#1963 is just the best year

[javelinbk]

Hello! I was wondering, what are your top 5 sexiest John vocal performances?

Well, anon, you raise an interesting question… but also a very difficult question. There are far too many to choose from!

But since I turn into a puddle of fangirl goo every time I hear a John song from 1963, here are some of my favourite 1963 John vocals

5. Anna (Go To Him)

There is a theme in my John-vocal love, and it normally involves lots of sad yearning combined with a bit of sexy growling. May I present to you, Anna (Go To Him) (with added sexy pleghm)

(special mention for George’s ‘Aaaanna’ backing vocals, which are not particularly sexy, but are nice and spooky)

4. You Really Got a Hold on Me

He doesn’t like you, but he loves you? Did someone say ‘enemies to lovers’?

3. Money (That’s What I Want)

Your lovin’ gives him a thrill, but your lovin’ don’t pay his bills (hey Johnny - find someone who can do both)

2. Baby, It’s You

Everyone wants John to sing this about them, right? I love the combination of how soft his voice is and then the screaming before the ‘Baby, It’s You’ lines. Also a big fan of the ending (‘Don’t leave me all alone, come on home’)

1. This Boy

This boy would be happy just to love you, need I say more?

Honourable mentions

“I’ll say ‘I love you’” from Ask Me Why

Just after they cock up the end of Please, Please Me, the laugh and then growl in John’s ‘come on’s

The end of I Got a Woman when it sounds like at least one person should be stripping (also the laugh in his voice on the ‘woman’s place’ lines)

‘Keep your haaaaands off my baaAAAby’

‘Well, you call me your baby! When you’re holding my hand’

To Know Her Is To Love Her is the swooniest, but he sounds too sad to be sexy

The entirety of Twist and Shout - talk about sexy phlegm! The fact that he’s shirtless and sweaty while singing is only slightly to do with it

Thank you anon!

[jellyfishsthings]

WARNINGS: this is quite angsty...no actual smut happens just a tiny scene. Also I messes around with some scenes so I feel like it doesn't follow the storyline in the series... that's about it... (should a do a part 2?) part 2 here, part 3

He was nursing a long drink of whiskey on ice as he stared at the blank wall. The year was 1963, and he was currently sitting on a lousy couch in Dallas. The apocalypse was going to take place once again mere days away. He felt bone tired, no one around him understood the stakes and the pressure he was under. He got out of his jacket a black and white photo. A young woman in her early twenties had a huge smile plastered on her face, her head was slightly cocked to the side and loose hair from the messy bun that rested at the top of her head framed her beautiful face. She seemed radiant, her eyes were crinkled from her smile and she seemed like a goddess to him. A piece of heaven that he left behind.

“Who's that?” Klaus whispered in his ear and Five jumped from the sudden sound and he glared at his brother. Out of all his siblings, Klaus was the only one who would understand him. “She is beautiful.”

“She is my wife.” Five said quietly. His voice was soft and colored in an emotion that Klaus couldn't recognize.

“Your what?”

“Are you deaf? I said she is my wife, or at least she was.”

“What happened?”

Five had been at the Commission for several years. After a failed experiment he had turned back to his twenty-year-old self. He had heard whispers of the Scarlet Angel all around him, everyone seemed to talk about his rival, especially in his presence. It was supposed to be the deadliest assassin of the Institution besides him. One gray day he was called into the Handlers office. That was when he saw her for the first time. A tall woman was seated on a chair, her beautiful face turned towards him as he entered the room. Five had never been one to find in someone's physical beauty but at the moment their eyes met he could swear that his heart skipped a beat.

Their first assignment together had been such a success, that they were stuck together permanently. Throughout the following years, Five found himself falling for her harder every day, with every word she said, with every laugh she caused from him, the way she always had his back and defended him whether she agreed with his actions or not. Their fights were the best thing that ever happened to him, she always found ways to leave him speechless, with her smart comebacks, the way she was animated when she got angry, her hands flew around her, her face got angry red and her hair bounced with her movements. He had never seen someone look so exquisite when they were yelling at him. She made him feel alive, adrenaline coursed in his veins. She always got the better of him. She was so… infuriating. On one of those occasions he finally had enough.

He grabbed her face and smashed their lips together to silence her. She was breathless when he distanced himself from her. Her eyes were wild and her hand flew to his cheeks, slapping him. Before leaving him frozen on his spot. They were supposed to be undercover as a married couple at the gala of their target. They had been discussing tactics and strategies when things escalated.

With a deep breath, he tried to calm himself down and headed back towards the ballroom, searching for his supposed wife. They stayed together all night, dancing and acting like a couple. It seemed natural to him to be this way with her. Having her in his arms, and showing her off. Finally a few minutes shy of dawn, they tiptoed towards a huge room where their target hid diamonds. Diamonds they were going to steal after killing him, so the crime would seem like a robbery gone wrong. Just at the last corner, they were almost caught. Five quickly hoisted her up before he pinned her to a wall and he placed his face on her neck. Her skin flashed and her heartbeat was rapid beneath his mouth.

“Play along.” He whispered sweetly to her skin but she was shocked by his actions. So he had no choice. He sucked at her pulse point receiving an immediate reaction. Her legs drew back on his hold, her back arched, her eyes closed and her lips released a quiet breathy moan. At that moment he knew he was already addicted to her. He couldn't hold himself back any longer. He bit and sucked on her neck and her hands tangled into his hair as she tugged at the short strands on the back of his head. She was moaning in his arms and her hips rolled against his. He raised his knee and she started riding his leg shamelessly. He wanted to be inside of her or he was going to burst. He wanted to shut her smart mouth so it would no longer fire comebacks at him. He unbuckled his belt and lowered his pants before pushing her underwear to the side and he waited for a confirmation to continue. She could ask him to kneel, to beg and he would gladly do so. Just to steal one moment with her.

A loud bang echoed through the walls and they snapped out of their daze. But the damage had already been done. Their partnership had been blown to proposition forever. And the rest was history.

Several years later, and many happy years together after being married in secret. It happened, their big bang, the thing that embodied the doom of their relationship. Five had always been a pessimist, even in his early childhood. He was a firm believer in Murphy's law, which stated that when something could go wrong in a situation, always expect it to go wrong. They had traveled in Germany during the Second World War. Five posed as one of the ranking officers in Auschwitz as his wife was expected to do the same. Only, she had been compromised and now she was one of the prisoners. The terrible labor that she endured every day was the thing that would plague him for years to come. After completing their mission and several wounds later they managed to get back to the safety of their home.

“Why didn't you listen to me?” Five snap in frustration and terror. His hands shook as he tried to stitch a big guss on her stomach. She looked paper thin, her bones were visible and her veins along with her arteries stood prominent against her pale skin that lost its color.

“I did. I disagreed with your plan either way. And we had to do something drastic. I took a risk and I lost. It happens.”

“And did it have to happen in one of the most terrifying places that ever existed on this Earth?”

“Snap out of it. You would have done the same. And always where we are atrocious things have happened. So you don't get to lecture me. I am my own person. I made a call and it happened to be wrong. But if I hadn't done that we would have eventually failed this mission. And you don't get to lecture me when you have done nothing but be untruthful to me since the moment this started.”

