#1980s h6

[mitivy]

CAS 134-62-3 N,N-diethyl-m-toluamide DEET manufacturer in stock/best price/DA 90 DAYS

Application DEET is an insect repellent generally used on exposed skin or on clothing, to discourage biting insects. 1. DEET has a broad spectrum of activity, effective as a repellent against mosquitoes  (Culicidae - Mosquitoes (Family)), biting flies, chiggers, fleas and ticks 2. DEET is available as aerosol products for application to human skin and clothing,liquid products for application to human skin and clothing, skin lotions, impregnatedmaterials (e.g. towelettes, wristbands, tablecloths), products registered for use on  animals and products registered for use on surfaces. N,N-Diethyl-m-toluamide;diethyltoluamide Light yellow liquid. There is a light citrus fragrance. 1. It is the main repellent component of various solid and liquid mosquito repellent series 2. Insect repellent, has special effects in preventing and removing mosquitoes. Preparation: 70%, 95% liquid. SMILES: O=C(c1cc(ccc1)C)N(CC)CC InChI: InChI=1/C12H17NO/c1-4-13(5-2)12(14)11-8-6-7-10(3)9-11/h6-9H,4-5H2,1-3H3 InChIKey: MMOXZBCLCQITDF-UHFFFAOYAE Std. InChI: InChI=1S/C12H17NO/c1-4-13(5-2)12(14)11-8-6-7-10(3)9-11/h6-9H,4-5H2,1-3H3 Std. InChIKey: MMOXZBCLCQITDF-UHFFFAOYSA-N Product Categories of N,N-Diethyl-m-toluamide (CAS NO.134-62-3): INORGANIC & ORGANIC CHEMICALS;Aromatic Carboxylic Acids, Amides, Anilides, Anhydrides & Salts;Organics;Amines;Aromatics;Isotope Labeled Compounds;Alphabetic;D;DID - DINPesticides&Metabolites;Others;Pesticides Stability: Stable. Combustible. Incompatible with strong oxidizing agents, strong acids, strong bases. Hydrolyzes slowly in water.   Quick Details   ITEM INDEX Appearance Colorless or pale yellow transparent liquid Purity ≥99.50 o-DEET, % ≤0.30 p-DEET, % ≤0.40 Diethyl amine,PPM ≤10 Moisture, % ≤0.20 Color-APHA ≤100 Density 0.992-1.003 Refractive Index 1.5130 - 1.5320 Diethyl benzamide, % ≤0.70 Trimethyl biphenyls, % ≤1 N-Ethyl toluamide, % ≤1.0 Acidity ≤0.3

N,N-Diethyl-3-methylbenzamide Toxicity Data With Reference

Organism Test Type Route Reported Dose (Normalized Dose) Effect Source child TDLo oral 4750mg/kg (4750mg/kg) BEHAVIORAL: CONVULSIONS OR EFFECT ON SEIZURE THRESHOLDBEHAVIORAL: STIFFNESSBEHAVIORAL: COMA JAMA, Journal of the American Medical Association. Vol. 258, Pg. 1509, 1987. human TDLo skin 35mg/kg/5D (35mg/kg) SKIN AND APPENDAGES (SKIN): "DERMATITIS, OTHER: AFTER SYSTEMIC EXPOSURE" Toxicology and Applied Pharmacology. Vol. 1, Pg. 97, 1959. mammal (species unspecified) LD50 oral 1800mg/kg (1800mg/kg) United States Patent Document. Vol. #3594481, man LDLo oral 679mg/kg (679mg/kg) JAMA, Journal of the American Medical Association. Vol. 258, Pg. 1509, 1987. mouse LD50 oral 1170mg/kg (1170mg/kg) Yakkyoku. Pharmacy. Vol. 36, Pg. 1671, 1985. mouse LD50 skin 3170uL/kg (3.17mL/kg) Yakkyoku. Pharmacy. Vol. 31, Pg. 309, 1980. rabbit LD50 oral 1584mg/kg (1584mg/kg) National Technical Information Service. Vol. AD-A082-131, rabbit LD50 oral 1584mg/kg (1584mg/kg) National Technical Information Service. Vol. AD-A082-131, rabbit LD50 skin 3180uL/kg (3.18mL/kg) Toxicology and Applied Pharmacology. Vol. 28, Pg. 313, 1974. rabbit LDLo intravenous 75mg/kg (75mg/kg) BEHAVIORAL: SOMNOLENCE (GENERAL DEPRESSED ACTIVITY)LUNGS, THORAX, OR RESPIRATION: OTHER CHANGESBEHAVIORAL: TREMOR Toxicology and Applied Pharmacology. Vol. 1, Pg. 97, 1959. rat LC50 inhalation 5950mg/m3 (5950mg/m3) National Technical Information Service. Vol. AD-079-960, rat LD50 oral 1950mg/kg (1950mg/kg) Special Publication of the Entomological Society of America. Vol. 78-1, Pg. 53, 1978. rat LD50 skin 5gm/kg (5000mg/kg) Meditsinskaya Parazitologiya i Parazitarnye Bolezni. Medical Parasitology and Parasitic Diseases. Vol. 45, Pg. 65, 1976. women LDLo oral 950mg/kg (950mg/kg) BEHAVIORAL: COMALUNGS, THORAX, OR RESPIRATION: OTHER CHANGESGASTROINTESTINAL: NAUSEA OR VOMITING JAMA, Journal of the American Medical Association. Vol. 258, Pg. 1509, 1987. women TDLo oral 300ug/kg (0.3mg/kg) CARDIAC: EKG CHANGES NOT DIAGNOSTIC OF ABOVECARDIAC: PULSE RATE INCREASE WITHOUT FALL IN BPVASCULAR: BP LOWERING NOT CHARACTERIZED IN AUTONOMIC SECTION Journal of Analytical Toxicology. Vol. 19, Pg. 197, 1995. women TDLo oral 950mg/kg (950mg/kg) SENSE ORGANS AND SPECIAL SENSES: MYDRIASIS (PUPILLARY DILATION): EYEBEHAVIORAL: COMALUNGS, THORAX, OR RESPIRATION: OTHER CHANGES JAMA, Journal of the American Medical Association. Vol. 258, Pg. 1509, 1987.

N,N-Diethyl-3-methylbenzamide Safety Profile

Safety Information about N,N-Diethyl-m-toluamide (CAS NO.134-62-3): Hazard Codes: Xn Risk Statements: 22-36/38-52/53 R22: Harmful if swallowed.  R36/38: Irritating to eyes and skin.  R52/53: Harmful to aquatic organisms, may cause long-term adverse effects in the aquatic environment. Safety Statements: 61 S21:When using do not smoke. RIDADR: 2810 WGK Germany: 2 RTECS: XS3675000 HazardClass: 6.1(b) PackingGroup: III HS Code: 29242995 Poison by intravenous route. Moderately toxic by ingestion and skin contact. Human systemic effects: coma, convulsions, dermatitis, mydriasis (pupillary dilation), nausea or vomiting, stiffness. An eye and skin irritant. Experimental reproductive effects by skin contact. Mutation data reported. Can cause central nervous system disturbances. A pesticide. DEET is the active ingredient in most commercial insect repellents. When heated to decomposition DIETHYL-m-TOLUAMIDE (134-62-3) emits toxic fumes of NOx.

