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JAMES EARL JONES
James Earl Jones was an American actor known for his iconic voice acting roles and for his work in theater. Over his career, he received three Tony Awards, two Emmy Awards, and a Grammy Award. Born in Arkabutla, Mississippi in 1931, he had a stutter since childhood. Jones said that poetry and acting helped him overcome the challenges of his disability. A pre-med major in college, he served in the United States Army during the Korean War before pursuing a career in acting. Jones made his film debut in Stanley Kubrick's Dr. Strangelove (1964). He received a Golden Globe Award nomination for Claudine (1974). Jones gained international fame for his voice role as Darth Vader in the Star Wars franchise, beginning with the original 1977 film. Jones' other notable roles include in Conan the Barbarian (1982), Matewan (1987), Coming to America (1988), Field of Dreams (1989), The Hunt for Red October (1990), The Sandlot (1993), and The Lion King (1994). Jones reprised his roles in Star Wars media, The Lion King (2019), and Coming 2 America (2021).
He was described as "one of America's most distinguished and versatile" actors for his performances on stage and screen, and "one of the greatest actors in American history.”
( January 17th, 1931 — September 9th, 2024)
Rest well.
#james earl jones#rest in power#rip#star wars#dr strangelove#darth vader#coming to America#the lion king#the lion king 1994#the sandlot#wikipedia#welcome home Roscoe Jenkins
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Gackt - Vanilla 1999
Gackt is a Japanese singer-songwriter, musician, record producer and actor. He has been active since 1993, first as the frontman of the short-lived independent band Cains:Feel, and in 1995-1998 the visual kei rockband Malice Mizer, before starting his solo career in 1999. He has released nine studio albums and, with forty-eight singles released, holds the male soloist record for most top ten consecutive singles in Japanese music history. Besides being established in the modern entertainment industry and a pop icon, Gackt's music has been used as theme songs for video games, video game films, anime series/films, and television series. In addition to his music career, Gackt has acted and voice acted, including characters inspired by him in video games like Bujingai and Crisis Core: Final Fantasy VII. He also provided the voice samples for the Vocaloid software Gackpoid.
Gackt released his second single "Vanilla", from his first full-length studio album Mars (2000), on August 11, 1999. "Vanilla" is one of his most popular and commercially successful songs. It peaked at number four on the Oricon Singles Chart and charted for ten weeks. With 248,360 copies sold, it was the 89th best-selling single of the year, and it was certified Gold by RIAJ. The single was later re-released in 2002. It charted for six weeks, reaching number twelve. "Vanilla" is a favourite among fans, particularly because of a live performance from Gackt's Mars tour, which contained a large amount of fanservice with Masa, his guitarist at the time.
"Vanilla" received a total of 72,5% yes votes!
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FATHER & SON: James Earl Jones with his Father Robert Earl Jones on Stage in the 1962 Production "Moon on a Rainbow Shawl."
Robert Earl Jones (February 3, 1910 – September 7, 2006), sometimes credited as Earl Jones, was an American actor and professional boxer. One of the first prominent Black film stars, Jones was a living link with the Harlem Renaissance of the 1920s and 1930s, having worked with Langston Hughes early in his career.
Jones was best known for his leading roles in films such as Lying Lips (1939) and later in his career for supporting roles in films such as The Sting (1973), Trading Places (1983), The Cotton Club (1984), and Witness (1985).
Jones was born in northwestern Mississippi; the specific location is unclear as some sources indicate Senatobia, while others suggest nearby Coldwater. He left school at an early age to work as a sharecropper to help his family. He later became a prizefighter. Under the name "Battling Bill Stovall", he was a sparring partner of Joe Louis.
Jones became interested in theater after he moved to Chicago, as one of the thousands leaving the South in the Great Migration. He moved on to New York by the 1930s. He worked with young people in the Works Progress Administration, the largest New Deal agency, through which he met Langston Hughes, a young poet and playwright. Hughes cast him in his 1938 play, Don't You Want to Be Free?.
Jones also entered the film business, appearing in more than twenty films. His film career started with the leading role of a detective in the 1939 race film Lying Lips, written and directed by Oscar Micheaux, and Jones made his next screen appearance in Micheaux's The Notorious Elinor Lee (1940). Jones acted mostly in crime movies and dramas after that, with such highlights as Wild River (1960) and One Potato, Two Potato (1964). In the Oscar-winning 1973 film The Sting, he played Luther Coleman, an aging grifter whose con is requited with murder leading to the eponymous "sting". In the later 20th century, Jones appeared in several other noted films: Trading Places (1983) and Witness (1985).
Toward the end of his life, Jones was noted for his stage portrayal of Creon in The Gospel at Colonus (1988), a black musical version of the Oedipus legend. He also appeared in episodes of the long-running TV shows Lou Grant and Kojak. One of his last stage roles was in a 1991 Broadway production of Mule Bone by Hughes and Zora Neale Hurston, another important writer of the Harlem Renaissance. His last film was Rain Without Thunder (1993).
Although blacklisted by the House Un-American Activities Committee in the 1950s due to involvement with leftist groups, Jones was ultimately honored with a lifetime achievement award by the U.S. National Black Theatre Festival.
Jones was married three times. As a young man, he married Ruth Connolly (died 1986) in 1929; they had a son, James Earl Jones. Jones and Connolly separated before James was born in 1931, and the couple divorced in 1933. Jones did not come to know his son until the mid-1950s. He adopted a second son, Matthew Earl Jones. Jones died on September 7, 2006, in Englewood, New Jersey, from natural causes at age 96.
THEATRE
1945 The Hasty Heart (Blossom) Hudson Theatre, Broadway
1945 Strange Fruit (Henry) McIntosh NY theater production
1948 Volpone (Commendatori) City Center
1948 Set My People Free (Ned Bennett) Hudson Theatre, Broadway
1949 Caesar and Cleopatra (Nubian Slave) National Theatre, Broadway
1952 Fancy Meeting You Again (Second Nubian) Royale Theatre, Broadway
1956 Mister Johnson (Moma) Martin Beck Theater, Broadway
1962 Infidel Caesar (Soldier) Music Box Theater, Broadway
1962 The Moon Besieged (Shields Green) Lyceum Theatre, Broadway
1962 Moon on a Rainbow Shawl (Charlie Adams) East 11th Street Theatre, New York
1968 More Stately Mansions (Cato) Broadhurst Theatre, Broadway
1975 All God's Chillun Got Wings (Street Person) Circle in the Square Theatre, Broadway
1975 Death of a Salesman (Charley)
1977 Unexpected Guests (Man) Little Theatre, Broadway
1988 The Gospel at Colonus (Creon) Lunt-Fontanne Theatre, Broadway
1991 Mule Bone (Willie Lewis) Ethel Barrymore Theatre, Broadway
FILMS
1939 Lying Lips (Detective Wenzer )
1940 The Notorious Elinor Lee (Benny Blue)
1959 Odds Against Tomorrow (Club Employee uncredited)
1960 Wild River (Sam Johnson uncredited)
1960 The Secret of the Purple Reef (Tobias)
1964 Terror in the City (Farmer)
1964 One Potato, Two Potato (William Richards)
1968 Hang 'Em High
1971 Mississippi Summer (Performer)
1973 The Sting (Luther Coleman)
1974 Cockfighter (Buford)
1977 Proof of the Man (Wilshire Hayward )
1982 Cold River (The Trapper)
1983 Trading Places (Attendant)
1983 Sleepaway Camp (Ben)
1984 The Cotton Club (Stage Door Joe)
1984 Billions for Boris (Grandaddy)
1985 Witness (Custodian)
1988 Starlight: A Musical Movie (Joe)
1990 Maniac Cop 2 (Harry)
1993 Rain Without Thunder (Old Lawyer)
TELEVISION
1964 The Defenders (Joe Dean) Episode: The Brother Killers
1976 Kojak (Judge) Episode: Where to Go if you Have Nowhere to Go?
1977 The Displaced Person (Astor) Television movie
1978 Lou Grant (Earl Humphrey) Episode: Renewal
1979 Jennifer's Journey (Reuven )Television movie
1980 Oye Ollie (Performer) Television series
1981 The Sophisticated Gents (Big Ralph Joplin) 3 episodes
1982 One Life to Live
1985 Great Performances (Creon) Episode: The Gospel at Colonus
1990 True Blue (Performer) Episode: Blue Monday
#james earl jones#black tumblr#black literature#black community#black excellence#blackexcellence365#actor#robert earl jones#stage actor
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✧ CELEBRITY BIRTH CHART ANALYSIS ✧
— ariana grande.
hii !! today, i am going to analyze ariana grande’s birth chart. this was recommended by an ask, and i’ve spent a long while making this post. so, i hope you enjoy and have a nice day !! 🌿✨
Ariana Grande-Butera was born on June 26, 1993 in Boca Raton, Florida. She is an influential figure in contemporary popular music and has established herself as an ultimate pop icon, mostly known for her four-octave vocal range and whistle register. Ariana started as a theater kid, making her debut on Broadway in 2008 in Jason Robert Brown’s ‘13’. Over time, she begins to make her way as a Nickelodeon actor, primarily known for ‘Victorious’ (from 2010-13) and ‘Sam and Cat’ (2013-14)--a spin-off of the popular characters Cat Valentine and Sam Puckett from ‘iCarly’. Grande’s acting career gets put to a halt during the run of ‘Sam and Cat’ when she begins to focus on her music career and establishes herself as a certified music artist. Ariana’s first album “Yours Truly” came out on August 30, 2013. Ariana Grande’s most popular songs include “7 Rings”, “Thank U, Next”, “Side to Side”, “Dangerous Woman”, “Into You”, and “Positions”. She has achieved seven number one’s on the billboards and two grammy’s along with several other awards thus far.
she identifies as:
⋆ ˚。⋆୨୧˚ a cancer sun, libra moon, and capricorn rising.
❀ her personality ❀
Sun square Moon indicates that Ariana has an internal struggle between her core values and emotional values. With her Sun in Cancer in the 6th, Grande is an individual who seeks comfortability and homeliness in her daily routines, responsibilities, and sense of duty. She has a nurturing, sweet, and soft-hearted nature. She could be particularly invested in family and friends and is more than likely always making efforts to be there for them at all times; however, with her Moon in Libra in the 9th house, Ariana also desires to achieve balance, tranquility, and pleasure in her life through learning new things, intaking more knowledge, and seeking new things in the world. She may be particularly spiritual and could be invested in the religious aspects in life more than others. Ariana Grande is always mentioning the law of attraction, and she even has multiple songs singing about he manifested her fame and fortune. Nonetheless, it seems like she seems to be struggling with integrating one of the two. This could particularly be about religious factors; perhaps she grew up in a religious family and she broke away from those doctrines and created her own sense of spirituality. Or perhaps she struggles to keep family close while also striving for spiritual and intellectual abundance and experiences. This aspect is also prominent in natives whose parents have separated.
