#90s camden was iconic
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thedvilsinthedetails · 9 months ago
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ugh I’ve got 90s Camden dirtbags Jegulus and black brothers healing fic brainrot and it won’t go away
Oh how I mourn 90s Camden market, how can you feel nostalgic for a time you never experienced you may ask? WELL
may or may not be a lil obsessed with it (it was genuinely amazing in the 90s, kind of sketchy but also home to the eccentric of London, the queers, the punks, the goths and ughhhh it won’t leave me alone)
ok so
rubble or sin (a current WIP of mine on ao3 for those who don’t know) is NOT abandoned. It’s very much still on my mind and a new chapter will be coming out soon BUT I might also start this

(Lil info about Camden now in the tags for ppl who don’t live in London)
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zumicho · 4 months ago
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if you like more experimental but like not folk per say but like 90s indie i rec fiona apple, the cardigans, and cranberries (more alt rock).
If you like 2000s rock i really love the strokes, they can be more experimental but sorta pop rock based, their album “the new abnormal” is amazing and almost no skips for me.
The beatles and abba are always a go to for me but recently chappell roan has hit my most listens
I really like jazz too !! Frank sinatra, michael buble, tony bennett, the classics yk
In terms of rap like music im big on tyler the creator and kendrick lamar, a couple kanye songs here and there too
I like Psychedelic rock like pink floyd too !
I dont listen to a lot of country or edm either but ive gotten into house music recently!! What do you like id love to know !!ïżŒ
HUGE MUSIC RANT BC I CANNOT SHUT UP!!!
my top favorite songs of all time (can’t choose artists):
death & taxes sycamore girl maine L.A. romantic flight
over and over camden red house starman
ocho rios ryder no control as white a lovely night
all very random but im hyperattached and will never let go </3
I LOVE FIONA APPLE !!! I LOVE THE STROKES !!!
GREW UP ON ABBA !!! FRANK SINATRA IS ICONIC (etta james, stan getz, aaron neville, are the three that always get me — herbie hancock is also a big one; i think more towards funk than jazz tho ? idk im terrible at genres)
i love love love love early kendrick (2015, tpab) & my fav album is mr. morale & tbs + TYLER THE CREATOR IS MY ROMAN EMPIRE HIS ODD FUTURE RELEASES ARE PURE GOLD + travis & metro are also my regulars
pink floyd is great but im not in deep !! i ADOREEE jimi hendrix (đŸ•Šïž rip) tho im not sure if they could fall in the same genre, just off the vibe for me .. sometimes system of a down <3
CHAPPELL IS SO DESERVING OF THE UPRISE IN LISTENERS IT’S LIKE A CULT 😭
i want to love house music (esp w eternal sunshine’s nods to it iykyk) buttttt everytime I listen I just hear department store music đŸ‘©đŸ»â€đŸŠŻ
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whatsonmedia · 2 months ago
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London’s Best Deals: Brunch, Oktoberfest, and more for Less
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Explore London’s top experiences without breaking the bank! From a vibrant brunch at The Skinny Kitchen to Oktoberfest fun in Camden, a Latin-inspired cocktail adventure at Gaucho, and discounted tickets to the five-star musical "Guys & Dolls," these exclusive offers promise to deliver unforgettable moments at incredible prices. Whether you’re in the mood for bottomless drinks, delicious food, or immersive entertainment, grab these deals before they're gone! Get the most amazing breakfast in London for just ÂŁ20 at The Skinny Kitchen. Join The Skinny Kitchen for The Fabulous Brunch — a vibrant and immersive dining experience that promises not only delicious food but also live performances and a lively atmosphere. Every weekend, there's something new with three unique themes to choose from, including circus, amazonia, and disco! Get ready to enjoy good vibes, tasty meals, and exciting entertainment, all while indulging in bottomless drinks for 90 minutes. 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Otherwise, the voucher will be considered redeemed. - Location: The Skinny Kitchen, 52 Upper Street, London, N1 0QH. - Non-Cancellable: Vouchers cannot be canceled, amended, exchanged, refunded, or used in conjunction with any other offer. Enjoy a brunch packed with energy, entertainment, and great food, all while sipping on bottomless drinks! Get tickets to Oktoberfest 2024 at Camden's Electric Ballroom for just ÂŁ10, and save 50% off. Get ready for Camden's biggest Oktoberfest celebration this autumn! Electric Ballroom will transform into a lively Bavarian beer hall, filled with long wooden tables, traditional bunting, and plenty of fun. Feast on authentic German cuisine like Bratwurst and Schnitzels while enjoying live music from Oompah bands and more. This epic party also includes games and prizes, creating the perfect Oktoberfest experience right in London. Highlights - Oktoberfest Fun: Every Saturday in October, plus a bonus date in September. - Authentic Food & Drink: Enjoy Bavarian Bratwurst, Schnitzels, and of course, beer. - Party Atmosphere: Games, live music, and prizes in a festive German beer hall setting. - Affordable Tickets: Entry for just ÂŁ10! When and Where? - Dates: September 28th to October 26th, 2024 - Time: 2 pm - 9 pm (last entry at 5 pm) - Location: Electric Ballroom, 184 Camden High Street, London NW1 8QP Need to Know - Voucher Validity: Valid for a ticket to Camden Oktoberfest 2024 on your selected date. - Age Restriction: Must be 18 or over to attend. - Event Times: 2 pm to 9 pm, with last entry at 5 pm. - Booking: Present your booking confirmation at the box office upon arrival. - Non-Cancellable: Vouchers cannot be canceled, amended, exchanged, refunded, or used in conjunction with any other offer. Prepare for a lively Oktoberfest celebration, full of food, drinks, and entertainment at Camden's iconic Electric Ballroom! Special offer: ÂŁ24.95 for three cocktails at Gaucho + a ÂŁ20 dining credit Celebrate the vibrant spirit of Latin America at Gaucho by sampling their brand-new cocktail menu, "The Spirit of Argentina," which features 20 drinks inspired by Argentina’s food and drink culture. Using cutting-edge mixology techniques, the menu includes unique concoctions like the Miso Mango Sour, Kiwi Gimlet, Pineapple Vermouth, and the Wagyu Martini. Along with the cocktails, you'll enjoy ÂŁ20 towards your meal, where you can indulge in dishes like grilled sea bass, fillet steaks, Wagyu burgers, and more. 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Need to Know - Voucher Includes: Three cocktails and ÂŁ20 dining credit (with a ÂŁ45 minimum spend on the a la carte menu). - Availability: Monday to Sunday at selected locations. - Age Restriction: This offer is restricted to those aged 18 and over. - Valid Until: October 14, 2024. - Booking Modifications: Changes or cancellations must be made at least 48 hours before your booking. - Service Charge: A discretionary service charge may be added to the bill. - Dietary Requirements: Contact Gaucho directly for dietary accommodations. Locations Participating Gaucho restaurants include Birmingham, Canary Wharf, Covent Garden, Edinburgh, Manchester, and more. Get 50% off standing tickets to the five-star production of "Guys & Dolls." Save more than ÂŁ19 Guys & Dolls at the Bridge Theatre has received rave reviews, including a perfect 5-star rating from Time Out. 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When and Where? - Dates: August 29 - October 10, 2024 - Location: Bridge Theatre, Tower Bridge, 3 Potters Fields Park, London, SE1 2SG Show Duration - Running Time: 2 hours and 50 minutes, including a 15-minute interval Need to Know - Ticket Type: Valid for a standing ticket to Guys & Dolls. - Age Restriction: Suitable for ages 12 and over. All children must be accompanied by an adult. - Cloakroom: Coats and bags will need to be checked into the free cloakroom during the show. - E-Tickets: Tickets will be emailed directly from the Bridge Theatre box office at least 24 hours before the show. Time Out confirmations cannot be used to gain entry. - Doors Open: 90 minutes before each performance. Contact Information - Bridge Theatre Box Office: [email protected]  or 0333 320 0051 Tickets cannot be cancelled, amended, exchanged, or refunded, and this offer cannot be used in conjunction with any other deal. 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Get tickets to Oktoberfest 2024 at Camden's Electric Ballroom for just ÂŁ10, and save 50% off. Special offer: ÂŁ24.95 for three cocktails at Gaucho + a ÂŁ20 dining credit Get 50% off standing tickets to the five-star production of "Guys & Dolls." Save more than ÂŁ19 Save Big on Flights and Hotels with Lastminute.com Read the full article
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chrisryanspeaks · 7 months ago
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Milkshed. Unleashes Debut EP 'Mud': A Fresh Take on Grunge Rock
