#2021 hindi songs

[aodmusic786]

Watch "maan meri jaan dj remix || lofi mix || Aod music" on YouTube

[severetravelerhologram-blog]

Jaan Hai Meri Song: Radhe Shyam | Prabhas, Pooja Hegde | Armaan M, Amaal M, Rashmi Virag, Bhushan K

Presenting song ‘Jaan Hai Meri’ from the movie #RadheShyam Gulshan Kumar and T-Series present, a UV Creations in …

[joesalw]

imma rant about something i am sorry. i am a huge conan gray fan. i've been since 2020 when i first heard him on a mutual's spotify playlist. i'm indian and i wasn't on internet before pandemic nor did i used to listen to non hindi songs. i did not know who taylor swift was at the time. i had just heard her name in passing and probably two of her biggest songs (love story, you belong with me)

in 2021 my love for conan grew so much. his music has helped me with so much shit in my life. i also started watching interviews and stuff and he mentioned that taylor was a huge inspiration for him many times. he became besties with liv in 2021 and taylor sent both of them her fearless tv recording (due to which i was introduced to taylor's music)

at this point swifties started using the term 'taylor's children' for conan and olivia and then the whole cruel summer credits thing happened with liv and so many swifties started accusing her of copying taylor with everything she does. she rightfully distanced herself from taylor and as her best friend, conan did too

when midnights came out, an interviewer asked him what his favourite track was. he said something along the lines of 'oh i am on tour right now and i think an album like that deserves to be properly heard. i just haven't had the time to listen to it yet' (nothing to be upset at. he was respectful towards taylor and her music) but oh the swifties went wild. they started unnecessarily trolling him, being racist and homophobic towards him and all that

even now in 2024, whenever he does ANYTHING, swifties make it about him not having heard midnights. it's so annoying atp.

but what will you except from a fandom who were all like father towards joe alwyn when he was still dating their idol. but when they broke up, he is public enemy number 1 "who put her in the basement and didn't let her bejeweled" and their new father is someone when alcohol and anger issues (they are accusing joe of that shit now btw. saying how he was an alcoholic and also accusing him of dv which is so messed up. like always believe victims. but why are they making up rumours of abuse with no proof and no word said by taylor who according to them was abused??)

They expect everybody to kiss the ground she walks on, and if someone fails to do it/ doesn’t do it by choice, they become public enemy #1

[cant-get-worse-than-this]

Introduction post!

Basics

Hi!!!

My name is Kesar (or any other variant of the name Caesar is fine to call me!) and I am 15. I am neurodivergent. I am an Asian-European (India and Sweden!), Hindu, and my pronouns are he/they!

Interests and Likes

I have a hyperfixation/special interest (I don't know which to use because I'm in denial about being autistic LMAO) of the Mediterranean, mostly Italy and Spain but also France, Portugal, Egypt, Greece, etc!

Languages

Due to my interest, I have taught myself Italian all on my own and I study Spanish at school since 2020, so I can speak them both at a good level.

All of the languages I speak as well as some more info on my history with them:

Swedish, I speak it every day and a bit at home

Hindi, I speak it every day at home with my family

English, I speak it here and I consume a lot of English media. Also I went to an international school for a couple of years.

Spanish, I've been learning it at school. Ever since I started learning it I've been the best in the class (this is very much a flex, I am very proud of the fact). I speak it at a very good level but I'm not close to fluent.

Italian, I am very proud of that I speak it because I learnt it all on my own using primarily music. I started learning it in 2021 but then took a LONG break for almost 2 years and in 2023 I got back on track and learnt it so well I'm almost at the same level at it as I am at Spanish hahaha

French, as I speak Spanish and Italian it wasn't that hard for me to get a grasp at French. I'm definitely not good at it and am best at written French, not spoken, but I understand enough to say I know it. Also, I can carry a conversation in French so. Yeah. I also really like Lupin.

Urdu, as I speak Hindi I understand Urdu well. Of course there are words I don't know, but since I understand so much of it and I speak it better than I speak Spanish or Italian I had to include it.

Music

My favourite song artists are Marco Mengoni and MIKA. They are my top 2. I love them so much.

I also listen to Mahmood, Måneskin, Queen, The Lonely Island, Lady Gaga, Kali Uchis, Megan Thee Stallion, Veronica Maggio, Shreya Ghoshal, and a lot more.

Apart from that I like English music from 2000 to the late 2010s. I also like Hindi music, rap (i listen to a LOT of Megan Thee Stallion, she's such a queen), Eurovision (although I am not supporting them this year due to them including Israel, Free Palestine🇵🇸), Hispanic music, Francophone music, Italian music and Swedish music. I also enjoy classical, both South Asian and European.

TV

I love TV! My favourites are dramedies. I like comedy a lot. My favourite type of show would be sitcoms because I understand them and I grew up with them and I like their humour. Here are TV shows I very, very strongly like in no particular order:

Psych, Brooklyn Nine Nine, Community, 1899, Mythic Quest, Lupin, Monk, SNL (Saturday Night Live) and probably more that I just don't remember right now.

I have also watched a lot of other things, but this is all that comes to mind.

There are films that I really like, and most of them I have watched more than a few times. Like there were literally periods when I would just keep rewatching these:

The Kung Fu Panda film series, The Hotel Transylvania film series, The Lorax (specifically the Italian dub), The Shrek film series, and once again probably many more.

Other stuff I like:

Doraemon, Spider-Man: Into The Spiderverse & Across The Spiderverse, Shubh Mangal Zyada Saavdhaan (2020), Smiley (2022), Saiki K (TV series, I haven't been able to read the manga :/), etc.

Books

Mostly I read fact books, in middle school the librarian hated me for (metaphorically) eating up all the books on ancient Egypt, but I also have a few books I really like!

I love Rick Riordan. My favourite from him is definitely The Kane Chronicles but I also like PJO. I'm TKC all the way, though.

I also like Geronimo & Thea Stilton as well as Diary of a Wimpy Kid. They give me comfort.

I have a lot of queer books I bought for the sole reason of them being queer but I haven't read them yet hahahaha. I'm almost finished with Friday I'm In Love by Camryn Garrett!

I am also reading Babel by R. F. Kuang and Marina by Carlos Ruiz Zafón!

Playlist time!

My Marco Mengoni playlist:

My Brad Bakshi playlist:

My Trobed playlist:

My Braddavid playlist:

My StottleMonk playlist:

My Sethon playlist:

That is all I can really come up with right now, but I will probably edit this soon! I'm not very good at stating what I like and all of that because I'm always scared I'm not telling everything or that people won't understand how I like it and stuff LMAO so don't be surprised if I take this post down :( I'm trying to get better though, so I'll keep it up!

[upismediacenter]

FEATURE: Stop wondering, it’s just HEY JUNE!

Biglang liwanag ang mata, ako ay natulala… This line from the song “LASIK” perfectly describes the feeling of watching HEY JUNE! step on the UPIS stage. After hearing that song, as well as “Panahon”, live from their performance at APLAYA: Battle of the Bands 2024, I have no doubts that your curiosity of this band has been piqued. Well, if you have been wanting to know more about them or have simply been wanting to discover good new music, you’re in luck! I was able to sit down with them and ask a couple of questions, so stop wondering—let’s get to know HEY JUNE!!

