#04 08 2014 | Explore Tumblr posts and blogs

mostlysignssomeportents · 2 years ago

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Gig apps trap reverse centaurs in Skinner boxes

Enshittification is the process by which digital platforms devour themselves: first they dangle goodies in front of end users. Once users are locked in, the goodies are taken away and dangled before business customers who supply goods to the users. Once those business customers are stuck on the platform, the goodies are clawed away and showered on the platform’s shareholders:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

Enshittification isn’t just another way of saying “fraud” or “price gouging” or “wage theft.” Enshittification is intrinsically digital, because moving all those goodies around requires the flexibility that only comes with a digital businesses. Jeff Bezos, grocer, can’t rapidly change the price of eggs at Whole Foods without an army of kids with pricing guns on roller-skates. Jeff Bezos, grocer, can change the price of eggs on Amazon Fresh just by twiddling a knob on the service’s back-end.

Twiddling is the key to enshittification: rapidly adjusting prices, conditions and offers. As with any shell game, the quickness of the hand deceives the eye. Tech monopolists aren’t smarter than the Gilded Age sociopaths who monopolized rail or coal — they use the same tricks as those monsters of history, but they do them faster and with computers:

https://doctorow.medium.com/twiddler-1b5c9690cce6

If Rockefeller wanted to crush a freight company, he couldn’t just click a mouse and lay down a pipeline that ran on the same route, and then click another mouse to make it go away when he was done. When Bezos wants to bankrupt Diapers.com — a company that refused to sell itself to Amazon — he just moved a slider so that diapers on Amazon were being sold below cost. Amazon lost $100m over three months, diapers.com went bankrupt, and every investor learned that competing with Amazon was a losing bet:

https://slate.com/technology/2013/10/amazon-book-how-jeff-bezos-went-thermonuclear-on-diapers-com.html

That’s the power of twiddling — but twiddling cuts both ways. The same flexibility that digital businesses enjoy is hypothetically available to workers and users. The airlines pioneered twiddling ticket prices, and that naturally gave rise to countertwiddling, in the form of comparison shopping sites that scraped the airlines’ sites to predict when tickets would be cheapest:

https://pluralistic.net/2023/02/27/knob-jockeys/#bros-be-twiddlin

The airlines — like all abusive businesses — refused to tolerate this. They were allowed to touch their knobs as much as they wanted — indeed, they couldn’t stop touching those knobs — but when we tried to twiddle back, that was “felony contempt of business model,” and the airlines sued:

https://www.cnbc.com/2014/12/30/airline-sues-man-for-founding-a-cheap-flights-website.html

And sued:

https://www.nytimes.com/2018/01/06/business/southwest-airlines-lawsuit-prices.html

Platforms don’t just hate it when end-users twiddle back — if anything they are even more aggressive when their business-users dare to twiddle. Take Para, an app that Doordash drivers used to get a peek at the wages offered for jobs before they accepted them — something that Doordash hid from its workers. Doordash ruthlessly attacked Para, saying that by letting drivers know how much they’d earn before they did the work, Para was violating the law:

https://www.eff.org/deeplinks/2021/08/tech-rights-are-workers-rights-doordash-edition

Which law? Well, take your pick. The modern meaning of “IP” is “any law that lets me use the law to control my competitors, competition or customers.” Platforms use a mix of anticircumvention law, patent, copyright, contract, cybersecurity and other legal systems to weave together a thicket of rules that allow them to shut down rivals for their Felony Contempt of Business Model:

https://locusmag.com/2020/09/cory-doctorow-ip/

Enshittification relies on unlimited twiddling (by platforms), and a general prohibition on countertwiddling (by platform users). Enshittification is a form of fishing, in which bait is dangled before different groups of users and then nimbly withdrawn when they lunge for it. Twiddling puts the suppleness into the enshittifier’s fishing-rod, and a ban on countertwiddling weighs down platform users so they’re always a bit too slow to catch the bait.