Her ascendant ruler in the 2nd house immediately shows that Grande has a strong sense of self-worth and adequacy. She could hold herself to a high regard and have the ability to attract anything she wants with just a snap of a finger, because she easily attracts nice things when she begins to value herself just as much. Her capricorn ascendant shows she appears to have a mature, responsible, and respectable personality on the first impression. She has a petite figure, and she looks amazingly youthful for her age which is common amongst capricorn ascendants. Not to mention, she has a sarcastic yet humorous and charismatic nature that others seem to love about her with her venus trine ascendant. It is easier for Ariana to dress herself in a dominating yet attractive way to which others are pulled towards her, but also in awe of her glamor and prestige–she is able to maintain a signature while keeping it alluring, which I have also noticed in capricorn ascendant celebrities.
With her Venus in Taurus in the 4th house, this indicates that Grande had a pleasurable, practical, and secure childhood. She did grow up with money. Her mother, Joan Grande, was a CEO of a manufacturing company; and her father, Edward Grande, owned a graphic design firm. With this placement correlating to her ascendant, it seems that anyone would take notice of this luxurious air about her even without the fame.
Sun square Jupiter gives Ms. Grande a flamboyant, humorous, and entertaining personality. She is a delight to be around and has a distinctive charm that attracts people from different corners. She is magnetic and not afraid to take up space in any room she lands in. This aspect often promises a great sense of confidence and self-assurance. She has a comforting yet fair personality that others are attracted by with the Libra and Cancer influence in this aspect. However, this aspect could indicate arrogance and an overly spontaneous character. Grande has a decent confidence in herself, but there may be times in which she takes quick risks due to her nature of knowing that things always go right for her. This could also point to an inflated ego and entitlement.
With Neptune conjunct ascendant, Ariana appears as a compassionate, kind, and giving individual on the first impression. Others are often mystified by her, and this aspect could also indicate glamorization and idolization from others. In extreme cases, individuals with strong Neptunian placement could attract copycats. Ariana Grande has endured many conveniences up to this day of multiple fans replicating her style, mannerisms, and singing. Additionally, Grande has undergone many subtle changes in her physical appearance and style over the years–and Uranus conjunct ascendant only magnifies that. Ariana has a unique style (such as the iconic signature ponytail, long sweaters that she wears over her hands, and the long boots) She has gone under the needle before, and she has abruptly changed her fashion many times over the years. In my opinion, she looks far different from when she first came into the limelight; that is the definition of neptune and uranus-ascendant energy.
Sun sextile Mars indicates that Grande has an unshakable determination, ambition, and courage. Considering that her sun is in cancer in the 6th house, she dedicates her core values to serving her duties, working, and being disciplined in her routine and obligations. She could dedicate her work to providing for her family or making her loved ones happy. Along with her mars in virgo in the 8th house, she also dedicates herself to her deepest and vulnerable desires. She strives for material possessions and merging herself with her earnings. This aspect could make her fairly materialistic, but that is what motivates her. Not to mention, Ariana has immense sex appeal, and her partners may find it attractive how hardworking and driven she is.
⚜
❀ her relationships ❀
With Chiron in Leo in the 7th house, Ariana could have a personal wound or trauma surrounding expressing her creativity, inner child, and authentic self in her interpersonal relationships. This placement is also prominent in individuals who are either entirely uncomfortable or unapologetic in bringing their personal connections to light or public attention–we are literally talking about a girl who made an extremely popular song about her roster of exes. However, Grande, when younger, may have struggled with finding herself in her romantic connections with her partners; over time, she may find that with each lover she figures out a new aspect of herself and her personal identity. She seems to be the type of individual who truly transforms and grows after being in a connection with someone, and we can see that in her relationships with other celebrities such as Mac Miller or Big Sean.
With Venus square Chiron, there is a deep wound surrounding love, self-esteem, and pleasure. With Venus in Taurus in the 4th house, the wound specifically indicates that Grande struggles with feeling secure or stable in her interpersonal connections. It may be that she is not entirely sure what she hopes to find in a long-term partner, someone who she feels comfortable being with for the long run. This could be due to the feeling as if she is not allowed to express herself properly or be her individualistic self. Considering that Grande has been in several relationships–on top of that, there are speculations that she has partaken in infidelity multiple times and left her ex-husband Dalton for another man–this isn’t surprising personally. Furthermore, there is also this itching feeling that nothing or no one is ever enough, or she isn’t enough.
Ariana is an imaginative, idealistic, compassionate, and creative lover with Venus trine Neptune. She seeks the magical and elusive side of romance, beauty, and art. With Neptune in her 1st house, Grande adores incorporating bedazzling, whimsical, and shimmering designs in her fashion and aesthetic. Furthermore, she is obviously musically and artistically talented as well. She may even like decorating her home in a dream-like and adorable way too because it makes her feel safe and sound with Venus in Taurus the 4th. She could more than likely attract musicians, artists, and friendly individuals (like herself) and for the worst, she may attract addicts or victimizing partners.
Grande is an electrifying, exciting, and spontaneous partner with Venus trine Uranus. She seeks thrill and unpredictability in her love life and in her partners too. She may be particularly interested in partners who are somewhat different from her or partners no one would expect her to be with. Uranus is the planet of the futuristic aesthetic, and I noticed that Ariana is fixated with planets, space, sleep, and that galactic type of style–especially in her songs such as NASA, R.E.M, and etc. Her makeup line also has a futuristic vibe to it as well; most of her makeup products are all very bright, metallic, and glittery colors.
Chiron square Pluto indicates that Grande has suffered major and long-term traumas and wounds, especially in regards to her interpersonal relationships and experiencing them in the public eye with Chiron in the 7th and Pluto in Scorpio in the 10th. She dealt with the death of her grandpa, her ex-boyfriend, and several fans in the Manchester bombing. These wounds are truly embellished in her image as a figure, but also in her identity because these events are integral to her and her character. This aspect could indicate someone who deals with extreme paranoia, anxiety, or depression. She allegedly suffered PTSD and anxiety from everything that happened; she also mentioned she has been put through therapy for years, and it saved her life multiple times.
⚜
❀ her talents ❀
With Ariana’s 5th house ruler trine Pluto, she has the ability to determine when people are genuine or superficial, especially when it comes to her career status and success with her Mercury in Cancer in the 7th house. She holds her loved ones and personal relationships close, and often has a small group of friends whom she can trust. She could stick to a certain group of people for an extremely long time. Her intuition is heightened, and it is easy for her to see who is good or bad for her, especially since she has already experienced several traumatic circumstances in her career such as stalkers, copycats, etc.
North node in Sagittarius in the 11th house indicates that Grande has been given the special ability to expand her horizons, learn more knowledge, and live life full of excitement through connecting and building with her community, pursuing her hopes and dreams, and advocating for liberation of her desires. Ariana may be particularly popular in this lifetime–easily being able to gain friendships, develop professional relationships, and meet unique kinds of people. Ariana needs to learn how to be open towards meeting different people than her usual circle and be willing to learn and expand her experiences through traveling, indulging in cultures, and much more.
Ariana has a water grand trine, occurring in her sun, midheaven, and saturn. This indicates that she has a notable ability in tuning into her emotions, inner world, and vulnerable spots to transform them into a creative talent and express them successfully to an audience and gain professional success and build a significant legacy throughout her life.
⚜
❀ her legacy and image ❀
With Pluto in Scorpio in the 10th house, Ariana is a powerful, intense, and ambitious individual. She would mostly find her transforming and changing abruptly through her public image, how she moves through her professional life, and her legacy/success. Furthermore, she could be particularly secretive, paranoid, and observant in the matters of the people and what she puts out there for others to see. This placement often indicates that her traumas and wounds could derive from her public image and career. With Venus in Taurus in the 4th opposition Pluto, Grande, at some point, may have felt as though her sense of comfort and security may have been threatened due to the harsh events surrounding her endeavors. Perhaps she may have thought her family or loved one’s safety may have been at risk. It makes complete sense because Grande had a long-time stalker that would break into her home; anyone would feel unsafe if that happened to them.
Ariana Grande appears to be a hardworking, assertive, and dominant individual in the public eye with her Mars in Virgo in the 8th house square Pluto. She is persistent and always will strive to work towards her goals and achievement despite anyone or anything that gets in her way. It is possible that at some point, or maybe even now, she is a huge workaholic. However, her strong desire to achieve could make her someone who is also incredibly domineering–wiping out anyone or anything that threatens her chance for success. She may even be this way with her partners, becoming clingy or possessive, struggling with letting them go. She has an entire song called “needy”. Additionally, her sexual image is quite unique. She is viewed as fairly sexually expressive, but she has a delicate and sweet way of expressing it–we can see that in her songs such as “34 + 35” and “nasty”.
Ariana is partially known for her interesting, yet tragic and well-publicized love life and relationships with her Chiron in Leo in the 7th house square Pluto. Others view her as someone who has endured the worst in losing a loved one through addiction, experiencing the horrible deaths of her fans firsthand, and dealing with the loss of a family member.
Saturn trine Midheaven indicates that Grande has a solid, secure, and successful career due to her persistent, ambitious work ethic and her creative and imaginative character with her Saturn in Pisces at the 0 degree. It shows that she truly used manifestation, her vision, spirituality, and her artistic nature to get to where she is today. Furthermore, there wouldn’t be a surprise if she was interested in meditation and journaling.
⚜
❀ ariana’s fame degrees ❀
— basing off of my fame degrees post
Grande has multiple 20th degrees in her chart, placed in her uranus, neptune, and venus; the 20th degree is the degree of fame that is extremely unbelievable that the public eye may consider the native to be apart of witchcraft, the occult, illuminati, or any other spiritual practices to get their amount of fame and fortune.
She also has the 11th degree in her north node in sagittarius; the 11th degree is the degree of fame that is earned through humanitarianism, giving back, and doing selfless acts. Grande is huge on women empowerment, body positivity, and LGBTQ rights. Additionally, she has contributed to multiple charities and organizations in the past.
Ariana has a couple of 5th degrees in her chart, placed in her sun and jupiter; the 5th degree is the degree of viral or short-term fame, fame that lasts only for a hot minute.
