#12/18/2019

[atalante241]

Shout out to all the TMNT fans still rambling on and on about those turtles, some shows may have ended like almost 30yrs ago while others 4 or so, some pieces of media may only be one movie long while others an entire comic series, but you still keep going.

[sugdensdingle]

[cowardlycowboys]

the day I stop confusing everyone by saying my kids will probably be the day I finally leave my job

[gracelandmp3]

the way good omens s2 feels like it was ripped straight from my ao3 bookmarks (derogatory)

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona���s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[nasa]

It’s Girl Scout Day! March 12, 2024, is the 112th birthday of Girl Scouts in the United States, and to celebrate, we’re sharing a lithograph of the Girl Scout alumnae who became NASA astronauts.

Girl Scouts learn to work together, build community, embrace adventurousness and curiosity, and develop leadership skills—all of which come in handy as an astronaut. For example, former Scouts Christina Koch and Jessica Meir worked together to make history on Oct. 18, 2019, when they performed the first all-woman spacewalk.

Pam Melroy is one of only two women to command a space shuttle and became NASA’s deputy administrator on June 21, 2021.

Nicole Mann was the first Indigenous woman from NASA to go to space when she launched to the International Space Station on Oct. 5, 2022. Currently, Loral O’Hara is aboard the space station, conducting science experiments and research.

Participating in thoughtful activities in leadership and STEM in Girl Scouts has empowered and inspired generations of girls to explore space, and we can’t wait to meet the future generations who will venture to the Moon and beyond.

Make sure to follow us on Tumblr for your regular dose of space!

[5sospenguinqueen]

Kiss My Ass - Kevin Magnussen x Mercedes! Reader

Summary: On track, Kevin is your fiercest adversary. Off track, he likes to have you at his mercy (and in his heart).

Warnings: 18+ after the cut. Female oral. P in V. Unprotected sex. Female reader

Requested: Yes and no. People wanted a part 2 and I wanted to give it to them! You can read this as a standalone but part 1 - Suck My Balls - adds to the fun!

F1 Masterlist

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f1 just posted

liked by lifeofsteiner, pierregasly and others

f1 kevin magnussen receives a one-race ban. magnussen will miss the azerbaijan gp as he reaches 12 penalty points in a 12 month period

3,323 comments

yn_ln ha ha

→ user she’s so messy 

→ user can you blame her? he made contact with her again, which is why he got a penalty point  liked by yn_ln

haasf1team we warned him this would happen

user kevin looks so good in that photo though. his arms 🤤

→ yn_ln are we looking at the same photo? 

georgerussell63 @/mercedesamgf1 she’s being problematic online again

→ mercedesamgf1 she’s just had a pr meeting. we’re not allowed to give one again for another week 

→ yn_ln @/georgerussell63 snitch 

olliebearman sorry, kevin, but it will be nice to be back on track again

→ yn_ln and we will be delighted to have YOU

user love how yn is acting like this is the best news she’s had all year

→ yn_ln even better than my contract renewal 

mercedesamgf1 we apologise but we have taken yn’s social media off her until baku. thank you for your understanding  liked by kevinmagnussen

yn_ln just posted

liked by kevinmagnussen, maxverstappen1 and others 

yn_ln how was everybody’s sunday? oh, mine? thank you for asking. mine was splendid

10,204 comments 

user see what happens when kevin isn’t around  liked by yn_ln 

mercedesamgf1 we’re running out of pr presentations to show you (but we’ll let you off because you’re a RACE WINNER)

→ georgerussell63 i’ll make some

→ yn_ln i don’t like you very much sometimes 

→ georgerussell63 and comments like that will be in the presentation

→ yn_ln why can’t you just say congratulations like a normal person

alex_albon that’s my girl! stunt on these hoes

→ yn_ln my only supporter on the grid 

alexandrasaintmleux that’s my girl 🥳 so happy for you

→ charles_leclerc mon coeur, no. we’re sad. she overtook me

→ yn_ln stay sad (i’ll buy you a shot later)

user not kevin liking this. they’re so messy 

→ user they’re actually the best duo on the grid. every race i look forward to the memes they’ll create together 

landonorris i did it first 

→ yn_ln why does nobody just say congratulations anymore. i won a race! 

→ maxverstappen1 what? like it’s hard

→ landonorris seems like it has been recently 

→ yn_ln and they say i’m problematic 

user she’s such a good driver when kevin isn’t deliberately trying to crash into her 

→ yn_ln thank you. everyone else calls me crazy

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mercedesamgf1 just posted

liked by georgerussell63, danielricciardo and others

mercedesamgf1 mixed emotions in the garage after singapore. well done george on the points but a disappointing end for yn once more

3,620 comments

yn_ln why don’t you just rub salt in the wound further, admin. thank you. thank you very much 

→ georgerussell63 points points points

→ georgerussell63 why have i just had notification from hr that you made a formal complaint about me?

→ yn_ln you know why

user i swear he has it out for her at this point 

user i acc fear our girl over these next 6 races. kevin has no penalty points and no seat next year 

user how to tell kevin is back on track

user it’s giving school boy crush. pull her hair to get her to notice you

→ user they just race each other hard. they’re both stubborn and yn gives as good as she gets. they both turned into each other 

haasf1team oops? 

→ yn_ln you and your driver are on my list 

→ landonorris don’t worry. it doesn’t take up much time. i’ve been on it since 2019 

yn_ln @/georgerussell63 stop liking posts about my dnf’s this season. i keep getting notifs 

18+ !!!!

Goosebumps rippled across your bare back as his breath tickled your shoulders. He sucked a spot under your shoulder blade, watching as the skin reddened. The material of his shirt caressed your skin as he trailed kisses down your spine.

“You’ve got too many clothes on,” you chastised, rolling your shoulders back when his beard tickled your lower back. He pressed a kiss to the two divots there, pressing his thumbs in them after and marvelling at how well they fit. Like you were made for him.

“Patience, lille kriger.” Kevin whispered against your skin. His hands reached for your hips, pulling your bottom half higher. “What was it you said after your Baku win? Kevin Magnussen can…”

“...kiss my ass,” you panted, body tense in anticipation. The sheets rustled as he shuffled down the bed. His lips pressed against your left buttock before a sharp sensation zapped up your spine. You wriggled away from him, rewarding his antics with the sight of your cheeks jiggling.

