#1. Bruce knows this is happening

[morganbritton132]

When Batman leaves a JLA meeting, the rest of the team breaks out a big white board with WHAT IS BATMAN written across the top like, “Now what did we learn?”

Barry: I’m pretty sure he was listening to the Gotham Knights game on his coms the entire meeting

Hal: Excellent *at a tally under Demon*

Clark: Why does that make him a demon?

Hal: I don’t know, the devil likes jazz. Demons probably like football.

Barry: Metas like football too.

Clark: And aliens

Oliver: How would you know?

Oliver: Forget I asked.

Barry: This one doesn’t really help us.

Clark: Add it to the observations

Hal: *sadly writing ‘football fan’ under ‘likes pizza’*

[dukeofthomas]

It's kinda funny how people reject the comics bc Batman is abusive and it's mostly ignored/not addressed properly... and then instead go read fic where Batman is abusive but it's ignored/not addressed properly

[psalmsofpsychosis]

Dark Gotham TV show me the forbidden post 1×15 "Alfred carries baby Bruce to their car after they watch the sunrise together because Bruce can't walk and then back at Wayne Manor he sits him down and gently, quietly washes and cleans Bruce's ankle and smoothes a hand down his calf and slowly bondages it tight as he memorises the sound of Bruce's reluctant involuntary hisses" scene

[shoot-i-messed-up]

sketch for my centenarian SuperLantern AU… might color + line later

[martyrbat]

earth one bruce is actually the saddest version of bruce because he didnt even get to experience 5 minutes of zorro induced euphoria ://

[wonderbatbvs]

Head Empty Just Wonder Woman

[adreamfromnevermore]

AU Where the Justice League forms as usual except for one slight difference where Bruce just so happens to have been the one superheroing for the longest. (Excluding Diana, who got up to it in World War 1 and then mostly didn't while she learned about Man's World)

Bruce helps form the Justice League, ignoring all of the comments as they come to the sudden realization that Gotham's baby cryptid story is actually a man in a very intimidating armored suit who can and will break your arm if you cause problems for him. They are unaware that this is not the first team he's led, and actually he's used to teams full of mostly teenagers who also happen to be his children. This should be easier, this team is primarily adults.

He realizes rapidly that he doesn't understand these people.

His kids take bonding activities to mean learning a dozen different ways to break someones leg. That doesn't fly with these people. And that is most of Bruce's ideas, hell when he was a kid Alfred took every opportunity to get him out of his room and mostly that was with the agreement that Alfred would teach him how to defend himself. He's come by it honestly.

This team is not easier. They have more drama than when his house was actually full of kids. It's insane. He doesn't know what to do with it, usually he just sent the kids to their rooms or grounded them from patrol. That doesn't work here.

He comes to a strange crossroads. That falls apart when he forgets who he's working with and snaps at Hal with a full room of heroes that the next person to throw a punch or an insult without a reason too will be sparring with him.

A long standing rule in the batcave that worked two fold to prevent infighting between the kids and too ensure that they were well and truly trained.

It works wonders. No one says a word out of line for the rest of the debrief. Bruce becomes the unofficial mediator of the league over Clark because anytime he walked in on a fight it suddenly became 10 times more civil out of sheer terror of what he'd do to them in a sparring match.

Eventually they actually meet his kids. Well, one kid.

Half way through a mission (one of the rare ones in Gotham) the Bat comes to a complete stop at the edge of an alley. Every single league member on the team comes to a stop behind him. Slowly from the shadows of the alley a man in a red helmet stalks out to greet them.

"You don't call, you don't write"

"Red Hood."

"Don't Red Hood me! We've been worried sick!"

"I was at the cave last night."

"You didn't answer my texts B. You always answer my texts."

Somehow it ends with big and scary following them through the rest of the mission with a running commentary of how much Bats has let him down in his failure to respond in a timely manner to a text send less than an hour before he ran into them in the alley. It only ends when Red Robin shows up.

And even then it only ends because Hood can't keep himself from throwing a punch and Bruce has to snap at him that if he throws another one they're sparring when they get home.

And by god is Jason giving up the chance to punch his brothers.

[erinwantstowrite]

Halloween AU!!!

hey so. i put SOOOOO much effort into this au and for what? at least it ended up looking cool? anyways Halloween is my favorite holiday and i just HAD to make something for them!

i had a LOT of ideas for what everyone would be, but i really wanted to stick to a certain theme cause it's based around Halloween. i knew i had to have a vampire, werewolf, and a witch. cause like... obviously. iconic Halloween stuff!! but i took some liberties with everyone else and i think they turned out pretty cool!!