N,N-Diethyl-3-methylbenzamide Specification

General Information: As in any fire, wear a self-contained breathing apparatus in pressure-demand, MSHA/NIOSH (approved or equivalent), and full protective gear. Extinguishing Media: Use water spray, dry chemical, carbon dioxide, or chemical foam.  Handling: Avoid breathing dust, vapor, mist, or gas. Avoid contact with skin and eyes. Storage: Store in a cool, dry place. Store in a tightly closed container. Packag 200kg/drum Storage should be at cool, dry and ventilate. Certifications About us

MIT-IVY INDUSTRY Co., Ltd. Fine Chemicals Source Manufacturing. Provide you with the best quality products, the best prices, and worry-free service.

Quality:Industry leader strong As the industry benchmark for supply chain services in the field of chemical products in China, it is fully equipped with a set of precise operation system and has established long-term stable and reliable cooperative relations with many well-known chemical companies and large chemical plants. Price:High-quality products, high-quality prices The company pays attention to the process control of product quality, insists on only making "genuine products"; insists on the concept of mutual progress with customers and win-win cooperation. Providing market advantage prices, has won an excellent reputation among many customers. Service:Professional team, service first We have rich experience in international trade, professionals in the chemical industry, and a professional sales team with "one-to-one" refined service. According to your needs, we will provide you with accurate quotation and consulting services in a timely manner, and fully check your purchases. Transport:Efficient logistics and lightning delivery The company has its own fleet and has signed a number of well-known logistics companies.Provide you with fast, safe and accurate transportation. Spot:Complete variety and sufficient inventory The company currently operates more than 100 kinds of chemical products, and has barreled, bagged warehouses and liquid storage tanks in Nantong, Shanghai, Lianyungang, Changzhou, Xuzhou, and Inner Mongolia. Large storage capacity and stable supply. Q: Are you a factory or trading company? A: Yes, We are a leading manufacturer with bulk products, and produce synthesis products with our own lab and factory located in located in Xuzhou, Jiangsu Province. Q: How long have you run on export trade? A: 10 years focus on organic chemicals, inorganic chemicals, dyestuff chemicals. Q: What's your delivery time? A: Usually we will arrange the shipment in 7 -15 days. Q: How about the packing? A: Usually we provide the packing as 25 kg / bag or carton. Of course, if you have special requirements on them, we will according to you. Q: How about the validity of the products? A: We ensure that the cargoes have 100% shelf life when it delivery. Q: What documents you provide? A: Usually, we provide Commercial Invoice, Packing List, Bill of loading, COA , Health certificate and Origin certificate. If your markets have any special requirements, let us know. Read the full article

[harry-leroy]

Characters from The H6 Cycle as Things I’ve Heard on from Politicians’ Caricatures on Spitting Image

Henry VI- “Don’t you just love being in control?” *Accidentally sets his kitchen on fire*

Bonus Henry VI- “It’s all your fault, John. You let your nerves get the better of you” - “It is not my fault, Norma, it’s the fault of the nerves!”

Extra Bonus Henry VI- “It’s essential that our children learn the difference between right and wrong, good and evil, ethical and unethical, moral and immoral, concise and long-winded, short and one of those rambling sentences that goes on and on and on”

*There were so many I could have used for Henry VI honestly*

Edward IV- “If you vote for me I will scrap the poll tax, and replace it with free beer and sex”

George of Clarence- “I’m really stupid, so I’m looking for a pancreas”

Richard III- “Well I haven’t got a heart” - “Yes, but none of us have got that”

Bonus Richard III- “You did it, didn’t you?” *responds with maniacal laughter*

Richard Duke of York- “Michael, the last thing this country needs is a leadership contest!” - “Right, I’m on my way”

Margaret of Anjou- *throws darts at a picture of her political enemy and lands two darts right in the eyes*

Cecily Neville- “I just spent three years of my life conducting an inquiry proving that you lot can’t be trusted. Now, I hope I can rely on you to not leak any of this information for one whole week,”

Elizabeth Woodville- “I know the herbs are out of alphabetical order, I forgive you”

Humphrey of Gloucester- “I still have the support of my party” *crickets* “Haven’t I?” *more crickets* *cough* “Haven’t I???”

Eleanor Cobham- “Will the honorable bitch queen tell us what she did on her holiday?”

Jack Cade- “Just shut up, peasant! I-I mean comrade...”

Joan of Arc- *government leader electrocuted by Christmas tree lights* “It is a Christmas miracle after all”

Warwick- “Your other tasks are: shove off, clear off, push off, hop off, go away, go right away, shave your silly beard off, buy a new suit, get lost, and never steal my thunder again! I am the clever one!”

Prince Edward- “But I’ve worked the treasury, industry, and unemployment” - “Alright, you can stay up past your bedtime and help us”

Suffolk- “I think we should hear a woman’s voice! I-I mean... a woman voicing her opinion”

Cardinal Beaufort- “There’s far too much religion and not enough Tory politics in here”

[chess-games-news]

In our last Tumblr publication we showed a fragment of a game of ours that was published by Grandmaster Larry Evans in his Chess Life weekly chess column. Now we publish the whole game.

1980 (A28) LGJ 1-0 Saboya, Fred CXC Championship - English Opening, Four Knights Variation.

[Event "T. Temático CXC"]

[Site "Fortaleza, Ceará."]

[Date "1980.??.??"]

[Round "4"]

[White "Gentil Jr, Luiz"]

[Black "Saboya, Fred"]

[Result "1-0"]

[ECO "A28"]

[Opening "English"]

[Variation "Four Knights, Marini Variation"]

1. c4 e5 2. Nc3 Nf6 3. Nf3 Nc6 4. a3 a5 5. g3 g6 6. Bg2 Bg7 7. O-O O-O 8. d3 d6 9. Rb1 h6 10. b4 axb4 11. axb4 Be6 12. b5 Ne7 13. Qc2 Qd7 14. Rd1 Bh3 15. Bh1 Qe6 16. Bb2 Nd7 17. Nd5 Rac8 18. Bc3 c6 19. bxc6 bxc6 20. Nb6 Nxb6 21. Rxb6 Rc7 22. Qb2 Kh7 23. Ra1 f5 24. Raa6 Qd7 25. Bg2 Bxg2 26. Kxg2 Rf7 27. Rb8 e4 28. Nd4 exd3 29. exd3 f4 30. f3 fxg3 31. hxg3 Nf5 32. Raa8 Ne3+ 33. Kh2 Nd1 34. Ne6 g5 35. Bxg7 Qxe6 36. Rh8+ Kg6 37. Rxh6+ Kf5 38. g4+ Kf4 39. Qd4+ Kxf3 40. Rxe6 1-0

[tenaflyviper]

Hispanic and Latin- American Horror Films:

I wish I could have finished this list for Hispanic Heritage Month, but at least I could still get it done for October.

Sadly, this year marks the passing of beloved Brazilian horror icon José Mojica Marins (aka Zé do Caixão, or "Coffin Joe").

So, I hereby dedicate this list to his memory.

Please note: Permanent link availability is NOT GUARANTEED.  I wish I could have had more links to offer, but I’ve tried to rely only on free streaming sites (and Youtube, for short films). Tubi TV requires signing up, but it is still 100% free (and it’s also available as an app on IOS, Android, Xbox Live and the Playstation Network).  I will do my best to update links when there are changes.