“Did you just bite me?”

His hands wrapped around your ankles, yanking you back down towards him. The suddenness of the movement had your arms collapsing beneath you; your body and face landing on the mattress with a bounce.

“I didn’t say you could leave.” He took a moment to admire the reddening bite mark on your cheek. “You do have a spectacular arse.”

You turned your head to look at him but he had already ducked between your thighs. Your breath hitched when he pressed a kiss to your inner thigh. His cool breath hit your wetness when he laughed at you. His beard tickled your thighs when you attempted to close them around his head. His hands forced them apart.

“Behave yourself,” he warned.

“Or what?” You said, aiming for bravado. Unfortunately, the breathy tone in which it was said ruined that.

“Or I won’t do this.”

His tongue pressed against your slit, lapping at the wetness pooled between your thighs. He flattened his tongue, dragging it up towards your sensitive bud. A strangled gasp tore from your mouth at the unexpected contact. Kevin traced circles on your clit, suckling gently and taking pride in the way you bucked against him. Your hands twisted into the sheets, fighting to stop the moans from spilling out of you. Refusing to concede to him, to let him know how much he was affecting you.

“Come on, min skat. Let me hear you,” he grumbled against you, tongue dipping between your folds as he feasted. Your thighs burned from where his beard rubbed against them.

Kevin sank a finger inside your heat. You writhed against the sheets, breath coming out in pants but refused to make a noise. Spurred by your silence, the Haas driver added another finger, curling them in the way he knew you liked. Your back arched off the bed, a curse leaving your lips. Kevin didn’t boast about his victory, just continued to ravage you like a man starved. If there was one thing that could erase the sting of a DNF, it was the way you cried his name as you approached the edge. Teetering on the precipice, your eyes snapped open when cold air hit you. His eyes twinkled as he sucked his fingers clean, aware of what he had denied you.

“You robbed me of a podium. Again. And now you’re denying me an orgasm.”

A cheeky grin took over his face as he clambered off the bed, taking in the sight before him. You lay completely bare, ready for him to take as he pleased. Turning on your back, you propped yourself up on your elbows. A small pout formed on your bruised and swollen lips.

“Take it off,” you demanded.

“As you wish.”

In one quick movement, Kevin whipped his t-shirt off, dropping it on the pile of your clothes at his feet. Your eyes roamed the broad expanse of his chest, lingering on his tattoo and trailing down to the strained fabric of his jeans.

“And those.”

“You’re bossy when you’re waiting to be satisfied.”

“You’ve not proven you can satisfy me yet.”

His eyes narrowed at you, even as his hands moved towards his belt. You arched your brow, feigning a picture of boredom. The rapid rise and fall of your naked chest gave away just how eager you were to watch him fully disrobe. Once he was bare, you shuffled to the end of the bed and pushed up onto your knees. Your arms wound around his neck, pressing your lips to his. You nibbled on his bottom lip, revelling in the moan he let out when your tongue brushed against his.

You managed to spin the two of you, pushing him down so that he was seated on the edge of the bed. Climbing into his lap, you connected your lips again, trailing down to the underside of his jaw. Sinking down on him, both of you moaned at the feeling of your slick walls enveloping him. His hands came up to grasp your hips but he didn’t move you, allowing you to adjust to his size. Your eyes fluttered shut before your hips began to rock back and forth.

“For a man so inadequate on track,” you started, voice husky. “you don’t do a bad job between the sheets.”

Before he could reply, you raised your hips before dropping back down on him abruptly. The air was knocked out of him and a strangled grunt spilled past his lips when you repeated the harsh action.

“Fuck.” His grip on you tightened, fingers digging in. “You turned into me. If I didn’t know better, I’d say you wanted my attention.”

He sucked in a harsh breath when your nails dug into him. Your pace never faltered. Your breasts bounced as you rode him. Kevin leaned forward, taking one in his mouth. His tongue flicked across your nipple.

“You talk a lot of shit for a man who’s never won a race.”

A yelp tore from you when his teeth clamped down around your nipple, and the rhythm of your hips stuttered.

“Almost there. Come on. Just a little longer for me, love.” Kevin begged.

Your hips stilled immediately, denying yourself the pleasure you’d been chasing. It was worth it for the look on Kevin’s face.

“What did you say earlier about me not being that good?”

Humour replaced the confusion on his face as he realised that you were punishing him for his harsh words during the post-race interviews. Triumph was written across your face and he couldn't wait to wipe it off. He pulled you to his chest, arms tight around your back and flipped the pair of you. You bounced slightly, head landing on the plush pillow. Gripping both your wrists in his hand, he pinned your arms above your head. You looked up at him with wide eyes, struggling against his hold.

“Feel this?” Kevin whispered, pressing himself against your thigh. “You know just how good you are.”

With his free hand, he guided himself in you, inch by inch. He didn’t allow you to adjust to the new position before thrusting into you, slow and deep. An intimate pace to contrast your previously frantic one. He lifted your leg, bringing it to rest above his hip, allowing him to hit that spot deep inside you. You cried out, hands sliding into Kevin’s hair and pulling him close. He allowed himself to fall against you, pressing you into the mattress.

“This okay?”

”Yeah.”

His head fell to the crook of your neck, beard tickling your skin. Whispers filled the space between you.

”Good girl. You’re taking me so well.”

He continued his slow pace, each thrust hitting deep inside you. Your stomach bulged from the thickness of him bruising your walls.

“Look how beautiful you are wrapped around me.”

Soft moans and sighs filled his ear, the melody of your pleasure. A loud groan tore from Kevin’s throat when he felt you clench around him.

“You gonna cum for me, sweetheart?”

He picked up his pace slightly, hand reaching up to palm your breast. His thumb brushed over your nipple as you barrelled towards your end. Your back arched off the bed, breasts brushing his bare chest as you came with a cry of his name. The feeling of your warmth hugging him tight pushed Kevin over the edge. With one harsh thrust, his teeth sank into your shoulder as he spilled himself inside you.

~

Head resting on his chest, you listened as his heart rate doubled in pace. His arms tightened around you, pulling you closer into his side as if he feared you would run from him. Even if your legs weren’t shaking, you’re not sure you’d want to.

