#2019 acting

[mstrchu]

my experience with the ending of ne zha 2

[yesloulou]

@ SkySportsF1: A hilarious moment and a slightly odd conversation between the two former teammates after qualifying! | 2019 British Grand Prix 🇬🇧

[wawataka]

i’ve thought about this every single day of my life

[hgracieeees]

my thoughts on the australian hadestown cast!

n.b. these are MY thoughts on how i felt and percieved the australian cast's takes on characters that i've seen many versions of. personally, i felt this show presented similtaneously very fresh and very accurate versions of these beautiful characters <3 in this post, i focused more on the differences rather than the similarities to previous performances.

noah mullins' orpheus is very awkward but in such a sweet way. he's clearly autistic-coded - he fully jumped when he turned around during 'road to hell' to 'see' the audience (+ his wave is so sweetly shy rather than over-earnest) and at one point during 'wait for me (reprise)' he started stimming out of stress & overstimulation. he has less of the socially-inept earnestness than maybe reeve carney's oprheus had (more of a socially-inept awkwardness), but it came out properly in 'come home with me' towards eurydice - it seems like he's terrified of socialising with everyone except her. noah is incredibly lanky, and so their orpheus very much has the vibe of his legs and arms being so long that he never quite learned how to use them properly, which suits his orpheus perfectly. their 'is it true' is powerful not because of an extreme emotional performance (see donal finn's) but because he seemed comfortable and in control for the first time. his neurodivergency also feels a lot more pronounced during 'doubt comes in' - the loss of confidence and increased anxiety feels very natural for his orpheus, as devestating as it is. his awkwardness being said, he is very physically comfortable with eurydice - they and abigail were so adorable during 'way down hadestown', the two of them feel like teenagers who have just gotten into their first relationship. i've heard noah talk about how much they wanted to work with abi, and i'm so glad they got that chance!

abigail adriano's eurydice is a tough little thing. abigail is quite small in stature, especially next to noah, and so she seems to be twice as thick-skinned and aggressive during the opening couple of songs to make up for it. at the beginning she is flighty and quick with the way she runs away from the fates, hades & even orpheus at the beginning of their relationship, super determined to protect herself, but she's got a real baby face which makes you just ache for her and the pain she's clearly already experienced. it also means that when eurydice gets more comfortable during the summer (during 'way down' and 'all i've ever known'), this sweetness just blooms out of her. her and noah have incredible chemistry, and she just turns into a little schoolgirl with a first crush during 'way down'. her 'wait for me (reprise)' is INCREDIBLE, such a powerful voice out of this small girl, and her 'flowers' is SO emotional. also just before the turn, she is like swinging along the set, as if she has so much trust in orpheus and is so excited to leave hadestown and spend the rest of her life with him, which just makes the turn 100x more painful.

christine anu is just the perfect choice for an australian hermes. she has a brilliant Aboriginal aunty vibe about her (we love seeing First Nations people in australian theatre!) - especially as some of the more spoken lines, she really leans into the aussie vowels (e.g. 'we're gonna sing it again' and 'don't come on too strong'). she's got an incredible voice & stage presence, and even though the way she holds herself onstage felt at times as if she perhaps has less musical theatre experience and more experience performing as a singer in her own right (i haven't looked at her resume), that seems to work pefectly for the narrator character, who straddles the fourth wall the entire show. it really has the vibe of her telling all of us a story around the campfire, and she really milked the beginning of 'road to hell (reprise)' for all it's worth. this hermes seems to LOVE telling this story, as painful it is - she's joyful & hopeful in her telling, it's much less of a tortured narrator and much more of a 'this is an important story to tell and it's a story of HOPE despite tragedy' type of vibe. her and elenoa's persephone are girl besties, and she has a real aunty type of love & care (like the aunty who you're not related to, but has always been there) for all the workers + orphy & eury (as noah & abi call them). she honestly feels like the oldest and most mature presence on the stage - older than hades & persephone (read on for my thoughts on a slightly younger-feeling seph & hades), and so able to tell this story from a more mature & knowledgeable position.

