#1942 Maria

[tina-aumont]

Arabian nights promotional photos (John Rawlins 1942)

Ebay & Scans from 1990s French magazine.

[weirdlookindog]

The Phantom of Paris (The Mystery of Marie Roget, 1942)

[letterboxd-loggd]

The Mystery of Marie Roget (1942) Phil Rosen

October 12th 2024

[lamarchesacasati]

1942 Carl L.T. Reitlinger, Marchesa Luisa Casati, London

[tina-aumont]

Here she reminds me of her younger sister Lucita.

Maria Montez in 1942

[abwwia]

9 Women Artists lost during the Holocaust #RemembranceDay

[anothermessagetoyou]

“The very fact of fighting an election is on the contrary a counter-revolutionary activity.” What Are We Voting For?

– Maria Luisa Berneri (1942)

[wordsofasarcast]

headcanon

So you know how it's canon that Will listens to true crime podcasts?

What if that's how he finds out that Nico is from the 1940s?!

Like he's listening to the latest episode about 'the death of Maria di Angelo and the disappearance and supposed kidnapping of her missing children, Niccolò and Bianca di Angelo'.

And it's not all that strange for demigods to pop up in conspiracy blogs or podcasts - Percy had a four part series about him, and Will listened to the whole thing during a nightshift at the infirmary.

So yeah, Will starts listens to the di Angelo episode thinking nothing of it, maybe he's just hoping to have a laugh about what the mortals thought happened to Nico or maybe he's more than a little curious about Nico's mysterious past.

And the hosts, in crackling stereo voices because they desperately need a better mic, are talking about lightning striking the hotel, how "the storm popped up out of nowhere" and the "strange seismic activity reported in the area at the time"...and then the date drops...

The hosts say something along the lines of, "The di Angelo siblings were reported missing by their family back in Italy after no word had been received of their safe passage to America. The police report states they were last seen by an anonymous witness entering the Lotus Hotel & Casino with an unknown third party in December of 1942."

And Will's just sat there, gaping at the infirmary bed he'd been stripping of its sheets. Because everything is adding up now, and Will's not quite sure how he missed it...

[defenderoftheearth]

Nouvelle Société du Vril:La bataille de Los Angeles 1942 : nouvel éclairage sur l’image originale

Voici un lien important vers notre site frère afin  de vous initier  à son développement :   Alors que le président dormait à Washington, un énorme vaisseau spatial extraterrestre est apparu au-dessus de Los Angeles aux premières heures du 25 février 1942. Pearl Harbor venait d’être attaqué quelques mois auparavant et il y avait une véritable peur des raids japonais sur la côte ouest de…

[tina-aumont]

Arabian Nights

Arabian Nights is a 1942 adventure film directed by John Rawlins and starring Jon Hall, Maria Montez, Sabu and Leif Erikson. The film is derived from The Book of One Thousand and One Nights but owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike other films in the genre (The Thief of Bagdad), it features no monsters or supernatural elements.

This is the first feature film that Universal made using the three-strip Technicolor film process, although producer Walter Wanger had worked on two earlier Technicolor films for other studios: The Trail of the Lonesome Pine (1936) at Paramount and the 1937 Walter Wanger's Vogues of 1938 for United Artists.

Plot (it may contain spoilers)

In ancient Persia, the young women of a royal harem read the story of Sherazade, unfolding the film's story. Sherazade, a dancer in a wandering circus, captures the attention of Kamar, the brother of the caliph, Haroun al-Rashid. Kamar's infatuation influences his attempts to seize the throne from Haroun and make Sherazade his queen. His revolt fails, and he is sentenced to slow death by exposure, but Kamar's men storm the palace and free their leader. Wounded and forced to flee, Haroun chances upon Sherazade's circus and is spotted by the young acrobat Ali Ben Ali. Aware of Haroun's identity, Ali hides him in the circus. Later, upon awakening from his injuries, Haroun beholds Sherazade and falls in love with her.

Meanwhile, Kamar assumes the throne, but Sherazade is not to be found. He orders the captain of his guard to find her, but a scheming grand vizier, Nadan, approaches the captain with the order to make Sherazade 'disappear.' After finding them, the captain sells the troupe into slavery. When the captain is found out, Nadan murders him in order to conceal his treachery. Haroun, Sherazade, and the acrobats escape the slave pens, but are found by Kamar's army and taken to a tent city in the desert. Kamar reunites with Sherazade and proposes, but she has fallen in love with Haroun instead. Nadan, recognizing the caliph, uses this knowledge to blackmail Sherazade into helping him remove Kamar from the throne, in return for safe conduct for Haroun out of the caliphate. In secret, however, he plans to have Haroun killed once he has crossed the border.