Jason was originally a fox shifter (which i still love and might draw art for some day) but i went with a bear in the end. is that because i thought about tiny bear cub Jaybin and wanted to cry? yeah. yeah it is. i KNEW Steph was going to be my werewolf though i started doubting myself when i went to draw her. turned out to be my favorite drawing on here which makes sense cause she is my light my love my daughter my will to live and all that jazz

Tim was actually gonna be a harpy but thank god i didn't go for that in the end. Duke was the one that was a bitch and a half trying to figure out BUT!! comments on the post asking what y'all thought led me towards Psychic so THANK YOUUUU everybody that commented!! (specifically those who thought of ghost!! Duke and Tim ended up being a perfect duo in this au)

Babs was pretty easy to figure out what I wanted for her. I read somewhere that they are seen as protectors of forests/ are considered spiritual authority figures and also.... she looks cool as fuck. Did not expect how easy it was to find a ref for a deer in a wheelchair though? I can never find the right hand or face angle reference but that was super easy???

For Bruce there was literally no question he HAD to be human. it's literally so funny that everyone who knows Batman thinks he's a spooky vampire but he's human. his first son, however?????? THAT'S the vampire. I knew Dick had to be a vampire too. A little nod towards that one comic run but in my au nothing bad happens ever 🥰 Damian also being a bat shifter is very on purpose because how funny is it that he's a bat man. Literally not a single person in the League thinks that Bruce is telling the truth about being human. Bruce you are NOT beating the secretly a vampire allegations.

adding in Jay's hilarious joke it's so fucking funny:

Alfred is actually a demon. I CAN NOT remember who made this post so if someone can help me find it, it would be appreciated!! because this was inspired by them!!! but somewhere i saw someone talk about Alfred being a demon that Thomas and Martha made a deal with (i think it was for an au idea?) and I just HAD to put it here. Alfred looks so human and everyone expects it, but he's definitely not. I put the ??? because it's so fucking funny. see if you can spot the 1 hint i put on his drawing that something is amiss!!

Peter is from an alternate dimension still, but it is not a world of creatures like him, it's just the same as LoF canon except Peter grew some extra limbs and eyes. He finds that it's actually pretty easy to fit in with the Waynes. Hard to feel like a freak when a guy can turn into a fucking bear, or your dad is a vampire, and the teenagers in the family are trying to summon ghosts or make potions.

additional doodles for this au:

i am still debating whether i am going to draw something for this au or write a oneshot, but i DO want to do something with these for Halloween

[solarplanet2]

Which one is in Danger?

Part 2

DCxDP Prompt/Drabbles

Part 1

"We have your son."

Bruce was expecting a very normal day. If you consider having to deal with the chaos of his children and being a vigilante at night as normal.

But nonetheless, a very simple day of his normal routine and once a week dinner with his family.

Only to be broken by a phone call by someone stating that his son has been kidnapped.

Bruce didn't answer right away, he was mentally counting his sons who, are all counted for, are on the dinner table.

"Which one?" Bruce eyed each of his sons and counted them again just to be sure.

"Timothy Drake-Wayne."

Bruce immediately eyed Tim who was sitting in between Jason and Cass.

Tim's here.

Then who's the one being kidnapped?

"Bruce?" Dick spoke up, thinking that something was wrong the way Bruce was looking at all of them.

Bruce slightly waved at Dick, telling him to calm down first. "What do you want?"

Dick's question seemed to catch everyone's attention since they were all looking at Bruce now.

"Two Million. Or he gets it."

A standard threat. The kind he was expecting.

"Can I speak to my son?" This earned confused looks of his children and Bruce waved them off gesturing that it was not what they were thinking about.

"Alright kid," The kidnapper from the other said grunted, almost sounding smug. "Say hello to Daddy."

Bruce could hear heavy breathing, almost sounding like a grunt. It made Bruce slightly worried. "...Tim?" Bruce decided to speak first. "Tim, Are you okay?" And Bruce hopes that he is.

A soft grunt responded. "Hi." A croaked voice managed to respond. It sounded young. And was punched in the stomach. He should know, almost all of his children had experienced that way.

"Don't worry, chum. I'm getting you out of there." Bruce tried reassuring the kid, worried about what they might do to him. Because this isn't Tim. Tim is right across from him and these kidnappers basically had kidnapped the wrong person.

He gestured to his children, a familiar gesture, for them to head to the cave and suit up. They quickly followed, not without worried glances and confused glances at Bruce's way.

"No.." The kid had said, choked out which made Bruce paused on his step in confusion. It caught his children's attention, stopping as well.

"Uhm...Dad? I'll be fine."

Bruce believed that, for some reason, but it didn't stop his worry. But the next words from the boy made him blink

"Please give me your permission."

"....To what?" Bruce asked confusingly. Permission to what?

"To hurt."

Bruce has raised enough children to know enough about silent words in some part of the sentences without right out saying it.

To hurt them.

The kid is asking permission to hurt his kidnappers.

Bruce should say no and wait for help. Should be saying that help is on the way.

Bruce should say that he'll come and save him.

Now, Bruce doesn't normally follow his gut. It causes too much mystery and had no explanation to either it would be a good thing or a bad thing.

