#1890s evening
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Pale blue silk ball gown, 1898, French.
By Jean-Philippe Worth.
Met Museum.
#Jean Philippe worth#house of worth#womenswear#extant garments#silk#19th century#dress#met museum#france#1890s#1898#1890s evening#ball gown#1890s dress#1890s ball gown#1890s France
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House of Worth Evening Dress, French, 1898-1900
From the Met Museum
#house of worth#worth#evening dress#dress#fashion#fashion history#history#1898#1899#1900#1890s#1900s#1800s#victorian#french
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Ball gown by the House of Worth ca. 1896
From the Denver Art Museum
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Dress & Details | c.1890s | British or French
#orange#black#dress#details#evening gown#1890s#french#british#mod fave#historical fashion#historic fashion
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Evening Boots
1885-1890
Probably French
While the slipper and the strapped shoe were the most common choice for evening wear in the last third of the 19th century, boots did occasionally continue to appear. As with shoes, the basic evening boot was satin, either plain or featuring an embroidered vamp, usually in floral or foliate designs. Surviving examples of evening boots of the late 19th and early 20th centuries suggest, however, that those daring to wear something already outside of the ordinary often opted as well for unconventionally bold and unusual materials and trimmings. This pair of boots typifies that phenomenon: anachronistic side-lacing, novel and atypically exuberant fret and scroll motifs, and embroidery covering the entire boot, including the heel.
The MET (Accession Number: 2009.300.1477a–d)
#evening boots#fashion history#historical fashion#1880s#1890s#belle epoque#bustle era#turn of the century#france#off white#embroidery#accessories#shoes#the met
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• Evening Dress.
Designer/Maker: Parcher (Boston, Massachusetts, US); Worn by: Lucy Truman Aldrich (1869–1955)
Date: 1890's
Medium: Silk and lace
#fashion history#history of fashion#dress#fashion#19th century fashion#19th century#19th century dress#evening dress#parcher#Boston#lucy truman#1890's
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You can tell Elias Mannix was a teenager in the 2020s cause he loudly states disclaimers before doing anything that could be perceived as offensive and used in a callout post
"Just for the record I am killing you because you interfere with my evil plans and NOT!!! because I am homophobic 💖 #ally #loveislove"
#bodies Netflix#this is the most commented on thing I've seen from the show but it's SO funny#I bet he had a meltdown after getting called out on twitter#never again. not even in 1890 is he risking that.#bodies
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lit up
#name something more homoerotic -- ill wait#yeah the 1890s au is happening and just in time for yeehawgust#i even figured their last names out at long last stay tuned njehehe
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L'Art et la mode, no. 41, vol. 19, 8 octobre 1898, Paris. Théatre des Variétés Le Nouveau Jeu. Dessin de M. de Solar. Bibliothèque nationale de France
Mlle Jeanne Granier. Déshabillé en guipure blé découpée sur transparent blanc. Garniture de tulle blé et ciel. La guipure est ourlée de petits bouillonnes de tulle blé. Ce déshabillé s’ouvre de côté, sur une jupe de tulle blé garnie de fine dentelle blanche.
Miss Jeanne Granier. Negligee in wheat guipure cut on transparent white. Trimmed with wheat and sky-green tulle. The guipure is hemmed with small wheat tulle bubbles. This negligee opens on the side, onto a wheat tulle skirt trimmed with fine white lace.
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Mlle Jeanne Granier. Redingote originale en drap gris bleuté, ajustée derrière, droite devant. Revers et petits parements de drap rouge et revers de drap gris. La redingote forme trois arrondis; le bas également a les bords arrondis.
Miss Jeanne Granier. Original frock coat in blue-grey cloth, fitted at the back, straight at the front. Lapels and small facings in red cloth and lapels in grey cloth. The frock coat forms three curves; the bottom also has rounded edges.