#guxciestone#astrology#natal chart#celebrity readings#astro community#astrology observations#zodiac#astro observations
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William Windom
Physique: Husky Build Height: 5'10½" (1.79 m)
William Windom (September 28, 1923 – August 16, 2012; aged 88) was an American actor. He was known as a character actor of the stage and screen. He was perhaps best known for his work on television, including the character of John Monroe on the sitcom My World and Welcome to It; as Commodore Matt Decker, commander of the doomed USS Constellation in the Star Trek episode “The Doomsday Machine” and perhaps the most common recurring character, Dr. Seth Hazlitt, on the CBS series Murder, She Wrote.
Chubby, gray hair, gentle features but with a hint grumpy grandpa added for good measure. And he had a hot, gruff voice that makes me I want to bang his ass all night long. He just looks like he would have been a filthy whore in bed and a talker. I can always get behind a talker in bed.
A man of all mediums, this veteran, Manhattan-born character actor was named after his great-grandfather, Lincolnesque Congressman William Windom. He attended Williams College and the University of Kentucky, among others, before serving in the Army during WWII. After the war, he studied at both Fordham and Columbia universities in New York City before settling on an acting career.
Windom died on August 16, 2012, at age 88 from congestive heart failure. A chess, tennis and sailing enthusiast, he is survived by four children. He was quite a colorful character and apparently loved the ladies, having wed five times. Seems like a man who likes to keep his dick in a hole at all times. I would have happily volunteered to keep his dick well lubricated anytime he needed. He just looks like he would be a filthy whore in bed. He also seems to sweat quite a bit, so the sex would be hot, wet and messy.
RECOMMENDATIONS: Children of the Corn: The Gathering (1996) Murder, She Wrote (1984 TV Series) Miracle on 34th Street (1994) Attack of the 50 Ft. Woman (1993)
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Andre Keith Braugher (/ˈbraʊ.ər/; July 1, 1962 – December 11, 2023) Stage, film and television actor best known for his roles as Detective Frank Pembleton in the NBC police drama series Homicide: Life on the Street (1993–1999) and Captain Raymond Holt in the Fox/NBC police sitcom Brooklyn Nine-Nine (2013–2021). Over his career, Braugher received two Primetime Emmy Awards, as well as two Golden Globe Award nominations.
Braugher started his career acting in numerous productions in The Public Theatre's Shakespeare in the Park. He transitioned his career into television gaining roles in Kojak (1989–1990), The Court-Martial of Jackie Robinson (1990), and The Tuskegee Airmen (1995), followed by leading roles in the ABC medical series Gideon's Crossing (2000–2001), the CBS crime series Hack (2002–2004) and the TNT comedy series Men of a Certain Age (2009–2011). He also appeared in numerous series such as Thief, The Good Fight, House, New Girl and BoJack Horseman.
In 2006, Braugher starred as Nick Atwater in the mini-series Thief for FX Networks, winning a second Emmy for his performance. He appeared on the TV series House, M.D. as Dr. Darryl Nolan, a psychiatrist who helps House recover from his addiction to Vicodin.
Braugher had a recurring role as defense attorney Bayard Ellis on Law & Order: Special Victims Unit from 2011–2015, and starred as the lead character, Capt. Marcus Chaplin, in ABC's 2012 military drama TV series Last Resort. In 2017, Braugher had a recurring role in season 4 of the Netflix animated series BoJack Horseman as California Gov. Woodchuck Coodchuck-Berkowitz. From 2013–2021, he starred in the Golden Globe-winning TV series Brooklyn Nine-Nine as the precinct captain, Raymond Holt. For his performance in Brooklyn Nine-Nine, he was nominated for four Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series. (Wikipedia)
IMDb Listing
#Andre Braugher#TV#Obit#Obituary#O2023#Homicide: Life on the Streets#Brooklyn Nine-Nine#Law and Order: Special Victims Unit#Men of a Certain Age#BoJack Horseman#Last Resort#Hack#Gideon's Crossing
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WASHINGTON, D.C. — Building Back Together Communications Director Blake Goodman released the following statement on the 30th anniversary of the signing of the Violence Against Women Act (VAWA):
“Today, we celebrate three decades of the Violence Against Women Act, a transformative piece of legislation that has saved countless women’s lives from dangerous, potentially deadly situations. “President Biden’s laser-focus commitment to ending domestic and intimate partner violence is nothing new. Thirty years ago, then-Senator Biden authored the original bill that would become the VAWA — pushing our nation’s representatives to recognize and finally deal with the scourge that is domestic and intimate partner violence. Now, he and Vice President Harris continue to lead the most pro-survivor administration in our nation’s history. Their unwavering dedication to strengthening and expanding the VAWA has resulted in groundbreaking protections for underserved communities, increased funding for life-saving services and a renewed national focus on preventing violence before it occurs. “From President Biden’s authorship of the original bill as a Senator to Vice President Harris’s tireless advocacy for women and survivors throughout her career, this administration’s commitment to ending gender-based violence is not just good policy — it’s personal. At Building Back Together, we stand proudly with President Biden, Vice President Harris and survivors across the nation in celebrating this anniversary. We recognize that while we’ve made tremendous strides, we remain committed to supporting the Biden-Harris Administration’s bold vision for a future free from gender-based violence — a future where every individual can live, work and thrive without fear.”
Thirty years on, VAWA has seen many significant successes in the fight against domestic and intimate partner violence:
VAWA has helped reduce intimate partner violence by 64% between 1993 and 2010.
Over $9 billion in federal grants have been awarded to support community-based organizations working to end violence against women.
The National Domestic Violence Hotline, established under VAWA, has answered over 7 million calls, texts, and chats since its inception.
The 2022 reauthorization expanded protections for BIPOC women, LGBTQ+ individuals and immigrant survivors.
The Biden-Harris Administration continues to build on VAWA’s legacy by:
Ending forced arbitration for sexual assault and harassment through the signing of the Ending Forced Arbitration of Sexual Assault and Sexual Harassment Act of 2021.
Signing the Bipartisan Safer Communities Act, which narrows the “boyfriend loophole” by helping to keep guns out of the hands of domestic abusers by prohibiting people convicted of misdemeanor domestic violence crimes from possessing guns for 5 years.
Reforming the military justice system to address sexual assault, harrassment, and related crimes through the National Defense Authorization Act.
Strengthening regional leadership to prioritize the crisis of Missing or Murdered Indigenous people, including gender-based violence.
Supporting multinational efforts to address online harassment and abuse through the Global Partnership for Action on Gender-Based Online Harassment and Abuse.
Expanding national programs to combat human trafficking through the Department of Health and Human Services Innovation Challenge to Prevent Human Trafficking and the new National Human Trafficking Prevention Framework.
For more information on steps the Biden-Harris Administration has taken to prevent and respond to gender-based violence at home and abroad, see the White House’s Fact Sheet here.
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Weird Mario Enemies Presents: A Chris Pratt Carol
‘Twas the night before April, when all through the flat,
Not a creature was stirring, except for a Pratt!
Chris Pratt couldn’t sleep, after such a long day,
For his movie premiere was just five days away!
“I’m so excited”, Pratt thought, with a grin on his face,
“For my role as the Mario, I’m definitely an ace!”
But just as Chris had thought those thoughts with his brain,
He soon heard the sounds of a rattling chain…
A scary ghoul appeared right before Pratt’s eyes,
And its face looked familiar, much to his surprise!
The ghost was Bob Hoskins, it was clear to see,
As he was cast in Super Mario Bros. (1993)!
“Why are you here?” pratted Chris, with a fearful tone,
And the specter replied with a ghostly groan,
“I’m here to warn you, so hear my plea,
If you carry on like this, you’ll end up just like me!”
“This cannot be! Don’t take me for a fool!
Even Miyamoto-san thinks I’m so cool!”
“So it may be, but take a look online...
As the voice for the plumber, they all wish you’d resign!
Anya and Charlie, and Jack Black too,
Not one of them receives as much hate as you!
You’ll be visited tonight by three Mario ghosts,
From them you must learn, or your career is toast!”
First came the Ghost of Mario Past,
At his brilliant white glow, Chris Pratt lay aghast!
The room was illuminated by his ethereal light,
Though he was a pro wrestler, he came not for a fight!
The ghost showed him visions of an old cartoon,
In which Mario danced to a familiar tune,
The live-action plumber was a certain Paisano,
Portrayed only by the legend Lou Albano!
“Bah! Humbug!”, scoffed the Pratty Chris,
‘You come to my home just to show me this?’
But despite his attitude, Pratt really knew,
That he didn’t have as much Pasta Power as Lou…
‘Hey paisano, lemme give you a clue,
Super Mario’s Italian, through and through!
Your bland voice acting just makes me sigh,
At this rate you’ll go to hell, before you die!’
The Ghost of Mario Present arrived as due,
He was heard all through the house, with a resounding ‘wahoo!’
With a torch in his hand and sitting upon a heap of food,
This jolly ghost could only spread his good mood!
The ghost brought Pratt to a world of Wet-Dry,
To a small home with a family that struggled to get by,
The ghost gestured to the window to peek,
For there Pratt would find a situation most bleak.
A poor uncle and niece shared one measly dish,
But the frail young Spikina held only one wish,
Her beloved Super Mario, she wanted to see,
On the big screen, going ‘yahoo’ and ‘yipee!’
Were she to hear Chris, she’d soon be let down,
Hearing her hero so dull would just make her frown!
If her illness got worse, we’d surely know why,
Chris Pratt would be to blame if she were to Die!
The Ghost of Mario Yet to Come was last, but not least,
For he took the appearance of a demonic beast!
Even Pratt could only tremble in fear,
As this frightening new apparition drew near.
Just as the silence was making Chris choke,
The ghost opened its mouth and spoke,
“Where is god when you need him?”
And this left Chris Pratt feeling quite grim.
Chris didn’t really know what the spirit had meant,
But he was left with a feeling, a need to repent,
And though it hadn’t spoken of the future at all,
Just its presence had made Pratt want to bawl!
“O spirits of Mario, I ask that you forgive!
I won’t voice another cartoon, for as long as I live!
I now understand the depth of my sin,
I’ll no longer voice Mario, I simply give in!”
With that, Chris scrambled out of bed with a start,
He dashed to his window with a beating heart.
From his flat he saw a boy standing outside,
With a small hint of hope, Pratt leaned out and cried:
“You there! What day is to-day?”
“To-day? Why, It’s April Fools Day, sir!”
“April Fools! That means I haven’t missed it! Wahoo!” said Chris Pratt, as he flipped his turtle with joy!