Part 2

Part 3

Spanish Horror:

11-11-11 (2011) - Darren Lynn Bousman (Spanish production)

28 Weeks Later (2007) - Juan Carlos Fresnadillo

The Abandoned (2006) - Nacho Cerdà

Acción mutante (1993) - Álex de la Iglesia

Aftermath (1994) - Nacho Cerdà (CONTENT WARNING: Necrophilia)

The Ancines Woods (1970) - Pedro Olea

Ataúdes de luz (2002) - Nacho Cerdà

Anguish (1987) - Bigas Luna

Apartment 143 (2011) - Carless Torrens

The Appeared (2007) - Paco Cabezas

Arachnid (2001) - Jack Shoulder (Spanish production)

Arrebato (1979) - Iván Zulueta

The Art of Dying (2000) - Álvaro Fernández Armero

Atrocious (2010) - Fernando Barreda Luna

Atrocious (2015) - Lex Ortega

The Awful Dr. Orloff (1962) - Jesús Franco

The Baby's Room (2006) - Álex de la Iglesia

The Beast and the Magic Sword (1983) - Paul Naschy (Jacinto Molina Alverez)

The Beasts' Carnival (1980) - Paul Naschy (Jacinto Molina Alverez)

The Bell from Hell (1973) - Claudio Guerín; Juan Antonio Bardem 

Beneath Still Waters (2005) - Brian Yuzna (Spanish production)

The Blancheville Monster (1963) - Alberto De Martino

Blind Alley (2011) - Antonio Trashorras

The Blood Spattered Bride (1972) - Vicente Aranda

The Bloody Judge (1970) - Jesús Franco

Bloody Moon (1981) Jesús Franco

Blue Eyes of the Broken Doll (1974) - Carlos Aured

Cannibal (2013) - Manuel Martín Cuenca

The Cannibal Man (1972) - Eloy de la Iglesia

Un Chien Andalou (1929) - Luis Buñuel (CONTENT WARNING: EYE GORE)

Childish Games (2012) - Antonio Chavarrías

Cold Skin (2017) - Xavier Gens

The Corpse of Anna Fritz (2015) - Hèctor Hernández Vicens (CONTENT WARNING: Necrophilia; r*pe)

The Corruption of Chris Miller (1973) - Juan Antonio Bardem

Cosmética Terror (2017) - Fernando Simarro

Count Dracula’s Great Love (1974) - Javier Aguirre

The Crimes of Petiot (1973) - José Luis Madrid

La cruz del diablo (1975) - John Gilling (Spanish production)

Cthulhu Mansion (1990) - Juan Piquer Simón

La ciudad maldita (1978) - Juan Bosch

Dagon (2001) - Stuart Gordon (Spanish production)

Darker Than Night (2014) - Henry Bedwell

Darkness (2002) - Jaume Balagueró

The Day of the Beast (1995) - Álex de la Iglesia

Deadly Manor (1990) - José Ramón Larraz

Decapoda Shock (2011) (short film) - Javier Chillon

Demon Witch Child (1975) - Amando de Ossorio

Devil Hunter (1980) - Jesús Franco

The Devil's Backbone (2001) - Guillermo del Toro

The Diabolical Dr. Z (1965) - Jesús Franco

Down a Dark Hall (2018) - Rodrigo Cortés

Dr. Jekyll y el Hombre Lobo (1972) - León Klimovsky

Dracula 3D (2012) - Dario Argento (partial Spanish production)

Edge of the Axe (1988) - José Ramón Larraz

Empuso (2010) - Paul Naschy (Jacinto Molina Alverez)

Escóndete (2013) - Roque Madrid

Eskalofrío (2008) - Isidro Ortiz

Evolution (2015) - Lucile Hadzihalilovic (partial Spanish production)

Exorcismus (2010) - Manuel Carballo

Extinction (2015) - Miguel Ángel Vivas

Faceless (1987) - Jesús Franco

Fangs of the Living Dead (1969) - Amando de Ossorio

Faust: Love of the Damned (2000) - Brian Yuzna (Spanish production)

Fausto 5.0 (2001) - Àlex Ollé

Fist of Jesus (2012) - Adrián Cardona; David Muñoz

Fragile (2005) - Jaume Balagueró

From Dusk Till Dawn (1996) - Robert Rodriguez

The Fury of the Wolfman (1970) - José María Zabalza

The Ghost Galleon (1974) - Amando de Ossorio

The Glass Ceiling (1971) - Eloy de la Iglesia

H6: Diary of a Serial Killer (2006) - Martín Garrido Barón

Hannah, Queen of the Vampires (1973) - Julio Salvador 

Hatchet for the Honeymoon (1970) - Mario Bava (Spanish co-production)

The Haunting (2009) - Elio Quiroga

Hell of the Living Dead (1980) - Bruno Mattei (Spanish co-production)

Hooked Up (2013) - Pablo Larcuen

Horror en el museo de cera (1990) - Paul Naschy (Jacinto Molina Alverez)

Horror Express (1972) - Eugenio Martín

Horror Rises from the Tomb (1972) - Carlos Aured

The House That Screamed (1969) - Narciso Ibáñez Serrador

Howl of the Devil (1988) - Paul Naschy (Jacinto Molina Alverez)

Imago Mortis (2009) - Stefano Bessoni

In a Glass Cage (1986) - Agustí Villaronga (CONTENT WARNING: Just... All of it)

The Influence (2019) - Denis Rovira van Boekholt

Inquisición (1977) - Paul Naschy (Jacinto Molina Alverez)

Intruders (2011) - Juan Carlos Fresnadillo

Julia’s Eyes (2010) - Guillem Morales

Kidnapped (2010) - Miguel Ángel

Land of the Dead (2005) - George A. Romero (partial Spanish production)

The Last Circus (2010) - Álex de la Iglesia

Léonor (1975) - Juan Luis Buñuel (partial Spanish production)

Let Sleeping Corpses Lie (1974) - Jorge Grau (Spanish co-production)

Leviatán: El Juego De La Muerte (2018) - Oscar López

Licántropo (1996) - Francisco Rodríguez Gordillo

Lisa and the Devil (1974) - Mario Bava (partial Spanish production)

Lobos de Arga (2012) - Juan Martínez Moreno

The Loreley's Grasp (1973) - Amando de Ossorio

La Maldicion de la Bestia (1975) - Miguel Iglesias Bonns

Megamuerte (2014) - J. Oskura Nájera

Malenka (1969) - Amando de Ossorio

Mama (2013) - Andy Muschietti

Maneater of Hydra (1967) - Mel Welles (Spanish co-production)

Mansion of the Living Dead (1982) - Jesús Franco

The Mark of the Wolfman (1968) - Enrique López Eguiluz

Marrowbone (2017) - Sergio G. Sánchez

Mientras duermes (2011) - Jaume Balagueró

Mondo Cannibale (1980) - Jesús Franco

Monster Dog (1986) - Claudio Fragasso

Los Monstruos del Terror (1970) - Tulio Demicheli, Hugo Fregonese and Eberhard Meichsner (partial Spanish production)

Muñecas Rotas (2018) - Oscar López

Murder in a Blue World (1973) - Eloy de la Iglesia

Muse (2017) - Jaume Balagueró

The Nameless (1999) - Jaume Balagueró

Nightmare City (1980) - Umberto Lenzi (partial Spanish production)

The Night of the Devils (1972) - Giorgio Ferroni (Spanish co-production)

Night of the Rat (2015) - David R. Losada

Night of the Seagulls (1975) - Amando de Ossorio

The Night of the Sorcerers (1974) - Amando de Ossorio

The Night of the Virgin (2016) - Roberto San Sebastián

Night of the Werewolf (1981) - Paul Naschy (Jacinto Molina Alverez)

