#1940s!clark kent
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Bullet In Your Heart, Part 8
Summary: you and Clark....
Pairings: Clark Kent X Reader
Rating: explicit
Warnings: Â explicit language, explicit sexual content, oral sex (F receiving), PIV sex, unprotected sex, cream pie, breeding kink, judgmental people, grief, 18+ ONLY
Word Count: 4.2K
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Series Masterlist
*dividers created by @firefly-graphics
Your fingers dig into the sheets, and your eyes roll in the back of your head as your back lifts up off the bed. Holding onto whatever ounce of your senses you have left while you bite on your lip, it was the price you paid for having two small children.
Your back starts to rise off the bed, but his meaty hand press your stomach, holding you down. His right hand drives in and out of your core, while his mouth makes a meal of your honey. You can feel the rumble on your bundle of nerves as he chuckles when you slap a hand over your face. Muffling a scream you couldnât stifle.
Clarkâs mouth is a work of art. If you were artistic you would have already made a shrine to the godlike qualities he possesses. Starting to wiggle around, and then he curls those fingers. Hitting over your g spot over and over again until your body trembles. Still he begs for more. Using his shoulders to keep you good and spread. Your legs try to close at the overstimulation when his fingers pound into your sex. Seeing stars, you come undone, squirting into his mouth, and he laves up every bit of your juices like a man starved.
Youâre left panting. Gazing up at the ceiling while your husband feasts, and you wait for the room to stop spinning. Lifting up to your elbows you watch Clark smirk at you as he wipes off his glistening face. âDonât you look proud of yourself,â you huff out.
Clark nods as he stands up out of the floor. Picking your body up, he launches you up the bed before heâs splitting your legs, and crawling in between them. Slapping his cock over your clit, smiling even bigger, âDonât act like you didnât enjoy that, my sweet little Cricket bug.â
âI really despise that nickname.â
âWhyâs that?â
âThe nickname of a child,â your eyes go cross eyed as he slams his girth into your body. âOh my god.â
âYou know why I like that nickname?â You shake your head no, and grab onto his hips as he starts a slow thrust into your body. Dragging his veiny cock out of you slowly, and leaving you breathless before he stabs back into you. âBecause even though youâre not this tiny little girl anymore, there is this tight little cunt that I get use every fucking day.â
âClark,â you whimper, and your nails dig into his back. âClark, theyâre gonna wake up.â
âAnd itâs time for us to have another one,â you nod your head up at him. Wrapping your legs around his waist, and you pull him even closer, yipping when his bulbous head grazes over your cervix, âYou always did like me deep, huh? Like to feel me in your pussy for the rest of the day. Arenât we going to that pool party?â
âWhat?â Pulling himself out of you, he goes harder than ever before. Moaning out loud, and he places a hand over your mouth.
âQuiet, Cricket,â he starts at an earth shattering pace. Leaving you begging for mercy. âI want you to go to that party with my seed dripping out of you. I saw Frank staring at you. Thereâs only one man youâre slutty for, and thatâs me, understand?â You give him a head nod, and you cling to his back for dear life.
âGot me in a damn vice grip. My god, youâre coming arenât you?â Another nod as your body becomes completely pliable for him. âGood fucking girl,â pulling out of your body, he flips you to your knees, before crawling behind you. Burying his cock balls deep into your cunt, he mounts you, and you have to hide your face into the pillows. âItâll take this way. You're such a pretty little slut for me in the morning.â
You can feel him all the way your stomach as he splits you open. Using his body for his pleasure when you hear him use his strangled voice. âAre you coming a-a-again? Itâs because you feel my cock throbbing, huh?â
âItâs because youâre fucking me so deep,â that was too loud, but youâre in a different world. Your body rocking with every hammer he does into you.
âRightâŚright there. Best pussy Iâve ever had,â Clarkâs hands pull apart your ass cheeks, and he stares at where the two of you connect. Watching as he nearly turns you inside out, and your walls cling to him so tightly. âSo fucking sloppy for me. Fuck â me!â One last hard push into you, and ribbons of hot cum fill your belly, and you look back at him with the softest smile. Your walls milk every last bit of his essence, making you all warm and tingly.
âThatâs the one, Cricket. I donât know if I want a little Lottie or a little Henny,â keeping himself inside of you, he adjusts himself down to his knees. Those crystal eyes look up at your satisfied face before back to the two of you. âI gotta keep it in there, okay?â
âOkay,â you whine. You didnât want him to pull out yet anyways. âClark?â He finally looks up at you, and you preen, âI love you.â
âLove you, too, Cricket bug. I meant it, youâre the best pussy.â
âI really donât want to think of all the women youâve been with while youâre inside of me.â
âDeep inside you,â he gives you a wink, spreading you wider apart. âYou know, there is another hole back here,â you shake your head no, starting to giggle, âDot let meâŚâ
âClark!â He starts laughing, spitting down to your ass, âNo!â
âCome on. One time.â
âYouâve already came.â
âSo if I get hard again?â You want to kick your husband off you, but then he looks back at your hole, starting to slowly slide himself out. Dropping out of your body when he just stares, âI love seeing how gaping I make you. God, I made such a mess.â
âDaddy!â The door handle wiggles a bit, and youâre thankful Clark was smart enough to lock it. It wiggles again when a big bang happens, âDaddy! Henny is in my room! Wake mommy up, and get your son! Daddy! I hear you laughing.â
âIâll deal with this,â you say, standing up, and Clark points to your panty drawer. âYes, daddy. Let me put this on, so I feel your mess inside of me while weâre with the neighbors, but you got to wash your filthy mouth. Lottie will want kisses. Go,â you motion towards the bathroom, and Clark walks towards it. But stops to pinch your nipples, and pull you towards him.
Slamming his mouth against yours, and you can still taste your arousal on his tongue. Moaning at how good he feels, âDaddy!â Lottie knocks on the door a bit, and he pulls back.
âIâll make sure to fuck you again tonight, Mrs. Kent.â
âHow about you let me fuck you?â He growls, and jogs into the bathroom, leaving you to pull on your panties and a nightgown. Opening the door to see your exasperated daughter stare up at you.
âWhat took you so long? Were you and daddy having a tickle fight again?â
âYes, darling. Come on, letâs deal with Henry. He is just like your daddy, you know?â
âWild man,â he really was. He was every bit as wild as Clark used to be. But marriage and children really calmed Clark down, and you couldnât be more thankful. Life was different than you had planned, but you had finally learned to love where you are currently. Happy that you get to see Carter through Charlotte. She is every bit as sweet and loving as he was.
