#1967 Charlotte

[littlequeenies]

#ericclapton #charlottemartin at the Seventh National Jazz & Blues Featival, Royal Windsor Racecourse, August 13, 1967

Photo and caption by https://www.instagram.com/clapton_was_god

[littlequeenies]

July 3, 1967 issue. Source

𝐂𝐡𝐚𝐫𝐥𝐨𝐭𝐭𝐞 𝐌𝐚𝐫𝐭𝐢𝐧 𝐟𝐨𝐫 𝐐𝐮𝐞𝐞𝐧 𝐌𝐚𝐠𝐚𝐳𝐢𝐧𝐞 (𝟏𝟗𝟔𝟎𝐬) ❀

[pixiedeadbeat]

Charlotte Rampling, 1967

[agelessphotography]

Charlotte Rampling, San Tropez, Helmut Newton, 1967

[pop-art-sixties-seventies]

Charlotte Rampling, 1967.

[littlequeenies]

Charlotte Martin on the left.

PETTICOAT MAGAZINE 1967 - Triple Stripes

© Sandra Lousada

[heavensdoorways]

Charlotte Perriand, Door from Les Arcs, Savoie, France, 1967,

Lacquered wood, aluminum,

72⅞ h × 24⅝ w × 1¼ d in (185 × 63 × 3 cm)

[ludmilachaibemachado]

Charlotte Rampling, 1967🌸🌸🌸

Via @isabelfutre on Instagram🌸

[thislovintime]

Peter Tork in Charlotte, North Carolina, on July 11, 1967; photo by Elmer Horton. (Previously posted alongside an onstage photo from this same day in another post.)

"Next Peter Tork comes in. But Peter doesn’t just enter the room. He bounces in, the string of little bells around his neck jingling. He is grinning and he has a guitar swung across his shoulder. Barefoot, he has on white bell bottoms, a suede shirt and a necklace of beads and shells. He’s got a good heart, that boy. He is in there upholding the Monkees’ image for humor and candor and trying to entertain the two girls. He talks — to everybody in the room — the photographer, the girls, his manager, me. 'Hi, welcome. Do you play the guitar? I can tell you do. You are looking at my guitar.' He plays several songs, sings and whistles, but when one of the announcers claps he stops playing and says, 'Don’t do that. You separate us by applause. You make me the performer and you the audience. You applaud and you’re saying, ‘Oh, that was very nice. What else can you do?’ Who needs that?
 You shouldn’t applaud. You should just join in and dig. Just glow. I pick up on flows.'" - The Charlotte News, July 12, 1967

[littlequeenies]

Both model Charlotte Martin (pictured in 1967, first by Robert Whittaker) and actress Jane Asher (pictured in 1968) had a similar wide-winged hat, as it was a 1960s fashion trendy, in different colours and with different accessories added

Squared jacket + wide-winged hat

60s English model Pattie Boyd and Tina had similar clothing tastes in these three photos, as we can see both wearing a similar squared jacket although the pattern is a little bit different, and we can see both of them wearing the same style of wide-winged hat, Pattie's is dark and Tina's was white.

[hibiscusbabyboy]

[littlequeenies]

I'm Dreaming of a White Christmas┃Intro Magazine (1967)

I'M DREAMING OF A WHITE CHRISTMAS [1967]

White⎯smooth, soft or furry⎯is this party season's big news! Whether you're at a grand occasion or a friend's tea party, white stands out serenely, the perfect foil for sparkling gold and silver accessories. Here, dresses for parties large and small...and white is news in capes with lovely fur trimmings. So go white⎯steal the Christmas scene.

Left to Right: DREAMY angora knitted dress, 10½ gns., Fifth Avenue, Oxford Circus, London W.1. Silk scarf, Indiacraft, 12s. 11d.. Watch and strap, 77s. 6d., Trendsetter, at Miss Selfridge, Duke Street, London W.1. Blue Strap Shoes, 99s. 11d. (also available in beige) from Roland Keith, Oxford Street, London W.1. DREAMY Victoriana dress, 6½ gns., Radley (also available in turquoise and beige) from Denise, Oxford Street and Zanie Boutique, Duke Street, London W.1. Heavy gilt chain. 1gn., Adrien Mann, from Marshall & Snelgrove, Oxford Circus, W.1.