Upon learning of this insidious scheme, Ali and his fellow performers rescue Haroun, who then decides to free Sherazade with the help of the acrobats. But Haroun and the others are quickly captured, and Sherazade finally learns his true identity. Kamar engages Haroun in a swordfight, while the acrobats set fire to the tents; and the arrival of the caliph's loyal troops, summoned by Ali, triggers a massive battle. In the end, as Kamar prepares to deliver the deathstroke to Haroun, Nadan assassinates Kamar. But as he prepares to do in Haroun, Ahmad and Ali interfere, forcing him to flee. Nadan is stopped by a thrown spear and dies inside a burning tent, leaving Haroun, Sherazade, and their loyal friends to celebrate victory.

Cast

Jon Hall – Haroun-Al-Raschid

Maria Montez – Sherazade

Sabu – Ali Ben Ali

Leif Erikson – Kamar

Billy Gilbert – Ahmad

Edgar Barrier – Nadan

Richard Lane – Corporal

Turhan Bey – Captain of the Guard

John Qualen – Aladdin

Shemp Howard – Sinbad

William 'Wee Willie' Davis – Valda

Thomas Gomez – Hakim

Jeni Le Gon – Dresser / Dancer's Maid

Robert Greig – Eunuch

Charles Coleman – Eunuch

Emory Parnell – Harem Sentry

Harry Cording – Blacksmith

Robin Raymond – Slave Girl

Carmen D'Antonio – Harem Girl

The film was released on 25th December 1942.

Photos from ebay and text from wikipedia.

[girlactionfigure]

Hedy Lamarr was considered one of the most beautiful women in Europe. Born Hedwig Eva Maria Kiesler in 1914 to a Jewish family in Vienna, Austria-Hungary, she became a film star in Europe by the 1930s, and soon after, she achieved similar recognition in the U.S. In addition to her acting career, Hedy pursued inventing.   Motivated to assist U.S. efforts during WWII, she focused on designing a radio guidance system for Allied torpedoes that would counter the threat of jamming.   Although her innovation was not used during the war, the principles she developed are now integrated into modern technologies such as Wi-Fi, CDMA, and Bluetooth.   On August 11, 1942, Hedy Lamarr was granted a patent for her revolutionary “frequency hopping communication system,” which forms the basis of much of today’s wireless technology. In recognition of her achievements, she was inducted into the National Inventors Hall of Fame in 2014.

humansofjudaism

[weirdlookindog]

The Phantom of Paris (The Mystery of Marie Roget, 1942)

[tagthescullion]

I feel like Nico being from Venice and the Argo II crew briefly stopping in Venice should have had more of a focus.

Like, all we get is Nico mentioning his mother used to tell him stories about the ghosts of Venice (do we get any details? No), that one time he and Bianca went on a weekend trip, and how they went to the US when World War II started. That's it.

First of all, how does Nico even remember Venice (where he apparently grew up, despite Hades saying he met Maria in Washington DC) and his mother? He and Bianca were dipped in the Lethe! A year earlier in TLO he didn't even remember her name! Suddenly he has childhood memories of her?

Him not remembering Venice and his mother could have been worked into the plot. Like him not remembering anything yet knowing he grew up here. Nico volunteering to go into the city with Frank and Hazel because he wants to see if anything jogs his memory. Wandering the streets looking at any old buildings wishing and hoping that anything seems familiar. Talking with Hazel about how he knows he's from here seventy years ago but doesn't remember a thing.

But since he does somehow remember, more attention should have been paid to that. Nico wandering the streets automatically heading toward his childhood home. Finding his way into the old di Angelo plot in a graveyard. Pointing out familiar landmarks, or, conversely, being confused because familiar landmarks no longer exist. Talking in Italian with passersby (don't even get me started on Nico knowing Italian in the later series, which seems to have been retconned from PJO. I think I might send in another ask sometime about that). Actually knowing what the katobleps are because, you know, he grew up here and would have seen them instead of just barely remembering what they are from Mythomagic. Talking with Hazel about his memories of Venice so long ago and how he feels about returning only a few years later for him but seventy years for everyone else. More talking with Hazel in general.

Instead, we get only a couple mentions. If there's anyone who deserves to have more of a focus on returning to his childhood homeland it's Nico, but he doesn't get it.

I'll start this by saying: rick's timeline is a wobbly bit of weak twine that's threading and creating other unexplainable plotholes

(adding a division bc it got long and not everybody has 'long post' filtered)

maria and hades meet in DC (implying nico and bianca are yanks)

maria and hades meet in venezia (implying nico and bianca are italian)

nico and bianca are born long before the war, that's why by the time they're 10 and 12 they left italy bc the war hadn't yet begun

nico and bianca were born in 30-32 so by 1938 nico was 6 when he went to croatia on holiday, implying they'd been 10-12 in 1942 the war had already started! italy was about to get divided north vs south

nico and bianca were born in 30-32 so by 1938 nico was 6 when he went to croatia, and they still went to the US before the war (<1940), so how in fuck's name does nico know of his venetian neighbour who came back PTSD-ed from the african campaign (1940-1943)????