He had no further intercourse with Spirits, but lived upon the Total Abstinence Principle, ever afterwards; and it was always said of him, that he knew how to keep Mario well, if any man alive possessed the knowledge. May that be truly said of us, and all of us!
And so, as Tiny Spikina observed, Mario bless Us, Every One!
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All About Glen
I'm in the mood for something... easy.
Or, rather, I thought this would be easy. Then I went deep diving and have yet to surface. This post will likely edited a few more times in the next few days (maybe? I'll let you know either way), so keep an eye out!
So... who is Glen Powell? Besides a possible new rising star in Hollywood. (Certainly his upcoming projects say he's in high demand!)
Come with me, and I shall tell you!
Also, I had so much fun diving into his background! Learned more about this guy than I realized!
(And I also turned my daughter into a Glen Powell fan! I'll explain why/how in a bit!)
Raised in Austin, Texas, born on October 21, 1988, to Glen Powell Sr and Cyndy Powell, he's the middle child of three. And the only boy. He has an older sister named Lauren and a younger sister, Leslie. Named after his father, the Original Glen (no, seriously, that's his Instagram!), Glen was a child actor. He started performing with the Austin Musical Theater program when he was in the fifth grade, learning to tap dance--according to Leslie, there is video evidence--and appearing in The Music Man and 42nd Street.
Oh, he explored all sorts of extracurriculars' growing up. Football, lacrosse, all sorts. However, his passion and fascination were movies.
The actor recalled that he would be “picking dandelions” in the outfield while playing baseball as a kid, and his parents, Cyndy and Glen Sr., were ready to let him try something else.
“I played violin for a bit, and all of a sudden, I was like, ‘No, not into this anymore.’ They let me give it up,” he continued, noting they were supportive until Powell found something he “really loved.” That’s where his acting career comes in.
At the precious age of 5, his father took him to see Steven Spielberg's megahit, Jurassic Park, in the summer of 1993. Glen ended up watching the movie multiple times in theaters, and again on home video, trying to figure out the secrets of the film's special effects.
In an interview with Austin Monthly, Glen said he began making his own science fiction films growing up. He'd use a home video camera, computer, recruited his friends to be actors, and searched for props in his family's basement. Seeing this, his parents encouraged him to enroll in acting classes.
His second grade project was on Steven Spielberg's use of practical effects in Jurassic Park. In 2003, when he was 14, he got his first movie role as "long-fingered boy" in Spy Kids 3: Game Over. His location in Austin helped him land the role. Director Robert Rodriguez discovered Powell, then 14, while looking for "local hires" to accompany the primarily Los Angeles-based cast.
"You're just trying to find someone locally that won't get nervous, that'll give a performance that kind of measures up to the other actors. He walks in with a stature and confidence and just nails it," Rodriguez told IndieWire. "So now, it's no surprise to see [he made it as an actor], but he already had that quality at 14 and clarity of vision that that's what he was supposed to be."
Two years later, he played a paperboy in The Wendell Baker Story, a part that required him to get hit by a car, which he practiced with his mother in a church parking lot.
In 2006, everything changed. His mother, Cyndy, drove him five hours to Shreveport, La., to audition for Denzel Washington, who was directing and starring in The Great Debaters. Powell got the part--and a powerful agent: Ed Limato, who represented Washington.
Powell also starred in Fast Food Nation (2006), and The Hottest State (2006) over the next few years.
Still in high school at Westwood, Powell even considered deprioritizing his acting career until receiving a pep talk from Denzel Washington during the filming of The Great Debaters. In the movie, Powell played Harvard University student Preston Whittington and impressed the two-time Oscar winner. "Denzel Washington really pushed me out of the nest a bit and said, 'You should double-down on yourself. You should give [acting] a shot'," Powell said.
A year later, Limato called Powell in his dorm room at the University of Texas at Austin.
"Ed said, 'If you're going to spin the wheel on an acting career, now is the time to do it'," Powell said.
Taking a chance, Powell dropped out of college and moved to Los Angeles in 2008. “Ed always told me, over and over, that the definition of a movie star is somebody who guys want to grab a beer with — fun, not threatening — and who women want to date and bring home to meet their parents,” Powell said.
Limato had a history of helping turn actors into big stars--among his clients? Mel Gibson, Richard Gere, and Kevin Costner. Limato also gave Powell a crucial career tip: Don’t take on a role in a big franchise too soon, however tempting the paycheck; stars are built in smaller movies of varied genres.
Unfortunately for Powell, Limato died two years later, leaving him without an advocate.
It was a rough and learning time for Glen. He supported himself through coaching community sports and small acting jobs (a Dockers commercial, an episode of The Lying Game, a cable series).
Not long after Powell moved to Los Angeles, Limato introduced him to Lynda Obst, a fellow Texan and a producer of hits like How to Lose a Guy in 10 Days, Contact, and Sleepless in Seattle. She hired Powell as an intern, a job that involved reading scripts and giving feedback.
It helped him learn how Hollywood ran.
Obst recalled, "He was adorable--charm off the charts. But that is not what impressed me, and it's not why he's succeeding." She went on: "Actors can turn on charm, but they can't turn on intelligence. Glen is smart and learned about developing scripts and the structure in movies. It made him independent and wily."
He eventually got dropped by the William Morris Endeavor talent agency. He began to question whether superstardom was even achievable anymore. He took to writing scripts and sold several to help keep himself afloat during his shaky start.
Glen took Washington's advice and gradually began appearing in more prominent titles, including the Christopher Nolan-directed Batman movie, The Dark Knight Rises, in 2012 as an unnamed Gotham Stock Exchange Trader. He also appeared in the ensemble movie, The Expendables 3, in 2014, appearing alongside action stars such as Sylvester Stallone, Harrison Ford, and Arnold Schwarzenegger.
In 2016, he played astronaut John Glenn in Hidden Figures. Glen was cited as saying that upon viewing a rough cut of the film with unfinished special effects, he was critical of his performance. "I just remember being like 'I ruined this beautiful movie, the legacy of these amazing women'," he explained in an interview with Variety.
Fortunately, critics and the audience disagreed--the movie made more than $230 million at the box office and received an Academy Award nomination for Best Picture.
He took a detour into comedy for his next roles, including the teen movie Everybody Wants Some!! (2016), and the Netflix rom-com Set It Up (2018).
In between all that, he went onto a recurring role on Scream Queens (Ryan Murphy's show on Fox), and appear in The Guernsey Literary and Potato Pie Society. He's even done voice roles, such as the Netflix cartoon, Jurassic World: Camp Cretaceous, and an episode of Rick and Morty.
How he got the huge leap to everyone's attention was something he nearly turned down. He lost out on blockbuster roles including Captain America, Han Solo in Solo, in addition to pieces in films ranging from Friday Night LIghts to Cowboys & Aliens and The Longest Ride.
His break was something he nearly missed out on.
When Miles Teller beat him out of the part of Rooster in Top Gun: Maverick, and Tom Cruise and director Joe Kosinski offered him the role of Hangman instead.
The problem?
"If I were editing this movie, I would cut him out immediately," Powell said to British GQ. The original version of the character was a lousy pilot who made it to Top Gun through nepotism, a storyline Powell thought did the film a disservice.
Luck was with him. Cruise and Kosinski decided to hear him out and ended up convinced, rewriting the character based on Powell's notes.
“What we were talking about is, how can Hangman service the story and give the flavour of the original Top Gun that you need?” Powell said.
“I said my piece to Tom about what I do and what I do well, and he listened. Tom’s a listener. He listens to the crew members, he listens to his collaborators, and he hears people.”
And good thing he did — Top Gun: Maverick went on to become a box office phenomenon, and Powell’s career got the kickstart he had waited so long for.
2022 was his year. He appeared in the war drama Devotion, the Netflix animated comedy Apollo 10 1/2: A Space Age Childhood, and Top Gun: Maverick. The latter, the sequel to the 1986 vehicle--became the biggest movie of the year, grossing nearly $1.5 billion at the global box office.
Powell underwent extensive training for the film, including underwater escape simulations and flights in F-18 aircraft to prepare for the G-forces he would experience on camera. Cruise even paid for the actor to complete flight school as a Christmas present, allowing Powell to earn his pilot's license.
We all know what happened after this. His role with Sydney Sweeney on Anyone But You brought him even more attention. His future projects will keep him busy for at least a couple of years. (He did tease he has a start date for Top Gun 3, but has refused to say more than that.)
He's been romantically linked to Nina Dobrev in 2017, Australian TV host Renee Bargh from 2018 to 2019. He began dating model Gigi Paris, starting in 2020. We know in April of 2023, they broke up for good.
Glen Powell Sr, his father, was an executive coach. His mother? A stay at home mom. Leslie is working on her career as a singer, and was fortunate enough to have had a song be used for the Olympics!
Both parents have trolled the hell out of Glen during the premiere of Hit Man. In a way, his family is what keeps Glen grounded.
Amusingly, Us Weekly described his parents as the first ever nepo parents.
“The greatest gift that my parents gave me is never making me sit in things I didn’t want to sit in and letting me chase the passions I wanted to chase, no matter what,” Powell, 35, told Us Weekly exclusively while promoting his new movie Twisters. “I am really grateful for my parents for not trying to deter me from a job that has such a low success rate.”
As his fame continued to rise, his parents have made various cameos in his movies over the years.
His Instagram is full of photos of behind the scenes, with family, and of course, Brisket.
There was a rumor that Glen was opening a restaurant in Austin. This has been researched and debunked. I did go into detail about his future projects here.
--
So how did I convert my daughter into a fan?
Because I was talking to her about the gossip regarding him and Sydney Sweeney. I showed her the photos, then I showed her how he was with his other female costars.
With Adria Arjona from Hit Man.
With Daisy Edgar-Jones from Twisters.
And her first thought: "He makes them comfortable. He's safe. That's why they're so relaxed."
In that instant, she became a fan. That's all it took.
So yeah. Got fans here.
We're looking forward to more about this green-eyed Texan!
--
BONUS: Glen also is rather hilarious on Twitter! Check this out!
Hilariously, he decided to run with it!
We love a star who can make a joke like this!
Sources (with blatant lifts when possible): New York Times (using web archive due to paywall) Entertainment Weekly Us Weekly Biography Los Angeles Time Variety *I freely admit/acknowledge I relied on existing writing to put all this together. I added, rearranged, edited, as necessary. I am grateful to the access of this information that allowed me to compile this biography!
