#1890s France
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Blue and red day dress, ca. 1895, French.
By Jean-Philippe Worth.
National Gallery of Victoria.
https://www.ngv.vic.gov.au/explore/collection/work/117074/#
#ngv#blue#red#wool#womenswear#extant garments#dress#silk#19th century#1895#1890s#1890s France#1890s extant garment#day dress#1890s dress#french#house of worth#Jean Philippe worth
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A rare antique brass knuckles pistol with original case, France, 1890.
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Group of young women reading in library of normal school, Washington, D.C., Frances Benjamin Johnston, 1899.
#female photographers#frances benjamin johnston#1890s#women#photography#library#19th century#antique#history#photographers#b&w#black and white#b&w photography#old photography#victorian era#victorian fashion#vintage#feminist history
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Evening Boots
1885-1890
Probably French
While the slipper and the strapped shoe were the most common choice for evening wear in the last third of the 19th century, boots did occasionally continue to appear. As with shoes, the basic evening boot was satin, either plain or featuring an embroidered vamp, usually in floral or foliate designs. Surviving examples of evening boots of the late 19th and early 20th centuries suggest, however, that those daring to wear something already outside of the ordinary often opted as well for unconventionally bold and unusual materials and trimmings. This pair of boots typifies that phenomenon: anachronistic side-lacing, novel and atypically exuberant fret and scroll motifs, and embroidery covering the entire boot, including the heel.
The MET (Accession Number: 2009.300.1477a–d)
#evening boots#fashion history#historical fashion#1880s#1890s#belle epoque#bustle era#turn of the century#france#off white#embroidery#accessories#shoes#the met
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La Mode nationale, no. 22, 5 juin 1897, Paris. No. 14. — Petite mante. No. 17. — Mante. No. 21. — Collet mante. No. 23. — Mante. Bibliothèque nationale de France
No. 14. — Petite mante en soie brochée rose sur beige, froncée sur les épaules et remonte dans le haut par un collet formé par des feuilles de satin noir, avec broderies de jais en dessus, petite dentelle autour des feuilles, autour du cou grosse ruche retenue par une draperie de mousseline de soie enroulée et nouée en gros nœuds sur les côtés.
No. 14. — Small pink-on-beige embroidered silk mantle, gathered on the shoulders and raised at the top by a collar formed by black satin leaves, with jet embroidery above, small lace around the leaves, around the neck large ruffle held by a drapery of silk muslin rolled up and tied in large knots on the sides.
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No. 17. — Mante de drap gris allant plus bas que la taille, montée sur un col Médicis doublé de dentelle blanche; devant, longs revers brodés de soutache noire, même broderie dans le dos.
No. 17. — Gray cloth mantle reaching below the waist, mounted on a Medici collar lined with white lace; front, long lapels embroidered with black soutache, same embroidery on the back.
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No. 21. — Collet mante de soie brochée vert amande et rouge montée sur haut col Médicis doublée de dentelle; dans le bas, ceinture corselet à revers faisant la mante courte sur le devant.
No. 21. — Collar of almond green and red embroidered silk mantle mounted on a high Medici collar lined with lace; at the bottom, corselet belt with cuffs making the short mantle on the front.
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No. 23. — Mante de satin vert bouteille montée sur col Médicis, coupé de créneaux doublés de pattes de velours noir, mante à pointes devant et dans le dos, avec grands revers de velours.
No. 23. — Bottle green satin mantle mounted on a Medici collar, cut with crenellations lined with black velvet tabs, pointed mantle in front and back, with large velvet lapels.
#La Mode nationale#19th century#1890s#1897#on this day#June 5#periodical#fashion#fashion plate#description#bibliothèque nationale de france#dress#cape#collar#mantle
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A person with a sun face sits clothed in a bathtub holding a packet of Ondine starch powder. Illustrated by Misti. 1890.
Gallica
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Aline Marie Chazal Tristán, "The Artist's Mother" (c. 1889) by Paul Gauguin. Staatsgalerie Stuttgart.
#paul gauguin#staatsgalerie stuttgart#19th century art#late 19th century#1889#1890s#1890s art#19th century#19th century aesthetic#belle epoque#impressionism#genre painting#gauguin#oil on canvas#oil painting#painting#art#artwork#history of art#art history#kunst#kunstwerk#france#paris#french painter#french art#french artist#europe#european artist#female portrait
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Paris, 1890
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The rolling sidewalks, France, late 1890s
weltausstellungen:1900 paris:rollender gehsteig
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Mugshots of anarchists taken by Alphonse Bertillon, Paris, 1890's.
Élisée Bastard, 22, polisher.
Pierre Martin, 23, salesperson.
Auguste Solier, 18, draughtsman.
Nicolas Deliège, 19, tailor.
Aimé Léonard, 30, miner.
Georges Brunet, 25, carpenter.
Charles Parisis, 20, tailor.
Cyprien Charrié, 26, printer.
Armand David, 27, earthenware maker.
Armand Godard, 18, electrician.
Met collection
#france#paris#history#19th century#victorian#victorian era#1800s#1890s#alphonse bertillon#anarchism#anarchy#antique
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Green velvet dinner dress, 1894-1896, French.
Designed by Jeanne Hallée.
Met Museum.
#Jeanne Hallée#velvet#green#womenswear#extant garments#dress#silk#19th century#met museum#1890s#1894#france#1890s extant garment#1890s dress#1890s France#dinner dress
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#impressionism#modern classical#western classical music#1880s#1890s#1900s#1910s#1920s#france#poll#Spotify
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𝐕𝐢𝐧𝐜𝐞𝐧𝐭 𝐯𝐚𝐧 𝐆𝐨𝐠𝐡:
First Steps. 1890. Oil on canvas: 72 × 91 cm (28 × 36 in).
The Siesta. 1890. Oil on canvas: 72 × 91 cm (28 × 36 in).
#vincent van gogh#art history#rustic#countryside#rural#farm#19th century#france#landscape#aesthetic#cottagecore#beauty#1890s#nature#family#portrait#oil on canvas#farmcore#people#post impressionism#🥖 🧀 🍷
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"Group of young women performing atmospheric pressure experiments while studying science in school, Washington, D.C."
Photographed by Frances Benjamin Johnston, 1899.
#1890s#women#old photos#mine#frances benjamin johnston#19th century#old photography#antique#b&w#science#scientists#female scientists#vintage#black and white#women of history#women in history#victorian era#victorian photography#victorian fashion#victorian style#female photographers#women in photography#historic photographs#vintage photography
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Dress Owned by Lydia Williams Lyman (Mrs. Robert Treat Paine)
Emile Pingat (Paris, France)
1885-1890
Museum of Fine Arts, Boston (Accession Number: 56.849b)
#dress#fashion history#historical fashion#1880s#1890s#1885#1889#1890#red#velvet#silk#france#belle epoque#gilded age#19th century#mfa boston#for my boston/mass. friends: yeah it's that Paine family#also fyi if you search the accession number the photographs are gone#but my pinterest is forever <3
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L'Art et la mode, no. 44, vol. 19, 29 octobre 1898, Paris. Initial letter. Bibliothèque nationale de France
#L'Art et la mode#19th century#1890s#1898#on this day#October 29#periodical#fashion#fashion plate#bibliothèque nationale de france#dress#flowers#typography#alphabet#graphic design#illustration
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