La Noche de Walpurgis (1970) - León Klimovsky

Las Noches del Hombre Lobo (1968) - René Govar

The Nun (2005) - Luis de la Madrid

Oasis of the Zombies (1982) - Jesús Franco

Omnivores (2013) - Óscar Rojo

Open Graves (2009) - Álvaro de Armiñán

Open Your Eyes (1997) - Alejandro Amenábar

The Orphanage (2007) - J.A. Bayona

The Others (2001) - Alejandro Amenábar

Painless (2012) - Juan Carlos Medina (partial Spanish/Portugese production)

Pan's Labyrinth (2006) - Guillermo del Toro

Panic (1982) - Tonino Ricci (Spanish co-production)

Panic Beats (1983) - Paul Naschy (Jacinto Molina Alverez)

Paranormal Xperience 3D (2011) - Sergi Vizcaino

Pieces (1982) - Juan Piquer Simón

Planet Terror (2007) - Robert Rodriguez (Mexican co-production)

The Platform (2019) - Galder Gaztelu-Urrutia

Presence of Mind (1999) - Antoni Aloy (Spanish co-production)

Pyro… The Thing Without a Face (1964) - Julio Coll; Luis García

[REC] (2007) - Jaume Balagueró

[REC] 2 (2009) - Jaume Balagueró

[REC] 3: Genesis (2012) - Paco Plaza

[REC] 4: Apocalypse (2014) - Jaume Balagueró

Red Lights (2012) - Rodrigo Cortés (Spanish co-production)

Red Summer (2017) - Carles Jofre

El Retorno de Walpurgis (1973) - Carlos Aured (Spanish/Mexican co-production)

The Returned (2013) - Manuel Carballo (partial Spanish production)

Return of the Evil Dead (1973) - Amando de Ossorio

Revenge in the House of Usher (1983) - Jesús Franco

Romasanta (2004) - Paco Plaza

Rottweiler (2004) - Brian Yuzna (Spanish production)

The Sadist of Notre Dame (1979) - Jesús Franco

Sadomania (1981) - Jesús Franco (Spanish co-production)

Die Schneider Krankheit (2008) - Javier Chillon (Spanish co-production)

Scream of the Demon Lover (1970) - José Luis Merino (Spanish co-production)

The Sea Serpent (1985) - Amando de Ossorio

Seven Murders for Scotland Yard (1971) - José Luis Madrid (Spanish co-production)  

Sexykiller (2008) - Miguel Martí 

The Shallows (2016) - Jaume Collet-Serra

She Killed in Ecstasy (1971) - Jesús Franco (Spanish co-production)

The Skin I Live In (2011) - Pedro Almodóvar

The Sky Is Falling (1979) - Silvio Narizzano

Sleep Tight (2011) - Jaume Balagueró

Slugs (1988) - Juan Piquer Simón

Sound of Horror (1966) - José Antonio Nieves Conde

The Spanish Chainsaw Massacre (2017) - Manolito Motosierra

Summer Camp (2015) - Alberto Marini (Spanish co-production)

Superstición (2014) - Esteban Calderín

Terror in the Crypt (1964) - Camillo Mastrocinque (Spanish co-production)

Tesis (1996) - Alejandro Amenábar

They Will All Die in Space (2015) (short film) - Javier Chillon

The Traveller (1979) - Paul Naschy (Jacinto Molina Alverez)

To Let (2006) - Jaume Balagueró

Tombs of the Blind Dead (1972) - Amando de Ossorio

The Tower of the Seven Hunchbacks (1944) - Edgar Neville

Tuno negro (2001) - Pedro L. Barbero and Vicente J. Martín

The Vampires Night Orgy (1972) - León Klimovsky

Vampyros Lesbos (1971) - Jesús Franco (Spanish co-production)

Vengeance of the Zombies (1973) - León Klimovsky

Verónica (2017) - Paco Plaza

A Virgin Among the Living Dead (1973) - Jesús Franco

Who Can Kill a Child? (1976) - Narciso Ibáñez Serrador

The Witch Affair (2003) - José Miguel Juárez

Witching and Bitching (2013) - Álex de la Iglesia

Zombie Lake (1981) - Jean Rollin and Julian de Laserna (Spanish co-production)

Mexican Horror:

24 Frames of Terror (2008) - Cristian González

El alimento del miedo (1994) - Juan López Moctezuma

Alucarda, Daughter of Darkness (1975) Juan López Moctezuma

The Bermuda Triangle (1978)

Black Circle (2018) - Adrián García Bogliano (Mexican co-production)

Blacker than the Night (1974) - Carlos Enrique Taboada

The Black Pit of Dr. M (1958) - Fernando Méndez

The Body Snatcher (1956) - Fernando Mendez

The Book of Stone (1969) - Carlos Enrique Taboada

The Brainiac (1961) - Chano Urueta

Cemetery of Terror (1985) - Rubén Galindo Jr.

Crimson Peak (2015) - Guillermo del Toro (partial Mexican production)

Cronos (1993) - Guillermo del Toro

Curse of the Crying Woman (1961) - Rafael Baledón

Curse of the Doll People (1963) - Benito Alazraki

Don’t Panic (1987) - Rubén Galindo Jr.

The Door (1968) - Luis Alcoriza

The Exterminating Angel (1962) - Luis Buñuel

El extraño hijo del sheriff (1982)

The Ghost of the Convent (1934) - Fernando de Fuentes

Hasta el viento tiene miedo (Even the Wind is Afraid) (1968) - Carlos Enrique Taboada

Here Comes the Devil (2012) - Adrián García Bogliano

The Invasion of the Vampires (1963) - Miguel Morayta

Kilómetro 31 (2006) - Rigoberto Castañeda

La Llorona (1991) - Cesar Miguel Rondon

The Mansión of Madness / Dr. Tarr’s Torture Dungeon (1972) - Juan López Moctezuma

The Man Without a Face (1950) - Juan Bustillo Oro

Mary, Mary, Bloody Mary (1974) - Juan López Moctezuma

México Bárbaro (2014) - Aarón Soto, Lex Ortega, Isaac Ezban, Laurette Flores and Jorge Michel Grau

México Bárbaro II (2017) - Christian Cueva, Ricardo Farias, Carlos Meléndez, Abraham Sánchez, Michelle Garza

Mystery of the Pale Face (1935) - Juan Bustillo Oro

Night of 1,000 Cats (1972) - René Cardona Jr.

Night of the Bloody Apes (1969) - René Cardona

Poison for the Fairies (1984) Carlos Enrique Taboada

Quiere Jugar (2020) - Adrián García Bogliano

The Revived Monster (1953) - Chano Urueta

Santa Sangre (1989) - Alejandro Jodorowsky

Satánico Pandemonium (1975) - Gilberto Martínez Solares

Scherzo Diabolico (2015) - Adrián García Bogliano

La segua (1985) - Antonio Yglesias

The Similars (2015) - Isaac Ezban

La tía Alejandra (1978) - Arturo Ripstein

Two Monks (1934) - Juan Bustillo Oro

The Vampire (1957) - Fernando Méndez

The Vampire’s Coffin (1957) - Fernando Méndez

La Verdadera Historia De La Llorona (2006) - Aurora Martinez

We Are the Flesh (2016) - Emiliano Rocha Minter (Mexican co-production)

We Are What We Are (2010) - Jorge Michel Grau

The Witch (1954) - Chano Urueta

The Witch’s Mirror (1961) - Chano Urueta

World of the Vampires (1961) - Alfonso Corona Blake

[myupostsheadcanons]

More of the Same (Halloween Franchise Edition) :

(i did one for people who were complaining about VLD, suggesting other shows to watch that did things the same or better, might as well do a list for my current obsession)

Halloween 1978:

Christine (John Carpenter and Steven King. Besides the Rockabilly music, the rest of the score is very much like Halloween)  Made in 83, but is set in 78. The visuals are very reminiscent of Halloween as well.