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slskslsls context for “what’s the matter honey you’ve hardly touched your fleeting experience of your time on earth” 😭😭😭 tho I’m a little terrified to find out what that means lmfao. Also what race is the last one after?? Or I should say — what race comes next after the one in the last picture lol
(text posts here) I got another ask for 'fleeting experience'... so I'll leave that one for the next post. you've actually struck jackpot on the other one and the explanation got worryingly long. crazy how many thoughts you can have about a text post meme you're trying to just do in a nice and casual way
anyway!! THE LAST ONE I am delighted somebody picked up on. very pleased with that one icl, it's kinda a funny photo anyway for obvious reasons but it somehow just has an. extra little something. when you know the context
three readings of the text post should be kept in mind here - the element of 'watching your back', as in danger coming from behind; acts of betrayal of either explicit or assumed trust; and the element of issuing a warning to the recipient of the message
and the photo is from misano 2008!! specifically after qualifying, when casey snagged pole position and valentino starts from just behind him, second on the grid! which ALSO means it's two races!! after laguna!! great time
so to give you a basic sense of the chronology, you've had laguna, drama bla bla, tHEN you have the summer break followed by brno where casey showed up contrite, apologised to valentino... but the key element to that presser is that it's kinda... yeah, they're going peace and love, apology accepted etc etc - BUT on valentino's end he's very much making it clear that he thought laguna was FANTASTIC and casey should be expecting more of the same. just something for casey to keep in mind <3 so then you have the race itself at brno, where casey is leading relatively comfortably but valentino is starting to seriously catch him... and then casey crashes. which is obviously extremely not ideal psychologically. inevitably, a lot of people looked at that and thought he'd crashed because he was scared of fighting valentino again... and y'know, crash like that, there probably was an element of him pushing just a little too hard to maintain that gap. like I said. not ideal. especially because obviously this is making valentino's bloodhound senses prick up. like he's never going to leave you alone again if you do this, right
so that's where they're at headed into misano, which obviously has Extra Significance since it was valentino's home race. it had only returned to the calendar the year before and literally only because of valentino. dorna had vowed never to return to the circuit after the crash that ended rainey's career in 1993, before going 'oh shit' when they realised the most popular motorcycle racer of all time was born three minutes away from the circuit. that's why they go the wrong way round now and why the circuit kinda sucks, because that was basically their concession... you know, sure, they're going back to the circuit, but it's going the other way now!! as a way of pretending it was way safer now. except it hadn't exactly been a glorious homecoming for valentino in 2007. casey had won the race by a country mile while valentino had his ninety-eighth mechanical dnf in that 2006-07 span. this time, however, everything was different... casey's championship bid was now already looking shaky with the points gap after brno... if he was to still have any chance, he needed to have a good misano
but. well. he didn't. he crashed out of the lead again, this time an even more comfortable gap to valentino that vale probably wasn't going to breach. which meant that valentino got his fairy tale home win... and also made it three races in a row where casey had crashed either out of second place or out of the lead. in laguna, he had valentino right ahead of him when he went down - in brno and misano, he had valentino chasing him down. watch your back, because valentino is coming for you
I used a photo from misano 2008 in another text post edition, in a way that's a bit less strictly related to the text:
and what you'll see there in the background is casey's hand injury, which had flared up during the misano weekend and is a mitigating factor in this crash. I do want to properly properly delve into this in a future laguna post because this stretch of races is honestly FASCINATING to me. it's just an overload of narrative juice... you've got the reality, which is uncertain, you've got valentino's adept authorial hand, which provides you with a narrative that is painfully easy to believe. you've got casey fighting internal and external demons - because even if valentino didn't make him crash, of course three in a row starts looking awfully suspicious. like, can we just take a moment to appreciate the crazy psychological implications of what is going on between the two of them here (from after brno):
The biggest question of all, though, hangs over the reason for Stoner's crash. After the race, the champion had no explanation, saying that the front just went away too quickly for him to catch, as he had done several times previously during the race. But losing the front end is a return to Casey Stoner's old habits, a trait he displayed pushing too hard on the third-rate Michelins he was forced to use in his first year in MotoGP. And after his crash at Laguna Seca, it's hard not to draw the conclusion that Stoner succumbed to the pressure. Last year, Casey Stoner seemed almost unassailable and completely impervious to any pressure Valentino Rossi, Dani Pedrosa or anyone else tried to put on him. But this year, he has occasionally shown signs of weakness, such as when he ran off the track twice at Jerez. More worryingly, the Australian has previous form in this area. In 2005, at his home Grand Prix, he threw away his chance of becoming 250cc World Champion by crashing out of the lead. Stoner has come a long way since then, grown a little older and gained a great deal of maturity. But his crash at Brno puts a dent in his image as Mr Perfect. Did Stoner crash as a result of the pressure Rossi had put on him? Was it because he feared getting caught up in another race-long battle like Laguna Seca, and pushed too hard when he saw Rossi closing? Or was it just one of those things, a mistake all riders make? The jury is still very much out, and it will take more than just his crash at Brno to prove the case one way or another. The next race, though, will be crucial. Valentino Rossi will arrive at Misano, a track just a few miles from his home town, hoping to take his 68th victory in the premier class. This would see him tie the record for most wins with another Italian, the legendary Giacomo Agostini. It would also allow him to wipe away the humiliation of his exit from last year's race, when the first outing of Yamaha's pneumatic valve engine ended in mechanical disaster. Finally, it would mean he had taken a win at every track the MotoGP circus currently visits. It is impossible to overestimate just how much Valentino Rossi wants to win at Misano. There is a huge amount at stake, and he will not let any man stand in his way. There can be no doubt that Rossi believes that the mental pressure he is placing on Casey Stoner is working, and at Misano, The Doctor will be dishing out more of the same medicine. How Casey Stoner responds will be the measure of him as a racer, but also as a man. If you thought Laguna was big, and Brno even bigger, just wait till we get to Misano.
ahhhhh GOD fskjdhjkhdsf PAINFUL this is PAINFUL knowing what happens next
here's them actually shaking hands after misano qualifying, rather than valentino just... uh, patting him:
third race in a row where casey was on pole and valentino started p2 like they were locked tf in
and then you have the horrors of the race:
Unlike Brno, though, there didn't seem to be an obvious explanation. In the Czech Republic, Stoner was only a second ahead of Rossi, and had just seen the Italian take 3/10ths out of his lead. At Misano, Stoner was comfortably in the lead, and looked able to parry anything Rossi could throw at him. After the race, two theories were popular. The first was that the pain from Stoner's broken scaphoid had caused him more problems than he would admit to. This was plausible, as the pain was particularly bad in some right handers, where Stoner was having to push on the bars to get the bike turned. The second, and most popular among those clothed in yellow, was that Valentino Rossi's voodoo had worked its magic once again, and Stoner had crumbled under pressure. But the evidence for this is thin at best, as Stoner was matching Rossi lap for lap, held a comfortable 3 second lead, and had run 0.6 seconds faster during free practice on race tires. Stoner himself put his crash down to a strange feeling with his front tire. The team had elected to scrub the tire in during the morning warm up, and Stoner told journalists that the heat cycling from running hot on the bike to cooling slightly under tire warmers had changed the right-hand side of the tire, and made it lose some of its grip. They had scrubbed the tire in so that Stoner could push hard from the outset, with the pain in his wrist leaving him little appetite to fight his way forward through the pack. Whatever the reason, be it injury or sorcery, the outcome was the same. Coming into Misano, Casey Stoner was 50 points behind Valentino Rossi, and with a big hill to climb if he wanted to keep hold of his title. With no score from Misano, the hill was likely to turn into a mountain.
be it injury or sorcery!! and it's really really REALLY key to this whole narrative that for all three races, there ARE extenuating circumstances that explain why casey crashed... like, there's no definitive PROOF that valentino's pressure did the trick. but it went against casey all three times!! it's this hellish dynamic, right, where again - if you're casey, sure, you can absolutely rationally present your arguments for how you just got kinda unlucky. but somehow everything just kept working out in valentino's favour, and it all started out with that awful race at laguna. see this misano preview:
The most likely candidate to rain on the Italian's parade is Ducati's Casey Stoner. Like his predecessor before him, the reigning World Champion is finding the #1 plate heavier than expected, and is now 50 points, or two whole race wins, behind Rossi in the title race. The remarkable thing about this is the fact that Casey Stoner is clearly the fastest man in the world at the moment. Ever since Barcelona, Stoner has been the fastest man in practice, taking pole in the last 6 races, and often leading the rest of the field by well over half a second. The reigning champ has also won 3 of the last 5 races, and was seemingly on his way to sweeping the rest of the races, winning three on the bounce at Donington, Assen and the Sachsenring. During practice at Laguna Seca, Casey Stoner was looking his old, unstoppable self again.
it is KEY that when casey says after laguna that he's faster than valentino, he is right!! casey extends that six pole streak to SEVEN at misano, which is kinda crazy of him given the quality of the opposition. valentino in turn goes on a five race win streak without being the fastest rider for at least three of those races!! it's got to be one of the wilder achievements of his career, again given the quality of his opposition. and it must make you genuinely homicidal if you're casey
which is how we get to some of my favourite passages in motogp writing. again from the misano race write-up:
If you just look at the result of the San Marino Grand Prix, you could easily believe that fairy tales do come true. By coming to his home race and equaling a record which had achieved almost mythical status, at a track just a few miles from the town he grew up in and where he has returned to live, Valentino Rossi made us believe once again that MotoGP is a story, a tale written by an expert storyteller. Casey Stoner's fall, crashing out while in the lead for the 2nd time in a row, added more credence to this belief, with many seeing Rossi's invisible hand behind Stoner's mistake. They were careful to give it a rational explanation, blaming it on Rossi's mind games, or the pressure Rossi put on Stoner, the more adventurous and imaginative putting it down to Rossi's voodoo, referring back to tales of dolls which Rossi was alleged to have of Max Biaggi and Sete Gibernau. The human impulse to impose a single, coherent narrative on a chain of events proved irresistible, as always. Yet this impulse could be telling a story which is not there. Rossi's victory at Misano, though impressive, was anything but inevitable, and anyone putting money on the Italian would have got good odds on Sunday morning before the race. And though Casey Stoner's crash certainly gave reason to suspect that Stoner had been under pressure, the evidence that it was a direct and inevitable result of pressure from Rossi is flimsy at best. Casey Stoner's modus operandi has always been simple: to get away if he can, and to run the fastest rhythm possible to the end, winning by as big a margin as possible. In this light, Misano was no different. After all, it's not just during the race. The reigning world champion usually manages to hit the top of the timesheets within 2 or 3 laps of hitting the track for free practice, smashing lap records a few laps later. So for Stoner to be pushing hard from the start is hardly a surprise. What is a surprise is that Stoner has made two mistakes in a row, depriving himself of a possible 50 points in the process. This could just be a factor of Stoner stepping up the pace as he goes in pursuit of ever faster laps, or it could be a response to Valentino Rossi being able to match Stoner's pace. But to attribute it directly to the kind of panic which Rossi managed to instill in Max Biaggi or Sete Gibernau is to go a little too far. Rossi is famous for his mind games, and an absolute master at them, but so far, Stoner has seemed impervious. Whether that invulnerability to Rossi's pressure is over remains to be seen.