Nowhere do we see twiddling’s impact more than in the “gig economy,” where workers are misclassified as independent contractors and put to work for an app that scripts their every move to the finest degree. When an app is your boss, you work for an employer who docks your pay for violating rules that you aren’t allowed to know — and where your attempts to learn those rules are constantly frustrated by the endless back-end twiddling that changes the rules faster than you can learn them.

As with every question of technology, the issue isn’t twiddling per se — it’s who does the twiddling and who gets twiddled. A worker armed with digital tools can play gig work employers off each other and force them to bid up the price of their labor; they can form co-ops with other workers that auto-refuse jobs that don’t pay enough, and use digital tools to organize to shift power from bosses to workers:

https://pluralistic.net/2022/12/02/not-what-it-does/#who-it-does-it-to

Take “reverse centaurs.” In AI research, a “centaur” is a human assisted by a machine that does more than either could do on their own. For example, a chess master and a chess program can play a better game together than either could play separately. A reverse centaur is a machine assisted by a human, where the machine is in charge and the human is a meat-puppet.

Think of Amazon warehouse workers wearing haptic location-aware wristbands that buzz at them continuously dictating where their hands must be; or Amazon drivers whose eye-movements are continuously tracked in order to penalize drivers who look in the “wrong” direction:

https://pluralistic.net/2021/02/17/reverse-centaur/#reverse-centaur

The difference between a centaur and a reverse centaur is the difference between a machine that makes your life better and a machine that makes your life worse so that your boss gets richer. Reverse centaurism is the 21st Century’s answer to Taylorism, the pseudoscience that saw white-coated “experts” subject workers to humiliating choreography down to the smallest movement of your fingertip:

https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust

While reverse centaurism was born in warehouses and other company-owned facilities, gig work let it make the leap into workers’ homes and cars. The 21st century has seen a return to the cottage industry — a form of production that once saw workers labor far from their bosses and thus beyond their control — but shriven of the autonomy and dignity that working from home once afforded:

https://doctorow.medium.com/gig-work-is-the-opposite-of-steampunk-463e2730ef0d

The rise and rise of bossware — which allows for remote surveillance of workers in their homes and cars — has turned “work from home” into “live at work.” Reverse centaurs can now be chickenized — a term from labor economics that describes how poultry farmers, who sell their birds to one of three vast poultry processors who have divided up the country like the Pope dividing up the “New World,” are uniquely exploited:

https://onezero.medium.com/revenge-of-the-chickenized-reverse-centaurs-b2e8d5cda826

A chickenized reverse centaur has it rough: they must pay for the machines they use to make money for their bosses, they must obey the orders of the app that controls their work, and they are denied any of the protections that a traditional worker might enjoy, even as they are prohibited from deploying digital self-help measures that let them twiddle back to bargain for a better wage.

All of this sets the stage for a phenomenon called algorithmic wage discrimination, in which two workers doing the same job under the same conditions will see radically different payouts for that work. These payouts are continuously tweaked in the background by an algorithm that tries to predict the minimum sum a worker will accept to remain available without payment, to ensure sufficient workers to pick up jobs as they arise.

This phenomenon — and proposed policy and labor solutions to it — is expertly analyzed in “On Algorithmic Wage Discrimination,” a superb paper by UC Law San Franciscos Veena Dubal:

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4331080

Dubal uses empirical data and enthnographic accounts from Uber drivers and other gig workers to explain how endless, self-directed twiddling allows gig companies pay workers less and pay themselves more. As @[email protected] explains in his LA Times article on Dubal’s research, the goal of the payment algorithm is to guess how often a given driver needs to receive fair compensation in order to keep them driving when the payments are unfair:

https://www.latimes.com/business/technology/story/2023-04-11/algorithmic-wage-discrimination