The Thing. John Carpenter’s remake of the classic B-movie.

Friday the 13th (Part 1) Intentionally made to be a Halloween Rip-off. The killer twist was one of the better ones, and likely more of a Psycho reference.

Those that Came Before Halloween:

Psycho. The Grandfather of Slasher Movies. Hitchcock. Has Jamie Lee Curtis’s mom Janet Lee in it.

A Clockwork Orange (Stanley Kubrick)

Carrie (more Steven King)

Dual (1971)  (Steven Spielberg)

Texas Chainsaw Massacre

Black Christmas

The Exorcist

The Omen

Rosemary’s Baby

Halloween 2 (1980):

Came out the same year as “The Empire Strikes Back”.... “Laurie, I am your brother.”

My Bloody Valentine (1981) Another “cash grab” Holiday movie. Has another killer twist ending, much like F13 and Psycho. Decent practical effects and outside of the “love triangle” the rest of the characters are pretty well done in that ‘cheesy and dated’ way.

A Nightmare on Elm Street. Debut of Freddy Kruger, bacon-man dream eater.

Alien (1979). Single location. Soulless killer. Sigourney Weaver.

Halloween 3:

An American Horror Story (TV Show). The Halloween name was going to be an anthology of different movies that were going to be loosely connected to each other. This concept wasn’t liked during an era of Slasher Movies.... HOWEVER, this concept was revived under American Horror Story, as each season is set in a new location with new characters and are loosely based on other seasons.

Halloween 4 & 5 (the “child-in-danger” movies)

The Shinning. A dad turns on his family and attempts to kill them while cooped up in a snowed-in ski and retreat lodge in Colorado. The supernatural and mysterious “shine” allows the young son Danny to see ghosts of the past.

IT (TV and Movies): Children of small town tormented by supernatural alien creature that feeds on fear and in disguise as a “friendly” clown named Pennywise.

The Sixth Sense: Child Psychiatrist trying to help his young patient with a supernatural problem. (If Loomis left a sour taste in your mouth Malcolm is more palatable) 

The Babadook. Mom is driven to her wits-end by the loss of her husband and the demands of a child with special needs. A mysterious creature called “Mr. Babadook” starts stalking the child and begins to torment the mom.

Child’s Play. Little boy gets the doll he always wanted, only for said doll to have been possessed by a murderer by voodoo magik.

The Ring. creepy child drowns in well, wants everybody to keep circulating the tapes. Mom has to save her creepy son from the ghost girl.

Halloween 6

Hereditary. A dark secret was left dangling over a family after the passing of the grandmother. The mother struggles to get over the abuse and trauma she grew up with, and at the same time cope with issues with her own children. The sins of the past return to consume their lives.

Split (more accurately: Unbreakable, Split, and Glass): A man with multiple personality distorter, one of which being a super-powered cannibalistic killer that demands “pure” women to be sacrificed. Secondary plot of one of the victims growing up living with an abusive uncle.... Glass sees a return of the characters from Unbreakable and Split, but they had been captured and institutionalized... Shyamalan twists abound, and why it is in this part of the list.

Jason Goes to Hell (Friday the 13th), made 2-years prior to H6, has a similar gimmick of Jason trying to kill off his family (a sister and niece we previously didn’t know about), bonkers dark magic, and him chasing after a baby.

Halloween: Twenty Years Later (H20)

Halloween (2018).... yes... recommending a different Halloween movie.

Scream. the movie makes a cameo in the background.

Jeepers Creepers. Killer that comes back every 20-something years.

Freddy vs. Jason. Same Late-90′s to early 2000′s problems with making horror-slasher films too camp. (Child’s Play had the same problems with Bride of Chucky and Seed of Chucky)

The Blair Witch Project (1999), the movie that killed slasher horror until Saw came out 5 years later. Why “shaky cam” took over horror and action movies.

Halloween: Resurrection

Don’t Breathe. The better version of this movie. YA’s break into this guy’s house to rob him. Only to find themselves in a Murder Home.

The Boy. Woman that is escaping from an abusive relationship is hired by an odd family to take care of a doll that they treat like their own lost son.

Unfriended. If you want more of that cyber-horror, and being a bleh movie.

The Gallows. Takes place at a school...

SAW.  why we have Escape Rooms now.

Rob Zombie’s Halloween (1 & 2)

House of A Thousand Corpses

The Devil’s Rejects

Machete

My Bloody Valentine (2009)

Texas Chainsaw Massacre: The Beginning

Nightmare on Elm Street (remake)

Friday the 13th (remake)

The Blair Witch

Rings

Halloween (2018)

The Visit. (when Shyamalan began to be good again) Kids go spend vacation with Grandma and Grandpa, only to discover something is not quite right with them.

Prometheus/Alien: Covenant. Reboot/sequels to the Alien Franchise.

The Prodigy (2019). Child genius turned sociopathic killer.

No Country For Old Men, not a slasher/horror, but Anton Sugur practically qualifies as one.

Widows. Heist action movie of vengeful angry wives.

[antifaputin2020]

Diagnósticos contraditórios,soluções ineficazes.

Por Pedro Augusto Pinho .

No domingo, 20 de setembro de 2020, o jornal O Estado de S. Paulo (Estadão), publicou, em página inteira (H6), a divulgação do livro “Internacionalismo ou Extinção”, recente obra do linguista e pensador estadunidense Noam Chomsky, que é também entrevistado na matéria “A crise segundo Chomsky”.

Os trabalhos deste linguista o colocam entre os pensadores inatistas, aqueles que aceitam condições gerais idênticas em todos os seres humanos: “as características gerais da estrutura gramatical são comuns a todas as línguas e refletem determinadas propriedades da mente” (Noam Chomsky, Linguística Cartesiana, Editora Vozes, Petrópolis, 1972).

E a consequência política desta crença é realçada na matéria de André Cárceres, no Estadão: o internacionalismo como resposta à atomização da vida, à busca por soluções particulares e deste modo formando “indivíduos isolados … vulneráveis e fáceis de controlar”.

Estas condições radicais, do tudo ou nada, têm sido frequentemente usadas neste mundo neoliberal de hoje que é corretamente atribuído às ações políticas de Margaret Thatcher e Ronald Reagan, nos anos 1980.

Mas as possibilidades não são da internacionalização ou da extinção. E são sobre estes extremos, estes radicalismos que trataremos.

O neoliberalismo criou a falsa impressão do homem herói, daquele que “se faz por si mesmo”, do empreendedor sempre vitorioso, esta figura difundida pelos meios de comunicação que englobarei no termo “hollywoodiano”.