“Wh- what are you talking about?” Five whispered, his voice quivered with unshown emotions. He could see the inevitable impact between them before his eyes, he had just hoped he could have a few more moments with her. A few more minutes, a few more hours, days, or years. Anything really.

Her eyes were hard and full of hatred. She pulled herself to her feet. The pain that consumed her must have been blinding. The open wounds leaked with blood that stained her skin. She moved towards her coat where she retrieved a dark green notebook and she slammed it against their kitchen table, before placing her hands on her hips and firing a challenging look towards him.

“You know I want to get back to my family, sweetheart.”

“Don't sweetheart me. These equations are only for one person. So is there something you want to tell me, dear husband of mine?”

“Please let me explain…”

“Explain what? That this meant nothing to you? You are an egoistic son of a bitch Five. And I am done with you. And you know why? You made the mistake of placing a date when you started. Our wedding date. You have already shown your true colors. You can leave now. And you can take this, I don't need it any longer. Either way, it was fake and it meant nothing to you.” She said before throwing her wedding ring at him. It thudded against his chest and he caught it mid-air, as he watched her walking away from him and slamming the door of their bedroom in her way. He stood frozen in his place. It was done. The one thing that made him feel alive, the one thing that made him happy left him. He lost it under his own hands. The same night, he left a letter behind him before he traveled back in time, back to his family. To them, he seemed a shy seven years older than when he disappeared. But they didn't know about the two things he carried with him from his last life. Her picture in the breast pocket of his smart jacket and her wedding ring on his collarbones as it hung from a golden chain, both hidden from the world.

“Five. That is just … I don't know what to say.”

“Then don't. It is already hard to think about her.”

“How long has it been since -”

“Six years, eight months and twenty days. My early attempts to get back to you weren't really successful.” He whispered as he toying with her ring. It was gold and smooth to touch, his name had been engraved on the inside. It had been a blast to convince the person who made them that his name was actually Five. And he smiled at the fond memory.

“Will you ever see her again?”

“I don't know. The selfish part of me wishes that, but another part of me knows that it is better this way. Because she is free and safe from me. Klaus, if you don't mind … no more talk please.”

Klaus looked at the pained expression on his brother's face. He had never heard him utter the world “please”, at least not to him. So he simply nodded and stayed with him in silence before their peace was disturbed by their reality.

words: 1.781

[i-like-writing-stuff]

grateful [ five hargreeves x reader ]

“Fancy seeing you here,” You crossed your arms, trying to act natural as the boy before you eyes you curiously.

“In front of the CIA headquarters?” Five mimicked your posture, “Jee, Y/N, fork spotted in the kitchen. What are you doing at my work place?”

You sighed, trying to fight back the urge of rolling your eyes. You were lying to yourself if you wanted to say that Five’s sarcasm actually annoyed you. After all, it was one of the traits you loved about him- surprisingly. You hated to admit it, even to yourself, but even if you were actually waiting for him to talk business, you never once missed an opportunity to meet him.

Especially if you weren’t surrounded by your noisy family. The Hargreeves siblings became your family by choice, and as much as you loved each and every single one of them, you couldn’t help but appreciate deeply the one on one time you got to spend with Five.

“I just got off the phone with Luther,” You said, putting your hands in your pockets, “Viktor got kidnapped, Five.”

As soon as those words eat your lips, you saw Five’s expression go from cocky to shocked, to worried and then to shocked once again. You hated you had to be the one to break these news to him, after six years of peace where all of you managed to live normal lives. You hated that you had to see him worried again for his family’s safety, but you had no other choice.

You all had to reunite to save your loved one.

“I’ll drive,” Five nodded, already realizing that the gang would have to get back together.

You and Five met during the JFK mission in 1963, when both of you were working for the Commission. You only heard of him around the work place, but never actually worked together. The Handler assigned you both for the first time to get the assassination done, but one thing led to another and you accidentally woke up in 2019, in your teen body, alongside him.

The rest is history.

As you got into his car, you watched him as he started the engine in silence. He was deep into thought, obviously worried half to death about his brother. You were as well, since Viktor was his first sibling you warmed up to, and honestly it felt surreal that he was in danger again, after six years.

Six years where nothing, and quite literally nothing out of the ordinary happened. After your third attempt at stopping the apocalypse and the Hargreeves losing their powers, you all moved on with your lives, keeping in touch now and then. All nine of you went separate ways, rebuilding your lives. Allison was back to acting, Klaus was finally sober, Diego and Lila were a family with kids, Viktor was running a bar and Luther was working somewhat as an astronaut. Key word, somewhat.

Five became a CIA agent and you were running a marketing agency, so you really only saw the family on holidays or random gatherings. You and him kept in touch the most. You were happy to say that he was your best friend, but sad that nothing more went on. If you were supposed to be together, you would have been by now.

After all, there was this drunken kiss you shared on the night of Luther’s wedding.

“Shut the fuck up, Hargreeves!” You giggled, pointing a finger m at him, “I respect Delores, I swear I do, but I do not understand why in the world she would put up with your ding dong face, honestly.”

“Oh, spare me the reverse psychology in which your jealousy lays, Y/N,” Five smirked, softly waving away your finger in his face.

You were the only ones left on the dance floor, intoxicated over the safe limit. After the whole family went to sleep, the two of you were still left quite energized. You didn’t know if it was because you were sixty year olds back in your teen bodies, or simply too drunk to realize how hyperactive you were, but you were not about to end the night any time soon.

You couldn’t exactly pinpoint the moment you fell in love with Five, but he definitely could write an entire book of how he grew feelings for you. It all happened at such a slow pace, how could he not? When he first met you in 1963 at the Dealey Plaza, he was immediately taken aback by your quick wit and intellect. He also didn’t think someone who looked so sweet and elegant, like the grandma who would take her grandchildren all the time to fancy restaurants and then bake fresh cookies for them at home, could also be a trained assassin, ready to fight off three people at once wearing dresses and heels.

It was love at first sight for him.

Then, when you kept Delores safe from Hazel and Cha Cha, he realized just how big your heart was. He was completely blown away by the way you held onto the mannequin with one arm, while dodging attacks incoming from both of them.

There was also this moment in 1963 when you held him in your arms after he went on a spree, taking out the entire board of the Commission.

He was so infatuated with every single action of yours, so deeply and intensely in love it was actually pathetic to him, to some degree. Now, as his hands were firmly gripping your waist, swaying your hips in sync to the melody on the speakers, all he wanted to do was feel your lips on his, for a first and last time.

“What’s on your mind?” You asked, as your arms were wrapped around his neck. You didn’t know when you got so close to one another, it was all just so natural.

“Ironically enough, you,” He scoffed, making you roll your eyes;

“Only you could make such a romantic comment and at the same time make me want to stomp on your face, Five,” You said amused, shaking your head in disbelief.

Five laughed, looking into your eyes. In his drunken state, he was not thinking rationally as he usually did anymore. He didn’t know for certain if he’d make it out of the apocalypse this time, and after the two attempts at saving the world, the regret of not tasting you was finally getting to him.