HEY JUNE! is composed of members Jim (21; guitar, vocals, songwriting), Coey (23; bass and backup vocals), and Aci (21; drums). When I asked the three to introduce their band, I fully expected a description of their genre or their music—maybe something you would see in a typical bio. The answer I got was, instead, something much more sincere.

They started off by mentioning that they are a three-year old band who was formed during the pandemic by Soupstar Music, a management group in the Filipino music industry. Then to describe themselves, they said that they are kids who do not box themselves in. They are creative, explorative, and collaborative. 

“We just want good music,” Jim said.

“We enjoy what we do, and we make music that speaks volumes about who we are, what we experience, or what other people experience and can relate to,” Coey added.

Talking about how they were formed, they went back to June 2021 when Soupstar had a special project. The band talked about how their name came about, since “HEY JUNE!” was evidently rooted from the month they were formed. They mentioned that they did not choose that name when they were surveyed, but it won when interviews were conducted. In the end, of course, the name ended up becoming beloved. Jim also talked about the exclamation point they added at the end. Since HEY JUNE! visited UP for this interview and ordered Pancit Canton from the iconic kiosks before it, the guitarist took the opportunity to make an analogy and say they added it so that, like the noodles, their name had some spice.

When it was Coey’s turn to talk about their formation, she said, “Strangers to bandmates to friends.” The three, in response, started teasing each other, pretending that they still see each other as strangers. 

After their jokes ran their courses, the bassist began telling the stories of how each of them became part of the band. For herself, she was Mr. Herbert Hernandez’s (from Moonstar88 and 6cyclemind, also the creator of the song “LASIK”) neighbor, and she had long been playing guitar in her school, so she was referred by Mr. Hernandez. Aci, meanwhile, was a big fan of OPM from Romblon. He strongly supported OPM, traveling long distances to attend events involving it. Since he was also a drum student of Velvet Playground, Soupstar’s music school, he was tapped to be part of the band. Lastly, they found Jim on Facebook.

“Nasa Marketplace, [On Marketplace,]” they slipped in jokingly.

“Kalaro ko sa Tetris dati, [Used to be my playmate in Tetris,]” Aci added.

The reality is that the songwriter had upped the post where the band was looking for members. He was then asked if he wanted to join, to which he agreed.

After that, I asked the band what expectations they had going into joining the band. 

Jim had not expected much—all that mattered to him was that they fit together when they played and they all agreed on the direction of their band. As time went by, he said that they eventually connected altogether. 

Aci at first put focus on getting to know his bandmates—their personality and behavior, but he also did have the expectation that the band would last.

“Pangmatagalan, [Long-lasting,]” he said. “. . . Parang maging pamilya na rin, [Kind of become family, too,]” he added, then he joked, “Kahit na hindi kami magkakaibigan, gano’n. Pamilya, pero hindi magkakaibigan. [Even if we’re not friends. Family, but not friends.]”

He and Coey had a quick exchange, the bassist protesting that it should be both friends and family, to which the drummer immediately conceded: “Biro nga lang ‘yun! Pero ‘yun. Pamilya at kaibigan. Siguradong pamilya. [That was just a joke! But yes. Family and friends. Definitely family.]”

For Coey, she shared that they had not known joining the band would have a big impact on their lives and their passions for music. They surely did not expect for it to turn out how it did, but she said that they are very grateful that they gelled together, that they had chemistry, and that they are doing gigs and are making music that they enjoy.

“It’s our happiness to perform,” she said.

For her, personally, she was excited when she joined the band because it had been her lifelong dream to be in one. She had to turn down previous chances of having bands since her parents had not allowed her, but when she was asked if she wanted to be part of HEY JUNE!, “Nag-yes na ako agad. [I said “yes” immediately.]”

With their three years as part of HEY JUNE!, I asked each member what their favorite aspect of being in the band is.

For Jim, he said that it is performing with his bandmates who are comfortable on the stage with their instruments. He noted that he is not that expressive of a person, so being alongside his bandmates who are doing their thing, who are enjoying their performances, makes him feel drawn to joining them.

“I’m [with] the right people to be around,” he said, pointing out that especially in a band, there is a need to be cohesive, to be jiving together.

In response to that, Coey agreed, saying that it is “less about myself, more about us”. She added that it makes her happy because as the “ate” of the group, she cannot help but look out for her bandmates as both a personal friend and as a bandmate. She knows that she is strong in a way, and she wants to share that with them. When they’re having trouble, she wants them all to be connected.

“The best thing about being in HEY JUNE! is . . . trust. We’re trusting each other na kaya naming makipag-usap sa isa’t isa, maging pleasant man or unpleasant yung topics. Yung, parang, wala kang takot na ma-judge din, [We’re trusting each other that we can talk to one another, no matter if the topics are pleasant or unpleasant. It’s, like, you have no fear of being judged as well,]” Coey said.

For Aci, he shared that by being part of HEY JUNE!, he was able to find his purpose in the world. 

“Malalaman mo yung purpose mo sa mundo . . . Siyempre, binigay ni Lord yung talento sa’yo, so i-share mo din sa iba, [You will discover your purpose in the world . . . Of course, the Lord gave you your talent, so share it with others, too,]” he said.

“Parang binigyan ni Lord ng direction yung talents namin, [It’s like the Lord gave direction to our talents,]” Coey added.

Another commendable part of being in the band is the support that they receive. They gave a shout-out to their management—specifically their manager, Mr. Darwin Hernandez, and their road manager, Ms. Harieth Escobar; they also mentioned their label, Island Records, and those who believe in them, be it fans, friends, or family.

When I asked the three about their vision for the band, their first answer was longevity. They want to stay happy. Jim talked about how, especially in our generation, “We live in a world where everything’s so fast.” There is a tendency for us to set aside future plans, so with that, as part of the youth, the band just wants to enjoy and have it last a long time.

“More songs to make, more people to meet, more stages to be in, and also to learn more about ourselves along the way,” Coey answered. She also spoke of staying grounded no matter how many years pass, and simply having HEY JUNE! grow further. “Malaki yung vision namin for HEY JUNE! [Our vision for HEY JUNE! is big] and we’ll just enjoy it along the way,” she said.

Of course, not everything is perfect. It is not always easy. One hardship that the band had encountered, Coey mentioned, was the pressure that they had felt from the very start. Their management is very reputable, handling big bands such as Moonstar88, 6cyclemind, Imago, among others, so being a new band, HEY JUNE! worried about how they would face the public. Their manager, in response, simply kept instilling in them the mindset that they were put in that spot because they knew HEY JUNE! were capable of handling that pressure. The band admits that until now, they do still feel that pressure, but it is safe to say that it has changed and has become more of motivation. 

Additionally, disagreements happen—as they inevitably do. But Coey said that as long as there is trust between the members, and as long as they really communicate, they do not set aside others’ opinions, they value each others’ perspectives, and they learn to understand each other in their own way—like a love language, she said—in the way they want to be understood, then the band will get through them.

For Jim, he talked about the hardships he faced skill-wise—in terms of singing, playing, and performing. There was also the need to learn how to push himself and pour himself, his personality, and his essence into his performances.

“Kung gusto ko pumasok sa mundo na ‘to, parang, kailangan kong tapatan [If I want to be in this world, I need to live up to it] . . . If you wanna be on a big stage, you gotta act like you’re on a big stage,” the songwriter said.