“I told you we’d do this again.” Kevin murmured, pressing a kiss to the top of your head.

“I don’t know why you sound so proud of that.”

“Maybe I like doing this with you.”

“Yes, well I like winning races but we can’t all get what we want.” There was no bite to your comment, only friendly teasing.

Kevin’s fingers traced patterns along your thigh, relaxing your body. Your eyes drifted closed, a soft hum coming from you. He sensed your sleepiness, wondering if approaching the topic in your content state would be easier.

“Would you still do this with me if you weren’t angry at me?”

“Huh?”

“This started as hate sex, right? But, what if there wasn’t any hate in it. I don’t mean to run you off the track. You just seem to be there when things go wrong.”

“So it’s my fault?”

“No, no, no. That’s not what I meant. I mean, you are distracting but… I want to spend time with you. Outside of this room. Outside of the track.”

Silence filled the room. His heart pounded so hard in his chest that you had to move away; the sound echoing in your head. At your movement, his arms went slack around you, preparing himself for the rejection.

“I’m still mad at you…” you started, feeling bad when his face fell, “…but, I’ll let you take me out for breakfast and we’ll see how it goes.”

The only response you had was a blinding smile, your back being pressed into the mattress once more.

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kevinmagnussen just posted

liked by hulkhulkenberg, charles_leclerc and others

kevinmagnussen jeg elsker dig (yes, we get along when we’re away from the paddock)

7,884 comments

yn_ln i love you too (but we only get along when you’re kissing my ass, not talking shit) 

yn_ln yes, ladies, the rumours are true. so just remember those arms belong to me now when you’re thirsting about them online. i see you

→ user oh god. she’s turned the energy she reserves for hating on k mag onto us

→ yn_ln no, he still gets it as well

alexandrasaintmleux okay but these are quite cute 

georgerussell63 crikey. i’m not sure the two of you pairing up is a good idea

→ yn_ln jiminy crickets! i’m not sure you commenting on my life all the time is a good idea

→ georgerussell63 you still mad about the powerpoint? 

→ kevinmagnussen she’s complained about it twice in the past hour 

landonorris did you let kevin stand in front so that he would look taller? 

→ kevinmagnussen new target acquired

→ landonorris shit

→ haasf1team kevin, no

mercedesamgf1 i think the pr team might’ve liked a heads up

→ kevinmagnussen i was told she wasn’t talking to them 

hulkhulkenberg finally. i was getting fed up of hearing you talk about her 

→ kevinmagnussen shut up, mate 

→ alex_albon she talked about him too

→ yn_ln alex! 

→ alex_albon i’m sorry but i’ve been waiting for you to admit this for months. i’m just happy that you’re happy 

user i knew that the pic in her spanish gp dump was kevin!

(Bonus)

haasf1team just posted

liked by yn_ln, hulkhulkenberg and others

haasf1team cooling off 🧊

5,879 comments

yn_ln be right back. making this my lock screen

yn_ln take this down. i can’t have other people catching onto what i’ve known all along! 

user is he looking at hulk or yn in that first pic? 

→ haasf1team yn. they shared

→ hulkhulkenberg i was kicked out

→ yn_ln i told merc to let you use mine!

→ user can’t be an ice bath when they’re both in there 🥵

user i don’t blame yn actually. i’d let him ram me off the track if he looked like that 

→ yn_ln didn’t really have a choice in the matter, love

user kevin magnussen. i was not familiar with you in that way 

→ yn_ln now make yourself unfamiliar 

user yn wasn’t joking when she threatened us on kevin’s relationship post

→ user girly is fighting these comments so fast

→ yn_ln back, i tell you 🤺 back

kevinmagnussen @/mercedesamgf1 she escaped again

→ mercedesamgf1 thank you. we’ll be revoking her social media rights again

→ yn_ln but you’re still a traitor

━━━━ ༻𖥸༺ ━━━━

Requests open

Tag list

Only includes those who requested a Part 2 as I don't know who is comfortable with consuming this content

@steamy-smokey @1800-love-me @suckerforoldermen @dying-inside-but-its-classy

[doyouknowthisanime]

Happy Halloween, everyone!

I've got some good news - I've finished tallying up the results of the favourite anime survey and can now, finally, reveal what Tumblr's favourite anime actually are. To start with, I'd like to thank everyone who responded - yes, all 1172 (wow!) of you - and to apologise for he delay in actually getting these results out. For anyone who needs a reminder, these results are based on how many points each anime received - a first place ranking was worth five points, a second or third place ranking was worth four, a fourth or fifth place ranking was worth three, a sixth-tenth place ranking was worth two, and a eleventh-twentieth place ranking was worth one. When multiple anime had the same number of points, the anime with the most first-place votes was placed higher. The results are below the read more right here - I hope you enjoy reading!