Antes mesmo da II Grande Guerra, o “think tank” do poder estadunidense, coordenado pelos Rockefeller, colocava a comunicação de massa ao lado de outras estratégias para “substituir o Império Britânico como potência dominante. A criação das Nações Unidas foi um movimento crucial. Os irmãos Rockefeller doaram a terra em Manhattan para o Quartel General da ONU (e no processo acabaram lucrando bilhões de dólares pela valorização dos terrenos adjacentes, também de propriedade dos irmãos)”, conforme F. William Engdahl, “O asqueroso legado de David Rockefeller”, 04/05/2017, (http://www.informationclearinghouse.info/46776.htm).

Mesmo proprietários de empresas de petróleo, os Rockefeller promoveram as crises do petróleo para atacar o industrialismo, favorecendo o sistema financeiro internacional, onde também participavam com o Chase Manhattan Bank e fizeram do vice-presidente do Chase, Paul Volcker, o presidente do Federal Reserve sob o governo Carter. Este implementou o choque da taxa de juros que salvou o dólar em queda e os lucros de Wall Street, incluindo o Chase (hoje JPMorgan Chase) , à custa da economia mundial.

Esta ação foi importantíssima no Brasil para combater os governos militares, que haviam adotado a política desenvolvimentista nacionalista. E resultou na Nova República ou “redemocratização” de caráter neoliberal, mostrando a articulação para estabelecimento do novo poder mundial: da banca, ou seja, do sistema financeiro dos paraísos fiscais.

Não foi difícil trazer para este capitalismo financeiro, exclusivista, concentrador de renda, as esquerdas, especialmente aquelas com ideologias igualmente globais, de aplicação universal, e de religiões de toda humanidade.

Formou-se então a geleia geral da globalização, de diversificadas tendências e de partidos até ideologicamente opostos, mas de um único vencedor: a banca.

Esta matéria do Estadão, jornal de reconhecidas posturas conservadoras, promovendo livro de pensador considerado de esquerda, mostra bem que o lado do ganho econômico não se equivoca.

O maior prejudicado nem é citado na entrevista: o Estado Nacional. Ao ser perguntado como poderia ser defendida a democracia, responde o linguista: “educação, organização, ações apropriadas às circunstâncias”. Lugares comuns, próprios de pequenos burgueses, incompatíveis com o intelectual Noam Chomsky. Mas, em minha modesta avaliação, esta resposta já estaria elaborada na opção globalizante, universalista do pesquisador da linguística.

No entanto, malgrado toda a campanha da banca e das ideologias globais, é o nacionalismo, a atenção primeira às realidades locais, nacionais, unidas pelo sentimento da pátria, da nação que vem oferecendo as mais consistentes respostas. E a Rússia, que sofreu profundamente com globalizações e liberalismos, mostra que foi a resposta soberana, de um estado nacional, que deu melhor e mais democrática resposta. Mas, por favor, ela é exemplo para os russos. E também já deixou de ser comunista há 30 anos. O Partido Comunista russo nem está no governo, nem tem significativa aceitação popular. É um entre tantos que tem democraticamente oportunidade de defender suas ideias.

Depois dos governos militares, em especial do Presidente Ernesto Geisel, e do falecimento do Governador de dois Estados, Leonel Brizola, está vaga a posição de líder nacionalista no Brasil.

O mundo de hoje está colocado diante de problemas que exigem independência intelectual, espírito inovador, e, em especial, análises políticas que conduzam às soluções específicas, adequadas aos diversos recursos naturais e culturais de cada país.

Arriscaria afirmar que nosso problema é sobretudo político e tem sua maior dificuldade no bloqueio que a pedagogia colonial nos colocou nestes cinco séculos, sempre abertos às influências externas, raríssimas vezes, se houve alguma, buscando em nós mesmos as respostas, como foi o momento do desenvolvimentismo trabalhista de Getúlio Vargas. A Era Vargas que Fernando Henrique Cardoso, Luiz Inácio Lula da Silva e Jair Messias Bolsonaro, cada um ao seu tempo, de algum modo combateram.

A humilhação do Chanceler, do Presidente, de vários membros do Governo diante dos representantes dos Estados Unidos da América (EUA) também nos atinge, e não significa uma simples docilidade ideológica ou medo do desconhecido. É a confissão da incapacidade destes dirigentes e nossa. E nisso reside todo sentido em colocar no extraterreno, no mágico, no milagre neopentecostal parcela do governo, do poder administrativo brasileiro. Não é um comportamento teísta, nem mesmo da religiosidade tão encontradiça entre nossos irmãos; é um sinal de incompetência, de inabilidade, de se reconhecer inútil.

Outro aspecto é a hostilidade aos militares. Num governo onde os principais poderes são oriundo da banca, do hollywoodianismo e dos neopentecostais, a imputação de erros aos militares é, também, um modo de ocultar os verdadeiros responsáveis pela atual situação brasileira. Não procuro desculpar verdadeiros erros dos militares, que também os governos de Médici e Geisel, reconhecidamente nacionalistas, cometeram, mas para ressaltar os radicalismos dos tudo ou nada, do internacionalismo ou extinção.

Precisamos melhor analisar o Brasil, seu presente e sua história, dele tirar os recursos e a força para reagir, enfrentar esta dominação que degrada nossa vida e a consciência nacional.

Pedro Augusto Pinho, administrador aposentado.

[blod-stream]

Interpol's Turn on the Bright Lights in 5 minutes

This album was a mainstay for my circle of friends during high school. Its actually almost too good

She was all right because the sea was so airtight, she broke away

She was all right but she can't come out tonight, she broke away

—Stella was a diver and she was always down

When I'm feeling lazy, it's probably because

I'm saving all my energy to pick up when you move into my airspace

You move into my airspace

And something's coming over me

I see you in the doorway

I can't control the part of me that swells up when you move into my airspace

You move into my airspace

—Say Hello to the Angels

The icing on the cake to this legendary group, of course, was their impeccable fashion sense.

via pitchfork

[antequeraclassic]

MARCA: MONTESA MODELO: ENDURO 360 H6 CARACTERÍSTICAS: 349 CC., 37,5 CV, 6 VELOCIDADES, 1 CILINDRO, VERSIÓN MONTESA 67M, MATCHING NUMBERS, MISMO NÚMERO DE MOTOR Y BASTIDOR, COMPLETA, MUY ORIGINAL, PARA REALIZAR PUESTA A PUNTO Y MEJORAS, MATRÍCULA ORIGINAL (V), DOCUMENTACIÓN AL DÍA. AÑO: 1980 PRECIO: 1.300.- € MÁS INFORMACIÓN EN: https://antequeraclassic.com/inicio/almacen/montesa-enduro-360

[harry-leroy]

*cue that ‘I’m not gonna do it girl* tik tok* 

(Some of our histories favs in the 1980s H6 AU) 

[ethniccollectionworld-blog]

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.button background-color: #151b1b; border: none; color: white; padding: 15px 32px; text-align: center; text-decoration: none; display: inline-block; font-size: 16px; margin: 4px 2px; cursor: pointer; border-radius: 16px; h6 text-transform: capitalize;

[isomorphismes]

Liberty City riots. Miami. 1980.

Eli Reed

[kevinscottgardens]

20-26 January 2020

This was a busy week preparing for the re-opening of the garden with our Heralding Spring event. Beds were primped, paths raked, pots arranged, labels cleaned and kokedamas made and hung.

Our volunteer group Growing Friends spent all Friday getting their tent full of spring bulbs ready for the galanthophiles and everyone else who loves spring bulbs. One job I had this week was to assemble the bulb theatre which will house Galanthus, Iris and Narcissus over the next few weeks.

