#30 covers in 30 days

[myokk]

💘

[comradetoad]

what if star trek fan fics had covers like modern airport romance and pop-sci novels?? | part 1 (part 2)

Celestial Bodies (TOS Kirk/Spock/McCoy)

Pick A Star, Any Star (AOS Kirk/Spock/McCoy)

Never Again (Just one more time) (AOS Spock/McCoy)

Fling Myself Into the Void (with you) (SNW Kirk/Spock/McCoy)

[chrliekclly]

ayyo next season of sunny is gonna be blurry as fuck they want me pulling focus lmao

[chic-a-gigot]

Le Petit écho de la mode, no. 39, vol. 16, 30 septembre 1894, Paris. 1. Toilette pour dame d'un certain âge. Ville de Paris / Bibliothèque Forney

(1.) Toilette en cheviotte noire pour dame de certain âge. — Le corsage formant veste figaro devant est à basque godets dans le dos, il est ouvert sur uu plastron en moire mousse, serré à la taille par une ceinture fermée par une boucle de jais. Collet ondulé terminé en pointe devant sous le col revers, arrondi dans le dos. Manche d’une seule pièce ample du haut, étroite du bas. Jupe tout unie formant godets derrière.

(1.) Black cheviotte dress for a lady of a certain age. — The bodice forming a figaro jacket in front has a basque with godets in the back, it is open on a plastron in moiré mousse, tightened at the waist by a belt closed by a jet buckle. Wavy collar ending in a point in front under the lapel collar, rounded in the back. Sleeve in one piece, loose at the top, narrow at the bottom. Plain skirt forming godets in the back.

Matériaux: 6 mètres cheviotte, 0 m, 60 moire.

—

(2.) Toilette de ville de forme polonaise en drap gris et moire blanche. — Devant croisé avec revers de drap posé sur un revers de moire, boutonné sur le côté par un gros bouton et retombant en gracieux coquillé jusqu’au bas de la jupe. Dos sans couture avec jupe godets formée par l’ampleur partant de chaque petit côte. Col droit, manche volumineuse du haut, étroite du bas.

(2.) Polonaise-style city dress in gray cloth and white moire. — Crossed front with cloth lapels placed on a moire lapel, buttoned on the side with a large button and falling in a graceful shell to the bottom of the skirt. Seamless back with godet skirt formed by the fullness starting from each small rib. Straight collar, voluminous sleeve at the top, narrow at the bottom.

Matériaux: 6 mètres de drap, 1 m, 50 de moire.

[ancha-aus]

RealAgeAU Drabble - Haven

I am back with my BS AGAIN :D @spotaus You know the drill friend come over :D I can not be stopped. I have grown too powerful!! (just played dnd. Checked the chapter to upload tomorrow for my main au and i wrote a bit on a new story. I AM POWERFUL!) <- says the woman who will probably crash in under an hour lmao.

First Drabble Prev Drabble Next Drabble

We got no beta and no editing as we just go! maybe that is why these drabbles for going so well. me just kinda going and not worrying too much about the in between bits or mistakes or grammar. I just write and say that is done.. huh... writing lesson i guess. ANYWAY! back to the family :3

*---------------------*

Cross hums as he finishes cutting another wood board in the right size. He puts it with the others on the pile before checking the list he made before hand.

Cross nods as he looks towards the house "Got them all ready for the downstairs!" Cross grins as he takes a moment to just look at the house. Their house!

When Horror had returned with the news their new acquaintances had secured them a house they had all been sceptic at best, Dust had been downright suspicious.

But it was the truth! aparently they had managed to build up a good enough reputation that they had been trying to figure out a solution. An empty and abandoned farm and ground? That was too small for most to do anything with? hidden mostly by a forest?

Perfect for them!

They had gone to check it out and it is amazing! It is secure and easily to defend! Sure it is an old building but Cross and Horror can fix up the house easily enough! Dust had handed Nightmare over to Killer and had started looking around the house to inspect it.

long story short? He thinks he can fix most things.

