#2003 horror

[weirdstuffinthewoods]

The inevitable what if...?

Freddy vs Jason (2003)

Horror fans constantly seem divided on what constitutes "real" horror, or even "good" horror.

The issue with gatekeeping the genre is that you start to get bored with the offerings that fit the qualifications. Original IPs are best rewarded only if they're frightening enough to satisfy lovers of jump scares and dread alike. Franchises are begrudgingly watched for ever-lengthening amounts of time, and attempts at reboots are either met with rightful scorn (the moneygrabs) or badly received because fans are still clinging to the original too hard to make room for the new (think Candyman 2021). Between the two options, restricting what constitutes as worthy horror can leave you in a stale place.

All this to say- I watched Freddy v Jason tonight and it continues to be one of my Ol' Faithfuls. While not necessarily frightening, balls-to-the-wall movies like Freddy v Jason, Deathgasm, House on Haunted Hill (1999), or the Hong Kong fever dream that is Rigor Mortis offer something that truly frightening films sometimes can't- fun.

Sometimes intentionally and sometimes not, horror and comedy have always gone well together. You see it as far back as films like The Old Dark House (1932) and at Halloween haunts worldwide every year. A scare actor gets a scream out of you and you run off, laughing. The tension of a film builds and builds and is finally cut by comedic relief. Horror and comedy make the perfect group watches- the acting is usually mediocre, and someone's always going to have a questionable costume or hair and makeup choice (lookin' at you, knockoff Jason Mewes and frosted-tips cop). There's plenty to laugh at but also plenty to make you go

The film is directed by Ronny Yu, a director who also breathed life back into the Child's Play franchise with Bride of Chucky, another one of my favorites. In Fangoria 221, Yu notes that for Bride he was asked if he'd seen the original films. When he answered in the negative, he was told "No worries-you can catch up later or just forget it and start fresh." Using a similar philosophy here (as he was not familiar with either franchise before pairing the two in a match made in hell), Yu managed to keep the lore as consistent as it's ever been (not very) and also give us a horror milestone that manages to be really, really fun.

Still not convinced? Here's a short list of reasons:

The 2000s-era over saturation!

This movie focuses on BLUE as their color of choice- movies like Cabin Fever or House on Haunted Hill were very focused on RED. If you want to forget what colors the real world is, movies from this decade are for you!

The stupid one-liners!

(and casting easter eggs like Kelly Rowland here and Ginger Snaps icon in the lesser but still memorable role of "Gibb")

Joint-smokin' Freddy caterpillar (in super dated cgi, but who cares?)

The entire cornfield rave!

Who throws raves in a cornfield? Is that a thing in the midwest? Who cares? It's a great place to hide Jason's bulk and watch some obnoxious jocks get gutted.

It's like watching a wrestling match between two legends. Both Freddy and Jason have built their respective (if questionable quality) franchises that both began with iconic films that shaped the slasher genre. The pair are polar opposites in every way- Freddy a quick-witted, small, overly talkative set of brains with some knife fingers, and Jason a hulking, silent mass with both his strength and his machete on hand at all times.

The kills are still fun and the blend of practical and cgi effects don't feel totally cheap just yet, but the real payoff is the finale that pits the two legends head to head in an over-the-top, totally rock-n-roll finale. While you can and do root for both of them, the surprisingly sympathetic lens put on Jason adds a layer of connection you usually don't get with the silent behemoth, making it an impossible to call fight. I can hear the theaters full of screaming fans now.

I'm just saying- Horror, if no other genre, is a place for experimentation, especially with its long-running penchant for low budgets. Where else are you going to see crossover fights outside of fanfiction?

When given the choice, definitely champion an original idea (don't want to encourage those big budget studios too much), but if you're having a Halloween rager, why not throw on a bloody good time like this one?

[bigforeheadbaddie]

summer horror entry four: high tension (2003) 🇫🇷

~ a road trip to the french countryside turns sour for two best friends when a malevolent trucker sets his sights on the pair ~

this film is brutal and unforgiving in its scares and kills, but unfortunately throws in a twist that is just as brutal and unforgiving. the depiction of lesbian attraction in this film leans heavily into homophobic stereotypes. however, if you erase that part of it from your mind, it makes for a great gory slasher with a butch lesbian final girl. 8/10 for the movie you think it is in the first half and 3/10 for the movie it turns into in the last half.

[carm3n-carm3n]

so excited!!

🝮 made by me 🝮

[samrriegel]

Who does Sam Riegel voice? [x]

[classichorrorblog]

Freddy Vs. Jason (2003)

[zegalba]

Takato Yamamoto: Ghost of Changing Lusts (2003)

[tooth-with-eyes]

[horrorwomensource]

Ali Larter as Clear Rivers • Final Destination 2 (2003)

[eff-ston3mblogs]

Somehow they are all me

[2001hz]

Fatal Frame II: The Crimson Butterfly (2003)

[2014-is-back]

[sweeneydino]

Infinite Foods.

+ live dad Leo and uncle reaction

I'm genuinely okay...

[tmntkiseki]

Lesser acknowledged disturbing scenes from TMNT 2003: The fight from "Time Travails" where Raph gets swallowed by a giant cockroach and ends up having to do his best chestburster impression in order to get out of its stomach.

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[classichorrorblog]

Beyond Re-Animator (2003)

[zegalba]

H.R. Giger: Bar Museum (2003) Located: Gruyères, Switzerland