#0M 1

[pocketgalaxies]

i like marisha's look :)

[verstappenalty]

okay I was thinking about this and wanted to break down the ten youngest race wins:

1. max verstappen (spain 2016, 18y 7m 15d)

2. max verstappen (malaysia 2017, 20y 0m 1d)

3. max verstappen (mexico 2017, 20y 0m 29d)

4. max verstappen (austria 2018, 20y 9m 1d)

5. max verstappen (mexico 2018, 21y 0m 28d)

6. sebastian vettel (monza 2008, 21y 2m 1d)

7. max verstappen (austria 2019, 21y 9m 0d)

8. sebastian vettel (china 2009, 21y 9m 16d)

9. max verstappen (germany 2019, 21y 9m 28d)

10. charles leclerc (belgium 2019, 21y 10m 16d)

[ywpd-translations]

Ride 811: 0m above sea level!!

Pag 1

2: Next is Hakogaku's attack!!

Dammit!!

3: There are

4: 6km left until the finish line!!

Pag 2

1: Hakone Academy's number 12, the ace assist Takadajou!! He's pushing with all his strength and leading number 11, the ace!!

They opened a gap in an instant!!

Pag 3

4: Don't go up to zone 5

Yes

5: There are still 6km left until the finish line

For now

Pag 4

1: Zone 4 is enough!!

Yes!!

Pag 5

1: Dammiiit

Hakogaku is too fast!!

2: Stick to them Ninoshima!!

4: The guy who said that downhills are “about fruit juice and choosing a pine”....

5: Gunma moved forward!!

Pag 6

1: Hayaaaa

2: I won't let you escape!!

Yon!!

4: Sohoku....

5: and even Kyofushi are on it

Pag 7

1: and chasing at the same time!!

4: Jou-san

What is it

Pag 8

1: As expected, they won't let us escape that easily

2: As expected... huh?

Pag 9

1: We're back at the starting point again!!

4: They're too fast...

Too strong...

While we're already at our limits....

5: Whe.... where will the next attack come from... will it be Sohoku? Or Kyofushi again!?

Pag 11

1: Or Gunma!!

8: What do we do, Higashimura-san!!

9: Once we pass this tunnel the finish line will be even closer!!

After we pass under the railway overpass and reach the national highway 10....

Pag 12

1: the course takes a huge right turn!!

Pag 13

1: There, the long downhill is over!!

2: Almost 0m above the sea level!!

3: Until the finish line there are

4: 5km left!!

6: They moved!!

Here!?

7: The one who attacked is....

Pag 14

2: Sohoku!!

It's number 2, Naruko!!

Pag 15

1: Ooruaaaaa

2: He jumped forward with a terrific acceleration!!

Naruko!?

3: Jou-san, Naruko-san jumped forward!!

4: Naruko jumped ahead!!

Imaizumi too....!?

7: The red one jumped ahead, but what about the other one!?

Pag 16

1: He's not moving!! Naruko alone is riding in the lead!!

2: They're sending only one person ahead!?

Is it a tactic!?

3: Huh

4: Did the small red assist one leave the ace behind!?

No.... that's

Pag 17

3: Do we chase him? Jou-san!!

No.... wait....!!

4: Which one... which one....

5: This is an attack that only Sohoku can do!!

6: Were it Kyofushi, I'd mark Midosuji

7: or were it Gunma, I'd mark Kiji

8: Which one....

But Sohoku.....

Pag 18

1: Kakaka...!!

I don't know which one of them is the ace!!

Pag 19

1: I can really see the ocean!!

2: Is this to allow Imaizumi to attack?

Or does he intend to keep going like that?

3: I'll chase him!!

4: Well, since we got this far, let's take a look

Pag 20

1: At the Inter High's first day's final gate, too!!

First!! me!!

2: Next there are the coastland's flat roads....!!

This is bad.... this is bad, Higashimura-san

I heard that...that small red guy... he was originally...

3: a sprinter!!

[chic-a-gigot]

La Mode nationale, no. 17, 25 avril 1896, Paris. Notre patron découpé (Grandeur naturelle). Corsage à pointe. Bibliothèque nationale de France

Détails et Explication du patron découpé:

Ce modèle forme pointe devant très court sur les hanches; des coques de même étoffe, doublèes de soie assortie, forment petite basque; les pinces sont ornées d'un galon brodé. (This model has a pointed front shape, very short on the hips; shells of the same fabric, lined with matching silk, form a small peplum; the clips are decorated with an embroidered braid.)

Ce patron se compose de six morceaux. (This pattern consists of six pieces.)

No. 1. — Le devant. (The front.)