elenoa rokobaro's persephone is so much fun. she plays persephone a lot drunker (during 'our lady' and the other underworld scenes) than i'd seen before, which made her alcoholism a lot more obvious and powerful, especially the 'i've had enough' line in 'how long'. she feels a lot younger than amber gray's persephone, which i think makes her story a lot more powerful - almost like a younger sister to christine's hermes at times, and similarly, i felt more of a big sister vibe to eurydice rather than the aunty vibe which i get from amber gray's persephone. i think her overt drunkeness represents her take on the character well - she's a lot looser with her movements, less of the awkward jerkiness of amber's persephone and more of a free, all-encompassing movement (in my opinion). i loved it - her 'our lady' is so much fun, but also a lot more confronting (due to how clear her alcohol-induced numbness is covering up a pain). her and adrian seem almost playful during 'epic III - they danced', which i think contributed to the fun, younger vibe.

adrian tamburini's hades has a similarly younger vibe to him - almost sleazy but not quite (and by younger, i mean compared to patrick page, not to the rest of the characters - him and persephone are still clearly older than orpheus & eurydice). he gave real business ceo vibes at times. this hades really struck me with that insecurity leading to immaturity that every hades textually has, but the immaturity of his behaviour really comes out in adrian's choices. he seems really petty in the way he treats the workers & persephone while he's upset about her being away from him. also, his 'hey little songbird' is much more melodic than patrick page's, which is super powerful when you're used to the low growl, and is very alluring in a different way - a much more similar allure to orpheus'. his 'why we build the wall' and 'chant (reprise)' were SO powerful, though, a real power and anger present in that low voice. they were also slightly more explicit about the subtle sexual connotations of 'he closed the door behind' in 'why we build the wall' and 'the girl means nothing to me' in 'how long' which just made you the right amount of uneasy. i think overall, the younger vibe that adrian and elenoa both have leads to a real pettiness in their anger at each other and a real playfulness in their reunion (e.g. when he grows the flower in 'epic III'). they don't so much have that 'ancient' vibe that patrick & amber had, but i think it upholds the insecurity & immaturity in their actions rather than undermines it (which it absolutely could have if done wrong). i feel like instead of it saying 'here's this ancient couple who are failing at communicating and caring for each other in the way they should, an ancient couple who are still insecure and immature', they are an incredibly powerful couple who are still figuring out how to love each other, despite the length of their relationship and their ultimate power over the workers & the seasons.

conclusion: GO SEE THIS CAST. like i said at the top, these performances felt both new, as well as true to the text and to the original concepts for these characters. they didn't make a single choice that i felt undermined the characters or any other interpretation of them, and they all perfectly enhanced the themes & narrative of the story. by comparing this cast to the original broadway or to the west end casts, i feel like i just understand the chraracters and the text even more then i already did, bringing out new nuances or new ways of representing the same experiences within the same story. i'm going to see it again in april, so if i see these guys again (i would also love to see any of the swing's takes on the roles) then i might add to the post <3

professional photos of this cast: 1 | 2 b-roll: 1

[ridethecyanide]

May 27, 2019 - On this day in RSL history, Robert stars in National Geographic’s mini series, The Hot Zone.

[iwasbored777]

Now that we're once again talking about the Joker I think that it's important to remember that "Arthur is a victim of abuse and a mentally ill person and his violent behaviour is the consequence of his suffering" and "Arthur is a murderer who is responsible for his actions and we shouldn't see him as a role model" are two opinions that can and should coexist.

[nosweetprinceoflove]

The reason no one ever mentioned the strange closeness and intimacy in Cooper and Truman’s relationship is because they were all focused on the 45 other interconnected relationships happening in this one town

[dnpsuck]

dan saying it took him 29 years to come out... bro, LEARN THE LORE!!!!! for fuck's sake

[henry-the-winner]

Not now boys I’m thinking about the twist ending of the My Little Pony movie

[ariinurl]

HAPPY BIRTH, IT'S YUKI DAY!!!

[gunsatthaphan]

#rebellious.

[redge]

You know it's crazy how I am really very convinced that Five is an old man stuck in a teen's body.

Like that Reginald and Five conversation in Season 2 Episode 6? The whole scene I never thought there was something wrong with Five drinking, or Five talking things like "when we were kids" or Five saying he gave Reginald such a hard time as a kid as if it's not a kid's body speaking of it. The scene was simply two old men talking over a drink. Plain and simple.

I remember Aidan answering this question "what message would you give to someone who wants to be an actor" and aside from researching a character, he concluded his answer with "you just really need to make friends with the make believe" and I am very sure Aidan practice what he preach. He loves TUA comics so he knows his character, and he really got me with that make believe that he is indeed an old man in a teenagers body.