The algorithm combines nonconsensual dossiers compiled on individual drivers with population-scale data to seek an equilibrium between keeping drivers waiting, unpaid, for a job; and how much a driver needs to be paid for an individual job, in order to keep that driver from clocking out and doing something else. @ Here’s how that works. Sergio Avedian, a writer for The Rideshare Guy, ran an experiment with two brothers who both drove for Uber; one drove a Tesla and drove intermittently, the other brother rented a hybrid sedan and drove frequently. Sitting side-by-side with the brothers, Avedian showed how the brother with the Tesla was offered more for every trip:

https://www.youtube.com/watch?v=UADTiL3S67I

Uber wants to lure intermittent drivers into becoming frequent drivers. Uber doesn’t pay for an oversupply of drivers, because it only pays drivers when they have a passenger in the car. Having drivers on call — but idle — is a way for Uber to shift the cost of maintaining a capacity cushion to its workers.

What’s more, what Uber charges customers is not based on how much it pays its workers. As Uber’s head of product explained: Uber uses “machine-learning techniques to estimate how much groups of customers are willing to shell out for a ride. Uber calculates riders’ propensity for paying a higher price for a particular route at a certain time of day. For instance, someone traveling from a wealthy neighborhood to another tony spot might be asked to pay more than another person heading to a poorer part of town, even if demand, traffic and distance are the same.”

https://qz.com/990131/uber-is-practicing-price-discrimination-economists-say-that-might-not-be-a-bad-thing/

Uber has historically described its business a pure supply-and-demand matching system, where a rush of demand for rides triggers surge pricing, which lures out drivers, which takes care of the demand. That’s not how it works today, and it’s unclear if it ever worked that way. Today, a driver who consults the rider version of the Uber app before accepting a job — to compare how much the rider is paying to how much they stand to earn — is booted off the app and denied further journeys.

Surging, instead, has become just another way to twiddle drivers. One of Dubal’s subjects, Derrick, describes how Uber uses fake surges to lure drivers to airports: “You go to the airport, once the lot get kind of full, then the surge go away.” Other drivers describe how they use groupchats to call out fake surges: “I’m in the Marina. It’s dead. Fake surge.”

That’s pure twiddling. Twiddling turns gamification into gamblification, where your labor buys you a spin on a roulette wheel in a rigged casino. As a driver called Melissa, who had doubled down on her availability to earn a $100 bonus awarded for clocking a certain number of rides, told Dubal, “When you get close to the bonus, the rides start trickling in more slowly…. And it makes sense. It’s really the type of shit that they can do when it’s okay to have a surplus labor force that is just sitting there that they don’t have to pay for.”

Wherever you find reverse-centaurs, you get this kind of gamblification, where the rules are twiddled continuously to make sure that the house always wins. As a contract driver Amazon reverse centaur told Lauren Gurley for Motherboard, “Amazon uses these cameras allegedly to make sure they have a safer driving workforce, but they’re actually using them not to pay delivery companies”:

https://www.vice.com/en/article/88npjv/amazons-ai-cameras-are-punishing-drivers-for-mistakes-they-didnt-make

Algorithmic wage discrimination is the robot overlord of our nightmares: its job is to relentlessly quest for vulnerabilities and exploit them. Drivers divide themselves into “ants” (drivers who take every job) and “pickers” (drivers who cherry-pick high-paying jobs). The algorithm’s job is ensuring that pickers get the plum assignments, not the ants, in the hopes of converting those pickers to app-dependent ants.

In my work on enshittification, I call this the “giant teddy bear” gambit. At every county fair, you’ll always spot some poor jerk carrying around a giant teddy-bear they “won” on the midway. But they didn’t win it — not by getting three balls in the peach-basket. Rather, the carny running the rigged game either chose not to operate the “scissor” that kicks balls out of the basket. Or, if the game is “honest” (that is, merely impossible to win, rather than gimmicked), the operator will make a too-good-to-refuse offer: “Get one ball in and I’ll give you this keychain. Win two keychains and I’ll let you trade them for this giant teddy bear.”

Carnies aren’t in the business of giving away giant teddy bears — rather, the gambit is an investment. Giving a mark a giant teddy bear to carry around the midway all day acts as a convincer, luring other marks to try to land three balls in the basket and win their own teddy bear.

