#32 cm x 22

[parisjohanna]

Alice Jorge

[huariqueje]

Vase of Roses - Mario Tozzi , 1916.

Italian , 1895-1979

Oil on masonite , 32 x 22 cm.

[arthistoryanimalia]

#MonochromeMonday :

Billy Missi (Torres Strait Islander, 1970-2012)

Seahorses & Squid, 1999

stone lithograph, 32 x 22 cm

[theophan-o]

Zagłoba & Bohun endlessly portrayed together...

Juliusz Kossak (1824-1899), watercolour, 1884, 42 cm X 33 cm

Anonymous, oil on canvas, late 19th century/beginning of the 20th century, 40 cm X 32 cm

Anonymous, oil on canvas, after 1884, 27 cm X 22 cm

Andrzej Zajkowski (1851-1914), woodcut (prepared as an illustration for the newspaper "Tygodnik Illustrowany"), 24.04.1886.

Anonymous, gouache, 1895, 28,5 cm X 22 cm

Kajetan Kosiński (1847-1335), watercolour, late 19th century/beginning of the 20th century, 46,5 cm X 36,5 cm

Anonymous, oil on canvas, late 19th century, 69 cm X 43 cm

Polish postcard from the late 19th century/beginning of the 20th century

[thegoldensanctuary]

Part II C the larger paintings and the early furniture

Saint Cecile playing music

Fig 30 : Dominiquin (Domenico Zampieri, dit Il Domenichino), Sainte Cécile avec un ange tenant une partition musicale, 1600/1625, 160 x 120 cm, Louvre, INV 793; MR 181.

Painted by Domenichino(fig 30) in the early 17th century it depicts saint Cecile playing cello while looking at the sky with a angel under the traits of an infant holding her partition. The artist chose to depict the saint wearing an outfit contemporary the artist’s life, which would have been anachronistic for a saint who live in the 3rd century. The painting was sold by Jabach to Louis XIV in 1662[22] and was placed, according to Piganiol, on the unique fireplace of the time on the southern wall.

King David playing the Harp

Fig 31: Dominiquin (Domenico Zampieri, dit Il Domenichino), Le Roi David jouant de la harpe, vers 1619, 240 x 170 cm, huile sur toile, Château de Versailles, MV 5359

Painted by Domenichino (fig 31)around the same time as the painting previously discussed, it depicts King Davis paying the harp. Just like in the saint Cecile’s painting the main protagonist is assisted by an angel depicted as young boy holding the partition, while he is looking at the sky. But unlike the previous painting, in which background is dark, the one in the King David painting appears to follow the code of a state portrait : with a tapestries with golden fringes filling the upper right corner, and a column displayed on the left. It was purchased by Louis XIV to the heir of Mazarin in 1665[23].

2.3 The Furniture

The 1684 winter set :

Fig 32 : 3d Recreation of set 1109, in the central salon in the Sims 4 engine

The 20th of November 1684 a large delivery of furniture is registered for the royal apartments in Versailles. Several sets of crimson velvet are placed in the King’s apartment. In the room where the King dresses the delivery mentions two armchairs, 16 stools 8 portiere tapestries covered in crimson velvet with gold fringes, and braids, registered under the number 1109[24](fig 32)while no specific seasonal use is mentioned it is nevertheless possible infer that the set in question was meant to used for winter, as the table cloth and daybed delivered alongside for the council cabinet under the number 1103[25], is, as late as 1740[26], still mentioned in said cabinet and used as a winter set, probably until 1749[27]. 

The 1700 summer set :

Fig 33 : 3d Recreation of set 1870, in the central salon in the Sims 4 engine

In May 1700, Doublet delivered three new summer sets for King’s apartment under the numbers 1870,1871 and 1872, the set destined for the central salon, the 1870(fig 33), contained :

-8 portiere tapestries made of 3 pieces of brocade each

-3 armchairs and 12 folding stools covered in brocade, with gold fringes and braids, with their wood sculpted and gilded [28]

The brocade in question was described as “silver background brocade, with flowers embroidered in gold and silver, contoured with silk of different colors, with gold braids at the edge and taffeta lining.”[29], the brocade discharge includes several brocades with silver background used by doublet when making the upholsteries and portieres for those three sets. The 6th brocade listed is the one used for the confection of set 1870, its description goes as follow  :”brocade from Lyon with silver background, flowers patterns of gold and silver surrounded by thin contours of red, green and purple silk”[30], the descrition is almost identical to the original but includes however the specific colors used for the outline of the silver and gold raised patterns, the origin of that brocade can be traced to a delivery from the 12th of June 1698, initially destined for the royal chapel in Versailles, and who was given at the time the number 135[31].