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Riding the wave of their hit debut single "Apex Predator," along with fan favorites "Burning Bridges" and "Mud," the emerging alt-rock trio milkshed. is poised to unveil their eagerly awaited debut EP, "Mud," on April 24, 2024. Nestled in a repurposed milk parlor in Southwest England, Cam Gallaher, Jake Tulley, and Alf Grey have meticulously crafted their distinctive sound for this EP. Their fusion of '90s grunge and garage rock with a pop flair echoes influences like Nirvana, Pixies, and Queens of the Stone Age, yet milkshed. delivers a novel spin on contemporary guitar music. "Mud" explores themes of embracing change, confronting life's realities, and dealing with feelings of helplessness, blending milkshed.’s unrefined vigor with reflective lyrics to forge a uniquely gritty grunge-rock vibe. Their breakout track "Apex Predator" caught the ear of Grammy-winning producer/mixer Adrian Bushby (known for his work with Foo Fighters), leading to his collaboration on the EP's completion. Reflecting on their work with Bushby, the band shared, “Adrian, having collaborated with icons like Foo Fighters, brings an incredible focus and efficiency to his work. It pushed us out of our comfort zone since we had to be more decisive than when we self-produced our initial tracks. It was a steep learning curve, but we're thankful for the experience.” Frontman Cam Gallaher delves into introspection with "Fairweather Friend," the EP's lead track, a garage rock anthem about facing the end of relationships, underscored by raw vocals and dynamic drums. “'Fairweather Friend' addresses the realization that some friendships are circumstantial and lack the substance to endure. It was essentially drummer Alf Grey's trial by fire, transforming from a demo to the final product with minimal changes, thanks to Adrian Bushby’s refined production,” Cam explains. In addition to the EP release, milkshed. is set to co-headline a show with The RĂ©pertoire at Camden Assembly on April 20th and will share their War Child Rising live session. Fans have the chance to snag exclusive band memorabilia, including handwritten lyrics and signed setlists, with all proceeds supporting War Child's mission to safeguard war-affected children. https://youtu.be/DVjkgT3tiL4?si=N6a7vxKWYBOYLh3S Read the full article
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audiofuzz · 7 months ago
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Milkshed. Unleashes Debut EP 'Mud': A Fresh Take on Grunge Rock
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Riding the wave of their hit debut single "Apex Predator," along with fan favorites "Burning Bridges" and "Mud," the emerging alt-rock trio milkshed. is poised to unveil their eagerly awaited debut EP, "Mud," on April 24, 2024. Nestled in a repurposed milk parlor in Southwest England, Cam Gallaher, Jake Tulley, and Alf Grey have meticulously crafted their distinctive sound for this EP. Their fusion of '90s grunge and garage rock with a pop flair echoes influences like Nirvana, Pixies, and Queens of the Stone Age, yet milkshed. delivers a novel spin on contemporary guitar music. "Mud" explores themes of embracing change, confronting life's realities, and dealing with feelings of helplessness, blending milkshed.’s unrefined vigor with reflective lyrics to forge a uniquely gritty grunge-rock vibe. Their breakout track "Apex Predator" caught the ear of Grammy-winning producer/mixer Adrian Bushby (known for his work with Foo Fighters), leading to his collaboration on the EP's completion. Reflecting on their work with Bushby, the band shared, “Adrian, having collaborated with icons like Foo Fighters, brings an incredible focus and efficiency to his work. It pushed us out of our comfort zone since we had to be more decisive than when we self-produced our initial tracks. It was a steep learning curve, but we're thankful for the experience.” Frontman Cam Gallaher delves into introspection with "Fairweather Friend," the EP's lead track, a garage rock anthem about facing the end of relationships, underscored by raw vocals and dynamic drums. “'Fairweather Friend' addresses the realization that some friendships are circumstantial and lack the substance to endure. It was essentially drummer Alf Grey's trial by fire, transforming from a demo to the final product with minimal changes, thanks to Adrian Bushby’s refined production,” Cam explains. In addition to the EP release, milkshed. is set to co-headline a show with The RĂ©pertoire at Camden Assembly on April 20th and will share their War Child Rising live session. Fans have the chance to snag exclusive band memorabilia, including handwritten lyrics and signed setlists, with all proceeds supporting War Child's mission to safeguard war-affected children. https://youtu.be/DVjkgT3tiL4?si=N6a7vxKWYBOYLh3S Read the full article
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rosaliemountain · 5 years ago
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Subcultures Walk So Pop Culture Can Run
The very definition of Identity rests heavily on the concept of individuality, oneself, and ones own understanding of what and who we are. But the axis of identity swings not only to our perceptions of ourselves, but also who we are in relation to others. David Buckingham says that Identity is something unique to us, yes,  but it also implies a relationship with a broader collective or social group. The way in which subcultures are formed is largely through individuals in the pursuit of self-knowledge integrating into groups and collectives with which they identify, validating and reinforcing the things that they believe defines them, as a single, individual person. Art, Fashion, Political Stance, Music. Subcultures come in many different forms, a paradoxical entity in which people belong to feel both an individual, and a part of something much, much bigger. Something I noticed as a young girl growing up was that often the things I wore at school on non-uniform days would get ridiculed. Platform shoes and army print trousers earned me glares from my peers. A year later, a fashion statement I no longer identified with, would become something I saw plastered on instagram posted by those who previously would brand my style choices as ‘weird’. I don’t accredit this to people wanting to wear what I wore. My choices of clothing have always been plucked from various underground cultures with which I identified. From hanging out in Camden as a 15 year old, tones of anarchy and rebellion seeped into my dress sense and that was when I bought my first pair of new rock boots. My love for  Vinca Peterson, who documented the party-scene in the 90â€Čs around Europe, and introduced me to rave culture, and my fascination with the Club Kids of America all manifested in the way that I dressed, what music I listened to and what my ideologies were.  It dawned on me a little while ago that the street fashion, high fashion, and popular culture I see which reaches such a huge group of people in the UK and far beyond, is built upon the foundations set by the iconic subcultures which have always been othered by society.  Wearing Vivenne Westwood is cool, but being a punk isn’t cool. So much of Vivienne Westwood’s inspiration comes from her late husband Malcolm MClaren and the subculture he was a part of. The influence of Punk on Westwood’s aesthetic is clear to see. Fashion statements originating from the punk subculture has found its way into high fashion and editorial fashion, all while remaining a subculture still somewhat shunned by society. We can see this in the form of cultural appropriation, too. High fashion often draws inspiration from the Latina American ‘Chicano’ Subculture in America. Bamboo earrings, dark lip liner, thin brows. These women from often low income areas of America and Mexico contribute to fashion and culture in ways they are not credited for. It fascinates me how Pop Culture often takes the marketable and not-too-outrageous- to -  cause - controversy elements of the underground and establishes new trends. It isn’t always negative, absolutely, but there is something wrong with the extracting of defining things in subcultures, injecting them into mainstream fashion, and making them inaccessible to those who pioneered the culture in the first place. Without the colourful and endless list of subcultures which permeate the world, Pop Culture would never be interesting, innovative or exciting. For the vibrant and diverse culture we experience around us, we have the unseen trailblazers of subculture to thank.
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lozmarketing · 2 years ago
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Pop boutique is a vintage shop that holds pre-loved 50s to 90s clothing. Founded 1983, owner Richard Free would gather stock from flea markets before selling them on Camden. The first permanent shop opened in 1985 in Affleck’s Palace, an establishment where the culture of alternative fashion thrived. By the 90s, the once small business was now importing vintage garments from Europe and the US while simultaneously opening up multiple other shops across England.
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The first image (left) shows Pop Boutiques first appearance in Camden Market and the second (right) shows the 1958 permanent shop in Affleck’s Palace.
Following the success of the store, the boutique opened more shops before widening their market to Sweden, Gothenburg and Malmö where it is located near fellow independent businesses.
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Linked below is Gothenburg’s Pop Boutique’s Instagram. https://instagram.com/popboutiquegothenburg?igshid=YmMyMTA2M2Y=
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This video talks about, not only the vintage clothes available at the store, but also they’re own clothing line that I mention below. It also delves into the different types of costumers that interact with the store, for example some like the 60s style clothing and so the designers were able to incorporate this into their pieces.
The boutiques clothing ranges from vintage 50s to 90s pieces, including the iconic Levi’s denim jacket, the Dickies double-knee trousers and other discontinued garments. Due to the success of the store and opening up multiple other shops, the boutique created a new clothing line of co-ord and denim flares in order to keep up with the demand and sellouts. However, even the stores collection managed to sell out multiple times so the line was expanded to a 20-30 piece collection to be released twice a year to manage the demand for vintage clothing.
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This image taken from The Vintage Map (referenced below) shows the variety of clothing ranging from jumpers, jackets and shoes.
As this store has continuously sold out time and time again, it’s clear that Pop Boutique has collected a wide variety of dedicated and loyal customers.
“In our first pop boutique not only did we sell clothing, but vintage furniture and all manner of vintage objects of desire. The shop was not an instant success but gathered a following from a band of loyal customers.” (Pop Boutique, n.d.)
It seems, as told by Pop Boutique, that the majority of their costumers are part of the younger generation and student population who are discovering vintage clothing at welcoming prices. While there is no specific price range, as each piece differs depending on it’s condition and wear, the store sells garments at fair prices.
https://instagram.com/popboutique_official?igshid=YmMyMTA2M2Y=
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I chose this video as it gives a quick tour of the Manchester store while exploring the boutiques great atmosphere and wide variety of clothing.
Reference List:
Boender. E (2014). The Buyersday Presents: Pop Boutique - Vintage&Retro Clothing (YouTube). Available at: https://youtu.be/StEoSOePWEk [accessed: 13th October 2022].
Cimpian. S (n.d.). Magasinsgatan 22, 411 18 Göteborg, Sweden Clothing Shop (online). Available at: pop.boutique in sweden - Google Search [accessed: 10th October 2022].
Google Maps (n.d.). Pop Boutique Street View & 360 (online). Available at: https://www.google.co.uk/local/place/fid/0x464ff368a6820ea5:0x1589af7cf917d001/photosphere [accessed: 12th October 2022].
Manchester Metropolitan University (2019). This Is Manchester: Pop Boutique Tour with Audrey (YouTube). Available at: https://youtu.be/ipSwnlAKOKY [accessed: 13th October 2022].
Pernklint. N (2016). Magasinsgatan 22, 411 18 Göteborg, Sweden Clothing Shop (online). Available at: pop.boutique in sweden - Google Search [accessed: 10th October 2022].
Popboutiquegothenburg (2013). Pop Boutique Gothenburg (Instagram). Available at: https://instagram.com/popboutiquegothenburg?igshid=YmMyMTA2M2Y= [accessed: 12th October 2021].
Pop Boutique (n.d.). Our Story (online). Our Story | Pop Boutique — Pop Boutique Online [accessed: 10th October 2022].
Pop Boutique (n.d.). Our Story: The 90s (online). Available at: Our Story | Pop Boutique — Pop Boutique Online [accessed: 12th October 2022].
Pop Boutique (n.d.). Vintage & Retro Clothing from the 50’s to 90’s (online). Available at: Pop Boutique | Vintage & Retro Clothing from the 50's to 90's. — Pop Boutique Online [accessed: 13th October 2022].
The Vintage Map (2021). POP Boutique Vintage in Liverpool (online). Available at: POP Boutique | The Vintage Map in Liverpool [accessed: 12th October 2022].
Wood. L (2022). Pop Boutique Manchester (online). Pop Boutique Manchester - Creative Tourist [accessed: 10th October 2022].
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redsoapbox · 2 years ago
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An Iconic Welsh Indie Band And An Ace Singer/Songwriter With A Punk Past Are The Latest Acts To Support Crisis
Stuart Mason’s short bio for All Music provides a neat introduction to the iconic indie band Helen Love: “Formed in Cardiff in 1992, the band consisted of the pseudonymous Helen Love on bratty shout-along vocals, Sheena, who is, of course, a punk rocker on buzzsaw guitars, and Roxy and Mark on duelling Casio keyboards, which also doubled as drum machines. Their low-tech, high-energy sound landed them on the estimable U.K. indie Damaged Goods, where they released their statement of purpose with "Formula One Racing Girls" in 1993. The unabashedly adulatory "Joey Ramoney" followed in 1994, itself followed by "Punk Boy," a giant step melodically and lyrically. Helen Love's next step was the 10" EP Summer Pop/Punk Pop, a five-song celebration of "Summer Pop Radio" and related activities that are like a '90s U.K. indie answer to the Beach Boys’ Summer days (And Summer Nights).
Their final release for Damaged Goods, the four-song We Love You EP, was probably their strongest work, but a dispute with the label led to the group signing with the slightly larger Che imprint in 1997. The resulting EPs, Does Your Heart Go Boom and Long Live the UK Music Scene, were made without Sheena, but she was back on board for the group's first full-length album, 2000's Love and Glitter, Hot Days and Muzik. The album was reissued a year later by Damaged Goods with extra tracks added”. 
That is just the beginning, there are many more chapters in the tall tale of Helen Love, including guest appearances by the likes of John Peel, Phil Jupitus, Tim Wheeler and Gareth Bale, to name just a few. 
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Asked by David Owen, in an interview for Nation.Cymru, about the highs and lows of her pop odyssey, the singer named “a Peel session, two Radcliffe sessions, a Lamacq session, staying with Joey (Ramone) for a week, playing Primavera, working with lots of cool indie labels, making some lifelong friends, releasing a ton of 7-inch singles loads of stuff. The lows. None. We never became big enough to fall down, we are not in debt to any label, we never shot up heroin with Kate Moss in a back street pub in Camden. I have never had to watch the Stereophonics. It’s all been good”. 
The band’s latest album Songs from Under the Bed Vol II was released in May this year, and you can catch the band at Le Pub in Newport on the 18th of November. It’s just a month before Christmas, so maybe they will give “The Townhall Band”, their contribution to Have Yourself a Merry Indie Christmas, an airing?
https://helenlove.bandcamp.com/
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Amos Pitsch is the frontman with Tenement, a punk/hardcore band from Wisconsin. Formed in 2006, their latest album Music Composed for the Motion Picture Smother Me in Hugs was released in 2019. Pitsch released his debut solo album Lake Effect in 2017. A review quoted on his Bandcamp page explains the background to the album: “Lake Effect was designed as a sort of conceptual seasonal album. It deals with the feelings and the psyche of the victims of a Midwestern American winter; the ups and downs - the nostalgia, the beauty, the depression, the bitter cold. A lifetime resident of the Fox River Valley - a geographical region vulnerable to brutal sub-zero winters, and rich with iconic rural midwestern imagery as well as small dusty towns acting as time pieces for decades gone by. The supper clubs, the patch-work farmland, the snow ploughs, ice shanties and road salt are in his blood."
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Asked about his fondest Christmas memory in an interview with Post Trash, Pitsch gave this answer: 'Strangely, I think my most enduring memories of Christmas are the dark car rides between visiting relatives and attending church services as a child. Looking out at the empty night whizzing by through the windows and anticipating the following morning with a sense of dreaming that I can hardly fathom now. I also have a really distinct frozen frame in my mind of being a child and climbing a staircase of red carpeting in a large church. Burning candles, red velvet, and feet in dress shoes shuffling around. I guess you could say that a childish sense of innocence about the world that I once had when I was young is my fondest memory.
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The incredible “Lake Effect”
https://amospitsch.bandcamp.com/
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simonamelville · 4 years ago
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Iggy Pop- The Godfather of Punk
Iggy Pop has always been known as one of the most eccentric artists, due to his drugged-up and careless personality. He spent most of his career performing whilst crawling on the stage shirtless, with his body gushing blood. In his early career all Pop cared about is giving his best performance in every show to the audience, and of course, drugs.
In early 70s Iggy Pop was a great fan of the dog collar necklace which he was seen wearing to most shows whilst performing with the Stooges. This necklace has always been a huge accessory staple in the punk movement, and complimented Iggy Pops animalistic behaviour on stage of him crawling on stage in all fours whilst singing ‘I Wanna Be Your Dog’. At around the same era Iggy really enjoyed ‘The Jetsons’ which inspired his silver elbow-length gloves as well as the shinny silver studded tight trousers.
If there is one thing to remember about Iggy Pops clothing choices is the fact that he has worn one of the most iconic cheetah print jackets of all time. A faux-fur leopard print front and black leather back, with a cheetah’s head embroidered on the back of it. one of the most important prints in punk fashion was animal prints, especially leopard print, and Pop set the bar for it pretty high.
Iggy Pop was never afraid to over-sexual himself as he has always been interested in the androgynous look. Whilst performing in tight trousers or just in small pair of leather underwear, his manly parts would sometimes fall out of the small piece of fabric that’s holding them together, but he was never embarrassed, in fact, he would show it off to his fans. Back in the early 70s everyone wanted to be with Iggy, boys and girls; the photographer Mick Rock confessed, “I think I offered to give Iggy head once, and he said, ‘Oh, just lick my stomach, OK?’ So I did that, and it was pretty satisfying.” Iggy was not afraid to push boundaries and not only with his personality and actions but also with his fashion sense, he has once performed only in a small leotard with some fishnet tights underneath, completely destroying the borderline between femininity and masculinity.
David Bowie has befriended Iggy Pop and they became extremely close especially after Pop left the Stooges. After committing himself to rehab for a serious heroin addiction, as soon as Iggy Pop got out he bought some coke and met up with David Bowie. They spent 3 years together in Berlin and over that period of time Pop has released two great albums that Bowie produced, ‘The Idiot’ and ‘Lust for Life’. As the pair spent many years together being best friend they have influenced and inspired each other fashion wise.
Iggy Pop started to take inspiration form Bowies cleaner looking attire such as, the straight-legged suit trousers and the loose fitting bomber jacket. Whilst hanging out with Bowie Pop started to wear a lot looser fitting clothes especially the high waisted trousers which were of the New Romantics era, and a style that Bowie really appreciated at the time. The were both seen wearing more suit jackets and shirts with ties, which was a much more classing and an unexpected direction for Pop’s style to go in.
Finally, in the 90s Iggy Pop returned with one of his most iconic pieces, the transparent plastic trousers which he bought from the Camden Market, he paired the trousers with nothing but his own defined torso and long blonde hair.
When Iggy first obtained the name ‘The Godfather of Punk’ he was not a big fan, he thought it was “tacky”. However, now he doesn’t mind it too much he says “I’ve been called a lot worse.”
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whatsonmedia · 6 months ago
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Best Offers: Camden's Exclusive Dining Offers You Can't Miss
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Discover Camden's top dining experiences with exclusive offers. Enjoy a three-course meal at The Farrier, savor a rooftop burger at The Lucky Club, or learn to make dim sum at Ann's Smart School of Cookery. Don't miss out on these limited-time deals and taste the best of Camden Market! At The Farrier, get three meals and a glass of good wine for just ÂŁ19. Experience a unique dining adventure at The Farrier, Camden Market's first-ever neighborhood pub, set in a magnificently restored, Grade II-listed former horse stable. Chef Jake Perry, formerly of Six By Nico, has curated a special menu featuring classic pub snacks, grazing plates, small plates, and desserts that highlight the best of local produce. Relish the house classics with a choice of any snack, grazing plate, and small plate from the menu, accompanied by a selection of red or white wine from award-winning wine supplier Flint Wines. 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Enjoy a delicious meal with stunning views at The Lucky Club, making the most of its seasonal transformations and iconic Camden Market location. For more exclusive offers check out WhatsOn Read the full article
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lisamckain-blog · 5 years ago
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The USA tends to dominate when it comes to legendary rock clubs, from the psychedelic heyday of the Fillmore West through CBGB's New York punk explosion to the Crocodile CafĂ©, Seattle's home of grunge. But there are just as many legendary gig venues across Europe that have launched at hosted music royalty – and are still worth travelling for today, whether it's for a band you have to see or just to make the pilgrimage.
Paradiso, Amsterdam
This former church began its life as a place of rock pilgrimage when it was taken over as a hippy squat in the late 60s and soon became the place major international bands came to play in Amsterdam. The Rolling Stones' two 1995 sets here are among the band's best-known performances, and the Paradiso hosted the original Sex Pistols line-up and an infamous Joy Division set. The legacy endures and a gig here is a rite of passage for bands and music fans alike. Plan your visit: The Paradiso is right in the heart of Amsterdam near the Leidseplein. The Hampshire Hotel Amsterdam American is one of the closest hotels, and the Apollo Museumhotel Amsterdam City Centre is just over the canal from the Paradiso.
SO36, Berlin
The centre of the much-fabled late-70s scene that gave birth to David Bowie's Berlin Trilogy and Iggy Pop's classic The Idiot, SO36 is probably the most legendary venue in Germany. As a focal point for Berlin's punk scene the club was already popular before Bowie and Iggy arrived, and it played an important role in the spread of punk and new wave around then-West Germany and beyond. The venue is part of the reason that Kreuzberg remains Berlin's centre of counterculture, and it still hosts a varied line-up that's heavy on punk legends. Plan your visit: Hotel Motel One Berlin Mitte is under a five-minute walk from the venue, and Orania.Berlin is even closer.
The Olympia Theatre, Dublin
First opened in 1879, the Olympia originally hosted the biggest names in music hall. It's weathered various storms since then, from the Easter Rising to the roof collapsing in the 70s, but the Olympia is still Dublin's premier venue for live acts of all kinds. There aren't too many places where you can see contemporary chart-toppers, an early-00s throwback pop punk band, huge-name comedy and metal legend Alice Cooper all in the same month. Plan your visit: There's no shortage of hotels in Dublin near the Olympia, as it's in the heart of Temple Bar. The Mercantile Hotel is just over 100m away and often hosts live music of its own, and the Paramount Hotel is almost as close. [caption id="attachment_18552" align="alignnone" width="4320"] Photo by Marcus Neto on Unsplash[/caption]
The Roundhouse, London
It's hard to pick just one venue in London, but the Roundhouse has a gravitas that few can match. Its acoustics are extraordinary and the breadth of its programme is testament to what an iconic venue this Victorian former railway building is. The Beatles performed an experimental piece here, it was instrumental in launching punk in the UK, and these days it's an all-round performing arts centre. If you only ever visit one gig venue in London
 Plan your visit: Holiday Inn London Camden Lock is just over the Regent's Canal in the heart of Camden Lock, while Smart Camden Inn Hostel is a budget option nearby.
King Tut's Wah Wah Hut
An unprepossessing basement on Glasgow's St Vincent Street houses a venue that's proved formative to not just Scottish bands like Biffy Clyro, but has launched the careers of many an act from around the UK – as well as hosting massive names from all over the world. Blur, Oasis, Radiohead and the Manic Street Preachers all played here in the early 90s, when King Tut's opened, and it quickly became the most important live music venue in Glasgow, and possibly Scotland. An undisputed heavyweight among small venues worldwide. Plan your visit: The Sandyford Hotel is just up the road, near the nightlife of Sauchiehall Street, and Malmaison Glasgow is a two-minute walk from the venue.
Which venue would you add to this list?
 The post Europe’s Most Iconic Gig Venues appeared first on Expedia Blog.
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davidcarterr · 6 years ago
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Dan Joyce Interview
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To coincide with the beginning of work to open up the full space at Southbank, The Arts and Humanities Research Council have commissioned and released ‘You Can Make History’. Edited and shot by skateboarder, film maker and one-time member of Dirty Sanchez, Dan Joyce, the film takes up the current situation at Southbank and incorporates voices representing every stakeholder involved in the process of protecting and reclaiming the Undercroft for all.
Obviously, this is by no means the first film to address Southbank’s multi-layered meaning as a space, nor to discuss the role that the Undercroft has played in global skateboard culture, but it is probably the first time that the multitude of voices invested in the process have been put together in one place.
We caught up with Dan Joyce to discuss the process so as to give you all a little context to the film below. If you missed our previous interview with LLSB detailing the work to open up the Southbank’s available space – you can catch that here: LLSB interview
Big thanks to Dan for his time and for providing a selection of his photography to illustrate this piece.
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Can you give us the back story to this video project firstly please Dan? How did it come about?
I was contacted by the academics a few years ago about making a film covering the LLSB story. I said straight away that Winstan Whitter had already made a film and had a lot of archive footage and that he would be better person than I to tell the story.
Long story short: they made another film together, and then Henry Edwards Wood made another follow up film with them. I made the third one, which is the one we’re discussing here ‘You Can Make History’.
This felt like the first time that a Southbank documentary piece really engaged with all the stakeholders in every capacity, with everybody from those involved in the original design and construction of the space, original LSD heads, Southbank staff; right through to current LLSB heads speaking from their own perspectives: how did you go about getting this access?
Basically due to a lot of work being put in by the LLSB team and the academics that had worked alongside them. They had been trying to interview Dennis Crompton for years but he was a very hard person to tie down. The previous films had only really been told from the skater’s point of view, whereas I wanted this to reveal all aspects of the story.
At this point that was a much easier thing to do, because so much time had passed, Pushing Boarders had happened and skateboarding in general had become a much bigger and more recognised thing both academically, and in a wider cultural sense.
The Southbank meet ups had got everyone together and people had started engaging with each other and telling all these old stories. It became clear that there were multiple layers of age groups and users all open to talk about their experiences. Older skaters were now introducing their children to Southbank and the like. It was just the right time to make a film like this one really.
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Dennis Crompton
It’s amazing to see the way that the official voices of the Southbank Centre have fully embraced its life as a skateboard spot now, after so many decades of perceived animosity between the two groups. Dennis Crompton in particular really seemed to love the fact that the space had been adopted and reinvigorated by skateboarding. He must’ve been an interesting person to speak to

I think Dennis Crompton and Mike McCart both thought that skateboarding was a fad at first and that it would die off. I don’t think they realised the depth of the culture surrounding it, or that it was a lifestyle, and that once you became a skater, you are in for life. He had so many good stories. I have all the full interviews. I will be giving all of the complete interviews to LLSB and they will be archived. These may be released as podcasts in the future.
How did you go about accessing all the archive skate footage of SB?
Through having the table and the meet ups, the SB community started to grow and they started sharing memories and footage. The Facebook group was a great resource for finding old footage. Winstan and Henry both donated a lot of footage. Thanks so much.
There’s also a fair bit of your own skate footage in there too, right? What stuff did you film personally?
I shot the first LLSB event, when they first organised themselves and painted everything white. I followed Chewy around for a while and got some great footage. I had totally forgotten that I’d even shot this until it came to making this film. I also realised I had footage of Dylan Rieder from when he was there at the HUF demo. It felt really fitting that I used it for this. I also shot Urbside being built, so I used some of this footage too.
What’s your own history with Southbank itself? What’s your earliest memory of visiting SB?
My dad used to be a youth worker in Camden when I was growing up. He was part of the first team that organised Cantalowes skatepark. He used to take me to Cantalowes and Southbank when I was a kid.
I then went to university in London in the 90’s, I got a grant, bought a video camera and used to go down to the Southbank and film skateboarding instead of going to Uni. That camera was stolen from my flat and I ended up moving to Leeds after that.
Did you get a chance to skate it in its original state?
Yeah I skated the original lay out, (well not the original 70’s/80’s layout but the one before the hoardings went up), a lot. I filmed Carl Shipman frontside flipping the high bar, then I shot Neil Urwin switch frontside flipping the cut down bar. I also frontside 180 ollied a picnic table out of the little banks. I have spent a lot of time in the Undercroft going back a couple of decades.
Listening to Chris Allen talk about the Undercroft from the perspective of its function was fascinating, (as in the banks exist to provide access to the different levels incorporated into the original design). How did filming these interviews change your own perception of what Southbank is?
It was a dream come true really, the first day of interviews we went behind the wall and got to see all the old bits, it was amazing.
I couldn’t believe what I was seeing again, I had so many good memories flood back. I was also sent all the original plans, I felt very honoured to be asked to do this, it also made so much sense as I had come around full circle from my days at Uni in the early 90’s.
It definitely seems as though the Undercroft space in particular was deliberately created to be ‘interesting’ in so far as its purpose was loosely defined but yet it was still made to look visual appealing, at least in a topographical sense as Chris Allen says. It’s tempting to see it as designed ‘for skateboarding before skateboarding’ to an extent isn’t it?
Definitely, at least looked at from today’s perspective and taking in mind Dennis and co’s belief in the importance of making space interesting.
The group of architects who comprised the Archigram group were very revolutionary and wanted to implement some very radical thinking into their designs.
I asked Dennis about some of this; hopefully I will be able to share the full interviews at some point.
How did you link up with Jim Slater, (one of the original London Skates Dominate AKA ‘LSD’ crew who are credited with discovering the Southbank)? Listening to him talk about the first time that skateboarders skated at SB was amazing – were there plenty of LSD tales that you heard from him that didn’t make it into the film?
Jim Slater was the first interview we shot and it really set the mood of the whole film. He was such a key figure and we owe a lot to him and his crew. It turns out he lives really close to where I live too.
He talked about lots of the nonsense they used to get up to back in the 70’s, way too much to make it into this piece. I plan to do some more filming with him this summer and I’d like to make a mini doc’ with him. I’d love to film some slalom too – I’ve built an RC Hovercraft to film this with.
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Dan Adams
The current R.a.D book project really feeds into this too, as so much iconic imagery related to the older incarnation of Southbank the spot are tied into TLB, Wig, Dobie, etc. I’m assuming Dan was more than happy to open up the R.a.D archives for this project right?
Whilst we were filming this, the R.a.D kickstarter was in full swing, I wanted them to reach their goal and I thought they were a key part of this story. Dan was really helpful and showed us so many good photos.
I’d love to sit down with him again and go though what he has. There’s just so much work involved involving in the archiving process, I don’t think people realise just how much stuff he’s working through on his own. Maybe we should plan a big scan weekend? Everyone could turn up with a scanner and scan away

The idea of skateboarding being accepted as a true part of the heritage of the city really comes through in this film Dan – was that the intention, in terms of your story-telling aims? It’s definitely much more than just a celebration of skateboarding, right?
I think this is mainly due to the passing of time and the effect that has on people’s perceptions as regards the cultural depth and value of Southbank as a place. When you can look back over five decades of skate culture, you start to realise the importance of what has happened there.
As we went through the R.a.D archive we realised that certain photos that wouldn’t have been printed due to not being technically good enough at the time they were shot were now usable as they told a different story and were just as important as the ones that were printed. The fact that other sports that were initially perceived as fads have come and gone over the same time frame, whilst skateboarding has grown and evolved, so much really allows everyone to realise how important this story is.
Listening to people connected to the institution revel in the heritage aspect of SB’s status as an iconic skate spot is pretty bonkers really, particularly to skaters of our age

I think that half of the space being closed off for so long has helped make this place even more mysterious. There is a whole generation who had no idea it used to be bigger. They only know Southbank as it is now so it must be even weirder and even more exciting to them.
We must speak up about this thing we have, it really does have the power to change the world
I think the response and the overwhelming support given to the idea of reclaiming the lost space has shown the institution the multiple layers of its users across all age groups, and it made them realise how skateboarding is directly connected to so much of the creative industries. Skateboarders found a way to tell non-skaters how much this thing that previously we’ve never had to explain to people, means to us. This is a good thing, we must speak up about this thing we have, it really does have the power to change the world.
It also seems as if skateboarding has reached a point now where it’s value to wider culture, and to non-skaters is undeniable – do you think that’s happened partly because of what LLSB has achieved, or maybe just as part of the process of skateboarding growing up from what was relatively a very ‘new phenomenon’ until recently?
I think its just time again. There are now multiple generations all skating together. There are now more female skaters than ever. Skateboarding has become a lot more inclusive. It’s a coming of age process that has really cemented skateboarding culture’s position into society in general I think and made it an impossible thing to ignore.
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There genuinely doesn’t feel to be any animosity towards the skaters any more either. When the likes of Mike McCart talk about moving away from conflict towards embracing collaboration – it does sound as if they wholeheartedly mean it. Was that the impression you got?
Absolutely, that is definitely the impression I got from making this film.
I just think Mike McCart and all the people involved in Southbank the institution genuinely understand who we are now. I don’t think they realised that we all still skated and were all still regular users of the space. I think the threat of closure brought older skaters out of the woodwork again too, which in turn added even more weight to the arguments of LLSB.
The things that Paul Richards says about how the dust settling and everyone working together benefits every stakeholder with a connection to the Southbank Centre really rings true doesn’t it? Especially when you factor in the plans for the Education Centre to sit alongside what LLSB have achieved. Community really does seem to have won through here

I just hope that skaters will be included in the programming of the youth centre, I would love to share story telling skills, and be involved in doing workshops about film making or zine making.
It’s interesting to hear Southbank staff talk about how the academic conceptualization of skateboarding and its relationship to SB really helped the institution understand what the aims of LLSB. Do you see that as part of skateboarding’s growing up process that we touched on earlier? In so far as if academia can see value in it, then it becomes more tangible to an institution like SB?
I think we have all grown up really; skaters have matured and the culture has matured with them. We are starting to care more about how we represent ourselves and how what we do can benefit others.
Skaters have matured and the culture has matured with them. We are starting to care more about how we represent ourselves and how what we do can benefit others
DIY spots are popping up all over the country and their value to the communities that they touch can be seen and appreciated by a wider audience than that purely inside skateboarding. As we’ve discussed already – it definitely is a part of skateboarding’s coming of age process I think.
Another thing that really stood out to me was the comment about the Southbank Centre putting ‘skating in the sports box, rather than the culture box’ – in a lot of ways that seems to be the major shift here really. And potentially, the main lesson that other projects like LLSB can share in, would you agree?
That’s one of the main things that struck me too. I believe that switch in attitude was triggered by the sheer force of so many different generations and groups of skaters coming forwards to stand up for skateboarding and to explain how multifarious its culture is. Institutionally, this process allowed the Southbank Centre to comprehend how multi-layered skateboarding is and how connected we are to the arts. I think they just believed it was a fad and that you gave up when you grew up previously.
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The way it’s put together really reflects what Paul Richards says about the multitude of voices all coming together. Did that idea inform the editing process?
I wanted to show all the different age groups that are still active users. I used loads of different cameras to help show this. I wasn’t bothered by resolution. Editing-wise it was crucial to incorporate as many different voices into the film as possible to reflect the situation as it is.
How long have you been working on this and what were some of the hardest aspects of making the film?
I started shooting last June and I finished it at Christmas. Internal politics were a bit of a problem at times but I tried to not get involved.
How was it received at the premiere?
It was amazing, a lot of old heads turned up, it was great to see everyone. From the reaction in the cinema it seemed to have been very well received.
You’re a filmmaker by trade these days, right? What other stuff have you been working on recently?
I have been working very closely with Huck Magazine recently. Also have a few things planned with Blast Skates. I’m planning another documentary piece at the moment. I’m always involved in something or other.
Let’s end on an obvious one – if I were to ask you what the most memorable thing ever done on a skateboard at Southbank was – what would you say and why?
Carl Shipman frontside flip over the bar after the Plan B premiere. I will never forget that day. When the new space opens, I want Carl to come down and do it again.
Interview by Ben Powell
The post Dan Joyce Interview appeared first on Slam City Skates Blog.
Dan Joyce Interview published first on https://medium.com/@LaderaSkateboar
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tamboradventure · 4 years ago
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A Love Letter to Maine
Posted: 9/8/2020 | September 8th, 2020
Tucked away up in the northeast corner of the United States, Maine evokes images of endless shorelines, wild forests, Stephen King, iconic lighthouses, and lots and lots of lobster dinners.
Despite growing up only 90 minutes from the state, I only visited once in my life. I was in college and my friend George was from there, so one weekend, we drove up to his hometown of Gorham.
Maine was always one of those places that I felt I could visit anytime so was never a rush to do so. There was always a flight to some distant land to get on instead. Maine could wait.
People tend to put off traveling their “backyard” until the end and I was no different.
But then COVID struck and there were no more flights to distant lands.
There was just my backyard to see.
So, while I was back in Boston longing for nature, I decided to finally visit Maine. My original plan was to spend a roughly ten days there before heading to Vermont then Upstate New York and then back to Boston.
But as the days ticked by, 10 turned to 12, which turned to 14, which turned to 21.
I just couldn’t quit Maine.
I loved the quiet, slow pace of the state.
I loved the small-town feel to the cities, and the fact you were never far from nature. Every city had access to it, and there was always someplace to go hike. Even tiny Bangor had parks and greenways galore.
I loved the food. Besides traditional lobsters and oysters and other seafood we all know about, there was excellent Thai food, upscale American, and creative gastronomy. There was a lot of good food in Maine and, as someone who plans their travels mostly around food, Maine was perfect.
I loved all the microbreweries. Maine is one of the best states for beer and I found myself bouncing from microbrew to microbrew in search of the best IPA. (The winner was Rising Tide in Portland.)
And, of course, there were the people. There’s something about the state that makes everyone smiley, talkative, and welcoming. They’d ask you where you were from, shoot the shit with you, and always have suggestions on where to go next. From the diner owner in Bangor to the staff at the hotel I ended up extending to my stay at to the attendant at the park — who, when I asked directions, decided that was his chance to go into a long soliloquy on his state — to countless others, people in Maine were really nice.
My time there took me to Portland, Bangor, Camden, Acadia National Park, Moosehead Lake, and tiny coastal towns for lunch stops. I learned to shuck oysters. I went on a hike every day. I read lots of books. I ate a lot of delicious food. Since COVID-19 closed most museums and indoor attractions, there was no much else to do. (But, really, who needs more than that?)
In small-town Maine, the rest of the country and its troubles seemed far away. A friend described it as the place for those who want to get away from society but feel like Alaska is too far. In a state where the population density is 41 per square mile (38th in the country), it seems like a perfect analogy.
Maine seems to enchant people, casting a magical spell that lasts forever. It’s no wonder so many people I know from Boston go to Maine every summer. And it’s no wonder why I suddenly found myself calculating how much a summer home there would really cost and, if I too, want to spend the rest of summers here.
In a word, Maine is magical.
If you’re looking for a place to get away from it all with beautiful forests to hike, long coastlines to explore, delicious food to eat, and friendly people to chat with, you need to visit Maine.
Thank me later.
And send me a postcard.
Logistical Information Eat: Duckfat (Portland), Eventide (Portland), Bite into Maine (Portland), Gidden Point Oyster Farm (Damariscotta), Long Grain (Camden), The Traveling Lobster (Bar Harbor), Havana (Bar Harbor), Rosalie’s (Bar Harbor), Beal’s Lobster (Southwest Harbor), The Fiddlehead (Bangor), Judy’s (Bangor), Stress Free Moose Pub (Greenville) Drink: Rising Tide (Portland), Stress Free Moose Pub (Greenville), Atlantic Brewing Company (Bar Harbor), Bissell Brothers (Portland), Urban Farm (Portland), Mason’s Brewing (Bangor) Stay: Black Elephant Hostel (Portland), Leisure Life (Moosehead Lake), Bar Harbor Manor (Bar Harbor)
Book Your Trip to the United State: Logistical Tips and Tricks
Book Your Flight Find a cheap flight by using Skyscanner or Momondo. They are my two favorite search engines because they search websites and airlines around the globe so you always know no stone is left unturned.
Book Your Accommodation You can book your hostel with Hostelworld. If you want to stay somewhere other than a hostel, use Booking.com as they consistently return the cheapest rates for guesthouses and cheap hotels.
Don’t Forget Travel Insurance Travel insurance will protect you against illness, injury, theft, and cancellations. It’s comprehensive protection in case anything goes wrong. I never go on a trip without it as I’ve had to use it many times in the past. I’ve been using World Nomads for ten years. My favorite companies that offer the best service and value are:
World Nomads (for everyone below 70)
Insure My Trip (for those over 70)
Medjet (for additional repatriation coverage)
Looking for the best companies to save money with? Check out my resource page for the best companies to use when you travel! I list all the ones I use to save money when I travel – and I think will help you too!
Need an affordable RV for your road trip? RVshare lets you rent RVs from private individuals all around the country, saving you tons of money in the process. It’s like Airbnb for RVs.
Want more information on the United States? Be sure to visit our robust destination guide on the USA for even more planning tips!
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i-globalone · 5 years ago
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Huge, fast-paced, and jam-packed with activities and attractions, the sheer variety of things to see and do in London can feel slightly overwhelming at times, especially for first-time visitors. Fortunately, help in on hand. Whether you prefer strolling through leafy parks, taking in some culture at a first-rate museum, or getting up close and personal with the animals at one of the world’s finest zoos, you’ll find no shortage of outstanding activities and experiences on our round-up of the 20 best things to do in London.20. Enjoy a pint at Ye Olde Cheshire CheeseIf you’re going to London, it would be remiss of you not to visit at least a few of its iconic pubs. If you can only squeeze in one, make it Ye Olde Cheshire Cheese. Tucked away in a narrow alley off Fleet St., the pub was once the stomping ground of the likes of Thackeray, Dickens and Dr. Johnson – these days, the legendary figures may have been replaced by a more contemporary clientele, but its dark, intimate surrounds, rickety floorboards, warming fireboards, and low beamed ceiling will instantly transport you back in time.19. Take a ride on the London EyeAs Ferris Wheel’s go, you’ll struggle to find one better than the iconic London Eye. Tickets cost upwards of ÂŁ27 depending on the type you select; once you’ve paid your money, take a seat, set your camera to go, and get ready for a truly astonishing, birds-eye view of the surrounding city. Just one word of warning: at 400 feet tall, the Eye is no place for those with a fear of heights. 18. Discover St Paul’s CathedralWhile Westminster Abbey is arguably London’s best known (and impressive) church, St Paul’s Cathedral comes in a close second. Its majestic dome will take your breath away, while the far-reaching views over the London skyscape offered from the top of the Golden Gallery will do the same (that is, if you have any left to lose after hiking the 528 steps it takes to get there). Once you’ve finished your tour, wrap up your visit with a bite to eat at the excellent cafĂ© tucked away in the crypt.17. Take a tour of the Houses of ParliamentRegardless of whether you opt for a guided or self -guided tour, the sprawling Houses of Parliament won’t disappoint. As you wind your way through the Westminster Hall, the House of Commons Chamber and the Royal Gallery, you’ll be struck by the stunning architecture, beautiful detail, and all-pervading sense of history. If you want to record your visit for prosperity, wander over to Westminster Bridge, which offers some of the most Instagram worthy views in London.16. Down a cuppa at Claridge’sIf you’re visiting the capital of tea-loving Britain, you should fit in at least one afternoon tea while you’re there. For a true treat, head to Claridge’s for some truly sublime sandwiches, scones, and patisseries (not to mention an extensive selection of teas). The terrace at The Goring or the regal Orangery are equally superb places to enjoy a teatime treat, while the Mad Hatter’s Tea at the Sanderson is a quirky, but no less enjoyable, alternative. 15. Discover the Natural History MuseumWith more than 70 million specimens and exhibits, the Natural History Museum has more than enough to keep you entertained for an entire day. Its exhibit of a simulated earthquake would be the standout in most museums, but here, it has to compete with some serious competition from the likes of the Museum of the Moon, Orbit: A Journey Around Earth in Real-Time, and Palaeoart – Reconstructing the Past. As the museum does switch up its exhibits from time to time, download the app to better plan your visit.14. Take in the exhibits at the Victoria and Albert MuseumThose looking to explore London on a budget are in luck. One of its best museums, the Victoria and Albert Museum (sometimes referred to simply as V&A) offers visitors the chance to experience its mammoth collection completely free of charge. As well as its permanent collections showcasing architecture, textiles, furniture, drawings, and jewelry from numerous time periods and countries, the museum also hosts an ever-evolving series of temporary collections – check out their website beforehand to plan your itinerary properly.13. Browse the stalls at Camden MarketWhether you want vintage t-shirts, designer bags, rare vinyl, or rare breed lamb, the ever- vibrant, enduringly-popular Camden Market is where you’ll find it. Packed with over 200 vendors selling every type of consumer good you could conceive of, the market is as big a hit with locals as it is with tourists (who no doubt enjoy the uniquely British sight of the hippest of hipsters rubbing shoulders with tweed-wearing pensioners). Cool, fun, and located within striking distance of the beautiful Regent’s Park and Primrose Hill, it’s a great place to while away a morning. 12. Step back into the past at the Churchill War RoomsLondon is rich in historical detail, nowhere more so than the Churchill War Rooms. The labyrinth-like corridors of the underground bunker used by Winston Churchill and his cabinet during the bombing raids of the Second World War give a detailed insight into the story of the period, while the rich array of exhibits is thought-provoking and detailed. Given the popularity of the site, queues can be lengthy: aim to visit as early in the day as possible to avoid the worst of them.11. Browse the art at the Tate ModernFor those with a taste for modern art, the Tate Modern is a must-visit. As well as its huge collection of pieces from British artists, it also showcases some of the finest work from international artists like Dali and Picasso (although given that pieces are grouped by theme rather than artist, you may have to do a little digging to find them). For a deeper insight into the works, be sure to download the Tate App to your smartphone before you visit.10. Take a snap at Tower BridgeIf you’re into architecture, you’ll not want to miss Tower Bridge. Built in 1886, the bridge is fairly modern in comparison to the city’s other architectural wonders, but it still manages to be full of historical detail. If the sight of its movable roadways lifting to let a ship pass through isn’t impressive enough, the breathtaking views it offers of the Tower of London, St. Paul’s Cathedral, and The Shard surely are. 9. Catch a show in the West EndThe UK equivalent of Broadway is THE place to go to catch a show. The quality of the productions is never short of first-rate, while the seemingly infinite variety of new and classic shows means you’ll never be short of options. The atmosphere, meanwhile, is worth the visit alone
 as, obviously, is the chance to run into one of the many famous faces that frequent the district.8. Visit the National GalleryWhen we say London’s National Gallery is huge, don’t take it for hyperbole. The cavernous building is so vast, visitors are equipped with a color-coded map to make sure they don’t get lost forever in the labyrinth-like corridors. While getting to the grips with the layout can be a challenge, it’s more than worth the effort – as home to such world-famous pieces as Botticelli’s “Venus and Mars” and Van Gogh’s “Sunflowers”, the museum’s 2,300 in-house pieces are some of the finest you’ll find anywhere. Just remember to wear comfortable shoes to survive all the walking you’ll need to do to see them.7. Take a stroll in Hyde ParkIf the hustle and bustle of the UK’s biggest city is starting to give you a headache, beat a hasty retreat to the superbly tranquil Hyde Park. What was once the stomping grounds of King Henry VIII is now the city’s premier destination for those looking to enjoy a relaxing day in nature. As well as simply being a great place for a quiet stroll, the Park (which stretches outwards into the equally beautiful Kensington Gardens) is full of attractions and activities to keep you amused: ride a boat along the Serpentine Lake, take a moment at the Diana, Princess of Wales Memorial Fountain, or see who’s rallying the crowds at Speakers’ Corner.6. Enjoy the lights of Piccadilly CircusThe UK equivalent of Time’s Square is as lively, vibrant a place as you could imagine. Lying right at the heart of the action, Piccadilly Circus is 24/7, 365 days a year, entertainment heaven. Offering easy access to the delights of the West End and Oxford street, the range of restaurants, shops and nightlife spots on offer is unparalleled. Visit during the night to see the stunning sight of age-old buildings lit up in neon glory.5. Visit Westminster AbbeyAnyone who’s ever watched a televised royal wedding and dreamt of visiting the setting shouldn’t miss Westminster Abbey. The medieval church has born witness to hundreds of regal ceremonies over the years, as well as become the final resting place for such lauded figures as Geoffrey Chaucer, Charles Dickens, and Rudyard Kipling, along with half-sisters, Elizabeth I and Mary Tudor. To really get the most of the experience, take the 90-minute Verger-led tour to visit the Shrine (which houses the tomb of Saint Edward the Confessor), the Royal Tombs, Poets’ Corner, the Cloisters and the Nave.4. Buy a souvenir at Portobello Road MarketLondon is teeming with markets, but of all of them, Portobello Road Market reigns supreme. With more than 1000+ vendors selling everything from antiques and art to clothing and food, you’ll be spoilt for choice. If you can, skip breakfast before you visit: the range of street food options is divine (as too, are the offerings of the many restaurants lining the market).3. Visit the Queen at Buckingham PalaceWhile going to London doesn’t necessarily mean you’ll get to see the Queen, it does at least mean you get to visit her official residence. The world-famous Buckingham Palace is one of London’s architectural highlights, while its stunning grounds are more than worthy of its regal occupant. For a real insider’s look into the rich cultural and historical significance of the palace, take a tour of the 19 State Rooms – their rich opulence and array of exquisite artworks is breathtaking. If you can, time your visit to coincide with the Changing of the Guards, which takes place daily at 11 a.m. from April until late July, and every other day for the rest of the year.2. Admire the Crown Jewels at the Tower of LondonIf you can stand the tourists, a visit to the historic Tower of London should be on every visitor’s itinerary. While the exterior may be slightly unimpressive, the interior is anything but. The crown jewels exhibition is usually top of everyone’s agenda, but the equally fascinating, 350-year-old exhibition “Line of Kings” in the White Tower is just as worthy of your attention. While you’re free to take a self-guided tour, it’s well worth signing up for the entertaining (and free) Yeoman Warders tour to make sure you don’t miss anything you shouldn’t.1. View the Rosetta Stone at the British MuseumFew museums in the world can rival the architectural majesty of the British Museum. Fewer still can match the scale or quality of its antiquities collection, which includes everything from the Rosetta Stone to the Elgin Marbles and Lindow Man. So numerous are its exhibits that travelers rarely feel satisfied with just the one visit: however, if just the one is all you can spare, make sure to catch all the highlights by taking a guided tour (most of which, like the admission, are free).
http://www.globalone.com.np/2019/12/the-20-best-things-to-do-in-london-for.html
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wikitopx · 5 years ago
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Attracting 27 million visitors each year, London is the most visited city in Europe.
Not surprisingly, London is at the forefront of many people planning to travel: the city was founded by the Romans and has flourished for centuries. Today, London is one of the most diverse cities in the world, with a rich history and some of the most prominent cultures on the planet.
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1. Hyde Park
Hyde Park may be the most famous park in London, and it is one of the largest parks. The park has historical significance, has organized several protests and demonstrations including the protests of Suffragettes.
The popular Park Corner is still occupied by debates, demonstrations, and performers every week. The park is home to many memorial features, as well as two bodies of water, the most famous being the Serpentine. Here you can take a boat ride, see some swans and breathe the fresh air in the city center. A must visit.
2. Westminster
Westminster is considered the political center of London and is home to the world-famous Parliament and Big Ben. Big Ben is the name of the bell placed in the iconic clock tower, and it still sounds every hour.
While visiting these landmarks, be sure to set foot on Parliament Square, home to statues of important political individuals including Nelson Mandela and Winston Churchill.
3. Camden
Camden is a famous cultural neighborhood in north London. Camden has a vibrant body mod community and you'll find a number of piercing and tattoo shops in this area.
The eclectic and diverse Camden Market, featuring street food from international cuisines, and numerous stalls selling unique jewelry and artwork to take home. Browse the vintage clothes racks, find a used book to make your trip, or visit one of the best vegan bakeries in the city at Cookies And Scream.
After shopping, wander down to Camden Lock to relax by the Regent canal or walk along the road to King Cross Cross.
4. London Eye
A trip to London is complete without the iconic London Eye. Originally built to celebrate the millennium, the Eye is a giant Ferris wheel that offers stunning views across the city. At night, the wheels are lit by seasonal colors and are the centerpiece of London's annual New Year fireworks.
You can share one of the extensive groups with other interested visitors or localize on a private group for you and a special person. Your team visits Eye with a trip to the adjacent London Aquarium to see underwater creatures from around the world, including jellyfish, seahorses, and crocodiles.
5. Soho
Soho has long been known as the base of the London sex industry. This area is currently the most popular nightlife spot though there are still some sex shops scattered here and there, giving Soho an interesting vibe. Soho is often considered the center of the city's LGBTQ community * with lots of gay and lesbian bars to check out after sunset.
In addition to bars and clubs, Soho has several theaters, jazz bars and restaurants to explore, making it a cultural hot spot. It's very close to Leicester Square which means it is also a great place to enjoy a few drinks after the show or the stage.
During the day, Soho loses none of its charms. Here, you will find lots of unique music shops, cafes, and bakeries. Stop for coffee and cakes on Old Compton Street to see the perfect person.
6. Shoreditch
Shoreditch is one of the most trendy areas of London recently undergoing extensive regeneration. It is now one of the hottest nightlife spots in the city and one of the coolest places to stay in London.
Packed full of bars and eateries, it’s the perfect place to spend a day and an evening. Check out Trapeze, a circus-themed bar that serves endlessly inventive drinks out of popcorn tub-style cups.
For pop-culture lovers, there's Far Far Rockaway, a chilled bar and restaurant filled with comics, band posters and a regular 90's night. Or visit Blues Kitchen for a night of blues accompanied by sticky ribs and other US staples.
7. Hampstead Heath
Hampstead Heath is one of the largest parks in London, covering an enormous area of up to 790 acres. It sits atop one of the highest points in London, offering fantastic views of the city from Par Hill Hill.
Heath has meadows, wooded areas, and some large ponds. This is the best place to experience nature in London with its surrounding wildlife and small lost forests.
There are swimmers for those who feel brave enough to swim outdoors in the great weather of England. For history buffs, visit Kenwood House, a historic stately home that is known for its curated art collection.
8. BFI
BFI - or British Film Institute - is a must-see for movie lovers. BFI is located in the famous Southbank and is the perfect place to relax after a stroll along the riverbank immersed in the culture and atmosphere of this vibrant area of the city.
The BFI show films every day, from mainstream blockbusters to reshowings of cult classics to one-off screenings of indie hits. There is also a library and shop for people who like to watch their movies seriously. BFI also has its own waterfront bar and restaurant for a delicious meal or to chat about the latest movies released via some drinks.
9. Thames Cruise
The Thames River is the lifeblood of London, bringing industry to the city for centuries. It is the longest river in England, leading into the North Sea at the end. It was the base for settlements from prehistoric times and was of strategic importance to the Romans and the British kings, as well as during both World Wars.
There are several companies in London that provide yachts on the River Thames. Cruises run regularly every 30 minutes from some key locations. Cruise ships travel through a number of important places of interest, including Tower Bridge, Parliament House, and the London Eye.
Some cruises run at night so you can see the sights all lit up, whilst others are served with a meal or afternoon tea. This is a lovely and unique way to see the city, along the historic Thames.
10. Baker Street
One of London's cultural elements is Baker Street, known as the road where the notorious detective Arthur Conan Doyle steals Sherlock Holmes. Today, you can find a Sherlock Holmes museum near the subway station, which is especially famous after the BBC revived the ‘Sherlock feeling.
Madame Tussauds is located nearby, an internationally famous wax statue museum where you can pose with your favorite celebrities. Then, escape the crowds of Baker Street in the nearby Regent Park, or by climbing up Primrose Hill for the most breathtaking view of London.
More ideals for you: Top 10 things to do in Virginia Beach
From : https://wikitopx.com/travel/top-10-things-to-do-in-london-704520.html
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jessicakehoe · 5 years ago
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In Conversation With Dua Lipa, the New Face of YSL Libre
To say Dua Lipa’s star has had a meteoric rise would be an understatement. The 24-year-old London-based singer is one of the most streamed and celebrated artists in recent memory, and this fall she added another point to her career constellation as the ambassador of Yves Saint Laurent Beauté’s new fragrance, Libre. “When I got asked to do it, I was over the moon,” she says while sitting in Manhattan’s Classic Car Club, the location of the New York Fashion Week launch party for the scent in September.
While Libre’s campaign features Lipa strutting in some of the brand’s boldest pieces, her involvement with the launch isn’t simply about being the face. She reveals that she had an early-stage sniff test with a few options for what would become Libre. “When I smelled it for the first time, it was still when everyone was figuring out what the fragrance was going to be,” she says. “I smelled four different kinds, and I smelled one and was like, ‘This is my favourite!’ [It] ended up being the final scent. I’m super-grateful to the team for making me feel like a core part of the decision making. I really feel like we did this together. It’s super-exciting, and I’m so proud of it.”
Being linked to such an iconic brand is a heady opportunity for Lipa; it not only cements her status as one of pop music’s biggest success stories this decade but also perfectly aligns with her passion for self-expression and empowerment. “Yves Saint Laurent really made that big step in fashion to allow women to wear whatever they want and not feel like they have to be boxed in,” says Lipa when asked what resonates with her about Libre and its message of harnessing one’s loud, proud freedom.
“Yves Saint Laurent really made that big step in fashion to allow women to wear whatever they want and not feel like they have to be boxed in.”
It’s no surprise that Lipa, who has an effervescent social media and stage presence, values this notion of authentic energy. Whether she’s wearing a floor-length gown or a skin-tight bodysuit and denim cut-offs, she always looks like she’s in control of her own image and comfortable in her own skin. “I always throw on whatever feels good and makes me feel confident,” she says about the pressure—especially in today’s image-heavy cultural landscape—to look “done” when she’s out and about. “Before, I was like, ‘Oh, my God, I have to wear makeup because if I stop and take pictures
.’ But I’ve kind of laid back on that and just accept not wearing makeup. I need to be able to do that
. Sometimes you feel like you have to be superhuman.”
This idea of superhuman stardom naturally leads to a conversation about self-care. It’s hard to imagine someone with a schedule like Lipa’s being able to kick back and chill as often as the rest of us. When she does have an opportunity to take a break, Lipa says that spending time with friends and family is a preferred rejuvenation practice. “I could just sit around a table and catch up, order some food or cook some food, listen to music,” she says when asked about what makes her feel at peace given her hectic globe-trotting lifestyle. (For the record, she’d make seafood paella. “It’s the one thing I really know how to make, and it’s a crowd-pleaser,” she laughs.) “That’s what grounds me and makes me feel like I’m recharging and the most grounded. It helps me get back on my feet. No matter how tired I am, [I’ll] feel like I’m ready to go again.”
For Libre (French for “free”), Yves Saint Laurent enlisted the noses of two master perfumers, Anne Flipo and Carlos Benaïm. “I felt a deep connection with this masculine/feminine project because it expresses a lot of my own personality,” says Flipo. “I’m very feminine, but I have a masculine side that I completely own up to, which gives me a lot of freedom in my way of living. I feel more womanly, more seductive, more genuine in a pantsuit.” Libre’s roots dig deep into a history of gender defiance, too. Its mix of notes—orange blossom, lavender, neroli, mandarin, vanilla and amber—is inspired by the fougùre, said to be the oldest modern fragrance family, initially marketed to women and then adopted by dandies. This new take on the fougùre plays off a yearning for liberation and the power found in being many things at once. Libre is light yet seductive, distinct but mysterious, classic and fresh. It’s the scent of going beyond boundaries—just as Monsieur Saint Laurent would have wanted. Photograph by Daniel Harrison.
Being at home in London doesn’t just provide Lipa with a sense of comfort, though. It’s also where she developed her unique sense of style. “I’ve always been influenced so much by living [there]—walking around the streets and seeing people,” she says. The “punk rock” grittiness of Camden, the London borough where she grew up, ignited Lipa’s taste for the eclectic, and she notes that ChloĂ« Sevigny’s quirky, individualistic style was highly potent as well. “She’s my queen,” says Lipa. “She’s still killing it, but her style in the ’90s was something that I reference a lot. It was youthful and careless. She was so authentic and so herself. It was more her attitude than what she wore.”
This kind of insouciant approach to dressing makes Lipa’s face light up just thinking about it, and it clearly connects with her collaboration with Yves Saint Laurent, a house devoted to promoting a do-as-you-please attitude. And having someone like Lipa, who’s in the spotlight, as an advocate for the celebration of individuality is a boon. “Everyone’s really embracing their own style and their own weirdness,” she says about today’s fashion landscape. “Everything’s really celebrated, and that is what’s so beautiful.”
The post In Conversation With Dua Lipa, the New Face of YSL Libre appeared first on FASHION Magazine.
In Conversation With Dua Lipa, the New Face of YSL Libre published first on https://borboletabags.tumblr.com/
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