But right now, for once, Bruce would agree with his gut.

"....Alright."

Static came in the phone, like it was losing signal but he could clearly hear the boy voice coming out like an echo.

"Good."

"What the-- AAAHHH!!!"

Beeeepppp

Bruce blinked as he looked down at his phone after the call ended.

.....Should he have not give him permission?

"B? What's wrong? Did something happen?" Dick asked, increasingly worried now as he saw Bruce staring at his phone.

"....Suit up." Bruce concluded. They should find the boy as quickly as possible. "And call an ambulance."

Bruce could see the confused look at everyone's faces as he walked passed them.

"Wait, B!" Duke had spoke up running after Bruce with his siblings. "Was someone hurt? Is it another gang fight?"

"No. The ambulance is for the kidnappers."

".....What??"

: )

Parts: Part 1

[kitsune1366]

"Ahh, but you have to not fear death, becau--"

"Oh, cool! Not a problem I'm already dead. Well, half dead!"

...

...

...

"w h a t ? ? ?"

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[yrkhn]

i feel bad so im gonna post this shi from23(?)

explanation:

1. Bruce tries to reconnect with Jason. This comes a couple of years after Jason's return and a lot of events afterward. During another family holiday, Bruce finds Jason alone outside the manor and the one-sided conversation happens, during which Bruce says those words. Anger and resentment prevent Jason from answering anything.

2. Years later and AFTER ETHIOPIA (you know... this Damien arc). Bruce screwed up. Jason hated him for it, a lot happened and after a long time and a showdown they came to peace. Jason can see how tired Bruce is and he knows every word Bruce is going to say to him, he knows it all by heart. So one day, after another fight, Jason just says THIS back to him.

He hadn't said that since he was the kid Bruce carried in his arms. And they both know it.

That's it. :3

sorry my english is bad i know i just wanted to share this with you

[solelifauna]

With Bared Teeth & Prayers (Yandere Batfam X Neglected Reader) (Dark!!! Werewolf AU) (PT. 1)

TW: Mentions/allusions to cannibalism, death, and violence.

Three years had passed since that fateful day and your life had only gotten more miserable. Whatever hopes you had for being a part of a family were thwarted as soon as you stepped foot in the household. Bruce doesn't care about you, Dick was straight up mean, Jason (as the pack protector) was aggressive, Tim found you annoying, and Damien simply loathed your existence and would join Dick with his cruelty.

Both Stephanie and Barbara were civil with you, but neither really cared about what you did. Cassandra was nice, sometimes signing to you and giving you scented clothing, but she still didn't really go out of her way to engage with you. The only person who you felt truly cared about you was Alfred.

The first two years you tried your hardest to fit in and get the others to like you. You did whatever they wanted, made sure to learn their interests so you could talk to them, never complained, and made sure to respect the pack's boundaries.

You hoped that eventually, you’d all move past this hurdle and soon you would get along and be allowed in the pack den and other pack activities. Unfortunately, you realized that you would never be considered part of the family or the pack. Which as heartbreaking as it was, was the least of your worries.

You see, there was an ancient custom in werewolf culture concerning new pack members and pack initiation. When a new werewolf is introduced to a pack and their territory, the new werewolf has a certain amount of time to be accepted into the pack; if they’re not, well, they're killed and eaten. 

Yeah… quite terrifying and barbaric if you think about it, but mostly only the old lineages still continue this practice. Which is why you’re absolutely fucked. See, typically when children come to a pack they get accepted immediately, pups were (usually) considered precious.

In your case, being a half-blood severely reduced your chances and well, you guessed the Wayne family just didn't like you. Which sucks because you only have until your 18th birthday to get them to accept you, and considering your 16th birthday was coming up, your time was coming to a close. 