In season 4, Aidan is no longer a teenager acting as an adult but he's already an adult acting as an old man but even that was convincing for me. Also the way he played all those Five alternatives? Booth Five is very reminiscent of Five in season 1 and season 2. Drunk Five? We've seen that in season 3. Brisket Five? Oh what a joy to see a smiling-not-living-on-the-edge Five. I mean to separate all those Fives as if they're really different versions of you? What an astounding actor.

I know he is now focusing on his music but I am excited to see him in the next role he will portray just as much as I am excited in the music he is making.

[fedorah-the-explorah]

going off of the sheer amount of fanfiction i've read saying the contrary, I think this may be considered an unpopular opinion, but I firmly believe that player is like scary good at lying. I don't think he particularly likes lying, but he can, you know? like on the rare occasion that he has to, carmen will listen to him lie straight through his teeth like it's nothing and get really really concerned. because like. hello? where did you learn to do that? sir?

I don't know, watching s2e7 is so funny to me because this is the first time he's interacted with someone outside the team for a caper, and he immediately gets into the deception, fake accent and all. no hesitation. carmen switches the plan on him, and he's the one who has to relay that to gray while still maintaining the lie. and he does it! full confidence! and when graham pushes back, player pulls out the "haha yeah the crowds going crazy :)" and gets him to go along.

and hey! this plan was fucking ludicrous and stupid. I have such a love-hate relationship with this episode. it is everything to me. it's fucking idiotic. it's beautiful. it's a god damn joke. when the plan DOES eventually fall apart, that is not on player because buddy did his best with the silliest plan known to mankind. okay? he was ON it in this episode, I love it.

it's also the screening he did during the second act of the pilot. "strange people kept answering your phone!" and you kept calling?? did you have these silly goofy little lies already made? or were you just coming up with them on the fly?

or what about in season 4 when zack and ivy come to his school posing as exterminators? they can't agree on a lie and arrive at making up a new kind of insect, and player is so quick to back it up. the embodiment of "yes, and?" kid can roll with the punches, it's great.

like, there's a reason he and carmen are best friends. she was raised to be a thief and was pretty much born for their line of work, but player is kind of perfectly made for it as well. that's a guy who can continue a bit. his confidence with this stuff is both impressive and reckless, and it has GOT to keep carmen up at night. I love him.

[livwritesstuff]

inspired by a real-life event i was recently reminded of

Life can be so goddamn weird.

That’s Eddie’s opinion anyway.

Like, in 1986 he was a nonconformist metalhead wanted for murder. In 2013, nearly thirty years later, he’s actually kind of excited about a Disney princess movie release.

Again, weird.

The movie is Frozen – people have lost their effing minds over it, or so it seems – and the reason Eddie’s actually kind of excited about it is because he and Steve have three daughters and the last time Disney put out a princess movie, they’d all had a total blast going to see it in the movie theater.

Eddie has high hopes for this one (at a minimum he’s hoping it puts a stop to the endless loop of Tangled’s “I See the Light”, which isn’t a bad song at all, but even the best of songs become hard to hear after the ninety-ninth play).

About a week after the movie came out, he’s watching TV with his youngest daughter, Hazel, when the trailer for Frozen plays during a commercial break.

“You gearing up to go see Frozen, Hazy-Jay?” he asks her.

To which Hazel scrunches up her nose and responds, “No, that’s for babies.”

And Eddie could have died right there in the middle of the living room, because last time he checked Hazel was a baby still. She’s seven! In what world is seven too old to see a Disney movie?

“This is entirely your fault,” Eddie later tells Steve, “You’re the one who said they’re allowed to grow up or whatever.”

“They are,” Steve points out, “You know – she doesn’t actually think Frozen is for babies. It’s just because Moe’s on that whole Disney’s not cool anymore thing, and Hazel thinks she’s the coolest person on the planet, so…”

It’s true that Moe, who’s twelve now, has been on a kick of disavowing all of her little-kid interests ever since she started middle-school. Some of it Eddie hasn’t even minded (in his opinion the less Disney Channel he has to listen to, the better). What he won’t stand for is when it leeches onto her little sisters years before they’re supposed to start outgrowing that stuff.

“So it’s Moe’s fault,” Eddie finishes.

“You know that’s not what I said.”

[sjdraws-00]

“A true act of good will always spark another”

Happy holidays to those who celebrate! I rewatched Klaus and had to do some sketches from it. This movie is beautiful and the story is fantastic, I absolutely recommend watching

[ahappydnp]

one day when my mental health is rotting garbage and i actually have energy someone remind me to cry about them introducing muse at big weekend 2015 vs. 'i have amazingphil and am seeing muse in 2010'