[22] See number 53 of Le Brun’s inventory

[23] See number 125 of Le Brun’s inventory

[24] AN O1/3305, f⁰ 153 v⁰ ; Jules Guiffrey Inventaire général du mobilier de la couronne sous Louis XIV (1663-1715). Partie 2, p. 348, number 1109

[25] Ibid

[26] AN O1/3453 f⁰ 4 r⁰

[27] AN O1/3314 f⁰ 145 v⁰

[28] AN O1/3307 f⁰ 417 v⁰

[29] Ibid

[30] Ibid f⁰ 420 r⁰

[31] Ibid f⁰ 360 r⁰

[lichtberg]

A Dog for Carina, 2023

Ein Hund für Carina, 2023

IG

32 x 22 cm, airbrush on canvas

[mentaltimetraveller]

B. Ingrid Olson

Radial Velvet Soft Socket, 2018 Inkjet print and UV printed matboard in aluminum frame 32 x 26 inches / 81.3 x 66 cm

at Jessica Silverman, San Francisco July 1 – August 22, 2015

[gentilfarfalletta]

Jan van der Ploeg, PAINTING No. 22-73, untitled, 2022, Acrylic on canvas, 29.5 x 32 cm

[s7ieben]

Waldeinsamkeit

lino paint on paper – linocut – 22 x 32 cm

Hard-to-translate words series 1/8 Waldeinsamkeit – German word, it means to be alone in the nature, and to be part of the nature in harmony.

S7IEBEN.art RedBubble

[dogandcatcomics]

#repost @nathanaelleherbelin Nathanaëlle Herbelin (Paris, France, b. Israel, 1989-). First image is Chat Noir, 2020, oil on wood, 32 x 28.5 cm. Second image is Le chien version, 2022, oil on canvas, 22 x 27 cm. I am a fan of the canine and feline representation in Herbelin's work. @galeriejousseentreprise

[santmarc]

Paisaje con escaleras by Muriel

Collagraph printed on cotton paper 56 x 38 cms (print size 22 x 32 cms) edition signed and numbered (9/10), 2002

[chainsawpunk]

Greg Carideo, PLM, 2023, t-shirt, pillowcase, found fabric, found shoe heel, steel, silver brazing, stitching, 21 x 12.5 x 8.5 in (54 x 32 x 22 cm)

[huariqueje]

Balcony   -   Heli Salonen , 1998.

Finnish, b. 1949  -  

Aquatint  etching ,   22  x 32  cm .

[nbula-rising]

Viola Pineapple Crochet Maxi Skirt Time: Weekend Project

Size: Small (Medium, Large, 1X, 2X, 3X), instructions written in size small with changes for larger sizes in parentheses.

Finished waist Size 36 (40, 44, 48, 52, 55)” to fit waist 26 (30, 34, 38, 42, 45)”

Shown in size Small. 32” long

Gauge: 16 sts and 8 rows = 4” [10 cm] in double crochet rows after blocking.

Materials

Light weight yarn Yarn: Universal Yarn “Bamboo Pop” (50% Cotton, 50% Bamboo; 292 yards [266 meters]/100 grams): #138 Quartz – 4 (5, 6, 7, 9, 10) balls,

Hook: US size 7 (4.5 mm)

Notions: Stitch Markers

Special Stitches

4 double crochet Open Shell stitch (Shl): (2 dc, ch 2, 2 dc) in indicated stitch or space.

Expanded Shell stitch (ExpShl): ({2 dc, ch 1} 2 times, 2 dc) in indicated stitch or space.

Skinny 4 double crochet Shell (SkShl): (2 dc, ch 1, 2 dc) in indicated stitch or space.

Pattern Notes

This pattern is worked in the round from the top down with increases for upper skirt shaping.