As we all looked towards Aci for his answer, Coey jokingly responded on behalf of him:

“Ang hirap kasi maging pogi. [It’s so hard being handsome.]”

Taking it seriously, Aci admitted that he had not been as disciplined before—in terms of punctuality, his actions, and other things. But he has learned now. In response, Coey and Jim brought up the topic of karma and consequences. Aci reminded us that we must really be mindful of our actions, to think if they are appropriate, because there are consequences to them.

“Like I said, ‘yun nga, yung industry na ‘to, parang, mahirap siya. Pero kailangan mong paghirapan kung gusto mo talaga, [Like I said, this industry is hard. But you need to work hard for it if you really want to,]” Coey said.

“Kailangan mong paghirapan at gamitan mo ng utak rin, [You need to work hard for it and use your head as well,]” Aci added.

“[You] reap what you sow,” Coey quoted.

Amongst new releases, tours, and live gigs, I asked the band about their recent projects and the project they are most proud of. They talked about their vinyl, their live recordings, and their album, Curiosity Killed the Cat.

Only recently, this November 9 (coincidentally the one-year anniversary of their album’s release), HEY JUNE! launched the Curiosity Killed the Cat vinyl. The band said that the vinyl acts like the culmination of their first album—something to remember it by, something that makes it tangible. It is also technically their first piece of merchandise, according to them, but they add that it is not just merch—it is also a collectible memorabilia, being signed and limited.

Meanwhile, talking about their live recordings, they shared that they had a good time shooting. They also liked them because they were able to make their music more accessible.

(The link to order their vinyl can be found here, while the live recordings of songs such as “ORASAN” and “LASIK” can be found on all music streaming platforms.)

The project they are most proud of is their album, Curiosity Killed the Cat. It is special to them because it is their first album, their debut album, and the timing felt right because they had people who wanted to listen to their music and who were waiting for their releases. 

“It’s a treat to them,” Jim said. 

“Tsaka, parang introduction. Kung sino kami, [And also, it acts like an introduction. To who we are,]” added Coey.

The album, according to HEY JUNE!, is a journey through life. They talked about how their songs bring you through that journey. For example, the title track shows how we are in a modern world where there is a lot of information and misinformation; “We just have to be careful out there,” said Coey. In “Asan Ang Gana Ko”, they said to always find your drive, if you’re losing motivation. “Just live your world,” they quoted; enjoy your life, referencing “ORASAN”. In “Katulad Mo”, they tell you to strive more towards your dreams if you have idols who inspire you and who you wanna be like. In “SINO MALI”, they tell you to be angry. Be angry at the things that you don’t agree with. Be angry that, as the youth, we aren’t being heard. And finally, it all goes back to finding yourself. “Back To You” tells us to find that thing that we always feel like home doing. 

They didn’t picture that they would be making an album, they admitted, because the way they made songs was singular. But ultimately, that made the album be the place where you can find the sound of HEY JUNE!.

Going back to May 20, I asked HEY JUNE! how they came about performing as a guest band for APLAYA, our Battle of the Bands event during UPIS Days 2024.

It apparently first came up when Andrea Rebaldo, a UPIS Batch 2026 student and a loyal JUNAKIS (what the band calls their fans), personally invited HEY JUNE! to come watch the event. 

Coey admitted that when they were invited by Andrea, performing for UPIS was already at the back of their minds. They also shared that ever since, they had been wanting to play in our school—since they met UPIS JUNAKIS, as well as since one of their friends who is a UPIS Batch 2020 alumnus, Bryant Galicia, mentioned in passing to the band that they should perform in UPIS.

They checked with their office regarding their availability to watch, but they asked themselves, “Ba’t ‘di na lang natin tugtugan? [Why not just perform for the event?]” So they started poking and prodding, asking Andrea about the setup, the number of bands performing, starting a conversation that evolved into them eventually playing on our stage.

“Honestly, gusto namin mag-support. Lalo na yung mga young bands din katulad namin na nangangarap din, diba? [Honestly, we wanted to support. Especially the young bands like us who have dreams too, right?] . . . We want to be part of that to support you guys,” the bassist said, explaining their desire to perform in UPIS. They did it—for exposure, but also to get to meet the UPIS JUNAKIS, and to introduce their music to other people.

“Pero [But] more of it, like, being part of that experience. Sobrang dami naming natutunan, din. . . . [We also learned so much,]” Coey said. “Magugulat ka [You will be surprised] how big the world is,” she shared when she talked about meeting many people and discovering many new talents.

Reflecting on the number of fans they have gathered in the UPIS community, Jim said that he still gets shocked that they are known and recognized in that way. When I asked what in their music they think resonates most with people, he mentioned that that is, after all, what they want for their music—for people to be able to relate to their songs. He mentioned, as the band’s songwriter, that the songs are personal to him, but he wants them to be relatable, “Para ‘pag pinakinggan nila, ay, they can ‘character’ themselves dito. Parang, it fits in them. [So that when they listen, they can ‘character’ themselves into them. It’s as if, it fits in them.]” He also mentions that perhaps they are able to relate with the band in a sense that they are also part of the youth.

Coey then talked about how school gigs were their favorite, as the crowds there are typically the ones that are not yet allowed to attend bar gigs or festivals. Jim adds that in school gigs, they are similar in age to those listening to them, so with those crowds, “mabilis lang ang saya do’n. [the joy comes quickly there.]”

The bassist also talked about how approachable UPIS students are. “Mahilig sila mag-support. [They are keen on supporting.]” She mentioned that, beyond just liking the band’s music, UPIS JUNAKIS support their advocacy and their passion. They say that connection is built whenever they feel support from people such as UPIS JUNAKIS who crave for more. They say that it is as if they are more than a fan, that instead they are believers.

In relation, the band also said that they themselves are approachable—“parang tropa lang [just like your friends]”. They really do want to build a community, they shared, so they tell their fans to not be shy wherever they encounter the band. HEY JUNE! is approachable and they like meeting you.

Going off of that, I asked the band what their messages were for their supporters.

For Aci, he thanked their supporters for supporting HEY JUNE! and supporting OPM—supporting local. He also expressed gratitude for their families and for the Lord.

For Coey, she talked about the common phenomenon of “gatekeeping” in our generation. “Huwag na tayo mag-gatekeep, guys. Walang magandang dulot ‘yun, [Let us not gatekeep anymore, guys. It does no good,]” she urged. She also said to watch live gigs, and to not let the opportunity pass if an artist would ever come to your school or wherever you are, because those chances don’t come often. Of course, if you have free time and the budget, it would also be good to intentionally go to gigs. It means a lot to them as musicians; it is their drive knowing people believe in them.

“Nakakagana kapag may bumubuka na bunganga habang kumakanta rin kami. Kumakanta rin, [It’s motivating when there are lips moving while we’re also singing. They’re also singing.]” Jim mentioned.

“Sana you keep loving us the way that kung pa’no niyo kami nasimulan mahalin kasi there’s more to come and matagal pa ‘tong journey natin, guys, so sama-sama tayo, [Hopefully you keep loving us in the same way you started loving us because there’s more to come and our journey will still be a while, guys, so let’s do it together,]” said Coey.