isn't this just FANTASTIC. this is crack for rivalry lovers. this is what it's all about. and again, all of the logical explanations for casey's crashes are probably the CORRECT ones - certainly more correct than the ones blaming it on valentino sticking pins into a doll of casey (god I love this sport). but it almost doesn't even matter!! because valentino's still somehow gotten his way. he's flexed those authorial muscles and everything just SOMEHOW happened to work out for him. and it's the worst possible way things could have gone for casey, who is now unsurprisingly very much facing the mentally broken allegations
honestly insane respect to casey for his resilience, because if this happened to me I do think there's a decent 50% chance you would never hear from me again. like yeah I get why valentino has a reputation for breaking people, can you IMAGINE how horrendous it is to go through everything related to laguna AND THEN have these two follow-up races?? strangling valentino isn't enough, you'd want to throw him off a cliff. strangle him and THEN throw him off a cliff
and in the end, obviously valentino didn't permanently break casey. though.... I will still get into this in more depth, but I also don't think these two races can be disconnected from how laguna was SUCH a turning point in casey's narrative, to the point where it reads as quite traumatic. it's a horrible stretch of time!! it's not just the race being bad, but then afterwards it feels like casey's constantly trying to flee the repeat and... it just all goes horribly wrong. and maybe valentino had nothing to do with that! but everyone's still thinking it and casey knows it and so does valentino and casey knows that valentino knows it and maybe he's also asking himself... and it's always at risk of summoning up old doubts, of old sprees of crashes he thought he'd put behind him, like 2006, like phillip island 2005 where he handed the title to dani. you don't get over those emotions easily
anyway, that's what this text post was inspired by: 'many seeing rossi's invisible hand behind stoner's mistake'. you've got this initial element of betrayal, where valentino completely flipped the script at laguna - essentially rewrote the dynamic of that rivalry in a single race, and in doing so violated what casey had thought were the acceptable terms of conflict. laguna does not work without being a massive surprise (see here)... it's valentino catching casey off guard, making casey feel like a fool... there is a little bit of an undercurrent of betrayal there TO ME. and then you've got valentino always lurking behind his rivals, silently prompting them to make a fatal error... mr perfect who had been so immune to any pressure from behind, until valentino had found new ways of tormenting him. and now valentino just reminding casey again and again and again... promising him that this is what casey will have to deal with if he wants to fight valentino. it all started at laguna - where valentino blindsided casey, woke the entire sport up out of absolutely nowhere, suddenly escalated the hostilities without any prior warning. and from then on, valentino was never going to let casey forget that lurking danger. valentino will never leave casey alone
#“careful to give it a rational explanation” SENDS ME like the implication is everyone kindaaa thought. maybe witchcraft??#making a fortune selling protection charms against valentino's whole deal in the late noughties motogp paddock#it's so funnyyyyy what if u just had a guy who is a motorcycle racer and also a witch#//#brr brr#heretic tag#batsplat responds#would u still love me if i have a bizarre number of thoughts about a text post meme i created nobody thought about for more than 2 seconds#i don't do it for the audience... it's just dedication to the bit at this point#tad silly to have so many of them rely on contextual details relating to photos basically nobody will recognise#like from that edition - if you get why 'deny god's will' makes sense paired with that photo. marry me
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an introduction to: my 90s fame dr!
please read this god please there's art in here also ive put 5+ months of work into this dr at this point so i swear that there's interesting shit in here yall I SWEAR I AM NICHE.
reblogs greatly appreciated! this took me forever teehee
ohhh my god this is a long time in the making, ive put this off for so, so long and i really couldn't tell you why. this can act as a script me into ur dr post if you like as well!
for starters, you can find my pinterest board for this dr here :3 just in case u want some cool visuals i guess :3
-
so lets get the basics outta the way shall we?
full name: marley jo veitch
nicknames: mar, marley barley, mars bars, tink (reserved for s/o), living poet (public figure nickname type deal? yknow how stevie nicks gets called the white witch? yeah that)
pronouns: they/she
DOB: june 1st, 1970 (which makes me a gemini btw!)
occupation: musician (piano, violin, guitar n bass, some drums, and saxophone), poet, author (fiction and nonfiction), actor on occasion, also a comedian that one time
skills: all things music + writing basically, film analysis, pop culture analysis i guess, home decor, drawing, fashion?, and being the most autistic person in the multiverse
appearance stats: 5'3", 145ish lbs, long brownish-reddish hair with some light brown highlights in there, sorta wavy but barely
body mods: COVERED in tats (theres a tattoo section on the pinterest board but i also drew some so), septum piercing, snake bites, and a fair few ear piercings. and also i have glasses but thats not a body mod thats just a thing on my body.
"workin and workin't? you have a job?" more on that later!
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relationships and such! with photos!
s/o: robert sean leonard
"hey, do i recognise this guy?" you might! he played notable roles such as neil perry in dead poet's society, claudio in much ado about nothing, and james wilson in house md!
best friends: dylan kussman, allelon ruggiero, alexandra powers, and kimya dawson
"do i recognise more of these people?" again, probably! dylan, al, and alex were all in dead poets society, and kimya is a musician best known for her indie songs, some featured in the movie juno!
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my career! (oh good lord)
writing based - undedicated musings
(1986-1993)
alright so this is a bit hard to explain, bear with me. undedicated musings is an anonymous newsletter-based poetry... publication? run by me, under the pen name 'chartreuse', and the whole shtick is that i write poetry, love letters, and whatever else to the person i'll end up spending my life with, but the recipient of said writings is completely unknown, even to me, so im kinda just writing to nobody. until! i actually set my eyes on someone (obviously rsl) and then the writings start to get a bit more specific and yearn-y and personal. since the recipient is anonymous, all the writings are written for a 'vermillion'. both chartreuse and vermillion's identities are revealed when we get married in 1993. and no, rsl doesn't know that i'm chartreuse, nobody does until i reveal myself. i think its kinda cool :3
film based - dead poet's society
(1988-1989)
so for starters, i was part of the crew that worked on the set of dead poets society, now all my friends (except kimya, her and i become friends in the late 90s) make sense! my actual job on set is kind of a vague be-here-and-do-a-bit-of-everything type deal, so there's no set title beyond "assistant to lead" even tho it's essentially government assigned 'friendship' LMAO. but! me and the cast get on like a house on fire, so i kinda just get to tag along on their wacky teenage-ish boy adventures. this totally does not stem from a desire to be part of a teenage boy friend group, and i am, in fact, totally cisgender. i am also lying. anyway, without going into too much detail, me and my s/o-not-yet-s/o (will be referring to him as rsl from this point on) sorta have a painstakingly long will they wont they type deal, because i guess i like torturing myself. we meet a day before all the actual film stuff starts just as a sort of preliminary get to know eachother because you'll be in close proximity VERY often for months. thats some time in march - june-ish? of 1988 (i shift to my dr the day before!) and we don't actually get together until june of 1989. so.
also! some changes to the movie because i can make those: knox overstreet is now played by matthew lillard instead of josh charles, because josh charles is a fucking zionist and i dont want to associate with him in any reality! knox also isnt a b plot to the movie at all, instead focusing on meeks and pitts because i find them much more interesting! and also knox's b plot is creepy as hell! also, the racism against natives (read this!) is completely gone! no thanks!
music based - MAURZI
(1988-2004 technically)
strap in boys because this is the main event of this dr and the lore is VAST. MAURZI (must be spelled in all caps, like MF DOOM) is a sort of musical person/character i've made to tell the story of via a series of albums. i release my first single in october of 1988 titled "lunarian", which is a fun little song about a being from the moon arriving on earth and having some inter-planetary culture shock. and thats the only song i've actually planned! i release 6 total albums that map out the MAURZI storyline kinda
- MAURZI (1989)
- GONE TO SHIT! (1991)
- Charmed (1992)
- I found Him in Santa Barbara (1995)
- Waterworks (1998)
- also bibliography (2004) but those are released as songs By Me and not MAURZI, just released under the same artist. MAURZI storyline ends with Waterworks.
now here's where you get the very extensive MAURZI lore. MAURZI is a sort of alternate-universe representation of me, where in i'm much more famous than i actually am in my dr, and i am absolutely RUINED by my fame in a fuck ton of ways. each album is a different section of her life so i'll explain it album by album. also for reference, in my dr capitalism/ currency isnt a thing, but in the MAURZI... verse? it is. because i like anti capitalist art! same goes for most other media im in/ participate in, actually. MAURZI uses she/her pronouns btw, i dont.
MAURZI - my self-titled album is about as close and personal to my life as i'll get, which an average amount because i still throw in some songs about shit that i have not at all done/ experienced. (ex. songs about cheating, toxic relationships, and things along those lines. thankfully ive had a mostly healthy relationship with relationships! except that one time!) MAURZI is new to the music scene but she's here to make some lovely tunes to help process some stuff! artists im taking inspiration from include (but are not limited to): sarah kinsley, dodie, jeff buckley, tv girl, mitski, and peach pit.
GONE TO SHIT! - MAURZI's first album blew the fuck up! now she's thrown into the midst of dealing with an incomprehensible amount of attention on her at all times, which she was absolutely not prepared for. what does she do to cope? sex drugs and rock n roll, baby! she also gets addicted to 2 outta those 3 things! can you guess which ones?? now, obviously, this album is entirely fictional and is only tangentially inspired by some life events, heavy emphasis on the tangentially. artists im taking inspiration from include (but are not limited to): the nonstick pans, panic! at the disco, forest, david bowie, chappel roan, and king gizzard & the lizard wizard.