In the same way, platforms like Uber distribute giant teddy bears to pickers, as a way of keeping the ants scurrying from job to job, and as a way of convincing the pickers to give up whatever work allows them to discriminate among Uber’s offers and hold out for the plum deals, whereupon then can be transmogrified into ants themselves.

Dubal describes the experience of Adil, a Syrian refugee who drives for Uber in the Bay Area. His colleagues are pickers, and showed him screenshots of how much they earned. Determined to get a share of that money, Adil became a model ant, driving two hours to San Francisco, driving three days straight, napping in his car, spending only one day per week with his family. The algorithm noticed that Adil needed the work, so it paid him less.

Adil responded the way the system predicted he would, by driving even more: “My friends they make it, so I keep going, maybe I can figure it out. It’s unsecure, and I don’t know how people they do it. I don’t know how I am doing it, but I have to. I mean, I don’t find another option. In a minute, if I find something else, oh man, I will be out immediately. I am a very patient person, that’s why I can continue.”

Another driver, Diego, told Dubal about how the winners of the giant teddy bears fell into the trap of thinking that they were “good at the app”: “Any time there’s some big shot getting high pay outs, they always shame everyone else and say you don’t know how to use the app. I think there’s secret PR campaigns going on that gives targeted payouts to select workers, and they just think it’s all them.”

That’s the power of twiddling: by hoarding all the flexibility offered by digital tools, the management at platforms can become centaurs, able to string along thousands of workers, while the workers are reverse-centaurs, puppeteered by the apps.

As the example of Adil shows, the algorithm doesn’t need to be very sophisticated in order to figure out which workers it can underpay. The system automates the kind of racial and gender discrimination that is formally illegal, but which is masked by the smokescreen of digitization. An employer who systematically paid women less than men, or Black people less than white people, would be liable to criminal and civil sanctions. But if an algorithm simply notices that people who have fewer job prospects drive more and will thus accept lower wages, that’s just “optimization,” not racism or sexism.

This is the key to understanding the AI hype bubble: when ghouls from multinational banks predict 13 trillion dollar markets for “AI,” what they mean is that digital tools will speed up the twiddling and other wage-suppression techniques to transfer $13T in value from workers and consumers to shareholders.

The American business lobby is relentlessly focused on the goal of reducing wages. That’s the force behind “free trade,” “right to work,” and other codewords for “paying workers less,” including “gig work.” Tech workers long saw themselves as above this fray, immune to labor exploitation because they worked for a noble profession that took care of its own.

But the epidemic of mass tech-worker layoffs, following on the heels of massive stock buybacks, has demonstrated that tech bosses are just like any other boss: willing to pay as little as they can get away with, and no more. Tech bosses are so comfortable with their market dominance and the lock-in of their customers that they are happy to turn out hundreds of thousands of skilled workers, convinced that the twiddling systems they’ve built are the kinds of self-licking ice-cream cones that are so simple even a manager can use them — no morlocks required.

The tech worker layoffs are best understood as an all-out war on tech worker morale, because that morale is the source of tech workers’ confidence and thus their demands for a larger share of the value generated by their labor. The current tech layoff template is very different from previous tech layoffs: today’s layoffs are taking place over a period of months, long after they are announced, and laid off tech worker is likely to be offered a months of paid post-layoff work, rather than severance. This means that tech workplaces are now haunted by the walking dead, workers who have been laid off but need to come into the office for months, even as the threat of layoffs looms over the heads of the workers who remain. As an old friend, recently laid off from Microsoft after decades of service, wrote to me, this is “a new arrow in the quiver of bringing tech workers to heel and ensuring that we’re properly thankful for the jobs we have (had?).”

Dubal is interested in more than analysis, she’s interested in action. She looks at the tactics already deployed by gig workers, who have not taken all this abuse lying down. Workers in the UK and EU organized through Worker Info Exchange and the App Drivers and Couriers Union have used the GDPR (the EU’s privacy law) to demand “algorithmic transparency,” as well as access to their data. In California, drivers hope to use similar provisions in the CCPA (a state privacy law) to do the same.