HEY JUNE! said that they hope they can return to UPIS, to perform again—about ten songs, they joked—because they were left craving for more. “Gusto pa namin kayong makilala, [We still want to get to know you,]” the bassist said. 

“Masaya ‘yun, [That was fun.]” she added, referring to APLAYA. “. . . Gusto namin maulit ‘yun, yung panahon na ‘yun, [We want that to happen again, those moments.]” she said, referencing the lyrics of their single, “Panahon”.

All that is left for us now is to keep supporting them as we wait for the time that they perform for UPIS once again.

To end the interview, I asked them some last fun questions: what their personal favorite HEY JUNE! songs were, as well as what they would tell the versions of themselves from three years ago and three years in the future.

Jim, as the band’s composer, picked “Panahon”. He said that it was because the song really left its mark (it is their most-streamed song as of today). It was a senior high school project of his, and he even mentioned how he thanked his teacher for being the reason he created the song. The joy of music, Jim said as he reflected on his choice, is that when you make something, you never know what will happen. It turns out, “Panahon” would end up being loved and enjoyed by listeners.

Being someone who started music because she had many inspirations and people she looked up to, Coey said that her favorite HEY JUNE! song is “Katulad Mo”. Now that she is in the industry, she mentioned that it further motivates her meeting her idols. 

“Marami din akong pangarap [I also have many dreams] for the people who are also dreamers like me. Keep dreaming, and put in the hard work, and just have fun, ‘cause it won’t feel like work, at all,” she said.

Aci’s motivation stems from the song, “Asan Ang Gana Ko”. There are always times that the world is tiring, that it seems difficult to get up from bed—especially that we spend every day trying to live honorably—so he uses the song to pick himself up.

“Maging masipag at palaging hanapin yung gana mo, [Be hardworking and always find your motivation,]” the drummer told us.

For the last question, we went back three years in time, Jim telling that version of himself to always be happy. He said that sometimes things get serious but, “I think it’s no worries to add a little bit of fun into your life.” And for the future, he just wished, “Sana malupit ka pa. [Hopefully you’re still astounding.]”

Coey, meanwhile, said to herself from three years ago, “You won’t be prepared for what’s to come, pero normal lang ‘yun kasi lahat naman tayo hindi natin alam kung anong mangyayari. [but that’s normal because all of us have no idea what will happen.]” She told herself to just enjoy, to stay grounded, and to not be afraid to ask for help when she needs it and to give it when she can. “Be kind, always,” she added. For the future, she told herself to just enjoy along the way. “Don’t lose your happiness. Don’t lose that smile.”

For Aci, he told his future self that he hopes he is better at playing the drums. And in terms of what he would tell his younger self, it is that what he had dreamed of then—while it continues to be his dream—he has already gotten to now. But he quotes, “malayo na, pero malayo pa. [You’ve come far, but there’s still far more to go.]”

I think there is truly nothing more fitting for this band to leave you with other than that. In the span of three years, HEY JUNE! has indeed already achieved many things, but there is certainly more to come. Hopefully, we will all be there to see it.

Now that you have gotten to know the band a bit better, may their music accompany you as you live your world. Just keep coming right back to HEY JUNE! whenever you’re looking for the motivation to face a new day.

You can find them on all music streaming platforms (just search for “HEY JUNE!”) as well as social media platforms under @heyjunemusic. Keep up with their social media to see when you can catch their live performances. Stay curious, HEY JUNAKIS!!

//by Elis Reyes

[fiercynn]

palestinian poets: noor hindi

noor hindi (she/her/hers) is a palestinian-american poet and reporter. her debut collection of poems, Dear God. Dear Bones. Dear Yellow was published by haymarket books. she is currently editing a palestinian poetry anthology with george abraham (haymarket books, 2025). she is a 2021 ruth lilly and dorothy sargent rosenberg fellow. follow her on instagram or twitter.

IF YOU READ JUST ONE POEM BY NOOR HINDI, MAKE IT THIS ONE

OTHER POEMS ONLINE THAT I LOVE BY NOOR HINDI

The World’s Loneliest Whale Sings the Loudest Song at split this rock

In Which the White Woman on my Thesis Committee Asks Me about Witness at hobart pulp

Against Death at triquarterly

Poem In Which My Mother Tells Me Not To Do A Pap Smear Because It Might Tear My Nonexistent Hymen at underblong

[april-is]

April 25, 2024: from Moon for Aisha, Aracelis Girmay

from Moon for Aisha Aracelis Girmay

— for Kamilah Aisha Moon, with a line after Cornelius Eady’s ''Gratitude''

Dear Aisha, I mean to be writing you a birthday letter, though it’s not September, the winter already nearing, the bareness of trees, their weightlessness, their gestures — grace or grief. The windows of buildings all shining early, lit with light, & I am only ten & riding all of my horses home, still sisterless, wanting sisters.

You do not know me yet. In fact, we are years away from that life. But I am thankful for some inexplicable thing, let’s call it “freedom,” or “night,” the terror & glee of being outside late, after dark, my mother’s voice shouting for me beneath stars which, I learned in school, are suddenly not so different from the small salt of fathers, & gratitude for that, & for the red house of your mother’s blood, & then, you, all nearly grown, all long-legged laughter, already knowing all the songs & all the dances, not my friend, yet, but, somehow — Out There.

In one version of our lives, it is November. Through a window I see one of our elders is a black eye of a woman, is a thinker, & magnificent. [...] It is always her birthday. She has always lived to tell a part of the story of the world, what happened here.

If not a moon, what can we bring this woman who walks ahead? For whom you were named, & whose name has been added to by you whose language crowns the dark field of what has been hushed, of what is beautiful & black, & blue.

--

Read the full poem here.

Written to the author's friend, poet Kamilah Aisha Moon, who died in 2021. Read one of her essays: It's Not The Load That Breaks You Down; It's The Way You Carry It.

More on friendship: + Ode to Friendship, Noor Hindi + from how many of us have them?, Danez Smith

Today in:

2023: Still Life with Nursing Bra, Keetje Kuipers 2022: A Small-Sized Mystery, Jane Hirshfield 2021: Prayer for My Unborn Niece or Nephew, Ross Gay 2020: Vigil, Phillis Levin 2019: Nights in the Neighborhood, Linda Gregg 2018: I Dreamed Again, Anne Michaels 2017: wishes for sons, Lucille Clifton 2016: Told You So, Keetje Kuipers 2015: Accident, Mass. Ave., Jill McDonough 2014: This Hour and What Is Dead, Li-Young Lee 2013: To Myself, Franz Wright 2012: Manet’s Olympia, Margaret Atwood 2011: Three Rivers, Alpay Ulku 2010: Ode to Hangover, Dean Young 2009: We become new, Marge Piercy 2008: The Only Animal, Franz Wright 2007: Dream Song 385, John Berryman 2006: The Quiet World, Jeffrey McDaniel 2005: Man and Wife, Robert Lowell

[sunb0rn]

1. What’s the sweetest thing someone has ever done to you?

2. What’s the sweetest thing you’ve ever done to someone?

hindi ko nalang sasagutin yung number 1 kasi yung isasagot ko sa number 2 eh hindi rin naman alam nung person na ginagawa ko for him. i mean, malay natin may sweet na ginawa isang tao for me pero di ko na din nalaman. HAHAHA.