You give a curt smile to the host. Everyone here judged you for being with more than one man, and several hated you for taming Clark. He leans in behind you, kissing your neck, and placing another behind your ear, âTheyâre jealous that they couldnât get me to settle down.â
âOh, so Susie is someone you made a mess of?â
âAbsolutely not. Sheâs someone I turned down. Such a prude. Here, take Henry, Iâm going to go cook with the dads. Have yourself a cocktail,â he gives your ass a little swat before walking away, leaving you to kiss over Henryâs chunky cheeks.
âYou know, I donât know how you do it?â Judith, one of the more distant neighbors, says while walking up behind you.
âDo what? Heâs really not that heavy.â
âOh, no, dear, she means you and Clark,â you glance between her and Susie confused, and the host offers you a cocktail, âHe can walk, right?â You answer yes, and she gives a point over to the kiddie pool. âHeâll be fine. Iâm sure Clark wonât mind keeping an eye on him with you.â
Confused, you let Henry step onto the grass, and he runs right to his daddyâs legs. Crashing into them with a belly laugh, âSee.â
âWhat about me and Clark?â You feared these women would never accept you as one of them. Bitter Bettyâs. Throughout the years, the whispers never stopped. It didnât help that you kept to yourself.
âOh, honey, donât get defensive. Of all the men that you could have found, you chose Carterâs best friend? Ainât that a trip?â You smile sweetly at her, when in reality you want to gather your children and go back home. âHow do they compare? I mean nobody was talking about Carterâs size, if you know what I mean.â
âWhat exactly do you mean?â Batting your eyes, you look straight at her, and thankfully her smile starts to fade.
âDonât do that, itâs all good fun.â
âYes, my first husband dying in a war is a riot. Thankfully Clark wasnât drafted.â
âDid you ever, well, you know?â Judith shakes her head no at Susie, and you look between the two of them again. What were these women on. âI mean, everyone thought about relations with Clark. Heâs practically slept with every woman in town.â
âExcept you,â she shuts her mouth, clearing her throat. âNo. I never once thought of Clark like that. In fact both of us were distraught when Carter passed. We fell in love during grief, and we fucked before we were married,â Susie gasps, placing her hand on her chest, and Clark turns around, now holding Henry. His face is full of concern as he watches you leave the women.
Leaning down to Charlotte in the water, âLottie, come on, baby.â
âNo, Iâm playing with my friends.â
âCharlotte Abigail Baizen, out of the pool now!â You feel your cheeks inflame with anger as she pouts, climbing out of the pool, and Clark hands you the baby.
âI got her. Hey?â
âDonât you thank them for inviting us either,â Grabbing Henry with a huff, and kisses his cheek you start to stomp home. Fuck all of them. They could go straight to the pits of hell for all you cared. They had no idea the inner battle you feel every single day. Feeling guilty that you canât love Clark the way that you loved Carter because Clark would never be him.
But somehow in the midst of your turmoil you fell in love with Clark. The way he fathered your children. The way he looked at you every morning. You were feral for the way he treated you when it was just the two of you. It wasnât the same, and would never be, but you and Clark had created something entirely different. You created a love that bloomed from grief and friendship.
Clark finds you in the living room, dancing around with Henry while an old record plays, shooing Lottie into her bedroom, when you kiss over Henryâs closed eyes. Humming along with the music when Clark comes back. He stands at the entrance of the living room, watching the two of you. âCricket, go put him in his crib.â
âI need him right now.â
âDonât use my son as a way to avoid this conversation,â looking up at him, you scowl. That isnât what youâre doing. âCricket, heâs asleep. Either you take him or I will.â
âClark, you donât understand.â
âThen put my son in the bed and explain it to me.â
âYour son,â you hold his body closer to you, wishing you could rewind the day, and never go to that stupid party. You didnât need friends. âYou never tell me what to do with your daughter. I guess because sheâs Carterâs?â
âGo put Henry in the bed, and letâs talk about this because youâre being unreasonable. Now!â With a final kiss, you stalk out of the living room. Laying him down in his crib, and you pet along his perfect skin. He is one of the most beautiful little boys you have ever seen. Deciding itâs best not to make Clark wait too long, you walk back into the living room.
Clark is now in his chair, lighting up a cigarette when he looks at his watch, âThat took almost five minutes. His room is just down the hallway.â
âYou timing me? Can I not take my time to look at your son? I thought about stopping in Lottieâs room to help her change, but thankfully Carterâs daughter is smart enough to change out of her wet bathing suit.â
âWhat the fuck is your problem? Lottie is my daughter, Henry is my son, and theyâre our children,â he watches your chest heave. Breathing angrily, you try not to shed a single tear. Clark has always been there. Was there the moment Charlotte was born, and you have built a beautiful life. âWhy are we bringing up Carter?â
âBecause heâs always going to haunt us. Because you couldnât keep it in your pants, and you had to fuck his widow. Your best friend, Clark.â
âYou werenât complaining much,â you hate how he can be so calm when you are raging. You want to throw something at him. He is the reason you went to the party. âSo why are we bringing him up?â
âBecause those stupid bitches hate me. They hate that I married you, hate that I tied you down, and have your child.â
âThey hate that you know what I feel like, and feel me everyday.â
âYouâre such a slut.â
âYeah, for you,â you roll your eyes, starting to walk away, but Clark stands quickly, grabbing your wrist, and pulls you into his body harshly. âYouâre my little slut, and Iâm yours. I donât care what those women think.â
âBut I do! You insist on trying to be friends with the neighbors, and going out and being social. And I go there and they talk to me like Iâm trash because Iâve had two dicks.â
âWho the fuck cares?! Are we happy? Are our kids happy? Did I not fuck my seed into you just this morning? Cricket, I donât care about them. I care about you. You donât want to be social, fine. Weâll get us a pool. Get the kids a playground. You and them are all I care about. And Iâm not going to spend the next six months arguing about Carter. Heâs gone. AndâŚIâm glad.â
You lean back to gaze up at him, tears filling your eyes while you search his face. âI wouldnât want to have missed this with you. So yeah, you tamed the slut. If heâd come back, I wouldnât have you and our home. I love you, Cricket Bug. Youâre my favorite person, followed by a tie for second. I canât change his death, but I can love you fiercely, and take care of you. But I will not be the other man in my home. Have I made myself clear?â
âYes,â he wasnât coming back. You could have done so much worse than Clark. And this man adored you. Worshiped you every morning while he kneels before your altar. âBut donât say youâre glad.â
âI am glad. But Iâll promise never to say it again. Just like I promise I wonât make you go to one of those parties ever again. Now, letâs eat some sandwiches, and then weâll go find a playset for our children. Okay?â You nod your head. They were yours and Clarkâs, Carterâs in spirit.
His hands slide around your middle, lips starting to nip around your neck, and you let out the most adorable giggle. âClark, where are the kids?â
âLottie is out front playing on hers and Henryâs new playset. The swings are her favorite. And I just laid Henry down for his nap,â he twists you around. Grabbing onto your waist harshly, he places you up on the counter. Planting his body in between your thighs.