nico and bianca have no memories bc they were bathed in the lethe, ergo no memories, ergo nico betrays percy to hades to learn about his mother

nico's memories, which shone for their absence for three years, start popping up like ants after rain in HoO?? just like that?? except the freaky cow-things, those ofc he can't remember despite them being a fucking pain in the arse and him having been annoyed/in danger for.. 10 years???

in the end, it's less about rick's subpar ability to keep up with his own characters, and his greedy need to keep writing books without a capable editor knowing he can't remember shite of any of his old stuff.. it's more about just picking whatever makes you happy

I like foreign nico and bianca, bc my country's culture's got a lot from italians, so I'll take HoO's (sort of) version. that and it fits better with my long and niche hcs of maria

nico and bianca being born in 30-32 (or 31 and 33 bc it fit better for my hcs) feels more legit to give nico that whole pre-war/beginning of the war background, but that's only bc wwii is interesting to me

I hc from PJO times that the underworld rivers don't affect children of hades too much, so nico and bianca did have some chunks of memory here and there, like islands of light in a dark ocean.. the speed with which nico gets back every single childhood thing? I don't vibe..

and as for nico being in his hometown.. god above it pains me to hell and back but rick is a white middle-upper class privileged yank boomer, I can't trust him to write his own compatriots, I simply cannot consider his foreigners as canon until people from those countries have given their thumbs-up

as a last comment in this eternal post: I truly, from the bottom of my judgy, bitchy heart, don't think rick even realised (originally) that italy wasn't on the US's side of WWII..

[hotvintagepoll]

Propaganda

Claire Bloom (The Haunting of Hill House)— She played a hot sarcastic psychic lesbian in a haunted house! What more do you need?

Maria Montez (Cobra Woman, Arabian Nights)—maria montez was a dominican actress who rose to fame starring in a series of technicolor adventure movies in the 1940s hollywood, becoming popularly known as "the queen of technicolor”. her dramatic persona and elaborate bejeweled attire in these films subsequently lead to her becoming an early camp icon to underground queer filmmakers like jack smith and andy warhol. maria was fiercely determined to become a Movie Star from early on and tirelessly promoted herself (she would be killing it as an influencer today probably) - she deliberately cultivated an outré star persona in the tradition of old school screen vamps like theda bara and alla nazimova and she was always serving no matter where she was or what she was doing.

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Maria:

Dominican actress dubbed the Queen of Technicolor. Starred in colourful action adventure movies and was Universal Studios “glamour girl” of the 1940s. She starred in 26 movies before her untimely death in 1951. Shot to stardom with Arabian Nights in 1942. Fought with universal over roles she was cast in and managed to negotiate better pay for herself before going freelance and starring in European movies.

[bitter69uk]

“Like [Mario] Lanza, Maria Montez had a reputation for being impossible to handle. After a number of years in Haji-Baba type adventures, she was dropped by Universal and forced to seek work in European cheapies. While in Europe, she attempted to counter her advanced state of avoirdupois with hot saline baths. She died in one of a heart attack at the age of thirty-one.”

/ From the book Flesh and Fantasy (1978) by Penny Stallings /

Died on this day in the Parisian suburb of Suresnes, France: golden age Hollywood’s nostril-flaring and tempestuous Queen of Technicolour Exotica, Caribbean Cyclone and leading lady of films like Arabian Nights (1942), White Savage (1943) and Cobra Woman (1944), Maria Montez (née María África Gracia Vidal, 6 June 1912 – 7 September 1951). Note: Stallings gets Montez’s age wrong in the quote above – she was 39 when she died. (Like any self-respecting diva, Montez had a “showbiz age”). Venerated by the likes of Gore Vidal and underground queer filmmakers Jack Smith, Andy Warhol and Kenneth Anger, Montez is a pivotal figure in the sensibility we now call “camp” and one of the original LGBTQIA icons. (Early Warhol drag superstar Mario Montez, for example, was christened after her). And aside from perhaps the young Yvonne De Carlo, did any woman wear a yashmak with more elan? “When I see myself on the screen, I look so beautiful I want to scream with joy” Montez once famously exclaimed. Maria Montez, you make ME scream with joy! Pictured: Montez in the 1949 film Siren of Atlantis playing – what else? – an evil queen.

[portraitsofsaints]

Blessed Maria Bolognesi

1924-1980

Feast Day: January 30

Italian Mystic, Stigmatist, and Layperson

Beatified: September 7, 2013

Patroness of the Servants of the Paraclete

Blessed Maria Bolognesi was born out of wedlock and suffered a difficult childhood. She suffered heroically an endless list of physical maladies throughout her life and in 1940 also suffered diabolical possession because of an evil spell. On Holy Thursday, 1942 she received her first vision. Jesus gave her 3 rings, representing the Trinity and 5 rubies, representing His 5 wounds. From 1944 to 1954 the stigmata gradually appeared on her body.  She passed away in 1980 from a heart attack after enduring much suffering and persecution.  Her life was one of charity to the poor and suffering for souls.

Prints, plaques & holy cards available for purchase here: (website)