pagbigyan mo na ako meow kung maiiba yung context, pero ganto ko gusti sagutin ehh HAHAHHAA

#2

(2021) sinubukan ko aralin for ilang mos ung chorus ng Beautiful Scars sa kalimba. first time ko mag try ulit tumugtog ng kahit anong instrument HAHAHA. para kay B yon kasi life song ata niya?? basta shinare nya saken eh, ako na nag decide na life song niya yon. HAHAHAHAA. di na kami nag uusap that time (bago kami nag usap uli). ilang beses ko trinay ivideo na tinutugtog yon tas post ko sana dito sa bday niya (again, kahit di naman na kami nag uusap) kaso ang papanget ng pag video/pagtugtog ko.

plot twist: nagkausap ulit kami bago yung bday niya that yeark. casual na usap/usap ng dating magkakilala?? ganon. or atleast im trying na maging ganon nalang,

taposss .. *ang haba na masyado kung ikkwnto ko dito HAHAHA

(2020) took notes (screenshots) ng mga pinopost ni B sa FB para may list ako ng gift ideas para sa kanya. hahaha. di ko pa sya mabilhan that time kasi gusto ko muna mag ipon for mas 👌🏻 na graduation gift. i was saving those ss for like other occasions, sana. though andon din naman yung other options for grad gift like shoes or something na afford ko for his gaming thingz

di ko pa ata nabubura yung mga screenshot, pero wala na dito sa fone ko.

(2020) kumontak ako ng bakeshop para maginquire ng personalized cake para din sa graduation ni B. tas kilig ako ksi may branch sa town nila mismo yung bakeshop so sabi ko di na hassle ipadala.

actually hindi eto ung first time na nag actual contact ako ng plan ko ibigay sa kanya for his grad. yung isa Vans shirt na Japan exclusive, i tried mag inquire for preorder; but that time, hindi pa nag papa preorder ung reseller nung item na yon, trip lang daw niya ipost sa page niya yung shirt.

ayun. basahin ko to pag gusto ko kiligin *kinilig sa sarili

[nightsidewrestling]

D.U.D.E Bios: Charles Nye (2021)

The Third Son of Pride Charles Nye

Damian's grandson and Viola's youngest son, Charles is an intelligent kid who spends more time with his heads in books rather than watching his mother wrestle.

"Did you name me after Dickens, Chaplin or Addams."

Name

Full Legal Name: Charles Lakshmi Nye

First Name: Charles

Meaning: French and English form of 'Carolus', the Latin form of the Germanic name 'Karl', which was derived from a word meaning 'man' (Proto-Germanis 'karlaz'). However an alternative theory states that it is derived from the common Germanic name element 'harjaz' meaning 'army'

Pronunciation: CHARLZ

Origin: English, French

Middle Name: Lakshmi

Meaning: Means 'sign, mark' in Sanskrit. This is the name of the Hindu goddess of prosperity, good luck, and beauty

Pronunciation: LUK-shmee

Origin: Hinduism, Indian, Telugu, Kannada, Tamil, Malayalam, Hindi, Odia

Surname: Nye

Meaning: Originally indicated a person who lived near a river, from Middle English 'Atten eye’ meaning 'At the river’

Pronunciation: NIE

Origin: English

Alias: N/A

Reason: N/A

Nicknames: Charley, Charlie, Charly, Chas, Chaz, Chip, Chuck, Chuckie, Chucky

Titles: Mr

Characteristics

Age: 10

Gender: Male. He/Him Pronouns

Race: Human

Nationality: British

Ethnicity: Mixed White-Asian (English & Indian)

Birth Date: January 15th 2011

Symbols: N/A

Sexuality: N/A

Religion: Christian

Native Language: English

Spoken Languages: English

Relationship Status: N/A

Astrological Sign: Capricorn

Theme Song (Ringtone on Damian & Vi's Phones): Damian: 'The Middle' - Jimmy Eat World Vi: 'Without Me' - Eminem

Voice Actor: N/A

Geographical Characteristics

Birthplace: Brigg, Lancashire, England

Current Location: Brigg, Lancashire, England

Hometown: Brigg, Lancashire, England

Appearance

Height: N/A (Hasn’t finished growing)

Weight: N/A (Hasn’t finished growing)

Eye Colour: Brown

Hair Colour: Black

Hair Dye: None

Body Hair: N/A

Facial Hair: N/A

Tattoos: N/A

Piercings: None

Scars: None

Health and Fitness

Allergies: None

Alcoholic, Smoker, Drug User: N/A

Illnesses/Disorders: None

Medications: None

Any Specific Diet: Vegetarian

Relationships

Allies: N/A

Enemies: N/A

Friends: Glyn Pritchard, Bada Llewellyn, Jacob Rhydderch, Quintus Rhydderch, Comhghall Rhydderch, Dagda O'Hannigan, Quirinus Rhydderch, Talfryn Rhydderch, Hall McFarlane, Dalton McFarland, Quasimodo Rhydderch, Bairrfhionn Rhydderch, Wallace Rhydderch, Samuel McCormick, Vance Lum, Emil Winter

Colleagues: N/A

Rivals: N/A

Closest Confidant: Quentin Nye

Mentor: Quentin Nye

Significant Other: N/A

Previous Partners: N/A

Parents: Quentin Nye (43, Father), Viola Nye (42, Mother, Née Lum)

Parents-In-Law: N/A

Siblings: Adam Nye (22, Brother), Paulette Nye (19, Sister), Benjamin Nye (16, Brother), Olivia Nye (13, Sister)

Siblings-In-Law: None

Nieces & Nephews: None

Children: N/A

Children-In-Law: N/A

Grandkids: N/A

Great Grandkids: N/A

Wrestling

Billed From: N/A

Trainer: N/A

Managers: N/A

Wrestlers Managed: N/A

Debut: N/A

Debut Match: N/A

Retired: N/A

Retirement Match: N/A

Wrestling Style: N/A

Stables: N/A

Teams: N/A

Regular Moves: N/A

Finishers: N/A

Refers To Fans As: N/A

Extras

Backstory: Charles is the fifth and final child of Quentin and Viola Nye, which makes him the grandson of Damian Lum. Charles currently attends primary school in Lancashire.

Trivia: Nothing of note so far

[lorirwritesfanfic]

Berk Atan as Prince Hamid Osmanoğlu

Disclaimer: this character profile was created specifically to fit Prince Hamid on Meant To Be universe . I unfortunately don't own the character, I don't assume to know everything about him and I have no intention to affirm this is exactly who he is and how other people should write him. I'm merely a hardcore enthusiast of this lovely character and I do my best to keep his essence while adding a few headcanons of my own.

Name: Hamid Osmanoğlu

Nationality: Turkish

Birthdate: December 3, 1991.

Hometown: Istanbul, Türkiye

Current Residence: Ithaca, NY, USA

Occupation: Envoy of Türkiye in the United States of America, graduate student of MBA Economics and Management at Cornell University

Talents/Skills: public speaking, a knack for languages, charm, cooking, self-defense and combat skills.

Parents: Murat Osmanoğlu and Raisa Doğan-Osmanoğlu

Siblings: Nesrin Osmanoğlu-Aksoy, Malak Osmanoğlu, Sevim Osmanoğlu.