With a hopeful plan they spend the inspection day also cleaning. That had been yesterday.

today? They took most of the old construction wood Crop and Straw had stored away and they got to work. Dust is cleaning and fixing what he can while Horror and Cross himself did contruction work.

Killer is on Nightmare watching duty. Mostly because Killer doesn't have nay skills in construction. Neither of them mind as they had been exploring their new area and territory together. Hoenstly it was adorable to see Killer walk by with Nightmare on his shoulders.

Horror walks out of the house as he takes the planks "Thanks. Walls?"

Cross grins proudly "All of them. Including the walls and the new banisters for the roof."

Horror blinks before grinning "great. thanks Oreo." nad he chuckles as Cross sputters.

May be because horror isn't wearing a shirt. Which kinda makes sense! Becuase horror is pulling a lot of old wood away and rebuilding stuff. the chances of him ripping his few good shirts is rather high. Still Cross is trying very hard to just focus on his face and skull. it is fine! No one notices!

Cross turns back to the pile he still has. it has been reduced quickly which sucks. He looks through it with a frown.

Crop stops by him with a knowing smile "Hey Cross!" he grins wider "Getting heated?"

Cross glares at him "Well the late autumn sun is rather warm!" and he goes back to shifting through his pile.

Crop nods "It is it is..." then the grin falls and he frowns "You guys already that low?"

Cross shifts through it more "Yeah but it is okay! I can probably use this to make the cabinets for the kitchen still..." still they will need to get more materials for everything else.

Crop frowns and must have made the same conclusion "Hopefully Straw gets back soon with more stuff."

Cross rubs his neck "You guys really didn't need to help this much... we already own you big time..."

Crop shrugs "That is how a community works Cross. We all help each other. We will eventually pay it back with helping them back." he smiles "We are only a tiny town and only have ourselves to count on. You heard how the deal with the repair service from the big city went. People are quick to think off us as dumb or naive. We gotta stuck together."

Cross shoots him a grin "We will try to ffigure something out... eventually." he groans "we don't even know what type of farm to make yet!"

Crop shrugs "You guys will have to test some stuff. See what works for you and your land..." he grins again "I don't think a diary farm fits you guys though."

Cross glares at him "Not funny. I swear Betty knew she freaked me uot."

Crop nods "Oh absolutely! Cows are really smart."

Just makes them more terrifying in Cross's opinion and he has no doubt that thought is clear on his face.

Crop laughs but a honk of a car pulls them out of their conversation. and. That is a giant truck. much bigger than Straw and Crop's truck.

Crop blinks "Dani and Ellie?" he raises to his feet and waves.

The truck stops and Ellie leans out "Hello! Your lovely neighborhood lesbians have brought you." she puts ahand under her chin and wiggles her eye brows "the wood."

Dani chuckles as she jumps out "Straw told everyone around town. Most people are grabbing their stuff but this was all stuff we were planning on giving to the community anyway." she shrugs "tree farmers after all."

Ellie grins as she waves them over "Come! lets see what you need! We have all types of trunks with us. They will still need some work and treatment but Dani is amazing with her magic!"

Dani grins as she gives a thumbs up "figure out how to treat wood with magic instead of the slow treatment. Most still want the traditional work but i figured you guys would be okay with this help."

Cross is unsure how to react. People don't just help them. People hate them and what they do. Tehy hadn't expected this much help and it is overwhelming "I... I... I don't know how to... We don't have money?" he is lost.

Dani shrugs again as Ellie smiles "Hey. We have been where you guys have been... well not exactly but people werent'exactly welcoming of us either... as soon as we graduated we grbabed my old car and just left. we foudn thsi place and people were nice enough to take a chance on us." she grins "We now pay that forwards. We are doing this!" she grins and winks "Will just have to invite us over for a prime tour of the farm once you guys are all done!"

Dani nods as she starts untying the many trunks "What Ellie said. the Danielle's are at your service. Now what do you need?"

Cross is still lost when Horror joins them curiously. no doubt hearing all the noise. He pauses as he takes in the sight before tilting his skull "What?"