He moved his hands up your sides, resting them on your cheeks at last. Rubbing your face gently, Five leaned in to capture your lips, tasting the alcohol you shared all night. You were relieved to finally feel his touch you so deeply craved over the months spent together, pulling him even closer, as if that was possible.

That led to nowhere, unfortunately, as neither of you ever mentioned it again. Like little stupid kids, all these years you both assumed that the other didn’t remember that part, since no one ever brought it up ever again.

“Viktor will be fine, Five,” You broke the silence, watching as his knuckles turned white while gripping the steering wheel, waiting for the green light.

“I just forgot how fucking stressful all this shit was,” Five sighed, letting go, but not looking at you yet, “So stupid.”

“Hey,” You placed a hand on top of his, “We will rescue him and go back to our lives before, okay? Who knows, maybe it’s not even that serious- maybe it’s just some misunderstanding or a real easy mission. We stopped the apocalypse three times, I think some amateur kidnapping will be a walk in the park, okay? Besides, maybe by the time we get there, Viktor will have already handed their asses to each other.”

Five scoffed amused. You did always manage to be the voice of reason in his life whenever the over-thinking got the best of him.

You didn’t have any idea just how grateful he was for you.

[sir-kettle-of-countertop]

So, I saw a post circulating here about the “extinction of birds in 2023“, with this picture attached

My, what a bold claim! All these poor birdies, “went extinct” in just one year alone? Why would such an outrageous, depressing and catchy claim be spread around? Let’s fact check it.

All the species listed, Bachman’s wabler (Vermivora bachmanii, 1988 or 1980s), Kāmaʻo or large Kauaʻi thrush (Myadestes myadestinus, 1989 or 1987), Bridled white-eye (Zosterops conspicillatus, 1983 and 1983), Kauai ʻakialoa (Akialoa stejnegeri, 1969 or 1960s), Kauaʻi ʻōʻō (Moho braccatus, 1987 and 1987), Kauaʻi nukupuʻu (Hemignathus hanapepe, 1899 and 1899), Maui ʻakepa (Loxops ochraceus, 1988 and 1988), Kākāwahie or Molokaʻi creeper (Paroreomyza flammea, 1963 and 1963), Maui nukupuʻu (Hemignathus affinis, 1896* and 1996 ) and Poʻouli (Melamprosops phaeosoma, 2004 and 2004) are all, indeed, either extinct or possibly extinct, according to IUCN Red List of Threatened Species and U.S. Fish and Wildlife Service.

What are the dates after the scientific names? Well, those all are *last sightings* per IUCN Red List and USFWS accordingly. So, these birds were not seen for DECADES and in one case FOR MORE THAN A GODDAMN CENTURY. And sure as hell there is NO information about them very suddenly being gone all last year.

What’s the deal then? Where did this claim even come from? Well, likely from this article "21 Species Delisted from the Endangered Species Act due to Extinction" from U.S. Fish & Wildlife Service. It includes all the birds in the picture (with the last date of sight, listed above).

From the article: “The U.S. Fish and Wildlife Service is delisting 21 species from the Endangered Species Act due to extinction. Based on rigorous reviews of the best available science for each of these species, the Service determined these species are extinct and should be removed from the list of species protected under the ESA. Most of these species were listed under the ESA in the 1970s and 80s and were in very low numbers or likely already extinct at the time of listing.”

They didn’t ALL fucking suddenly drop dead all in the same year – if they did, as some other people have already pointed out, there would be an uproar EVERYWHERE. Ornithologists alone would not let it live down. They were officially delisted from endangered status by U.S. Fish & Wildlife Service that year, there was a proposition to do so back in 2021, too. Some were already declared extinct before by IUCN.

Despite not being seen for so long, they remained on the list of critically endangered for a long while, cause you cannot just immediately declare a species extinct. There’s no RTS unit amount number that goes to 0 once there’s nothing left; people keep checking for them over and over and over again. Sometimes it turns out that a species previously thought to be extinct is actually still out there. Attenborough's long-beaked echidna for example was last sighted SIXTY YEARS ago before being sighted again in 2023. It was thought to be extinct for a while, before 2007, when signs of its activity was spotted again. More often than not though, a species turns out to be actually very extinct, unfortunately – like in this case. I cannot possibly know if the creators of this picture, or people that spread it on social media ever had good intentions behind it for awareness, however even if they did, it turned out to be nothing but very blatant misinformation, with a fearmongering effect. The only thing this achieves is not awareness of habitat destruction or pernicious tourist influence or climate change or what have you – the only thing this achieves is despair and panic. People already so casually fall into complete doomerism, they’re very used to hear bad news. And guess what doomerists do? Typically nothing. It renders people helpless. It’s not gonna make people get up and be ready for action, it, at best, would just make people feel sad and/or angry, or at worst, feed into the current alarming rise of ecofascism. NOTHING good comes out of this. At the very goddamn least, no one needs to lie to promote a goal.

The aim of the USFWS article, on the other hand, IS to make people aware about those animals that are already gone from the face of the planet, no matter how long ago, and that now we have to protect those animals that are critically endangered and still out there – to not have to repeat those tragedies.

Be very critical of what you see on the internet, especially if it’s sited with no sources. Especially-especially if it causes a strong emotional reaction. Lies and misinfo could only hurt the cause, no matter how noble. And please, be aware of your local wildlife status. Check in with it accoding to trusted sources.

[*sic, possibly a typo and it was meant to be 1996, other confirmed date listed there is 1989] Addendum: I could not for sure find the uncredided (who woulda thunken that ppl that don't cite their sources would also not credit the artists) author(s) of the bird illustrations. If someone finds them, please, let me know! Edit: Huge thanks to moosefinch for finding the sources for the artwork! I'll add their contribution below:

"Image sources!

The Kauai ʻakialoa, Kauaʻi ʻōʻō, Maui ʻakepa and Kauaʻi nukupuʻu are from Birds of the World.

The "Maui nukupuʻu" and "Molokaʻi creeper" illustrations are also Birds of the World, but are actually a female Kauaʻi nukupuʻu (the other being the male) and Laysan honeycreeper/Laysan ʻapapane respectively.

The bridled white-eye is by Lauren Helton according to this source.

Bachman's warbler is by Lynn Hawkinson Smith/smithhouse2 according to this Etsy listing.

The Poʻouli is by Christina Czajkowski."

[20th-century-man]

Elizabeth Montgomery / production still from William Asher’s Johnny Cool (1963)

I posted this about 3 years ago, but this is a nicer version... And just a little info, William Asher was Elizabeth Montgomery's third husband; they married in 1963. Mr. Asher was a prolific director in TV during the 1950's but he was probably best known for making a series of beach movies (Beach Blanket Bingo, etc.) in the 1960's.

[txttletale]

how would you recommend watching doctor who? there are so many different guys idk how it works.

so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.

the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.

if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.

anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.

another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.

there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.

finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.

so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:

rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth

but i want to start with classic who because i'm a contrarian

alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:

an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.

spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.

if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.

i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.

finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:

spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child

all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned

[wheelsgoroundincircles]

1963 Chevrolet Corvette Sting Ray

1963 Chevrolet Corvette Sting Ray

1963 Chevrolet Corvette Sting Ray

Let's celebrate the year 1963, when the Corvette Sting Ray first hit the streets and redefined American sports cars!