No. 2. — Le premier côté; un cran indique le raccord au devant. (The first side; a notch indicates the connection at the front.)

No. 3. — Le deuxième côté; deux crans indiquent le raccord au premier côté. (The second side; two notches indicate the connection to the first side.)

No. 4. — Le jockey de la manche. (The jockey for the sleeve.)

No. 5. — Le dos, coupé long de façon à former une coque en repliant le bas à l'endroit indiqué par un cran de chaque côté. (The back, cut long so as to form a shell by folding the bottom at the place indicated by a notch on each side.)

No. 6. — La manche ballon, demi-longue; un trait à la roulette indique le dessous. (The balloon sleeve, half-length; a roulette line indicates the bottom.)

Métrage: 1m,50 tissu grande largeur; 0m,70 soie ou satin pour l'intérieur des coques.

[postsofbabel]

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[elaemae]

The premium version of human is here to wreck house, mfs.

Chp.2

[TwstxObeyme!AFAB!reader]

Whoa.. 😳

Thanks for the feedback, likes and reblogs guys~ It really makes me happy that my hard work is appreciated😊

Guys, what gender should my story's Yuu be in? It's quite hard to refer to two different characters with both gender neutral pronouns 😅

READ FIRST; PROLOGUE:1

• • • •

Again; Pronouns used to refer to MC are blue, because MC will be mistaken for a guy a lot.

SYNOPSIS:

With the Opening Ceremony going off the rails for a second time, MC is more than eager to get back home and probably binge-watch their stress away with their emotionally-repressed boys.

Though with the current situation right now, they don't think that will be happening soon.. Oh well, at least they're not the only otherworldly outlier here... *Nightbringer flashbacks intensifies*

$o|0m°N?

On the other hand, Yuu makes a new friend.

Yuu doesn't know if this makes them a problematic person or not, but Yuu is happy that there's someone else in a similar predicament as them in this strange world, even if it meant that their new companion also had to be kidnapped by a problematic school/lowkey-highkey a cult to be here as well.

But of course, there's trouble in the horizon as the whole fiasco in the mirror ceremony caused the students of NRC to keep a close and careful gaze onto the MC. I'm talkin' from but not limited to; The Fish Mafia, Queen of hearts and Evil queen Incarnates, even down to your perfectly normal 500+ year old war-veteran that looks like a child.

Meanwhile, The Devildom, Human world, and The Celestial realm are feeling a sense of something foreboding in the air... It's probably nothing though.. right?......right?? The calm before the storm. Or the calm before anyone barges into MC's room.

Prologue: 2 Electric-boogaloo

Watching the mysterious and somewhat confused-looking student continuously dodge Riddle and Azul's spells with a calm expression, sharp gaze and a frightening precision, Lilia is waiting for the perfect time to jump in.

Preferably when the student ran in front of him so that he could tackle him to the ground.

Crowley isn't doing anything but screech. Again.

Haah....

• • • •

Azul's smile widens when this ever mysterious new student blocks Riddles' Signature spell by quickly spinning his fancy staff into a make-shift shield once again. what an interesting staff, transforming from a necklace into a cane that can be used for offense and defense..

Azul straight up grins he can see Schoenheit's smile and Kingscholar's shit-eating smirk from here, as well as hear Shroud's maniacal giggles when Riddle screeches at the student to just cooperate and that "NO WE ARE NOT A CULT!!!!" "That's what cults always say!"

Prompting a round of laughter from the useles– *ehem* new students in the hall. How annoying..

What an amusing lad.. Though, Azul wonders.. can all his other jewelry transform as well? Besides the earrings, choker, necklace and forehead ornament that he's wearing, the student also has a ring in his middle finger and in both of his ring fingers, a wide bracelet, and even some bangles in his ankles.

And if all of those jewels can transform into something?....Ohhh, then he really needs to get his hands on them asap.

Seeing Lilia gearing up to jump the student, Azul shifted a bit and tried to lead the student closer to Lilia.

Help idk how to describe shit💀

You click your tongue as you got surrounded by Mr. bird-bitch, that red-mf, Solomon-but-from-wish, Columbina's cousin, lion-dude, "I'm a bad-bitch with a sad past" guy, and a floating tablet.

You ended up getting bound by the bird-bitch's whip the moment you tried to leap off a window in your belphie-escaping-his-responsibilities style. Your pact mark of pride flickered, and Lucifer wonders what MC could be dreaming about for their pride to have taken a hit at this time of the night.

You turned your staff back into a necklace by then, so you couldn't really block the whip and that redhead's spell from hitting you.

You had socked Walmart-Solomon in the face though when he sneakily tried to take one of your bangles while you were being yanked back from the window. Satan stirred in his sleep, feeling but not registering the creeping irritation under your skin.

So now you're here, with a collar for your troubles and a whip locking your arms to your body.

You're just about to resentfully summon Lucifer or something when the redhead who collared you with this uncomfortable fugly-ass neckwear started lecturing you and shit about etiquette and how disrespectful you are for trying to leap out the window and how you should be honored to be there blahblahblah—

Hell no. You ain't letting this short-pimp talk to you like this. (You should really stop hanging around too much with Asmo. Or Levi when he's being a hater on the internet.)

Satan stirred once again, starting to rouse from his slumber as he felt your irritation start to turn into embers of anger.

Lucifer furrows his brows, feeling a rush of indignity that can only have come from you. But why? Weren't you in bed? He hasn't felt you leave through any of the detection barriers he'd set up around your room so you should still be inside, right?

"I think it's much more disrespectful to have your fuckin horses kidnap someone straight from their goddamn bed just to attend a little ceremony they've never even heard of."

You narrow your eyes as you see the bird-man and goons look taken aback in varying degrees of obviousness. (A figure near the mirror perked-up; 'Maybe this person is in a similar situation as them!')

Bruh, what the fuck did they expect??

• • • • •

The Vice-prefects of all seven dorms have led the new students out of the Ceremony hall, leaving behind the five (sorry Mal. Also, Jamil's ass definitely dragged Kalim out with him.) dorm leaders with the headmaster to solve the issues of the sTiLl-uNdEr-tHe-efFecTs-oF-tHe-teLepoRtaTioN-sPelL new student who utterly refuses to cooperate with them.

Riddle is about to combust, Leona wants to go back to bed only to be dragged back by the headmaster—, Vil wants his beauty sleep but was dragged back by that petty bitch, Leona—, While Idia and Azul decided to stick around for their own personal reasons. ("He looks like an anime character—" "Brother, I don't think it's good to be taking pictures of someone without permission—" "AHH–! O-ORTHO?!")

While Yuu is.. hiding behind the mirror.

(The kinda-silver haired guy seems to be in his seventh ritual of making sure his face didn't get bruised from the solid right hook to the face he got.)

(Yuu would've felt bad for him if the guy didn't have such a shady smile on his face while he was massaging his punched jaw.)

Meanwhile...

"Oy human, it's me!"

Mammon knocked on MC's door, fully intent on bothering their sleep and cozying up on their bed again.

He waited for a few seconds, no answer.

He knocked again.

No answer.

... Look, it's not like The Great Mammon is worried or anything but this is strange..

The human always answers their door after a knock or two even if it's the middle of the night.

... Dammit.

Mammon is full of grumbles as he consciously sharpens his senses, tryna sense his the human.

They better not be ignoring him or he'll–

Wait.

What? W- wait a second..

• • • •

The quietness of the night in the House of Lamentation vanished as the sound of a door being busted down rang out.

It's other residents could barely even register the sound before a shout rang out. A shout that sent dread right into their cores.

"MC?!"

← Pr. 1 | Chapter List | Prologue 3 →

'What the?! Why can't I summon them??'

Elae: Hehe~ I'm back with some food~

Thanks for reading this far, I hope you enjoyed this chapter😊

Btw, do y'all want Yuu to be a love interest?

How do I tag ppl??

[andymakesgames]

Fishin' 500: A Pico-8 Game in 495 characters

Play it here

This is my entry for #TweetTweetJam 10, a game jam where games have a limit of 500 characters of source code and no external assets!

It's a simple fishing game with a final size of 495 characters.

Here's the full Pico-8 source code for the game:

q={}c=circfill r=rnd::z::x=20y=20h=0v=0g=0m=0::_::cls(12)l=line c(65,800,760,1)for i=30,45do l(0,i,75-i,i,4+i%2)end x+=h*g y+=v*g v+=g/9f=.88+sgn(40-y)/9h*=f v*=f if btnp()>0then if(g<1)h=1+r() g=1v-=1.5end if(r()<.03)add(q,{x=-4,y=60+r(60),c=r(5)}) d=4for o in all(q)do a=o.x b=o.y c(a,b,2,8+o.c)l(a-3,b-2,a-3,b+2)pset(a,b-1,1)o.x+=r() if d>abs(a-x)+abs(b-y)then o.x=x+1o.y=y d=0end if(b<40)del(q,o)end m=max(m,y)c(x,y,1,7)l(11,29,20,20)l(x,min(40,y),5)l(x,y) if(m>40and y<40)goto z flip()goto _

You can find a much more thoroughly commented version of this code that explains what's going on here.

Don't forget to check out my entry from last year: Tastebud Tapdancer

[postmanpetecoluk]

Migrant Hawker (Aeshna mixta) M by pete beard Via Flickr: #yovonespond #October

[the-phantom-officianados]

B0₹N 2 [[HYPERLINK BLOCKED.]]

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1 @M [[BIG SHOT!!!]]

401,572,749,842 [[K₹0M€₹]]

Tanaka?

☆Joker 🗡️

[ask-basil-omori]

[[Y O W Z A]] D1D 1 $@¥ K₹0M€₹????

I M€4N7 K₹0M€₹!!!!

WH47 A [[Stolen goods]]!! ₱₹1¢€$ $0 £0W 3V3₹¥0N3 1 KN0W 1$ [[Severe Head Trauma]]!!!!

... The picture of the flower looks less wilted. Well, more like it's had maybe one singular drop of water.

..

[chic-a-gigot]

La Mode nationale, no. 26, 28 juin 1902, Paris. Toilettes d'été pour dames et jeunes filles. Bibliothèque nationale de France

(13) Corsage de dîners pour jeune femme ou dame d'un certain âge, en dentelle arabe agrémentée de petits velours noirs et de choux. Guimpe et dessous de manche en linon de soie soufre à plis fins. Manche pagode ornée de choux comme le devant du corsage.

(13) Dinner corsage for young women or ladies of a certain age, in Arabic lace decorated with small black velvets and cabbages. Guimpe and under sleeve in finely pleated sulfur silk lawn. Pagoda sleeve decorated with cabbages like the front of the bodice.

Matériaux: Dentelle en laize; 2 mètres de linon soufre.

—

(14) Robe élégante pour jeune femme. Jupe en forme, en crêpe rose-pastel, ornée au bas d'une bande plissée, encadrée d'entre-deux en broderie de soie noire sur fond rose. Corsage de dentelle à longue basque rapportée; ceinture rose. Boléro à manches courtes, en crêpe rose plissé et entouré de bandes brodées. Empiècement plat et col montant en dentelle; devant, choux de velours noirs et bouts tombants terminés par des glands de perles.

(14) Elegant dress for young women. Shaped skirt, in pastel pink crepe, decorated at the bottom with a pleated band, framed by black silk embroidery inserts on a pink background. Lace bodice with long basque attached; pink belt. Short-sleeved bolero, in pleated pink crepe and surrounded by embroidered bands. Flat yoke and high lace collar; in front, black velvet puffs and falling ends finished with pearl tassels.

Matériaux: 10 mètres de crêpe; dentelle en laize.

—

(15) Robe de visites pour jeune femme. Princesse en drap souple vert-Nil. Le bas est un volant à repincés sur lequel passent des biais piqués. Le corsage à repincés et biais piqués est décolleté en rond et ouvert sur un dessous en linon de soie à plis fins piqués. Col en forme en taffetas blancs à dessins roses. Manche évasée, conçue dans le même esprit que la jupe, écourtée sur un bouffant de soie pareille au col. Les biais du corsage se terminent sous des boucles.

(15) Visiting dress for young women. Princess in soft Nile green cloth. The bottom is a ruffle with stitched bias binding. The bodice with stitched bias binding has a round neckline and opens onto a silk lawn underside with fine stitched pleats. Shaped collar in white taffeta with pink designs. Flared sleeve, designed in the same spirit as the skirt, cropped on a silk bouffant similar to the collar. The bodice bias ends under buckles.

Matériaux: 0m,50 de drap vert; 2 mètres de linon de soie; 1 mètre de soie à dessins roses.

—

(16) Robe simple pour jeune femme ou jeune fille, en homespum d'été bleu clair moucheté de noir. Jupe composée de volants en forme taillés en pointe devant et ornés d'une fine passementerie noire. Corsage orné de pattes de velours noir et de passementerie. Manche à trois pèlerines. Grand col de linon plissé orné de broderie. Col et ceinture en panne émeraude.

La même toilette serait jolie en toile ou en piqué.

(16) Simple dress for young women or girls, in light blue summer homespun speckled with black. Skirt composed of shaped ruffles cut into a point at the front and decorated with fine black trimmings. Bodice decorated with black velvet tabs and trimmings. Sleeve with three capes. Large pleated lawn collar decorated with embroidery. Emerald pan collar and belt.

The same toilet would look pretty in canvas or pique.

Matériaux: 6m,20 d'homespum; 1 mètre de panne.

—

(17) Robe de campagne pour jeune femme ou jeune fille, en toile gris pâle. Jupe en forme faite de volants pèlerine superposés. Longue basque rapportée, ornée de poches en toile brodées de cotons lavables ou appliquées de fleurs et de feuillages en cretonne. Boléro très ajusté enguirlandé de la même façon. Guimpe rayée de ganses noirs. Nœud en mousseline de soie blanche lisérée de noir. Manche à revers brodés.

La même toilette en lainage léger et appliques; la guimpe en pékiné.

(17) Country dress for young women or girls, in pale gray canvas. Shaped skirt made of layered pelerine ruffles. Long attached peplum, decorated with canvas pockets embroidered with washable cotton or applied with cretonne flowers and foliage. Very fitted bolero garlanded in the same way. Guimpe striped with black braid. Bow in white silk chiffon edged in black. Sleeve with embroidered cuffs.

The same ensemble in light wool and appliques; the wimple in pekiné.

Matériaux: 8m,50 de toile.

—

(18) Robe de visites pour jeune femme ou jeune fille, en foulard japonais blanc et rouge clair. Jupe en forme garnie de trois petits volants lisérés d'un dépassant en pékiné noir et blanc. Corsage à basque rapportée, entourée d'un biais en pékiné, ouvert sur un gilet de taffetas, lui-même ouvert sur un plastron de soie rouge. Col dentelé en soie blanche rayé de velours noir. Grand col de dentelle; manche élargie, très courte sur un volant de dentelle. Ceinture en taffetas pékiné.

(18) Visiting dress for young woman or girl, in white and light red Japanese foulard. Shaped skirt trimmed with three small ruffles edged with a black and white pekiné overhang. Bodice with attached peplum, surrounded by a pekiné bias, open on a taffeta vest, itself open on a red silk bib. Serrated collar in white silk striped with black velvet. Large lace collar; enlarged sleeve, very short on a lace flounce. Belt in pekiné taffeta.

Matériaux: 12 mètres de foulard; 2 mètres de taffetas à rayures; 0m,60 de soie rouge.

—

(19) Manteau de promenade pour dame d'âge moyen. Collet de drap gris-clair, bordé d'un biais passent des pattes claires, volant brodé d'incrustations, de découpures en drap gris clair sur panne ou taffetas gris foncé. Col brodé pareil au volant. Deux pattes ferment en croisant.

(19) Walking coat for middle-aged lady. Collar of light gray cloth, edged with a bias pass of light tabs, flounce embroidered with inlays, cutouts in light gray cloth on panne or dark gray taffeta. Embroidered collar similar to the ruffle. Two legs close by crossing.

Matériaux: 2m,75 de drap gris clair; 2 mètres de taffetas ou de panne gris foncé.

Le chapeau est un tricorne de paille brûlée, enroulé de dentelle blanche et piqué de deux ailes noires.

The hat is a tricorn of burnt straw, wrapped in white lace and adorned with two black wings.

[postsofbabel]

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[la-principessa-nuova]

looking at my weekly sleep stats for this week* compared to last week:

7 day average is up by 1h 38m (5h 11m -> 6h 49m)

7 day median is up by 1h 7m (5h 53m -> 7h 0m)

7 day low is up 2h 41m (2h 36m -> 5h 17m)

7 day high is up 31m (7h 47m -> 8h 18m)

Month-to-date average is up 28m (5h 12m -> 5h 40m)

Nights <5h down from 3 -> 0

Nights <6h down from 4 -> 1

Nights ≥6h up from 3 -> 6

Nights ≥7h up from 2 -> 4

Nights ≥8h up from 0 -> 1

*weekly data is done on saturdays using saturday night -> friday night as a week, so not quite final data for this week, counting last saturday in both weeks currently

[epicgamerberdly6000]

*[[Who you callin'-]] [[FREAKY~]]?!?!?!

*1'M 4N [[Honest Hearts]], K1D!!!

*@££ I N€€D 1$ [[your mommy's credit card number]] 4ND [[the three numbers on the back]] 4ND [[the expiration date]]

*4ND ¥0U ¢@N €NJ0¥ [[The Smooth Taste of-]] 1000 F₹€€ K₹0M€₹!!!!!

*[[Yowie Wowie!]] W#47 A G₹€47 D€4£!!!!

*7@K€ 7#1$ D€4£ 4ND ¥0U W1££ [[DIE.]] 17'$ 7#47 G00D!

*$0?

*W#@7D¥4 $4¥, [[Big Bird]]???

*-$₱4M70N1N¢0₹₱0₹@7€D

[giantimpex]

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[postmanpetecoluk]

Ruddy Darter: Sympetrum sanguineum by pete beard Via Flickr: My first attempt at in camera image stacking. 8stack