Nell made some nice woodland planters with snowdrops, fern, rocks and logs.

Friday we had a staff lunch to say goodbye to Michael, who is moving on to bigger and better things after gracing the garden for a quarter century. His proper farewell is next Friday evening, and by all accounts, it is going to be a big send off.

I am feeling much better and I finished my three weeks of antibiotics on Friday. Friday night the gas company knocked on the door, thankfully just after I finished making a delicious risotto for dinner, and had to turn off the gas. There is a big hole at the end of the street to try to fix a problem of water getting into the gas mains. It is expected to be off until Tuesday. Thankfully Ann has a back-up electric immersion hot water tank, so at least we can take hot showers, and a few electric room heaters. I was looking forward to making my favourite lasagne for lunch next week; with all the ingredients in the refrigerator and the oven being gas, means I just get to dream about it...

Plant of the week

Caprifoliaceae Lonicera elisae Franch.

common name(s) - Elisa's honeysuckle synonym(s) - Abelia adenotricha Hance; Caprifolium elisae Kuntze; Caprifolium praecox Kuntze; Linnaea adenotricha (Hance) Graebn.; Lonicera infundibulum Franch.; Lonicera infundibulum var. rockii Rehder; Lonicera pekinensis Rehder; Lonicera praecox (Kuntze) Rehder conservation rating - none native to - China location - Embankment west, accession 2017-0065 leaves - emerging spring foliage is dark purple, turning green in summer; hirsute flowers - hanging, trumpet-shaped, fragrant flowers are cream, flushed with pink, and appear from mid-winter to early spring, followed by red berries habit - deciduous, twiggy, upright, medium-sized shrub to about 2.5m tall and 2m wide habitat - mountain forests at an altitude of 500m to 1,000m. pests - usually trouble-free disease - usually trouble-free hardiness - to -20ºC (H6) soil - moist and well-drained, fertile soil sun - full sun to part shade, sheltered propagation - greenwood cuttings in summer or hardwood cuttings in autumn pruning - deciduous shrubs that flower in late winter, spring and early summer need annual pruning to encourage strong, healthy shoots and improve flowering; annual pruning also prolongs the life of these early-flowering shrubs nomenclature - Caprifoliaceae - capparis - from the Arabic, kabar الكبر, for capers, through Greek κάπαρη; Lonicera - for Adam Lonitzer (1528-86), German physician and botanist; elisae - named in honour of Elisa, the wife of the French botanist and chemist Pierre Louis François Lévêque de Vilmorin (1816–22 March 1860) who developed a theory of heredity in plants and recognized that it was possible to select certain characteristics of a plant and develop new varieties displaying the chosen characteristics, usually referred to as Louis de Vilmorin NB - first described in the nineteenth century from an herbarium specimen collected by the botanist Adrien Franchet, yet was only introduced into cultivation in the 1980s by Roy Lancaster; Cambridge University Botanic Gardens holds the Plant Heritage National Collection of shrubby Lonicera.

References, bibliography:

Cambridge University Botanic Garden [online] https://www.botanic.cam.ac.uk/the-garden/plant-list/lonicera-elisae/ [26 Jan 20]

Gledhill, David, (2008) “The Names of Plants”, fourth edition; Cambridge University Press; ISBN: 978-0-52168-553-5

IUCN [online] http://www.iucnredlist.org/search [26 Jan 20]

Plant List, The [online] http://www.theplantlist.org/tpl1.1/record/kew-2340107 [26 Jan 20]

Plants of the World [online] http://plantsoftheworldonline.org/taxon/urn:lsid:ipni.org:names:148739-1 [26 Jan 20]

Royal Horticultural Society [online] https://www.rhs.org.uk/Plants/187420/i-Lonicera-elisae-i/Details [26 Jan 20]

[jesusvasser]

Eight Standouts from the 2018 Jaguar Simola Hillclimb’s Classic Car Friday

KNYSNA, South Africa — First held in 2009, the Jaguar Simola Hillclimb has grown into one of South Africa’s premiere automotive events, with Jaguar joining starting in 2014. Over 17,000 people attended the 2018 edition, bringing much-needed revenue to the town of Knysna, which was badly battered by wildfires last June, mere weeks after the 2017 Hillclimb.

Due to a variety of factors, not the least of which is geography, South Africa’s classic car scene is a motley mix. Among the entries were plenty of Brits bearing the MG, Mini, and Lotus marque plus a grab-bag of Germans and Italians, homologation specials, and even bits of classic American muscle.

In all, 64 cars participated in the Classic Car Friday completion, from pre-war racers to air-cooled 911s and even an E34, divided up between eight classes. Many gathered in town for a show the day before the start of the event. Here are eight that stood out among the rest:

1959 Chevrolet Corvette Convertible

At first glance, this red convertible looks like any other well-kept ’59 Corvette. Give it a second look, however, and its rollbar and racing seat will send your eyebrows rising. While that could mean anything with the hood down and the engine off, the owner left the hood open during the pre-event classic car show, betraying his car’s secret: a 5.7-liter LT-1 V-8. Classic American muscle is rare in South Africa, let alone 50s Corvettes with modern engines, so this car could very well be the only one of its kind in the country. The car finished sixth in the H8 class with a time of 54.788 seconds.

1984 Ford Sierra XR8

This South African native was one of two cars that bore the standard for the 1980s, the other being a 1988 BMW 325i. A South Africa-only homologation special created for competition in Group A racing, the Sierra XR8 is powered by a 5.0-liter V-8 from the Mustang mated to a Borg Warner T5 transmission. Only 250 were made. It finished tenth in the H7 class with a time of 56.230 seconds.

1963 Ferrari 250 GTE

No proper classic car gathering would be complete without a vintage Ferrari, and here that role was filled by this 1963 250 GTE. Though the car looks good enough to sit on the lawn at Pebble Beach, Hannes Pickard instead preferred to drive it in anger up the 1.2-mile course, posting a time of 56.230 seconds, finishing fourth in its H2 class.

1979 Porsche 911 Targa RS

Along with the mandatory Ferrari were several just-as-mandatory air-cooled Porsche 911s. While the ducktailed blue-and-white 1973 911 RS Rally made a strong case for inclusion here, as did a pair of 911 RSRs (a ’69 and a ’75), my personal preference for 911 Targas meant I had no choice but to go with this 1979 911 Targa RS. It finished ninth in the H7 class with a time of 55.836 seconds.

1968 Pontiac GTO

A late-60s Goat is just as unlikely of a find in South Africa as a 50s Corvette, and yet, here was this 1968 GTO. Though the factory engine was a 400 cubic inch V-8, this one was billed as having a 6.5-liter (397-ci) one. Packing the second-largest displacement of any vehicle competing in the 2018 Simola Hillclimb, the black-and-orange Pontiac posted a time of 1:00.412, taking first place in the H3 class. It also served well as a prop for a photo-op with South African comedian Mpho Popps, who made my stomach hurt from laughter for much of the weekend.

1972 Jaguar E-Type

Just like a choice had to be made between several Porsches, a similar decision had to be made between the two Jaguar E-Types on hand—the blue ’66 and the maroon ’72. While the earlier E-Type is easier on the eyes, the edge goes to the man brave enough to race a twelve-cylinder vintage Jag—the ‘72 boasts a 5.3-liter V-12, while the ‘66 features the 4.2-liter I-6. It placed second in the H3 class with a time of 1:06.338 seconds.