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Mlle Jeanne Granier. Très élégante toilette en cordonnet treillage de soie gris argent. Sur ce cordonnet sont brodés des motifs de guipure en fils de soie également gris. Grande frange de soie à petites boules grises. Plastron de velours ciel et pattes de velours.
Miss Jeanne Granier. Very elegant outfit in silver-grey silk cord. On this cord are embroidered guipure motifs in silk threads also in grey. Large silk fringe with small grey balls. Sky-blue velvet bib and velvet tabs.
#L'Art et la mode#19th century#1890s#1898#on this day#October 8#periodical#fashion#fashion plate#description#bibliothèque nationale de france#dress#costume#coat#evening#Modèles de chez#Marie de Solar
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ppl who act like the unifying factor for being lgbtqia+ is suffering are inherently backwards ab what it means to b queer in the first place. we didn't come into existence because we were oppressed, queer ppl have always existed. it's ridiculous to try n draw lines n borders around what identities r valid and which aren't just so u can justify bullying people u don't like
#ace aro ppl have always existed btw#I'm not even asexual!!!!! I'm not even aromantic!!!!#but it's not hard to look into this stuff n read up on cultural history n see tht acearo ppl have existed since#forever n have mentions in journals since the 1890s#and not to mention the 1994 study tht documented asexuality as a real identity#I'm tired of it genuinely sick and tired
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ab. 1897 Evening dress by House of Worth (attr. to Charles Frederick Worth French or (and) Jean-Philippe Worth French)
silk, linen
(Brooklyn Museum / Metropolitan Museum of Art)
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Brown evening dress, 1893, American.
Met Museum.
#womenswear#extant garments#dress#silk#wool#19th century#met museum#usa#1890s#1893#1890s usa#1890s dress#1890s evening#evening dress
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Evening Dress, made in Paris, 1894
From the Victoria & Albert Museum
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Dress and parasol made of spun glass threads by Liberty Glass Company, 1893
From The Toledo Art Museum
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“She’s tolerable, but not handsome enough to tempt me”😤😤😤
(Regency AU with Eloise and Sebastian inspired by my slow trek through Bridgerton these days & @bassicallymaestra ‘s AMAZING regency inspired art😮💨😇🙏)
#I just have a love of big regency dresses what can I say😔🙏#if you haven’t seen them yet this is a study of the GORGEOUS P&P illustrations from the 1890s by Charles Brock#they are all just so spectacular & I stare at them alllllllllll the time wishing I had an ounce of his talent🙏🙏🙏#so I do these studies to pretend even though I change some things😅😅 bc these studies is the best way to improve imo🙏#but I remembered halfway through why I rage quit trying to draw with my fountain pen a year ago😂😂😂#that thing is amazing for writing and I love it like a child#but drawing?! tbh I should have used my drawing ink pen but whatever#I woke up with a hankering to do some crosshatching (which I hate) in an attempt to get over myself#also!!!!!! when Mr Darcy says something like that it’s no wonder Elizabeth jumps at the bit to believe every awful thing she hears about him#it’s like Mr wickham’s dumb stories that nobody else in their right mind would believe#are speaking right to her soul. like OF COURSE that asshole from the assembly would do all of those things😤😤#he called me ugly so OF COURSE he would deny mr wickham his living😤😤#(I don’t blame her I would do the same🤝🤝)#ALSO why tf did he even say that when he’s clearly smitten from the beginning#I’m sure if he knew that she heard him he would simply perish from mortification#well thst is my p&p - inking horror - inspiration rant of the day🙏🙏#(I read p&p at least once a year & it is the only fanfic I really read😅😅😅)#hogwarts legacy#hogwarts legacy fanart#hphl#sebastian sallow#hogwarts legacy mc#hogwarts legacy oc#eloise#eloise babbit#regency au
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Evening Dress
House of Drecoll
c.1890
The MET (Accession Number: C.I.50.105.19a, b)
#evening dress#fashion history#historical fashion#1890s#turn of the century#edwardian#1890#black#white#austria#drecoll#house of drecoll#silk#19th century#the met#popular
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