#2013 nail art

[slut4motherearth]

{ig: @allycoolcattt}

[i-miss-2013]

Could you please give some more nail inspo??💓💓

Here you gooo!! These nails are so cute! 🥹💗

💋 Taglisters: @2543jj @lou007sstuff @cottoncandywhispers @bambibabydoll123 @evascoastal @luxliisbon

[hal1uzinogene]

Follow my Instagram account for more art like this!

🥀🖤🩸@ ariiajpg🩸🖤🥀

I’m taking commissions❣️

[ruinedholograms]

(2013)

• Body/Head (Kim Gordon) - Coming Apart

• Queens Of The Stone Age - …Like Clockwork

• Tim Hecker - Virgins

• Hans Zimmer - Man Of Steel

• GB - Within These Machines

• Arcade Fire - Reflektor

• David Bowie - The Next Day

• Autechre - Exai

• The Haxan Cloak - Excavation

• Agnes Obel - Aventine

• Grouper - The Man Who Died In His Boat

• Atoms For Peace - Amok

• V/A - Sound City: Reel To Reel

• Nine Inch Nails - Hesitation Marks

• Washed Out - Paracosm

• The Knife - Shaking The Habitual

• Julia Holter - Loud City Song

• Majical Cloudz - Impersonator

• Chelsea Wolfe - Pain Is Beauty

• How To Destroy Angels - Welcome Oblivion

[sapphire-imeo]

My New Years nail inspo :p

I got a manicure set with a UV light for Christmas and I'm so excited to use it 💖💅🏻

[littlefoxgirlhere]

[jasminekissss]

[sunniestshark-ocs]

Under the cut are some old designs of Jo's bc I just did whatever the fuck with Bleach back then. They don't (probably) happen anymore but I still like them!

They're various stages of her fully merging with her zanpakuto spirit, which wasn't really a zanpakuto in the first place but that's a story for another time

The last one fucks severely tho

[nathalielovesboba]

[scenesaga]

LOOK HOW CUTE MY NAILS ARE >w<

[bts-scarlett]

97 🩹. ⠀ | SEA⠀٫⠀BANGTAN

?!⠀ ִ ⠀꒪ 방탄 ㅤׂ ⠀ 🩹 ﹨

🫐 : 사랑 𝄒 ﹙ 𝓢. ﹚

⌕ ‣     BASIC INFO ׁ⠀ ࣭ ⠀⠀⊹

✸. BIRTH NAME — bahng scarlett sarang

✸. KOREAN NAME — bang sarang

✸. HANGUL — 방사랑

✸. ENGLISH NAME — scarlett bahng

✸. NAME MEANING — sarang is a girl's name of korean origin. simply meaning "love" and "affection"

✸. NICKNAMES — lovie ❪ mom & dad ❫, scar ❪ chan & siblings ❫, korea’s first love ❪ army ❫, letty ❪ members ❫