The 1963 Corvette, also known as the C2, introduced a completely new design that still turns heads today. With its sleek, aerodynamic shape and powerful performance, it quickly became an icon.

Here are some highlights of this classic masterpiece:

Design: The 1963 Corvette featured the now-iconic split rear window, a design element unique to this model year. Its sharp, angular lines and hidden headlamps gave it a futuristic look.

Performance: Equipped with a range of powerful engines, including the 327 V8, the '63 Corvette delivered thrilling performance. The introduction of independent rear suspension significantly improved handling.

Some say this model year is not just the best-looking Corvette ever made, but the best CAR. What do you think?

[foone]

annoying chronomancer who keeps dropping references in casual conversation to shit you don't understand. when asked about it, it turns out it's a movie that won't come out for 400 years and not in this universe anyway. when you can bend time and multiversal space to your will, pirating interdimensional anachronistic cable is trivial, so you end up consuming a lot of media that no one else will have seen or heard or felt or tasted.

You go over to their house for a party and they've got some other chronomancers over and they're all watching a sranga (it's like anime, but from quellistan (which is off the coast of west africa, just not in this timeline)) and it's from 1472 (Yeah that timeline invented animation real early!) and all the subtitles are in binary, but instead of 1 and 0 they're using 4 and 8? also they say some of the highlights on the characters can't be really enjoyed unless you can see ultraviolet. don't worry, by 2076 everyone will have that gene therapy to widen the range of their personal visual spectrum.

chronomancers are such jerks. Anyway the whole point of this is that even though this happened back in 1963, your chronomancer "friend" complains about that "ideas are bulletproof" speech from V for Vendetta. That's why they got one of their magical pistol buds to help them out, and she invented an Armor-Piercing Anti-Ideological Rifle. You ask why they would do this, and they said they were just so tired of everywhere playing the same 5 songs by The Silver Jimmies. You say you've never heard that band, are they from the future? No, they formed in 1958, and became the #1 best selling musical artist in 27 countries. You ask what timeline, and they say this one. At least, until they got their new rifle.

again, chronomancers can be jerks.

[somethingusefulfromflorida]

Little Shop of Horrors takes place sometime in the early 60s, but it's hard to pin down the exact year. A radio broadcast mentions President Kennedy, so that narrows it down to 1961, 1962, or 1963. During the song Feed Me (Git It), one of the offers Audrey II waves in Seymour's face is a "guest spot on Jack Paar." Jack Paar hosted the Tonight Show from July 29, 1957 to March 30, 1962. The opening line of the movie says that the events took place on the 23rd day of the month of September, so if we assume Jack Paar was still on the air when Audrey II mentioned him, then 1962 and 1963 are off the table, meaning is has to be 1961, right? Well, after Seymour kills Mr. Mushnik allows Audrey II to kill Mr. Mushnik, we get a short montage of offers and contracts and magazine covers to establish that Seymour's star is rising. One of the covers is a TV Guide for the week of October 6 - 12.

October 6th was a Sunday in 1963, not 1961, so that complicated things until I googled existing TV Guides and learned that they don't start the week on Sunday, but Saturday instead.

April 23 - 29, 1983 (Saturday to Friday) December 27, 1980 - January 2, 1981 (Saturday to Friday)

October 6 - 12 was a Saturday to Friday in 1962.

If we assume Audrey II just pulled the first famous talkshow host name it could think of regardless of whether or not he was still on the air, then 1962 remains our best bet because in the director's cut ending where the plants take over the world there's one shot of Audrey II bursting through a movie theater marquee advertising Jason and the Argonauts, a Ray Harryhausen movie which premiered June 13, 1963.

Little Shop of Horrors starts on September 23, 1962.

Seymour gets his face on the cover of Life and the TV Guide the following month.

Audrey II would hit store shelves just in time for Christmas, spreading around the country faster than hula hoops and the Twist, taking over the world sometime in the new year.

[fuckyeaharthuriana]

My favorite arthurian movies (part 1/3)

More details (and youtube links for the less known movies) under cut. Some of these I love, some are so bad so good, some are beautifully epic, some are just funny.

Knights of the Round Table (1953): Visually beautiful, epic-like, interesting Morgana and Mordred. Lovely Guinevere. Focused mainly on Lancelot.

The Sword in the Stone (1963): Classic Disney movie, heart warming, still funny moments nowadays.

Sword of Lancelot (1963) (youtube): Visually beautiful romance story between Guinevere and Lancelot, one of my favorite Mordred ever too.

Camelot (1967): Musical movie version of the Broadway musical. Beautiful visually, heart-breaking story, great acting, one of my favorite arthurian movies. Focused on Guinevere, Lancelot and Arthur and the tragedy of it.

Monty Python and the Holy Grail (1975): The best arthurian movie ever created. Parody of the quest for the Holy Grail.

Excalibur (1981): A classic epic arthurian movie. Focuses on Arthur and then moves its focus on Merlin and Morgana. Beautiful fighting scenes and Camlann scenes.

Camelot (1982) (youtube): Camelot musical but this time filmed from the stage, so it has some extra scenes.

Morte d'Arthur (1984) (youtube): Lesser known Jeremy Brett movie focusing on Arthur's last years, on Guinevere's escape and return and on Mordred's betrayal. Narrated like a play, with narration over filmed scenes instead of dialogue.

Merlin and the Sword (1985) (youtube): So bad so good, accidentally hilarious. It focuses on Morgana vs Arthur, Guinevere's love, Merlin and it also has the only movie representation of Gawain and Ragnelle.

[hotvintagepoll]

Propaganda

Shima Iwashita (Goben no Tsubaki)—Shima Iwashita was THE leading lady of Shochiku (one of the 3 major movie studios in Japan) for over 16 years, including the entirety of 1960s. She's been two-time winner of the Blue Ribbon Awards for Best Actress and the winner of the Japanese Academy Award of actress in a leading role in 1977. Famously known in Japan as the actress best suited to wearing kimono, Iwashita often played elegant, strong-willed, and sometimes vengeful female characters. She is particularly adept at portraying women's independence and self-reliance, as well as their delicate inner feelings, and has portrayed a number of sentimental and individualistic women in her many period and contemporary dramas. Her talent was discovered by Yasujirō Ozu, one of the world's greatest filmmakers, who told Shochiku executives at the time, "She is an exceptional talent who comes along only once in a decade." Ozu cast her as the female lead in his final film An Autumn Afternoon before he died of cancer in 1963. Now at the age of 83, she is as beautiful as ever.

Grace Kelly (Rear Window, High Society, Dial M for Murder)—The literal princess of Hollywood (she retired at 26 to become princess of Monaco), her name said everything about why she was so hot. She carried herself with a grace and elegance you just don't see anymore. Her voice was sultry without being overbearing, and she had the ability to be sweet but suggest a deep sensuality at all times.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Shima Iwashita:

Grace Kelly:

flawlessly beautiful and a literal princess

Her facial structure? Flawless. Her eyes? Stunning. Her hair? Gorgeous. Her style? Immaculate. Every second she’s on screen, she just exudes this elegance and sophistication. It’s no wonder she ended up marrying a prince. But she’s got this mischief in her eyes that is compelling.

