#18th-century French drawings

[safrev]

maxime with old german owl pigeons !! because they r cool and i like them

[lionofchaeronea]

Young Country Girl Dancing, François Boucher, 1765-1770

[lesbianarthistory]

Unknown Artist (French School) – Two Women (18th c.)

[michel-feuilly]

Comission for @usergreenpixel again xD

A short story with a headcanon that Fouche practiced alchemy in a monastery

[insanedoritos]

16 Germinal An II

[dualdeixis]

[Image description: Two digital drawings. The first features Temenos Mistral and Aelfric in a medieval-style composition. The second features Kaldena and Temenos posing together in a study. There are full descriptions of both drawings under the cut. End image description.]

godsbride / goodwife

happy birthday @maverickflare <3

[Image description: In the first drawing, Aelfric sits on his stone pedestal outside the Flamechurch Cathedral at night. He wears a flowing white dress, a black long-sleeved undergarment, and a teal cloak. He also wears a gold belt and bracelet, and the medallion on his cloak depicts the Sacred Flame. His face is almost entirely eclipsed by a shining white halo; only the outlines of his narrowed eye, lofty smile, and long, curly hair can be seen. In one of his hands burns a blue flame, while the other hand cradles Temenos Mistral's face. Temenos looks up at Aelfric with an expression of dread and reverence, sweat beading on his cheek. The illustration has a border of gold and lapis lazuli that includes medallions at its corners and midpoints, which depict various other characters. At the top center is Crick Wellsley, holding up a red book so that it covers the lower half of his face; he looks directly at the viewer with a shadow over his eyes. On either side of him, as well as at the bottom center, are three angels with shackles around their necks. They smile placidly and hold their hands up in supplication as they gaze at Crick. At the middle left is Pontiff Jörg, looking tiredly off to the side. At the middle right is Roi Mistral, looking downwards with a troubled expression. All of them are drawn with blue haloes. The bottom left medallion shows Aelfric's hand reaching around Temenos's neck; his eyes are hidden, his face is flushed, and his mouth is slightly open. The bottom right medallion is shattered. Between each medallion, a poem is written in Orsterran script and framed by arabesques. The red background beyond the border, decorated with eight black, winged, haloed Sacred Flames, completes the poem. It reads: "THE FACE OF MY LORD / is a devouring fire / THE FACE OF MY LORD / is a destroying angel / THE FACE OF MY LORD / disturbs slumberers in the night / THE FACE OF MY LORD / menaces children at church / THE FACE OF MY LORD / does not appear / THE FACE OF MY LORD / cannot appear / THE FACE OF MY LORD / is a wreath of tears / THE FACE OF MY LORD / is a broken mirror"

In the second drawing, Kalenda sits at a desk in an intricately carved wooden chair. She wears a plum-purple tailcoat, wine-red waistcoat with a dotted pattern, black trousers, and a white shirt with ruffles at the wrist and a black ribbon at the collar. On her left hand, she wears three silver rings; on her right hand, she wears a gold ring on her ring finger. A flower-decorated bowl holding a pomegranate, plum, and grapes sits on her desk. In her right hand is a lychee. Temenos stands behind her, bracing his left hand on the chair and resting the other playfully on Kaldena's head, seemingly reaching for the lychee. He wears a white shirt, black waistcoat, yellow-green waistscarf, and teal trousers which are heavily embroidered with nature imagery. He also wears a pearl earring; a matching gold ring on his right ring finger; and a gold necklace with a pendant of Crick, who is haloed and holding his right hand up in a gesture of blessing. Kaldena and Temenos are both looking at the viewer and smiling. The simplistic background shows an entrance to another room as well as a tall bookcase, with the top shelf holding a vase and two figurines of a griffin and winged serpent. End image description.]

[ashildr-arts]

[atadbitofworld]

The Swing

Jean-Honoré Fragonard, The Swing, oil on canvas, 1767 (Wallace Collection, London) (photo: Steven Zucker, CC BY-NC-SA 2.0)

[empirearchives]

This is such a pretty picture of Napoleon, c. 1796

Portrait of General Bonaparte, 1796, by Louis Lafitte (Fondation Napoléon)

[flashbic]

il y a des tas de détails intéressants dans cette biographie, mais je dois avouer que 6 mois plus tard je pense encore surtout à cette scène où on a un peu l'impression que le régent de France gère une classe de maternelle.

[classic-art-favourites]

Madame Charles Mitoire with Her Children by Adelaide Labille-Guiard, 1783.

Context: portrait of Christine-Genevieve Bron with her sons Alexandre-Laurent Mitoire and Charles-Benoit Mitoire.

[safrev]

Saint Just for my school art assignment

[lionofchaeronea]

Medea, Charles-Antoine Coypel, ca. 1715

[rubenista]

Pierre Antoine Baudouin, Le Matin (Morning), 18th century. Gouache over traces of graphite, paper pasted onto board, 25.9 x 19.1 cm. Metropolitan Museum of Art, New York.

[little-candy-store-of-horrors]

She's the daughter of the ceasars. He's just a Bourbon. 🎟️💖🩷

[mod-of-chaos]

Beware of the French felines!

(Was watching The Cat Returns which inspired me to draw this)