Cross just kidna waves at the two "We... euh.. got help? And thinks? Do you know what we need?" his mind is in shambles at the moment.

Hroror sees it and smiles as he walks past. patting his shoulder before going over to the dog and bunny and having a short conversation. Horror hears their whole speech and smiles. he thanks them and explains what they need for what. The two woman listen closely before nodding and starting to organise the brought materials with practised ease.

Horror joins his side again and grabs Cross's lists. He takes a pencil and writes some tree names by a few of the items before handing them back "They will help prepare the materials. They are nice." and he disappears back inside.

Welp!! If Horror says that that means they are nice and most likely trustworthy! They get over to him and Cross explains the system he had and what they had calculated to need for each area. The two monsters nod and ask if they should start on the porch while cross continues preparing stuff for horror. Which Cross thanks them and agrees wiht.

They are hard at work when Killer nad Nightmare return. Killer laughs "Criss Cross! you are not going to believe this! The like east area just has a tiny field at the edge of the forest and part of that forest is still in our little area! better yet that means some of the forest animals are like right there!" then he notices the guests and grows quiet "oh... hello." His hold on Nightmare's leg tightens.

Ngihtmare tilts his tiny skull at the two monsters "Dani and Ellie... right?"

Ellie coos as Dani grins "Good memory. I can't imagine remembering all the new faces you meet only once is easy." and she finishes her spell on a piece of wood which Ellie pulls over to cut.

Nightmare shrugs as he hugs Killer's skull "good memory..."

KIller nods as he glances at Cross "Sooooo... Hello Lovely ladies!" he grins "What brings you here?"

Dani raises a piece of wood "Neighborhoodly friendliness." and she continues with her task.

Killer stares at him and Cross grins "They brough over some wood" he ignores the eye brow wigglign "after they heard from STraw that we are getting the house fixed up. aparently it is a community thing that everyone helps everyone." he shrugs at the doubting look "Don't look at me. it is new for me too. Horror said it is fine though."

Killer blinks "I mean... if Horror said it is fine..." he looks at Nightmare "What do you think tiny boss?"

Nightamre shrugs and hugs his skull.

Killer nods "notion accepted. Got it." he grins at them "We are going to look at some of the other stuff Straw and Crop brought along. See what is in there."

Cross nods "Good idea!" and he watches Killer walk off with Nightmare.

Dani chuckles and looks over "Not good at construction?"

Cross groans loudly "Killer is good at a lot of things... not construction." he shrugs "It is fine. We don't want Nightmare near this stuff anyway." he is too small to lift everything and could too easily get hurt. it doesn't matter he is technically a god he is not going to have to work. They don't agree with child labor.

Dani nods "I get that. best to have a child safe corner for them to sit in." she turns back to the next trunk and gets to work as Ellie cuts pieces.

They work for a long time and the sun is well past midday when more people come by. They deliver some older looking furniture and more tools and items for them to use.

Most don't stay for long aside from dropping things off or asking if they needed anything specific. Some brought over some premade food for them and other snacks because aparently 'breaks are important!'.

Crop and Straw, when he returned, work on clearing the road betweent eh main road and the farm and getting some clear markers on where to go.

Dani and Ellie leave later in the afternoon and by the end of the day their group of skeletons looks back at their progress. They aren't done yet but it starts to look more like a house than an actual falling apart piece of junk.

Dust is covered in ashes and when they look at him he just says 'fireplace' which probably means he found a challenge of somekind. Then again Cross thinks he spotted Dust on the roof once or twice but each time he had looked back to check he hadn't been there.

They are packing up when Killer and Nightmare return. Killer looking very proud and Ngihtmare looking a bit more nervous as he fidgets.

Horror and him share alook as Horror looks at them, now once again fully dressed "yes?"

Killer grins "Remember how we were told most farms have a name?"

Cross give shim a look "We are aware. we also agreed we would take time to think about it."

Killer grins "True. But! Nightmare thought of one and I figured it was perfect and fine!" Ngihtmare shoots him a glare and crosses his tiny arms.

Dust tils his skull "fact. Waht is the name?"

