#1890s evening
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Pale blue silk ball gown, 1898, French.
By Jean-Philippe Worth.
Met Museum.
#Jean Philippe worth#house of worth#womenswear#extant garments#silk#19th century#dress#met museum#france#1890s#1898#1890s evening#ball gown#1890s dress#1890s ball gown#1890s France
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House of Worth Evening Dress, French, 1898-1900
From the Met Museum
#house of worth#worth#evening dress#dress#fashion#fashion history#history#1898#1899#1900#1890s#1900s#1800s#victorian#french
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Some more of my vampire baddies.
#I wasn’t able to draw much lately because of work#but now I think things will calm down a little#might even write something involving them#who knows#art#digital art#digital drawing#my art#myart#artists on tumblr#original character#illustration#oc#original art#vampire aesthetic#vampires#vampire#vampire oc#gothic#goth#dark fantasy#dark aesthetic#dark academia#dark#1890s#1800s#1800s fashion
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Ball gown by the House of Worth ca. 1896
From the Denver Art Museum
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Evening Boots
1885-1890
Probably French
While the slipper and the strapped shoe were the most common choice for evening wear in the last third of the 19th century, boots did occasionally continue to appear. As with shoes, the basic evening boot was satin, either plain or featuring an embroidered vamp, usually in floral or foliate designs. Surviving examples of evening boots of the late 19th and early 20th centuries suggest, however, that those daring to wear something already outside of the ordinary often opted as well for unconventionally bold and unusual materials and trimmings. This pair of boots typifies that phenomenon: anachronistic side-lacing, novel and atypically exuberant fret and scroll motifs, and embroidery covering the entire boot, including the heel.
The MET (Accession Number: 2009.300.1477a–d)
#evening boots#fashion history#historical fashion#1880s#1890s#belle epoque#bustle era#turn of the century#france#off white#embroidery#accessories#shoes#the met
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• Evening Dress.
Designer/Maker: Parcher (Boston, Massachusetts, US); Worn by: Lucy Truman Aldrich (1869–1955)
Date: 1890's
Medium: Silk and lace
#fashion history#history of fashion#dress#fashion#19th century fashion#19th century#19th century dress#evening dress#parcher#Boston#lucy truman#1890's
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You can tell Elias Mannix was a teenager in the 2020s cause he loudly states disclaimers before doing anything that could be perceived as offensive and used in a callout post
"Just for the record I am killing you because you interfere with my evil plans and NOT!!! because I am homophobic 💖 #ally #loveislove"
#bodies Netflix#this is the most commented on thing I've seen from the show but it's SO funny#I bet he had a meltdown after getting called out on twitter#never again. not even in 1890 is he risking that.#bodies
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lit up
#name something more homoerotic -- ill wait#yeah the 1890s au is happening and just in time for yeehawgust#i even figured their last names out at long last stay tuned njehehe
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L'Art et la mode, no. 43, vol. 17, 24 octobre 1896, Paris. Toilettes de soirée. Dessin de Nada. (Parfum " Fleurs de France”, de Jones). Bibliothèque nationale de France
Robe en crêpe de Chine brodé gris argent. Choux froissés en taffetas rose de trois tons dégradés, formant garniture sur le côté gauche. Chaîne de diamant sur l'épaule droite.
Dress in silver grey embroidered crepe de chine. Crumpled choux in three shades of pink taffeta, forming trim on the left side. Diamond chain on the right shoulder.
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Sortie de bal très nouvelle, en satin blanc et hauts volants de Chantilly posés sur un premier volant en mousseline de soie blanche. Collerette en mousseline de soie blanche.
Very new ball cape, in white satin and high Chantilly ruffles placed on a first ruffle in white silk muslin. Collar in white chiffon.
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Toilette d'Opéra en velours "capucine". Revers et manches longues en guipure d'art. Epaulettes de velours bordées de zibeline comme les revers.
Opera ensemble in "capucine" velvet. Lapels and long sleeves in art guipure. Velvet epaulettes edged with sable like the lapels.
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Toilette de jeune fille en taffetas "azur". Entre-deux d'Irlande et volant plissé en mousseline de soie assortie. Epaulettes faites de pétales de roses roses.
Young girl's ensemble in "azure" taffeta. Irish entre-deux and pleated flounce in matching chiffon. Epaulettes made of pink rose petals.
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Toilette en tulle noir constellé de paillettes. Manches papillon et ceinture à longs pans en tulle "glaieul".
Black tulle dress studded with sequins. Butterfly sleeves and long-tailed belt in "gladiolus" tulle.
#L'Art et la mode#19th century#1890s#1896#on this day#October 24#periodical#fashion#fashion plate#description#bibliothèque nationale de france#dress#cape#collar#ball#gown#evening#opera#Modèles de chez#Nada
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jack kelly Has PTSD btw just so we r clear
#newsies#jack kelly#like .#pretty much canonically .#hes got it#even tho it wasnt diagnosable in the 1890s#hesss got it#esp hard promises its like genuinely not even deniable there#signed a tired ass senior year psych student
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ppl who act like the unifying factor for being lgbtqia+ is suffering are inherently backwards ab what it means to b queer in the first place. we didn't come into existence because we were oppressed, queer ppl have always existed. it's ridiculous to try n draw lines n borders around what identities r valid and which aren't just so u can justify bullying people u don't like
#ace aro ppl have always existed btw#I'm not even asexual!!!!! I'm not even aromantic!!!!#but it's not hard to look into this stuff n read up on cultural history n see tht acearo ppl have existed since#forever n have mentions in journals since the 1890s#and not to mention the 1994 study tht documented asexuality as a real identity#I'm tired of it genuinely sick and tired
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Brown evening dress, 1893, American.
Met Museum.
#womenswear#extant garments#dress#silk#wool#19th century#met museum#usa#1890s#1893#1890s usa#1890s dress#1890s evening#evening dress
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Evening Dress, made in Paris, 1894
From the Victoria & Albert Museum
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ab. 1897 Evening dress by House of Worth (attr. to Charles Frederick Worth French or (and) Jean-Philippe Worth French)
silk, linen
(Brooklyn Museum / Metropolitan Museum of Art)
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Dress and parasol made of spun glass threads by Liberty Glass Company, 1893
From The Toledo Art Museum
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Evening Dress
House of Drecoll
c.1890
The MET (Accession Number: C.I.50.105.19a, b)
#evening dress#fashion history#historical fashion#1890s#turn of the century#edwardian#1890#black#white#austria#drecoll#house of drecoll#silk#19th century#the met#popular
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