Clarkâs hands swipe away the baby hairs around your face, and he starts pressing soft kisses all over your face, âThe kids.â
âShh,â he whispers. His mouth moving behind your ear, following on down your neck. âI donât think Iâve ever thanked you for the life youâve given me.â
âItâs me that should be thanking you.â
âWhyâs that?â His head pops up, and those baby blue eyes bounce around your face. You smile up at him, biting your lip. âHoney, why should you thank me?â
âYou saved us.â
âUs? What are you talking about, Cricket bug?â
Your hands roam up his chest, and around his neck, âYou saved me and Lottie,â he starts shaking his head no, but you cup both his cheeks, grinning. âYou did. You didnât have to stay with me, with us. I was a wreck, and pregnant, and you made sure I ate, andâŚyou loved me when I couldnât love myself. You took care of her when I was still learning to cope. You kept us alive. AndâŚâ
âPlease, stop. I did that because I love you, and her. And I love this life that we made.â
âAww, Clark does have some sweetness, and not just need to fuck me.â
âYouâre ruining this moment,â both yours and Clarkâs heads look towards the door when you hear your daughter scream. âLottie?â Jumping down off the counter, you head towards the front door. That is a scared scream.
â
Charlotte climbs up the slide ladder before going down it again. Stopping at the end of it, and she looks back at the house exasperated. Henry always had nap time when she wanted to play. Huffing, she moves over to the sandbox, starting to play with the tools while she waits on her brotherâs short nap.
A man walks down the road to the house. His eyes look around the property longingly before stopping far enough in the distance to see Charlotte. Not close enough to alert her, but close to hear her voice. She sings a sweet little song while her fingers dig into the sand.
The manâs fingers run over the picket fence, it has been freshly painted, and he sighs. Walking a bit closer, the girl spots him, and gives him an odd look, âAre you here to see my mommy and daddy?â
âDaddy?â
âTheyâre inside,â she gives a point towards the front door, and the door is open. Letting a light breeze blow through it, but he canât see anybody. âMister?â
âYeah,â he asks, squatting down to look at your daughter closer. She gives him a little giggle. âWhatâs so funny?â
âWhy do you have a beard? My daddy and grandpa donât do that, no sir,â she said that word again. The man gulps before sitting down beside her. Sticking his hand in the sand. He picks up a wad of it before letting it fall back in the sandbox. âYou donât talk much.â
âI didnât even know who I was for a long time.â
Scrunching up her nose, she looks at him funny. Giving a little scoot back, and even the man timidly scoots back, too. âWhatâs your name?â
âCharlotte. I was named after my angel daddyâs grandma,â the man gives her a soft smile, but then she looks into his eyes, âWhy are you crying?â
âIâm overwhelmed right now.â
âLet me get my daddy. Heâll know what to do.â
âNo,â he grabs her tightly, and she lets out a scream. âIâm sorry. Iâm sorry, I didnât mean it. Charlotte, donât scream.â
âStop! Mommy!â The man goes to stand. Dropping her arm, and he sees the door open. âMommy!â She turns running towards you, and you and him stare at each other for far too long. Seeing a tall shadow walk up behind you, he turns to leave.
You canât believe what you saw. Trying to calm your breathing. It was all right, and so wrong, âCarter?â The man freezes, and Clark places a hand on your hip. âCarter Baizen?â Slowly he turns around to see you, but sees his former best friend behind you. âCarter?â He nods his head, and you gasp, covering your mouth.
Visions of your life with Carter flash through your mind. The moment a sweet little boy gave you a dandelion and told you he was going to marry you. Your first kiss behind the school house while Clark kept watch for the adults. The first time Carter touched you and you felt actual sparks fly between you. That first âI love youâ. Every moment with your best friend, and the love of your life plays like the greatest story ever told.
Placing your daughter in Clarkâs arms you walk over to him. It was him. A bit grown out and rough, but it was him. The same eyes. And the way he looked at you was the exact same. âI thought you were dead.â
âI did, too,â he looks back at Clark holding Charlotte, and then down to you. âWhatâs he doing here?â His eyes move towards your hand, noticing the ring on your finger. âNo,â he shakes his head as tears stream down his face. âI told him not to fall in love.â
âWhat?â
âCarter, maybe we should go inside, and have a talk,â you look back at Clark. Unsure of what you need to feel. But Carter is alive, and heâs here. Clark turns with Charlotte still in his arms, but leaves you with your husband? Former husband?
âCricket, what happened?â
âLife. Come on,â you arenât sure what this means. Arenât sure what you should think or react. But your Carter was right beside you. Following you into the house that you made a home with his best friend.
Getting into the living room with Clark now in Carterâs chair and Charlotte hugged up against him. âIâm sorry, bud. I couldnât keep my promise,â hearing a creaking door, Carterâs eyes look down the hallway, and sees a little barefoot boy running towards you. Outstretched arms and calling for his mommy.
âThis is my son, Henry Carter Kent,â Carterâs eyes slowly close. Swallowing the bile that threatens to rise up his throat. âCricket, we canât have this conversation with Lottie.â
âWhat comver â comversay â saytionâŚwhy canât you talk in front of me?â
âDonât make me do this,â Clark stares up at you shaking his head. Hoping you remembered the last ten minutes over right now. While you had happy memories flowing through your mind, he felt like his happy moments were being stole from him. âShe wonât understand.â
âTell me!â Charlotte grabs his cheeks, trying to get him to look at her, âDaddy, I wanna know.â
âWhat are we supposed to do with them?â Your words come out stiff. If you allow all the emotions to pour out you might just collapse on the floor. Everything is so overwhelming right now, and you donât know what to think. What to do. What you had to do. Was yours and Clarkâs marriage now a lie? What did this mean for your family? What did you want to do?
Carter was your everything. And then life happened and you settled into your new something. Yours and Clarkâs relationship could be volatile at times. Things never flowed as easily as they did with Carter. But you two fought to make them work. Because you wanted to. Or did you just not want to be alone? And Clark was there accepting you when other men would turn away.
âYour folks can get them. Donât make my daughter try and understand this,â Carter clears his throat, and Clark shakes his head no, pointing at him, âDonât. She is mine. Cricket, honey, call your folks. I donât want the kids to be part of this untilâŚplease, just donât.â
âCan you give â just a moment. Clarkâs right. Okay? Theyâll be right here,â Carter nods. Having a seat on the couch in front of Clark, glaring. That was supposed to be his chair. His daughter. His home. His family.
His wife.
His life.
His everything.
It was all stolen from him. It should have been Clark.
Carter
or
Clark
A/N: Yes, this will be a choose your own adventure. So who do you choose? Carter or Clark? What is the right decision? is the decision for you or your children?