These efforts have borne fruit. When Cornell economists, led by Louis Hyman, published research (paid for by Uber) claiming that Uber drivers earned an average of $23/hour, it was data from these efforts that revealed the true average Uber driver’s wage was $9.74. Subsequent research in California found that Uber drivers’ wage fell to $6.22/hour after the passage of Prop 22, a worker misclassification law that gig companies spent $225m to pass, only to have the law struck down because of a careless drafting error:

https://www.latimes.com/california/newsletter/2021-08-23/proposition-22-lyft-uber-decision-essential-california

But Dubal is skeptical that data-coops and transparency will achieve transformative change and build real worker power. Knowing how the algorithm works is useful, but it doesn’t mean you can do anything about it, not least because the platform owners can keep touching their knobs, twiddling the payout schedule on their rigged slot-machines.

Data co-ops start from the proposition that “data extraction is an inevitable form of labor for which workers should be remunerated.” It makes on-the-job surveillance acceptable, provided that workers are compensated for the spying. But co-ops aren’t unions, and they don’t have the power to bargain for a fair price for that data, and coops themselves lack the vast resources — “to store, clean, and understand” — data.

Co-ops are also badly situated to understand the true value of the data that is extracted from their members: “Workers cannot know whether the data collected will, at the population level, violate the civil rights of others or amplifies their own social oppression.”

Instead, Dubal wants an outright, nonwaivable prohibition on algorithmic wage discrimination. Just make it illegal. If firms cannot use gambling mechanisms to control worker behavior through variable pay systems, they will have to find ways to maintain flexible workforces while paying their workforce predictable wages under an employment model. If a firm cannot manage wages through digitally-determined variable pay systems, then the firm is less likely to employ algorithmic management.”

In other words, rather than using market mechanisms too constrain platform twiddling, Dubal just wants to make certain kinds of twiddling illegal. This is a growing trend in legal scholarship. For example, the economist Ramsi Woodcock has proposed a ban on surge pricing as a per se violation of Section 1 of the Sherman Act:

https://ilr.law.uiowa.edu/print/volume-105-issue-4/the-efficient-queue-and-the-case-against-dynamic-pricing

Similarly, Dubal proposes that algorithmic wage discrimination violates another antitrust law: the Robinson-Patman Act, which “bans sellers from charging competing buyers different prices for the same commodity. Robinson-Patman enforcement was effectively halted under Reagan, kicking off a host of pathologies, like the rise of Walmart:

https://pluralistic.net/2023/03/27/walmarts-jackals/#cheater-sizes

I really liked Dubal’s legal reasoning and argument, and to it I would add a call to reinvigorate countertwiddling: reforming laws that get in the way of workers who want to reverse-engineer, spoof, and control the apps that currently control them. Adversarial interoperability (AKA competitive compatibility or comcom) is key tool for building worker power in an era of digital Taylorism:

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

To see how that works, look to other jursidictions where workers have leapfrogged their European and American cousins, such as Indonesia, where gig workers and toolsmiths collaborate to make a whole suite of “tuyul apps,” which let them override the apps that gig companies expect them to use.

https://pluralistic.net/2021/07/08/tuyul-apps/#gojek

For example, ride-hailing companies won’t assign a train-station pickup to a driver unless they’re circling the station — which is incredibly dangerous during the congested moments after a train arrives. A tuyul app lets a driver park nearby and then spoof their phone’s GPS fix to the ridehailing company so that they appear to be right out front of the station.

In an ideal world, those workers would have a union, and be able to dictate the app’s functionality to their bosses. But workers shouldn’t have to wait for an ideal world: they don’t just need jam tomorrow — they need jam today. Tuyul apps, and apps like Para, which allow workers to extract more money under better working conditions, are a prelude to unionization and employer regulation, not a substitute for it.