100. Yona of the Dawn - 82 points

99. Devilman Crybaby - 83 points

98. Monogatari Series - 83 points

97. Lucky Star - 84 points

96. Toradora - 84 points

95. Dr. Stone - 86 points

94. Princess Jellyfish - 86 points

93. ERASED - 87 points

92. Noragami - 87 points

91. Wolf's Rain - 88 points

90. Azumanga Daioh - 90 points

89. Paranoia Agent - 90 points

88. Odd Taxi - 91 points

87. Banana Fish - 93 points

86. Digimon Adventure - 95 points

85. Akira - 95 points

84. Higurashi no Naku Koro Ni - 95 points

83. Psycho-Pass - 96 points

82. Little Witch Academia - 96 points

81. Monster - 97 points

80. Mononoke - 98 points

79. Free! - 99 points

78. Kekkai Sensen - 99 points

77. Trigun Stampede - 102 points

76. Haibane Renmei - 103 points

75. Yu-Gi-Oh! Duel Monsters - 104 points

74. Gintama - 105 points

73. Violet Evergarden - 107 points

72. Dorohedoro - 113 points

71. Made in Abyss - 113 points

70. Mobile Suit Gundam: The Witch from Mercury - 113 points

69. Eizouken ni wa Te o Dasu na! - 115 points

68. Nausicaä of the Valley of the Wind - 116 points

67. SK8 the Infinity - 117 points

66. Samurai Champloo - 117 points

65. Your Name - 118 points

64. Castle in the Sky - 119 points

63. Perfect Blue - 119 points

62. Promare - 120 points

61. One Punch Man - 122 points

60. The Melancholy of Haruhi Suzumiya - 126 points

59. Kiki's Delivery Service - 129 points

58. Kaguya-sama: Love is War - 136 points

57. Inuyasha - 136 points

56. Assassination Classroom - 142 points

55. FLCL - 143 points

54. Pokémon - 144 points

53. Death Parade - 148 points

52. Dragon Ball - 150 points

51. Natsume Yuujinchou - 157 points

50. The Apothecary Diaries - 158 points

49. Revue Starlight - 159 points

48. Durarara!! - 160 points

47. Yu Yu Hakusho - 162 points

46. Naruto - 163 points

45. Black Butler - 165 points

44. Attack on Titan - 167 points

43. Houseki no Kuni - 168 points

42. Steins;Gate - 172 points

41. Cardcaptor Sakura - 186 points

40. Code Geass - 186 points.

39. Gekkan Shoujo Nozaki-Kun - 187 points

38. The Disastrous Life of Saiki K. - 192 points

37. Kill la Kill - 194 points

36. Bungou Stray Dogs - 194 points

35. Baccano! - 198 points

34. Bocchi the Rock! - 201 points

33. Chainsaw Man - 208 points

32. Demon Slayer - 209 points

31. Serial Experiments Lain - 213 points

30. Jujutsu Kaisen - 227 points

29. Spy x Family - 236 points

28. Howl's Moving Castle - 238 points

27. Princess Mononoke - 240 points

26. Tengen Toppa Gurren Lagann - 241 points

25. Sailor Moon - 249 points

24. Mushi-shi - 249 points

23. Princess Tutu - 254 points

22. Nichijou - 263 points

21. Trigun - 265 points

20. Spirited Away - 266 points

19. My Hero Academia - 266 points

18. Fruits Basket (2019) - 269 points

17. Soul Eater - 292 points

16. Sousou no Frieren - 300 points

15. Yuri!!! on Ice - 333 points

14. Fullmetal Alchemist - 364 points

13. Ouran High School Host Club - 374 points

12. Death Note - 437 points

11. Cowboy Bebop - 450 points

10. Haikyuu - 457 points

9. Neon Genesis Evangelion - 496 points

8. Jojo's Bizarre Adventure - 496 points

7. Hunter x Hunter (2011) - 516 points

6. Revolutionary Girl Utena - 537 points

5. One Piece - 633 points

4. Puella Magi Madoka Magica - 664 points

3. Mob Psycho 100 - 943 points

2. Dungeon Meshi - 985 points

Fullmetal Alchemist: Brotherhood - 1106 points

Congratulations to FMA Brotherhood for winning! For more detailed results, go to this spreadsheet. Once again, thank you all for participating, and waiting so patiently for the results!

[huariqueje]

Liquid - Julie Kluh , 2019.

American , b. 1984 -

Acrylic on canvas board , 12 x 18 in.

[khaleesiofalicante]

AN INCOMPLETE LIST: THINGS I LOVE ABOUT HRH PRINCE HENRY OF WALES:

1. The sound of your laugh when I piss you off. (@magsalecs)

2. The way you smell underneath your fancy cologne, like clean linens but somehow also fresh grass (what kind of magic is this?). (@alexshenry)

3. That thing you do where you stick out your chin to try to look tough. (@tylerposey)

4. How your hands look when you play piano. (@nostalgiaisabitchhuh)

5. All the things I understand about myself now because of you. (@userstede)

6. How you think Return of the Jedi is the best Star Wars (wrong) because deep down you're a gigantic, sappy, embarrassing romantic who just wants the happily ever after. (@magsalecs)

7. Your ability to recite Keats. (@magsalecs)

8. Your ability to recite Bernadette's "Don't let it drag you down" monologue from Priscilla, Queen of the Desert. (@darwinsfinchesx)

9. How hard you try. (@sheisraging)

10. How hard you've always tried. (@stevenrogered)

11. How determined you are to keep trying. (@simon-eriksson)

12. That when your shoulders cover mine, nothing else in the entire stupid world matters. (@magsalecs)

13. The goddamn issue of Le Monde you brought back to London with you and kept and have on your nightstand (yes, I saw it). (@sheisraging)

14. The way you look when you first wake up. (@magsalecs)

15. Your shoulder-to-waist ratio. (@gay-bucky-barnes)

16. Your huge, generous, ridiculous, indestructible heart. (@thomasbrodiesandwich)

17. Your equally huge dick. (@tylerposey)

18. The face you just made when you read that last one. (@uglygreenjacket)

19. The way you look when you first wake up (I know I already said this, but I really, really love it). (@magsalecs)

20. The fact that you loved me all along. (@magsalecs)

— I can't match you for prose, but what I can do is write you a list.

Red, White, and Royal Blue by Casey McQuiston (2019) and Matthew Lopez (2023)

Credit to all the gif makers and editors, the real heroes of the fandom.

[mostlysignssomeportents]

“Brand safety” killed Jezebel

I'll be at the Studio City branch of the LA Public Library this Monday, November 13 at 1830hPT to launch my new novel, The Lost Cause. There'll be a reading, a talk, a surprise guest (!!) and a signing, with books on sale. Tell your friends! Come on down!

Progressives: if you want to lose to conservatives, all you need to do is reflexively praise and support everything conservatives turn into a culture-war issue, without considering whether they might be right. Because sometimes…they're right.