Masterlist
Taglist: @tis-thedamn-season @marveloustaylortot @pono-pura-vida @missus-shadowsinger @peaches1958 @seitmai @smile1318 @andydrysdalerogers @charmed-asylum @cjand10 @midnightramyeoncravings @kmc1989 @mrsevans90 @slowdownbeforeyouregretit @suunnnieeeee
#bullet in your heart#1940s#1940s au#clark kent#1940s!Clark kent#clark kent x reader#clark kent x fem!reader#clark kent x female reader#clark kent x y/n#clark kent x you#clark kent fic#clark kent fics#clark kent fanfiction#clark kent fanfic#henry cavill#carter baizen#1940s!carter baizen#carter baizen x reader#carter baizen x fem!reader#carter baizen x female reader#carter baizen x y/n#carter baizen x you#carter baizen fic#carter baizen fanfic#carter baizen fanfiction#carter baizen fics#sebastian stan
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The Bizarre Love Triangle between ace reporter Louis Lane, his assistant reporter Clara Kent and the superheroine Superwoman, Earth's mightiest mortal! Art by great and talented artist (14) @blondedsixties06 en Tumblr
Commissioned for Commissioned for the fanfic THE SUPERWOMAN FROM KRYPTON. You can read it or download it here SUPERWOMAN FROM KRYPTON-FREE ILLUSTRATED FANFIC by lordmallory on DeviantArt or here THE SUPERWOMAN FROM KRYPTON - LordMallory] . Pitch for the fanfic on this post THE SUPERWOMAN FROM KRYPTON [FANFIC+FANART] : r/superman (reddit.com)
#1940s women#dc comics#dc artwork#dc fanart#superwoman#dc universe#dc comic#superman#kal el#clark kent#superman comics#supergirl#genderbend#genderswap#fantasy#scifi#1940s#1950s#goldenage#dc elseworlds#dc#dcu#krypton#superheroine#heroine#hero#clara kent
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HOWLING at this moment where Bruce is tracking down a dying alien during an invasion storyline, mind-melds with it so he can understand its non-linear thoughts, because its drawings were incomprehensible before that, even when it's obviously something to do with Batman and then it's just like. This alien who can see the future and came here because people "can't survive alone" made sure its final drawing that Batman would see is one where he's holding hands with Superman. You think YOU ship SuperBat? Imagine traveling across the galaxy to a place completely alien to you and spending your dying hours drawing pictures of these two just to say, "I know what you are." LEGEND BEHAVIOR.
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SUPERMAN (1941) | dir. Dave Fleischer
#1940's#1940's animation#1940's cinema#1941#superman#clark kent#lois lane#dave fleischer#fleischer studios#bud collyer#joan alexander#jack mercer#mad scientist#grant richards#classicfilmsource#filmblr#filmedit#animationgifs#animationedit#actiongifs#actionedit#shorts#film shorts#animation shorts#fantasygifs#adventuregifs#dailyflicks#cinemapix#cinematv#filmtvcentral
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Superman by Fleischer Studios, 1940s
GIF by Fleischer Studios
#superman#lois lane#clark kent#typewriter#reporter#new year resolutions#animation#cartoon#1940s#the daily planet#newspaper#writing#typing#new year#new years eve
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art by Jack Burnley (1940)
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DC Multiverse Superman Classic Animation (1940) - McFarlane Toys
Link para compra BR: *PossĂvel importar pelo Link abaixo
Buy here:Â https://amzn.to/42QDqkG
#dc#comics#McFarlane#action figure#dc multiverse#animated series#Classic Animation#Superman#Superman 1940#clark kent#kal el#Max Fleischer
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August 1940. Perhaps the most important Superman story never published: In the summer of 1940, Jerry Siegel wrote a complete script for a 26-page Superman epic (the length of two normal Superman stories of this period) in which Superman is weakened by a passing meteor of radioactive metal from the destroyed planet Krypton, here called "K-Metal." That alone would have been noteworthy, but that's far from all. Later in the story, Superman reveals his true identity to the survivors of a mine cave-in, including Lois Lane!
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The other three witnesses are subsequently killed, but Lois now knows the truth. She and Superman then have the following conversation:
LOIS: Now I begin to see. Your attitude of cowardliness as Clark Kent-- It was just a screen to keep the world from learning who you really are! But there's one thing I must know: Was your--er--affection for me, in your role as Clark, also a pretense? SUPERMAN: THAT was the genuine article, Lois! LOIS: How foolish you were not to let me in on the secret! You should have known you could trust me! Why-- Don't you realize-- I might even be of great help to you? SUPERMAN: You're right! There were many times when I could have used the assistance of a confederate. Why didn't I think of it before? LOIS: Then it's settled! We're to be--partners! SUPERMAN: Yes -- partners!
It isn't quite so easy, however. After returning to Metropolis, Lois tells Clark, "I just remembered how long you've secretly been laughing at me! I don't like to be laughed at, Clark Kent-- But-- I'll assist you⌠Only for the good of humanity, however!"
Most of the art for this story was completed, or nearly completed, by Joe Shuster's shop artists before National-DC pulled the plug. The exact reasons are now unknown, although the most likely explanation is that the story just seemed like too much of a shift in the established dynamics of the Superman strip, which was by then running in newspapers and on the radio as well as in the comics. K-Metal, renamed Kryptonite, resurfaced in a 1943 radio storyline, which borrows some elements from this script, but Kryptonite wouldn't appear in the comics until 1949, and it wouldn't be until decades later that Lois Lane really and truly learned the secret.
For background on this story, see Mark Waid's article in ALTER EGO #26 (July 2003). The Superman Through the Ages website has a nearly complete recreation of the full story, done by modern artists (in color) based on the surviving pages of original art and Siegel's script, which Waid had carefully retyped using the same kind of typewriter Siegel used.
#comics#golden age superman#jerry siegel#joe shuster#wayne boring#john sikela#costin stefan#mark waid#kryptonite#clark kent#superman#lois lane#kryptonite was an important part of the radio show#featuring in four major storylines of the mid 1940s#no idea why it took till 1949 for it to appear in the comics
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Clark Kent's Wardrobe! 1938-1947
I wonder if they looked at actual fashion magazines for these.
Late 30s to mid-40s Standard outfit: Blue jacket, vest, pants, tie and hat (Usually orange)
Late 30s Fancy Dress: Top hat, tailcoat, bowtie.
Late 30s Orange pinstripe suit
1941 Red Dressing Gown
Mid 1940s Swimsuit Speedo
Early 40s Red vest
Early 40s Green Suit (No Tie)
Mid 40s Orange sweater and loose pants
Mid 40s Light Blue Suit jacket, Black polka dot Bowtie, Greenhat
Early 40s Light blue suit jacket, striped white shirt, blue striped tie
Early-Mid 40s Grey dress suit and bowtie
Early 40s Blue Pinstripe
Mid 40s jumpsuit
Mid 40s Red Suspenders
Mid 40s Plaid Suit
Mid 40s "Dress" Reporter outfit.
