#1800 Numbers Australia
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If you are queer, trans, or nonbinary and need someone to talk to about the horrible news this week, here are a ton of crisis lines you can call. I got this list from @/ queeeerchameleon on instagram. Below the cut are numbers for the US, UK, Canada, Australia, Belgium, Ireland, India, New Zealand, France, Germany, and Japan.
US: Trevor project (866) 488-7386 thetrevorproject.org LGBT National Youth Talkline (800) 246-7743 lgbthotline.org Trans lifeline (877) 565-8860 translifeline.org Canada: Trans Lifeline 877-330-6366 http://www.translifeline.org/ UK: Switchboard 0800 0119 100 Switchboard.lgbt LGBT Foundation 0345 3 30 30 30 lgbt.foundation Galop 020-7704-2040 http://www.galop.org.uk/ Mermaids (0208)-123-4819 http://www.mermaidsuk.org.uk/ Australia: Q Life 1800 184 527 qlife.org.au Belgium: Holebifoon 0800-99-533 cavaria.be/holebifoon National Crisis Line 02-649-95-55 yourlifecounts.org/need-help/crisis-lines Ireland: Gay Switchboard 01-872-1055 gayswitchboard.ie/ Out West West Ireland: 094-937-2479 National: 1890-929-539 outwest.ie/ LGBT Helpline 1800-929-539 BeLonGTo (Youth) 01-670-622 belongto.org India: Sneha India 91-44-2464-0050 snehaindia.org NZ: OutlineNZ 0800-688-5463 Outline.org.nz/ France: SOS Homophobia 01-48-06-42-41 sos-homophobie.org/ Germany: Lesbenberatung 030-215-20-00 Lesbenberatung-berlin.de/ TRIQ 030-6167-529-15 Transinterqueer.org/ Japan: Occur 03-3380-2269 Occur.or.jp/ Stonewall Japan Stonewall.ajet.net/about/
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity, a way in which subjects get (what Wynter names) “selected” or “dysselected” from geography and coded into colonial possession through dispossession. The color line of the colonized was not merely a consequence of these structures of colonial power or a marginal effect of those structures; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). Richard Eden, in the popular 1555 publication Decades of the New World, compares the people of the “New World” to a blank piece of “white paper” on which you can “paynte and wryte” whatever you wish. “The Preface to the Reader” describes the people of these lands as inanimate objects, blank slates [...]. [Basically, "Man" is white, while non-white people are reduced to an aspect of the landscape, a resource.] Wynter suggests that we [...] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people [...]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. This refiguring of slaves trafficked to gold mines is borne into the language of the inhuman [...].
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The natal moment of the 1800 Industrial Revolution, [...] [apparently] locates Anthropocene origination in [...] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. [...] The racialization of epistemologies of life and nonlife is important to note here [...]. While [this industrialization] [...] undoubtedly transformed the atmosphere with [...] coal [in the nineteenth century], the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) [...]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery [...].
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Catherine Hall’s project Legacies of British Slave-Ownership makes visible the complicity in terms of structures of slavery and industrialization that organized in advance the categories of dispossession that are already in play and historically constitute the terms of racialized encounter of the Anthropocene. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. As the project empirically demonstrates, these legacies of colonial slavery continue to shape contemporary Britain. A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and [...] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished and investments were made in the Great Western Cotton Company, for example, and in cotton brokers, as well as in big colonial land companies in Canada (Canada Land Company) and Australia (Van Diemen’s Land Company) and a number of colonial brokers. Investments were made in the development of metal and mineralogical technologies [...].
The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power [...]. The slave trade [...] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization. Slavery and industrialization were tied by the various afterlives of slavery in the form of indentured and carceral labor that continued to enrich new emergent industrial powers from both the Caribbean plantations and the antebellum South. Enslaved “free” African Americans predominately mined coal in the corporate use of black power or the new “industrial slavery,” [...].
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The labor of the coffee - the carceral penance of the rock pile, “breaking rocks out here and keeping on the chain gang” (Nina Simone, Work Song, 1966), laying iron on the railroads - is the carceral future mobilized at plantation’s end (or the “nonevent” of emancipation). [...] [T]he racial circumscription of slavery predates and prepares the material ground for Europe and the Americas in terms of both nation and empire building - and continues to sustain it.
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All text above by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. At: e-flux dot com slash journal/97/252226/white-utopia-black-inferno-life-on-a-geologic-spike/ [Bold emphasis and some paragraph breaks/contractions added by me. Text within brackets added by me for clarity and context. Presented here for commentary, teaching, criticism.]
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Had a hell of a time trying to upload this lmao. Doodles to accompany a ramble about my silly horrorverse/metathesiophobia/worldbuilding ramble that's very large so it's under the cut. It's as much Ella lore as it is Elliot lore :3c there might be some grammatical errors but idc I've tried to upload this 7 times now and don't wanna reread it lol
"Most organizations classify them as extinct, caused by villages hunting them and a lethal mutation in the survivors saliva, there are theories there are a few hidden surviving members, their numbers being merely in the single digits. Lycanthropy is not a 'one size fits all' type of curse/disease/parasite, it's classification is still being debated today, and it adjusted both according to it's host and to it's surroundings when it developed.
Before the lethal mutation, an infected person's lycanthropy could vary extremely in the first few months as it got a grasp on what was a normal environment for the individual. All recorded cases fit the 'true' werewolf classification. For people who gained Lycanthropy through genetics, bloodline werewolves, a vast majority were only slight variations of the 'true' werewolf.
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The 'true' werewolf was most rampant back in the medieval ages, up until the mid 1800's, as to the Lycanthropy it was the peak time one could live 'naturally' and also a lack of constant danger while also having a sense of community. Although they were still bloodthirsty monsters, they held themselves back from ravaging people their host knew and hunted only strangers, even avoiding children if the host's morals were strong enough. They only hunted what they needed for the night, a person or two at most. True werewolves had very mild control of their curse, only being able to transform on command in dangerous situations. These transformations were relatively quick, taking less than 20 seconds, but remained agonizing as let the host take control until they were able to calm down in a safe area.
Sometimes an extreme burst of negative emotion could make part of their body rapidly transform to physically deal with the source of the stress, but it would result in the skin tearing due to the speed of it. Lycanthropy will only rip itself apart when it senses an emergency, a knee-jerk reaction if you will, to something in front of it. The last recording of a 'true' werewolf was in 20██, █████, Australia, however she had been found dead in her home. The cause of death was blood loss, caused by a silver laced bullet wound. For details about this report, please send a request to Dr. A. Whitelock.
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Socialite werewolves are an extremely modern and elusive mutation of Lycanthropy. They are the sole reason the theory lycanthropes could still be alive today holds any water. Unlike 'true' werewolves, who could be anyone, all Socialite werewolves have been people who have lived in lavish luxury for the important developmental years in a bloodline werewolf's life. They are physically the weakest recorded mutation. The main theory for this is that the Lycanthropy adapted to learn that social power among regular humans is far more valuable for survival than hunting them for sport and changed to make transformation less intensive and more 'suitable' for it's new survival strategy. They were able to transform in around ten seconds on average, one recorded process shows them morphing with little to no pain visible on their face. The host confirmed that the Socialite werewolf's transformation is far less painful by saying: "A muscle cramp is only a touch more painful." This has enabled the few recorded individuals to amass groups around themselves, as they all publicized their lycanthropy. Most simply saw them as role-players with good 'fur suits' due to the fact the host's hair style remains unchanged while turned.
The last recorded socialite werewolf was in 19██, a popular rock star who had unfortunately overdosed on theobromine, the news had covered it as a 'normal' drug overdose and were forced forge it as a cocaine OD.
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Brute werewolves are a debated topic, as some think we should classify them as Werebears instead, but all recovered remains confirm that their bone structure was far closer to a wolf than a bear's.
They are also debated to be a separate anomaly all together as they were initially thought to be a prehistoric megafauna before the bones were carbon dated to be only a few hundred years old. The term 'werewolf' was only applied to these bones upon the recovery of a library curated by a 'true' werewolf back in 1874.
According to literature in the library that claims to be history, Brute werewolves were thought to be lycans who had gone mad or were born to an accursed mother. Additional notes glued to the book claimed that they were simply those in the bloodline who had been tormented for a prolonged period of time, through they admit the 'cursed mother' could be part of it. Brute werewolves were described to be barbaric, rabid beasts that would rip apart anything with a heartbeat in front of them, only being satisfied when it had gorged itself on fresh meat and then some. There are drawings of Brute werewolves fighting packs of 'true' werewolves and descriptions of Brute werewolves being the cause of many deaths.
Despite the descriptions diminishing them as low intelligence beasts, they were said to speak in wails, attracting anyone to try to help the supposed person in danger, unknowing that they were the person in danger themselves.
Their transformations were said to be horrific as bone popped skin that ripped off muscle, their size was far to large to properly form from a regular human body. It is described to be a 'painfully long' process, so we assume it took over a minute for them to fully transform.
There has never been a case of an alive Brute werewolf, let alone a fresh corpse. We believe that if they are truly a mutation of Lycanthropy, they were the fist subsect to go extinct due to their heightened aggression that would have made it impossible to survive within the past 200 years. We hope that is the case."
7- █ - 202█ - Author Dr. Abigail Whitelock. Sources - ██████ - ██████████ -██████
#lizard's art#ella greenwood#werewolf#werewolf oc#elliot greenwood#dr. abigail whitelock#ramble#writing
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HSR THEORIES - PENACONY ANALYSIS
I guess I'm late to the game, but I'm normally a lore gremlin for Xianzhou lore, not Penacony lore. Anyways, don't expect something very elaborate, but you'll be able to find :
Reflection on the period based on history (Penal Colony)
Reflection on the period based on fashion (NPC in trailers)
Reflection on the period based on architecture (Art Deco)
Reflection on the period based on cultural shift (Railway Mania, Department Stores)
Reflection on lore based on Literature (Jules Vernes, Herman Melville)
Reflection on lore based on Philosophy (Idealism, Utilitarianism, Transcendental Idealism)
Everything under the cut as always since I tend to babble.
The name "Penacony" possibly comes from the phrase "penal colony".
I'm certainly not the first to make the connection, but "Penal Colony" inevitably brings to mind Australia. This idea of "Space Australia" is also reinforced by the names for the characters we know at the moment, with a very clear English etymology : Sunday, Robin, Gallagher, Firefly.
The use of Australia as a "penal colony" by England took place after the American War of Independence, so we start with a period around 1780 to ~1870.
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We didn't get to see a lot of NPC outfits in this very short clip, but what little there is could actually correspond to a period like this. However, we had a little more hints in Honkai Star Rail - Penacony Trailer | Game Awards 2023, where we see Acheron at the reception of the Reverie hotel :
This NPC in particular is interesting, because of her gloves. It's called "evening gloves" or "opera gloves". They were popular during the Napoleonic period (1800-1825) but were also very fashionable in the last two decades of the 19th century, i.e. 1880-1900 and before WWI, i.e up to 1910.
In terms of temporality, it is also important to note what concerns the architecture of Penacony.
It was noted on Reddit that the style of architecture could be reminiscent of the French Art Deco style, an architectural movement predominant in the 1910s to 1920s. Art Deco is said to have represented "luxury, glamour, exuberance, and faith in social and technological progress", so quite fitting for Penacony. Key features were : geometric/sleek designs, bold colors, luxurious materials, things that we find in the previews.
We'll have to wait to see more from Penacony, but it might be interesting to see if there is also any inspiration from the previous movement, Art Nouveau 🤔
Another architectural thing :
Look up and see the metal tracks crisscrossing the skyscrapers and the Spheroids rapidly rolling along them. They are the most visible means of transportation in this dreamscape metropolis and guide guests to each and every place around the city. [x]
This part about the Spheroids is interesting, because during this period (starting from 1825, with a peak in the 1840s), there was in France and England what we called the Railway Mania.
This is a point of interest because the Railway Mania saw the the arrival of the railroads in Paris. When it happened, this caused another major cultural shift : the rise of Department Stores. There is even a well-known french novel on the subject, called Au Bonheur des Dames (The Ladies' Delight) by Emile Zola.
The end of the 19th century is also the period of birth of modern advertising and given the number of things that we see plastered all over Penacony, I think I can say that we are on the right track/period.
So, in terms of rough "era", we can go from 1780 to ~1920, so mostly the 19th century (1800-1900).
Speaking of period culture and Penacony in general, we currently have a Relic Set which I will use for the rest of the post: Penacony's Dream-Seeking Tracks
Opening a window no longer show a view of the stars in the deep sky, but of the city's shifting streams of light and shadows, holding up the constant echoes of giant clocks and theaters.
Okay, let's start with some details that I only noticed because I come from a literary studies background. I'm not going to lie to you, it's far-fetched, but stay with me, I promise it's interesting.
Giant clocks and theaters made me think "steampunk" works, whose setting are often set in an alternative history of the Victorian era (~1837 to 1900, so right in our period). One of the pioneering writers of the genre, “proto-steampunk” so to speak, is Jules Vernes, considered one of the "father of science fiction".
Remember Spheroids ? : "Spheroids are regarded as both vehicles and as toys in the land of dreams. However, few remember that the Spheroids are actually imprisonment cages — the vehicle towards dreams are tools originally used for locking up prisoners."
One of Jules Vernes' best-known novels is Twenty Thousand Leagues Under the Seas, a science-fiction aventure novel the majority of which takes place aboard the Nautilus, a submarine belonging to Captain Nemo. And interesting thing, "he also tells his new passengers that his secret existence means he cannot let them leave — they must remain on board permanently" ; They are prisoners in the Nautilus.
On another point, Jules Vernes is also considered as having had a strong influence on the surrealist movement "in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality"." Quite fitting for our dream planet.
For the next one... Well. I have no excuse for this one, it's even more far-fetched. But so, we remain in the literary universe.
The water from the spring turn into a giant whale and swim through the halls.
Giant whale made me think of one thing almost immediately : Moby Dick, by Herman Mellville, published in 1851 (once again in our era of interest). Moby Dick is a "sea novel" centered around the figure of the hunt of a whale. It's main themes are the limits of knowledge, fate and free will, nature and man, race, fellowship, and enslavement, madness and religion [x].
I wont copy and paste the whole shtick but I send you check again The Family description from the Data Bank.
With that, we're done with literature... so it's time to move on to something else wonderful and terrible, the greatest enemy of my high school years (when you have to do it for 8 hours a week, it quickly becomes tiring), I named: PHILOSOPHY.
For a transcendent experience, for an inspirational excitement, for the soothing of worries and wounds — guests of the highest caliber come to surrender their pain in exchange for peace and tranquility
I'm not going to dwell on that for too long, quite honestly. I'll just... put that here for you to do whatever the fuck you want with it.
Idealism : "Idealism in philosophy, also known as philosophical idealism or metaphysical idealism, is the set of metaphysical perspectives asserting that, most fundamentally, reality is equivalent to mind, spirit, or consciousness; that reality is entirely a mental construct; or that ideas are the highest form of reality or have the greatest claim to being considered "real"
At some unknown point in time, the small cells cut off access to reality, but people's consciousnesses became linked in dreams. In the midnight bell, that shared dream seemed so real, reflecting the sheer hypocrisy of reality.
Utilitarianism : "a family of normative ethical theories that prescribe actions that maximize happiness and well-being for the affected individuals. In other words, utilitarian ideas encourage actions that ensure the greatest good for the greatest number."
Those who follow the "Harmony" Path admire understanding, support, and cooperative behavior.
In addition to all previously "said", one of the greatest thinkers of the time, who is also the one at the origin of the definition of transcendent, is Immanuel Kant. His best known work is Critique of Pure Reason (1781), with which "he aims to reach a decision about "the possibility or impossibility of metaphysics".
Metaphysics "is the branch of philosophy that studies the fundamental nature of reality. This includes the first principles of: being or existence, identity, change, space and time, cause and effect, necessity, actuality, and possibility."
This work was the founding work of a philosophical doctrine known under the name of Transcendental Idealism. I'll spare you the convoluted explanations but look at that :
The scenery gradually becomes more and more incredulous, and the senses feel as if one has been lifted by silk. [...] The guests finally realize that they were never awake, but are instead witnessing Penacony's true nature in a dream — a place where time stops in a neverending dreamscape.
"Kant means that his philosophical approach to knowledge transcends mere consideration of sensory evidence and requires an understanding of the mind's innate modes of processing that sensory evidence".
"Kant outlines how space and time are pure forms of human intuition contributed by our own faculty of sensibility. Space and time do not have an existence "outside" of us, but are the "subjective" forms of our sensibility".
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September is International Suicide Prevention Month.
Unfortunately, given current trends on a lot of social media, the word "suicide" has become a Bad Word and people have resorted to using ridiculous newspeak like "sewer slide" and "self-unaliving" to appease the algorithms and the censors.
But this is Tumblr. We can say words like "suicide" here. And I'm going to say it
Suicide Hotline (US): 988
Text-based suicide hotline hotline: 741-741 (Text CONNECT to begin a conversation)
International Suicide Hotlines: Argentina: 54-0223-493-0430 Australia: 13-11-14 Austria: 01-713-3374 Barbados: 429-9999 Belgium: 106 Botswana: 391-1270 Brazil: 21-233-9191 Canada: 1-833-456-4566 (toll free) Canada, French-speaking: 1-866-277-3553 (1-866-APPELLE) Canada, text-based: 45645 (only available 4pm-midnight) *Canada will begin using the 988 hotline number on November 30 2023 China (Mainland): 852-2382-0000 Hong Kong: 2389-2222 Costa Rica: 606-253-5439 Croatia: 01-4833-888 Cyprus: 357-77-77-72-67 Czech Republic: 222-580-697 OR 476-701-908 Denmark: 70-201-201 Egypt: 762-1602 Estonia: 6-558-088 Finland: 040-5032199 France: 01-45-39-4000 Germany: 0800-181-0721 Greece: 1018 Guatemala: 502-234-1239 Holland: 0900-0767 Honduras: 504-237-3623 Hungary: 06-80-820-111 Iceland: 44-0-8457-90-90-90 India Self Harm Hotline: 00 08001006614 India Suicide Helpline: 022-27546669 Israel: 09-8892333 Italy: 06-705-4444 Japan: 3-5286-9090 Latvia: 6722-2922, 2772-2292 Malaysia: 03-756-8144 Singapore: 1-800-221-4444 Mexico: 525-510-2550 Netherlands: 0800 0113 (website: www.113.nl ) New Zealand: 4-473-9739 New Guinea: 675-326-0011 Nicaragua: 505-268-6171 Norway: 47-815-33-300 Philippines: 02-896-9191 Poland: 52-70-000 Portugal: 239-72-10-10 Puerto Rico: 787-763-7575 OR 1-800-981-0023 (toll free) Russia: 8-20-222-82-10 Singapore: 1800-221 4444 Spain: 91-459-00-50 South Africa: 0861-322-322 South Korea: 2-715-8600 Sweden: 031-711-2400 Switzerland: 143 Taiwan: 0800-788-995 Thailand: 02-249-9977 Trinidad and Tobago: 868-645-2800 Ukraine: 0487-327715
These are phone number for people who are at risk for suicide. Not "sewer slide" not "self-unaliving" not "self-exiting." Yes, the idea can be upsetting, but it needs to be confronted under its real name: suicide. These numbers are for suicide prevention and September is International Suicide Prevention Month.
Please update and amend this post as might be needed!
#crisis numbers#emergency numbers#crisis hotline#suicide prevention#suicide hotline#crisis text line#resources
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Stats Part 3
Now that Round 3 is over, we're down to 32 (well, 33) remaining artworks which feels about time to check in on how our statistics are doing!
And if you're not interested in statistics, I (Mod Salix) wanted to talk about the polls. You may have noticed that I've been trying to keep to 4 polls a day, which would mean that Round 4 is only going to be 4 days, and Round 5 would post everything in two days. Starting in Round 6, we'll probably re-institute week long polls. Hopefully none of us will lose track of what day to post the next round!
We have 20 artworks by male artists, 10 by female artists, and 4 by groups or unknowable entities! And of those, one person is Black, two are Aboriginal (one of whom is Mestizo and Kichwa, the other of whom is Aboriginal Australian), one is Asian-American (and two are Chinese living in China as opposed to living somewhere they're a minority), and one is Indian-British. And also three are left from gay men about the AIDS crisis, in addition to the AIDS memorial quilt, and one lesbian comic.
There are six American artists (including the Asian-American mentioned above), and three Chinese artists (including the Asian-American mentioned above), as well as three Russians (including Ilya Repin, who was born in the future Ukraine and lived near St. Petersburg), technically two different pieces by the same Dutch artist (hi van Gogh), and one each from Argentina, Serbia, Ecuador, Colombia, Canada, Italy, Northern Ireland, Poland, Australia, Finland, Germany, France, and Britain. And one artist I have listed as Denmark/Germany/France, because August Friedrich Schenck was born in a place that was Denmark at the time, Germany now, and worked mostly in France.
Of the pieces with known locations, eight are in the United States (four specifically in New York), two each in Australia and Russia, and one each in Argentina, Finland, Italy, Ireland, the Netherlands, Poland and one in a private collection.
There are two archaic pieces of art, Judith is our last standing piece from anything between archaic and 1843, 8 pieces of art from the 1800s, although five are from 1878 to 1896, one from 1903, two from the 70s or 80s, 5 from the 90s, four from the 00s, four from the span of 2014 to 2016, and three from the last two years. And two unknown dates and the AIDS memorial quilt which is still being added to.
There are 15 paintings, 7 installation arts, one comic, one photograph, one cave art, one sketch, one tattoo, and one fiber art slash installation. And the most common subject of the art are five queer related art pieces, although I have four each I summed up as either horror or grief/anguish.
And, lastly, someone sent in an ask in like Round 1 asking about statistics regarding whether being in first or second place in the poll biased anything. I'm not actually a statistician, so I can't answer that question, but I did compile the numbers of how many first-positioned vs second-positioned arts won! Surprisingly, Round 1 had 64 firsts to 63 seconds (and one tie), Round 2 had 29 to 35, and Round 3 had 15 to 17. Technically speaking that's not a large enough sample size to determine bias but it's... interesting?.
I was going to make a scatterplot featuring the number of votes in each poll to track engagement, but I haven't actually figured out how to do one in Google Sheets yet so maybe at the end of the bracket.
#definitely not inspired by a tag i saw on a poll spawning me to check ratio of men to women artists remaining#stats for nerds#mod salix#announcement#the most baffling poll is marat vs dusseldorf museum kunst palast somehow only had 146 votes? that can't be right#edit: if that one WAS hidden we had no way of telling :( it was finally beaten though#second edit: i included oswaldo guayasamin in the stats even though he was knocked out by keith haring :( sorry
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Dear God, How do I keep from killing myself. Should I just come join you? Amen or whatever.
Call this number, dependent on where you live:
United States
Canada
Argentina 23-930-430 Armenia 2-538-194 or 2-538-197
Australia 1-800-198-313 Kids Help Line: 1-800-55-1800 Lifeline: 13-1114 Perth: (08) 9381 5555 Perth Youthline: (08) 9388 2500 Sydney: (02) 9833 2133 Launceston: (03) 6331 3355 Tasmanian callers outside Launceston: 1300 364 566
Austria 01-713-3374 Barbados 429-9999 Brazil 21-233-9191 China 852-2382-0000 Costa Rica 506-253-5439 Cyprus 0-777-267 Denmark 70-201-201 Egypt 762-1602 Estonia 6-558-088 Finland 040-5032199 France 01-45-39-4000 Germany 0800-1110-111 Guatemala 502-254-1259 Holland 0900-0767 Honduras 504-237-3623 Hong Kong 2896-0000 Hungary 62-420-111 India 91-22-307-3451 Israel 1201 (from inside the country) 972-9-889-1333(from outside the country) Italy 06-7045-4444 Ireland 1850-60-90-90 Japan 3-5286-9090 Lithuania 8-800-2-8888 Malaysia 03-756-8144 Mauritius 46-48-889 or 800-93-93 Mexico 525-510-2550 New Zealand 4-47-9739 Nicaragua 505-268-6171 Norway 815-33-300 Poland 52-70-000 Portugal 239-72-10-10 Russia 8-20-222-82-10 Singapore 1-800-221-4444 South Africa 0800-567-567 051-448-3000 South Korea 2-715-8600 Spain 91-459-00-50 Sri Lanka 1-692-909 St. Vincent 809-456-1044 Sweden 031-711-2400 Switzerland 143 Thailand 02-249-9977 Trinidad & Tobago 868-645-2800 Ukraine 0487-327715 / 0482 226565 United Kingdom 08457-90-90-0 ChildLine -- for children and teens 0800-1111
Yugoslavia 021-623-393
Zimbawe 9-650-00 (Bulawayo) 4-726-468 0r 722-000 (Harare) 20-635-59 (Mutare)
I'll be happy to see you, when it's your time to get here. But right now you have so much more to do. Don't rush it.
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Worldbuilding for Werewolves in the Workplace
I actually typed out a bunch of my worldbuilding for Werewolves in the Workplace, instead of my usual cryptic scribbles on random bits of paper, so I thought I'd pop it into a Tumblr post in case anyone's interested.
Disclaimer: Here be spoilers for Werewolves in the Workplace, and these are my working notes, which means they're not all fully fleshed out explanations, because I knew what I meant :)
Under the cut cause long plus spoilers.
Vampire abilities
If it's the vampire acting on the world or the ability just affects the vampire, it's fair game; if it requires the world to change, no. Much of the stuff in Dracula that marks him as explicitly different (appearance, not healing) and could be used by someone to identify a vampire if it was accurate is propaganda, baby!
Off the table are things like: not reflecting in mirrors, can't enter a home uninvited (because that creates a physical barrier they can't pass), can't cross running water (because either some property in the water would have to change to create a barrier, or all vampires would have to be hydrophobic), afraid of/are stopped/burned by religious symbols (since it doesn't require the vampire to be a believer, there'd need to be some inherent vampire-repelling property in all religious symbols, or all vampires would have to be religiophobic).
Things that ride the line, eg enthralling, are yes with caveats, eg the person has consented, is impaired in some way, or believes they can be influenced without consent. They can phase (turn into vapour) because that's how they escape wherever they were entombed as dead after the change, since a lot of human cultures put their dead in inescapable situations. (That's how Nat escaped her grave, not that she's told anyone that). It's an instinctual ability that only some vampires retain the ability to use consciously.
A stake through the heart doesn't end them, you have to sever the spine, but they still turn to ash/dust.
Werewolf legal status
Werewolves were given legal recognition in the UK and the US in World War One so they could be drafted. It started in the UK, quickly followed by many Commonwealth countries, and then the US. Their legal status in other countries at that point varied; in some Nordic countries, they'd been recognised since the mid-1800s.
In WW1 in the UK, a werewolf tried to enlist in the Army, was denied on the grounds that he was a werewolf, and fought the decision through the courts, but the refusal was upheld. (This was amazing PR for werewolves and garnered a lot of public support: brave and patriotic werewolf wants to fight for his country and is denied etc.) However, the government realised werewolves were a fantastic source of near unkillable bodies they could throw at the Hun and pushed through legislation recognising werewolves as having the same legal status as humans and then promptly drafted the fuck out of them. Similar legislation was quickly introduced in Canada, New Zealand and some other Commonwealth countries, as well as Australia and India, where they was no draft but they were soon being turned away due to the sheer numbers of volunteers. The US quickly followed suit, because the military knows a good source of cannon fodder when it sees one.
Makin' werewolves
Werewolves and humans can interbreed but the offspring will only be a werewolf if the pregnant parent is the werewolf and they shift during the pregnancy. Pregnant werewolves pass the werewolf potential through the placental barrier; shifting while pregnant activates it and the baby shifts, too. If the pregnant parent is human, or the werewolf parent carrying the baby never shifts, the baby will be human. The same is true for werewolf x werewolf parents; the pregnant werewolf still has to shift during pregnancy for the baby to be born a werewolf, but it would be very unusual for them not to.
A human can only be made into a werewolf by being bitten with intent, which activates special salivary glands that produce the werewolf 'infection'—and it must be introduced into the body by a deep bite from a werewolf in wolf form; injecting it or swallowing it has zero impact—or because the werewolf parent that carried them shifted during pregnancy.
Vampire legal status
Vampires were given legal recognition in the early 1980s in the US and UK (with a similar knock-on effect to some other Commonwealth countries) under Regan and Thatcher respectively, because they were both approached by rich vampires who'd been passing as human with the money, power, and attitude to appeal to those fucks. Both Regan and Thatcher were hoping/expecting to get turned but even the most amoral vampire has more class and respect for the world than to inflict those fuckers on eternity.
The UK/US weren't the first. There were already a few countries that gave legal recognition to vampires, primarily in Europe, but even after the US and the UK picked it up, it was much slower to spread than werewolf recognition and a few countries passed laws that did the opposite—explicitly stated that vampires, being dead, had no more standing at law than a corpse and no one committed an offense if they disposed of one.
Random trivia: In order to make ending a vampire a criminal offence criminal codes/laws had to be amended, because homicide (murder, manslaughter et al) requires killing, ie taking a life, and vampires aren't alive. Some extremely conservative US states simply failed to amend their criminal laws, which means someone who ends a vampire there does not commit a criminal offence.
There were also a whole lot of interesting lawsuits after vampires gained legal status around whether life insurance policies had be paid out and whether wills were binding, given the person was still walking around (with insurance policies and succession legislation being amended quick smart).
Lyc-C or Lycanthropic Cancer (warning for discussion of terminal cancer, suicide)
Lyc-C is a cancer that only affects werewolves. It hijacks werewolf healing, which makes it basically impossible to treat. If a werewolf with Lyc-C gets an injury or any kind of damage that activates their healing, that feeds the growth of Lyc-C. This means surgery (or chemo) is rarely a good solution unless it's guaranteed the surgery will get all of it—and surgery on a werewolf is incredibly difficult—because both those things activate werewolf healing, which cause the Lyc-C to grow faster.
Werewolves with Lyc-C in a benign location can live with it for several years if they're extremely careful, don’t get injured, don't do anything to activate their healing, and never shift. If they manage that, Lyc-C will grow very slowly, but it's only a temporary solution. If it appears in a non-benign place - the lymph system, an organ, the brain etc - it will kill them fast.
Once the Lyc-C starts to seriously grow the end is inevitable. The damage it does activates their healing, which causes it to grow faster and spread in a vicious unstoppable cycle until the damage is enough to kill the werewolf. A lot of werewolves choose to suicide (or opt for assisted dying if that's an option where they live) when they know it's going to reach that point.
Vampire blood does end up being the key to a finding a cure. The team using Steve and Dr Erskine's blood have almost cracked it by the time Werewolves in the Workplace starts.
Dr Erskine's symbiosis speculation
Bucky thinks Steve was making things up to throw Shark-eyes off, but Dr Erskine genuinely speculates that vampires started out in a symbiotic relationship with humans. That thousands and thousands of years ago, they were a core part of some human cultures, taking on the role of protector after death. As the world changed and cultures changed, they were no longer wanted or needed, and ended up as predators.
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Yowie
Yowie is one of several names for an Australian folklore entity that is reputed to live in the Outback. The creature has its roots in Aboriginal oral history. In parts of Queensland, they are known as quinkin (or as a type of quinkin), and as joogabinna, in parts of New South Wales they are called Ghindaring, jurrawarra, myngawin, puttikan, doolaga, gulaga and thoolagal. Other names include yaroma, noocoonah, wawee, pangkarlangu, jimbra and tjangara. Yowie-type creatures are common in Aboriginal Australian legends, particularly in the eastern Australian states.
The yowie is usually described as a hairy and ape-like creature standing upright at between 2.1 m (6 ft 11 in) and 3.6 m (12 ft). The yowie's feet are described as much larger than a human's, but alleged yowie tracks are inconsistent in shape and toe number, and the descriptions of yowie foot and footprints provided by yowie witnesses are even more varied than those of Bigfoot. The yowie's nose is described as wide and flat.
Behaviourally, some report the yowie as timid or shy. Others describe the yowie as sometimes violent or aggressive.
The origin of the name "yowie" to describe unidentified Australian hominids is unclear. The term was in use in 1875 among the Kámilarói people and documented in Rev. William Ridley's "Kámilarói and Other Australian Languages" (page 138)
“Yō-wī” is a spirit that roams over the earth at night.
Some modern writers suggested that it arose through Aboriginal legends of the "Yahoo". Robert Holden recounts several stories that support this from the nineteenth century, including this European account from 1842:
The natives of Australia ... believe in ... [the] YAHOO ... This being they describe as resembling a man ... of nearly the same height, ... with long white hair hanging down from the head over the features ... the arms as extraordinarily long, furnished at the extremities with great talons, and the feet turned backwards, so that, on flying from man, the imprint of the foot appears as if the being had travelled in the opposite direction. Altogether, they describe it as a hideous monster of an unearthy character and ape-like appearance.
Another story about the name, collected from an Aboriginal source, suggests that the creature is a part of the Dreamtime.
Old Bungaree, a Gunedah Aboriginal ... said at one time there were tribes of them [yahoos] and they were the original inhabitants of the country — he said they were the old race of blacks ... [The yahoos] and the blacks used to fight and the blacks beat them most of the time, but the yahoo always made away from the blacks being a faster runner mostly .
On the other hand, Jonathan Swift's yahoos from Gulliver's Travels, and European traditions of hairy wild men, are also cited as a possible source. Furthermore, great public excitement was aroused in Britain in the early 1800s with the first arrivals of captive orangutan for display.
In a 1987 column in The Sydney Morning Herald columnist Margaret Jones wrote that the first Australian yowie sighting was said to have taken place as early as 1795.
In the 1850s, accounts of "Indigenous Apes" appeared in the Australian Town and Country Journal. The earliest account in November 1876 asked readers; "Who has not heard, from the earliest settlement of the colony, the blacks speaking of some unearthly animal or inhuman creature ... namely the Yahoo-Devil Devil, or hairy man of the wood ..."
In an article entitled "Australian Apes" appearing six years later, amateur naturalist Henry James McCooey claimed to have seen an "indigenous ape" on the south coast of New South Wales, between Batemans Bay and Ulladulla:
A few days ago I saw one of these strange creatures ... on the coast between Batemans Bay and Ulladulla ... I should think that if it were standing perfectly upright it would be nearly 5 feet high. It was tailless and covered with very long black hair, which was of a dirty red or snuff-colour about the throat and breast. Its eyes, which were small and restless, were partly hidden by matted hair that covered its head ... I threw a stone at the animal, whereupon it immediately rushed off ...
McCooey offered to capture an ape for the Australian Museum for £40. According to Robert Holden, a second outbreak of reported ape sightings appeared in 1912. The yowie appeared in Donald Friend's Hillendiana, a collection of writings about the goldfields near Hill End in New South Wales. Friend refers to the yowie as a species of bunyip. Holden also cites the appearance of the yowie in a number of Australian tall stories in the late nineteenth and early twentieth centuries.
According to "Top End Yowie investigator" Andrew McGinn, the death and mutilation of a pet dog near Darwin could have been the result of an attack by the mythological Yowie. The dog's owners believed dingoes were responsible.
In 2010, a Canberra man said he saw an animal described as "a juvenile covered in hair, with long arms that almost touched the ground" in his garage. A friend later told him it could be a yowie.
In 1977, The Sydney Morning Herald reported that residents on Oxley Island near Taree recently heard screaming noises made by an animal at night, and that cryptozoologist Rex Gilroy would soon arrive to search for the mythological yowie.
In 1994, Tim the Yowie Man claimed to have seen a yowie in the Brindabella Ranges.
In 1996, while on a driving holiday, a couple from Newcastle claim to have seen a yowie between Braidwood and the coast. They said it was a shaggy creature, walking upright, standing at a height of at least 2.1 metres tall, with disproportionately long arms and no neck.
In August 2000, a Canberra bushwalker described seeing an unknown bipedal beast in the Brindabella Mountains. The bushwalker, Steve Piper, caught the incident on videotape. That film is known as the 'Piper Film'.
In March 2011, a witness reported to NSW National Parks and Wildlife Service seeing a yowie in the Blue Mountains at Springwood, west of Sydney. The witness had filmed the creature, and taken photographs of its footprints.
In May 2012, an American television crew claimed it had recorded audio of a yowie in a remote region on the NSW–Queensland border.
In June 2013, a Lismore resident and music videographer claimed to have seen a yowie just north of Bexhill.
In the mid-1970s, the Queanbeyan Festival Board and 2CA together offered a AU$200,000 reward to anyone who could capture and present a yowie: the reward is yet to be claimed.
In the late 1990s, there were several reports of yowie sightings in the area around Acacia Hills. One such sighting was by mango farmer Katrina Tucker who reported in 1997 having been just metres away from a hairy humanoid creature on her property. Photographs of the footprint were collected at the time.
The Springbrook region in south-east Queensland has had more yowie reports than anywhere else in Australia. In 1977, former Queensland Senator Bill O'Chee reported to the Gold Coast Bulletin he had seen a yowie while on a school trip in Springbrook. O'Chee compared the creature he saw to the character Chewbacca from Star Wars. He told reporters that the creature he saw had been over three metres tall.
A persistent story is that of the Mulgowie Yowie, which was last reported as having been seen in 2001.
In March 2014, two yowie searchers claimed to have filmed the yowie in South Queensland using an infrared tree camera, collected fur samples, and found large footprints. Later that year, a Gympie man told media he had encountered yowies on several occasions, including conversing with, and teaching some English to, a very large male yowie in the bush north-east of Gympie, and several people in Port Douglas claimed to have seen yowies, near Mowbray and at the Rocky Point range.
Prominent yowie hunters
Rex Gilroy. Since the mid-1970s, paranormal enthusiast Rex Gilroy, a self-employed cryptozoologist, has attempted to popularise the yowie. Gilroy claims to have collected over 3,000 reports of them and proposed that they comprise a relict population of extinct ape or Homo species. Rex Gilroy believes that the yowie is related to the North American Bigfoot. Along with his partner Heather Gilroy, Gilroy has spent fifty years amassing his yowie collection.
Tim the Yowie Man. A published author who claims to have seen a yowie in the Brindabella Ranges in 1994.Since then, Tim the Yowie Man has investigated yowie sightings and other paranormal phenomena. He also writes a regular column in Australian newspapers The Canberra Times and The Sydney Morning Herald. In 2004, Tim the Yowie Man won a legal case against Cadbury, a popular British confectionery company. Cadbury had claimed that his moniker was too similar to their range of Yowie confectionery.
Gary Opit, ABC Local Radio wildlife programmer and environmental scientist.
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my server vs netflix
Long post for a few mutuals who asked about this 🏴☠️
Netflix (according to the geeks on server forums -- so this could be off a bit) has individual servers that hold about 100TB of data each, and Netflix claims they have around 18,000 servers worldwide.
Netflix has about 3000 movies and 1800 TV shows available in the United States at any given time. It varies in other countries, but is similar.
This is my server below (pen for size comparison and purple sticky note covering the super bright blue light that bores into my brain)
It's got 5 drive bays, and right now I have 60TB of storage space in it (meaning it's just a little smaller than one of Netflix's servers), and only 37TB of which is currently used. I can easily expand with add-on bays once I fill up the 60TB.
I currently have 4470 movies and 862 TV series, all with closed captioning that I've curated and about 100 of the TV shows have bonus scenes and specials included.
My server cost me about $2700: $1200 for the 5-bay box and the rest was spent on hard drives over the course of 2 years -- 5 inside the server and 6 backup drives. I bought good drives when they were on sale.
I spent another $300 on a range extender for my house so mom and dad could watch in their bedrooms without interruption.
My home internet costs $50 a month and I'm able to serve friends and family in the US, Canada, Europe, and Australia. It's not always accessible (sorry Australia and your shitty internet), but it's up most of the time.
I never take movies/TV shows off of my server, and all the TV shows have their original DVD soundtracks, so nobody has to worry I'm going to remove their faves or ruin soundtracks.
I take requests from anyone, adding it when I find it with no judgement on content.
I don't charge anyone for using my server, and yet I'm paying less than I used to for internet and streaming services.
My payments for internet and streaming for my business and two family houses (Charlie's house and my house) used to be $900 A MONTH ($450 of it was the business internet because ISPs gouge businesses even though the internet usage at the shop is less than home).
Just before I quit Cox Internet, they were about to raise the cost and my new total would've been $1000 per month.
My monthly payments are now $220 for internet service and streaming services. So within just a few months, the server paid for itself.
I still have YouTube TV, Netflix x2 (one for each house), Hulu, and Discovery+.
I'm not saying the average person can set this up, but I want to make it clear that streaming services aren't the mysterious, unknowable magic that people think they are.
They're just servers (hard drives) with data on them and a good internet connection.
Anyone can set up a home server. You don't need a $1200 box like mine. Even an old computer/laptop or single hard drive will work.
A brand new 2TB good-quality hard drive that could hold about 1000 movies or 60-80 TV series would only cost $60 plus another $29 for a basic enclosure/case. (I bought mine from NewEgg for backups)
I use Plex as my media server program. It has a free version and a paid version. I bought the lifetime pass on sale for $90. It goes on sale 2-3 times a year. There are other programs out there too, including Kodi, which has a Netflix skin so it looks like you're using Netflix.
Plex and other programs like it already have a huge library of metadata, so I didn't have to create my own cover art or fill in any other information other than title & year for movies or title + season + episode number for TV shows.
Careful naming of files and sorting in properly-named folders is all you need to have this:
It took me about 3 months to download and organize most of the movies and TV shows in between working and taking care of my home/family. Now I update the server once a week and it takes about 2 hours a week to download/update new TV shows and movies.
I wasn't able to torrent when I had Cox Internet, but the new $50/month ISP doesn't give a shit. Even so, I use a VPN, which is $9 a month just in case they ever decide to get touchy about torrenting.
The server does regular maintenance on itself, and I have backups of everything.
I realize not everyone has the tech skills to set something like this up, but even if one tech person in the family or circle of friends has the ability, they could serve around 60 people.
The most I've had streaming at one time was 10 separate people watching different things, and my server handled it with no problem.
Others on the server forum claim they've maxed out around 25 people simultaneously watching, but 60 people is the number suggested because not everybody will watch at the same time.
Streaming, as it currently works, does NOT support anyone related to the creation of TV shows and movies.
Hopefully this will change, but even if it does, that doesn't change the fact that I can easily support creators myself by buying their DVDs, merch, going to cons, and donating to them or their projects directly.
Right now, pirating movies and TV shows doesn't hurt creators because streaming services and big studios are the main villains, and if all you did was donate $5 to your favorite TV show/movie, you'd be giving them more than if you streamed their content as many times as you wanted each month on a big streaming service.