✸. BIRTHDATE — october 3, 1997

✸. AGE — 27 ❪ int. ❫

✸. ZODIAC SIGN — libra

✸. BIRTHPLACE — seoul, south korea

✸. HOMETOWN — sydney, australia

✸. NATIONALITY — korean

✸. ETHNICITY — korean

✸. LANGUAGES —

៹٠ korean : 100%

៹٠ english : 100%

៹٠ japanese : 76%

✸. HEIGHT — 5’4” ❪ 164 cm ❫

✸. WEIGHT — N/A ❪ N/A ❫

✸. BLOOD TYPE — O

✸. HAIR COLOR — black ❪ naturally ❫, red ❪ currently ❫

✸. EYE COLOR — brown

✸. CLAIMS —

៹٠ face : unknown ❪ unknown ❫

៹٠ vocal : minnie ❪ gidle ❫ seulgi ❪ red velvet ❫

៹٠ rap : soyeon ❪ gidle ❫ cocona ❪ xg ❫

៹٠ dance : seulgi ❪ red velvet ❫

✸. GENDER — female

✸. PRONOUNS — she/her

✸. SEXUAL ORIENTATION — bisexual

✸. RELATIONSHIP STATUS — unknown

🩹 : 사랑 𝄒 ﹙ 𝓢. ﹚

⌕ ‣     CAREER ׁ⠀ ࣭ ⠀⠀⊹

✸. STAGE NAME — scarlett

✸. HANGUL — 스칼렛

✸. COMPANY — BigHit Entertainment ❪ 2010 - Present ❫,

✸. TRAINEE PERIOD — 3 years ❪ 2010 - 2013 ❫

✸. DEBUT AGE — 14 years old

✸. GROUP — BTS

✸. SUBUNIT — unknown

✸. POSITIONS — main dancer, lead vocalist, lead rapper, maknae

✸. REPRESENTATIVE EMOJI — 🐺

✸. INDIVIDUAL FANDOM — unknown

✸. RANKING —

៹٠ vocal : 8 / 10

៹٠ rap : 9 / 10

៹٠ dance : 9 / 10

៹٠ visual ❪ korean standard ❫ : 6 / 10

៹٠ stage presence : 9 / 10

៹٠ acting : 3 / 10

៹٠ producing : 9 / 10

៹٠ songwriting : 9 / 10

៹٠ choreography : 8 / 10

៹٠ leadership : 6 / 10

៹٠ public speaking : 4 / 10

🫐 : 사랑 𝄒 ﹙ 𝓢. ﹚

⌕ ‣     PERSONAL ׁ⠀ ࣭ ⠀⠀⊹

✸. MBTI TYPE — INFJ ❪ advocates ❫

✸. DESCRIPTION — idealistic and principled, people with the INFJ personality type (advocates) aren’t content to coast through life – they want to stand up and make a difference. for these compassionate personalities, success doesn’t come from money or status but from seeking fulfillment, helping others, and being a force for good in the world.

while they have lofty goals and ambitions, INFJs shouldn’t be mistaken for idle dreamers. people with this personality type care about integrity, and they’re rarely satisfied until they’ve done what they know to be right. conscientious to the core, they move through life with a clear sense of their values, and they aim to never lose sight of what truly matters – not according to other people or society at large but according to their own wisdom and intuition.

✸. STRENGTHS —

៹٠ insightful

៹٠ principled

៹٠ passionate

៹٠ altruistic

៹٠ creative

✸. WEAKNESS —

៹٠ sensitive to criticism

៹٠ reluctant to open up

៹٠ perfectionistic

៹٠ avoiding the ordinary

៹٠ prone to burnout

✸. FAMILY —

⌕ ‣     BANG CHAN ׁ⠀ ࣭ ⊹ ❪ TWIN BROTHER ❫

—— birthdate : october 3, 1997

—— age : 27 years old

—— birthplace : seoul, south korea

—— ethnicity : korean

—— occupation : idol

—— status : alive

🩹 : 사랑 𝄒 ﹙ 𝓢. ﹚

⌕ ‣     TRIVIA ׁ⠀ ࣭ ⠀⠀⊹

✸. HABITS — biting at her nails, taking pictures of everything ❪ she has a horrible memory and loves the keepsakes ❫, not speaking up when she wants to, itching her left side, slouching ❪ the members correct her posture very often ❫

✸. PHOBIAS — fear of the fire ❪ pyrophobia ❫

✸. MEDICAL CONDITIONS — single-sided deafness ❪ left ear ❫, burnt arm ❪ left ❫, burnt stomach ❪ left side ❫

✸. ALLERGIES — none

✸. LIKES — creating art, designing, sleeping in, criminology shows, astrology ❪ ask her about constellations, she won’t shutup ❫, listening to music, reading romance fantasy books, doctor who, star wars, paranormal and supernatural creatures ❪ ghost, wendigos, werewolves, ect ❫, photography, greek mythology

✸. DISLIKES — people treating her members poorly, being rushed, being touched without her permission, sitting on furniture with outside clothes on

[robsheridan]

Photos I took of Nine Inch Nails' Tension 2013 tour, which was running 10 years ago this month. I also served as art director for the tour’s extensive visual design, working with lighting director Roy Bennett and production company Moment Factory (our team from the 2008 Lights in the Sky tour). Tension was the third full original stage production we designed/executed in 2013 (following the How to Destroy Angels live show and the NIN 2013 festival production), and its unique challenges damn year killed us (watch the Vevo behind-the-scenes feature for some insights into the creation of Tension), but we pulled off quite a spectacle both visually and musically.

If you enjoy these looks back at my work with NIN, consider supporting me on Patreon, where I share tons of behind-the-scenes design insights including song-by-song tour production commentaries. Plus frequent exclusive hi-res wallpaper packs, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.

[metmuseum]

Christ Nailed on the Cross. early 18th century. Credit line: Purchase, Brooke Russell Astor Bequest, 2013 https://www.metmuseum.org/art/collection/search/415526

[sanctobin]

Brighten the corners are Frank Philippin and Billy Kiosoglou, who established their studio in 1999.

I used to be a design student – 50 graphic designers then + now The book we authored, edited and designed was published in February 2013 by Laurence King Publishing in London. It looks at the process a designer goes through in finding their ‘voice’. We asked fifty graphic designers to give us the low-down about their student days and their professional lives. A piece of their college work is shown alongside an example of current work. Each designer also offers a key piece of advice and a warning. Topics addressed include how ideas are researched and developed; design and other cultural influences, then and now; positive and negative aspects of working as a designer; motivations for becoming a designer; and whether it's really possible to teach design.