Late 40s Blue wool overcoat and orange scarf.
Mid 40s White Checkered? Suit jacket and bowtie.
Late 40s Green suit
...To be continued...
#dc comics#superman#comics#dc universe#dcu#clark kent#detective comics#action comics#1930s fashion#1940s fashion#men's fashion
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Today marks the 80th anniversary of the Famous Studios Superman cartoon, The Underground World.
youtube
#Fleischer Superman#Superman#DC Comics#Golden Age#animation#cartoon#40s#1940s#retro#classic#nostalgia#Lois Lane#Clark Kent#Youtube
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I always love Dick being a very smart detective. He has to be smart if heâs able to be Robin after all.
Superman: American Alien #4
Dick Grayson being a young detective in training, I might cry
#dick grayson#robin#robin i#clark kent#superman#he's a detective in canon again#i'm very emotional#dick is a detective#do you know how ridiculous it is that i have to be excited about somethign that's been canon since 1940#batman
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THE SUPERWOMAN FROM KRYPTON, FANART+FANFIC INTRODUCTION
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art by https://www.deviantart.com/gabrielrb91
What would you think about an alternate universe with a female-Clark as Superwoman in the golden age?
Is the only main change in the classic canon together with her love interest, is not Earth-11, let's say is Eart-19...meet Clara Kent/Superwoman!
It's 1948, in Metropolis!
Up in the sky! Look! It's a bird? It's a plane? No! It's Superwoman!
Faster than a speeding bullet! More powerful than a locomotive! Able to leap tall buildings in a single bound, this amazing stranger from the planet Krypton, The Woman of Steel: Superwoman!
Empowered with X-ray vision, possessing remarkable physical strength, Superwoman fights a never-ending battle for love, truth, and justice, disguised as a mild-mannered newspaper reporter, Clara Kent!
In a world plagued by the Cold War and mistrust, can Superwoman bring peace to the world while fighting for love, truth, justice, and the American way? Can she finally find a happy life with Louis Lane, the love of her life? Can she defeat Lex Luthor and the terrible ancient evil he is about to awaken?
You can download full free illustrated fanfic in pdf here! SUPERWOMAN FROM KRYPTON-FREE ILLUSTRATED FANFIC by lordmallory on DeviantArt or here https://drive.google.com/file/d/1XPh48B9_giTgDpnBXjRP-4Z4ksUU-WzR/view?usp=drive_link
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Art by https://www.deviantart.com/letoart
KALA-EL/CLARA JOSEPHINE KENT/SUPERWOMAN
BORN: Krypton, a moon in a distant galaxy. Formally 28/02/1918, SMALLVILLE, KANSAS
PROFESSION: ASSISTANT REPORTER
YEAR: 1948
PLACE: METROPOLIS (METROPOLIS COUNTY, NEW YORK)
art by https://www.deviantart.com/wagemagegames
-Farmgirl, born Kansas 1918. No sisters nor brothers.
-Nicest girl in the office but very unfunny.
-Disappears without reason very often.
-Lives alone in a little flat and has a golden retriever dog called Krypto.
-Daddy issues. Her father didn't let her pursue a career as ballet dancer or swimmer (he didn't want her to take advantage of her powers) and died when she was 18.
-Former nurse during the war in the Pacific Ocean and in the Philippines.
-Loves children and dogs
-Tomboyish trails. Not quite elegant.
-Music-Hall fan, Katherine Hepburn and James Stewart fan
-Favorite books: Scarlet Pimpernel adventures, Jane Austen, Upton Sinclair and Virginia Wolf, somewhat eclectic.
-Amateur writer of children's stories, with characters such as DeeDog and the Komfy Dragon.
-She greatly admires her boss, Perry Weiss. A 1940s very liberal Republican style journalist, chief editor of the Daily Planet. She despises her deputy boss Cat Grant.
-Ambiguous relationship with her other boss Louis Lane. Clara has a good friendship with Louis and hides that she is very much in love with him. At the same time, she competes a lot with Mr. Lane and is annoyed by his political ideas and his paternalism.
-Strange friendship with young millionaire Bruce Wayne, something that is very surprising for the people in the Daily Planet newsroom.
-Always good scoops but never appears in the front line and too stubborn and independent to grow fast in the newspaper.
-Progressive quaker like her fathers.
-Civil rights supporter.
-Dislikes General McArthur, dislikes even more Lex Luthor
-Loves Eleanor Roosevelt but also Governor Dewey.
-Hates guns
-Supports unions, splits ticket between Metropolis Liberal Party and the two main parties. Politicians must be kind.
art by https://www.tumblr.com/bobbinalong
SUPERHEROINE LIFE
-Superpowers: Flight, Super-Strength, Super-Speed, X-Ray Vision, Heat Vision, Enhanced Vision, Super-Hearing, Super-Breath, Freeze-Breath, High Invulnerability, Super-Stamina
-Can fly to a Mach 100 speed.
-Acts as Superwoman since October 1945.
-Defeated Zod invasion in July1946.
-Initial bad relationship with Batman but now close friends and allies. Together with Flash they conform the Justice League.
-Didn't act as Superwoman during the World War II because she was afraid of her powers. After the discovery of the Holocaust and the atomic bombs she decided to step in and showed herself to the world on autumn 1945.
-Worst enemy: Lex Luthor, heir of Nikola Tesla, rocket engineer & CEO of TELCORP (Tesla-Luthor Co.)
-Deeply in love with Louis Lane, who strongly rejects the superheroine.
-She hides her supersuit and cape under her normal clothes. The material is extraordinarily thin, flexible and resistant, and very easy to wear under normal clothing. Whenever someone needs Superwoman, she just needs to find an inconspicuous place, rip her shirt, unfold her cape and fly away at full speed.
-Widely admired.
art by https://www.deviantart.com/bluerollerball
art by Gabriel Larragan (Ko-Fi)
FAMILY & ORIGINS
The El family & Krypton
Krypton was a decadent civilization located on a moon near a large gaseous planet in the Orion belt, next to a green sun. In the past they had visited Earth and other planets expanding civilization, but their penchant for slavery, war, resource extraction and violence caused many of these projects to fail. Even in 10,500 BC the Kryptonians almost caused the terraforming of the Earth, melting the poles and destroying Atlantis and other civilizations, causing among other things the end of the Ice Age. Nearly 99% of humanity perished during that Kryptonian attack.
Over the centuries the Kryptonians lost the fuel necessary to travel across space and ended up confined to their planet, dedicated to warfare, genetic engineering-creating clones whose organs they needed to extend their lives-to pleasure and to exploiting the subsoil of their planet. The Kryptonians also established a dictatorship with a caste system based on genetic engineering and prohibited natural reproduction.