I have movies and TV shows on my server that aren't even available from content creators anymore due to greedy CEOs and execs who dump their content for tax breaks.
If more people switched to using their own servers, MAYBE it would scare the greedy assholes into paying content creators what they deserve, but in the meantime it's a great way to enjoy content that was created to be shared and to support the creators.
EDIT: I need to add that streaming a TV show/movie as much as possible in the first few weeks of the release date DOES help the show get renewed and the movie execs are more likely to buy future movies, so please stream as much as possible then to help content creators. After that time is up and the streaming service moves on, then it's totally fine to pirate.
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Admiral Schank and the “Sliding Keel"
John Schank (1740 -1823) was a British sailor who was very skilled at mechanical design and constructed a cot fitted with pulleys that allowed it to be adjusted by the person lying in it. this won him the nickname “Old Purchase”, from the navy term for using a block and tackle to gain mechanical advantage.
Admiral John Schank by John James Masquerier 1799 (x)
Schank was one of the tiny handful of sailors who made the transition from the lower deck to flag rank. He joined the Royal Navy at an early age during the American War of Independence he was placed in charge of local building of ships to battle the revolutionaries on the Great Lakes.
He was the first person in the western world to advocate the use of a keel that would slide through the centre of the boat and could be raised when not in use. This board made the ships faster, easier to manoeuvre in shallow waters and they could no longer drift sideways so quickly. On his return to England, Schank convinced the navy of the value of adjustable keels, and a number of vessels incorporating this feature, most notably Lady Nelson, were built. She was sent on a two years expedition to chart the southeast coast of Australia, and was involved in the founding of a number of settlements there, including Melbourne and Hobart. However, the sliding keels did have some problems with leakage and jamming, and for a time they went out of favour.
Ship Model, 1799 HMS 'Lady Nelson' with her three boards (x)
Captain Molyneaux Shuldham came up with some modifications in 1809. He was a prisoner of war held by the French in Verdun, but he smuggled out a model of what he called his revolving keel. It was exhibited at the Adelaid Gallery in London, where it came ti be noticed of three brothers from New Jersey, who in 1811 patented it in the US as the centre board. This was quickly taken up and vecame a standard feature on 80% of America's enormous coastal fleet. In due course American yachtsmen saw its advantages, but few British racers took it on. An accident in 1876 was a tragic setback, however, Mohawk, a 43m schooner, had her precarious 1,8m draught made safe by a larg 9,5m centre board. Anchored off Staten Island during the preliminaries of the America's Cup, she was just setting sail for a laisure cruise when she was hit by a squall. Her centre board had not been lowered and she capsized and sank; the vice commodore of the New York Yacht Club and all his guests died. More improvements came over the years, and now the centre board, based on Schank's pioneering idea of a sliding keel, is standard fitting on yachting vessels.
Dauntless and Mohawk racing, October 26, 1875, by William Yorke (1817-c. 1888) (x)
Schank himself died on 6 February 1823, fellow of the Royal Society and Admiral of the Blue. Mount Schank and Cape Schank, Australia, were named in his honour in 1800 by Lieutenant James Grant during his exploratory voyage while commanding Lady Nelson.
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do you have any asoiaf or jaimebrienne fics you'd reccomend?
You're trying to make my day I see!!! You bet I do!!!
All the fics I'm recommending here are under either the 'ASOIAF' or 'ASOIAF and related fandoms' fandom tag, because I usually dodge show fic (with a few very special exceptions). I do, in fact, read a lot of jaimebrienne, but I have a few here that I really like that are focused on other things. I usually avoid modern AU, though I read it sometimes if the premise intrigues me.
From This Day Until the End of My Days -- JB fic of all time. Funny story: before I ever read or got into ASOIAF, I used to follow swordmaid (I think this is still their url?) here on tumblr because I liked their art, so I saw a lot of JB posting before I was even familiar with the characters. There's a specific line from this fic that they posted because it was so insanity inducing, and I was so shaken by it that I copy pasted it and kept it in my notes app to look at it when I wanted to drive myself crazy. I didn't even read the fic it was from because I knew nothing about the characters, but even then it had such an effect on me that I kept it on my phone at all times. I'm not going to tell you what the line is, because believe me, you will know it when you see it. Anyway. This should be required reading for everyone who enjoys JB even a little. "What does this fic feel like?" uhhhhh not everything feels like something else hope this helps <3
Deliverance -- Heed warnings on this. Melisandre my forever girl... I love when women are trapped in their bodies. I love when women give and give and give and it's not enough. I love when women are damned, condemned by their own minds, their own hearts. I love when women lie and kill and destroy themselves in the pursuit of something and never, ever get it. I love when women are scared. I love when women are scared and then angry and then scared again. I love when women bleed poison. I love when women no longer feel pain. I love when women kill other women. I love when women are red, and terrible, and red. I love when women are eaten alive by god. Melisandre needs to leave Stannis and get with a real man like me I'D burn as many children as she wanted...
The Rancher and the Mail Order Bride -- Modern AUs are over from now on we're putting ASOIAF characters in 1800's fantasy Australia. Jaime and Brienne should NOT have twitter accounts but you know what they should have? Cowboy hats. Jaime's here because he killed a king and then got caught fucking his sister in short order, and promptly got sent to fantasy Australia as a convict. Brienne's here because she responded to an ad seeking a wife and traveled to fantasy Australia in hopes of gaining a home and a living, but the guy didn't want to marry her and now she's stuck here. It's like Little House on the Prairie if Little House on the Prairie was about the importance of accepting help from others and becoming a participant in your own life. Also includes Classic Jaime One-Liner Moment 'didn't you commit incest with your own sister?' / 'okay well obviously it wouldn't be incest if it was someone ELSE'S sister' which I did think was funny I won't lie to you.
be yourself my ally -- I believe in the power of yuri to change the world and I think Sansa and Dany should be in love and play in the snow and hold hands and giggle together and I'm glad the person who wrote this understands my vision. They are so #feminism. I like this fic for a lot of reasons number one being that it's ASOIAF fic and not GOT fic (hard to find in the Daensa tag) and number two is that it gets the appeal of Daensa on a fundamental level... it's about the broken trust, the longing for home, the reclamation of girlhood.... it UNDERSTANDS.... Anyway. I love Sansa's characterization here and I think it's cute that her internal narration spends time lovingly describing all of Dany's outfits. There's a fun unintentional(?) Rhaenicent reference that I thought was sweet and weirdly fitting in context. It's not very clear on the actual events that transpire that make it so the setting can exist, but I like what they do clarify: Sansa killed Petyr confirmed!!!! WHOOPEE!!!!
witness to the arc towards the sun -- If I remember correctly this is technically 5+1 fic so it has separate little interactions. Some explicit some not? I think? Fav is the one where Jaime and Brienne are hanging out in the Eyrie and Jaime tells her about he and Cersei going down to see the lions under Casterly Rock. Scene for insane people. Should lions long for such things... when I tell you it lives in my head rent free... Both of the moments that affected me the most in this fic are Jaime childhood memories actually -- there's another bit later where he remembers going swimming with Cersei and Tyrion that makes me want to set myself on fire. Second fav interaction is probably the one where Brienne defends Jaime's character and he breaks out in sincerity hives. God i know that guy ugly sobs listening to ASMR affirmation videos... you tell Jaime Lannister he's a good person and he starts stress vomiting. Brienne also gets to have a matching honorable death crisis which I enjoyed. They have both a picnic and also an incident of traumatic wound care so it basically runs the full gamut 10/10 highly recommend.