She was so elegant, so beautiful and perfect I could cry for real. A fairy disguised as a woman.

the most beautiful of Hitchcock's "icy blondes". elegant, glamorous, she left hollywood to became an actual princess, I mean, COME ON

she's so pretty and refined and elegant! I'm pretty sure taylor swift's blonde hair red lip look is modeled partly after her

She's just so elegant, look at her all dressed up like a Barbie doll in the latest fashions. There's a quiet dignity about her.

Not only was she princess of Monaco she also is Stéphanie de Monaco's mother and yeah, vote for her she's soooo pretty That red dress in Dial M.... hot damn

To me, she is the first and only blonde. She earned it. Paired with Edith Head's costume design she is unstoppable. I dare anyone to watch her as Lisa Carol Fremont in Rear Window and not be completely blown away by her hotness.

SHE IS SO PRETTY AND FASHIONABLE!! Not only that but she has an alluring aura to her in whatever film I've seen her in! Rear Window is just one of my personal favorite films she was in, especially for her costumes in that. And how many actresses can you say was a princess consort in addition to being a famous leading lady?

[javelinbk]

The Beatles recreate Paul McCartney’s ‘collapse’, as reported in newspapers, including the Daily Mail. Plymouth, 13th November 1963 - part 3 (part 1, part 2, part 4, part 5) (x)

[brimleysbears]

(Featured media: Burl Ives and Rock Hudson - from The Spiral Road, 1962)

"Fan" fiction erotica - "Hollywood Confessions: My Date With Big Daddy"

Post 4 of 4

Epilogue:

A Horny Old Bull

To conclude, I was in fact on the pill, after all, it was 1963; therefore no, I didn’t begat a cute little chubby Ives child, although sometimes I wish I had. Although that man could be a bit of a creep at times, like most men I suppose, I’ll never forget that night with Big Daddy. In fact, as much as it was embarrassing, there were other reasons why I kept that story to myself after all these years. I admit, that was the most fun I’ve ever had with a man. Sometimes I question whether I was head over heels in love with that big old brute.

As much as I wanted to see him again, I found out soon afterwards that he had actually scheduled all of those men to see him that night with the intention of not telling me, while planning on having sex with me, in order for the meetings to coincide with his coitus. I never found out exactly why he did that, and if it was his intention to use me or not. I was angry for a season and never wanted to see him again after that, but looking back, I regret not seeing him more times. I would have liked to get all of his seed in me and looked at him face to face the entire time that he had his climax. I would have liked to try other things with him, and maybe even be his mistress when he was working in Hollywood. The more I learned about what probably did happen, was that he was proud to seduce a young dancer like myself, and although I don’t like to be someone’s ‘bragging rights’, in a way I felt honored. One of the older ladies at the Manhattan cocktail party said, “sounds to me like he was just trying to get those businessmen off his back and find ways to taunt them.”

As I spoke to my girlfriends late that night, finishing my story, one of the women remarked that, perhaps that lonely old man being away from home needed a special companion, and not another ‘high-profile figure’ like himself? As we talked, one of the more educated ‘uptown’ ladies said, “if you ask me, like a lot of men in show business those days, he was desperate to try to prove that he was a heterosexual; in a similar way they constantly had to deliver proof they were not some kind of communist as well. After all, Mr. Ives worked closely with a lot of queers like Tennessee Williams and was even filmed naked along side a half-naked raging fag, Rock Hudson, just a year or so before your ‘encounter’. Although I might say there’s probably a little pink in his blanket, Big Daddy sounds like a man who was not ‘light on his feet’, in fact, quite heavy handed like your story implied, which I found to be most intriguing. I think you’ve not only made a believer out of all of us in the room, I wouldn’t be surprised if some of us are going to start chasing after men like Sebastian Cabot – you’ve certainly piqued my curiosity about a kind of man I would have not previously considered and for that, I am indeed charmed.”

But it was another lady who might have had the best explanation: “did you ever consider the fact that although Big Daddy was a bit of a sex symbol in the 50’s, that Burl Ives in the 60’s was starting to get typecast too much in children’s and family shows to the point where the public was referring to him as asexual? If I were him, I’d want to prove to my collogues that I was a fully functioning sexual person with sexual needs and abilities. After a while, no matter what he said, chances are, his peers didn’t believe him until he found a way to show proof that he had a thriving sex life.” Maybe they were all correct. Maybe he was just another creep. Maybe he was someone really special. I do cherish those memories, and I still keep his private calling card with me in my purse all these years.

The End.

Copyright 2024 BrimleysBears

Feel free to share posts, however please copy only with permission, thanks, BB

Part 1

https://www.tumblr.com/brimleysbears/743973229412106240/featured-media-burl-ives-from-the-spiral-road?source=share

Part 2

https://www.tumblr.com/brimleysbears/743962348439666688/featured-media-burl-ives-from-the-spiral-road?source=share

Part 3

https://www.tumblr.com/brimleysbears/743868840199536640/featured-media-burl-ives-from-the-spiral-road?source=share

Part 4

https://www.tumblr.com/brimleysbears/743867190420307968/featured-media-burl-ives-from-the-spiral-road?source=share

[muzaktomyears]

In 1980 Peter Brown, a former assistant to Brian Epstein who later ran Apple Corps, managed the Beatles and was best man at John Lennon and Yoko Ono’s wedding, started work on the definitive account of the Beatles. With the American author Steven Gaines, he spoke to the three surviving band members alongside wives, girlfriends, managers, friends, hangers-on and everyone else in the Fabs’ universe. The book promised to be the last word in Beatles history. Then in 1983 The Love You Make was published, and all hell broke loose.

“They were furious,” recalls Gaines, 78, still sounding pained at the memory. “Paul and Linda tore the book apart and burned it in the fireplace, page by page. There was an omerta, a code of silence around the Beatles, and they didn’t think anyone would come forward to tell the truth. But Queenie, Brian Epstein’s mother, told us above all else to be honest.”

“Even she didn’t think we would be quite so honest,” adds Brown, 87, his upper-crust English tones still in place after five decades in New York.

Why did The Love You Make, retitled by Beatles fans as The Muck You Rake, incite such strong feelings? The suggestion of an affair between Lennon and Epstein on a holiday to Barcelona in April 1963, only three weeks after the birth of Lennon’s son Julian, had something to do with it, but more significantly it was taken as a betrayal by a trusted insider. Brown and Gaines locked the recordings in a bank vault and never looked at them again — until now.

“Very good question,” Brown says, when I ask why he and Gaines have decided to publish All You Need Is Love, an oral history made up of the interview transcripts from which The Love You Make was drawn. He is speaking from the Manhattan apartment on Central Park West where he has lived since 1971. “When [Peter Jackson’s documentary] Get Back came out, a journalist from The New York Times wanted me to talk. I told him I hadn’t talked about the Beatles since the book was published and suggested he go to someone else. He said, ‘There isn’t anyone else. Paul, Ringo and you are the only ones left.’ And I thought, do I have a responsibility to clear it all up, once and for all?”