Awarded a Bronze Nail at the ADC (Art Directors Club) für Deutschland and a Certificate of Typographic Excellence at the TDC (Type Directors Club) in New York. Reviews on eye Magazine, Brain Pickings, It’s Nice That, Fast Company Design and other places. Order online at Laurence King, amazon.co.uk, amazon.com, amazon.de. In 2014 a Korean edition of the book was published by ag books and in 2016 a Chinese edition was published by HuaZhong University of Science & Technology Press.

Contributions From Andreas Gnass (U9 Visuelle Allianz), Andrew Stevens (Graphic Thought Facility), Annelys De Vet, António S. Gomes (Barbara Says...), Ben Branagan, Bernd Hilpert (Unit-Design), Brian Webb, Christian Heusser (Equipo), Daniel Eatock, Danijela Djokic (Projekttriangle), Emmi Salonen (Studio Emmi), Éric & Marie Gaspar (Éricandmarie), Fons Hickmann (Fons Hickmann M23), Hans Dieter Reichert (Hdr Visual Coomunication), Holger Jacobs (Mind Design), Hoon Kim (Why Not Smile), Hyoun Youl Joe (Hey Joe), Isabelle Swiderski (Seven25), James Goggin (Museum Of Contemporary Art, Chicago), Jan Wilker (Karlssonwilker), Julie Gayard (Jutojo), Kai Von Rabenau (Mono.Graphie), Ken Garland, Kirsty Carter (A Practice For Everyday Life), Kristine Matthews (Studio Matthews), Lars Harmsen (Magma Brand Design), Laurent Lacour (Hauser Lacour), Liza Enebis (Studio Dumbar), Lucinda Newton-Dunn (Space-To-Think), Maki Suzuki (Åbäke), Marc Van Der Heijde (Studio Dumbar), Margaret Calvert, Marion Fink, Martin Lorenz (Twopoints.Net), Matthias Görlich (Studio Matthias Görlich), Michael Georgiou (G Design Studio), Nikki Gonnissen (Thonik), Oliver Klimpel (Büro International), Paul Barnes, Prem Krishnamurthy (Projects Projects), Renata Graw (Plural), Richard Walker (Kk Outlet/Kesselskramer), Sandra Hoffmann Robbiani (Visual Studies) , Sascha Lobe (L2m3), Stefan Sagmeister (Sagmeister Inc.), Sven Voelker (Sven Voelker Studio), Tim Balaam (Hyperkit), Urs Lehni (Lehni-Trüb, Rollo Press), Yasmin Khan (Counterspace), Yves Fidalgo (Fulguro).

They also designed the website for Anish Kapoor

[trans-luis-serra-navarro]

HI AGAIN ITS ME HIIII!!

so as you might tell I LOVE to add a song or a lyric or whatever to like all of my art. all of my art usually comes from a song I love or a lyric I love. SO. that led me to asking you what songs make you think of Luis / serrenedy the most or inspire you to make art or fics of Luis / serrenedy.

TYSM SORRY I HAD TO ASK IM JUST OBSESSED WITH ANALYZING CHARACTERS AND SONGS <3

HELLO I AM SO SO SORRY IT TOOK ME SO LONG TO GET TO THIS ASK I PROMISE I WASN’T IGNORING IT!! I sat down to make this post and then I remembered that I have an ENTIRE album FILLED with songs that remind me of Luis/Serennedy, and it’d probably be a liiiiiiiittle difficult to name them all obviously, so I nailed it down to my top 15 for each!!! I hope that’s OK!!

Songs under cut!!

Serennedy

1. King Of Carrot Flowers Pt. 1 & In The Aeroplane Over The Sea- Neutral Milk Hotel

2. Treehouse- Alex G

3. First Love/Late Spring- Mitski

4. O Sol E Lua- Pequeno Cidadão

5. Mary On A Cross- Ghost

6. Country Motion Sickness- Mae Valerio

7. Ready Now- Dodie

8. Love Me Like There’s No Tomorrow- Freddy Mercury

9. Christmas Kids- R.O.A.R

10. Fernando- ABBA

11. Devil Town- Cavetown

12. My Love Mine All Mine- Mitski

13. Everybody Wants To Rule The World- Tears For Fears

14. Sarah- Alex G

15. No Children- The Mountain Goats

Luis

1. Hotel California- Eagles

2. The Milk Carton- Madilyn Mei

3. Burning Pile- Mother Mother

4. Plastic Jesus- Tia Blake

5. This Year- The Mountain Goats

6. Starman- David Bowie

7. Ramblings Of A Lunatic- Bears In Trees

8. Isle Unto Thyself- Miracle Musical

9. American Pie- Don McLean

9. The Pantaloon- Twenty One Pilots

10. Dragons & Demons- The Herbs

11. Twin Size Mattress- The Front Bottoms

12. Class Of 2013- Mitski

13. Dancing Queen- ABBA

14. Video Killed The Radio Star- The Buggles

15. Saint Bernard- Lincoln

Honorable Leon Mention:

1. Welcome To The Black Parade- My Chemical Romance

2. You’re Gonna Go Far Kid- The Offspring

3. Wasted Summers- JuJu<3

4. It’s Called Freefall- Rainbow Kitten Surprise

5. Vanilla Twilight- Owl City

[wordsandrobots]

Have you ever watched other big robot shows or space operas? like Evangelion, LoTGH, Patlabor, Gurren Lagann?

I have, though none of those you listed (Evangelion is the only one I've actively avoided, since I know enough about it to know I need to be in the right frame of mind to engage with it; the others I've just not gotten around to). I don't know if all of the others I've watched count as 'big', but I'll get you a quick breakdown of what I can recall seeing.

For Japanese space-opera in general, I've watched bits and pieces of Leiji Matsumoto's work and have a special fondness for the 2013 CGI Harlock adaption, weirdly enough. For whatever reason -- certainly a lot of the feelings that ended up latching on to Iron-Blooded Orphans were involved -- I just really vibed with what it was doing. Indeed, I think I generally vibe with a lot of Matsumoto's aesthetic approach despite not necessarily liking what he's saying with it. I've also seen the live-action Space Battleship Yamato movie , which I didn't like in the slightest.

I don't think Cowboy Bebop quite counts as space opera, but I've of course seen that too (it was required viewing for my generation) and count it among the best animes ever, just on artistic merit alone. I've also seen Crusher Joe, which certainly isn't that good but was somewhat fun nonetheless.

For mecha specifically, I've never gotten into Macross despite knowing the overall basics. I've only properly seen Macross Plus, but it didn't leave much of an impression. It's kind of odd, actually, since I'd have to say I prefer the artistic direction of Macross' mecha to most of Gundam (love a good transforming jet fighter). Still, story will out, I suppose.

For what I have seen, there's Code:Geass, obviously, in all its utter-batshit glory. Terrible, awful show. I had a whale of a time.

Eureka Seven basically does everything Gundam has ever tried to do over most of its run, better, with much more depth and clarity. Like, seriously, all the stuff the first three Gundam shows are flailing around trying to Say Something About, Eureka Seven nails in the most heartbreaking ways imaginable. It's ridiculously well done for what it is, partly because it actually commits to its main character being an ordinary teenage boy in ways that most things don't (which it also has in common with at least Gundam 79 and Zeta Gundam, only, again, done better).

I more or less enjoyed Argento Soma. It has some very interesting art design and direction, and the general idea is compelling. But it's also rather less than the sum of its parts, overall, and is perhaps tamer than it could have been.

I watched the first season of Eighty-Six and a few of the second season episodes before ditching it like a hot rock when the subs pulled out actual Nazi rhetoric. It had already ditched the moral horror of the first season for something more bland, anyway.

Then there's Fafner in the Azure which is flat-out the best mecha show I've ever seen. I know I rave about Iron-Blooded Orphans and have tons to say about it, but Fafner operates on a completely different level. I have *nothing* to say about Fafner which is not 'for the love of everything, go watch Fafner'. It is an incredible piece of work, that absolutely demands a chronological, beginning-to-end watch, because it is one of the few things I've come across that *needs* to be so long, to say everything it is saying, as well and deftly as it is saying it. It's gruelling, heart-shattering, nail-biting and utterly uplifting in how it centres community and sacrifice for the sake of others. I'm not sure I've seen anything with such a clear idea of what 'we are fighting to defend humanity' means, positive and negative. It will rip your heart out of your chest and you'll thank it for the pleasure.

Also, it does a similar 'two characters are in love with the hero and it's mostly chill' thing to IBO, edging very close to being polyamory too, expect they're all total dysfunctional messes and also occasionally dead so it doesn't work out so well. Plus two of the three are guys, meaning the 'in love' thing is more heavy implication than overt statement but, boy are they implying heavily.

Oh, and I have also see Brave Bang Bravern! It is deeply silly but also contains some wildly out-of-place torture apologia that I still can't quite wrap my head around in terms of what the writers were thinking. Possibly they just wanted to get in some gratuitous bondage? Which, I mean, fair, but still. Odd show (even on top of the deliberateness to its camp).