Jor-El and Lara were a couple of scientists critical of the system and supporters of the abolition of the caste system. They also fought against genetic engineering, violent repression, and the permanent destruction of the ecosystem. After a series of terrible earthquakes, volcanic eruptions, and gas outbursts, it became clear that Krypton's core was collapsing, due to the energetic drilling and magnetic energy used in Krypton's industry. The Planet was doomed but the ruling caste ignored it. Jor-El and Lara had a daughter, Kala-El in a natural way against all the rules of Krypton. Lara managed to manufacture a small ship capable of making a space jump to save her daughter from the end of Krypton. General Zod stole her design and managed to build a larger fleet of ships but Jor-El managed to sabotage them and send the fleet to the Phantom Zone, a black hole near Krypton.
Lara decided to send Kala to Earth, confident that the culture of this planet was much more hopeful and kinder, and less prone to the mistakes of Krypton than other distant inhabited planets closer to them. Jor-El preferred to send her to New Genesis, another distant inhabited planet, because there Kala would receive less radiation and develop less extraordinary abilities that would allow her to live a normal life, but eventually Lara convinced him. During her journey to Earth and her growing period under a yellow sun, Kala would develop wonderful powers and could live a long life in the service of mankind, rehabilitating Krypton's legacy.
Within hours of Kala's birth, she was placed in the small ship, accompanied by the robot guide Kelex, whose memory was imprinted with the consciousness of Jor-El and Lara, as well as nearly all of Krypton's cultural heritage. They included several Kryptonian artifacts inside, such as a nearly indestructible ceremonial female ancestral caped suit with the crest of the House of El on its chest.
The ship was launched just hours before Krypton's demise and travelled through space for thirty years...
art by https://www.tumblr.com/bobbinalong
Joe&Martha Kent, Kansas life
Joe and Martha Kent were a Quaker farming couple whose farm was struck by the pod carrying Kala-El the 28th of February of 1918. Although owners of substantial property they were a very humble, cooperative, austere, devout, and civil rights-minded people. Martha Kent was a descendant of Kansas abolitionist guerrilla fighter John Brown. They both raised Clara very lovingly and unwilling to ask too many questions about the baby's origin. Clara was a very sickly child as her body did not adapt to the Earth. She was an affectionate and obedient girl and devoured books. The Kent family were avowed supporters of the New Deal and Joe Kent was a member of the local farmers union.
With puberty Clara developed very fast, and her superpowers began to appear. She soon began to excel in swimming and ballet, while still questioning her origins, but Joe forbade her to pursue a professional career to prevent her from taking advantage of her powers, and moreover he forbade her to use her superpowers to help others, fearful of humanity's reaction and wary of savior messiahs in the era of interwar dictators.
Clara rebelled against her father but eventually gave in, fearful of her own abilities and understanding her parents' position. During these years, Clara didn't fit in very well, but she had two best friends, Pete Ross, with whom she was secretly in love, and Lana Lang. Pete didn't know about her superpowers, but Lana did. In 1936 Joe Kent died of a heart attack, devastating her daughter. Clara was unable to go to college after her father's death and worked as a teacher and nurse's aide in Smallville. Her engagement to Pete Ross, her teenage sweetheart failed in 1939 when she revealed her powers to Pete and he panicked, although he later promised to keep the secret. In those times of sadness, Kelex, the Kryptonian robot, was activated, explaining to Clara her true origins, which filled her with confusion.
Between 1939 and 1941 Clara lived in Canada and Alaska searching for the Fortress of Solitude, a strange place Kelex was pointing, but with the outbreak of World War II she decided to enlist as a nurse in the Pacific, refusing to use her powers except to help the wounded, fearing to cause more harm than good. In late 1944, the hospital ship on which he was traveling, the USS Shuster, was torpedoed by the Japanese. Clara jumped into the water and managed to keep the ship afloat with her super strength until she managed to beach it. No one understood how miraculously the ship had stayed afloat and even levitated. The incident was kept secret. Clara got a permit to return home and she revisited Alaska where she found the Fortress of Solitude with the help of Kelex. There she was able to better understand her origins and began to train her superpowers.
After learning about the Holocaust first and the atomic bombs later, Clara decided to become Superwoman and help others with her superpowers dressed in the ceremonial Kryptonian costume of her ancestors. Her mother Martha supported her decision. She relocated to Metropolis, where in September 1945 she was hired as an assistant reporter by Major Louis Lane, who had just returned from Europe.
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art by LuisF47 - Hobbyist, Digital Artist | DeviantArt
On October 1, 1945, Superwoman unveiled herself to the world and caused a huge sensation. The world was changed forever. Superwoman introduced herself to the newly formed United Nations, explaining her origins and her desire to help others and to stay out of political conflicts except to protect civilians.
Clara Kent began her double life as a journalist and as Superwoman. In July 1946, she defeated the invasion of General Zod and the survivors of Krypton. She also had to face other enemies such as the Intergang - an alliance of all organized crime in Metropolis and Gotham, Atomic Skull - an ex-Nazi agent with terrifying technology, Lex Luthor who began to develop his hatred and paranoia towards the superheroine, and his creations such as Metallo.
art by https://www.deviantart.com/xtophe
DAILY PLANET CHARACTERS
Perry Weiss, a major shareholder and editor in chief of the Daily Planet. Born in Odessa in 1886. Jewish immigrant from humble origins who became a skilled journalist and founded the Daily Planet as a tool of the liberal wing of the Metropolis Republican Party to unseat the city bosses of the time. Still a staunch liberal, he supported Roosevelt in 1932 and 1936, is an ally of Mayor LaGuardia. He won the Pulitzer Prize in the 1920s for defending the innocence of Sacco and Vanzetti. Friend and ally of Louis Lane's father. He is very demanding with his employees but is very fond of Clara. He admires and defends Superwoman despite Louis Lane's distrust. Best friend of Cat Grant.
Cat Grant, Co-chair of Perry Weiss, Pulitzer winner, closeted lesbian, and Ayn Rand Fan. Born 1901, she comes from a fine family of Metropolis Knickerbockers. She is like Louis the least liberal element of the newspaper. To protect herself she married a very old friend of her father who helped her lead a double life. For twenty years she lived with a painter named Margaret Ivy. Considered the best writer of the Daily Planet, in addition to being a journalist she has published two novels. Very elegant and popular in intellectual circles. She is tremendously authoritarian. She mistreats Clara a lot because she does not respect her authority and because of her different political ideas, but as Clara grows as a journalist and Cat Grant suspects that she is Superwoman, she will protect her and push her forward without Clara knowing it. Best friend of Perry Weiss
Jimmy Olsen and Lucy Weiss, best friends of Clara.