After the death of Epstein in 1967, Brown assumed the day-to-day responsibilities of managing the Beatles and Apple Corps. He had on his desk a red telephone whose number was known only to the four Beatles. Unsurprisingly, given his insider status, the interviews make for fascinating reading. Paul McCartney, yet to be asked the same questions about the Beatles thousands of times over, is remarkably unguarded. Asked by Gaines if the other Beatles were anti-Linda, he replies: “I should think so. Like we were anti-Yoko.” On the image the Fabs had for being good boys on tour, he says, “You are kidding,” before going on to reference a notorious incident involving members of Led Zeppelin, a groupie and a mud shark, concluding: “No, not in the least bit celibate. We just didn’t do it with fish.”

Ono, speaking in the spring of 1981, not long after Lennon was killed in December 1980, reveals that she didn’t sleep with Lennon for the first two years of their relationship — “John didn’t know how to make a move” — and claims that she was blamed by the Beatles camp, George Harrison in particular, for getting Lennon onto heroin in 1969. “Everything we did in those days, anything that was wrong, was my responsibility,” she tells Gaines. But everyone, from the Beatles’ notorious late-period manager Allen Klein to the Greek electronics wizard/hustler “Magic” Alex Mardas — “the Mordred of the Beatles’ Camelot” according to Brown — has their own version of events.

Going through the transcripts reminded Gaines of the long shadow cast by Lennon. “I didn’t realise how sensitive the other Beatles were to John’s opinion,” he says, speaking from his home in the Hamptons, Long Island. “Paul worried about what John would say [in the event Lennon died before being interviewed] and was still longing for his friendship. George said that John didn’t read his autobiography because it was called I, Me, Mine. Those interviews were done before John’s death and Paul’s heart was broken, even then. It wasn’t just the break-up of the Beatles. It was more personal than that.”

From around 1968, the transcripts reveal how the key Beatles duo started to come apart. McCartney’s enthusiasm was only getting stronger. But Lennon grew increasingly bored and disillusioned. “You have to remember that John wasn’t in love with his wife Cynthia,” Gaines says by way of explanation. “He wanted to get away from the life he was leading and that’s why he started to experiment with drugs, all the way up to heroin.”

Brown says Ono was, and probably still is, a distant, mysterious character, exactly the kind of person Lennon was looking for, having done the right thing and married the sensible, quiet Cynthia after she discovered she was pregnant with Julian in 1963. “John told me about meeting this woman, and how frustrated he was that he couldn’t get to know her better; he couldn’t take her to lunch because it would cause gossip. I gave him the key to my apartment so he and Yoko could be together in private and thought, naturally, they were going there to f***. When I went home that evening, the apartment was untouched. They did nothing more than sit on the sofa and talk. That’s what they wanted: to know each other.”

Regarding the long-held, unfair suggestion that Ono broke up the Beatles, Gaines says: “Yoko came along at the right moment to light the fuse, but the dynamite was already packed. They resented her, she was difficult to understand and had a deep effect on John, but they were getting more and more unhappy with each other and needed to have their own lives. As people in the interviews say again and again, [the split] was bound to happen.”

It was Brown who in May 1968 introduced McCartney to Linda Eastman, an ambitious young American photographer whom he knew from his business trips to New York, when she came to London on an assignment to shoot the Rolling Stones. “I was having dinner with Paul at the Bag O’ Nails [a club in Soho] when she turned up, so I introduced them and he was obviously taken with her,” Brown recalls. “The following Friday, May 19, we were holding a party for 12 top photographers at Brian Epstein’s house in London when she walked in. Paul says I didn’t introduce him to his wife … but I did.”

If the book has a villain it is Klein, the New York accountant who took over management of the Beatles and sacked everyone around them, much to McCartney’s horror. As Brown puts it: “He was a hideous person. He even looked like a crook: sloppy and fat, always wearing sneakers and sweatshirts. Everything he didn’t like was ‘for shit’.”

You wonder why Lennon fell for him. “The interviews suggest it is because Allen Klein offered Yoko a million dollars for her movie project,” Gaines says. “She was enticed and John would do anything Yoko said.”

“I asked Mick Jagger to come over and explain to the four Beatles who this Allen Klein was,” Brown remembers. “And John, in his wonderful way, had Klein turn up to the same meeting, which was deeply embarrassing. It made Mick very uncomfortable too.”

Epstein, the man who saw the Beatles’ potential in the first place, is a central figure in All You Need Is Love. It includes a transcript of a recording of him from 1966, not used for the original book. It was in the possession of Epstein’s attorney Nat Weiss, and seemingly made by Epstein to mark the end of the Beatles’ final tour. He claims not only that Lennon felt remorse for the infamous comment on the Beatles being bigger than Jesus — “What upset John more than anything else was that hundreds of people were hurt by that” — but that the Beatles would tour once more. “There’s no reason why they shouldn’t appear in public again,” Epstein claims. They never did, unless you count that rooftop performance on January 30, 1969.

“Brian was driving them around the north of England in his car for a year,” Brown remembers of the early days. “This Jewish guy from Liverpool, who was gay, was with these guys who had been hanging around in Hamburg, so both had interesting backgrounds. They understood each other.”

For Gaines, a self-described “gay Jewish boy from Brooklyn”, Epstein is at the heart of the story. “Brian never felt the love of a real relationship. Then he found the Beatles. Everyone thought it would be just another of his phases, but he had tremendous feelings for John, both sexual and intellectual, and that’s what really pushed him. If there was one thing that started the whole thing off, it was Brian’s love for John Lennon.”

That love affair was the contentious issue of the original book. In his interview, McCartney says of Lennon going to Spain with Epstein: “What was John doing, manipulating this manager of ours? Sucking up to him, going on holiday, becoming his special friend.” It wasn’t the suggestion of a homosexual relationship that was troubling McCartney, but the balance of power tilting in Lennon’s direction.

“Paul wanted to be in charge, and he deserved to be because he was the motor, the driving force,” Gaines says. “Paul felt that John would steal away the power. He felt threatened by John’s relationship with Brian.”

“Paul always wanted to be active,” Brown adds. “After Brian’s death the world had to be carried on. Who was going to do that? It wasn’t going to be John, George or Ringo. Brian was my best friend and I was very upset [at his death]. I had to go to the court to convince the magistrate that it wasn’t a suicide, and the following day Paul set up a meeting so we could discuss what we would do next. I said we’d do it next week, and he said, ‘No, it has to be now.’ He was right.”

How did Brown and Gaines feel about the horrified reaction to the book, not just from fans but the Beatles themselves? “The world has changed,” Gaines says, by way of answer. “Now, after all these years, hopefully people can see it as a truthful, loving and gentle book.” It has been decades since Brown spoke to the surviving Beatles and he has not contacted them about this new publication.

