#1862
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The Maid, Wilhelm August Lebrecht Amberg, 1862
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For producing the sound of a gong. The playbook of metals. 1862.
Science History Institute
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~ The Railway Traveller's Handy Book of Hints, Suggestions, and Advice, Before the Journey, On the Journey, and After the Journey, 1862
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#art#painting#oil on linen#ruins#gothic#goth#landscape#moon#moonlight#full moon#architecture#romanticism#frederik marinus kruseman#1862
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submitted by @atomkatzchen 💜🤍
#historical fashion poll submission#re-feature#historical fashion polls#fashion poll#historical dress#historical fashion#dress history#fashion history#fashion plate#19th century#19th century fashion#19th century dress#mid 19th century#circa 1860#1860s fashion#1860s dress#1860s#circa 1862#1862#skirt
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Day Dress
Early 1860s
By the early 1860s the width of the skirt, supported by the crinoline frame, had reached its zenith. Such a surface area provided the perfect canvas for bold, decorative effects, and contemporary photographs, fashion plates and surviving garments show large designs of strongly-contrasting applied velvet or braid encompassing the skirt above the hem, echoed on a smaller-scale on the bodice. The maker of this unpretentious one-piece day dress has interpreted this fashion in a simple, but effective, manner. Black velvet ribbon has been stitched to the bodice to suggest a yoke, and diagonal strips of ribbon with pointed ends have been applied to the base of the skirt at intervals, and to the tops of the sleeves. The dress has been made by hand from a worsted wool fabric, possibly incorporating linen, which has a slightly harsh but practical character; it is woven with bands of simple black pattern which have been matched symmetrically on both bodice and skirt. In common with many one-piece dresses of this date a small watch pocket has been inset at the left front waist seam. The dress’s one concession to complexity is the construction of the sleeves which are pleated into a piped curved seam running down the front of each sleeve.
The John Bright Collection
#day dress#fashion history#historical fashion#1860s#crinoline era#19th century#1860#1861#1862#1863#wool#velvet#brown#john bright collection
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William Adolphe Bouguereau (French, 1825-1905) Orestes Pursued by the Furies, 1862
#William Adolphe Bouguereau#Orestes Pursued by the Furies#1800s#1862#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#mediterranean#greek mythology#mythological art#mythology#neoclassical#neoclassical art#neoclassicism
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Navigation Lantern (Port), by William Porter. Used aboard USS Monitor, 1862
Recovered in 1977, this lantern was discovered lying in the sand near USS Monitor's turret.
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Louis-Auguste Bisson and Auguste-Rosalie Bisson. The crevasse (departure) on the way to the grand plateau, ascent of Mont-Blanc. 1862
I Am Collective Memories • Follow me, — says Visual Ratatosk
#BW#Black and White#Preto e Branco#Noir et Blanc#黒と白#Schwarzweiß#retro#vintage#Louis-Auguste Bisson#Auguste-Rosalie Bisson#crevasse#Mont-Blanc#1862#1860s#mountains#snow#landscape#paisagem#paysage#scenery#Landschaft#風景#ランドスケープ
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More duck omens doodles! Here is Paris, Edinburgh and 1862 Crowley!
#good omens#good omens 2#anthony j crowley#crowly x aziraphale#aziracrow#innefable husbands#aziraphale#crowley good omens#good omens3#duck omens#innefable ducks#duckley#duck#good omens crowley#holy water#paris#1862#crowduck#doodle#doodles
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Windmills of the Ukrainian Steppe at Sunset (1862)
By Ivan Aivazovsky.
#ukrainian history#ukrainian art#19th century#windmills#19th century art#ukraine#sunset#painting#art#1860s#ivan aivazovsky#1862
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#personal#aesthetic#dark#goth#gothic#art#painting#stańczyk#jan matejko#edit#my edit#classical art#1862
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Fig. 17. The Pyramid of Ghizeh. The playbook of metals. 1862.
Science History Institute
#ancient egypt#great pyramid of giza#geography#pryamids#full moon#illustration#nemfrog#1862#19th century
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💐🤍 ~ Alexandra, Princess of Wales, 1862. ~ 🤍💐
#JUST LOOK HOW PRETTY! 😭🤍💐💞😍#queen alexandra#alexandra of denmark#british royal family#victorian era#rare photo#1862#1860s
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La Mode illustrée, no. 30, 28 juillet 1867, Paris. Toilettes de bains de Mer de M.me Fladry. 27. Faub.g Poissonnière. Collection of the Rijksmuseum, Netherlands
Robe de dessous en taffetas violet, plissée sur une hauteur de 35 centimètres environ; corsage montant pareil à cette robe. Robe de dessus en taffetas écru, festonnée en soie violette; le lé de devant est festonné aussi de chaque côté sur sa hauteur, et dépasse un peu la robe, en formant une écharpe carrée; mêmes écharpes formant poches. Paletot ajusté pareil à la robe, entr'ouvert à l'encolure et croisé; ceinture pareille, nouée par derrière, se terminant par deux écharpes carrées. Toque en paille brune, garnie de feuillages bruns.
Underdress in purple taffeta, pleated to a height of about 35 centimeters; high bodice similar to this dress. Overdress in ecru taffeta, scalloped in purple silk; the front length is also scalloped on each side along its height, and extends slightly beyond the dress, forming a square scarf; same scarves forming pockets. Fitted overcoat similar to the dress, half-open at the neckline and crossed; similar belt, tied at the back, ending in two square scarves. Brown straw hat, trimmed with brown foliage.
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Robe en poil de chèvre gris chiné. Le bord de la robe est dentelé et bordé d'un rouleau en taffetas vert; sur le devant, depuis le col jusqu'aux pieds, de gros boutons recouverts en taffetas vert; six rouleaux de taffetas vert, fixés dans la couture de l'épaule, garnissant de chaque côté le corsage et s'étendent jusqu'au bas de la jupe, en s'arrondissant; ils sont terminés par une grande rosace en même étoffe que la robe; les feuilles de la rosace sont bordées d'un rouleau de taffetas vert. Même garniture sur le bord inférieur des manches. Ceinture verte, avec rosace pareille.
Dress in mottled gray goat hair. The edge of the dress is serrated and edged with a roll of green taffeta; on the front, from the collar to the feet, large buttons covered in green taffeta; six rolls of green taffeta, fixed in the shoulder seam, garnishing the bodice on each side and extending to the bottom of the skirt, rounding off; they are finished with a large rosette in the same fabric as the dress; the leaves of the rosette are edged with a roll of green taffeta. Same trim on the lower edge of the sleeves. Green belt, with similar rosette.
#La Mode illustrée#19th century#1860s#1862#on this day#July 28#periodical#fashion#fashion plate#color#decription in the book dounring.
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submitted by @edwardian-girl-next-door 💛🩵
#historical fashion poll submission#historical fashion polls#fashion poll#historical dress#historical fashion#dress history#fashion history#fashion plate#19th century#19th century fashion#19th century dress#mid 19th century#circa 1860#1860s fashion#1860s dress#1860s#circa 1862#1862#skirt
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