Cross wants to disagree but also if nightamre wants to clal it something specific he is fine with it. Nightmare never complains about them deciding stuff so why would they complain about this.

Nightmare mutters something but when he sees everyone looking and waiting he speaks louder "It was just an idea... Killer got excited..." still staring and he rubs his arm looking embarresed "It is silly... I thought... I figured Haven would fit. Haven Farm."

Cross stares at Nightmare and feels a bit of tears try to form as the meaning sinks in and what it implies and means. He can't stop it as he picks nightmar eup and hugs him close. Purring much too loud as he speaks "I agree it is perfect!" their home. their safe place. their hide out. their haven.

Killer grins wider and nods "Which i agreed with. So!" he pulls out a board from behind his back.

It is a name plate. It spells Haven but the letters are a bit croaked and nailed to the backboard. it are all different sizes and different colours nad Cross fucking loves it!

Killer grins "We made it together." he rolls his eye lights "don't worry i did the cutting and nailed it all together. Ngihtmare was my supervisor."

Dust looks appeased as he nods "Seems good."

Horror nods as he takes the plate and puts it by the door, too hang later "Will need a bigger one for the gate at the enterance."

Cross grins as he feels ngihtamre relax at the approval and start to purr himself. Cros sjust nuzzles the babybones.

They still have a lot of work ahead of them but that is fine. It will be all so very much worth it once it is done and they have their house to finally just be them.

*--------------------*

First Drabble Prev Drabble Next Drabble

[witchinatree]

making a list of my favorite quote/ones that stuck with me from each season 1 episode because i feel like it

(i'm starting this after episode 4 but it will be a WHILE before i post it)

episode 1: "bones are a lie peddled by Big Milk" - alice

i love this one because it's a great introduction to alice i think. also it radiates spiral so i hope we get avatar alice not dead alice (isnt there a podcast called alice isnt dead?)

episode 2: "If I wanted to clear the canvas, I would have used turpentine." - statement

this one was just fucking powerful and caught me so off guard like 😶

episode 3: "What would I do without her?" - statement

the norris statement <3 it feels like martin asking what he would do without jon which makes mag200 a lot sadder and i love them

episode 4: "Perhaps you shall prove a stronger will than I, and will yet find it within yourself to destroy this hungry thing of wood and cat-gut." - statement

augustus sighting #1 and we immediately get jonah magnus expressing that it may be possible for gwen bouchard unknown family member to overcome the eye's hunger spooky violin

episode 5: "Voyeur needs to be seen to be believed." - statement

i feel like this one is pretty reflective of how the seasons gonna go? like if you explain the events of tma (mag200 specifically) no one's gonna believe you, it must be seen to be believed!! and also seen!! like the eye!!!

episode 6: "Not sca- This isn’t some poxy blood test, some little pinprick, this is hundreds, thousands of razor sharp points pushing into your flesh." - needles

i love needles so much and i thought this was really funny because it was like "you dont find me scary!! what the fuck!!!" just kind of toddler michael energy

episode 7: "It’s not like we’re wrestling with tape recorders and manila folders." - celia

STOP IT. celia you can't say that you just cannot!!!!!! you Know™ too much maam i cant with you

episode 8: "Pleasure to meet you both. I’m Gerry!"

RAGHHHHH OH MY GOD GERRY!!!! i love him so much and idk how to handle him being alive in the tmagp universe!! gertrude too but idk we got so much of her in tma and not nearly enough of gerry

episode 9: "And honestly, it’s kind of compelling by this point." - sam

they got him 😔😔 the horrors got sam 😔😔 also i found this to be an interesting contrast to jon's heavy resistance in season 1 like he was being compelled but he wasn't going to let anyone know that vs sam "its kinda compelling to trauma dump on this paperwork :]" how is he somehow even more victim material

episode 10: "Gosh you’re sexy, here’s a twenty for your trouble.” - alice

does this count as a quote if shes also quoting what she thinks sam should say? idk anyway i love her i would say that to her if given the chance and it was very silly. i will not be addressing bonzo i am scared.