Charmed - the love song album! this is basically comprised of songs i sorta wrote about rsl, but changed up a fuck ton because i wrote them while i was pining and did Not want him to knkw who they were about. in terms of MAURZI stuff, she meets someone just after deciding that she's gotta clean up her act if she wants to exist healthily. recovering alongside a loved one and them being a motivator for recovery! now i should specify here that MAURZI's s/o is not the same as mine, and is entirely gender neutral/ doesn't even have a canon(?) human appearance at all. they're named Vermillion because we love a callback! artists im taking inspiration from include (but are not limited to): the smiths, siouxsie and the banshees, james blake, queen, laufey, and her's.
I found Him in Santa Barbara - yknow how when a banana ripens too much and it starts to tuen brown? yeah imagine that logic but applied to recovery, i guess. NOW IS A GOOD TIME TO REITERATE THAT MAURZI AND I ARE TWO DIFFERENT PEOPLE AND MAURZI IS JUST A CHARACTER. essentially MAURZI had a spiritual awakening and "found god." but what that ACTUALLY means is that she started viewing vermillion as a sort of god? but she's keeping it on the down low (making an album about it) because she doesn't want vermillion to thing she's CRINGE. themes of loving a god, being IN love with a god, being in lust with a god, temporarily thinking youre a god? stuff along those lines. its a bit intense, VERY experimental and.. heavy? both in themes and in musical style for some portions. this is my fav album out of all of them if you couldnt tell. artists im taking inspiration from include (but are not limited to): sleep token, WILLOW, type o negative, slipknot, lemon demon (specifically songs off spirit phone), hozier, violent vira, pierce the veil, gorillaz kinda, bjork, kate bush, deftones, destroy boys, and rammstein probably.
Waterworks - so yknow how MAURZI was having a whole trouble with god moment? yeah well thats gone now, no i haven't figured out how that'll work narratively, thats for me to figure out in like 10 years from now (now being 1988, naturally.) we've returned to our self-titled roots in terms of musical style! now we've just got some fun themes of trauma and such! and then that's the and of MAURZI as a character story wise, as i said earlier the album after this one is just a Me album. same artist inspo as self titled!
and guess what! music lore isnt even fuckin done! my music in this dr is a multiverse in itself goddamn. so basically the album covers for each album tell a completely seperate story about a completely seperate alter ego/ character/ whatever named Moonzi. name given by my audience (which is my excuse for coming up with such a shitty name and then keeping it.) the story of moonzi, without going into too much detail because i dont wanna type it all out, is a sci-fi type story about a being from the moon (lunarian callback!) on a quest to bring this space artifact back to its original place, basically. a bit more on it later, emphasis on a bit. also! each album cover is drawn by a different artist, and each album artist animates one official music video off their respective album, just cuz i like art and stuff! those music videos kinda follow the moonzi storyline loosely, but incorporate MAURZI elements. is this confusing? hope not. drawings!
writing based - novels
can you believe im still not done? like not even close? certified yapper. anyway! my 3 fiction novels (Manchester, NH - 1991, Curator Rye, 1997, Sand Dollars + Pearls - 2008) are about my ocs basically! thats it really, i dont feel the need to share the plots of those tbh.
writing based - autobiographies
two? yep! one is a fictional autobiography about MAURZI (MAURZI - 1999) and one is a non fictional autobiography about me (Radio Free Marley - 2012.) take a shot every time i say MAURZI and you will need to get your stomach pumped. she just. she means a lot to me :3
film based - doctor who
(1994-1999)*
*these dates are when im on the show btw, not its total runtime, same applies to other cr existing shows.
big disclaimer: never seen doctor who. dont know the plot, dont know which doctor i'm gonna be, i just wanna be in it.
so! my version of the doctor is kinda weird. its one doctor, but played by two people, but theyre one person. we're both the doctor. and by we i mean both me and rsl, obviously. the viewer sees the doctor as two different people, but NOBODY ELSE IN THE DAMN SHOW besides our little companion buddy guy (played by my cr friend fish!) SEES, ACKNOWLEDGES, OR IS ABLE TO VIEW THE DOCTOR AS TWO PEOPLE. its really complicated and i really did not have to make it that way, but its cool to me so i really dont care. also we're breakjng the doctor who cycle of boring suit and tie (this is NOT about you 15 <3) and going steampunk-esque. again, cuz i wanna.
film based - house md
(2005 - 2010)
marley veitch be in a show without rsl challenge (failed.) i play a character i made up named Nanette Amesbury who is essentially wilson's first ex wife. does he have a canon first ex wife? think so (i actually havent finished house oops.) do i care? you can take a guess. nanette (nicknamed ninny - which im well aware means dumb) is the director of the pediatrics department at princeton plainsboro and she kinda has a fwb type deal with wilson before figuring out shes a lesbian, having a crush on cuddy, being besties with kutner, then leaving the show in season 6. (zeth if ur reading this yes i made her show up for more than 2 seconds she just. means so much to me. also i want cudbury content.) im also a writer for the show so im there for its entire run time :3 i really like this show :3
film based - moonzi
(2016)
YEAHHHHH BABY SHES BACK!!! moonzi's storyline gets adapted into an adult swim animated tv show! i do screenwriting, stiryboarding, and voice acting! style wise, think teen titans mixed with bojack horseman mixed with archer. sick space visuals also!
comedy based - dying art
(2020)
idk i wanted to do a standup special! dunno what it's about. ill leave that up to future me to decide because this isn't happening for 32 damn years and i really just dont wanna come up with a standup special rn.
film based - radio free marley
(whenever)
i wanted a biopic, but i wanted it to be both about me and MAURZI, and how points in my life influenced or inspire songwriting. so the episode structure is like
ep 1: about me, point in my life
ep 2: about MAURZI, point in her life thats sorta related but not entirely to the events in ep 1
ep 3: about me, point in my life
ep 4: about MAURZI, point in her life thats sorta related but not entirely to the events in ep 3
ep 5: you get the idea
and then this goes on for 12 episodes and ends with the MAURZI story wrapping up and with me sorta retiring kinda. dont know when it'll be made, probably at some point in my 60s or whatever. im permashifting if you couldnt tell btw.
and thats it! after all this im just kinda existing and living life and whatever else. so with that outta the way i'll list some fun facts and i'll FINALLY BE DONE JESUS CHRIST IVE BEEN WRITING THIS FOR LIKE 3 HOURS.
- i live in new york city! manhattan to be specific
- i also have a lake house in new hampshire because i Need to be in a rural area at some points
- my house's interior design is very 70s themed and its WHIMSICAL AND FUN! maximalism, whimsigoth, nooks and crannys to be in, fun and varied seating options, conversation pit, loft bedroom, whole 9 yards. ive also got a gazebo on my roof!
- i have 2 siblings in my dr (not here im an only child in my cr womp womp) named lia and monty, theyre my best friends in my cr!
- ive also got a cat! she's a ragdoll kitty named yvonne, shes a sweetheart!
- i scripted out light pollution so the sky is all pretty at night, highly recommend you do the same
- im in STOMP at one point, dont know or care when, i just wanna be in it
- robin williams........... he is a father figure to me................ sniff sob
- yes i scripted out his death i simply cannot deal with that
- PUBLIC TRANSPORT AND WALKABLE SOCIETY!!!!! NO MORE CAR BASED US SOCIEY WOOOO!!!
- i cant fucking believe i havent mentioned this yet but im scottish?? im not scottish in my cr i was just thinking about david tennant when i was forming the dr idea back in january and it stuck. MAURZI is american tho
- hilson is canon in my dr LMAOAOOA
- thats all i got
sweet lord in heaven above if you've read this whole thing im giving u a big kiss. this is so long and i really dont wanna proofread it so im not gonna, excuse any spelling or grammar mistakes.
#VOLO LUNAM#LUNAM est. 1988#reality shifting#shiftblr#desired reality#reality shifter#shifting realities#shifting#shifting community#shifting antis dni#dr intro
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During John Biden's political career, he supported and worked with South. Carolina Senator Strom Thurmond, a renowned segregationist senator that ran for President in 1948. He spoke in 1993 at his birthday and compared him to Confederate General Robert E. Lee. Strom Thurmond was of course staunchly opposed to the Civil Right Acts. What I didn't know, is that he was also friends John Stennis, another segregationist he apparently called a "hero". (Sources below)
youtube
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Here I am sharing all the Shannen Doherty Photoshots & Magazine Scans photo albums I have on google photos to all of you!
You don't need a gmail account to view them. All the photos have been collected from the net for decades, some albums are still not complete and many of them are still being updated on a regular basis.
I've tried to collect the bigger/better quality picture with the most accurate information. Feel free to share the albums with your friends, and to download/share anything on your websites, blogs, instagrams, etc.
I'll be doing the same with acting career.
1980s photoshots: https://photos.app.goo.gl/gHXaX2pjXkbhd6Ha9
1990 photoshots: https://photos.app.goo.gl/gbL35zCb6J7USqYE7
1991 photoshots: https://photos.app.goo.gl/CsSuSPeMwhNjcLVe8
1992 photoshots: https://photos.app.goo.gl/ACHDUbW1kpM75BH67
1993 photoshots: https://photos.app.goo.gl/WFpVsZD2fVoJnpFk7
1994 photoshots: https://photos.app.goo.gl/wYzUBWo53xTJzPJr8
1995 photoshots: https://photos.app.goo.gl/Twk3bDwrYnWSfbPz9
1996-99 photoshots: https://photos.app.goo.gl/XsmM3azw6evJEVS48
2000s photoshots: https://photos.app.goo.gl/3StgZE5ryj3vrRjPA
2010s photoshots: https://photos.app.goo.gl/sxmfDU2WvsM9GEu86
2020s photoshots: https://photos.app.goo.gl/KUJFk6uuP9icus866
#shannen doherty#photoshots#magazine scans#google photos#photo albums#link#join#share#sharing is caring#1980s photoshots#1980s shannen doherty#1990s photoshots#1990s shannen doherty#2000s photoshots#2000s shannen doherty#2010s photoshots#2010s shannen doherty#2020s photoshots#2020s shannen doherty#1980s#1990s#2000s#2010s#2020s
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And Now For Something Completely Different: I look for an early 1993 Michael Sheen project!
As everyone who reads me regularly knows, I'm a David Tennant researcher/archivist (it's what I do!) and write A Tennantcy To Act, a Substack about his career. But last night at an ungodly hour, a question from a MS fan on Twitter got me amped to find a missing Michael Sheen project...so that's what I did. My body might be pissed I stayed up til 2 am (I'm an OLD!) but my soul and spirit are cleansed. I found it! So if you're a Sheen fan, buckle up. Let's take a ride on the Sheen side (and oh yeah, I just learned Michael's mum has retweeted all my research. So there's that!) The question was about a 1993 episode of a 1991-1996 ITV series, narrated by Edward Woodward, called In Suspicious Circumstances. Michael's Wiki had the series listed, but no further info on the title of the episode Michael appeared in, nor any date but 1993. Last night this fan asked Michael himself if he could remember the name of the episode (as apparently it's a bit of a mystery for his fans). Michael couldn't recall. So I went on the hunt. Luckily a tiny clip of the episode was featured on Twitter, so I could use it as a reference. And boy did it end up to be important!