Closest relatives: Ahmet and Halime Osmanoğlu (uncle and aunt), Osman Osmanoğlu (grandfather - deceased), Kaan Aksoy (brother in-law).

Background: First born of Ambassador of Türkiye in Australia Murat Osmanoğlu and prosecutor Raisa Doğan-Osmanoğlu, Hamid is easy going, perceptive and polite, has the ability to make friends everywhere he goes and charms everyone with his sense of humor and kind heart. With an impressive wit and knack for languages, he's fluent in seven languages (Arabic, English, French, German, Hindi, Mandarin and Spanish) aside from his native tongue. He fell in love with International Relations when he was nine and studied Economics and Finance at Bahcesehir University (2008-2011), hoping to follow his father's footsteps and become a diplomat.

To please his mother, he studied Law in Cambridge (2012-2015), worked with her for six months and quit to spent a month traveling with his father. He returned to Cambridge to get a Msc in International Relations and Politics (2016-2018), getting his first job at UK Parliament, where he worked with Earl Vincent Foredale.

He enrolled in MBA Economics and Management at Cornell University (2018-2021) and now works as an envoy of Türkiye in the USA, taking a job as legal advisor right after that.

What's his family like?

The Osmanoğlu family (on his father side) is composed by direct descentants from the House of Osman. When the Ottoman Empire fell, his grandfather Sehzade Osman was exiled in the UK with his family, then moved to the United States, where he married and lived most of his life. Most of his relatives live in Germany, UK or USA, but they still gather every year for festivities. All Osmanoğlu members follow Muslim traditions, but living in western countries made them inclined to a modern lifestyle.

The Doğan family (on his mother side), however, is more traditional. Mostly composed by women, they live in the same neighborhood and gather around at least twice per month. Filthy rich, pragmatic and meddlesome, they often interfere on younger relatives career choices, friendships and relationships, calling family meetings and interventions whenever they see fit. Though Hamid loves his mother and aunts dearly, their intrusive habits are among the reasons why he moved out of his family's house and doesn't have plans to live permanently in Turkiye again.

Favourite childhood memory: sailing with his father, grandfather and uncle.

Nicknames: Aslan (among the men in his family), Osman (among friends at school/university because of the name on his football jersey), Hamidciğim (most women in his family call him that, but according to him, this petname sounds more endearing to him when Daphne calls)

Astrology sign: Sagittarius sun, Aquarius rising, Cancer moon

Hobbies: Driving, fishing, reading, cooking, MMORPG

Relationship status: In a relationship with Daphne Wang

Top 5 songs:

Burcu Güneş - Sen Benimsin, Ben Seninim

Emre Aydın - Hoşçakal

Paul McCartney - My Love

Coldplay - A Message

Norah Jones - Come Away With Me

Favourite books:

The Twenty-One Balloons by Pene du Bois

The Museum of Innocence by Orhan Pamuk

Poems of Nâzım Hikmet (1986 edition)

Favourite movies:

Psycho (1960)

Spirited Away (2001)

Sonbahar (2008)

Favourite TV shows:

He likes most cooking TV shows, but his favourite is Masterchef Kids (he is amazed by talented children). From Netflix, his favourites are Sex Education, Aşk 101 and The Crown. But his all time favourites are period dramas (Magnificent Century, Magnificent Century: Kösem, The Great Seljuks: Guardians of Justice, Kuruluş Osman, Reign, The Tudors, The Spanish Princess...), He is also into K-Drama and Chinese drama because of Daphne and his sisters, but he only watches with them.

Biggest guilty pleasure:

watching Daphne's trashy TV reality shows while eating greasy food. He's not entirely ashamed of the greasy food and says it motivates him to exercise more in the next day, but will blantantly deny liking Love Island, Love is Blind and Say Yes To The Dress.

Sweet or savoury?

Normally he says both, but when push comes to shove, he'll choose savoury.

Favourite food:

Menemen, kofte burger, ramen, baklava

Favourite drinks:

Non-alcoholic - Turkish coffee, cappucino, Turkish tea, pomegranate juice, strawberry daiquiri mocktail

Alcoholic - Irish coffee, rakı, wine

Most treasured possessions:

A Ducati Panigale V4R and A. Lange & Söhne Lange 1 Zeitzone watch with his initials engraved in the back.

Close Friends:

Sevim Osmanoğlu (OC), Yusuf Konevi, Ali Koveni (OC), Sanem Konevi (OC), Veronica Dantas (OC), Bartholomew Chambers.

Goals for the future:

Travel to Sub-Saharan Africa, take Daphne to travel with him more often, buying an apartment in London.

Dog lover or cat lover?

Both (don't expect him to choose)

Early bird or night owl?

Early bird (unless he's jetlagged)

How does he relax after a bad day?

When he's alone, he goes jogging or driving to clear his head then finds something to eat. When he's with Daphne, he stays home with her, preferably resting his head on her lap as they watch movies.

Personality: ENFP-A (Assertive Campaigner)

Campaigners (ENFPs) are true free spirits – outgoing, openhearted, and open-minded. With their lively, upbeat approach to life, they stand out in any crowd. But even though they can be the life of the party, Campaigners don’t just care about having a good time. These personality types run deep – as does their longing for meaningful, emotional connections with other people.

One random headcanon:

During his teenhood, he used to play MMORPG with then Prince Liam of Cordonia and Drake Walker during late nights. He's not as close to the King of Cordonia as he used be, but they're still good friends. He attended the King's coronation, the King's engagement parties to Lady Madeleine and Lady Jade, the bachelor party in Paris and wedding to Queen Jade. He was also invited to the bachelor + bachelorette party in Vegas, but politely declined because he was preparing himself for the interviews for the MBA at Cornell University.

[aodmusic786]

Watch "Mera Piya Ghar Aaya O Raam Ji || Tapori Rmx || Dj Annu Exclusive || #djremix || #djsong || #djviral" on YouTube

Watch “Mera Piya Ghar Aaya O Raam Ji || Tapori Rmx || Dj Annu Exclusive || #djremix || #djsong || #djviral” on YouTube

[severetravelerhologram-blog]

Ye Ishq Na Ho (Full Video) | Radhe Shyam | Prabhas, Pooja H | Manan Bhardwaj, Harjot Kaur | Kumaar

Presenting ‘Ye Ishq Na Ho’ full video from the movie Radhe Shyam Gulshan Kumar and Bhushan Kumar present UV Creations in …

[gkfarming]

Haryana was part of the Kuru Kingdom during the Vedic era during 1200 BCE.

Haryana has been inhabited since the pre-historic period. Haryana was part of the Indus Valley civilization during the Bronze Age period. The ancient sites of Rakhigarhi and Bhirrana are some of the oldest Indus Valley civilization sites.(5) Haryana was part of the Kuru Kingdom during the Vedic era during 1200 BCE.(6)(7)(8) The area now Haryana has been ruled by some of the major empires of India. The Pushyabhuti dynasty ruled the region in the 7th century, with its capital at Thanesar. Harsha was a prominent king of the dynasty.(9) The Tomara dynasty ruled the region from 8th to 12th century. The Chahamanas of Shakambhari defeated them in the 12th century.(10)

Harsha Ka Tila mound, ruins from the reign of 7th century ruler Harsha.

