex is asking when was the first time you two met. - Julie says.

  - I don't know the date, but it was at a book club. He said they were going to play there, but they mostly ate. And one of his friends was super engaged with the people there, listening to them talk about literature and life. I can't remember their faces very well. I just remember one was brunette and the other was blond, just like your band, Julie.

  - Luke asked when was the last time you had a dream about me. - It's Reginald's turn to be his friends' messenger.

  - Thursday night. Reggie said something about having to go, not knowing how to stay. It was very emotional. - I answer. - But a friend of mine sent me a video of your concert on Friday night. She was at the Orpheum and she said you were great. I just couldn't stop looking at you and wondering if I'm insane. Am I crazy, Reggie?

  - If you are crazy, so am I. - Julie declares when the boy next to me doesn't say anything. It's too much to take in. The three of us are still sitting on the floor and the silence is loud. Loud because it means a lot; that we're all confused. - Alex, wait.

  - What? - I ask.

  - Alex stormed off. He asked us to come to the garage.

  Reggie beams, looking ashamed, and we go to the place I've seen before in my dreams. The garage/studio has chairs in the ceiling and a lot of plants, along with a beautiful piano and a bigger window. Beside me, Julie seems nervous and suddenly two good-looking boys appear in front of me, playing the guitar and the drums.

  The brunette and the blond that I didn't recognize before are playing loudly, staring at me with indecipherable expressions and furrowed eyebrows.

  - This is the only way you can see us, when we're playing. - The drummer screams. - I'm Alex and this is Luke. - In cue, Luke smiles a little. He is definitely the one that enjoyed metaphors in my dream. - Do you remember anything else about the book club?

  - Why? - Luke inquires.

  - Just sush. - He says.

  - Anything like what?

  - Like the address.

  Luke looks at Alex like he just said the biggest nonsense he has ever heard. Reggie is standing next to me, speechless. I can tell he's conflicted, so I don't push. I'm confused as well, trying to focus on the first dream, realizing that the details are not very clear anymore; all I can recall is Reggie being adorable and my feelings all over the place. I remember walking around the house unpretentiously with him, thinking about his features and his personality.

  - I don't know. - I state.

  - Do you think this is about your unfinished business too? - It's Julie's turn to make questions. - The book club? Y/N? What is going on? After Friday I figured we would stay together, but now you're actually considering going back out there?

  I have no idea what she is talking about. I just feel like I'm intruding and should just let go, pretending that Reggie is just imaginary. I don't think I'll dream about him again, so I could always just do like the night I said "I have to go" and leave again.

  Nobody really talks about leaving. Songs are written about being left, books tell the story of the ones who leave, movies focus on the girl moving on after getting dumped. It's never about the villain, the person who decides to leave because it's too overwhelming, too much to handle. Nobody talks about how hard it is to live with the weight of the decision to go away - it's always focussed on the consequences, not the responsibility of leaving.

  - I wanna know. - Reginald says. - I think I need to know.

  - And I think I remember the address. - Luke sounds serious. He is still playing just like Alex (who looks tired), but keeps trying his best to continue. - Do you think your dad can take you to Echo Park right now?

  The car ride is a bit awkward. Julie is sitting in the front with her dad, that doesn't question when she asks to go to the park. She justifies with a simple "we want to see this house for our drawing class, so we can get some inspiration" that he answers with a smile and a "let's go". Luke and Alex teleport, while Reggie stays behind to accompany me.

  - I'm trying to remember that day, I promise. The day we met. - His voice is low and I feel an urge to hug him. - There's something here - He points at his head. - about the party, but I just remember feeling bad for lying about something, then Luke said we should play and that's pretty much it. What does it even mean? How can you dream about that? Are you a ghost too? Ok, just ignore that last question. But how? Why? What is happening?

  - You know, Y/N, I really think that friend of ours should just learn how to teleport, right? - Julie says, turning her head around and looking at Reggie. He apologies and disappears.