The smart researcher analyzes what they've got. We see men in mustaches, bowl hats and sack coats using wagons instead of cars, so 1890s? Early 1900s? Michael plays "William Wright" and looks like he's fixing a wagon wheel. He reads his bible, and has an accent. Keep these details in mind. They'll be important. Okay - some background on the series: In Suspicious Circumstances was an anthology series which re-enacted historical crimes. Beginning on 16 March 1993, it broadcast three one-hour episodes, each of which contained two thirty-minute stories. Okay, so that means there are nine possible mini-episodes Michael could've been in. But which one? Let's narrow them down! The series' first episode aired 16 March 1993. It was called "Laugh Baby Laugh" and was about Elvira Barney, acquitted of murdering her lover in 1932. The second mini-episode was called "Shadows of Doubt" and was about Robert Hoolhouse, a laborer hanged for murdering a farmer's wife in 1938. Here are some newspaper articles about this broadcast:
I felt pretty comfortable ruling these two out immediately - mostly because both crimes were set in the 1930s, and our clip tells us Michael's episode was way before then. Moving on! Now let's talk about the third episode, which aired 30 March 1993. (I'm deliberately skipping over the second episode because I think that's the one Michael's in. Back to that in a second.) Anyway...the two mini-episodes from the third episode were called "Falling Starr" and "Good as Gold", and were about two very different women found dead on beaches...one in 1931, the other in 1900. Here are a few newspaper articles about these episodes:
The 1931 one we could rule out. But the 1900? Hmmm, it's a possibility, sure, though the clip we have sure doesn't look like it's anywhere near a beach town with sand dunes like Great Yarmouth, right? So that also seems improbable. Now let's examine that second episode, which was broadcast 23 March 1993. The first of the two mini- episodes was entitled "Dancing With Death" and was about the 1960s Glaswegian serial killer known only as Bible John.
Um, the 1960s certainly doesn't sound like it fits the clip Michael's in, right? So what's the second mini-episode, then?
Well, it's set in Suffolk in 1902 and is about a murder of a servant girl in "a scandalous affair in a Suffolk village which may have led to murder." Sounds promising! The time period certainly seems like it would fit. But what is it called? After all, no one was sure what the episode was entitled, because if they had, they would've known which episode Michael was in.
It's called "Candle In The Window!" So now we have to switch gears here to find the final proof. There are two possibilities, time period-wise, so we have to go to the source to find out if we can determine which one is the right episode. And by that, I mean newspapers of the period. After all, In Suspicious Circumstances was a historical series about real-life crimes. So I started with the Suffolk one, which I thought the most likely.
Remember we talked about Michael's character's name, and how he was working on a wagon wheel? Well, here are a few articles printed at the time about the scandal, the murder, and the resulting trial. From the Hull Morning Telegraph and the Nottingham Evening Post, both 6 November 1902:
This is a LOT of text - and newspapers at the time loved to print drama and florid language and up the scandal (they didn't have television to satisfy that urge, I guess?) But here are the relevant parts.
Notice the name of one of the witnesses: William George Wright. And gee.....he's a wheelwright! Ya know, a maker and repairer of wagon wheels!
Bingo! The circumstances of this case, Michael's character's name and occupation, and the descriptions in newspaper blurbs about the 23 March 1993 broadcast of In Suspicious Circumstances all line up.
"Candle In The Window" is the episode Michael was in. I published this earlier today on Twitter and within an hour, industrious Sheenies collated all my work (with my blessing and permission!) and updated Michael's Wikipedia entry to include this new information. I'm just out here doing what I do - for the fandoms. I wish David-bloody-Time-Lord Tennant was this easy to find *harumph*! Anywaaaaaay...... Peace out!
#michael sheen#In Suspicious Circumstances#This was super fun to hunt down#Michael also isn't a Time Lord like David#HE is considerate and doesn't go around deleting entire years of references to his theatre and TV work!#Candle In The Window
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Dick O'Neill
Physique: Stocky Build/Heavyset Height: 5' 7" (170 cm)
Richard Francis O'Neill (August 29, 1928 – November 17, 1998; aged 70) was an American stage, film and television character actor best known for playing Irish cops, fathers, judges and army generals. He began his acting career as an original company member of Arena Stage in Washington, D.C. He was known for The Jerk (1979), The Taking of Pelham One Two Three (1974) and The Front Page (1974).
The steel gray hair, the chipmunk like cheeks and that voice. Plus he had a nice rack on him. Ahh… I blown plenty a loads over O'Neill watching the show Dark Justice in the 90s. I actually started to watch the show just to get a glimpse of him. Since then, I’ve always had a soft spot or should I say a hard spot for Dick O'Neill or just about anybody named O'Neill. Ed O'Neill, Tip O'Neill, etc.
He died of heart failure on November 17, 1998 at the age of 70. He is survived by his wife of 34 years, Jackie, and three daughters.
RECOMMENDATIONS: Home Improvement (TV Series 1994–1996) 3 episodes - sexy (1994) My Summer Story - sexy Dark Justice (TV Series 1991–1993) - sexy (1986) The Mosquito Coast - sexy Diagnosis Murder (TV Series) - S3/E4 (1995) - sexy (1995) The Unspoken Truth - sexy
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Me about myself in my Late 90's Fame Dr
ABOUT ME:
FULL NAME: Isabella Rachel Allard-Tessier
NICKNAME(s): Izzy, Iz, Ibby, Belle
FACE CLAIM: my cr face but better and a bit older
AGE: 22*
BIRTHDAY: June 14th, 1976
BIRTHPLACE: Lyon, France
GENDER & PRONOUNS: female || she/her
NATIONALITY & ETHNICITY: British, French || British-French
CURRENT PLACE OF RESIDENCE: Zurich, Switzerland
ZODIAC SIGN: Gemini
MBTI: infp
FAMILY:
· Robert Allard - father,
· Élisabeth Tessier - mother,
· Isla Allard-Tessier - triplet sister,
· Isaac Allard-Tessier - triplet brother,
LANGUAGES I CAN SPEAK:
English, French, Spanish, Italian, German, Chinese, Russian
HOBBIES: reading books, horse riding, cooking, dancing, travelling, swimming, stargazing
CAREER:
· actress,
· film & music producer,
· dancer,
· singer,
· songwriter
INSTRUMENTS I CAN PLAY:
electric guitar, acoustic guitar, bass, piano, drums, flute, violin
PREVIOUS ROLES (UNTIL 1998):
· E.T. the Extra-Terrestrial (1982) as Gertie,
· Dune (1984) as Alia Atreides,
· Millie (1990) as Amelie “Millie” Girard **,
· The Nightmare Before Christmas (1993) as Sally (voice),
· Jurassic Park (1993) as Lex Murphy,
· Hokus pokus (1993) as Allison,
· Heavenly Creatures (1994) - Juliet Hulme,
· Little Women (1994) as Beth March,
· A Kid in King Arthur's Court (1995) - Princess Sarah,
· La Fille seule (1995) as Valérie,
· La Nounou (1995 - 2003) as Adèle Bernard **,
· La Cérémonie (1995) as Melinda,
· Scream (1996) as Sidney Prescott,
· Romeo + Juliet (1996) as Juliet Capulet,
· The Fifth Element (1997) as Diva Plavalaguna,
· The Lost World: Jurassic Park (1997) as Lex Murphy,
· The Rainmaker (1997) as Kelly Riker,
· Scream 2 (1997) as Sidney Prescott,
· Anastasia (1997) as Anastasia (voice),
· 10 things I hate about you (1998) as Katarina Stratford,
· Pleasantville (1998) as Jennifer / Mary Sue Parker,
· La Fille étrange (1998) as Fleur **,
· Les Misérables (1998) as Cosette,
· 23 (1998) as Lisa **,
ALBUMS (UNTIL 1998):
· The Woman Who Love Too Much (1994),
· Girls' Night Affairs (1996),
· The Lady in Red (1998)
BACKSTORY:
I was born in Lyon as the eldest of triplets, the children of British traveller and writer Robert Allard and French model and photographer Élisabeth Tessier.
Less than a year after we were born our father was offered the chance to host a travel programme called The Strider for the BBC. Together with our mother they decided to take me and my siblings on those journeys.
Since then, we have spent more time on the road than in our home in France. Together, we have explored Australia and Northern Europe, both Americas, and a good part of Africa.
Despite the unusual conditions, our parents took great care of our education and development. I had private tuitions, practised ballet and singing, learned to play a few instruments. During those travels, I aslo learnt about the culture and traditions of the countries we visited and learnt a couple of languages.
We have settled in the USA for a few years where my siblings and I finished high school. It was then that I met my best friends to this day; Judy and Kayleigh. I later got into Harvard, where I studied psychology and linguistics.
I got my first role - Gertie in E.T. the Extra-Terrestrial - at the age of six; I went to the audition out of curiosity. Later I also played the young Alia Atreides in Dune, but I didn't tie my future to acting. My love for it was born in the high school drama club. My return in front of the cameras was the 1990 film Millie, but it was with the role of Lex Murphy in Jurassic Park, which I got at the age of seventeen, that I was truly noticed. Other productions followed and with them came increasing success and popularity.
At the beginning of the university, I began to take interest in music - my first album, The Woman Who Love Too Much, was released in 1994 and it quickly became clear that I was as talented an actress as I was a singer.
At age of twenty I move alone to cottage house near Zurich.
LIKES: strawberries, misty and rainy weather, incenses and scented candles, cold pizza, winter mornings, sweets, the sea, spices, nightly baths in the lake, self-care days, the wind in my hair when I'm horse riding, forests, long walks, fireplaces
DISLIKES: arrogant people, feelings of lack of control, violence, hot weather, loud noises, bright and cool light, being sick, small and closed spaces, peanut butter, chlorine smell
* For the year 1998, to which I'm shifting to,
** Self-scripted roles/films
#dr introduction#shifting#reality shifting#shiftblr#dr family#dr moodboard#fame dr#drself#shifting antis dni#shifting realities#90s dr#nann's shifts#shifting community#shifting scripts
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