#24-70mm F4

[tomorrowcatistoolate]

small shrine 中庭の守護神

TAMRON SP 24-70mm f2.8 Di VC USD A007

70mm f4 1/80 ISO1250

[martinlovekosiblog]

Just a Kid growing up

Sidetrack Lagerhofstrasse w/

Listhaus

Nikon Z6 II & Nikkor Z 24-70mm f4S

ISO 200 - f/8

Leipzig, 2023

Visual crackle of urban subcultures and their spatial appropriation: Hip Hop, not necessarily in form, but in the methodology of recognizing and taking advantage of architecture and surfaces. The ambience of the hardcore continuum as exposed sight - Pirate Radio for your eyes, cutting a dubplate on your retina. Crunching bits of scenic cityscapes remain like ghosts. Decoding like a Wildstyle Graffiti Piece. Visual vandalism of a light-capturing writer. A rediscovery of flow

[miya716tienda]

Sony FE 28-70mm F2 GM Review

Sony can’t claim to have the world’s first 28–70mm zoom lens with background-blurring f/2 optics — Canon beat it to the punch by a few years — but that doesn’t detract from the stellar job the company’s optical team has done designing the FE 28–70mm F2 GM ($2,899.99). It matches the Canon RF 28–70mm F2 ($2,999.00) in angle and aperture but is smaller and a whole pound lighter. Its bright optics are ideal for creators who want more background blur and better results in very dim light, so wedding and event photographers may find good reason to prefer it over the stellar FE 24–70mm F2.8 GM II. The FE 28–70mm F2 GM earns our Editors’ Choice award for its ambitious optics and the gorgeous photos they bring to life. If you’re turned off by its price, don’t count out the $1,349 Sigma 28–45mm F1.8 DG DN Art as an alternative — its zoom range isn’t as expansive, but its photos are just as pretty.

Sony’s recent trend has been toward smaller, lighter zooms, and versus those others, the FE 28–70mm F2 GM qualifies. It measures 5.5 by 3.7 inches (HD) at 28mm, weighs a comparatively meager 2.0 pounds, and supports 86mm front filters. The 2.0-pound weight is made possible by Sony’s use of some of its exotic optics in the 20-element/14-group formula, which includes three extreme aspheric (XA), three standard aspheric, three Super ED, and one ED element. The lens extends slightly to zoom but maintains its center of gravity throughout the range, which is good news if you plan to use it with a powered gimbal for video.

It’s up to you to decide if your photo and video work requires an f/2, though I’ll speculate that it’s useful for creators who cover weddings and events, work in concerts or clubs, or are interested in night sky photography. The plusses for low-light work are obvious. When used at maximum aperture, the FE 28–70mm F2 GM gathers twice as much light as the FE 24–70mm F2.8 GM II (4.7 by 3.5 inches, 1.5 pounds) and other f/2.8 options, and four times that of an f/4 zoom like the FE 20–70mm F4 G (3.9 by 3.1 inches, 1.1 pounds).

[irsaitama]

日が落ちたので一休み。100円台で落札したMINOLTA AF 24-50mm f4が、APS-Cだと意外に使い勝手が良くて出番が増えてきている（フルサイズで使ってるAF 35-70mm f4ポジションか）

[srbfotog]

“LAST CHANCE PLEASE”

© www.SRBFotog.com | 2024

Series: Portrait > Two People Mystery

Location: Kolkata, West Bengal, IND

Instagram/FB/Flicker/500px - @ SRBFotog

Gear- Nikon D750 | 24-120mm F4 at 70mm

Exif- F10, 1/320s, ISO-1200

[onion0ring]

2024/4/14

SONY ILCE-7RM3 FE 24-70mm F4 ZA OSS

[darwinfish105]

Kobe City Hall Observation Lobby from darwinfish105 on Vimeo.

神戸市役所展望ロビーからタイムラプスを撮影しました。 1/17の阪神・淡路大震災の追悼イベントの文字の光と1/22のルミナリエの光も撮影しています。 camera:SONY a7RV lens:FE 20-70mm F4 G lens:Nikon Ai AF Zoom-Nikkor 24-85mm f/2.8-4D IF mount adapter:KIPON TandS NIK-NEX lens:TTArtisan Tilt 50mm f/1.4 camera:SONY a6600 lens:E PZ 16-50mm F3.5-5.6 OSS SELP1650 music:Guard Up by Oliver Michael(artlist.io/royalty-free-music/song/guard-up/109347)

[nyainjapan]

今朝の払沢の滝

SONY 7RⅤ

Vario-Tessar T* FE 24-70mm F4 ZA OSS

Hossawa Falls. this morning.