Dc rounds are started with a modified turning chain, a single crochet is worked without a ch-1 turning chain, followed by 2 chains to create the height needed for dc. When working the next round the top of the ch-2 is worked as the top of a regular dc st.

To make the skirt longer add rounds without increases between the increase rounds (for a shorter skirt, subtract rounds without increases between the increase rounds. The last round of the upper skirt needs to have a number of stitches divisible by 14 for the lace pattern set-up.

Drawstring for the skirt is a Crocheted Romanian Cord. If you need help there is a great video on Stitches n Scraps YouTube channel: https://www.youtube.com/watch?v=vniz9CAREVs Pattern Upper Skirt

Ch 145 (161, 177, 193, 209, 221).

Rnd 1: Turn, sc in back bump of second ch from hook and each ch back to start, without twisting sl st to first sc to join in Rnd. (144 (160,176, 192, 208, 220) sc)

Rnd 2: Turn, sc in first st, ch 3 {counts as first dc and ch-1 sp}, *sk 1, dc in next st, ch 1, repeat from * to end of Rnd, join with sl st to 2nd ch of first ch-3.

(72 (80, 88, 96,104,110) dc, 72 (80, 88, 96,104,110) ch-1 sp)

Rnd 3: Turn, sc in first ch-1 sp, ch 2 {counts as first dc here and throughout}, *dc in next st, dc in next ch-1 sp, repeat from * to end of Rnd, join with sl st to 2nd ch of first ch-2.

(144 (160,176,192, 208, 220) dc)

Rnd 4: Turn, sc in first st, ch 2, dc in each st around, join with sl st to 2nd ch of first ch-2. Upper Skirt Increases

Place increase stitch markers according to size (6 markers each size).

Place marker in stitch number:

Small: 12, 36, 60, 84, 108, 132

Medium: 14, 40, 67, 93, 120, 146

Large: 15, 44, 74, 103, 132, 161

XL: 16, 48, 80, 112, 144, 176

2X: 17, 52, 86, 122, 156, 191

3X: 19, 56, 93, 127, 164, 201

Rnd 5: Turn, sc in first st, ch 2, *dc in each st until reach marked st, 2 dc in marked st, move st marker to first st made, Rep from * until used all st markers, dc in each st remaining until reach end of rnd, join with sl st to 2nd ch of first ch-2.

(150 (166,182,198, 214, 226) dc)

Rnds 6-8: Repeat Rnd 4, moving st marker up to st worked in marked st.

Rnds 9 – 36 (36, 20, 20, 16, 16): Repeat Rnds 5-8. (192 (208, 200, 216, 226, 238) dc)

Size Sm: After Rnd 36, remove 2nd and 5th Increase markers, go to instructions for Rnd 37.

Size Med: After Rnd 36, remove 1st, 3rd, 4th and 6th Increase markers, go to instructions for Rnd 37.

Rnd x (x, 21, 21, 17, 17): Rep Rnd 5. (x (x, 206, 222, 232, 244) dc)

Rnds x (x, 22, 22, 18, 18) – x (x, 25, 25, 21, 21): Rep Rnd 4.

Rnds x (x, 26, 26, 22, 22) – x (x, 35, 35, 36, 36): Rep Rnds x (x, 21, 21, 17, 17) – x (x, 25, 25, 21, 21). (x (x, 218, 234, 250, 262) dc)

Size XL: After Rnd 35 remove 2nd and 5th Increase Markers.

Size 2X: After Rnd 36 remove 1st, 3rd, 4th and 6th Increase Markers.

Size 3X: After Rnd 36 remove 2nd and 5th Increase Markers

Rnd 37 (37, 36, 36, 37, 37): Rep Rnd 5. Remove any remaining Increase Markers.