Lal kot built by Anangpal Tomar in 1052

Portrait of Hem Chandra Vikramaditya, who fought and won across North India from the Punjab to Bengal, winning 22 straight battles.(11)

In 1192, Chahamanas were defeated by Ghurids in Second Battle of Tarain.(10) In 1398, Timur attacked and sacked the cities of Sirsa, Fatehabad, Sunam, Kaithal and Panipat.(12)(13) In the First Battle of Panipat (1526), Babur defeated the Lodis. Hem Chandra Vikramaditya claimed royal status after defeating Akbar's Mughal forces on 7 October 1556 in the Battle of Delhi. In the Second Battle of Panipat (1556), Akbar defeated the local Haryanvi Hindu Emperor of Delhi, who belonged to Rewari. Hem Chandra Vikramaditya had won 22 battles across India from Punjab to Bengal, defeating the Mughals and Afghans. Hemu had defeated Akbar's forces twice at Agra and the Battle of Delhi in 1556 to become the last Hindu Emperor of India with a formal coronation at Purana Quila in Delhi on 7 October 1556. In the Third Battle of Panipat (1761), the Afghan king Ahmad Shah Abdali defeated the Marathas.(14)

In 1966, the Punjab Reorganisation Act (1966) came into effect, resulting in the creation of the state of Haryana on 1 November 1966.(15)

Distribution

Haryanvis within Haryana

See also: Demography of Haryana

The main communities in Haryana are Gujjar, Jat, Brahmin, Agarwal, Ahir, Chamar, Nai, Ror,Rajput, Saini, Kumhar, Bishnoi etc.(16) Punjabi khatri and Sindhi refugees who migrated from Pakistan had settled in large numbers in Haryana and delhi.

Haryanvi diaspora overseas

(icon)

This section needs expansion. You can help by adding to it. (July 2021)

See also: Indian disaspora overseas

There is increasingly large diaspora of Haryanvis in Australia, Canada, Singapore, New Zealand, Saudi Arabia, UAE, UK, USA, etc.

In Australia, the community lives mainly in Sydney and Melbourne, has set up Association of Haryanvis in Australia (AHA) which organise events.(17)

In Singapore, the community has set up the Singapore Haryanvi Kunba organisation in 2012 which also has a Facebook group of same name. Singapore has Arya Samaj and several Hindu temples.

Culture

Main article: Haryanvi culture

Language

Main article: Haryanvi language

Haryanvi, like Khariboli and Braj is a branch of the Western Hindi dialect, and it is written in Devanagari script.(18)

Folk music and dance

Main article: Music of Haryana

Folk music is integral part of Haryanvi culture. Folk song are sung during occasion of child birth, wedding, festival, and Satsang (singing religious songs).(2) Some haryanvi folk songs which are sung by young woman and girls are Phagan, katak, Samman, Jatki, Jachcha, Bande-Bandee, Santhene. Some songs which are sung by older women are Mangal geet, Bhajan, Sagai, bhat, Kuan pujan, Sanjhi and Holi. Folk songs are sung in Tar or Mandra stan.(19) Some dances are Khoriya, Chaupaiya, Loor, Been, Ghoomar, Dhamal, Phaag, Sawan and Gugga.(19)

Cuisine

Haryana is agricultural state known for producing foodgrains such as wheat, barley, pearl millet, maize, rice and high-quality dairy. Daily village meal in Haryana consist of a simple thali of roti, paired with a leafy stir-fry (saag in dishes such as gajar methi or aloo palak), condiments such as chaas, chutney, pickles. Some known Haryanvi dishes are green choliya (green chickpeas), bathua yogurt, bajre ki roti, sangri ki sabzi (beans), kachri ki chutney (wild cucumber) and bajre ki khichdi. Some sweets are panjiri and pinni prepared by unrefined sugar like bura and shakkar and diary. Malpua are popular during festivals.(20)

Clothes

See also: History of clothing in the Indian subcontinent and History of Textile industry in India

Traditional attire for men is turban, shirt, dhoti, jutti and cotton or woollen shawl. Traditional attire for female is typically an orhna (veil), shirt or angia (short blouse), ghagri (heavy long skirt) and Jitti. Saris are also worn. Traditionally the Khaddar (coarse cotton weave cloth) is a frequently used as the fabric.(21)(22)

Cinema

See also: Haryanvi cinema and List of Haryanvi-language films

The First movie of Haryanvi cinema is Dharti which was released in 1968. The first financially successful Haryanvi movie was Chandrawal (1984) which spurted the continuing production of Haryanvi films, although none have been as successful.(23) Other films such as Phool Badan and Chora Haryane Ka followed with only about one out of twelve films being profitable at the box office.(23) In 2000, Aswini Chowdhary won the Indira Gandhi Award for Best Debut Film of a Director at the National Film Awards for the Haryanvi film Laddo.(24) In 2010 the government of Haryana announced they were considering establishing a film board to promote Haryanvi-language films.(25)

[girl-please-study]

Orchid, jasmine & palm tree? :p

Orchid : What's a song you consider perfect?

In English - Hozier, that's it, that's perfection

In Hindi - Ajab Si, from Om Shanti Om (2007)

Jasmine : do you have a movie or book you loved but will never watch/read again?

The Song of Achilles, Madeline Miller

I don't want to butcher my heart yet again����

Plam Tree : do you have a fictional villain you shouldn't like but love regardless?

YES. They're not technically villains rather antagonists. Lorraine from Atomic Blonde, Estella from Cruella (2021). I'm nothing in front of evil, unhinged women, as if it's my fault.

[randomstudyblr]

☮ i ❁ z ask game'a :)

☮ : translate the first lines of your favourite song in your language

Ufff decidir es difícil... mira, voy a usar mi canción más escuchada según spotify (de 2021 shhh la de 2022 fue en inglés):

I dreamt every day with reaching the beach/and now it's so close, I can nearly smell it/and I'm seeing the end come closer and closer/I can feel dry earth after the wet sand

Tierra - Xoel López

❁ : which language(s) do you think of as the most beautiful?

Para esto no tengo una respuesta tan clara como para la pregunta opuesta... En lo que se refiere al habla, la verdad es que me llaman mucho la atención los ritmos de los idiomas, ahora me viene a la mente el Hindi. Por escrito, el árabe sin duda.

Speak your language day asks!

[officevalle]

The Evolving Landscape of Global Music and Celebrity Culture

In today’s interconnected world, the borders that once separated regional music scenes are dissolving into a single, vibrant tapestry of global sounds and influences. From the soaring popularity of K-pop groups and the allure of Bollywood soundtracks to the chart-topping hits of Western pop icons, music now transcends language, culture, and geography. More than ever, international artists inspire each other, blend genres, and reach fans far beyond their own cultural boundaries. This expanded landscape not only encourages the fusion of musical elements but also shapes the way audiences perceive celebrities—their personal lives, values, and creative journeys.

Blurring Boundaries with Bollywood and Beyond

India’s vibrant film industry, Bollywood, is perhaps one of the most enduring symbols of how music and cinema merge to shape popular culture. In recent years, Bollywood music has found an even broader audience, transcending linguistic and national limitations. The era of streaming platforms and social media promotions allows listeners to discover tracks that were once primarily enjoyed by regional fans. Hindi songs, known for their melodic richness and emotive storytelling, are now just a click away from audiences around the globe.