1978 Alfa Romeo Alfasud Sprint The Sprint was the coupe version of the Giugiaro-styled Alfa Romeo Alfasud front-wheel drive subcompact. The car got its name from the south Italy factory in which it was built and the joint venture between Alfa Romeo and Finmecanica that built it. This ’78 Alfasud Sprint was powered by the 84-hp 1.5-liter flat-four. While that’s not much go, there’s not much for it to pull, either, as a stock sprint weighs about 2,000 pounds. The car finished third in the H6 class with a time of 1:03.856 seconds.

1972 BMW 3.0 CSL

The name BMW 3.0 CSL is one that needs no introduction to those familiar with touring car racing. Unveiled in 1972, the 3.0 CSL was a lightened version of the E9 3.0 CS made as an homologation special for the European Touring Car Championship. In all, 1,265 were made. This AC Shnitzer-worked example, was billed as having a 3.4-liter I-6 instead of the original 3.0-liter, however, which certainly helped when it came to running up the hill. He took top honors in the H7 class with a time of 48.159 seconds and fifth overall with a Classic Conqueror time of 48.062 seconds.

IFTTT

[vanlifebot]

@hashtagvanlife: RT @nissancanada: The S-Cargo being unveiled in 1987 at the 27th A1:H6 Motor Show. #TBT #Heritage #Scargo #Vanlife #1980s #LCV… https://t.co/pBKUGSJPDV

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[ushispanicministry]

Beoplay H6 Headphones

Bang & Olufsen (B&O) (stylized as BANG & OLUFSEN) is a Danish consumer electronics company that designs and manufactures audio products, television sets, and telephones. It was founded in 1925 by Peter Bang and Svend Olufsen, whose first significant product was a radio that worked with alternating current at a time when most radios were run on batteries. In 2004, the company opened a factory in the Czech Republic where it employs approximately 250 staff producing mainly audio products.

Peter Bang (1900–1957), son of Camillo Bang, a successful Danish businessman, showed great interest in radio technology from an early age. After graduating as an engineer in 1924, he spent six months working in a U.S. radio factory. Upon his return to Denmark, he teamed up with his friend Svend Olufsen (1897–1949), whose parents made the attic of their manor house in Struer in Jutland available for experiments. When they officially opened their business in 1925, Bang concentrated on the technology while Olufsen dealt with business. There were a number of successful developments in the 1930s and 1940s.

The Beoplay H9s don’t neutralize quite as much noise as Sony’s pair, but that also lends them a more natural feeling.

It was, however, many years before their business became significantly profitable. The firm suffered a huge setback towards the end of World War II when its factory at Gimsing in Struer in Northwestern Jutland was burnt down by pro-Nazi saboteurs as punishment for the management’s refusal to collaborate with the Germans.

Undeterred, Bang and Olufsen rebuilt the factory, producing electric razors until 1955, and then going on to develop a range of radio, radiogram, and television sets, later influenced by designer Ib Fabiansen when he began work for the company in 1957.

In the 1990s B&O opened dedicated B&O stores selling directly to users instead of selling through retailers. Production of audio separates was discontinued in favor of mini-type audio systems sold, as was usual for B&O, at a price higher than the industry average.

For a pair of closed-back headphones (which, mercifully, doesn’t leak out much sound at all), these do a terrific job of making music, movies, and games sound wide and expansive.

B&O has a distinctive design appeal that Wired described as quality media delivery via striking objects. Their work with radios and loudspeakers led them to value high fidelity musical reproduction uninfluenced by technological limitations; in Danish Ærlig musikgengivelse, meaning honest music reproduction. To this end, psychoacoustics was important to designing and testing B&O products.

By 1960 Bang & Olufsen had begun its foray into global markets with star designers Henning Moldenhawer and Jacob Jensen. B&O hires designers rather than directly employing them in the company. David Lewis, who became involved with B&O in 1965 then went on to design most of the company’s products after 1980. In 1978, the Museum of Modern Art in New York City held an exhibition dedicated to Bang & Olufsen designs. It is known to give its designers a lot of free rein.

It’s also been discussed that Apple’s iPod design was inspired by Bang & Olufsen’s BeoCom 6000, a wireless telephone designed by Henrik Sørig Thomsen with a wheel to scroll.

Beoplay H6 Headphones was originally published on USHM

[harry-leroy]

🌻!

(I left most of this under a cut, because it’s long ahhhh - just me going on about Shakespeare headcanons for an AU I want to happen. Thank you for allowing me the space to ramble - I appreciate it) 

My current brain project is figuring out how I would adapt a 1970s-2000s H6 Cycle, and yes - I won’t shut up about it on here because the Henry VI plays are my favorites for forever and all time (they were the reason I made this blog in the first place, so... you know). 

I’ve thought to myself again and again... is this even worth thinking about? Trying to mesh the 1440s-70s with the 1970s-2000s might look incredibly messy in reality, which is fair. It might be information overload, also fair. But besides being aesthetically entertaining for me to think about (can you imagine the costumes? Like... I need someone with artistic ability to draw a 70s punk rock Joan of Arc), I feel like this production would raise questions about leadership and party in-fighting. Most of my research thus far (in this little project to keep my brain entertained in the times of furlough and productivity limbo) has been around the 1990s. “Weak” and “ineffective” are adjectives repeatedly thrown onto both Henry VI and John Major, and for pretty similar reasons: both were too nice, they couldn’t make decisions because they were trying to keep everyone in their respective governments happy. While the relationship between these two figures is not one for one, it does have me interested in the implications of indecisive leadership. 

The English Shakespeare Company staged Henry VI Parts I and II in 1990, part one being a combination of Shakespeare’s 1H6 and 2H6, while part two was 3H6, which is how these plays are normally staged if not each done separately. They had somewhat of an Edwardian flavor to them, but the comparisons between Margaret of Anjou and Margaret Thatcher were there (played by the kickass June Watson). The comparisons are valid, and I feel like would color my production as well. Thatcher and Major were pretty well linked in the 80s, but the 90s saw a fizzling and estrangement to their relationship, just like Henry and Margaret by the end of 2H6 and start of 3H6, and I feel like I would want that to inform their characters in the adaptation. I highly recommend giving those ESC plays a watch if you haven’t yet - one of my favorite H6 productions, I won’t lie. (I linked them up at the top of the paragraph). I also think that these productions prove that a modern H6 Cycle can be done, and it can be done well. 

I’ve also been watching a ridiculous amount of Spitting Image, which was a satire puppet show television series that aired from 1984 to 1996 in Britain. I originally found the show a little over a year ago while researching about British quiz culture (University Challenge’s host Jeremy Paxman was frequently featured on Spitting Image), but I recently rediscovered it while taking a class on modern Britain this semester. While watching some of the earlier clips I couldn’t help but feel that millionaire MP Michael Heseltine might be a good inspiration for Richard, Duke of York. Frequently shown as a suave, but manic politician thirsting for power, Heseltine and York seem to be pretty good fits for one another. It can also be said that how John Major was depicted on that show has many similarities to Henry VI - a bit clumsy (but in an endearing way), constantly stressed and overwhelmed, indecisive, one without much control over his party. 

My brain has no idea what to do with the York brothers, but more research will hopefully get us there. My instinct is to connect them with the new Labour government of 1997, but I’m not sure if it’ll totally work. I’ll get back to you on that. There’s obviously still a lot to work out, but I would really like to see a production like this at some point. (Thank you for allowing me to ramble! ahhh)