episode 11: "...Thank you, Alice" - gwen

dyhard dyhard dyhard dyhard dyhard. okay also, the way she CRUMBLED at the idea of anyone doing anything nice for her please someone give her a hug and let it be ME. this series is tossing me back and forth between sam & alice (what is their ship name) and dyhard but this put me back to dyhard

episode 12: "You know it's rude to have absolutely no game?" - alice

she's so fucking funny i need her to be okay so badly!!!! i don't think even tim made me laugh as much as she makes me chuckle and this one really got me. it's hard to write such a comedic character in a podcast since you only have the voice but they really nailed it i adore her

episode 13: "Is it my fault?" - gwen

each of these episodes just reveal a little bit more about how loving and soft gwen is and idk i love her so unbelievably much so seeing that she felt guilt about the bonzo stuff just made her so much more real :(

episode 14: "Christ, they’re in the walls…" - statement

theyre in the walls!!! theyre in the goddamn walls!!!!! anyway that got me because i realized the hole before the statement said it. made more sad than scared tbh

episode 15: "Babies are cool!" - alice this entire interaction between her and sam & celia was so awkward, she is so obvious and i love her anyway

episode 16: "It’s not like I was holding doors open for Mr Bonzo or anything." - gwen my wife is so so so stupid but i adore her AND this gives room for character development. i wish she did not do that though. i love when characters are flawed and have depth but i struggled to get past THIS flaw of hers

episode 17: "Thanks, I guess. Not exactly the same, though, is it?" - celia shes talking TO JON IN THE COMPUTER. SHE KNOWS. i lost my damn mind i love her i love her. get the gay people out of the puter please queen

episode 18: "Why would I need to talk to you? Your work is satisfactory. Unless you have a work-related issue I could assist you with?" - lena solidified my opinion that lena is the best boss to ever have, i adore her and i would want to work for her if she wasn't the boss of Creepy Establishment #1

episode 19: "You’re going to throw it in the fishtank, aren’t you?" - alice colin's behavior is like really worrying BUT i'm glad he's back. i was not convinced he was still alive

episode 20: "I suppose it’s too late for remorse, isn’t it? And why should I be sorry? This is what I deserve!" - ink5oul/statement they reminded me of jon a lot, like especially his season 3/4 transformation when he doesn't quite know everything but he knows he isn't who he was in season 1 anymore, i hope we see more of their life and they can be helped :(

episode 21: [Tape Recorder Bites Ink5oul] - audio description i know it's not technically a quote but this is just so fucking funny. why does it have teeth. what does this mean for the lore. holy shit.

episode 22: "Jonathan Sims and Martin Blackwood" - celia. knawing at the walls of my enclosure i am so not okay. i'm not okay. wtf. wtf. wtf. they're real. wtf.

episode 23: "I had a favorite mug. It said “love you, bitch” and had a picture of a drunk dog on it." - alice. okay i just love this entire interaction because gwen got to open up a little bit and my dyhard heart is so full

episode 24: "I am told that children like me, and I’ve always held the opinion that the world would be a better place if everyone just thought more." - basira. once again this whole interaction was so fun but like idk i loved hearing basira somewhat happy and in a safe place :] my wife <3

episode 25: " I am trying to help, to save us from this goddamned fucking nightmare machine!" - colin. MAN I REALLY WAS ROOTING FOR YOU!!! I WAS SO CONFIDENT YOU WEREN'T GONNA DIE!!!! it's over

episode 26: "I was worrying for a moment that you were Magnussing." - alice. MAGNUSSING BEING CANON MADE ME SAY IT EVEN MORE I'VE SAID IT LIKE TWICE ALREADY

episode 27: "You didn’t tell me the room was labelled, “Archivist.”" - celia. oooooh somebody's got TRAUMAAAAA LMAO

episode 28: "So you’re telling me you know nothing about an OIAR external contract being found with the bodies of two tattooed thugs who met rather grisly ends?" - TREVOR HERBERT???? anyway. ink5oul mention!!!!! i hope they stop killing people it's really rude

episode 29: "Alice, er… we’ve got to talk. It’s important." - teddy. i knew it was over for him but i didn't think it was gonna be THIS bad??? bye babe i guess??? 😭

episode 30: how do i even pick. the whole fucking episode. i can't. i am in a state of shock. i need to lay down for 30 years.