For fans looking to explore the freshest melodies emerging from the Bollywood scene, there is a convenient array of digital platforms and blogs dedicated to guiding listeners through the latest hits. For instance, many discover Bollywood soundtracks through recommendations or curated playlists that highlight the latest releases. For those who crave the latest film tracks or pop singles, one place to start exploring is the new songs hindi 2021 download portal. Such online resources make it simpler than ever to connect with diverse tracks that reflect contemporary themes and stylistic experimentation. This easy accessibility ensures that Hindi songs aren’t just a local phenomenon—they’re part of a larger global dialogue that encourages artistic exchange.

Love, Image, and the Complexities of K-Pop Stardom

The global ascent of K-pop stands as a testament to how music can travel across borders and language barriers, capturing the hearts of millions who may not understand the lyrics but feel the emotional depth of the performance. Within this universe, idols are more than just singers—they are symbols of style, grace, and creativity, whose private lives often intrigue as much as their public personas.

K-pop fans carefully follow every detail of their favorite idols’ appearances, social interactions, and rumored romances. One K-pop star who has garnered significant attention is Roseanne Park (known as Rosé from BLACKPINK). Fans are always eager to understand the complexities and nuances behind the public and private aspects of her life, including how personal connections might shape her artistry. A deeper look into roseanne park relationships offers insights into how these delicate dynamics reflect the broader questions of authenticity, privacy, and image cultivation in the K-pop industry.

The result is a new form of global fandom where cultural exchange is not only about the music but also about understanding the interpersonal realities that influence an artist’s career. The stories of love, friendship, and camaraderie within these groups transcend nationalities, speaking to the universal language of human connection and the allure of stardom itself.

Faith and Identity in Western Pop Icons

One of the remarkable aspects of global music culture is that artists are increasingly open about their cultural and religious identities. Discussing faith and heritage was once considered risky in an industry that often seeks to maintain a certain image. Today’s fans, however, value authenticity and personal connection as much as chart-topping hits, and many look to musicians as representatives of broader cultural shifts.

Take, for example, former One Direction member and successful solo artist Zayn Malik. Born in the U.K. to a British-Pakistani family, Malik has openly acknowledged elements of his Muslim background. Fans and critics alike have shown keen interest in how this heritage influences his worldview, lyrical themes, and artistic identity. Understanding how a star’s faith shapes their journey can deepen our appreciation of their music and its significance. Insightful commentary and reflections can be found by looking into zayn malik islam, where discussions highlight how religion intersects with global stardom and encourages dialogues about cultural representation and acceptance.

As Malik and other Western artists embrace their roots, they effectively bridge cultural divides, encouraging listeners from various backgrounds to engage in a form of communal understanding. Such transparency fosters empathy, challenging stereotypes and promoting unity through melodies and messages that transcend borders.

The Allure of Nostalgia and Cultural Crossovers

Music often serves as a time machine, transporting listeners to different eras, cultures, and emotional states. Tracks that evoke nostalgia can spark renewed interest in older styles, whether it’s through a modern remix of a classic or a revival of a traditional genre. The fusion of old and new, native and foreign, is increasingly shaping playlists worldwide.

Consider the growing interest in cross-cultural collaborations. Indian and Western artists team up, mixing Hindi lyrics with English hooks to create hybrid tracks that appeal to broad audiences. Similarly, Latin beats blend with K-pop vocals, or Afro-Caribbean rhythms mix with British pop sensibilities. Such cultural crossovers enrich global music scenes and expand creative possibilities for the artists involved.

Within this landscape of blending sounds, discovering the artists behind iconic songs is part of the musical journey. For instance, tracks that evoke a certain catchphrase or nostalgic vibe can spark curiosity about their origins. One might stumble across the persona behind a particular hit song while researching the tauba tauba singer who popularized a phrase that resonates even years after its initial release. Understanding how artists interpret their heritage and adapt to modern trends helps us appreciate their contributions and the timeless quality of their work.

Romance, Heartbreak, and the Stories Behind the Hits

Beyond cultural identity and faith, the personal lives of global superstars often fascinate fans, especially when it comes to matters of the heart. Romantic entanglements, breakups, and everything in between frequently inspire chart-topping hits and serve as universal storytelling themes. Music becomes a powerful outlet, enabling listeners to connect with the raw emotions that lie at the heart of their favorite songs.

Fans are always eager to know the muses behind the melodies or the heartbreaks that fueled an artist’s creative spark. Delving into the relationships of pop icons like Justin Bieber provides a window into how love and loss shape an artist’s sound. By exploring justin bieber dating history, one gains insight into how personal experience, public scrutiny, and global fame come together to influence an artist’s creative journey. These intimate stories resonate beyond fandoms, as listeners find reflections of their own lives and emotions in the music.

What emerges from this exploration is a reminder that the human experiences of love, longing, joy, and sorrow know no borders. Music magnifies these feelings, making it easier for audiences across continents to empathize with artists from different backgrounds. In this way, personal narratives and relationship histories help break down cultural barriers, connecting listeners through shared emotional journeys.

Music as a Catalyst for Global Understanding

Perhaps the greatest gift of today’s global music landscape is its ability to foster mutual understanding across different cultures. As audiences explore sounds from unfamiliar genres, they inevitably discover new cultural elements, languages, and traditions. This cross-pollination encourages listeners to become more open-minded and curious about the world around them.

In turn, artists benefit from sharing their unique perspectives, integrating their identities into their craft without fear. The acceptance and celebration of cultural differences in music nurture a more inclusive global community—one where artists feel comfortable expressing themselves authentically and listeners are open to embracing new sounds.

From a broader perspective, the current era of music can be seen as one of collaboration and unity. Whether it’s a South Korean idol opening up about relationships, a British-Pakistani singer singing from the heart about faith and identity, or a global pop icon turning personal heartbreak into a relatable hit, these stories illustrate that music is a universal language. And as technology continues to shorten distances, music remains a profound medium through which we can experience the richness of global diversity.

Embracing the Future of Global Music Culture

As we move forward, the future of global music culture appears more dynamic than ever. Audiences can expect further genre fusions, bolder artistic statements, and a greater focus on authenticity. With streaming services making it easier to discover unfamiliar artists, music lovers around the world are free to create their own eclectic playlists, blending tracks from different eras and continents.

This evolving environment encourages artists to push the boundaries of creativity. Rather than conforming to a single style, they experiment with their sound, explore new languages, and collaborate with peers from distant lands. Each new release can spark new trends, dialogues, and fan communities that transcend cultural divides.

In this sense, global music culture is not just an industry or a product to consume—it’s a living, breathing ecosystem where everyone can be both a creator and a curator. By respecting the personal journeys of these artists and embracing the diversity of styles, languages, and themes they bring to the table, we contribute to an ever-expanding cultural mosaic.

Conclusion: A Harmonious Global Chorus

The stories behind the music—be they rooted in personal relationships, faith, cultural heritage, or artistic inspirations—enrich our understanding of the musicians who shape our playlists and our lives. It is this depth of connection that transforms music from mere entertainment into a powerful force for empathy, unity, and global understanding. As we continue to embrace this evolving landscape, we do more than just listen; we become participants in a global chorus that resonates with every note, lyric, and beat.