What the interviews really capture in eye-opening detail is the story of four young men who became a phenomenon, then had to deal with the fallout as the dream ended. On December 31, 1970, the day McCartney sued the other three to dissolve the partnership, Brown handed in his resignation as the Beatles’ day-to-day manager and officer of Apple Corps. Ringo Starr said to him: “You didn’t want to be a nursemaid any more, and half the time the babies wouldn’t listen to you anyway.” Brown moved to New York and became chief executive officer of the Robert Stigwood Organisation. But the Beatles never fully left him, and in the wake of Get Back — and the news that Sam Mendes is to direct four biopics, one on each Beatle — he decided he had one last job.

“We have finished our responsibilities,” Brown says with quiet authority. “It is the end of the story.”

EXTRACTS

‘It’s like bloody Julius Caesar, and I’m being stabbed in the back!’

Paul McCartney on the Beatles signing Allen Klein as manager against his wishes

[John Lennon] said, “I’m going with [Allen] Klein, what do you want to do about it?” and I kind of said, “I don’t think I will, that’s my roll.” Then George and Ringo said, “Yeah, we’ll go with John.” Which was their roll. But that was pretty much how it always ended up, the three of them wanted to do stuff, and I was always the fly in the ointment, I was always the one dragging his heels. John used to accuse me of stalling. In fact, there was one classic little meeting when we were recording Abbey Road. It was a Friday evening session, and I was sitting there, and I’d heard a rumour from Neil [Aspinall, road manager] or someone that there was something funny going around. So we got to the session, and Klein came in. To me, he was like a sort of demon that would always haunt my dreams. He got to me. Really, it was like I’d been dreaming of him as a dentist. Anyway, so at this meeting, everyone said, “You’re going to stall for ever now, we know you, you don’t even want to do it on Monday.” And I said, “Well, so what? It’s not a big deal, it’s our prerogative and it could wait a few more days.” They said, “Oh no, typical of you, all that stalling and what. Got to do it now.” I said, “Well, I’m not going to. I demand at least the weekend. I’ll look at it, and on Monday. This is supposed to be a recording session, after all.” I dug me heels in, and they said, “Right, well, we’re going to vote it.” I said, “No, you’ll never get Ringo to.” I looked at Ringo, and he kind of gave me this sick look like, yeah, I’m going with them. Then I said, “Well, this is like bloody Julius Caesar, and I’m being stabbed in the back!”

‘You don’t like to see a chick in the middle of the team’

Paul McCartney on Yoko Ono

Give Yoko a lot . . . that was basically what John and Yoko wanted, recognition for Yoko. We found her sitting on our amps, and like a football team, an all-male thing, you really don’t like to see a chick in the middle of the team. It’s a disturbing thing, they think it throws them off the game or whatever it was, and these were the reasons that I thought, well, this is crazy, we’re gonna have Yoko in the group next. Looking at it now, I feel a bit sorry for her because, if only I had been able to understand what the situation was and think, wait a minute, here’s a girl who’s not had enough attention. I can now not make this into a major crisis and just sort of say, “Sure, what harm is she doing on the amps?” I know they would have really loved me. You know, we didn’t like Yoko at first, and people did call her ugly and stuff, and that must be hard for someone who loves someone and is so passionately in love with them, but I still can’t — I’m still trying to see his point of view. What was the point of all that? They’re very suspicious people [Lennon and Ono], and one of the things that hurt me out of the whole affair, was that we’d come all that way together, and out of either a fault in my character, or out of lack of understanding in their character, I’d still never managed to impress upon them that I wasn’t trying to screw them. I don’t think that I have to this day.

How Cynthia Lennon was driven to drink — at an ashram

Alexis ‘Magic Alex’ Mardas on Ono’s love letters to Lennon

Alexis Mardas was also known as Magic Alex, a name John bestowed on him because he was so taken with Alex’s inventions. Alex was handsome, charming, and a charlatan. (He sued The [New York] Times in Britain for calling him a charlatan and settled out of court. He’s dead now.)

[The Maharishi] was fooling around with several American girls. The Maharishi was making all of us eat vegetarian food, very poorly cooked, but he was eating chicken. No alcohol was allowed in the camp. I had to smuggle alcohol in because Cynthia wanted to drink. Cynthia was very depressed. John was receiving letters from Yoko Ono. Yoko was planning to win John. She was writing very poetic and very romantic letters. I remember those letters because John was coming to me with the letters, and Yoko was saying to John that “I’m a cloud in the sky, and, when you read this letter, turn your head and look in the sky, and if you see a small cloud, this is Yoko. Away from you but watching you.” Poor Cynthia was prepared to do absolutely everything to win John. She was not even allowed to visit the house where John was staying. She was longing for a drink. Now, drinks, they were strictly prohibited in the ashram, but when it was discovered that Maharishi had a drink, I said, “Just a second, at least equal.”

‘He’s become so nasty’

George Harrison on reaching out to John Lennon

What’s wrong with John, he’s become so nasty. It sounds like he hasn’t moved an inch from where he was five or six years ago. I sent Ringo, John, and Paul all a copy of my book. I got a call from Paul. He called me up just to say how much he liked it. I shouldn’t have called it I Me Mine, because that title was a bit much. I sent a copy to John. I’m wondering if he’s actually received it, if he’s received it, he probably doesn’t like it or something offends him about it.

‘I told John that ... it was just a nice feeling’

Yoko Ono advising John Lennon how to take heroin

George said I put John on H, and it wasn’t true at all. I mean, John wouldn’t take anything unless he wanted to do it. When I went to Paris [before I met John], I just had a sniff of it and it was a beautiful feeling. Because the amount was small, I didn’t even get sick. It was just a nice feeling. So I told John that. When you take it properly — properly is not the right word — but when you really snort it, then you get sick right away if you’re not used to it. So I think maybe because I said it wasn’t a bad experience, maybe that had something to do with it, I don’t know. But I mean so, he kept saying, “Tell me how it was?” Why was he asking? That was sort of a preliminary because he wanted to take it, that’s why he was asking. And that’s how we did it. We never injected. Never.

‘It was time’

Ringo Starr on the end of the Beatles

Ringo Starr: Well, I’m pleased it happened because in so many ways, I’m glad it’s not going now. It was time. Things last only so long. Steven Gaines: The Rolling Stones are [still] going. Ringo Starr: Yeah, but they’re old men.

(source)

[asahicore]

enhypen masterlist

lee heeseung.

*how to get back at your ex - f2l, coworkers au, fluff, smut (mdni) - 19.9k

When you catch your boyfriend of four years cheating on you on the day of your anniversary, your first reflex is to get black-out drunk by yourself at a bar near your place. There, you run into your colleague and close friend Heeseung, and together, you come up with a plan to get back at Sunghoon for what he did. But as you carry out your pranks with Heeseung, you realize that maybe, what they say about love is true - sometimes, it is right there in front of you, patiently waiting for you to recognize to it.

hey, heeseung! - best friend's brother au, fluff, angst and smut (mdni) - completed series [3/3]

Your longstanding crush on Heeseung only quadruples in size when he comes home from his first year of university, looking better than he's ever had - and in your eyes, that's saying something. Tension builds between the two of you over the summer, until it inevitably explodes. The catch? He's your best friend's brother.

park jongseong.