Remember early in the Trump presidency, when conservatives all woke up and discovered that America's spy agencies – excuse me, "the intelligence community" – were dirty-tricking psychos who run amok, lawlessly sabotaging democracy? Progressives have been shouting this ever since Hoover's FBI tried to blackmail MLK into killing himself:

https://en.wikipedia.org/wiki/FBI%E2%80%93King_suicide_letter

But millions of progressives forgot about COINTELPRO, CIA dirty tricks and CIA mass spying when this "intelligence community" temporarily set out to wrong-foot Trump. Remember James Comey votive candles?

https://www.usatoday.com/story/opinion/2019/08/30/james-comey-fbi-memo-leaks-trump-inspector-general-report-column/2157705001/

Anthropologists have a name for this phenomenon, in which one side reverses its positions because their sworn enemies have done so. It's called schizmogenesis, and it goes like this: "If they hate it, we love it":

https://pluralistic.net/2021/12/18/schizmogenesis/

Schizmogenesis is an equal-opportunity delusion. Within living memory, white evangelicals supported abortion, because their sworn enemies – Catholics – opposed it. Some of those white Boomer women who voted Trump because abortion was literally the only issue they cared about held the opposite position on abortion not so long ago – and completely forgot about it:

https://text.npr.org/734303135

The main purpose of the culture war isn't immiserating marginalized people – that's its effect, but its purpose is to distract low-information turkeys (working people) so they'll vote for Christmas (the ongoing seizure of power by American oligarchs). For the funders of conservative movement politics, the cruelty isn't the point, it's merely the tactic. The point is power:

https://pluralistic.net/2022/03/09/turkeys-voting-for-christmas/#culture-wars

Which brings me to "woke capitalism." Conservative string-pullers have whipped up their base about the threat of companies embracing social causes. They (erroneously) claim that corporations have progressive values, and that big business is thumbing the scales for causes they despise. The purpose here isn't to sow distrust of capitalism per se. Rather, it's to stampede talk-radio-addled supporters into backing the oligarchy's agenda. Remember when culture war leaders told their base to support being gouged on credit-card junk fees "to own the libs?"

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

That's schizmogenesis working against the conservative rank-and-file, tricking them into taking the side of a cartel of wildly profitable payment processors who are making billions by picking their pockets (credit card fees are up 40% since the covid lockdowns), because (checks notes), Target pays these profiteers a lot to process its payments, and Target sells Pride merch (no, really):

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

It's easy to point and laugh at conservative dopes when they're tricked into shooting themselves in the balls to own the libs. This is not a hypothetical example:

https://pluralistic.net/2020/05/28/holographic-nano-layer-catalyser/#musketfuckers

But progressives do it, too, particularly when they embrace monopolies as a force for positive social change. Remember 2019, when people got excited about playing loud pop music at Nazi rallies in the hopes that the monopoly video platforms' copyright filters would make any video from that rally impossible to post?

https://memex.craphound.com/2019/07/23/clever-hack-that-will-end-badly-playing-copyrighted-music-during-nazis-rallies-so-they-cant-be-posted-to-youtube/

I warned then that if this tactic worked, it would be used by cops to prevent you from recording them when they're macing you or splitting your skull with a billyclub, and yup, within a couple years, cops were blaring Taylor Swift music in hopes of preventing the public from posting videos of their illegal conduct:

https://pluralistic.net/2022/04/07/moral-hazard-of-filternets/#dmas

Conservatives are (partially) right about woke capitalism. It is a threat to democracy. Concentrating the power to decide who gets to speak and what they get to say into the hands of five or six corporations, mostly run by mediocre billionaires, is bad for society. The moderation decisions of giant platforms are a form of (commercial) censorship, even these don't violate the First Amendment:

https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/

(The progressive delusion that censorship only occurs when the First Amendment is violated is a wild own-goal, one that excuses, for example, the decision by school book-fair monopolist Scholastic to remove books about queers and Black and brown people from its offerings as a purely private matter without consequences for free speech):

https://www.themarysue.com/scholastic-response-to-authors-and-illustrators-on-diverse-books/

Conservatives are only partially right about woke capitalism, though. Here's what they're wrong about: corporations don't have values. Target isn't selling Pride tees because they support progressive causes, they're selling them because it seems like a good way to increase returns to their shareholders. Individuals – even top executives – at Target might endorse the cause, but the company will only durably support the cause if that endorsement is profitable, which means that when it stops being profitable, the company will stop supporting the cause:

https://www.cnn.com/2023/05/23/business/target-lgbtq-merchandise/index.html

The idea that corporations have values isn't merely stupid, it's very dangerous. The Hobby Lobby decision – which allows corporations to deny basic health-care expenses for women on the basis that a Bronze Age mystic wouldn't approve of an IUD – rests on the ideological foundation that corporate personhood includes corporate values:

https://en.wikipedia.org/wiki/Burwell_v._Hobby_Lobby_Stores,_Inc.

Citizens United – the idea that corporations should be allowed to funnel unlimited funds to politicians who'll sell out the public good in favor of investor profits – also depends on a form of corporate personhood that includes values:

https://en.wikipedia.org/wiki/Citizens_United_v._FEC

There are undeniably instances in which corporate monopoly power benefits progressive causes, but these are side-effects of corporate power's main purpose, namely: taking money and power away from working people and giving it to rich people. That is what monopoly power is for.

Which brings me to ad-tech, "brand safety," and the demise of Jezebel, the 16 year old feminist website whose shuttering was just announced by its latest owner, G/O Media:

https://www.metafilter.com/201349/This-is-the-end-of-Jezebel-and-that-feels-really-really-bad

Jezebel's demise is the direct result of monopoly power. Jezebel writes about current affairs – sex, politics, abortion, and other important issues of great moment and significance. When we talk about journalism as a public good, necessary for a healthy civic life, this is what we mean. But unfortunately for Jezebel – and any other news outlet covering current events – there are vast, invisible forces that exist solely to starve this kind of coverage of advertising revenue.

Writing for the independent news site 404 Media, reporter Emanuel Maiberg and former Motherboard editor-in-chief Jason Koebler go deep on the "brand safety" industry, whose mission is to assist corporations in blocking their ads from showing up alongside real news:

https://www.404media.co/advertisers-dont-want-sites-like-jezebel-to-exist/

Maiberg and Koebler explain how industry associations like the World Federation of Marketers' Global Alliance for Responsible Media (GARM) promulgate "frameworks" to help advertisers automatically detect and exclude real news from consideration when their ads are placed:

https://www.peer39.com/blog/garm-standards

This boycott makes use of scammy "AI" technology like "sentiment and emotional analysis" to determine whether an article is suitable for monetization. These parameters are then fed to the ad-tech duopoly's ad auction system, so Google and Meta (who control the vast majority of online advertising) can ensure that real news is starved of cash.