#tokyo #東京 #檜原村 #払沢の滝 #SONY #7RⅤ

[kazukoba]

Street 第56回足立区展 2023　 撮影データ:α7R II, FE 24-70mm F4 ZA OSS Aモード F8 (1/125 sec.), Day light, ISO 100 撮影地：Rothenburg Germany 作品サイズ：半切

[dskimages]

Wormsloe Road, Savannah, Georgia. I've said before that I think we like to say we like nature in its raw form. While that is somewhat true and may depend on the individual, we also like tamed nature. Nature we have cultivated and manicured to be the way we want to see it. We want the pleasant part of nature without the wild part. We don't want wild dogs in our house, we want our domesticated pets. A raw jungle or forest is messy but plant the trees in orderly form with cut grass and it seems more magical. And such is the case here. The trees all lined up reaching over the road definitely attracts our likes. The ivy and the moss on the trees adds even more. Our spot of magic in / near an otherwise urban area. Wormsloe is just outside of Savannah and though I particularly liked this avenue of the trees (about a mile long!), it is also a good place to see some history of the area in their museum and historical sites. I like that they showed a range of the times European-Americans have worked the site and not just a romanticized portion of it. . Jul '22 . I show all my pics here, or you can follow JUST my nature pics at @DSK.Views.Nature. I show all my pics here, or you can follow JUST my travel pics at @DSKwanders. . Nikon D610, f4, 1/60s, ISO-400, 70mm Tamron SP 24-70mm f2.8 Di VS USD G2 with Polorizer filter Adobe Lightroom enhancements . #DSKImagesNW #mydailypic #mydailyphoto #myphotooftheday #mypicoftheday #InstaDaily #InstaPic #myshots #myphotography #PicoftheDay #PhotooftheDay #PhotographyDaily #BestoftheDay #unique #perspective #OutThere #throughmylens #PhotoAddict #InstaPhoto #InstaGood #Beautiful #Awesome #PicturePerfect #PhotoWorld #NikonPhotography #whatISee #AlongtheRoad #AwesomeSights https://www.instagram.com/p/CqX-y5rMV7H/?igshid=NGJjMDIxMWI=

[istvansgemischtwaren]

Zoom Lenses (EF) Tokina 11-16mm f2.8  Tokina ATX-Pro II 28-70mm f2.8 Sigma 17-50mm f2.8 IS Canon 17-55 f2.8 IS  Canon 16-35 f4 IS Canon 24-105 f4 IS Canon 70-200 f2.8 IS Canon 24-70 f2.8

from 20 Euro (excl. VAT)

[notmikejk]

1st row taken at home

2nd row John Golden Park 3rd Row taken at a park, forgot the name.

4th row Macneil Park

5th row Forest Park

6th row taken at Milburn creek park

Camera Used is a Sony A7iiR F4-F22 24-70mm dont remember each of the date photo was taken.

[martinlovekosiblog]

Ghostship, no Flag on Display

Storehouse at Lindenauer Hafen, abandoned after a grain explosion in 1964

Double Exposure taken with a Nikon Z6 II & Nikkor Z 24-70mm f4S / ISO 250 - f/13 - 1/250s

Double Exposed Landscape Photography as a hauntologically melancholic search for creative excitement and nature based thrill in the urban environment of my hometown.

[ainsleyview]

What is Interior Photography?

Focal points Nikkor 16-35mm f4 - For certain spaces 16mm is helpful however this is truly just about as wide as I would go. Any more extensive simply begins to look unnatural for my taste and items near the focal point will become prolonged or fall away. Use with mindfulness and keep it directly consistently!

Nikkor 24mm PC - point of view control (PC) focal points are not modest yet they are something of an unquestionable necessity for inside and building photographic artists. They essentially permit you to gaze upward or down without shifting the camera, accordingly trying not to join verticals (in addition to a few other convenient stunts).

 For insides everything should be straight. The facts really confirm that you can address things in after creation yet assuming you do that you're never certain precisely the amount of the casing you will lose. With a PC focal point, what you see is precisely exact thing you get. It's substantially more exact and there are no squandered pixels.

Nikkor 24-70mm f2.8 - zooms are additionally valuable for insides as they permit you to work and create all the more rapidly. To the extent that central length goes, I scarcely at any point need anything longer than a 70mm so with the three focal points I've recorded here I can do essentially everything.

Channel

77mm polariser - once more, this is an unquestionable necessity. The polariser can eliminate those irritating reflections from glass or any glossy surface like cupboards and wooden floors.

Support

Manfrotto 055 carbon-fiber mount fitted with a Manfrotto 410 Junior Equipped head.

Working with a stand is another unquestionable necessity for interior photography. For a beginning, you'll make long openings at little gaps to keep everything in center. 

You'll presumably likewise be making numerous openings to mix later in after creation so having a strong stand becomes fundamental. However, maybe significantly more critically, utilizing a mount guarantees that you delayed down and adopt a more considered strategy to each picture. Insides ought to never be surged. 

The Manfrotto 055 carbon stand is both light and strong. It's likewise incredibly adaptable with a middle segment that can be flipped evenly, permitting me to get the camera into restricted spaces. 

For insides the Manfrotto Junior equipped head permits me to make miniature changes for exact outlining. I love it. I'll likewise involve a short section in the mount for those shots that should be extremely low to the ground.

[irsaitama]

今日は晴れているので撮影に向かう。メインのα7 IVの他にα55Vも出撃させている。レンズはどちらもα初期のもの、35-70mm f4と24-50mm f4を付けている。携行している望遠はSAL70300G

[srbfotog]

"RED BULL BOYS"

©www.SRBFotog.com | 2023

Series: Street > B&W (kids)

Gear: NIKON D750 | 24-120mm F4 at 70mm

Exif: F7, 1/125s, ISO- 1250

Insta/FB/Flicker/500px - @SRBFotog

#srbfotog