Like Snufkin and Little My (we'll get around wherever) -- This one might be hit or miss -- its a bit niche but I love it so w/e it's going on here. I think part of why I like it so much is because there's a tendency to make modern AU characters have an almost crushing awareness of sociopolitical minutiae when I know in my heart that Ned Stark thinks gay people should keep it to themselves, Sansa posts awareness infographics on her instagram story without reading them, and Robb thought lesbian was a swear word until 15. This fic understands that. This fic knows that Arya deserves to be a nonbinary anarchist who sends people anon hate on tumblr, and Sansa deserves to follow influencer makeup tutorials and put "LGBTQIA+ ally :)" in her bio despite being a lesbian. And they deserve to be siblings who love each other and also kick each other in the shins. I believe this to the bottom of my soul.
And off they went, from here to there -- I don't have anything for this one I genuinely just love seeing people happy. I think Jaime and Brienne deserve to dance and be obnoxious and also not die.
Okay that's it. I have more that I like but they're embarrassing to recommend so I'll stop there. I also left off some HOTD fic I like, bc I was unsure whether you meant pure ASOIAF or if you'd allow derivatives, but know that there is a vast and beautiful wealth of Rhaenicant content in the world that you should read. Peace and love, may your ao3 scrolling be free of obscure kink fic ✌️
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There are cake people and there are pie people in this world. We’re not here to tell you which is better (correct answer: they are both equally tasty), but we can serve up a slice of what makes a cake different from a pie. Yes, that includes why some pies are savory rather than sweet.
What is pie?
Pie is defined as a baked food in a pastry-lined pan or dish that has a fruit, meat, pudding, or other filling, and it often also has a pastry crust on top.
The word was first recorded in 1275–1325 and comes from Middle English. It’s not exactly easy as pie to nail down how the word came to refer to the food we love, but it’s believed that it comes from magpie—yes, as in the bird. As the thinking goes, magpies will collect whatever catches their eye, and people will put just about anything edible into a pie.
There are fruit pies, which are the most common in the United States, but also chicken pot pies, savory pies, and meat pies. Parts of England and Italy are famous for their fish pies and countries in the Levant are known for their sfiha meat pies made with beef or mutton, spices, and labneh—a soft cheese. Meat pies made with mutton, beef, or pork are also common in the UK and some of the countries that were former British colonies like Australia (think Shepherd’s pie or small, portable hand pies).
Despite the many variations, these pies have something in common: a crust on top. But that’s not always the case for foods that get the pie label. Take, for example, pizza pie. This phrase is common in the US (especially the East Coast) and references to pizza pie can be found going back to the 1800s. A pizza’s construction is similar to a pie without a crust on top, and the definition for pizza is “a flat, open-faced baked pie of Italian origin.”
What is cake?
A cake is “a sweet, baked, breadlike food, made with or without shortening, and usually containing flour, sugar, baking powder or soda, eggs, and liquid flavoring.”
Unlike pies, cakes have sweetness built into the definition. Instead of fruit, meat, or pudding, cakes are defined by ingredients like flour, sugar, eggs, and baking powder or soda. Cakes also lack the pastry crust topping common to various types of pie.
Conversations about the word cake often draw questions about what gets included in the category and what doesn’t, just like pie. There are a number of types of cake, like fruitcake (which has dried or candied fruit), angel food cake (a type of porous sponge cake), and even cookie cake (a cookie that’s the size of a cake). Pancakes fall into the category as well since they have all the proper components, even if they’re a little flatter than your birthday cakes. And then there’s cheesecake, which has some of the qualities that make a cake a cake, though whether it’s a true cake is debated.
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#centraltelecoms#1300#1800#businessphonesystem#mobileplans#newcastlebusiness#phonesystem#phone systems
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How to Get Financial Assistance in Adelaide
If you are experiencing financial hardship, there are many ways to get help. You can apply for a Centrelink payment to help with costs. You can also apply for a No Interest Loan through Good Shepherd. For more information, visit their website.
There are also services that can help you with your utilities, rent or mortgage. They can also offer help with budgeting. You can also contact a financial counsellor to discuss your situation.
Free financial counselling
Financial counselling is a free service that can help you work out your debts. It is non-judgemental and confidential, and is available from not-for-profit community organisations. Financial counsellors can also provide advice on other matters such as budgeting and credit card repayments. However, they do not offer legal advice. If you have any legal problems, it is best to contact a lawyer straight away.
Almost anyone can find themselves in financial hardship, or in need of financial assistance Adelaide. Common reasons include job loss, relationship breakdowns, illness, natural disasters and domestic violence. These issues can lead to spiralling debts and poverty. Moneycare, the Salvation Army’s financial counseling service, offers free financial counselling and access to their no interest loans scheme.
There are also specialist financial counsellors for farmers, Aboriginal and Torres Strait Islander peoples, small businesses, and those struggling with gambling. Call 1800 007 007 or chat online to be connected with a financial counsellor. These services are available across Australia.
Micro-finance schemes
Microfinance is a system of financial services for people living in poverty. It can help them manage their finances and build their capacity to grow a business. It also provides them with the tools they need to improve their daily lives and support their children’s education.
Microloans allow families to buy livestock, seeds and fertilisers for their crops, agribusiness equipment, or rent storage facilities to sell their products when prices are high. These loans enable families to overcome poverty and become self-sufficient.
The International Labour Organisation’s Microfinance and Gender Equality Programme promotes the integration of gender issues into microfinance programmes. This includes supporting policies and programmes that address the barriers that prevent women from accessing microfinance.
The program’s guiding principles and service standards are designed to ensure that the program delivers more integrated and improved outcomes for people. Service providers are encouraged to develop flexible service delivery approaches that respect the dignity of clients and foster self-reliance. Service providers are expected to use program funding in accordance with operational guidelines and their funding agreement.
Child care subsidy
The Australian Government offers several forms of financial assistance to help families with the cost of child care. These programs are designed to cover all or part of a family’s child care fees, depending on their eligibility. The Child Care Subsidy (CCS) is the primary form of financial assistance for families and is paid to child care providers who pass it on to their families as a fee reduction. Families must meet eligibility criteria to receive CCS, including income levels and activity requirements.
Eligible families may also be able to receive the Child Wellbeing Subsidy and/or Grandparent Subsidy. These subsidy programs are offered by Centrelink and include a range of benefits to help with the costs of living and child care. To access these programs, families need to register for a myGov account and link it to the child care service they are using. Families can also call the Centrelink multilingual phone service to speak with a support worker.
Education assistance
If you have children in school and are struggling to meet education costs, there are a number of assistance programs available. You can also access government subsidies through Centrelink. These subsidies can be deducted from your Centrelink payments, making it easier to afford essential expenses.
You can find out about the schemes that are available through Services Australia. These include Austudy, ABSTUDY and Youth Allowance. These support programs are available for both domestic and international students. You can also apply for scholarships at the University of Adelaide.
The university is a US Department of Veterans Affairs POST 9/11 GI BILL participating institution and can certify and disburse US student loan funds for eligible students. To learn more about this arrangement, please contact Student Finance.
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