Jimmy is a junior urban photographer. He comes from a town in Massachusetts. He is 7 years younger than Clara. He is a party animal, friendly, generous, and somewhat naive. Yet he is a skilled photographer who has been able to capture the worst of the night and day of Metropolis. Miraculously he always gets the best pictures of Superwoman (Clara helps him a little). Very democratic and complains about working for a newspaper that is too conservative for his taste. Adores Clara whom he treats as his big sister. It doesn't even cross his mind that she is Superwoman. Jimmy thinks that Louis is a snob and a bigot.
Lucy is a senior political photographer and the only woman on photo reporting on the Daily Planet who works outside the fashion department. She is the eldest daughter of Perry Weiss. She is an intrepid photojournalist who gets overseas passes and has been to several military conflicts. A loyal friend of Clara, and a very serious and professional woman. She is suspicious of Clara's double identity but would never say anything. She is the same age as Clara and a lover of jazz and the more alternative circuits of Metropolis.
art by https://www.deviantart.com/milkydraws8/gallery
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art by https://www.artstation.com/pabloalcalde
LOUIS LANE, SUPERWOMAN'S WEAKNESS?
NAME: LOUIS LANE
BORN: 08/02/1912, METROPOLIS (NEW YORK)
PROFESSION: SENIOR REPORTER
YEAR: 1948
PLACE: METROPOLIS (NYC)
art by https://www.deviantart.com/rickcelis/gallery
-Rich family, born in 1912, first of 6 brothers.
-Caustic, cynical, ironic but somewhat kind.
-Commanding.
-Lives in Park Avenue with his 6-year-old daughter and his rich unfaithful wife, fashion reporter Pat Lane (neĂŠ Kelly). Very unhappy marriage.
-Major rank during the war in the US army. He also worked with the OSS.
-Elegant, sportsman, plays violin.
-Teaches music lessons in an orphan house in secret.
-Not that snobbish nor Wasp, new rich family traits.
-Arkham University alumni.
-Classic music and literature lover.
-Heavy drinker.
-Does not enjoy journalism, thinking of quitting to politics or teaching literature.
-Jewish father (Lane surname is a change from Lantzman), Irish catholic mother, raised catholic and religious, but not extremely orthodox.
-His father is a self-made tycoon who started as democrat in the Tammany Hall and then switched to republican. Close ally of Mayor LaGuardia.
-Fought in the European theater during World War II.
-Conservative republican opposed to his father liberal republican views, loves McArthur, who he thinks should be the next President.
-In the past he had a good opinion of Lex Luthor. He saw him as an innovator and freedom fighter, but his opinion changed when Luthor kidnapped him to set a trap for Superwoman.
-Perry Weiss favorite reporter.
-Won the Pulitzer Prize in 1941, for his articles about the first defeat of the Intergang.
-First person to interview Superwoman.
-Very nice and paternalistic to Clara. Louis pushes Clara's career forward despite Cat Grant's opposition. He is also secretly in love with Clara. Although he rejects Superwoman and suspects she is the same person as Clara, he deludes himself and rejects these suspicions.
-Tired of New Deal Politics, anticommunist.
-"a brilliant and kind man" for most of the Daily Planet staff, a "terrible asshole" for many others like Jimmy Olsen.
-Strongly rejects Superwoman and other heroes.
-Sometimes Clara really hates him.
-Famous line "Neither reds nor capes".
-He lives a bizarre love triangle with Clara Kent and Superwoman. Although he publicly rejects the superheroine, he also desires her and he and Superwoman have had moments of passion, which Louis feels guilty about because he is married and because of his religion. On the other hand, he is in love with Clara Kent as much as he rejects the figure of Superwoman. He deludes himself about the identity of both. A bit James Stewart in Vertigo, which destabilizes and infuriates Clara.
art by https://www.deviantart.com/guinnessyde
art by https://akiko02.carrd.co/
CURRENT AND PAST ENEMIES
Lex Luthor
Rocket engineer, CEO of TELCORP and Heir of Nikola Tesla. A Brilliant scientist who defines himself as a "radical humanist"...but in the early 30s supported closely fascism to stop "imperialism" and "usury" but later changed his mind and move closer to the USSR to fight "predatory western capitalism". Publicly, he is a tycoon and scientist loyal to the United States and works closely with the government. The world's greatest philanthropist. Loving father and husband. Hates Superwoman to death and believes she spells the end of humanity. Paranoid and ruthless but convinced that he does everything for the greater good.
art by https://www.deviantart.com/gus-art
General Zod & Faora
Political dissidents like the El on Krypton on the other hand believed that Krypton's only salvation lay in emigrating and invading, terraforming, and exterminating other planets. They almost succeeded in a coup d'ĂŠtat but after their failure they and their henchmen tried to flee by space jumping their ships, Jor-El managed to sabotage the launch and send them to the Phantom Zone. Over the years they managed to escape and arrived on Earth in 1946, shortly after Clara showed herself to the world as Superwoman. They tried to exterminate all humanity, but Superwoman and the armies of Earth managed to defeat them. Their invasion caused 5,000 human casualties but could have caused complete extermination. The experience was traumatic for Clara because she had to send Zod and Faora back to the Phantom Zone where they would surely die. Zod, Faora and their henchmen had not yet developed the full powers of a yellow sun like Earth's and so several of them were killed by human bombs and missiles. Their remains were stored by Russians and Americans. Superwoman managed to expel all Kryptonian technology and weaponry into space so that humans would not use it for warfare.
Doomsday
A truly near-indestructible abomination.
Perhaps from Krypton's past? Perhaps created by mistake by human scientists?
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art by https://www.deviantart.com/fernando-damasio & https://www.deviantart.com/kristherion
The Toyman
Winslow Schott, former entrepreneur, and inventor of the 1920s toy business who was ruined in the Great Depression by banks and various betrayals. After a crime spree he was imprisoned in 1933 but escaped from prison recently completely crazed and ready to take revenge on the whole city using his inventions.
Brainiac "The Eternal Traveller"
An android resulting from the abhorrent merger of a famous astronaut and artificial intelligence, which was used by the first civilization of Krypton to collect information from other worlds. It is more than 100,000 years old. With the passage of time, he revealed against the Kryptonians, became evil and phobic to any form of life that he considered imperfect or inferior. It caused the destruction of many cultures. He wanders through space visiting planets and analyzing life forms. He probably has no enthusiasm for humans, much less for a descendant of the House of El.