  The rest of the way is basically Mr. Molina asking about school and making me feel at ease. He is kind and bright, which makes me wonder about Julie's mom. Was she as bright? Or maybe more quiet and calm? Collected maybe? The way her dad talks about Carlos, Julie's brother, makes me think that they're doing alright, that they are healing. Julie engages a little more when he talks about the concert and when the cars slows down close the address Luke gave us, my heart is going wild.

  - This is the house, right? - Mr. Molina asks.

  It is. Luke is right; that's the friendly two-story white house that works as a cultural center. Big windows, big porch. There's a few flowers and a swig, but the rest is just like I remember. Looks like there's a small gathering going on and I can see some people in the front yard, talking and drinking what looks like orange juice. A "Hope Cultural Center" sign greets people with a smiley face and blue letters close to the door too.

  - Yep, that's it.

  - Dad, do you wanna go park somewhere? We'll take some pictures and wait for you here. Maybe go inside a little? Our friend said they have book clubs, so maybe there's some expositions and stuff like that too.

  - Sure! I'll be right back.

  Julie and I get out of the car and find Reggie sitting on the sidewalk, observing the house attentively. I assume the boys are with him as well.

  - Should we go inside? Just to check it out? - I can't recognize my own voice. It doesn't sound like the same person that was contemplating running away. I sound excited. - What do you think?

  Both of them nod and we take the few steps that separates us from the gates. It's open and everybody looks very friendly, so we go on, holding onto the "Hope" sign. Hoping we can discover something important, any information that can help us. I wouldn't say out loud, but I could add "life changing" to that list as well.

  - Oh, hello there! - An old lady says. Her voice is almost like summer days and cotton candy. - I've never seen your faces around here. 

  - Yeah, we were just passing by and…

  - Welcome then, my dears. We're happy to have you with us today. - Her smile melts my heart. It could be her fluffy hair or the wrinkles in her eyes; perhaps everything about her screams "I'm a nice person". - We're celebrating our 30th anniversary! There's some expositions on the second floor, food in the kitchen area, back there, - She points somewhere like we know the place already and that makes me feel warm. - and music in the backyard too. Help yourself and if you need anything, let me know, ok?

  - She is so nice. - Reggie says, smiling too. - So, what are we looking for? - When everybody stays quiet, I feel panic rising in my chest.

  - Y/N, I'll stay here to wait for my dad. You go ahead and look around, see if you remember anything. The boys will do the same. - She looks around and I assume she is making sure they know what to do. - I'll text you when my dad gets here.

  As I take the first step further away from her, the panic intensifies. I have to put it aside so I can focus and try to find anything that's remotely relevant.

  I find myself going to the backyard, amused that everything looks so similar to my dream. The grass is greener, the fence is now brown, yet I can almost see Reggie and his friends standing at the same place.

  There's only one girl out there sitting with a guitar in a small stage made with wood pallets, seeming nervous. I take one last look around before heading upstairs. Reggie is by the kitchen and Julie is probably still at the door, so I find the stairs and take in all the frames by the wall. Some are poems, some are drawings and everything is beautiful, soulfull.

  When I get to the actual exposition, I find a photo that grabs my attention.

  It's a group picture with at least 6 people. The date says it's 1995 and everybody has a book in their hand and a silly look on their face, apparently happy to be there. Probably the old lady knows who they are, but I don't see her around, so I just continue my quest for the unknown.

  That is until I recognize Alex in another frame that also dates 1995. 

  He is holding a paper that says "best poem" and I feel goosebumps all over my arms. My throat closes.

  They are really dead. Reggie is really dead.

  Death took him away from me and I feel so selfish for feeling sad about it: I feel sad because I can't be with him anymore. My first thought is that it's disappointing loving someone so impossible like him. The second is "he was so young and had so many dreams… why?". Questioning death and all its mystery is probably normal, still I hate the feeling of not knowing more. Why is he a ghost? Why so early? Why him? Would I ever forget him completely?

  Life really is just a competition to see how long we can stay alive and well, tricking death. Death really is just about the living grieving because their love has no place to go.

   These people probably don't even know about Reggie, Alex and Luke. When they see the picture, they might think Alex is probably old, married and maybe doing something boring. Maybe they don't even suppose anything about him like it's not relevant, not worth it.

  It's impossible not to notice the bitter sensation in my mouth. I guess it's something like frustration or the weight of everything coming back to me after the insane day I had.

  - That's Alex. - Reggie's voice scares me and I jump a little. He's examining the picture carefully. - I don't remember being here, to be honest. No matter how hard I try.

  - Alex and his friends were the living proof that you can always try harder. - I hear someone's voice. When I look around, the old lady is standing next to me.

  I can't bring myself to say anything. My whole body is tired and my thoughts are not clear anymore. All I can do is keep all my attention on that picture and hope I can go home soon.

  - They were great. - She continues, not minding Reggie. The lady can't see him. - They were in a band called Sunset Curve. My best friend is this guy's mom. - She points at the cheerful Alex immortalized in the photo. - Alex and his friends died that year and she was devastated. Everybody was. I've heard that one of the boys' parents searched the whole town for him before knowing about his death. Apparently they weren't on good terms.

  She is talking about Luke, making me feel like an intruder. Again.

  - Do you still talk to his mom? - I continue my way through the expositions while she follows me around. It's a timeline with different occasions, different people. Everybody is joyful and in bright colors, always doing something in a group, sustaining the idea that everything is better when you're surrounded by nice people. - Is she alright?

  - Oh, yes, darling, she is. His parents opened a coffee shop downtown. They've been involved in a lot of projects, volunteering to help the community. A few years back they decided to focus on kids and I think they found their purpose in life again with that. Let me show you something.

  Her hand flies to meet mine and I feel positive energy running through us. She is very vivid, which is a great match with her colorful clothes. She's wearing green pants, a pink shirt and orange shoes. Her smile is decorated with red lipstick, contrasting with a few missed teeth. It's inevitable to like her and her unique way of dressing and expressing herself.

  - Here. - We stop in 2018. The walls are white so the colors scream, begging for attention. - This was two years ago. Lisa and her husband, Jarred, Alex's parents, made a project to help kids and teenagers with music. They had workshops, competitions, small concerts at their cafe. It was amazing. They actually found...

  She is pointing at a few pictures where kids are playing instruments, wearing wigs and a lot of glitter. They all look delighted and excited and I can almost see the spark in their eyes. At the top, on the left side, I see something that makes me stop in my tracks, feeling dizzy. She shouldn't be wearing nice shoes, considering I might throw up at any moment.

  - Y/N. - Reggie calls. He probably sees the same thing I'm seeing.

  It can't be. I wanna go home.

  I can't be there anymore.

  - There you are. - Julie screams. My body is so stiff I can't turn around. - Y/N? What are you guys doing?

  - I was just showing her this picture. - She doesn't notice the way my mind is about to explode and continues. - It was back in 2018. These two boys were awesome and even covered Sunset Curve a few times. I think their names were Luke and Reggie, if I'm not mistaken. They haven't been around in a while. Jarred said they look just like Alex's bandmates, but this one - She points at Luke. - was an orphan and was kind of a troublemaker. And this one - It's Reggie's turn. - was having problems at school. They just assumed they didn't want to come to the workshops anymore. But my point is: his parents found their peace with their son's death. They managed to make something beautiful and honor Alex's name. It's all that matters, right? We can't change the fact that they died. All we can do is decide how we're going to use their influence in your lives.

  Julie is probably just as confused as I am. I hear an "excuse me for a second" and suddenly she is gone. I miss her colors and being oblivious to that information. That Reggie and Luke were alive two years ago.

  - What is going on?