Left to Right: DREAMY watered velvet party dress with thick lace collar. 6½ gns., Ginger Group (also available in black and bottle green) from Bazaar, the 21 Shop, and Way-In, Knightsbridge, London S.W.3. Satin shoes (Belinda) £5 19s. 6d., by Elliott, from all main branches of Elliott, or by mail from Elliott, 3 Botts Mews, London, W.2. Fur muff bag, 49s. 11d., St. Bernard. DREAMY angora dress with silver stripes, 12gns., Neatawear. Bracelets, Adrien Mann. All gorgeous presents from Liberty's. 

Left to Right: DREAMY fur-trimmed wool cape, 14gns., Harbro at Miss Selfridge, Duke Street, London W.1. Red watch and strap, 4½ gns., Paris House, South Molton Street, London, W.1.. Coney muff, 49s. 11d., St. Bernard. DREAMY high collared wool cape, 6½ gns., Raymond of London, at Fenwick, Bond Street, London W.1. Beret, 10s. 6d., Kangol. Cable-stitch twinset (under cape), 79s. 11d., Etam. Flannel skirt, 49s. 11d., Bobby Cousins. Frosted beige and grey stockings, 12s. 11d., Sunarama Lurex trimmed sweater, 32s. 11d., Bobby Cousins. Goat rug, from Liberty's.

IMAGE CREDITS & LINKS

All content scanned and transcribed by Sweet Jane from an original issue of Intro Magazine, December 9th, 1967. The Models and photographers were uncredited, but i'm pretty sure that the girl photographed on the left is the French model Charlotte Martin, now an artist.

From @sweetjanespopboutique blogspot

[izzythehutt]

The biggest consistent lie that Pride and Prejudice adaptations tell (yes, even the one you like) is that Mr. Darcy is stiff, diffident, joyless, whatever.

That is not the personality of the character in the book. The dude is consistently described as smiling in the first half of the novel. In fact, I would guess he's the smiliest of Austen's heroes, or a close second to Knightley or Edmund Bertram. He's not "chatty", but when he engages Elizabeth he's usually described as doing so with a smile on his face. Combine that with the arch exchanges they have, his proposal becomes way less shocking.

Him actively resisting the attraction he feels is what makes his behavior obscure to the characters in the novel who suspect his partiality (so, Charlotte.) Caroline Bingley can see his interest immediately and actively try to sabotage it by fanning the flames of disapproval. The fact that Elizabeth doesn't see his growing feelings for her is meant to be proof of her prejudicial attitude in regards to him, not...evidence that he's a socially awkward weirdo.

I guess this is one of those adaptational choices that people just decided to make to en masse because we no longer live in a culture where there's so much formality, politeness and reserve in manners that it's plausible for a woman to hate a man who loves her and them both to be so restrained they misinterpret one another.

The 1967 TV serial might be the only one where he actually smiles for the first half of the story (as he does in the novel!)

[literaryvein-reblogs]

Writing Prompt: The First Lines

Choose one of the first lines of these literary works and either create a new poem/story, or continue rewriting the story...

Happy families are all alike; every unhappy family is unhappy in its own way. —Leo Tolstoy, Anna Karenina (1873)

If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. —J. D. Salinger, The Catcher in the Rye (1951)

In my younger and more vulnerable years, my father gave me some advice that I've been turning over in my mind ever since. —F. Scott Fitzgerald, The Great Gatsby (1925)

It was a bright cold day in April, and the clocks were striking thirteen. —George Orwell, Nineteen Eighty-Four (1949)

It was a pleasure to burn. —Ray Bradbury, Fahrenheit 451 (1953)

It was a queer, sultry summer, the summer they [electrocuted the Rosenbergs], and I didn’t know what I was doing in New York. —Sylvia Plath, The Bell Jar (1963)

I was born twice: first, as a baby girl, on a remarkably smogless [Detroit day of January 1960]; and then again, as a teenage boy, in an emergency room near [Petoskey, Michigan, in August of 1974.] —Jeffrey Eugenides, Middlesex (2002)

Mama died today. Or yesterday maybe, I don’t know. —Albert Camus, The Stranger (1942)

Many years later, as he faced the firing squad, [Colonel Aureliano Buendía] was to remember that distant afternoon when his father took him to discover ice. —Gabriel García Márquez, 100 Years of Solitude (1967)

"Where's Papa going with that ax?" —E. B. White, Charlotte's Web (1952)

If this writing prompt inspires you in any way, please tag me, or send me a link. I would love to read your work!