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art by https://www.instagram.com/estefaniaart_/
art by https://www.deviantart.com/midnightowl07
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art by https://www.deviantart.com/artsandar
art by https://akiko02.carrd.co/
art by https://www.deviantart.com/son-neko
art by https://www.deviantart.com/dommnics
You can download full free illustrated fanfic in pdf here! SUPERWOMAN FROM KRYPTON-FREE ILLUSTRATED FANFIC by lordmallory on DeviantArt or here SUPERWOMAN.pdf - Google Drive
#supergirl#heroine#gender bent#fanfic#dc universe#dc fanart#dc comics#dc artwork#fanart#1940s women#alternate universe#alternate history#dc elseworlds#elseworlds#superwoman#superman#superhero#krypton#action comics#justice league#dc comic#dceu#batman#clark kent#superheroine#science fantasy#science fiction#fandom#fan art#fantasy
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Fleischer/Famous Studios Animated Superman Shorts (1941-1943) Pt. 2
I am watching every movie based on a DC publication in release order, for more information, see my pinned post.
This is movies 8-18 on my list and is the second post on these Superman shorts, so for the entire introduction, see that post. Annoyingly, there's still one more of these shorts that just happened to come out after another movie, so they'll be another post about that single short at some point in the future.
THE MAGNETIC TELESCOPE IMDB Rating: 7 My Rating: 7 "Hope nothing goes wrong," Clark Kent says right as the magenetic telescope causes a comet to crash into the city.
Also Lois decides to call Perry White in the midst of the building she's in actively getting hit with pieces of a comet and then acts surprised when the building falls on her.
This is probably the best of these shorts I've seen yet. The setup is interesting in that there's a mad scientist that's definitely a bit evil, be he doesn't actually cause any issues, it's the police trying to stop his expirement that do. Also, at the end, Lois kisses Superman in the dark, but then the lights come on and he's changed back into his Clark Kent apparel, and that was cute.
ELECTRIC EARTHQUAKE IMDB Rating: 6.8 My Rating: 4 This one had a fun title card, it shook and crumbled.
Beyond that, this one wasn't very good. The villain is a man who wants the Daily Planet to print a story revealing that Manhattan actually belongs to "his people". Who are "his people"? We don't know. Why does he think this? We also don't know. Anyway he does crimes about it. Said crimes are just...electricuting the ground to start an earthquake?? I'm not sure that's how earthquakes work. Also superman gets attacked my a non-sentiant, non-controled electrical cord at some point?? That was confusing.
VOLCANO IMDB Rating: 6.9 My Rating: 7 HIS POWERS CHANGED!!! I mentioned in my first post about these shorts that I found it incredibly interesting that these shorts came out when Superman's powers still didn't include flight, so the little intro to all of the shorts said "able to leap tall buildings in a single bound". BUT, for the first time in this one, that intro was changed to "able to soar higher than any plane". He can fly now!!! Incredibly wild that they made that change in the midst of this series of shorts. I thought for a second this change might have happened when the production of these changed from Fleischer Studios over to Famous studios, but this one and the one after are still Fleischer. Moving on from that, Lois and Clark are sent to report on a volcano errupting on an island, and Lois STEALS Clark's press pass to get rid of him. This is the FIRST TIME we are seeing Lois and Clark animosity, and I'm really not even sure WHY she did this. Lois is kinda badass in this one ngl.
TERROR ON THE MIDWAY IMDB Rating: 6.5 My Rating: 5 The music is too loud over the start of this one and you can barely hear what Clark and Lois are saying. Overall, this one gets points docked for the sound design in general. It's about a buch of circus animals escaping, and all of the animal noises sounded strange and grating. Superman does fight a panther at some point though, so points for that ig.
JAPOTEURS IMDB Rating: 6.3 My Rating: 3 Oh boy. The youtube video that I watched of this was titled with "World War 2 american propaganda" and yeah, that's all this is. It's very racist and very boring. Superman saves a bomber plane and that's it, most of the short is spent setting up how cool and amazing this American bomber plane is.
SHOWDOWN IMDB Rating: 6.8 My Rating: 6 This one changed the intro again!! It went from "Faster than a speeding bullet, more powerful than a locomotive, able to soar higher than any plane" to "faster than a streak of lightning, more powerful than the pounding surf, mightier than a roaring hurricane". I wonder why. This short starts with Superman committing CRIMES. Except it's not actually Superman, of course, just someone in his costume. Interestingly, along with the change in intro, he's back to not being able to fly, just jump really high. That's really strange.
ELEVENTH HOUR IMDB Rating: 6.1 My Rating: 1 We're back with the World War II propaganda and racism. Even if you were to try to disregard those two things, this one just isn't good at all. Clark and Lois are in Japan, we're never really told why, and Clark is sabotaging the army operations there. Lois also gets captured at some point, but the whole short is really just Superman doing sabotage.
DESTRUCTION, INC. IMDB Rating: 6.4 My Rating: 4.5 This one just isn't particularly well written. It starts with some guy getting murdered and dumped in a pond, but then I'm not really sure how that ties into the rest of the story, which is about a group of workers attemping to blow up a torpedo manufacturing plant...for some reason?? Clark diguises himself as an elderly security guard, that's kinda fun.
THE MUMMY STRIKES IMDB Rating: 6.4 My Rating: 5.5 This one just...doesn't really fit with the rest of them??? It dives straight into like ancient Egyptian curses. Superman fights straight up mummies at some point. Everything else seems fairly rooted in the 'sci-fi' angle, and this one just doesn't really mesh. It's still interesting though.
JUNGLE DRUMS IMDB Rating: 6.3 My Rating: 2 Back at it again with the racism and propaganda. I overall just think they didn't put as much time into writing the shorts that were war related because they expected patriotism to carry them alone.
THE UNDERGROUND WORLD IMDB Rating: 6.7 My Rating: 6 BIRD MEN????????????????????????
#dcu#dc comics#superman#1940s movies#movies#movie review#superheroes#clark kent#watching every dc movie even if it kills me#the bird men might kill me
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probably could've just moved the kid out of the way
![Tumblr media](https://64.media.tumblr.com/3a8297423b22c9a8437b83ab97fa5e71/a451d992e0fd76ac-fa/s540x810/1d63a89e2f95b71bf0c4aba3e08e9f16da0eb18c.jpg)
Superman
Art by Norm Rapmund
#Comics#DC Comics#dc#Superman#Kal-L#kal el#Norm Rapmund#Earth 2#Earth-2#Earth Two#Art#clark kent#train#kid#train tracks#alien#kryptonian#1930s#1940s#smallville#smallville kansas#golden age superman#golden age#golden age of comics#golden age superhero#strongman
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i absolutely love reading everyone's tags from my brucie in 1940s art so here's one for clark!!!!!!!
even away from his superhero persona, clark kent does his share of rescuing via helping a lost kid find his way back to his parent
tho the kid seems to be enjoying himself
#clark kent#dick grayson#dc#world's finest#i got into superbat bc of seeing screenshots of world's finest comics so..... hahaha now you know#uuuggghhhh they make me so happyyyyyyyy#my art#fanart#yellow
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