[warpedwings]

Misha Collins and Jensen Ackles through the years before Supernatural.

1994

Misha in University of Chicago yearbook. [Front Left]

Jensen on cover of Boy Scouts catalog. [Back Left]

2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1992

[ash-and-starlight]

things i’m going crazay about today: the illustrations in the he who drowned the world illumicrate cover

(artist is glassbearer on ig)

[royalarchivist]

We're less than 30 minutes away from today's QSMP Purgatory event! Many people we haven't seen for some time are logging on, and it seems like it will be a full house today.

As per usual, if anyone would like to help note timestamps for any important / funny / cute moments so I can add it to the VOD Timestamp Archive, I would really appreciate it!

[nanowrimo]

30 Covers, 30 Days 2023: Day 9

To represent Day 9 of NaNo, we have another community feature! Give it up for Four People Can't Save the World by Christy Ogawa, a Fantasy novel! This cover was chosen because of the cover perfectly conveying the title. The contrast of the regular stick figures with the ones that represent the characters are very fun. Even though they're stick figures, you get a glimpse of their personalities, and it leaves you wanting to open up the book for more.

Four People Can't Save the World

A bull named Fleidermaus rises from the dead and attacks a cowboy. The new owner of a sushi restaurant shows signs of anemia. Mysterious disappearances in a small town tempt some plucky twins to return to the business of sleuthing. When these bizarre happenings collide, the fate of the world hangs in the balance. And by "hangs," we mean it awkwardly hovers there like a party guest who does not get the hint that it's time to go home.

About the Author/Artist

Christy Ogawa sneaks in writing time between chasing after identical twin toddlers that are already much smarter than she is. The universe has gifted her with them and also with basically the best dog ever. She'd like to humbly request it also give her a bungalow with a private beach and a full-time writing career. And maybe a gig guest-judging a reality TV show where people bake things under unrealistic time limits. She is a rule-follower who has put aside writing her memoir, The Customer Service in Hell, because it's not NaMeWriMo. She has no socials to link, so would the universe please also give her a brilliant Instagram (or whatever is cool now) that makes her seem immensely creative yet humble and relatable. Amen.

Cover Design Process:

The title makes an argument about just how much power a few people have in the wide, wide, world. I felt that a crowd of generic human symbols could convey just how small the characters are in the grand scheme of things. The four stick figures who have broken out of the rigid pose also promise the reader that this is a story about four people who have "broken the mold" in some way, and I wanted their poses to convey that they are looking for each other in the crowd.

[opikiquu]

aventurine pl. Plea s e . PLLEEEEEEASE

[sovonight]

why is so much of sewing just tracing and cutting and tracing again q_q i see why people get projectors and use adobe illustrator now

[phagodyke]

the masculine urge to take a saucepan off thr draining board and bash myself repeatedly over the head with it until I pass out and no longer have to experience feeling Bad 😍

[chic-a-gigot]

L'Art et la mode, no. 39, vol. 43, 30 septembre 1922, Paris. Grand bambin de velours noir, enlevé d'un nœud papillon en velours. Création Le Monnier, 231, rue Saint-Honoré. Bibliothèque nationale de France

[gemharvest]

Hate thissss I feel like I haven't been properly productive today (somehow posting two art things Doesn't register properly in my mind) so I wanna stay up to get as much as I can down, but I also need to go to sleep in case I'm called in tomorrow because fuuuuuck going to work on little sleep that shit sucks. But also, the possibility of being called in makes me wanna stay up even more, so I can finish art in case I don't have time tomorrow. So now I'm sat up at 12:30 tired as shit but unable to draw or go to bed. The never-ending cycle of hell.

[rocknrollflames]

Day Twenty: Your Favorite Album Cover - I don't really have one, so here's a cool cover I've always liked.

30 Day Band Challenge