Or, you could always just run away. Hey! It was an option, one that you weren't sure the Bats would even let happen. Still it was worth a try. Which leads to your current situation in Bruce's office; you were trying to cut your losses a little early.

~~~~~~

“Look, I just feel as though this is the best course of action for your pack’s and my own safety.” Came your exasperated and desperate voice.

“Safety?” Bruce questions, causally flipping through some Wayne Industries documents, as if he doesn't know exactly what you're talking about.

“Considering Damian’s tried to kill me five times, two of his attempts almost being successful, and Jason's pit aggression that has him ready to rip my throat out, you can see why someone would feel unsafe.” You state, voice raising slightly in pitch.

He hummed noncommittally, his eyes still focusing on whatever paperwork he was going over.

“I'll think about it.” He replies, still disinterested.

“There’s nothing to think about! I should be allowed to leave if I want to, and if anything I'll finally be out of your pack's way.” You say, finally letting your frustration show through.

Why couldn't he just let you leave? Did he seriously want to keep you here just to kill– sorry, eat you in another two years?

“Excuse me?” He finally looks up from his work, his blue eyes meeting yours. He was unimpressed, you could tell that much at least, coupled with a dark look of simmering anger.

Okay, so maybe you should tone it down a notch.

“Come on, I'm not an idiot. I know me being here is simply a public formality, good fluff bits for the press y'know. But I'm not part of your family, and I'm certainly not part of your pack. You and the others have made that very clear. So please, allow me to do us both a favor and get out of your way.” You add.

“Where would you go?”

“Huh?” You blink in surprise.

“Where would you go?” Bruce repeats again.

“That–that is honestly none of your concern.”

“None of my concern? Aren't I entitled to know where my kid is?”

“No, you’re not. Sure you're biologically considered my father, but we all know I'm not really considered your kid.”

“Is that what you think?” He questions.

“Am I supposed to think any differently?”

“You carry the Wayne surname do you not?”

“I do.”

“Then you belong to the Waynes. To me. Which means that I decide what happens to you.”

There was the familiar darkness that you saw pooling in Bruce’s eyes, the type that left the Joker a tortured mess, the type that disemboweled Ra’s Al Ghul, the type of darkness that reminded you that Batman doesn’t kill. Oh no, he maims and tortures instead.

You unconsciously take a careful step back. 

Bruce’s stare felt like ice, and his words hung in the air, thick and heavy with an authority that was absolute. You wanted to argue, to say something, but every instinct in your body screamed for caution. There was a darkness in his gaze that you had seen glimpses of before, but never directed at you, and now it was there, unblinking, cutting through any hope you’d harbored for mercy or understanding.

Your heart hammered, yet you forced yourself to stand straighter, swallowing down the instinctive fear. 

“With all due respect,” you began, your voice smaller than you intended but steady, “staying here for another two years just for you all to—to follow through with that—custom, doesn’t seem fair.”

Bruce’s expression didn’t soften, but his posture shifted slightly, his gaze piercing through you like he could see every thought you tried to hide. 

“Belonging is earned. It isn’t granted because of blood,” he stated coldly. “If you truly wish to belong somewhere, you work for it.”

“I’ve tried,” you said, voice thick with frustration. “I’ve tried everything. I’ve followed your rules, I tried with everyone, and stayed out of everyone’s way. But nothing I do is good enough.”

“You assume that acceptance is given on your terms,” he replied, voice as controlled as ever. “Pack structure doesn’t bend to anyone’s whims. Least of all a half-blood who hasn’t proven their loyalty.”

The words stung, tearing open a wound that you thought had scarred over. You clenched your fists, feeling the sharp ache of your own nails digging into your palms. “And what exactly does proving myself look like here? Surviving Damian’s attacks? Letting Jason rip me apart every chance he gets?”

“Watch your tone,” he warned, his voice low, cutting through any retort you’d planned.

You took a shaky breath, forcing yourself to take another step back from his desk. Challenging him wouldn’t help. He’d already decided where you stood, and nothing you said would change that. Maybe it was better to save your energy, conserve your strength for the day you’d finally slip away.

“Understood,” you said, swallowing the bitterness in your throat. “If that’s how it is, then I’ll stay out of everyone’s way.”

 But you’d still leave when the time comes.

Bruce’s gaze hardened, like he knew what you were thinking. “Your place is here until I decide otherwise,” he said, a finality in his tone that told you any further argument would only worsen things.

He dismissed you with a look, returning to his papers as if the conversation were over, as if you were no longer there. Every step you took out of the office felt heavier, like the manor itself was holding you down, binding you to this place that was never truly a home.

As you closed the door behind you, the cold emptiness of the hallway wrapped around you, and you knew then—you were on your own. If you were to survive this, it would be on your own terms.

It's like clockwork when Alfred calls you down for dinner. The same time, the same routine.

You show  up to dinner, hands still shaking and mind still reeling from your disturbingly cryptic conversation with Bruce. But, never mind that you’d just eat quietly and leave like you always do. You moved to your normal seat only to find that all the chairs near the end of the table had disappeared. What the actual fuck. Was this some type of powerplay? Something to imply that you didn’t even have a seat at their table anymore? 