  I can clearly see Reggie and Luke playing at a small stage, sharing a microphone. They look so connected and carefree. The quality of the picture is so good that I can't even question the date; there's no way that was taken before 1995.

  Alex is nowhere to be seen in that photo.

  - We need to find them, Y/N. We need to know who they are, why they're pretending to be Reggie and Luke and... what is going on?

  - Guys. - Reggie is still staring at the picture like his life depended on it. - Guys. I… I think I remember this. This place. Luke, you remember too right?

  It's the first time I see Reggie so unstable. He's not making jokes to hide his feelings; he is genuinely confused and afraid, like all of us. I feel like this is the first time I see him and it's scary. Not being able to help, frustrated that I can't stop the wave of uncertainty and fear that he's experiencing. 

  Luke's answer is not audible to me. Reggie is saying something yet I can't hear him because I'm busy engulfed in hesitation. Should I give them privacy and go home? Should I ask around about the coffee shop? Should I stay quiet?

  - I'm confused too. Maybe we should call it a day and just go home for now. We can come back another time. - Julie speaks. - Come on, Y/N. My dad is waiting outside.

  I ask Mr. Molina to take me home, with the excuse that I don't feel good. It's not really a lie. He is very polite and says I should come back another time so we can all have hot dogs together. Julie agrees and I wonder if we'll be friends. I hope so.

  When I get to my room, my mind runs to the picture. It's so clear, so confusing and so aggravating. We're getting played by faith, destiny or the universe; some unknown force with strong powers to make people sick to their stomach. Their goal might be to drive people crazy. Who knows? Surely not me.

  I eat dinner with my family, finish my homework, take a shower and read a little while listening to some music. When it's almost nine, I hear a knock on my door.

  - Come in.

  My eyes are playing tricks on me. Reggie is standing there, with his hands in his pockets and red eyes.

  I stand up, not minding my bunny pajamas. He doesn't seem to mind either.

  - Nice candles. - There he is, the same flirty Reggie. I relax and he steps closer to me. His gaze is so intense and I want to cry. - Look at you being romantic.

  - This was actually me trying to summon you, but alright. - I reply and he laughs. It's not genuine. - How are you?

  It's ironic how my playlist is called "slow dancing in my room". Soon enough, Reggie shows me his palms, as if inviting me for a dance. Not going all the way and trying to touch him, I smile weakly and almost wince with the urge to hold his hand. We sway and keep our eyes on each other.

  - I'm sad. - That's new. He's never this transparent. - I don't understand what is going on. I remember that day with Luke. At least I think I do. I don't know what's real and what's just my mind desperate to be alive again. I thought just playing with Julie was enough, but…

  He doesn't finish. The song ends and we keep dancing slowly, letting our eyes talk for a moment. I can notice the pain, the sadness and the urge in his face. It breaks my heart.

  - What do you wanna do now?

  He tries touching my hand and misses it. His eyes scan my room, probably running away from me and my questioning eyes.

  - I wanna know everything, but Alex is not taking it well. He's not very good with changes.

  I nod and turn my head a little, demanding his attention on me again.

  - Take your time, ok? Talk to them about it, make a list on why you should and shouldn't go to that cafe and... I don't know, - We're still dancing and I'm still crushed, but at least being with him calms my heart. - breathe. Just breathe. Everything will be alright.

  - How can you be so positive right now?

  - Well, if people can be negative for no reason, I can be positive for no reason too. - I shrug and he sighs. - Scratch that. I do have a reason.

  Reggie gets closer and I can almost feel his nose touching mine.

  - What is it? - His voice is just above a whisper.

  - I want that to be true. I want you to be happy and well. I want you to feel loved too. That's exactly what you deserve, Reggie. Happiness. Love.

  Before I can say anything else, he steps back and says goodnight. My chest hurts and when I wake up in the morning with a text from Julie saying "let's go to that cafe today", I don't feel happy. Or loved.

  I'm just scared.