But reality is not brand-safe, and high quality, reputable journalistic outlets are concerned with reality, which means that the "brand safe" outlets that attract the most revenue are garbage websites that haven't yet been blacklisted by the ad-safety cartel, leading to major brands' ads showing up alongside notorious internet gross-out images like "goatse":

https://www.404media.co/sqword-game-dev-sneaks-goatse-onto-a-dozen-sites-that-stole-his-game/

More than a fifth of "brand safe" ad placements end up on "made for advertising" sites, which 404 Media describe as "trash websites that plagiarize content, are literally spam, pay for fake traffic, or are autogenerated websites that serve no other purpose than capturing ad dollars":

https://www.ana.net/miccontent/show/id/rr-2023-06-ana-programmatic-transparency-first-look

Despite all this, many progressives have become cheerleaders for "brand safety," as a countervailing force to the drawdown of trust and safety at online platforms, which led to the re-platforming of Nazis, QAnon conspiratorialists, TERFs, and other overt elements of the reactionary movement's vanguard on Twitter and Facebook. Articles about ads for major brands showing up alongside Nazi content on Twitter are now a staple of progressive reporting, presented as evidence of Elon Musk's lack of business acumen. The message of these stories is "Musk is bad at business because he's allowing Nazis on his platform, which will send advertisers bolting for the exits to avoid brand-safety crises."

This isn't wrong. Musk is a bad businessman (he's a good scam artist, though). Twitter is hemorrhaging advertisers, notwithstanding the desperate (and easily debunked) stats-juking its "CEO," Linda Yaccarino, floats onstage at tech conferences:

https://www.techdirt.com/2023/10/11/math-problem-for-linda-yaccarino-if-90-of-the-top-advertisers-have-come-back-but-are-only-spending-10-of-what-they-used-to-how-screwed-are-you/

But progressives are out of their minds if they think the primary effect of the brand safety industry is punishing Elon Musk for secretly loving Nazis. The primary effect of brand safety is killing reality-based coverage of the news of the day, and since reality has a well-known anti-conservative bias, anything that works against the reality-based community is ultimately good for oligarchy:

https://en.wikipedia.org/wiki/Reality-based_community

We can't afford to let schizmogenesis stampede us into loving things just because conservative culture warriors have been momentarily tricked into hating them as part of oligarchs' turkeys-voting-for-Christmas project. "Swivel-eyed loons hate it, so it must be good," is a worse-than-useless heuristic for navigating complex issues:

https://locusmag.com/2023/05/commentary-cory-doctorow-the-swivel-eyed-loons-have-a-point/

A much better rule of thumb is "If oligarchs love something, it's probably bad." Almost without exception, things that are good for oligarchs are bad for the rest of us. I mean, this whole shuttering of Jezebel starts with an oligarch imposing his will on millions of other people. Jezebel began life as a Gawker Media site, beloved of millions of readers, destroyed when FBI informant Peter Thiel secretly funded Hulk Hogan's lawsuit against the publisher in a successful bid to put them out of business to retaliate for their unfavorable coverage of Thiel:

https://www.theatlantic.com/business/archive/2018/02/hogan-thiel-gawker-trial/554132/

This, in turn, put Jezebel under the ownership of G/O Media, who are unwilling to pay for a human salesforce that would – for example – sell advertising space on Jezebel to sex-toy companies or pro-abortion groups. G/O has been on a killing spree, shuttering beloved news outlets like Deadspin:

https://deadspin.com/this-is-how-things-work-now-at-g-o-media-1836908201

G/O's top exec, an oligarch named Jim Spanfeller who answers to the private equity looters at Great Hill Partners, is bent on ending reality-based coverage in favor of "letting robots shit out brand safe AI-assisted articles about generic topics":

https://www.msnbc.com/opinion/msnbc-opinion/ai-articles-disinformation-future-g-o-media-rcna95944

Three quarters of a century ago, Orwell coined a term to describe this kind of news: duckspeak,

It was not the man’s brain that was speaking it was his larynx. The stuff that was coming out of him consisted of words but it was not speech in true sense: it was a noise uttered in unconsciousness like the quacking of a duck.

When investors and analysts speak of "content" (rather than, say, "journalism"), this is what they mean – a warm slurry of platitudes, purged of any jagged-edged fragments to render it a perfectly suitable carrier for commercial messages targeted based on surveillance data about the "consumer" whose eyeballs are upon it.

This aversion to reality has been present among corporate decisionmakers since the earliest days, but the consolidation of power among large firms – ad-tech firms, online platforms, and "brands" themselves – makes corporate realityphobia much easier to turn into, well, reality, giving advertisers the fine-grained power to put Jezebel and every site like it out of business.

As Koebler and Maiberg's headliine so aptly puts it, "Advertisers Don’t Want Sites Like Jezebel to Exist."

The reason to deplore Nazis on Twitter is because they are Nazis, not because their content isn't brand-safe. The short-term wins progressives gain by legitimizing a corporate veto over what we see online are vastly overshadowed by the most important consequence of brand safety: the mass extinction of reality-based reporting. Reality isn't brand safe. If you're in the reality based community, brand safety should be your sworn enemy, even if they help you temporarily get a couple of Nazis kicked off Twitter.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/11/ad-jacency/#brand-safety

[zvaigzdelasas]

[H]undreds of legal experts and groups on Monday urged the global community—and the United States government in particular—"to comply with international law by ending the use of broad, unilateral coercive measures that extensively harm civilian populations."

In a letter to U.S. President Joe Biden, the jurists and legal groups wrote that "75 years ago, in the aftermath of one of the most destructive conflicts in human history, nations of the world came together in Geneva, Switzerland to establish clear legal limits on the treatment of noncombatants in times of war."

"One key provision... is the prohibition of collective punishment, which is considered a war crime," the letter continues. "We consider the unilateral application of certain economic sanctions to constitute collective punishment."

Suzanne Adely, president of the National Lawyers Guild—one of the letter's signatories—said in a statement that "economic sanctions cause direct material harm not only to the people living on the receiving end of these policies, but to those who rely on trade and economic relations with sanctioned countries."

"The legal community needs to push back against the narrative that sanctions are nonviolent alternatives to warfare and hold the U.S. Government accountable for violating international law every time it wields these coercive measures," she added.[...]