You mean, you wouldn't mind eating in the safety and comfort of your own room. With an exasperated sigh, which had a couple of heads turn their attention to you, you grabbed an empty plate and started loading it up with food. You were about to head back to your room when you heard an outraged growl from behind you.

The kind of growl that had you tensing, ready to submit and roll onto your back.

“Where the hell do you think you’re going?” Jason growled out from behind you.

You freeze.

“To my room?” You responded meekly, curling in on yourself as much as you could.

“And pray tell, why do you think that’d be acceptable?”

“Uh–um, ‘cause my seats’ gone?”

Jason only smirked, the feral kind that almost always promised pain to his enemies.

“Oh, but your chair isn't gone, it's right here.” Jason says pointing to a chair right near the head of the table.

You blanked. That's not right. Only pack was allowed that close to the head of the table, where Bruce sat, where the pack leader sat.

“B-But, I can’t–”

“Did that sound like a suggestion?”

You shook your head no, swallowing down a whimper that almost escaped your lungs.

“Then sit your ass down,” Jason growled.

He didn't have to tell you twice.

Immediately you shakily sat down in your new seat, on the left side of Bruce’s seat at the head of the table with Jason sitting at your left shoulder and Dick across from you. Not good, not good at all. You could feel the acidic, green gaze of Jason burning into the side of your face whilst Dick languidly sipped his wine, a sickeningly sweet smile (with way too many teeth to be considered anything but malicious), plastered on his face as he stared at the new seating chart. You let out a shaky breath, trying to get your heart rate back to normal; you were so gonna die tonight.

Thankfully, Bruce arrived and sat himself in his seat at the head of the table; right next to you. You closed your eyes, trying to focus on getting air in your lungs and slowing your racing heart. Unbeknownst to you, Bruce shot a knowing stare at the rest of the table. As much as you tried to conceal it, they could all hear your rapidly fluttering heartbeat and your poorly hidden breathing. Tim and Jason both watched you amused; you looked so darn pathetic, sitting there trembling like a leaf. 

You glanced down at your plate, picking at the food without really tasting it, hoping that staying silent would help you melt into the background.

Bruce, however, remained still and silent, his presence looming over you, radiating the authority that seemed to keep everyone else in check. But even that felt like a facade; the way his gaze lingered on you for a split second too long told you he was watching closely, assessing.

You forced yourself to take a bite, trying to steady your hands enough to appear somewhat composed. But the sound of your own heartbeat seemed to echo in your ears, loud and unrelenting, as if amplifying the anxiety that twisted in your gut. They could hear it too; you knew that much from the way Jason’s smirk deepened, from the way Tim’s lips twitched with barely-contained laughter.

As the dinner dragged on, every clink of a fork, every quiet murmur, felt like it was directed at you. The food turned to ash in your mouth, each bite only reminding you of the eyes trained on you, dissecting you with every chew and every breath.

The rest of the dinner passed in strained silence, every second an endurance test as you forced yourself to stay seated, to keep your head down. When Bruce finally pushed his chair back and dismissed everyone, the wave of relief was almost enough to make you lightheaded. Quick as a whip, you practically ran up the stairs towards the safety and solace of your room.

When you make it, the locks on your door are immediately fastened (not that it would do much if anyone wanted to actually force their way in). You exhale in relief as you try to collect your thoughts. Fuck, everything was going to shit; the worst part being you had school tomorrow (which thankfully you did not go to Gotham Prep; you'd kill yourself if you did). You groaned at the thought, digging the heels of your palms into your eyes to relieve the ache shooting through them.

Looks like another night of shitty sleep.

Taglist!!: @lostsomewhereinthegarden, @the-rouge-robin, @confused-they

[frownyalfred]

there is something actually hilarious and sad about Bruce 1) knowing that Clark is completely invulnerable 2) knowing that punching him means he’ll probably break his hand 3) still deciding to just fucking deck him when he’s pissed. it keeps happening in canon — Bruce loses it, breaks some fingers, and Clark’s just standing there like ☹️ are u done yet

[messenger-of-babel]

The Call

Summary: One little call to each of them. One big consequence. (Batfamily x sibling!reader)

Word Count: 2.9K

Notes: IM LATE AGAIN. I hope you all know that I do stay up wildly late when this happens cause I want to edit before I submit, even if some of these were pre-written (its 1:30AM RAHH). ANWAYS. Batfamily, I tried to get as many as I could but I haven't collected runs for about half the family cause I am biased towards my boys, but I am trying to be as accurate as possible when I can be and that includes those dynamics! So rest assured I am doing my research and hopefully that'll reflect soon. As usual, enjoy your daily feed and I'll enjoy my nap. Warnings just for general description of violence.

Much Love~! xx

━━━━━━━━━━━━━༻❁༺━━━━━━━━━━━━━━

When Dick got the call, he was in his civilian clothes.

Dick Grayson was suit shopping, needing something for an upcoming gala. He had put it off for so long, since he wore the Nightwing suit more than any other in his closet. He had let it ring out once while he got his measurements taken, but when they called back a second time, his lips dipped into a frown. Excusing himself, he clicked the answer call button, stating his name. He hears the voice of Bruce, but in the stern tone of Batman. He doesn’t think that he's ever left a store as fast as he had that day, feet thudding on the pavement and breath cold in his chest as he hurries to his car. He unlocks it and all but throws himself into the passenger seat, lines on his face hardening. Throwing it quickly into drive he pulls out and heads in the direction of the manor.

He tries to keep himself composed, his emotional training kicking in. His fingers are tense on the steering wheel, passing over the bridge at a speed a cop would most certainly pull him over for. Even though he tries to take a deep breath, there's a burning in his sternum. It builds until it creeps into his neck, making him click his tongue uncomfortably.

The sensation is a rage he hadn't felt in a while, a fire that hadn’t burnt that intensely since he was just a boy grieving his parents’ death. It had flickered when he had heard Bruce had adopted a boy called Jason after him, sputtering to life upon hearing about his death. Yet he had grown, he had risen above it and had become a shelter for his younger, extended family. He was dependable, uncrackable, and upbeat, that was Nightwing. Yet as he drives back with that painful fire in his chest, he felt nothing more than Dick Grayson, the boy stricken with fear at the idea of losing his family.

When Jason got the call, he had been on patrol.

Helm securely on his face, it kept the drizzly night rain of Gotham out of his eyes. It had been a rather quiet night, stopping a few minor robberies and assaults that were common down by Dixon Docks. He was eager to return home, wanting to swing by the manor quickly to take full advantage of the hot water system before heading back to his apartment in Old Gotham for a well-deserved rest. He had just finished interrogating some of Penguins' men, about to call the cave to let whoever was on tonight know that they finally had the location of the new drug den they had been chasing the past month. However, the communication device he had set on his bike was lit, screen full of notifications.

Calls, one after another filled the small holographic display and he pressed the button to call back, leg swinging over the side of the bike as he did so. He had only started the bike but already he screeched to a stop, making sure he heard the words properly. A curse and gruffly shouted questions were his only response and when he got the information he wanted, he cut the call and the bike roared to life. He leant forward as if that was going to help him get to his destination quicker, blood boiling underneath his skin. His chest ached with the urge to sputter out pants, desperate to start the sign of panic racing through his veins. Yet he was stronger than that, keeping his cool like a tightly wound coil, muscles tensed beneath the suit.

His mind buzzes with worry, anxiety gnawing at his ribcage like a feral rat.

Jason doesn't often allow himself to be emotional on the job, despite his tendency for rage.

But rage was different. Rage burned and warmed him up from the inside, was the force that he put behind every punch or kick. It was his kindling, and it served to guide him as well as any star. Of course, Bruce had tempered it somewhat, but he had just guided Jason into turning it into something else, not getting rid of entirely. He used rage to protect the people of the city, the outrage he felt when he saw them get treated badly. He used rage when coming to his family's defence, the sight of hands being laid on people he had come to care for sparking it too. Those were the rages he was used to using, although there was always a third.

The pit.

The rage that bubbled away in the back of his mind, hidden behind a tall wall and shoved into the deepest part of him. That was the rage that crept forth, green and poisonous in his veins and clouding his judgement in a fog of pain and despair and anger. When it would appear, he would often take a moment to himself to pack it back away, contain it once more in the bulletproof casing of his heart. Yet right now, he didn't want to put it back. It made him rev the bike harder, made him feel like he was getting there quicker. The bike kicked up water as he zig zagged through the back streets, his mental map of Gotham rerouting anytime the traffic was longer than five cars deep. He couldn't afford to lost time, to not be fast enough. Not now, not this time, and if he had to use the rage the pit cursed him with, he would.

Tim was at the manor, holed up in his room when he got the call.

It had been a long night the night before, tossing restlessly. Not that he would have told anyone, but the last fight with Bane had left him with a few more bruises than he had let on, cleverly hidden from the keen eyes of Alfred. He wanted to nurse them himself, carry his own weight. In fact, he had been sulking in his room going over the things that had been troubling him, knees pulled to his chest.

Dick was capable and dependable, and the first Robin, the biggest shoes to fill. Jason was tenacious but loved deeply, and he fought for what was right. His methods might be unconventional to the Bat sometimes, but he knew what he wanted to fight for. Steph had flown the nest to become Spoiler, Cass already had such a firm grasp of who she wanted to become now that she was Orphan. Barbara had even been able to turn her life around after being put into her wheelchair, her desire to help leading her to become Oracle when she had to hang up Batgirl. Even Damian, the true son of Bruce Wayne, was so confident, growing at a rate he knew Bruce was quietly proud of.

But then there was Tim, who stayed up on weekends trying to redesign his suit, to carve his own vigilante life, only to look on it and see the traces of his time as Robin printed clearly on it. The role of Robin had outgrown him, but there was the shred of doubt that whispered in his ear that just maybe, he hadn't outgrown it. The ringing of his phone snapped him out of his daze, and he let it go to voicemail. When it came again, he grabbed his phone with the desire to turn it off, but seeing the emergency signal had him picking up right away.

"Hello?" he called, sitting right up in bed. His eyes widened and he shelved his pity party, running out of his room.

He winds through the halls of the manor until he finds the door he's looking for. Tim's knuckles rap against the wood loudly, repeating until a disgruntled Damian comes to the door, swinging it open violently. "This better be good, Drake." he deadpans, scanning the flustered state of the older boy. Tim just turns his phone screen, showing the emergency call signal before gesturing to the direction of the grandfather clock with his head. "We've got to go." he says curtly, the young boy hot on his heels after he recovers from his shock.

Both of them head to the cave and prepare to depart immediately. Tim slips the suit over his skin like an outgrown shedding, domino mask sliding onto his face. He couldn’t recognise his own face when he caught sight of it in the glass reflection, but a mask and suit would never be enough to hide the panic that clung to him tighter than the Red Robin suit.

When Bruce got the call, he was at Wayne Enterprises.

He was making a rare appearance at the office, knowing that Lucius had something that he wanted to talk to him about. His office felt foreign and sterile, empty and unreal. The glass surfaces everywhere let him glimpse the face of Bruce Wayne, a face that he was beginning to see less and less. It felt uncanny seeing himself without the cowl, and sometimes when he was working, he could swear he saw a reflection of the bat ears in the window beside him. The night had dragged on, and he was only an hour into the meeting with Lucius when the phone in his suit pocket rang.

He and Lucius shared a sceptical look as he turned the phone screen. The call location wasn't displaying as the Batcave, the only place that could contact this phone directly outside of his children, Lucius and Alfred's personal mobile. Yet he knew Red Hood was taking the brunt of patrol tonight, and Bruce was intended to join him after the meeting. Dick was carrying out some errands downtown and everyone else had either stayed home or didn't contact him like this often. The girls preferred to call his phone as Bruce Wayne or spoke through Alfred, so who could it be?

Lucius gives a nod, silent as he sits down. Bruce's face hardens as he presses the speaker button, accepting the call.

"Who is this?" he says, lowering his voice to the gravelly timbre of Batman.

"Da...B-Batman?" comes a broken, shaky voice on the other end. Lucius's eyes widen and flick to Bruce's immediately, mouth parting. Bruce's jaw ticks, eyes widening as well when he hears your voice.

"This is the Batman. How did you get this number?" He asks, having to focus on keeping his voice low, even though the tone of Bruce threatens to creep back in.

"He-he just had it. I don't know. He just told me to speak, I-I'm not even holding the phone I can't see anything; I’m tied, my eyes are-" you begin to ramble, struggling to get through your words before you're cut off.

"Hello, Batsy." calls a voice close to the receiver, and Bruce swore that his heart fell through the floor in that moment. His fingers tighten around the phone the same way that his lungs are constricting in his chest.

"Joker."

The man on the other end cackles, if Bruce could even call him that. "Miss me?" he snickers, Bruce's mind filling with the image of a red stretched grin. "You see, this is more of a... courtesy call. You know Bruce Wayne, billionaire extraordinaire?"

Bruce's head snaps up to Lucius, who's rubbing at his face nervously.

He didn't know, did he?

"You see, I didn't make a lot of impact going after the commissioner last time, so I had to think to myself, If I wanted to really shake things up in Gotham, who else is there? Then I thought of it, who better than the playboy of the century?" he laughs, punctuated with a sharp snap of his fingers.

"Get to the point." Bruce all but growls.

"Yeah yeah, you always love to rush me, don't you?" The Joker snarks back with fake hurt, before continuing. "Regardless, I have one of his little orphan projects, thinking I might have a bit more success with this one."

He hears a thwack over the phone and a scream, making his nails dig into his palm. He steadies his breathing.

"What have you done?" he asks, low and dangerous.

Another thwack.

"Exactly what I said. But there was a rumour going around that you know Mr. Money, so I thought I'd give you a call, you know, a little gift. If you do know the richest orphan in Gotham, then I want to give you the honour of telling him I've got one of his. Better yet, I want to give you the honour of delivering their body to his doorstep. Maybe that way, you might be able to bond over losing your fake kids."

Bruce feels sick, closing his eyes to try and stop himself from making a mistake right now.

Your life was on the line. He had to play smart.

"Where are you?"

The joker tuts on the other end. "This was a courtesy call, nothing more. I don't want anyone interrupting my playtime. Tata for now~"

"Joker-" he starts but then he's cut off, line going dead. Lucius doesn't say anything, his own personal phone pulled out as he calls Alfred, studying the frozen figure of Bruce. It's almost like there's dark tendrils to the shadows on his broad body, deepening the lines on his face.

Bruce doesn't remember too much, but Batman did.

Immediately he had left the room, suit en route to him and arriving within the minute. As soon as the comfort of his cowl touched his skin, Bruce was gone, and it was Batman calling everyone at the same time. It was Dick who picked up first, a couple of rings earlier than Jason before Tim joined, the sound of Damian in the background. Oracle and Spoiler joined together, while the others were still pending. He didn’t have the time to temper his voice as he relayed the situation, immediately getting as many people on recon as possible.

There were shouts and yelling and cursing before all of their lines became inactive, replaced with trackers signalling that their suits were live. When he enters the batmobile he grips the wheel tensely. The lump in his throat doesn't seem to disappear, only growing larger with each second. His mind is filled with pictures of Jason. Pictures of Barbara. The smiling photos of you.

He might never admit it, but he had your photos front and centre in his wallet (something you did in fact know and used to your advantage frequently in 'dad loves me more' battles). He remembers the first day he ever saw you, cold and scared apart from the other kids in the orphanage. He had been investigating a potential human trafficking ring operating out of the centre, but when he saw you, the fatherly pang hit him. The way your eyes stared forward dully as he greeted children as Bruce Wayne, cameras flashing around him. He had enough wealth to buy the children anything they asked for, the other kids excitedly asking for new toys or clothes or art supplies. However, when he kneeled down in front of you and asked you want you wanted, you said only a few words, 'a family'.

And god be damned if Bruce didn't have money enough for that too.

So, he took you in, hid batman from you like he had tried to with everyone else as well. Yet he failed again, but unlike his children in the past, you never asked to join. Never asked for a suit or to stay up or to train in the cave. Never showed any interest in joining your siblings or throwing yourself in front of danger for the sake of the city. When he asked you why you had simply shrugged, giving him a soft smile.

"All I've ever wanted was to be part of a family. I don't need to be a superhero to be loved."

And then you beamed at him with a smile that could have lit up his world and chased the clouds away from Gotham, so pure and genuinely content. That made Bruce feel like he had finally succeeded as a father, and for once Bruce felt like a father. No Batman, no mask and cape. He didn't train with you; he went out with you to the theatre on weekends. You didn't jump from rooftop to rooftop, you liked to come study with him in his office when he had to take care of Wayne affairs. Batman may have been created to save Gotham city, but he was convinced that you were sent to save Bruce Wayne.

Now, he felt that he had failed you as both Bruce and Batman.

"Hold on sweetheart," he whispers to himself, letting his eyes close for a brief moment during his exhale. "I'll get you home. I promise."

He pressed the accelerator further, Batmobile display signaling that everyone else was suited up and across the city waiting further instruction. He just hoped, he prayed that when he brought you back, it wouldn't be in a body bag.

[tiny-space-platypus]

Never really fit back in

aside part 1

(Stories that I just can't get out of my head but don't forget in main plot)

Damian and Danny act like feral fucking cats thrown into an enclosed room together. The others have learned quickly that the boys CAN NOT be left in a room alone together or they'll both end up bloody and bruised. Well Danny will end up blood and Damian will end up bruised. But! If someone else is in the room they are the sweetest brothers to each other. Laughing, jokingly, hell Damian smiles, but once they're alone all hell breaks loose.

It's worse than when Damian used to try and kill Tim. At least then he at least tried to be sneaky about it but with Danny? No, Damian will walk up to Danny and just stab him for no other reason than he can and Danny, Danny just laughs and takes the blade saying something like "it's in me so it's mine now" then going to throw Damian in a choke hold.

At first the family was worried and confused because why the fuck are they so aggressive towards each other?? Yeah the bats all stalked Danny, yeah the bats were almost about to destroy the Masters and Fentons but that's supposedly water under the bridge now. Danny said he wasn't mad at least, he just wanted to spend time with his brother again. SO WHY WE'RE THEY ALWAYS TRYING TO KILL EACH OTHER??

Dick was the first to see this happen. Dick was with the boys, Danny and him making stupid jokes, Damian groaning, and they'd laugh. Then he left to grab snacks. Only to run back when he heard something crash, in the 5 minutes he was gone, Danny was impaled with a sword, with multiple batarangs sticking out of him! One was even in his eye!! Damian wasn't looking any better, black eye, split lip, bloody nose, and beaten to hell while Danny held him by the throat dangling him above the ground. Dick screamed and went to pull the boys away from each other which Danny allowed easily. When he asked WHY?? the boys only shrugged. Then began to argue about who kept the sword. Danny says it was in him so he should keep it and Damian saying it's his sword. Dick looked at the both of them and sighed taking the weapons for himself much to the protest of the boys. Now he had a head ache and a long conversation to have later.

Bruce almost had a stroke when he was told about it. He nearly fainted when he did see it for himself. HIS BOYS FOUGHT LIKE THEY WERE GOING TO KILL EACH OTHER. So now they couldn't be left alone together someone always had to make sure they didn't kill each other during their visits. Which is fine the Master's Manor was much more suited for their fights anyways hell maybe they could have their mother come watch them fight. It's been a long time since Danny has seen their mother after all.

The reason: That's the only way they know how to act together. They trained together when they were small and it's still just habit. Plus now that Damian knows none of his weapons can really kill Danny he goes all out to stay sharp, to Danny this is just ghost bonding. Ghosts do love fighting after all. Maybe one day he'll actually go full strength on Damian just for fun, just to see how his weaker, still mostly mortal brother will react. After all none of the bats have ever fought him in his ghost form.

Damian and Danny being left alone for 5 minutes:

[wifelinkmtg]

TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.