More: The Last Lines (pt. 1) ⚜ (pt. 2) More: Writing Prompts

[hayaomiyazaki]

as i mentioned last week, i have refreshed about 300gb of content on my public googledrive 😙

an overview of most of what i added...

features

Olivia (1951) dir. Jacqueline Audry 🇫🇷🏳️‍🌈

A Child Is Waiting (1963) dir. John Cassavetes 🇺🇸

Thoroughly Modern Millie (1967) dir. George Roy Hill 🇺🇸

Personal Best (1982) dir. Robert Towne 🇺🇸🏳️‍🌈

Threads (1984) dir. Mick Jackson 🇬🇧

How to Get Ahead in Advertising (1989) dir. Bruce Robinson 🇬🇧

Salaam Bombay! (1988) dir. Mira Nair 🇮🇳

Romuald et Juliette (1989) dir. Coline Serreau 🇫🇷

And Life Goes On… /ㅤزندگی و دیگر هیچㅤ(1992) dir. Abbas Kiarostami 🇮🇷

Clean, Shaven (1993) dir. Lodge Kerrigan 🇺🇸

Wittgenstein (1993) dir. Derek Jarman 🇬🇧🏳️‍🌈

Butterfly Kiss (1995) dir. Michael Winterbottom 🇬🇧🏳️‍🌈

The Portrait of a Lady (1996) dir. Jane Campion 🇺🇸🇬🇧

Still Life / 三峡好人 (2006) dir. Jia Zhangke 🇨🇳

The Lives of Others / Das Leben der Anderen (2006) dir. Florian Henckel von Donnersmarck 🇩🇪

Syndromes and a Century / แสงศตวรรษ (2006) dir. Apichatpong Weerasethakul 🇹🇭

Lust, Caution / 色, 戒 (2007) dir. Ang Lee 🇺🇸🇨🇳🇹🇼

Liverpool (2008) dir. Lisandro Alonso 🇦🇷

The Secret Diaries of Miss Anne Lister (2010) dir. James Kent 🇬🇧🏳️‍🌈

Tabu (2012) dir. Miguel Gomes 🇵🇹

No (2012) dir. Pablo Larraín 🇨🇱

The Blue Room / La Chambre bleue (2014) dir. Mathieu Amalric 🇫🇷

P'tit Quinquin (2014) dir. Bruno Dumont 🇫🇷

Still the Water / 2つ目の窓 (2014) dir. Naomi Kawase 🇯🇵

Paris 05:59: Théo & Hugo (2016) dir. Olivier Ducastel, Jacques Martineau 🇫🇷🏳️‍🌈

The Breaking Ice / 燃冬 (2023) dir. Anthony Chen 🇨🇳🇸🇬

Do Not Expect Too Much from the End of the World / Nu aștepta prea mult de la sfârșitul lumii (2023) dir. Radu Jude 🇷🇴

Scrapper (2023) dir. Charlotte Regan 🇬🇧

Kneecap (2024) dir. Rich Peppiatt 🇮🇪

documentaries

Night and Fog / Nuit et brouillard (1956) dir. Alain Resnais 🇫🇷

Chronicle of a Summer / Chronique d'un été (1961) dir. Jean Rouch, Edgar Morin 🇫🇷

In the Rearview / Skąd dokąd / Звідки куди (2023) dir. Maciek Hamela 🇵🇱🇺🇦

Christopher Eccleston Remembers… Jude (BBC, 2024)

Mick Jackson Remembers… Threads (BBC, 2024)

Joan Bakewell Remembers… Bette Davis at the NFT (BBC, 2024)

television

Love in the Big City / 대도시의 사랑법 (2024) 🇰🇷🏳️‍🌈

Wolf Hall (2024) 🇬🇧

books

William S. Burroughs – Queer (1985) 🇺🇸🏳️‍🌈

Claire Keegan – Small Things Like These (2021) 🇮🇪

[60sfactorygirl]

Charlotte Rampling photographed by John d Green (Birds of Britain, 1967).