"Hundreds of millions of people currently live under such broad U.S. economic sanctions in some form, including in notable cases such as Cuba, Iran, North Korea, Syria, and Venezuela," the letter notes. "The evidence that these measures can cause severe, widespread civilian harm, including death, is overwhelming. Broad economic sanctions can spark and prolong economic crises, hinder access to essential goods like food, fuel, and medicine, and increase poverty, hunger, disease, and even death rates, especially among children. Such conditions in turn often drive mass migration, as in the recent cases of Cuba and Venezuela."

For more than 64 years, the U.S. has imposed a crippling economic embargo on Cuba that had adversely affected all sectors of the socialist island's economy and severely limited Cubans' access to basic necessities including food, fuel, and medicines. The Cuban government claims the blockade cost the country's economy nearly $5 billion in just one 11-month period in 2022-23 alone. For the past 32 years, United Nations member states have voted overwhelmingly against the U.S. embargo on Cuba. Last year's vote was 187-2, with the U.S. and Israel as the only dissenters.

According to a 2019 report from the Center for Economic and Policy Research, a progressive think tank based in Washington, D.C., as many as 40,000 Venezuelans died from 2017-18 to U.S. sanctions, which have made it much more difficult for millions of people to obtain food, medicine, and other necessities.

"Civilian suffering is not merely an incidental cost of these policies, but often their very intent," the new letter asserts. "A 1960 State Department memo on the embargo of Cuba suggested 'denying money and supplies to Cuba, to decrease monetary and real wages, to bring about hunger, desperation, and overthrow of government.'"

"Asked whether the Trump administration's sanctions on Iran were working as intended, then-Secretary of State Mike Pompeo responded that 'things are much worse for the Iranian people, and we're convinced that will lead the Iranian people to rise up and change the behavior of the regime,'" the signers added.

12 Aug 24

[rageserenity]

It's 2024. Are you still thinking about movieverse!Cherik? Because I am.

For the past several months, there's only been a very slow trickle of posts/fics in the xmcu cherik tag. Let's try to breathe some life back into this incredible pairing!

With one clear winner of my poll, here's thirty prompts for the thirty days of April. (This is a super chill, laid-back event---do these in any order, interpret them as loosely as you like! Create in any medium! Fic, art, gifs, meta, incoherent screaming about the otp…all winners in my book.)

The only rule here is to cherik too close to the sun. Alright. Here are the prompts.

Mutual Pining

Doesn't really even need elaboration! Write that horrifically slow slow-burn. Gif every time McAvoy made insane fuck me eyes on screen. Make a playlist of songs about impossible love.

2. Alternate Meetings

There are endless quotes about how these two complete each other in a way no one they'd met before or after ever did. How else could they have met?

3. Erik Has A Telepathy Kink

This is basically canon. Let my boy get freaky!

4. Canon Fix-It

All the times Fox fucked it up. There are endless options.

5. Hurt/Comfort

Put them in that Situation. Put them in that Blender. Break them apart and put them back together ❤️‍🩹

6. Canon Compliant

Draw that missing scene! Gif your favourite cherik moment!

7. Beach Divorce

Make it worse. Make it better. Show it to us exactly how it was. Break it down in a 3,000 word meta. Go wild!

8. Domestics

Sometimes you just want to see them doing normal couple things. Erik put the gun down.

9. Found Family

The real heart of x-men!

10. Time Travel

There are SO many possibilities here. Stick them in a time loop. Give them a chance to change their past.

11. AU

Love a good AU!

12. There Is Only One Bed

Had to get this one in here. What better way to amp up the tension?

13. Genosha

By some miracle, cherik actually did end up together at the end of 2019s trash bag disaster Dark Phoenix. We aren’t making a big enough deal about this.

14. Declaration(s) of Love

Who says it first? How do they say it and when? Have they said it…without saying it?

15. Jealousy

Need I say more.

16. Reunion

These two have absolutely no chill.

17. Soulmates

Classic prompt, had to get this in here too.

18. The DOFP Aircraft

The TENSION here. Break it down for me. How does Charles feel about his injury? How does Erik feel about his injury?

19. Gay Mutant Road Trip

You already know.

20. Body Swap

SO fun when people have superpowers.

21. First Kiss

When? How? Who initiated it?

22. The Mansion

Mansion!content is a genre of its own.

23. Conflicting Ideology

Give me your theses. Who’s right? Can they ever reconcile completely? Write a fic where it drives them apart.

24. Sebastian Shaw

A trope unto himself.

25. Team As Matchmaker

They had to have known something was going on, didn’t they?

26. Cooking

Charles deserves a good meal. Also, imagine Erik using his powers in the kitchen. The sheer domesticity…

27. Hurt No Comfort

Plenty of scope with these two 🥲

28. Growing Old Together

Giving Sirs Ian Mckellan and Patrick Stewart their props as well!

29. Making Up

*pushes chess board across the table* sorry babe

30. Charles Xavier Did More For Mutants Than You'll Ever Know

Rising to each other’s defense. Only I can insult this man.

I will be tracking #revivecherik to reblog stuff! Here’s a fic collection for the same. Let’s get this ball rolling! Please feel free to send me an ask if you’ve got anything to say! And most importantly, let’s all have fun 😁

*I know a few of you preferred something like a gift exchange because of the commitment factor—I’m super down to organise a tiny one for the handful of us! If this promptathon doesn’t flop horribly, we can hopefully do a whole bunch of stuff :)

If you read this post all the way through, please reblog for reach! Thank you! Hoping you participate come April.

Shoutout to @inmymagnetoera for reaching out and helping with this!

[dontmean2bepoliticalbut]

On 7/31/2019 Trump has a private meeting with Putin. On 8/3/2019, just 3 days after his private meeting with Putin Trump issues a request for a list of top US spies. By 2021 the CIA reports an unusually high number of their agents are being captured and/or being murdered. During the search executed at Mar A Lago the FBI find nore documents with lists of U.S. informants on them.

A Timeline

• FBI wiretapped Russian gambling ring headquartered at Trump Tower for two years - March 21, 2017

• Trump revealed highly classified information to Russian foreign minister and ambassador - May 15, 2017

• Trump, Putin Meet For 2 Hours In Helsinki - July 16, 2018

• Rand Paul Goes To Russia And Delivers Letter For Trump, Marking Our Era Of Irony - August 9, 2018

• Following the Money: Trump and Russia-Linked Transactions From the Campaign to the Presidential Inauguration - December 17, 2018

• The US extracted a top spy from Russia after Trump revealed classified information to the Russians in an Oval Office meeting - September 10, 2019

• Trump’s Loose Lips Force US to Extract Spy From Kremlin - September 10, 2019

• Was Mar-a-Lago Trespasser a Tourist or a Spy? A Judge Said Her Story Didn’t Hold Up. - November 25, 2019

• Trump downplays massive cyber hack on government after Pompeo links attack to Russia - December 19, 2020

• Russia has been cultivating Trump as an asset for 40 years, former KGB spy says - January 29, 2021

• There was Trump-Russia collusion — and Trump pardoned the colluder - April 17, 2021

• Longtime GOP operatives charged with funneling Russian national’s money to Trump, RNC - September 20, 2021

• Captured, Killed or Compromised: C.I.A. Admits to Losing Dozens of Informants - October 5, 2021

• Files Seized From Trump Are Part of Espionage Act Inquiry - August 12, 2022

• Ex-Clinton aide implies 'President of France' file found at Trump's home during Mar-a-Lago raid could be valuable to Putin as 'kompromat' - August 13, 2022

• Inventing Anna: The tale of a fake heiress, Mar-a-Lago, and an FBI investigation - August 22, 2022

• Russians used a US firm to funnel funds to GOP in 2018. Dems say the FEC let them get away with it - October 30, 2022

• Trump makes shocking comments about trusting Putin over US 'intelligence lowlifes' - January 31, 2023

• Russia's Prigozhin admits links to what US says was election meddling troll farm - February 14, 2023

• GOP operative sentenced to 18 months for funneling Russian money to Trump- February 17, 2023

• Trump allegedly discussed US nuclear subs with foreign national after leaving White House: Sources - October 5, 2023

• 'So appalled': What witnesses told special counsel about Trump's handling of classified info while still president - April 24, 2024

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[fuckyeahgoodomens]

Link 1, Link 2 :)

Digital Good Omens 2 Sountrack is coming out in 4 days! 🥳 CD version in October! :) ❤ Coming soon on vinyl…

Out to Stream/Download from 25th August. Out on CD 13th October. Coming soon on vinyl…

David Arnold’s ‘end of the world’ complex and multi-genre soundtrack.

From the Award-winning composer of Sherlock and Casino Royale comes a follow up to the hugely successful, Emmy nominated Good Omens soundtrack.

Good Omens series 2 premiered on Prime Video on 28th July. The series follows the odd couple, angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant) in their quest to sabotage the end of the World. The six-episode sequel to the popular adaptation of the novel by Neil Gaiman and Terry Pratchett, concerns the Archangel Gabriel (Jon Hamm) arriving without his memories to Aziraphale’s bookshop. Aziraphale and Crowley attempt to find out what happened to Gabriel, whilst hiding him from Heaven and Hell, both eager to find him.

The Soundtrack

David Arnold’s soundtrack to Good Omens was first released in 2019 to favourable reviews, with BBC Music Magazine calling it “a rollicking trip to hell and back”. Blueprint Magazine described it as “a great listen” and Sci Fi Bulletin commented on “plenty of memorable themes” to conclude that “This is another work of art from Arnold”. At times nostalgic and eerie but always varied, beautiful and full of excitement, the Good Omens 2 soundtrack showcases Arnold’s every skill from his composer arsenal. Featured here are orchestral arrangements with sprinkling of Sugar Plum Fairy pizzicato and percussion, jaunty strings and mighty choral sweeps from Crouch End Festival Chorus. Added to the mix are rock guitar riffs, and psychedelic 70s sounds and all together they create a haunting otherworldly feel, complementing the fantasy and the quirky humour of the show. The spirited Waltz of the opening theme is also present in the second series and it wonderfully sets the scene for fantastical mayhem. In series 2, this robust, evocative, and funny music entity, becomes yet again another character in the story. Award-winning composer David Arnold is well known for his blockbuster scores, including Stargate, The Chronicles of Narnia: the Voyage of the Dawn Treader, Hot Fuzz, Paul, Independence Day, 2 Fast 2 Furious and Casino Royale as well as for his TV work such as Sherlock and Dracula. Also available: The original soundtrack to the first series of Good Omens >

Tracklist

– Disc 1 – Chapter 1: The Arrival 1. Before the Beginning 2. Good Omens 2 Opening Title 3. Into Soho 4. Something Terrible 5. To The Bookshop 6. Maggie and Nina 7. He’s Smoking 8. Tiny Miracle 9. Heavenly Alarm Bells Chapter 2: The Clue 10. Avaunt! 11. The Song is the Clue 12. It’s What God Wants 13. A Mighty Wind 14. Whales 15. Gabriel Returns 16. His New Children 17. Am I Awful Now? 18. Fallen Angel Chapter 3: I Know Where I’m Going 19. Police Arrive 20. Scotland 21. We’re Going to Hell 22. People Get a Choice 23. My Car is Not Yellow 24. Beelzebub in Hell 25. The Book 26. The Fly 27. Mr. Dalrymple 28. We Need to Cut 29. I’m Going to Save Her 30. Crowley Goes Large 31. Not Kind 32. Beelzebub Isn’t Happy – Disc 2 – Chapter 4: The Hitchhiker 33. Hell-O 34. Nazi Zombies 35. March of the Nazi Zombies 36. Crowley Pep Talk 37. The Magic Shop 38. Catch The Bullet 39. Zombies in the Dressing Room Chapter 5: The Ball 40. I’ll Let You Have It 41. We’re Storming a Book Shop 42. Monsieur Azirophale 43. The Candelabra 44. Here Comes Hell 45. Gabriel Gives Himself Up 46. Shax 47. The Circle Chapter 6: Every Day 48. Bin Through the Window 49. Gabriel Leaving Heaven 50. The Halo 51. Gabriel Revealed 52. Gabriel’s Love Story 53. Leaving The Bookshop 54. Gabriel and Beelzebub 55. Crowley and Muriel 56. I Forgive You 57. Don’t Bother 58. The Biggest Decision 59. The End?