*all i see is gold - academic rivals to lovers au, fake dating au, college au, fluff, slight angst and smut (mdni) - 27.1k

Pretending to be your number one rival's girlfriend to please his parents isn't how you would usually spend a Thursday night, but you really owe Jay a big one this time. You'd sworn this was just a one-time thing - and yet when his parents ask you to come again, the word 'yes' is out before you can stop it. Before you know it and much to your dismay, your feelings for Jay start to change, and you're in too deep to backtrack.

fast forward - very tame e2l, high school au, 99% fluff! - 26.6k

After yet another romantic disappointment in the form of one Jake Sim, you go to the well you’ve always believed to grant wishes and ask for your one and true love to appear. That night, you go to sleep in your bed but wake up in a strange house. When you head downstairs, you find a man washing the dishes and telling you your favorite meal is waiting on the table for you. You’ve spent hours glaring at the back of that head, you could recognize it anywhere—it belongs to none other than Park Jongseong, your high school sworn enemy... and future husband, or so it seems.

sim jaeyun.

kiwi and layla - high school au, s2f2l, fluff, angst - part of the unexpected collab - 26.3k

After a test, you mistake Jake’s backpack for your own and you each go home with the other’s bag. Both of you are too curious for your own good, so you quickly find out that you excel in the subject the other is failing - ensues a mutual tutoring agreement that turns into much more than what you expected.

bad news first - college au, childhood f2l, fluff, smut (mdni) - 23k

From the moment you'd met at eight to the day he moved to South Korea at fourteen, you and Jake were inseparable. But after years of being apart, you've come to terms with the fact that at twenty, you and Jake just aren't what you used to be. That is until you get a text from him, and all of a sudden, he's back by your side, doing his year abroad at the university you study at, and all your feelings for him float back up to the surface.

park sunghoon.

moonlight - dirty dancing au, s2l, fluff, angst, smut (mdni) - 32.2k

In August 1963, your monotonous summer vacation becomes a lot more exciting when you meet a group of dancers that work as the entertainment staff of the resort you and your family are staying at. Your fascination with them, and particularly dancers and close friends Sunghoon and Chaewon, pushes you to help them out by taking Chaewon's place at another hotel's show when she's unable to dance. The week you spend with Sunghoon as he teaches you to dance and the events thereafter give you a lot more than the ability to mambo.

*we'll always have this summer - summer au, s2f2l, fluff, angst, smut (mdni) - 25.9k

Your mom ruins your summer plans by sending you to the equestrian center your grandmother owns in the south of France, wanting you to spend some time away from the city and take a break from your med studies. Although you’d been determined to spend the worst time ever there, you soon find out that maybe the cold but cute horse nerd next door who doesn’t want to talk to you might actually turn this summer into the best one of your life.

*cherry pits - dilf!hoon, s2l, neighbors au, summer au, smut (mdni) - 12.9k

Your alarmingly empty bank account forces you to find a last-minute summer job so that you can afford a trip with your friends. The extremely handsome customer that comes into the store just happens to be a young single dad who’s renovating the old house next to yours. The tension that settles between the two of you as you start helping him fix up his house soon becomes unbearable, but it’s all one-sided anyway, right? (Spoiler: wrong.)

*real me, real you - fake dating, high school au, slight e2l, slight love triangle, fluff, angst - 22.9k

You’re your school’s popular pretty smart girl, but with a twist - you lead a completely different life at home, where you are messy, lazy and foul-mouthed. Only your family and best friend Sumin know about this, until Park Sunghoon, of all people, finds out. The resident cold and arrogant heartbreaker of your school decides to blackmail you into doing his biddings - but you can’t say no, not even when he asks you to be his fake girlfriend, otherwise he’ll ruin your reputation. But as you and Sunghoon get closer, you realize that maybe he’s not so bad after all, and you may be more similar than you'd originally though - all while your old childhood friend Jay watches from the sidelines.

*stupid in love - best + childhood friends 2 lovers, summer au, angst, smut (mdni) - 22.1k

One night early on in your summer vacation, your best friend Sunghoon admits that his biggest anxiety about starting college is going there as a virgin - one thing leads to another, and you end up learning a few things from each other. The more time passes, the more obvious it becomes that your feelings for each other surpass friendship, but with the end of summer looming over your heads, it's hard to tell where these newfound emotions will lead you.

cold hands - fwb 2 lovers, brother's best friend, college au, angst, fluff, smut (mdni) - 39.5k

You go to your brother's hockey team back-to-uni party accidentally matching one of the members with your cowgirl barbie costume. hopelessly romantic sunghoon sees this as a sign that the two of you are meant to be together, but you're impossible to read and soon the two of you settle on an ambiguous secret friends with benefits relationship. unfortunately, conflict ensues.

ot7.

their favorite form of skinship - bf!enha, fluff - 1.5k hiding in plain sight - sh, js, jy, jw - fluff - 1.7k 100 kisses event - prompt masterlist

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[socialistexan]

With the new season of Doctor Who now out and the big promotional push it has gotten, I'm sure some people are interested in jumping into the series, but that can be very intimidating for new viewers to get into a 60 year old show.

Luckily, I have - just a few months ago - watched every single episode of Doctor Who and can tell you where to start, and what are the essential episodes to watch.

Let me say up front, this new season is a jump on point for new viewers. There are some plot points that might hit slightly better or small references you'll get if you've seen more of the show, but it's not necessary. It doesn't matter if this is the 40th season of a 60 year old show, the 15th Doctor is a new beginning.

Also, generally, Doctor Who, especially the Classic Series, is very episodic. While there may be some season long arcs (particularly the Steven Moffat era, 2010-2017) and a lot of character and villain arcs, it is generally made to be able to hop in and enjoy a single story on its own.

Just know there is a mysterious character named the Doctor, who is a time and space traveler from a different world who has a fondness for Earth and can change their appearance and likes to help species across the universe, and they usually travel with 1-3 human (but not always) companions. There. You're set.

If you are interested in the show as it was before now, there are 3 points before the new season I can recommend jumping in on if you want to watch in order (though I recommend jumping around to really good stuff in the classic era because stories were generally 2-10 30 minute episodes):

Season 1 episode 1, An Unearthly Child: Honestly I only put this on here because it's the literal beginning, I only recommend this if you really like 60's TV or have enjoyed the Classic (1963-89) already. Slower and a lot of the series elements are not set in stone yet. Keep in mind a lot of 60's episodes are missing and exist only in audio or with animated reconstructions. I recommend not doing those until you know the show better.

Season 12 episode 1, Robot: While I have a soft spot for the 3rd Doctor and there's a lot of great stories people should watch from him, the 4th Doctor is *the* iconic Doctor of the Classic Series, and probably the best one to start with, I would recommend Pyramids of Mars if you want a very beginner friendly story that is one of the best ever made.

Series 1 episode 1, Rose: The start of the Modern/Revival era, generally seasons made starting with the 2005 revival are called "series" (really this is season 27), this introduces a lot of the modern story elements people are familiar with, and the show becomes a lot more serialized and less episodic going forward with season long arcs and recurring plots.

I will also include a list of episodes I recommend watching below the cut: