#1960s sexploitation

[atomic-chronoscaph]

TGIF

[weirdlookindog]

The Love Cult (1966)

[wh0-is-lily]

A Poster for, 'Immoral Tales,' 1973 Dir: Walerian Borowczyk

[kdo-three]

Bunny Yeager: Promotion photo for the film, "Bunny Yeager's Nude Las Vegas" (1963) Bunny Yeager's Nude Las Vegas | Full Movie: https://youtu.be/A2lc3dQrMO4?si=NBiPopJiq8ywuK-i

[itsbarbiebiiittchhhhh]

Film poster for the movie ‘Candy’

[mycherrycola]

mental health on the slimy, filthy, unhallowed ground today

[okfool]

[seanleelevin]

Watching another Joe Sarno movie!

[bitter69uk]

Join us at Fontaine’s bar on 18 July when the FREE Lobotomy Room cinema club presents Satan in High Heels (1962)! (Rescheduled from June!).  

Hard-boiled and stylish, Satan in High Heels represents the acme of early sixties sexploitation cinema NOT made by Russ Meyer. Characterized by exceptionally good acting, atmospheric film noir black-and-white cinematography and an urgent jazz soundtrack, Satan was filmed in just 21 days with an estimated budget of less than $100,000 – and is a taut 89-minute journey into deep sleaze!

Weary of her hard-scrabble two-bit existence bumping-and-grinding in the carnival, scheming, manipulative and utterly amoral fairground burlesque dancer Stacey Kane (Meg Myles) ditches her useless junkie husband and flees to New York to re-invent herself as a singer. Cynically employing sex and a smile, the redheaded vixen inveigles her way into a gig crooning at the upscale Greenwich Village nightclub managed by fiercely chic and jaded lesbian proprietress Pepe (the reliably intense Grayson Hall). Stacey promptly becomes the mistress of wealthy married businessman Arnold Kenyon, but – to considerably complicate things – she also pursues Kenyon’s feckless beatnik son Laurence! As the poster’s tagline leers “The father … the son … the husband … the lover … they all had her … but she had them – right where the heat was hottest!”

Aside from some fleeting glimpses of side boob in a gratuitous skinny-dipping scene, no actual nudity is on display. But Satan’s producer Leonard Burtman’s background was in the realm of fetish porn magazines and that sensibility is amply reflected onscreen in the emphasis on Stacey’s spike-heeled Spring-o-Lator mules and the kinky black leather dominatrix ensemble she wears (complete riding crop) growling the climactic musical number “The Female of the Species” (sample lyric: "I'm the kind of woman/ Not hard to understand / I'm the kind that cracks the whip / And takes the upper hand"). Everyone snarls their tough-as-nails dialogue, chain-smokes and knocks-back hard liquor. (You could play a fun drinking game taking a sip every time a character onscreen does, but it would risk projectile vomiting!). Reserve your seat NOW via bookings@fontaines.bar. Full deets here.

[vsthepomegranate]

I, a Woman (1965)

by Mac Ahlberg

[weirdlookindog]

[schlock-luster-video]

On March 7, 1970, Lorna debuted in Iceland and Canada.

[texaschainsawmascara]

She-Devils on Wheels

[okfool]

[seanleelevin]

Plex and Fawesome each added two movies I’d not seen from sexploitation legend Joseph W. Sarno recently. Here are the three I’ve watched so far.