(196 (210, 224, 238, 252, 266) dc)

Rnd 38 (38, 37, 37, 38, 38) – x (x, 38, 39, 40, 41): Rep Rnd 4. Pineapple Border

14 (15, 16, 17, 18, 19) Lace Repeats

Rnd 1: Turn, (ch 3, dc) in same st as join, [ch 4, sk 4 sts, sc in next st, ch 6, sk 3 sts, sc in next st, ch 4, skip 4 sts, Shl in next st] 13 (14, 15, 16, 17, 18) times, rep from * to * once, 2 dc in same st as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl, 28 (30, 32, 34, 36, 38) ch-4 sp, 14 (15, 16, 17, 18, 19) ch-6 sp, 28 (30, 32, 34, 36, 38) sc)

Rnd 2: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 1, 9 Tr in next ch-6 sp, ch 1, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl,

28 (30, 32, 34, 36, 38) ch-1 sp, 126 (135, 144, 153, 162, 171) Tr)

Rnd 3: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 2, (sc in next Tr, ch 3, sk 1 st) 4 times, sc in next Tr, ch 2, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl.

(14 (15, 16, 17, 18, 19) Shl, 28 (30, 32, 34, 36, 38) ch-2 sp, 56 (60, 64, 68, 72, 76) ch-3 sp,

70 (75, 80, 85, 90, 95) sc)

Rnd 4: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 3, (sc in next ch-3 sp, ch 3, sk 1 st) 3 times, sc in next ch-3 sp, ch 3, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl, 70 (75, 80, 85, 90, 95) ch-3 sp, 56 (60, 64, 68, 72, 76) sc)

Rnd 5: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 4, sk next ch-3 sp, (sc in next ch-3 sp, ch 3, sk 1 st) 2 times, sc in next ch-3 sp, ch 4, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl, 28 (30, 32, 34, 36, 38) ch-4 sp, 28 (30, 32, 34, 36, 38) ch-3 sp, 42 (45, 48, 51, 54, 57) sc)

Rnd 6: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 5, sc in next ch-3 sp, ch 3, sk 1 st, sc in next ch-3 sp, ch 5, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl.

(14 (15, 16, 17, 18, 19) Shl, 28 (30, 32, 34, 36, 38) ch-5 sp, 14 (15, 16, 17, 18, 19) ch-3 sp,

28 (30, 32, 34, 36, 38) sc)

Rnd 7: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 6, sc in next ch-3 sp, ch 6, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl,

28 (30, 32, 34, 36, 38) ch-6 sp, 14 (15, 16, 17, 18, 19) sc)

Rnd 8: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 4, sc in next ch-6 sp, ch 6, sc in next ch-6 sp, ch 4, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl.

(14 (15, 16, 17, 18, 19) Shl, 28 (30, 32, 34, 36, 38) ch-4 sp, 14 (15, 16, 17, 18, 19) ch-6 sp,

28 (30, 32, 34, 36, 38) sc)

Rnds 9 – 15: Rep Rnd 2 – 8.

Rnd 16: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 2, sc in next ch-4 sp, 9 dc in next ch-6 sp, sc in next ch-4 sp, ch 2, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl, 28 (30, 32, 34, 36, 38) ch-2 sp, 28 (30, 32, 34, 36, 38) sc,

126 (135, 144, 153, 162, 171) dc)

Rnd 17: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [*sk ch-2 sp, (ch 1, dc in next dc) 9 times, ch 1, * Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl.

(14 (15, 16, 17, 18, 19) Shl, 140 (150, 160, 170, 180, 190) ch-1 sp,

126 (135, 144, 153, 162, 171) dc)

Rnd 18: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 2, sk first ch-1 sp (sc in next ch-1 sp, ch 3, sk 1 st) 7 times, sc in next ch-1 sp, ch 2, sk next ch-1 sp, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl, 28 (30, 32, 34, 36, 38) ch-2 sp,

112 (120, 128, 136, 144, 152) sc, 98 (105, 112, 119, 126, 133) ch-3 sp)

Rnd 19: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 3, sk ch-2 sp, (sc in next ch-3 sp, ch 3, sk 1 st) 6 times, sc in next ch-3 sp, ch 3, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl, 112 (120, 128, 136, 144, 152) ch-3 sp,

98 (105, 112, 119, 126, 133) sc)

Rnd 20: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 3, sk next ch-3 sp, (sc in next ch-3 sp, ch 3, sk 1 st) 5 times, sc in next ch-3 sp, ch 3, Shl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-2 sp as first dc, ch 2, sl st to 3rd ch of first ch-3, completes first Shl. (14 (15, 16, 17, 18, 19) Shl, 98 (105, 112, 119, 126, 133) ch-3 sp,

84 (90, 96, 102, 108, 114) sc)

Rnd 21: Turn, (loose sl st, ch 3, dc) in ch-2 sp of first Shl, [ch 3, sk next ch-3 sp, (sc in next ch-3 sp, ch 3, sk 1 st) 4 times, sc in next ch-3 sp, ch 3, ExpShl in ch-2 sp of next Shl] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, SkShl in same ch-2 sp as first dc, ch 1, sl st to 3rd ch of first ch-3, completes first ExpShl. (14 (15, 16, 17, 18, 19) ExpShl, 98 (105, 112, 119, 126, 133) ch-3 sp, 84 (90, 96, 102, 108, 114) sc)

Rnd 22: Turn, (loose sl st, ch 3, dc) in first ch-1 sp of first ExpShl, ch 1, SkShl in 2nd ch-1 sp of same ExpShl, [ch 3, sk next ch-3 sp, (sc in next ch-3 sp, ch 3, sk 1 st) 3 times, sc in next ch-3 sp, ch 3, SkShl in first ch-1 sp of next ExpShl, ch 1, SkShl in 2nd ch-1 sp of same ExpShl]

13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-1 sp as first dc, ch 1, sl st to 3rd ch of first ch-3, completes first SkShl. 28 (30, 32, 34, 36, 38) SkShl, 14 (15, 16, 17, 18, 19) ch-1 sp, 70 (75, 80, 85, 90, 95) ch-3 sp, 56 (60, 64, 68, 72, 78) sc)

Rnd 23: Turn, (loose sl st, ch 3, dc) in ch-1 sp of first SkShl, [ch 3, sk next ch-3 sp, (sc in next ch-3 sp, ch 3, sk 1 st) 2 times, sc in next ch-3 sp, ch 3, SkShl in each of next 3 ch-1 sps] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, SkShl in each of next 2 ch-1 sps, 2 dc in same ch-1 sp as first dc, ch 1, sl st to 3rd ch of first ch-3, completes first SkShl.

(42 (45, 48, 51, 54, 57) SkShl, 56 (60, 64, 68, 72, 78) ch-3 sp, 42 (45, 48, 51, 54, 57) sc)

Rnd 24: Turn, (loose sl st, ch 3, dc) in ch-1 sp of first SkShl, (ch 2, SkShl in next ch-1 sp) 2 times, [ch 3, sk next ch-3 sp, sc in next ch-3 sp, ch 3, sk 1 st, sc in next ch-3 sp, ch 3, (SkShl in next ch-1 sp, ch 2) 2 times, Sk Shl in next ch-1 sp] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-1 sp as first dc, ch 1, sl st to 3rd ch of first ch-3, completes first SkShl.

(42 (45, 48, 51, 54, 57) SkShl, 28 (30, 32, 34, 36, 38) ch-2 sp, 42 (45, 48, 51, 54, 57) ch-3 sp, 28 (30, 32, 34, 36, 38) sc)

Rnd 25: Turn, (loose sl st, ch 3, dc) in ch-1 sp of same SkShl, [ch 3, sk next ch-3 sp, sc in next ch-3 sp, ch 3, ch 3, (SkShl in next ch-1 sp, ch 2, ExpShl in next ch-1 sp, ch 2, SkShl in next ch-1 sp] 13 (14, 15, 16, 17, 18) times, Rep from * to * once, 2 dc in same ch-1 sp as first dc, ch 1, sl st to 3rd ch of first ch-3, completes first SkShl.

(28 (30, 32, 34, 36, 38) SkShl, 14 (15, 16, 17, 18, 19) ExpShl, 28 (30, 32, 34, 36, 38) ch-3 sp, 28 (30, 32, 34, 36, 38) ch-2 sp, 14 (15, 16, 17, 18, 19) sc)

Rnd 26: Turn, ch 1, sc in same ch-1 sp as join, *ch 3, sc in next ch-sp, Rep from * around

until no ch-sps remain unworked, ch 3, join with sl st to first sc of Rnd. Fasten off. (112 (120, 128, 136, 144, 152) ch-3 sp, 112 (120, 128, 136, 144, 152) sc) Drawstring

Row 1: Ch 2, sc in 2nd ch from hook.

Row 2: Turn, sc in side loop of 2nd ch from first ch-2.

Row 3: Turn, sc in the 2 side loops of previous sc.

Rep Row 3 until cord is 51 (55, 59, 63, 67, 70) inches long. Finishing

Gently block, weave in any remaining tails.

Starting in center front of waistband, weave drawstring in and out of openings along waistband. Tie knots in ends of drawstring and trim any excess from ends.

[dragon-in-the-watery-bowl]

Here are some more Danganronpa fankids, this time with the Kaede x Rantaro, Teruya x Kiyoka, and Setsuka x Hibiki ships.

Information under the cut:

Name: Shion Amami (晃裕 紫音). Age: 17. Parents: Kaede Akamatsu and Rantaro Amami. Gender: Female. (Possible) Ultimate Title: Ultimate Bicycle Racer. Birthdate: February 22 (Pisces). Height: 179 cm. Weight: 65 kg. Chest Size: 90 cm. Blood Type: B. Likes: Souvenirs, bicycles. Dislikes: Smoke, cars.

Coming from an universe where the Team Danganronpa's killing games never happened, and Kaede Akamatsu and Rantaro Amami ended up marrying each other, Shion is a laid-back girl who tends to avoid conflict, and prefers to spend her time reading about tourist destinations, or training for her constants bicycle races, something that has gave her fame all around the world, but has hindered her ability to get friends, thanks to a lot of them being more interested on her fame than on be her friends.

With all the traveling she has to do thanks to her "job", she has started a souvenir collection, that slowly but surely started to get filled with a bunch of trinkets she bought on all of those foreign countries she was sent to compete, and doesn't shows signs of stopping any time soon.

Name: Akihiro Otori (鳳 晃裕). Age: 9. Parents: Teruya Otori and Kiyoka Maki. Gender: Male. (Possible) Ultimate Title: Unknown. Birthdate: April 10 (Aries). Height: 149 cm. Weight: 32 kg. Chest Size: 65 cm. Blood Type: AB. Likes: Hanging out with his friends. Dislikes: Horror movies.

In a world where the Tragedy never happened, and class 79 was able to have normal lives, Teruya Otori and Kiyoka Maki ended up with a son. Spending his days mainly helping with his father's work or hanging out with his friends, Akihiro is a pretty excitable and cheerful boy, who likes to spend his time with people he loves, even though he doesn't likes to work very much, and tends to be scared pretty easily, something that has made him the butt of teasing on his school, something that irritates him.

In the future, he would inherit his dad's family market, continuing the Otori family legacy, eventually giving the family business to his future kids.

Name: Kohana Otonokoji (音ノ小路 小華). Age: 12. Parents: Setsuka Chiebukuro and Hibiki Otonokoji. Gender: Female. (Possible) Ultimate Title: Unknown. Birthdate: September 12 (Virgo). Height: 155 cm. Weight: 45 kg. Chest Size: 74 cm. Blood Type: AB. Likes: Jokes, music. Dislikes: Cheating, her aunt.

In a universe where Mikado Sannoji never did the Utsuroshima killing game, and Kanade Otonokoji was caught and sent to jail because of her crimes, her sister, Hibiki, started a new life with the investigator Setsuka Chiebukuro, who never thought that her simple mission of solving a case of food poisoning was going to end up like that, and had a daughter together. Thanks to the crimes that her aunt committed to keep her mom to herself, and the media circus surrounding the case, she's a bit of a nervous wreck, using jokes to cope with the stress, and wearing a metaphorical mask of being a laid-back and snarky girl in public, only acting like herself when she's with her mothers.

She wants to become a singer like her mom Hibiki, but her knowledge of the things she suffered has left her stressed, fearful of something similar happening to her.

[abwwia]

Maria Vita Pinedo, Recuerdos de Frida, 1987, mechanical reproduction on paper mounted on paperboard, image: 32 3⁄4 x 20 3⁄4 in. (83.2 x 52.7 cm) sheet: 34 x 22 in. (86.4 x 56 cm), Smithsonian American Art Museum, Gift of Tomás Ybarra-Frausto, 1995.50.56