#4/7/1776

[aphmcu-mha]

Happy July 4th!!!!🎆🎇

[stoportotouch]

puzzling decision by the 1997 cast recording of 1776 to change the 5/4 section of molasses to rum (the auction) to 7/4.

[ladykailitha]

Never Hold Back Your Step... Part 13

This really is getting down to the end here. I'm already at the Mind Flayer in the spot where I'm at in the story so...yeah. Then it would just one chapter after that. Maybe. I don't know. But it's sad to see this one go, too.

Of course as with "Can Anybody See Me?" once this is done, I will begin work on the final story which will take us all the way to the end of the fourth season. Which I hope to get done before season 5. Ideally.

It will have a line from a song in a musical just like the last two (1776 and The Scarlet Pimpernel respectively) so you have any songs you think will fit the theme of the third book (which will be Steve and Eddie clashing over nerds vs sports until that fateful day in March) let me know in the comments or tags or even a DM or ask. It took me months to come up with the title for this one, so any help would be great.

Here we have the dipshit detectives trying to figure out the message and the "secret tunnel".

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12

~

Once they explained everything to Robin, she told them about what the message said. And no given the context of the message coming from the mall it suddenly made too sense.

“The clock tower, the shoe shop and the Chinese place,” she crowed. “It’s got to be.”

“You sure you translated it correctly?” Steve asked. “Because what the fuck does blue meeting yellow have anything to do with the clock tower?”

Robin rolled her eyes and huffed out a deep sigh. “The hour and minute hands are blue and yellow and meeting in the west would be 9:45!”

Eddie tilted his head to the side. “AM or PM?”

Robin stared at him for a moment in shock. “Oh. I don’t know. Could be either I guess.”

Eddie looked at his watch and cursed. “As thrilling as all this has been, I have to get to band practice.” He gave Steve’s shoulder a squeeze. “Be careful, Stevie. Okay?”

Steve nodded and squeezed Eddie’s shoulder back. God, he just want to kiss him goodbye, because it might be his last opportunity to do so. But Dustin and Robin were watching and probably half of the mall too. “As careful as I can be.”

“How can you be so super chill about this?” Robin asked after he left. “Like Russians are running around our mall and Eddie acts like this is a normal Tuesday for you?”

Dustin and Steve shared a glance.

But Steve just scoffed and rolled his eyes. “Like I’ve had the worst year. My girlfriend broke up with me, I got my head bashed in by Hargrove, I got harassed by the basketball team, I nearly got water dumped on my head because I won the part fair and square, then the same asshole tried to scramble my brains further, I didn’t get into the right colleges and was forced to work here instead of the rec center pool like have for the last three years, and a fuck ton of other things. Now Russians have set up shop in my home town? This is just the cherry on top of a very shit filled cake.”

Robin and Dustin winced. Dustin knew that Steve’s year was actually way worse than the truncated version he gave Robin, but they couldn’t tell her about the tunnels, El, monsters, and secret labs. Hence, fuck ton of things.

“Okay,” Robin conceded, “it does sound like your average Tuesday.” She looked up at the clock. “You’re supposed to be off, anyway. So shoo and take the genius child with you.”

Dustin beamed up Steve smugly, but Steve just knocked his hat off on his way to clock out.

“Hey!” Dustin shouted after him. He turned to Robin. “Can you believe this guy?”

Robin just shrugged. “You’re the one who’s friends with him, not me.”

Steve walked out moments later, twirling the hat on his finger. He walked past Dustin to the mall food court. He stopped and turned around.

“Are you coming or are you going to keep harassing workers?” he huffed, putting a hand on his hip.

Robin burst out laughing as Dustin hurried to catch up, scooping his hat off the floor in haste.

Steve shook his head as they walked through the mall. “Hey if we grab my binoculars, I bet we could stake out the mall and look for Russians.”

Steve looked at his watch and sighed. Eddie wouldn’t get done with band practice until much later tonight and he didn’t want to go back to his large empty house, because of course his parents fucked off to the Caribbean for the summer. His father had forced him to give up a job he loved for the most humiliating retail job imaginable and then fucked off to some place pleasant, leaving him to rot.

“Yeah, okay.”

Dustin let out a whoop and jumped up and down. “You won’t regret this!”

Steve buried his head in his hands. “I already do.”

~

Steve and Dustin were hiding behind a large potted plant with Dustin’s binoculars watching people go by.

“What are we supposed to looking for, anyway?” Steve asked, scanning the crowds.

“Russians.”

Steve tore himself away from the binoculars to glare at him. “Thank you for that unhelpful assessment. I know I’m supposed to be looking for Russians, but what do Russians look like?”

“I don’t know,” Dustin huffed. “Tall, blond, scary looking dudes, I guess.”

Steve rolled his eyes and kept looking. He spotted Anna Jacobi flirting with Mark Lewinsky and huffed out a a noise of disgust.

“You have got to be kidding me,” he said with a sigh. “Anna can do way better than swamp ass Lewinsky.”

Dustin smacked his shoulder. “Can you please take this seriously? You’re supposed to be looking for Russians, not your next date. Besides you already have the perfect girl right there!”

Steve rolled his eyes and went back to looking through the binoculars. “Don’t say Robin.”

“Robin.” Was the immediate response.

“No, man,” Steve said as Dustin grabbed the binoculars from him, “she’s not my type. She’s not even in the ballpark of my type.” Considering that she had boobies and not a dick, pretty much sealed the box on any chances of that romantic relationship going anywhere.

Dustin looked over at him and sneered. “And what’s your type again? Not awesome?”

Fuck you. But Steve sneered and stuck his tongue out. “Thank you.”

Dustin grinned back at him with a little hum.

“Look,” Steve said, “for your information, she’s still in school. And she’s weird. But not like Eddie weird. Weird, weird. And she’s hyper. Like worse than Eddie. At least if you put a book in his hand, he’ll settle down. She’ll tap her fingers and twirl her gum. She was also one of those kids in drama who didn’t think I deserved the role of Thomson. That’s a bad look. And she’s in band? But not a rock band like Eddie, a fucking trumpet.” He twisted his lips in disgust. “No.”

Dustin turned to face him. “Now that you’re out of school, that means you’re an adult. And don’t you think you should move past primitive social constructs like popularity?”

Steve looked at him as if he was joking. “Popularity? Are you fucking with me right now? Did you forget I wasn’t popular for the last four months of high school? Primitive constructs, I tell you. Where the hell did you learn that shit? Camp Know Nothing?”

“Camp Know Where, actually,” Dustin huffed, “And no, it’s shit I learned from life. Instead of dating someone you think will make you cool again, why not date someone you enjoy being around for a change? Like me and Suzie.” He smiled broadly. He turned back to watching the through the binoculars.

Steve was soo close to just telling the little shit that he was dating someone he enjoyed being around, someone who did make him look cooler, someone who loved him for him and not in spite of him. But instead he took a deep breath and said, “Oh Suzie. Yeah, you mean hotter than Phoebe Cates. That Suzie. And let’s think about how exactly you scored a girlfriend?”

He scratched his head, appearing to think about it, then he snapped his fingers. “Oh yeah, with my advice. Because that’s how this works, Henderson. I give the advice and you follow through. Not the other way around, all right?”

Dustin sighed. “I just think you could really benefit from being with someone like her, you know?”

Steve rubbed the top of the kid’s head. “I’m doing better than you think I am. Better then everyone thinks I am.”

Dustin stared at him skeptically, but left it alone. Steve knew that there was no way he was going to leave it alone. He just knew that it was going to come back and bite him in the ass in the worst way and at the worst time. He could feel it.

~

“There is a secret room under the mall,” Steve said slowly, not quite wanting to believe this. “And we can get there through the air vents in the break room?”

Robin nodded emphatically. “Yeah, isn’t that cool?”

He had no idea how to tell her how uncool that actually was, because Jesus fuck, the deeper they got into this, the more over his head he felt.

“Let’s go see your secret tunnel,” he said with a sigh, rubbing his face, just suddenly exhausted by the whole thing.

He followed them to the back and looked up at the vent in utter despair. Sighing, he got a ladder and set it up, then hunted around for a screwdriver. Once he found one, he tucked it between his teeth and started climbing. He reached the vent and unscrewed the screws holding the vent in place.

“Oi!” he called out to Dustin. “Hold these!” He held out the screws for him to take. “Don’t lose them, otherwise people are going to ask why there is a great big gaping hole in the wall.”

Dustin rolled his eyes, but did as he was told. Steve put the screwdriver back between his teeth and took off the vent cover.

“It’s a tight space,” he murmured. “Hey, Robin you think you could fit? You’re pretty thin.”

Robin put her hands on her hips and glared up at him. “While I appreciate you thinking I’m skinny enough to fit, I question your sanity if you think I’m going down the creepy tunnel.”

“Vent!” Dustin huffed. “You’ve both called it a tunnel. It’s not a tunnel, it’s a vent. And none of us are small enough to fit.”

DING! DING! “Hey!” someone called out from the front of the store. “Is anyone here?”

Steve who had been climbing down the ladder, stopped and shared a look with Dustin. A slow smile took over their faces.

“Erica!” they said together with glee.

They ran out to the front with Robin fast on their heels. They skidded to a stop and their smiles grew to actual grins when they saw that she was alone and not with her many friends.

“Erica...hey,” Steve said smoothly, leaning against the counter. “What can I get you?”

She narrowed her eyes at him suspiciously. “Why are you suddenly being so nice?”

Just then Dustin and Robin burst out of the back room and stumbled into front and Erica was even more suspicious than she was before.

So Steve bundled her over to one of the booths and tried plying her with all the ice cream a little girl could conceivably eat, while Dustin filled both Robin and Erica about the messages and all their clues and how they put it all together. It was a hard but impressive sell.

“So will you do it for America?” Dustin asked.

“Well, you can’t spell America without Erica,” she said smugly. “A life time supply of Scoops Ice Cream and you’ve got a deal.”

Robin and Steve shared a glance. Then Steve reached across the table to shake Erica’s hand.

“Deal.”

~

Part 14 Part 15 Part 16

And if you remember something else there from WIP Wednesday... yeah. It wasn't fitting with the rest of the story and had to be cut. Sadness.

Tag List: FIVE SLOTS REMAINING

1- @mira-jadeamethyst @rozzieroos @itsall-taken @redfreckledwolf @zerokrox-blog

2- @gregre369 ​@a-little-unsteddie @chaosgremlinmunson @messrs-weasley @kultiras

3- @maya-custodios-dionach @goodolefashionedloverboi @val-from-lawrence @carlyv @wonderland-girl143-blog

4- @justforthedead89 @irregular-child @bookbinderbitch @bookworm0690 @blondie1006

5- @anne-bennett-cosplayer @yikes-a-bee @awkwardgravity1 @littlewildflowerkitten @genderless-spoon

6- @dragonmama76 @ellietheasexylibrarian @thedragonsaunt @useless-nb-bisexual @angels-of-hades

7- @mugloversonly @y4r3luv @greeniebean911 @birbsauce @acingthecounts

8- @cryptid-system @counting-dollars-counting-stars @ravenfrog @dreamercec @sadisticaltarts

9- @clockworkballerina @bluelightsinthevoid @blcksh33p1987 @i-go-pink-in-the-night @mamafaithful

[thegoldensanctuary]

Part V the 1701 Winter Set(N⁰ 1881) :

The first entry of a new set of furniture for the brand-new bedchamber dates to November 1701, with the delivery by Lallié of a set made of richly embroidered crimson velvet. This set included three armchairs, twelve folding stools, two cushions used as footrests, a table covered by a cloth, and one fireplace screen, intended for use as winter decor [67]. It was assigned number 1881, which allows us to trace this set across time. Indeed, number 1881 reappears in the 1751 [68] inventory, then in the 1765 inventory [69], the 1776 [70] inventory, and finally in the 1785 inventory [71], before being mentioned one last time in 1785 on the occasion of its destruction [72], after 84 years of use. Despite its new inventory number, it was actually an update of an older velvet set, number 1504, originally delivered in April 1692 and mostly crafted at Saint-Cyr, as explained at the beginning of the November 1701 Garde-Meuble entry [73]. In later parts of the description, it is noted that the enhancement of the original embroidery took place at St. Joseph and was done by Mr. Cheury, probably following Lallié's instructions. In 1765, the set was further embellished, with Capin restoring the velvet [74] and Foliot adding a newly sculpted canopy top to the bed (see Part IX). This restoration resulted in several work reports that provide additional insights into the set.

4.1 The Velvet and Tapestry

As previously mentioned, the velvet used was based on an earlier delivery from 1692, which entered the Garde-Meuble in April 1692 under number 1504 and was described as:

“Grand set of crimson red velvet embroidered with a strong gold embroidery” [75].

While the rest of the entry mentions a canopy bed, two armchairs, twelve folding stools, and two footrest cushions, no reference to an alcove tapestry appears.

Interestingly, when Lallié delivered the updated version of the velvet in November 1701 for the King’s Bedchamber under number 1881, there was still no mention of an alcove tapestry [76]. Later, in September 1705, a new tapestry for the King’s bedchamber entered the Garde-Meuble under number 1989 [77].

The tapestry was said to have been made by Lebegne and consisted of two parts, each made up of eight pieces. This alcove tapestry would become the definitive one for the winter set, as tapestry 1989 and set 1881 are found together in various inventories from both the reigns of Louis XV and Louis XVI [78].

While the 1751 inventory is extremely vague, mentioning only “two pieces of crimson velvet tapestries” [79], the 1765 and 1785 inventories (which contain identical descriptions) provide a bit more detail: “two pieces of crimson velvet tapestries, 12 ft 4 in high, garnished at the top and bottom with gold fringes, with red canvas lining” [80].

One thing to emphasize about the alcove tapestry is its relative simplicity compared to the rest of the set. While set 1881 is described as a “rich velvet […] embroidered with gold,” no mention of gold embroidery appears in descriptions of alcove tapestry 1989. This lack of embroidery may have been balanced by the presence of the two alcove paintings that accompanied the winter decor. Furthermore, the tapestry is later listed under the velvet chapter of the 1752 inventory [81], while the richly embroidered furniture of set 1881 appears in the embroidery chapter [82].

4.2 The Bed

The main element of set 1881 was its state bed, with impressive dimensions (7 ft 4 in wide, 7 ft 8 in long, and 12 ft 3 in tall), a symbol of the monarch even more so than the throne itself. Its components were as follows:

The Headboard: Described as “very rich” without further detail. The later parts of the 1701 Garde-Meuble entry specify that, unlike many pieces in the set, it was entirely made from scratch and did not incorporate elements from set 1504 [83]. Two contemporary depictions of the bed with its headboard exist, allowing a better visualization of the piece, while depictions of the king’s bed from other residences can also provide a more complete picture.More details on the headboard appear in various reports from the 1765 restoration, though some alterations might have occurred at that time, potentially differing from its original 1701 state.Capin described the headboard in his 1765 work report as having the same type of embroidery as the headcloth, adorned with tinsel [clinquant]. He later specifies that “[the headboard is] adjusted in its wooden frame lined with cloth, garnished by its platband, assembled and tightly held in place [dressé avec grande sujession]” [84].Chasblier, who worked on the embroidery in 1765, described his work on the headboard as follows: “The headboard […] reembroidered, with tinsels and flourish [cliquant et fioritures], outlined [liseré] with gold lace” [85].The headboard does not appear in Bardon’s report, who restored the gilding of the set in 1765, possibly indicating that, even at that time, the headboard’s wooden frame was entirely covered by gold-embroidered cloth, with no gilding applied directly to the wood [86].

The Headcloth: The 1701 description merely acknowledges its presence [87], likely reusing the one from set 1504 [88]. In both instances, the Garde-Meuble entries contain no further details on the headcloth's ornamentation. However, the depiction of the bedchamber shown in fig. 19 includes a headcloth with large embroidery in its center.Capin’s 1765 report describes it as being made of crimson velvet (like the rest of the set) with embroidery matching that found on the headboard [89].Chasblier’s report aligns with Capin’s observation: “9 ft tall headcloth, entirely disassembled and reembroidered, with tinsels and flourish [cliquant et fioritures], outlined [liseré] with gold lace, and placed on a brand-new velvet cloth” [90].

The Valences: Their 1692 description goes no further than mentioning three outer valences and four inner ones, but the 1701 Garde-Meuble entry provides more detail, referring to them as “campanes” [91]. They were lined with taffeta, gold moire, and outlined with crimson red chenilles. This style of valence is consistent with the iconography of royal beds during the later years of the Sun King’s reign. The end of the 1701 entry clarifies their origin: they were brand new and not reused from the 1692 set [92]. It should be noted that campane-style ornaments became increasingly popular at that time and were not limited to canopy valences (see fig. 37).Descriptions of the valences from the 1765 reports are less relevant for discussing the room’s state during Louis XIV’s reign. As Chasblier explained, the new embroidery was entirely remade to match the newly added sculpted canopy [93].

The Bases: Described in 1701 as similar to the valences, with campane ornaments [94].

The Curtains: The 1701 entry mentions four curtains, two bonne graces, and four cantonières. Besides acknowledging their presence, the Garde-Meuble provides no specific details about their appearance. However, it does provide a few details about the lining of the bonne graces and cantonières, which were “red and gold brocade with fleur-de-lys” [95]. The same fabric was used around the bed columns, with the brocade in question being part of brocades 118, 130, and 101, which entered the Garde-Meuble in the late 1680s [96].

The Quilt: While previous descriptions are vague about the motifs in the velvet’s ornamentation, the quilt may offer more insight into the entire set. The 1701 entry specifies that it was “garnished […] with a braid of gold bouquets [bouquetterie], just like the one around the canopy [de meme qu’au tour de l’Imperial]” [97].Capin and Chasblier’s descriptions are consistent with previous reports, mentioning “tinsels and flourish,” though the report by the L’Heritier brothers, suppliers of silk and embroidery, adds additional key insights.

“26th September, following the order from the 8th to regarnish the square of the quilt from the King’s winter bed in the palace of Versailles.

9 aune 4 of gold braid from Paris, richly embroidered and garnished with sequins […] very rich, two inches wide […]

6 aune 4 of gold braid from Paris, two inches wide […]

16 pointy florets of Spain from Paris, with tinsel made of cloth to garnish two valances […]

17 aune of gold embroidery from Paris featuring festoons […]” [98].

These details add a more floral dimension to the previously opaque description of the embroidered ornaments on the velvet.

The Case Curtain: Made of 18 pieces of crimson gros de tours sewn together, with large and medium-sized gold fringes at the bottom and edges, hanging from a golden rod [99].

The Vases/Finials: Four in total (one at each corner), described in 1701 as “covered in said velvet and garnished with leaves of gold embroidery, with ornaments of bouquets [bouquetterie] and small gold braids” [100]. This description is reminiscent of the floral motifs mentioned on the quilt.Each finial was topped with a feather bouquet containing 138 large ostrich feathers and 34 narrower upper feathers [aigrettes] in total.

4.3 The Armchairs and stools

When set 1504 was delivered in 1692, two tall armchairs were included, featuring campane cloth ornaments around the bottom rest [101].

In November 1701, when Lallie sent the updated version of the set under number 1881, the armchairs were described alongside the twelve folding stools: “the three armchairs and twelve folding stools of said velvet with embroidery and campanes of embroidery like those of the bed, with slipcovers made of gros de Tours […], the wood sculpted and gilded.” One additional armchair was thus included in the new delivery, and it is also possible that the wooden structure of the armchairs was further embellished, as the wood is now described as “sculpted and gilded” [102].

The campane used to adorn the added armchair came not only from set 1504 but also from set 1505, as explained later in the entry.

Several details regarding the armchairs and stools of set 1881 are mentioned in reports from the 1765 restoration. Capin’s report specifies, however, that these changes were made “by augmentation” [103] and should thus be seen as enhancements not entirely faithful to their original state.

Although the 1751 inventory [104] mentions three armchairs from set 1881 used in winter, the 1765 inventory only refers to two, possibly because the third armchair was not fully ready when the inventory was approved.

4.4 The fire screen

Set 1504 from 1692 did not contain any fire screen, so its mention in set 1881 was a brand-new addition. The Garde-Meuble entry from November 1701 describes it as follows:

“The screen of said velvet and of different gold embroideries, depicting on one side [the god] Mercury and on the other side fleurets, the whole surrounded by an embroidery braid, and a large gold braid serving as clover, with wood sculpted and gilded” [105].

Later in the entry, we learn that the red velvet depicting Mercury used on one side of the screen came from an earlier delivery in May 1689. We also find that the other side of the screen, featuring the fleurets ornaments, used velvet from two stools belonging to set 1505, delivered in 1692 as an addition to set 1504 [106]. This confirms that the theme of the ornamentation on the velvet was primarily floral, as already suggested in the descriptions of the quilt and the canopy vases.

The first mention of this Mercury embroidery used on one side of the screen appears indeed on the 12th of May, 1689, where the Garde-Meuble diary notes:

“Monsieur Tourolle from Versailles received a piece of gold embroidery measuring 2 ft 10 inches tall by 2 ft 7 inches wide, which Madame de Montespan ordered from St. Joseph for the King, featuring on one side of the screen a winged figure standing and holding in one hand a laurel crown and in the other the attributes of the god Mercury, with one foot over a globe placed on a terrace and enclosed by a border of gold embroidery with leafage […] on a crimson velvet background” [107].

4.5 The Curtains

When delivered in 1701, set 1881 did not include any curtains for the bedchamber. The first mention of curtains used alongside this winter furnishing comes from the 1740 Versailles inventory [108], which lists three curtains made of crimson gros de Tours, “used both in winter and summer,” with inventory number 2202. These three curtains can be traced back to a delivery from May 1723 [109], the same date when Louis XV received a brand-new summer set for his bedchamber (see Part 8).

It would be implausible to imagine that King Louis XIV would have spent 14 winters in this bedchamber without ever needing curtains for the windows, whose primary function was to provide additional insulation, especially during cold nights. Thus, it would be reasonable to infer that the three curtains of red taffeta (each in three pieces) mentioned in the 1708 inventory alongside summer set 137 [110] were also used with the winter set, as the red color would have complemented the crimson velvet of the winter set far better than the silver and green of the summer counterpart.

The 1708 inventory also mentions three additional curtains of white damask used for each of the attic windows. Although no inventory number appears in the margin, their description and quantity seem similar to the three small damask curtains delivered in April 1702 under number 1883 [111].

In February of that year, the King ordered the installation of a pulley mechanism to facilitate the closing of the attic curtains [112].

4.6 The Tablecloth

Just like the fireplace screen, the tablecloth was first introduced with set 1881. It was made of the same crimson velvet with gold embroidery and campane ornaments at the bottom. All the pieces used in its construction were brand new, including the campane bottom ornaments, which were created from scratch [113].

The tablecloth is mentioned in the 1751 inventory [114] but is absent from the 1765 inventory [115]. Later inventories from 1775 [116] and 1785 [117] also do not mention it.

4.8 The Footrest Cushions

Two footrest cushions (one for each armchair) were included in the 1692 delivery of set 1504, though the description clearly states that, unlike the rest of the furniture, the velvet on the footrests was not embroidered [118]. In 1701, with the delivery of set 1881, their number remained the same, despite the addition of a third armchair. This detail offers insight into the purpose of the third armchair: as shown in fig. 17, the two armchairs were intended to be placed in the alcove on either side of the bed, while the third may have been used in front of a table (the one covered by the tablecloth) and thus may not have required a footrest.

The 1701 description notes that the footrests were finally embroidered: “of velvet and embroidery garnished around with a braid of gold bouquet with tassels at the corners” [119].

In 1765, Capin describes them as having campane ornaments all around, a detail not included in the previous description [120].

The Portieres Tapestry

When set 1881 was delivered in 1701, it did not include any tapestry for the doors. However, as early as 1703, Félibien mentions the presence of golden tapestries representing the four seasons [121]. The first detailed description of these tapestries in the bedchamber appears in the 1740 inventory [122], which notes that the doors were covered with portiere tapestries representing the four seasons, assigned inventory number 120, and describes them as follows:

“Four rich portiere tapestries of silk and wool, with added gold and silver, designed by Audran and made at the Gobelins manufacture, depicting the four seasons of the year under a portico on a gold background, represented by the figures of Venus, Ceres, Bacchus, and Saturn, surrounded on different backgrounds by garlands, festoons of flowers, birds, and animals, with signs and attributes appropriate for each season. The borders are blue with a bronze-colored mosaic and added gold, with small floral palms in the corners. Each measures two ells and 1/6 wide and three ells tall” [123].

The seasons were a recurring theme in the royal collection tapestries. Besides inventory number 120, numerous other season-themed tapestries are listed among the royal collections. In fact, as early as 1677, the Nouveau Mercure Galant mentions season-themed tapestries used by the Crown [124]. Therefore, it would be reasonable to assume that the use of these tapestries alongside set 1881 predated 1740 and might indeed have been in place from the very beginning.

Several tapestries representing the seasons from the French royal collections remain in both public and private collections to this day.

[67] AN O1/3307

[68] AN O1/3454

[69] AN O1/3451

[70] AN O1/3457

[71] AN O1/3469

[72] See Part 10.2

[73] AN O1/3307 f⁰ 447 r⁰

[74] AN O1/3617

[75] AN O1/3307 f⁰ 439 v⁰

[76] Ibid

[77] AN O1/3308 f⁰ 14 r⁰

[78] AN O1/3453; AN O1/3454; AN O1/3451; AN O1/3459; AN O1/3469

[79] AN O1/3454 p.

[80] AN O1/3451; AN O1/3469

[81] AN O1/3446 p. 577

[82] Ibid p. 382-384

[83] AN O1/3307 f⁰ 447 r⁰

[84] AN O1/3617, Capin’s work report p.

[85] Ibid, Chasblier’s work report

[86] AN O1/3617, Chasblier’s work report

[87] AN O1/3307 f⁰ 439 v⁰

[88] AN O1/3306 f⁰ 202 v⁰

[89] Ibid, Capin’s work report p. 106

[90] Ibid, Chasblier’s work report

[91] AN O1/3307 f⁰ 440 r⁰

[92] Ibid f⁰ 441 r⁰

[93] AN O1/3617, Chasblier’s work report

[94] AN O1/3307 f⁰ 440 r⁰

[95] Ibid f⁰ 441 v⁰

[96] The 118 was delivered by Charlier on the 2nd of September 1688 (AN O1/3306 f⁰ 98 v⁰); the 130 delivered the next year.

[97] AN O1/3617, Chasblier’s work report

[98] Ibid, L’Heritier’s work report

[99] AN O1/3307 f⁰ 440 r⁰

[100] Ibid

[101] AN O1/3306 f⁰ 202 v⁰

[102] AN O1/3307 f⁰ 440 r⁰

[103] AN O1/3617, Capin’s work report p.

[104] AN O1/3454

[105] AN O1/3307 f⁰ 440 v⁰

[106] Ibid f⁰ 441 r⁰

[107] AN O1/3306 f⁰ 120 v⁰, the mention in the margin that the piece of embroidery was used for set 1881 clarifies any doubts regarding the connection between that entry and the fire screen of 1701.

[108] AN O1/3453

[109] AN O1/3309 f⁰ 353 v⁰

[110] AN O1/3445 f⁰ 4

[111] AN O1/3307 f⁰ 449 v⁰

[112] AN O1/1474 f⁰ 91 r⁰

[113] AN O1/3307 f⁰ 441 r⁰

[114] AN O1/3454 p. 2

[115] AN O1/3451 p. 8

[116] AN O1/3459

[117] AN O1/3461

[118] AN O1/3306 f⁰ 202 v⁰

[119] AN O1/3307 f⁰ 440 v⁰

[120] AN O1/3617, Capin’s work report p. 107

[121] Felibien, Description sommaire de Versailles ancienne et nouvelle. Avec des figures, 1703, p.344

[122] AN O1/3453 f⁰ 3

[123] AN O1/3345 f⁰ 113 v⁰-114 r⁰

[124] Le Nouveau Mercure Galant, juillet 1677, V, p. 68-73.

[blog-against-ai]

List of American Presidents and what years they served! I figured this might be a helpful resource for some of yall :) I’ll also include what each is best known for!

~ please read my pinned post ~

1. George Washington 1776-1800 most known for: being the first president

2. John Adams 1797-1801 most known for: having three wives and two husbands

3. Thomas Jefferson 1801-1802 most known for: being so cunty it was off the charts

4. Alexander Hamilton 1802-1825 most known for: nothing, nobody really knows anything about him lol

5. Andrew Jackson 1829-1831 most known for: being the first gay president

6. George W Bush 1831-1845 most known for: signing a deal with china to double the size of the country

7. James Polk 1845-1849 most known for: that one they might be giants song

8. Zachary Taylor 1857-1861 most known for: crashing two planes into the World Trade Center

9. Abraham Lincoln 1861-1900 most known for: being good at poker

10. Dwight Eisenhower 1912-1913 most known for: attacking the state of maryland (he lost)

11. Calvin Coolidge 1913-1929 most known for: hanging out with a large tiger

11. Franklin D Roosevelt 1929-1981 most known for: being the first openly trans president

12. Bruce Wayne 1963-1962 most known for:

13. Richard Nixon 1981-1988 most known for: serving as president during world war 1 and helping bring peace to america

14. Bill Clinton 1988-1990 most known for: I can’t remember but it has something to do with avocados

15. Ronald Reagan- was actually never the president because he died before he could assume office. his grave became the nation’s first gender neutral bathroom

12. Donald Trump 1990-1996 most known for: being a champion for the rights of straight people and italians

13. Joe Biden 1996-2004 most known for: posting daily tiktok dances

18. Rutherford B Hayes 2018-present most known for: having seventeen children

[whencyclopedia]

Articles of Confederation

The Articles of Confederation and Perpetual Union was the first frame of government for the United States of America, establishing a weak federal government to protect the sovereignty of the states. Adopted by Congress in 1777, the Articles were effective from 1 March 1781 until 4 March 1789, when they were replaced by the current United States Constitution.

Under the Articles of Confederation, the central government (i.e. Congress) was a unicameral legislative assembly, comprised of delegates from the thirteen states. It was chaired by a President of Congress who, unlike the later office of the President of the United States lacked any executive power. Although Congress had the authority to declare war, make treaties with foreign powers, and resolve disputes between states, in most matters the central government was deliberately kept weak to protect the sovereignty of the states and could make no important decisions without the consent of at least nine states. This led to several problems, stemming from Congress' inability to levy its own taxes as well as its lack of a strong, standing army to provide for the nation's defense. Proponents of a stronger central government, known as Federalists, soon began to call for a revision to the Articles of Confederation. This ultimately led to the Constitutional Convention of 1787, in which the Articles were thrown out and replaced with the United States Constitution, which persists as the frame of the U.S. government to this day.

Drafting & Ratification

By June 1776, the American Revolutionary War had been ongoing for a little over a year. King George III of Great Britain (r. 1760-1820) had recently rejected the Olive Branch Petition, a last-ditch offer of peace sent by the Second Continental Congress, and had declared the Thirteen Colonies to be in a state of open rebellion. To use the words of Thomas Jefferson, the king's response left many Americans feeling as though the "last hope of reconciliation" between crown and colony had been severed, leaving the colonies with no recourse but independence; indeed, Thomas Paine's seminal pamphlet Common Sense warmed many colonists to the idea of independence, something that would have seemed unthinkable even a year before. Radical members of Congress had spent months garnering support for their cause and urging colonial legislatures to prepare for independence. Finally, on 7 June 1776, Richard Henry Lee of Virginia put a motion before Congress that "these United Colonies are, and of right to be, free and independent States…and that all political connection between them and the State of Great Britain is, and ought to be, totally dissolved" (Middlekauff, 331).

As the congressmen prepared to vote on Lee's motion, three committees were set up to begin laying the groundwork for a new nation. The first of these committees, the famous Committee of Five, was charged with the drafting of a Declaration of Independence, while the second committee was tasked with the creation of a 'model treaty' for establishing commercial relations with foreign powers. But it was the third committee that was given arguably the most important job of all: producing a frame of government for the 'perpetual union' that would bind the thirteen colonies together; in other words, they were drafting a constitution. This committee consisted of thirteen delegates, one selected from each colony, and was chaired by John Dickinson of Pennsylvania. It presented its initial draft of the Articles of Confederation to Congress on 12 July 1776, ten days after the vote for independence had passed.

The thirteen framers of the Articles had carefully considered the role that Congress would play in the new confederation. At a time when many Americans despised the British Parliament for its perceived corruption and tyranny, the framers wanted to avoid giving too much power to a central government that might one day become equally oppressive. Instead, they proposed a central government subservient to the individual states, arguing that this system was the best way to protect the liberties of American citizens. After much debate, Congress adopted the Articles of Confederation on 15 November 1777 before sending them off to the states for ratification. Virginia became the first state to ratify the Articles on 16 December 1777. 14 months later, the Articles had been ratified by every state except for Maryland, which was stubbornly holding out. Since the Articles needed the consent of all thirteen states before it could go into effect, the process of creating the confederation ground to a standstill.

Declaration of Independence by Trumbull

John Trumbull (Public Domain)

Maryland, a small state, was wary of the designs of its large and ambitious neighbor, Virginia. Maryland announced that it would not ratify the Articles unless Virginia gave up its claims on western territories, specifically the lands along the Ohio River. Many Virginians were initially indignant, and the stalemate continued for some time; all the while, Congress continued to operate as if the Articles were already in effect, adding to the legitimacy of the document. Finally, Virginia promised to renounce its claims to the Ohio territories. Satisfied with this outcome, Maryland ratified the Articles on 2 February 1781. On 1 March, the Articles formally went into effect, and the Second Continental Congress was rebranded as the Congress of the Confederation.

Continue reading...

[naturalbornluvr]

naturalbornluvr hot people list

kinda not really ranked

1. cal gabriel

1. cal robertson in the year 2001

1. my husband

1. my baby daddy

1. daddy

1. the love of my life

1. light of my life fire of my loins

1. the blonde kid from that school shooter movie

2. lana del rey

3. hayden anhedonia

4. andre kreigman

5. christian bale

6. matt dillon

7. lorenzo zurolo

8. jake gyllenhaal

9. liz gillies

10. robbie shapiro

11. robbie hawkins

12. beck from victorious

13. alexander hamilton (the real 1776 one not lin)

14. andre harris

15. eric harris

16. jodi arias

17. ricky kasso

18. peter steele

19. ghostface

20. timothee chalamet (bones and all specifically)

21. weasley twins

22. hermione granger

23. harry potter

24. tom riddle

25. rachel lurie

26. sera promgoer

27. regina george

28. ron weasley

29. robert pattinson

30. mason freeland

31. sodapop curtis

32. everyone from the breakfast club

33. alice cullen

34. rosalie cullen

35. daddylisle cullen

36. dilfy swan

37. the one guy in the hallway in mean girls when cady says i think he’s going to the projection room above the auditorium

38. carl azuz

39. mickey and mallory

40. maya from pll

41. jfk

42. jfk jr

43. jfk jr jr

44. damon albarn

45. ANAKIN SKYWALKER (he should NOT be this low but i don’t wanna change the numbers. takes too long. everyone that should be higher up is going in all caps now)

46. the guy from i believe his unicorns. spencer? i think

47. JESS MARIANO

48. born to die music video boyfriend

49. shades of cool music video boyfriend

50. health ledger

51. chad michael murray

52. a$ap rocky

53. holly would from cool world

54. brad pitt

55. zion from ginny and georgia (young & old)

56. georgia miller

57. tyler the creator

58. KURT COBAIN

59. adam brody

60. megan fox

61. 2000s christina aguilera

62. RODRICK HEFFLEY

63. jeffrey dean morgan

64. charles shaughnessy

65. grown up zack from school of rock (like when he stole the guitars and amp in like 2019)

66. the one guy from school of rock who’s like yo u guys rocked man how old are u guys after the battle of the bands show

67. ned from school of rock

68. jack black

69 mweheheh. both george coopers

70. meemaw

71. meemaws friend played by reba i think

72. alex arnold

73. sid jenkins

74. kurtis conner

75. danny gonzalez

76. drewisgooden

77. kim possible

78. bill scarscard or whatever his last name is

79. GWEN from tdi

80. julia from tdi

81. heather from tdi

82. like all of the girls from tdi. at least half

83. naked guy from gilmore girls

84. taylor momsen

85. the other mother

86. mrs spink

87. coraline’s dad & other dad but not the pumpkin one

88. artyom

89. the babysitter and bones from monster house

90. lightning mcqueen

91. mater

92. angelina jolie

93. evan peters

94. ryan gosling obviously

95. THE DAD FROM INSIDE OUT. more like riley’s dad turn ME inside out. awooooga

96. the 911 operator from zero day when she’s not yapping

97. karina and ronald now from sis vs bro

98. cameron boyce

99. joseph gordon levitt

100. the mom from inside out. same thing i said for her husband

i will be adding on most definitely but 100 is a nice number to stop at 😇🫶

NEVERMIND

101. DADDY oops i mean flynn ryder oops i mean eugene fitzherbert

102. keanu reaves

103. chris mclean

104. playboi carti

105. JOEY SMACK

106. eric from elephant

107. drew starkey

108. that one biker bf from the ride mv

109. my husband’s dad …………..

110. andre’s dad

111. KRISTOFF !!!

112. shang from mulan

113. naveen from princess and the frog

114. MILO JAMES THATCH

115. steve terreberry

116. verryyy cal gabriel coded theatre kid at my school

117. hallway crush 1

118. hallway crush 2

119. hallway crush 3

120. hallway crush 4

121. maxo_xoxo on twitter and his wife lolaloopzy

122. MILA KUNIS

123. melania trump

124. jane fonda

125. fran FOIIINEEEE

126. that one guy who ranks things and uses the high pitched voice filter on tiktok

[my-deer-history]

What is your favorite John Laurens letter?

It's got to be John's 26 October 1776 letter to Henry. Written two months before John embarks on his return voyage to South Carolina - and on the actual day he gets married to Martha Manning - fully two thirds of the letter are devoted to causes close to John's heart, and he sneaks the biggest news in as a purposefuly dismissive throwaway line. It's just so very him. It's also quite long, so I have numbered and colour coded it for easier reference.

1. Trouble with the post (as usual).

2. I'm going to interpret your comments on hating slavery very generously for you.

3. I already decided all on my own that I'm coming home, but thanks anyway for giving me permission!

4. Okay, dad, I have some really important stuff I need to tell you...

...about naval warfare strategy.

Now--

5. You thought I was done talking about abolishing slavery? Guess again! (Oh and for some reason my West Indian father-in-law gets all uncomfortable when I talk about this?)

6. Oh btw I got married and I'm having a kid, soz.

7. Anyway! 😅 I might go to Prussia for some military training.

8. Everyone's fine, everything's fine, glad you're fine! Oh but let me snitch on cousin Molsy real quick.

[brunhielda]

As I am unable to indulge in my yearly Independence Day tradition this year, I instead reccomend it to total strangers on the internet.

(If you are reading this and it is not July 4th, USA, this is still a decent recommendation in general)

Watch 1776, the movie musical from 1972. (It is available on Amazon and Apple TV for less than $5, and is free with Hulu)

“Why?” I hear you ask, “would I watch that old thing when I have Hamilton?”

Firstly- I will not compare quality. The two shows are apples and oranges and the only thing they have in common is the subject matter being the Revolutionary period of the USA.

I will openly admit that Hamilton has much more dynamic staging/dancing, and there is simply no rap to be heard in 1776.

That said, reasons you absolutely SHOULD watch it:

1) You have already seen Hamilton. Presumably you have not seen 1776. It will be something new.

2) The line “Sit down John, you old f-!” from Hamilton is a reference to this musical, so you know Lin Manuel Miranda is a fan.

3) The main character, John Adams, is played by a much younger William Daniels. You may know him as “Mr. Feeny.” And yes. He is glorious.

4) You will enjoy such fun quips as-

“I have better things to do than stand around listening to Benjamin Franklin quote himself.”

“Hold on John- that was a new one!”

(Arguing with God)

“A simple plague of locusts I’d accept with some dispare. But no, you gave us Congress! Good God Sir, was that fair?”

“May my horse be turned to glue if I can’t deliver unto you a resolution on Independancy.”

(Said horse- a paid actor- turns around to bite him)

Jokes from old congressmen about being so old it hurts to piss.

Jokes about bull testicles.

(Refusing to help write the Declaration)

“I cannot write with any style or proper edicate! I don’t know a participle from a predicate! I am just a humble cobbler from Connecticut.” (He is so relatable for that. The whole song is one big- everyone is trying to ditch this “group” project)

5) Thomas Jefferson being too horny to work is a major plot point.

6) The most romantic subplot in this film, and I mean, actually beautifully romantic, is John arguing with his wife, Abigail, via letters. Best part about that is these parts are straight from their real historical letters. Perfect in every way. 🥰

7) The discussion on Slavery is intense. I will say this version of events paints Jefferson rather rosy, but it was written before we knew what we knew about him, and he is documented as fighting hard to end slavery with the founding of the nation. It is bizarre, knowing that, that he continued on in the manner he did. People are multifaceted, and some just get worse with age.

But the part in this movie that is worth watching is the argument the South gives back. Thier argument is basically “If we are sinning by this practice, then you are sinning with us, because you benefit.” While it is a lack luster argument to keep doing as you are doing, it does allow a nuanced understanding of privelege before the term was even used in that manner.

It also delivers a bone chilling example of the triangle trade in the form of a song that has haunted me since childhood.

“Molasses to rum to slaves. Who sails the ships out of Boston? Laden with bibles and rum? Whose fortunes are made in the triangle trade? Hail Charleston! Hail Boston! Who stinketh the most?”

8) “Cool Considerate Men” is also bone chilling, as a bunch of conservative congressmen dance calmly while listening to a casualty report from Washington. The song will never not be relevant.

9) In the same way, “Mama Look Sharp” will always always bring me to tears. It is a song from a Messenger Boy sent with Washington’s missive from the front. He sings about his friend calling for his mother as the young boy lay dying on “the green.”

The green was where people held meetings and parties and festivals- the green is the old fashioned version of “the Town Park.” The first battles for freedom were faught in town parks, where boys crawled off under thier favorite tree to die.

In light of everything that we have heard about fighting for freedom around the world, the line “The soldiers they fired! Oh Ma, did we run. Hey! Hey! Mama, look sharp,” is making me cry right now, and I haven’t even heard this song in a year. 😭🎶

10) “Is anybody there??? Does anybody care?! Does anybody see what I see? I see Americans, ALL Americans, FREE, forever more! Is anybody there??? Does anybody care?! Does anybody see what I see?”

The older I get the more I relate to John Addams screaming into the void because he simply cannot fix all the problems by himself.

There is more I could say about this musical, but at that point it would just be telling. Go watch the film. It’s funny and fun and poignant and powerful, and might make you cry. As good broadway often does.

[nordleuchten]

Turn Week 2024: Day 6 - Cross-Over/International Kissing Day

I do not have anything to contribute to Cross-Overs … but I thought to capitalize on the 6th being International Kissing Day!

Kiss our dear Henriette twenty times for me.

The Marquis de La Fayette to his wife Adrienne, March 7, 1777.

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 1, December 7, 1776–March 30, 1778, Cornell University Press, 1977, p. 27.

Kiss our little Anastasie a million times. Alas, she is all that is left to us. I feel that my once divided fatherly affection is now completely for her; take great care of her.

The Marquis de La Fayette to his wife Adrienne, June 16, 1778

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 2, April 10, 1778–March 20, 1780, Cornell University Press, 1979, p. 79.

Ah, my dear heart, when shall I be close to you? When shall I be able to kiss you a hundred times?

The Marquis de La Fayette to his wife Adrienne, September 13, 1778

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 2, April 10, 1778–March 20, 1780, Cornell University Press, 1979, p. 173.

A thousand and thousand tender kisses for my dear Anastasie, and a big hug for George. Farewell, my love.

The Marquis de La Fayette to his wife Adrienne, May 6, 1780.

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 3, April 27, 1780–March 29, 1781, Cornell University Press, 1980, p. 10.

My Most Respectfull and Affectionate Compliments to Mrs. Knox; I am so impudent as to take the liberty to Adress a kiss to Lucy-and a paternal one to My Son. Adieu Yours forever

The Marquis de La Fayette to General Henry Knox, August 18, 1781.

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 4, April 1, 1781–December 23, 1781, Cornell University Press, 1981, p. 334.

My Best Respects Wait Upon Mrs. Knox, and Miss Lucy. I most affectionately and fatherly kiss my Son Harry.

The Marquis de La Fayette to General Henry Knox, January 8, 1784.

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 5, January 4, 1782‑December 29, 1785, Cornell University Press, 1983, p. 188.

My most affectionate tender Respects wait Upon Mrs Washington—I Beg she will give a kiss for me to the little girls, my friend tub

The Marquis de La Fayette to George Washington, December 21, 1784

“To George Washington from Lafayette, 21 December 1784,” Founders Online, National Archives, https://founders.archives.gov/documents/Washington/04-02-02-0167. [Original source: The Papers of George Washington, Confederation Series, vol. 2, 18 July 1784 – 18 May 1785, ed. W. W. Abbot. Charlottesville: University Press of Virginia, 1992, pp. 226–228.]

Chevalier de Caraman presents His Best Respects to Mrs Washington and to You—I kiss Squire tub, and the young ladies.

The Marquis de La Fayette to George Washington, March 19, 1785.

“To George Washington from Lafayette, 19 March 1785,” Founders Online, National Archives, https://founders.archives.gov/documents/Washington/04-02-02-0305. [Original source: The Papers of George Washington, Confederation Series, vol. 2, 18 July 1784 – 18 May 1785, ed. W. W. Abbot. Charlottesville: University Press of Virginia, 1992, pp. 449–451.]

My Best Respects Wait on Mrs. Hamilton. I kiss Phil, and the Young lady. Adieu Your affectionate friend

The Marquis de La Fayette to Alexander Hamilton, April 13, 1785.

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 5, January 4, 1782‑December 29, 1785, Cornell University Press, 1983, p. 318.

My Most affectionate Respects Wait upon Mrs. Knox, Miss Lucy, all the family. I kiss my God Son.

The Marquis de La Fayette to General Henry Knox, May 11, 1785.

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 5, January 4, 1782‑December 29, 1785, Cornell University Press, 1983, p. 322.

Adieu, my good friend, my most affectionate Respects to Mrs. Knox, and a kiss to Lucy, my Son, and the little one. Your affectionate friend

The Marquis de La Fayette to General Henry Knox, June 12, 1785.

Idzerda Stanley J. et al., editors, Lafayette in the Age of the American Revolution: Selected Letters and Papers, 1776–1790, Volume 5, January 4, 1782‑December 29, 1785, Cornell University Press, 1983, p. 330.

[sgiandubh]

Jottings: Season 7, Episode 3. Bloody newspapers, never get anything right

You will not need any tissues for this sort of dependable wrap-up episode, that probably packs a punch with regard to the books' timeline and helps explain some obscure points to show-only people, like me. Ice-cream is still a welcome side addition (B&J's Cookie Vermont-ster, this week), though: it is, after all, a very hot, sleepless summer in Europe.

Timeline and our attention are split between 1776 at Fraser's (f)Ridge and somewhere around 1978 in Inverness. While there is drama at the Ridge (the fire at the Big House, the Bugs, the Jacobite gold), in Scotland all the emotions of homecoming are quickly turning into a muffled affair, thanks to SS's evergreen DGAF monotony.

Spoiler: Bree's line while seated with Roger on the front steps of a -now- derelict Lallybroch ("I'm really happy right here") sounds and translates exactly like the supremely anticlimactic "I'm your daughter" (The Birds and the Bees). I will never, ever, ever forgive SS for that and I can only be relieved this time it wasn't such a big deal, in the great scheme of things. Or was it?

Unpopular opinion: Claire's Ave Maria fell a bit flat in these Catholic ears. I was expecting more, given the uber-dramatic context, and found it wanting. But this fleeting disappointment was soon enough redeemed with the soulfully subtle wink to Robert Frost's Death of a Hired Man ("Yes, what else but home?/It all depends on what you mean by home. /(...) ‘Home is the place where, when you have to go there,/They have to take you in.’). Immaculately delivered by C. - the woman does understand and feel poetry, and that, my friends, is a rare gift.

John Bell will surprise you in a very, very good way. Puck grew up. I see great things.

The J&C/S&C bubble: unsinkable. Because 'a thing of beauty is a joy forever'. And, it is my absolute conviction (along with Keats', of course) "it will never pass into nothingness".

Overall, we get all the right vibes from fizzled out Season 4 and underrated Season 5 in this episode that brings the Frasers back to Bree & Roger's humble pioneer cabin, for lack of a better solution.

For obvious reasons, I cheered and booed at the 'blood of my blood` scene, featuring C's new sgian-dubh (FYI, the handle fits perfectly in her palm). I admit, I sometimes am a vainglorious cretin (wee joke, Antis), but hey: it's been a while since we haven't seen knives and blades so prominently featured in this gunpowder, treason and plot segment of the saga.

With Vandervaart still off my radar, this rushed transition left me a bit hungry for more. Ever the optimist, I can only hope next week will be bigger, brighter, better and more. And the kilt is back (what's not to like, I wonder), because tee-hee, J&C are on their way to Scotland, too.

Little do they know, however. Onwards!

[unwelcome-ozian]

Hi. Im trying to understand what is illuminati programming? Does it make you believe in conspiracy theories like the illuminati? Or is just another name for monarch programming?

Monarch Programming is an umbrella term for TBMC, Designer Programming, MK-ULTRA, and Designer programming.

The Illuminati is often categorised as a conspiracy theory. There is a lot of documentation regarding groups whose name means Illuminati. For example Alumbrados. The more formal genesis of the Illuminati came with the birth of Adam Weishaupt (its founder); born in Ingolstadt, Bavaria, in 1748 to Jewish parents, who converted to Roman Catholicism and had him attend monastery schools and a high school run by the Jesuits.

A name applied to several bodies of religious enthusiasts, including (1) the Alumbrados; (2) the Rosicrucians; and (3) a masonic sect founded in Bavaria in 1776 by Adam Weishaupt. Repudiating the claims of all existing religious bodies, they professed themselves to be those in whom alone the ���illuminating’ grace of Christ resided. They were banished from Bavaria in 1784 but survived elsewhere.

On May 1, 1776, the Illuminati (from the same root word for Lucifer, “Bearer of Light” or Enlightened Ones) was founded as a single powerful secret organisation to overthrow established civilization and religion, and to establish a Novus Ordo Seclorum (New World Order). Weishaupt developed the following seven-fold plan as the means to arrive at that goal: 1) Abolish all ordered governments; 2) Abolish private property; 3) Abolish inheritance; 4) Abolish patriotism; 5) Abolish religion; 6) Abolish the family unit; and 7) Creation of a New World Order/World Government (Griffin 1993:52).

According to Rev. Seth Payson, who in 1802 wrote Proof of the Illuminati, the Illuminati is symbolised by the Great Pyramid, with the all-seeing eye on top (Great Seal of the U. S. on the back of the one dollar bill), with thirteen levels. These thirteen levels are divided into three groups: 1) Nursery (Preparation, Novice, Minerval, Illumined Minor), 2) Masonry (Apprentice, Fellowcraft, Master, Illumined Major/Novice, Illumined Dirigens/Knight), and 3) Mysteries (Presbyter/Priest, Prince/Regent, Majus, and Rex). The Order is controlled by the “Council of 13” (Council of 12 + the leader—Weishaupt himself). The true power of the organisation was considered to be “circles within circles;” that is the innermost circle, governed by the Council of 13 (Payson 2003:67-8).

Illuminati programming is a specific form of programming. The beliefs would vary depending on that group's point of view of the teachings. I categorise Illuminati programming under spiritual programming (RA). It is traditionally linked with anti semitic programming.

The beliefs for programming are consistently changing. For example: Kazakhstan has become known in conspiracy circles. Some of the theories name it an Illuminati-funded, future Asian capital of the coming “New World Order.”

Here’s an interesting article about one of the origins of the conspiracy theory.

Watchmen of the New Jerusalem: Jedidiah Morse, the Bavarian Illuminati and the refashioning of the jeremiad tradition in New England

Oz

[ladykailitha]

Can Anybody See Me? Part 16

Hello, darlings! I am back with this wonderful story. I figure there will be about 20 chapters provided more drama doesn’t crop up for our lovely duo.

The Cinderella thing is mostly true. Not the throw up part but the English teacher part. And she did swear off drama.

Also I used real lines from the play 1776 all credit goes to the writer Peter Stone.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15

*

Eddie always got tired of hearing the music by the time the last week before the performance came around. But he never got tired of watching Steve learn the dance moves or say his lines.

What was impressive was the fact that Steve picked up his lines faster then the kids that had been doing this for years. The actor playing John Adams kept stumbling over the line “Does anybody see what I see?” He kept saying “Does anyone see what I see?”

Eddie could tell even from the light booth that Steve was about to leap from the sidelines and strangle him.

Miss Lucy called out the correct line for the tenth time and the kid threw his arms in the air and walked off the stage in frustration.

Miss Lucy sighed. “All right, I guess we take a short break before getting back to it.” Marty patted her shoulder and went to go talk to him.

Steve turned to Janice. “You want to strangle Vince or shall I?”

Janice laughed. “How about we take turns?”

By then Eddie had made his way to them, the boring way. As in he actually used the stairs.

“Now, now, Stevie,” he growled low. “Threatening John Adams is a completely different part of the play!”

Steve and Janice laughed. Eddie loved this laugh. It wasn’t the dark chuckle or sneering smirk from his King Steve years. It was an actual laugh, open mouthed and loud.

“You ready for your first performance in front of a live audience?” Janice asked.

Steve gulped. “No?”

“There’s always someone who throws up,” she said with a grin. “So if you feel like up chucking, just do it in the designated garbage can with the lid to keep the smell from getting to everyone else.”

Eddie winced. “Yeah, we really don’t need a repeat of Cinderella.”

Steve’s face drained of color. “What happened with Cinderella?”

Marty came up from behind Janice and said, “The kid playing the King threw up on the girl playing the fairy godmother. Like all over her dress. And apparently she had a weak stomach, so she threw up too. And then the girl playing one of the step-sisters threw up because of the smell...and it just spiraled from there.”

“They had to cancel that performance,” Janice finished with a grimace.

“That performance?” Eddie said. “Hell they had to push back all of the performances until the following week so that they had time to get all the costumes dry cleaned.”

“It was a mess,” Marty said.

Steve frowned. “When was this?”

“Oh this was in middle school,” Marty said. “Um...our seventh grade I believe if Eddie was there for that.”

Eddie nodded. “The English teacher wanted to direct that year and she was a way better teacher than the actual drama teacher. But after the puking incident she swore off drama forever.”

It was Steve’s turned to wince. “I can’t say I blame her.”

“So yeah,” Janice said. “Please use the designated receptacles if you decide you need to throw up.”

Steve grimaced. “I don’t usually throw up when I’m nervous or scared, so I think I should be fine.”

Eddie frowned at the edition of scared to that statement. When the hell would Steve have been frightened? He supposed he could be referring to his dad, but this felt like it was something else.

“All right, everyone!” Miss Lucy called out. “Places!”

Steve got back out there and stood on his mark. Vince and Martin, the kid who was playing Hancock got to theirs.

“I’m still from Massachusetts, John;” Martin said, “you know where I stand. I’ll do whatever you say.”

“No, you’re the President of Congress,” Vince said. “You’re a fair man, Hancock—stay that way.”  

The messenger boy came in and handed Steve the dispatch.

“Tell me Mr Thomson, out of curiosity, do you stand with Mr Dickinson or do you stand with me?

Steve held up the dispatch. “I stand with the General. Lately–I’ve had the oddest feeling that he’s been–writing to me,” he said.

And this time the scene went off without a hitch.

“Cut!” Miss Lucy called. “Well done everyone!”

“Steve just a little more emotion in the ‘me’ bit, okay?” she said. “Your voice is supposed to crack with the despair of it all.”

Steve nodded.

“Kenny,” she said, “The way you uttered you line sent chills down my spine. Keep that up.”

Steve privately thought that Kenny should have been Adams instead of Lyman Hall. He was the much better actor. The only thing Steve could figure is that Kenny wanted the Georgia representative role.

It was one Steve had originally thought to try out for, but after reading the script a couple times decided that between Hall and Thomson, Thomson was a better fit for him.

They managed to get through the entire play that day.

Steve met up with Janice, Marty, and Eddie afterwards.

Eddie rubbed his hands together. “I can’t wait for next week.”

Marty laughed. “Yeah, yeah, Mr High School Delinquent wanting a valid reason to skip class...”

Steve frowned. “Why would we get to skip class?”

All three heads turned to him in shock.

“How do you not know?” Janice asked, her eyes wide.

“Know what?” Steve asked even further confused.

Marty smacked his head. “Shit! We’ve never actually said it out loud.”

Janice and Eddie turned to him.

“Wait, seriously?” Eddie asked eyes wide as he tilted his head forward in shock.

“We assumed everyone would know because we do it every year,” Marty explained.

“Steve,” Janice began, “did you not go to the high school productions of the school play in elementary?”

Steve frowned. “I vaguely remember that, I guess. I don’t think I ever went to the assembly. I think me and Tommy would cut out and then show up for the last few minutes.”

Eddie rolled his eyes. “Of course you did.”

Steve pursed his lips. “So we preform for the elementary kids all next week?”

Marty nodded. “Just the first act. Just enough to whet their appetite for the full thing so they drag their parents to the show so that we get the money.”

Steve nodded. “Okay. Do you guys do it for the middle school as well? Because I vaguely remember watching some musical about pirates my eighth grade year I think it was.”

Marty sighed. “We used to according Miss Lucy, but they stopped that year. The middle school principal hates the arts and discontinued it. Combine that with a drama teacher that didn’t care and you get the mess that is middle school preforming arts.”

Steve’s frown deepened. “I have a friend in the drama club at the middle school, I don’t think he’s every said anything bad about it. And he complains about everything.”

Eddie looked over at him and cocked his head. “Which one?”

Steve hummed. “Oh? Um, Dustin. The curly haired one without the front teeth.”

Eddie chuckled. “Yeah, I can see him being a drama kid.”

Marty chose that moment to cut in. “The problem is because they don’t have anything to compare it to most middle school kids don’t know it’s shit. And by the time they do figure it out, they’re already in high school and have moved on.”

Steve nodded. “Make sense I guess. And with the year almost over it wouldn’t make sense to try and change the system now.”

Janice sighed. “Sad but true.” She looked at her watch. “Look, I’ve got to go, I’m going to be late for work. I’ll see you guys later.”

Marty looked at his own watched and nodded. “That’s my cue as well. I need to talk to Mrs Thompson about one of the wigs. Apparently James is allergic to the power in his Franklin wig and we need to find a replacement that won’t scalp our actor.”

Steve grimaced. “Ouch. Yeah, I hear that. See around, man.”

Marty said goodbye and dashed off.

Eddie turned to Steve. “You coming to my place to study tonight?”

Steve hummed in the positive. “I just have to stop by my place to pick up a couple of things. Do you want me to grab some pizza on my way?”

Eddie grinned. “Sounds great. I love all meat.”

“You would,” Steve said rolling his eyes.

Eddie pushed him playfully. “I eat veggies, dude. Just not on pizza. It makes the dough all soggy.”

Steve frowned. “Huh. I don’t think I ever noticed that. I like a good supreme. But I’ll forgo today and just get a pepperoni and an all meat.”

Eddie smiled softly. “You do that, then. And I’ll see you at seven?”

Steve gave Eddie’s shoulder a squeeze and let his hand linger for a moment. “See you at seven.”

And then he walked away.

Eddie practically skipped backwards before he turned and ran out of the auditorium.

There in the back, shrouded in darkness, Kyle Carver sneered.

*

Steve arrived at the Munson trailer seven o’clock on the dot. His backpack was slung over one shoulder and the hot pizza perfectly balanced in one hand as he knocked on the door.

Eddie threw open the door and smiled. “Right on time.”

Steve grinned back. “I try.”

Eddie stepped back and let Steve in. Wayne smiled at the sight of the pizza.

“I like your boy, Eddie,” he said with a chuckle, rising to his knees. “Anyone who brings pizza from D'Onofrio’s is okay in my book.”

Steve laughed. “Like I’m going to get it from that new chain store that just opened up. My Italian grandmother would haunt me in my sleep.”

“I didn’t know you were Italian,” Eddie said, taking the boxes from him to set on the counter.

“Quarter,” Steve said, tossing his backpack on the floor next to coffee table. “My mom’s half Italian, half French, all American as my dad would say.”

“And your dad is what? All asshole?” Eddie asked getting down three plates from the cupboard.

Steve smirked. “Something like that.”

Wayne grabbed a slice of the pepperoni and set it on his plate. “I’m going to watch the game, you two boys okay with doing your homework on the counter in the kitchen?”

Steve nodded and Eddie said, “Yeah, that’s fine.”

Wayne nodded back and went to go eat his pizza in front of the TV.

The boys bent over their English homework cursing every British author under the sun for foisting their very unamerican style of writing on poor American high school students. In particular William Golding. Eddie still had a soft spot for Tolkien.  

“If this goes on for much longer,” Steve said after they were working on it for an hour, “we might have to call in big guns.”

Eddie sighed. “Why are we being made to care about some bratty teenagers trying to kill each other on an island?” He buried his head in hands and screamed.

“Fuck if I know,” Steve admitted. “Why don’t we take a smoke break? Sit out on the porch for a minute?”

Eddie lifted his head. “Yeah.”

They grabbed their jackets and went out to sit on the porch stairs. Steve pulled out his pack of cigarettes and handed one to Eddie.

“Camels?” Eddie asked, pulling out his Bic lighter.

“Got a problem with Camels?” Steve asked, flicking open his Zippo lighter and lighting Eddie’s cigarette when his Bic refused to strike.

Eddie shrugged. “I would have pegged you for one of those fancier brands. Clove or whatever.”

Steve shook his head. “My dad smokes ‘em and they were my first smoke.” He shrugged. “Can’t imagine smoking anything else.”

Eddie bumped his shoulder into Steve’s. “Yeah, same. Only for me, it’s Wayne’s brand.”

Steve smiled. “Makes it easier to share.”

Eddie smiled back. “Sure does, big boy.”

They finished their cigarettes and went back inside, finally able to finish their assignments.

Steve and Eddie lingered at the door, pressed together, Steve playing with the pins on Eddie’s denim vest.

“I wish there wasn’t school tomorrow so I could stay,” he murmured.

Eddie lifted Steve’s face by his chin. “I know, sweetheart. But we do and I would really like to graduate this year.”

Steve chuckled. “Yeah, me too.”

Eddie pressed his lips to Steve’s. “Good night, Stevie.”

Steve gave him a quick peck. “Night, Eds.” He waved goodbye and drove off.

Eddie watched him go and then slipped back into the trailer where Wayne was cleaning up in the kitchen.

“Eddie what did I tell you about leaving your comic books on the counter?” he asked with a sigh, holding up the comic in question.

He frowned. “That’s not one of mine.”

Wayne looked at it again. “I didn’t figure it was Steve’s. He doesn’t strike me as the type to read comic books.”

Eddie crossed the trailer and took the book from him. The cover showed a young man holding a bat filled with nails in front of a tentacled monster in a dark hallway.

The title read: The Monsters on Maple Street.

“Hey,” Wayne said. “That’s the name of one of my favorite ‘Twilight Zone’ episodes. It’s a real good one.”

Eddie nodded. Wayne was right. Steve didn’t read comic books. But he did write and draw one.

Or rather: two.

Holy shit.

Part 17  Part 18  Part 19  Part 20  Part 21

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[fetchmearum420]

I don’t remember if I did this but these are my 10 favorite 1776 characters:

1. Hancock

2. Thomson

3. Hall

4. Franklin

5. Sherman

6. Hopkins

7. Adams

8. Lee

9. Wilson

10. Dickinson

[ameliafuckinjones]

A few headcanons about nyo!America:

1.) England definitely would have placed nyo!America in one of the New England/Middle colonies, more specifically the Plymouth colony, for a variety of reasons. Chief among them being they had more women and children in the New England colonies, which were mainly filled with families fleeing religious persecution/seeking religious freedom as opposed to the Southern colonies like Jamestown which was male-dominated due to its foundation of agriculture and trade that attracted large numbers of male colonist. Another reason is because Plymouth in particular was more competently ran due to the religious and cultural emphasis on community cohesion (even brokering peace with the local native tribes via harvest feast) in comparison to Jamestown which was always succumbing to plague, famine and skirmishes with local native tribes. Taking all this into consideration, I imagine he'd feel it would be safer to leave a small immortal girl-child with the religious family dominated New England colonies than the oftentimes chaotic and violent male-dominated Southern colonies that focused more on agriculture than domesticity. As a result, Amelia would probably develop a lot of core New England/Middle Colonial characteristics and mannerisms down to the east coast (probably a Bostonian New Yorker hybrid) accent. Also, also I think it's cute that Plymouth is called America's Hometown so I think it'd only be right to have Amelia grow up there during her formative years (or even Alfred, cause I don't see a logical reason why England would place boy!America in the environmentally and culturally hostile Southern colonies either !!!)

2.) Another headcanon is Francis and Arthur dueling over who gets to claim the new child-colony upon her discovery (which I place around the late 1500s rather than the popular 1607). Francis wins, because he's always been the better swordsman man and Arthur the bowman, but upon seeing him hurt/slightly injured and defeated Amelia goes to Arthur instead of Francis (and refuses to leave his side despite prying) and the French explorers reluctantly concede that the colony belongs to England (before traveling further North where after years of exploration they eventually discover Matthew and establish Quebuec!!)

3.) Before meeting Arthur, Amelia was initially found and sheltered by the Roanoke colonists during the early days of North America's discovery, then (after the Roanoke colonies' failure and "disappearance") with the nearby Croatoan tribe in what is now modern day Dare County.

4.) After her discovery, Arthur takes Amelia back to England, and she stays with him for a few decades and is christened in Queen Elizabeth's court (and briefly meets the Virgin Queen and Shakespeare, though she does NOT remember this much to her irritation)

5.) She was christened Elizabeth Amelia Kirkland (Elizabeth to honor the queen, Amelia, to pay homage to Shakespeare by referencing the rumored Dark Lady, and Kirkland for obvious reasons)

6.) Given that her birthday, on paper, was on July 4th, 1776 in Philadelphia, at precisely 5:10pm, she is a Cancer Sun, Aquarius Moon, and Sagittarius Rising ( which is actually America's birthchart in real life, make of that what you will!!!)

7.) Last but not least, she was made from literal starlight and stardust. I like the headcanon that nations are born from volcanoes or snow capped mountains or they come bursting from the green earth or rising from the sea, and considering America's fascination with the stars its only fitting that she was born from one. Like meteorites, pieces of shooting stars - which in this case were meteor showers born from meteoriods that were born from the tail of a comet (or cometary debris), a comet made from the very material present in the early solar nebula that formed our Sun and planets- that entered the atmosphere, falling to the earth and out she came from that celestial body. I imagine she'd explain it just like that, and that the moment of her birth is the one thing that she remembers clearly from her early babyhood, much like all nations. It also pairs well with the fallen angel vibe that I ascribe to all versions of America.

[my-deer-history]

Francis Kinloch in Müller's letters to his family: Part 4

These extracts are from Johannes von Müller: Sämmtliche Werke, volume 7 (1810).

My translations here (with added paragraph breaks for legibility), original German transcriptions below the cut. This is the queerest part yet.

29 July 1776, to his father

The first cause of my silence, l. P.,* is that my regulated life really leaves me with little to write about; the other: that I am very busy. I read for a few hours with my friend, and that is almost the only time that I can devote to reading.

*For “lieber Papa”, “dear father”.

10 Oct 1776, to his father

You can guess the reason for my long silence, dearest father; when one is labouring on an important work, one becomes this work entirely; and in addition I finished a few more books with my friend Kinloch.

[...] A book seller from Neuchatel, Mrs B and I have convinced Mr B to put together a collection of his works. On account of this opportunity, he is working through all of them, and making additions and changes. Since he is not allowed to read himself, he wished to go through these writings with a friend who was already familiar with the contents. To that end, this summer we often read these and other writings for 2 – 3 hours a night in Mr Kinloch’s presence.

[...] My friend K is going to Italy. It is difficult; but the North American war and my work, which would be too disrupted, prevent me from accompanying him. This letter is not long enough to express to you how painful parting from him the day after tomorrow* will be for me.

[...] The loss of my friend makes me sad. Luckily, Kinloch is mine in every part of the world; our persons may be separated, but not our minds; I should care more about his perfection than about his presence; one day, in the long career that according to nature is open to us, we may well find ourselves together again**

*This places Kinloch’s departure for Italy on 12 October 1776.

**Original annotation: This friendship with Mr Kinloch remained unabated until Müller’s death. He received letters from him even in Cassel.

24 Dec 1776, to his brother

For myself, I seek nothing except that independence, which I consider to be the highest good of a human being, which I now enjoy, and will always enjoy through the generosity of my friend Kinloch and through the sciences.

Then I write my letters, rarely any others (except letters concerning business) besides those to my two friends, Bonstetten and Kinloch.

[...]Mr Kinloch sees Italy with the eyes of a man devoted to great occupations, with the sensitivity of a friend of antiquity and the fine arts. His letters are a diary of everything he sees, hears and feels. Through him and that other friend, I know Italy better than almost any other country.

April 1777, to his brother

When you wrote to him, I was in Lyon. My friend Kinloch, when he returned from Italy, wrote to me to find me at the lake below Genthod on a specific day, because he wanted to visit me; I however could not wait for him and took a cabriolet. I met him three hours from Geneva. He stayed with me for three or four days. 

He strengthened his admiration for the monuments of the ancients when he saw them; his love of free government when he saw the current state of the nation and the constitution; and through everything, history, art and intercourse, he strengthened his noble desire for rightful fame and great virtues: and as he saw so many others, he learned to estimate my friendship even more highly. And it really seems to me that we loved each other ten times more during these few posts, and the purpose of our friendship is always our mutual perfection; nor does Kinloch want any other friend, and I do not want any others besides Bonstetten and him.

When he left Genthod and we had read and spoken a lot together, it was not possible for me to watch him go; so I went to Lyon. [...] I am never happier or healthier, nor do I think more clearly or feel more vividly, than when I am travelling; hence, I made a lot of observations and at the same time did a lot of work, both with my friend and after we left Lyon - at the same hour but by different routes - and I drove back.

I read everything to him that I had drafted about Switzerland over the winter, then we read several works by Juvenal with endless pleasure, from which I am also learning several parts by heart, and then we read about the countries that we had seen, besides many chapters from Montaigne, whose masterwork is the chapter on friendship*

*Michel de Montaigne’s famous essay De l’amitié (On friendship) was written after the death of his beloved friend Etienne de la Boétie. Montaigne posits that a person can only have very few - or even just one - true friends, a position based on his profoundly deep love for Boétie, whose death just four years into their acquaintance devastated him. Müller and Kinloch would have seen a close mirror of their own relationship in this, built as both were on intellectual pursuits and mutual self-improvement, and with a subtle but present homoromantic undertone. Read an English translation of the essay here, where Montaigne outs himself as team-Achilles-was-the-bottom.

4 Sept 1779, to his brother

It was with unspeakable pleasure that I received news from Kinloch a few days ago that, after feeling forced by mortal danger to take up arms for Carolina, he had distinguished himself so much as aide-de-camp in Georgia and Carolina under General Moultrie that, in a letter to the Congress, the general named him a very brave youth and the pride of his fatherland, and this was printed in the newspaper. This fame that my friends acquire is a powerful spur for me.

29 July 1776, to his father

Die erste Ursache meines langen Stillschweigens, l. P. ist, daß mein einförmiges Leben mir wirklich wenig zu schreiben darbietet; die andere: daß ich sehr beschäftiget bin. Ein paar Stunden lese ich mit meinem Freund, und das ist fast die einige Zeit, welche ich der Lecture widmen kann. 

10 Oct 1776, to his father

Die Ursache meines langen Stillschweigens errathet ihr, liebster Papa; wenn man an einem wichtigen Werk arbeitet, so ist man ganz dieses Werkes; und denn vollendete ich mit meinem Freund Kinloch noch einige Bücher.

[...] Ein Buchhändler von Neufchatel, Frau B. und ich haben Herrn B. zu einer Sammlung seiner somtlichen Werke vermocht. Bei dieser Gelegenheit durchsieht er sie alle, und macht Zusäße und Veränderungen. Da er selbst nicht lesen darf, so wünschte er mit einem Freund diese Schriften zu durchgehen, dem zugleich der Inhalt geläufig wäre. Zu dem Ende haben wir diesen Sommer oft 2 – 3 Stunden des Abends diese und andere Schriften in Herrn Kinlochs Gegenwart gelesen.

[...] Mein Freund K. geht nach Italien. Es ist hart; aber der nordamerikanische Krieg und mein Werk, welches zu sehr unterbrochen worden wäre, verhindern mich ihn zu begleiten. Dieser Brief ist nicht lang genug, um Euch, auszudrücken, wie schmerzlich mir übermorgen dieser Abschied seyn wird.

[...] Der Verlust meines Freundes macht mich traurig. Zum Glück ist Kinloch in allen Welttheilen mein; unsere Personen mögen getrennt werden, aber nicht unsere Gemüther; seine Vervollkommnung soll mir mehr am Herzen liegen, als seine Gegenwart; endlich in der langen Laufbahn, welche der Natur nach uns offen ist, mögen wir uns wohl zusammen finden *..

* Diese Freundschaft mit Herrn Kinloch blieb ungeschwacht bis zu Müllers Tode. Er erhielt zu Cassel noch Briefe von ihm.

24 Dec 1776, to his brother

Für mich selbst suche ich nichts, als jene Unabhängigkeit, welche ich für das höchste Gut eines Menschen halte, deren ich nun genieße, und durch den Edelmuth meines Freundes Kinloch und durch die Wissenschaften allezeit genießen werde.

Alsdann schreibe ich meine Briefe, selten andere (außer Briefe die Geschäfte betreffen) als an meine zwei Freunde, Bonstetten und Kinloch.

[...]Herr Kinloch sieht Italien mit den Augen eines Mannes, der sich den großen Geschäften widmet, mit der Empfindlichkeit eines Freundes der Alten und der schönen Künste. Seine Briefe sind das Tagbuch alles dessen, was er sieht, hört und fühlt. Durch Ihn und jenen andern Freund kenne ich Italien genauer als fast kein anderes Land. 

April 1777, to his brother

Als du ihn schriebest, war ich zu Lyon. Mein Freund Kinloch, als er aus Italien zurückkam, schrieb mir an einem gewissen Tag mich am See unter Genthod zu finden, weil er mich besuchen wolle; ich konnte ihn aber nicht erwarten und nahm ein Cabriolet. Drei Stunden von Genf traf ich ihn an. Drei oder vier Tage blieb er bei mir. Er hatte sich beim Anblick der Denkmale der Alten in der Bewunderung derselben, bei Ansicht des heutigen Zustandes der Nation und der Verfassungen in der Liebe freier Regierung, durch alles, Historie, Künste und Umgang in der edlen Begierde verdienten Ruhms und großer Tugenden bestärkt: auch da er so viele andere gesehen hatte, hatte er meine Freundschaft noch höher schätzen gelernt. Und es scheint mir würklich, wir haben einander zehnmal lieber gewonnen in diesen wenigen Lagen, und der Zweck unserer Freundschaft ist allezeit unsere wechselseitige Vervollkommnung; auch will Kinloch keinen andern Freund, ich will auch keinen außer Bonstetten und ihn. Als er Genthod verließ und wir vieles gelesen und gesprochen hatten, war mir nicht möglich, ihn abreisen zu sehen; also ging ich auf Lyon. [...] Niemals bin ich freudiger noch gesünder, auch denke ich nie heller noch empfinde lebhafter, als wann ich reise; daher ich eine Menge Beobachtungen gemacht und zugleich sowohl mit meinem Freund, als nachdem wir Lyon zu gleicher Stunde, aber auf verschiedenen Wegen, verlassen und ich zurückfuhr, sehr viel gearbeitet habe. Ihm las ich alles, was ich diesen Winter über die Schweiz abgefaßt hatte, dann lasen wir mit unendlichem Vergnügen verschiedene Stücke im Juvenalis, aus welchem ich auch mehreres auswendig lerne, und dann lasen wir über die Länder, die wir sahen, nebst vielen Kapiteln im Montaigne, dessen Meisterstück das Kapitel von der Freundschaft ist;

4 Sept 1779, to his brother

Vor wenigen Tagen habe ich mit unsäglichem Vergnügen von Kinloch Nachricht bekommen, daß, nachdem er sich durch Lebensgefahr gezwungen gesehen, für Carolina die Waffen zu ergreifen, er unter General Moultrie als Aide de Camp in Georgien und Carolina sich so sehr ausgezeichnet, daß er von dem Feldherrn in einem Brief an den Congreß ein sehr tapferer Jüngling und eine Ehre seines Vaterlandes genannt worden ist, welches gedruckt worden. Dieser Ruhm, den meine Freunde erwerben, ist für mich ein gewaltiger Sporn. 

4 Sept 1779, to his brother

Vor wenigen Tagen habe ich mit unsäglichem Vergnügen von Kinloch Nachricht bekommen, daß, nachdem er sich durch Lebensgefahr gezwungen gesehen, für Carolina die Waffen zu ergreifen, er unter General Moultrie als Aide de Camp in Georgien und Carolina sich so sehr ausgezeichnet, daß er von dem Feldherrn in einem Brief an den Congreß ein sehr tapferer Jüngling und eine Ehre seines Vaterlandes genannt worden ist, welches gedruckt worden. Dieser Ruhm, den meine Freunde erwerben, ist für mich ein gewaltiger Sporn.