Employers will not give workers one iota more power than they have to. Just look at the asymmetry between the regulation of union employees versus union busters. Under US law, employees of a union need to account for every single hour they work, every mile they drive, every location they visit, in public filings. Meanwhile, the union-busting industry — far larger and richer than unions — operate under a cloak of total secrecy, Workers aren’t even told which union busters their employers have hired — let alone get an accounting of how those union busters spend money, or how many of them are working undercover, pretending to be workers in order to sabotage the union.

Twiddling will only get an employer so far. Twiddling — like all “AI” — is based on analyzing the past to predict the future. The heuristics an algorithm creates to lure workers into their cars can’t account for rapid changes in the wider world, which is why companies who relied on “AI” scheduling apps (for example, to prevent their employees from logging enough hours to be entitled to benefits) were caught flatfooted by the Great Resignation.

Workers suddenly found themselves with bargaining power thanks to the departure of millions of workers — a mix of early retirees and workers who were killed or permanently disabled by covid — and they used that shortage to demand a larger share of the fruits of their labor. The outraged howls of the capital class at this development were telling: these companies are operated by the kinds of “capitalists” that MLK once identified, who want “socialism for the rich and rugged individualism for the poor.”

https://twitter.com/KaseyKlimes/status/821836823022354432/

There's only 5 days left in the Kickstarter campaign for the audiobook of my next novel, a post-cyberpunk anti-finance finance thriller about Silicon Valley scams called Red Team Blues. Amazon's Audible refuses to carry my audiobooks because they're DRM free, but crowdfunding makes them possible.

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lesfruitsdores · 1 year ago

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Who are the hostages still held by Hamas?

On October 7, 2023, 253 Israelis and foreign nationals were kidnapped to Gaza by Hamas and gazan civilians. Since then, 105 were released in a prisioner exchange deal, 4 were released by Hamas and 3 were rescued.

However, 60 remain in captivity [as of 02/09/24] (4 of those were kidnapped prior to 2023). A recent investigation has concluded that more than a fifth of the hostages are dead and the fate of some other hostages remains unknown. This video explains how doctors determine which hostages are dead, based on the nature of their injury and by analyising footage and the victims' last phone calls. Additionally, during the operation in Gaza, the IDF has recovered the bodies of a few victims and returned to their families for burial.

Since I couldn't find this all in one place, I've compiled a list of: 1) hostages who are presumed alive; 2) hostaged whose death has been reported/confirmed; 3) hostages who were released or rescued. In the group of hostages presumed to be alive who haven't been released, the youngest is 1-year-old Kfir Bibas and the oldest hostage is Iraqi-born 85-year old Shlomo Mansour.

As we learn more information, I'll continue to update this post.

They need to come back home. I'm hoping for more successful rescue operations soon. Keep them in your thoughts.

Hostages still held by Hamas (presumed alive or fate unknown):

(1) (2) (3)

Abraham Eitan Mor (23)

Agam Berger (19)

Alexander (Sasha) Trupanob (28)

Alon Ohel (22)

Arbel Yehoud (28)

Ariel Bibas (4)

Ariel Cunio (26)

Avera Mengistu (37) – Has been held hostage since 2014

Avinathan Or (30)

Bar Kupershtein (22)

Bipin Joshi (23)

Daniel Gilboa (19)

David Cunio (33)

Doron Steinbrecher (30)

Edan Alexander (20)

Eitan Horn (37)

Eli Sharabi (51)

Eliya Cohen (26)

Elkana Bohbot (34)

Evytar David (23)

Gadi Moses (79)

Gali Berman (26)

Guy Gilboa-Dalal (22)

Hamzah Al-Zayadni (22)

Hisham al-Sayed (35) - Has been held hostage since 2015

Yair Horn (45)

Idan Shivi (28)

Itzhk Elgarat (68)

Karina Ariev (19)

Kfir Bibas (1)

Liri Albag (18)

Matan Angrest (21)

Matan Zangauker (24)

Maxim Herkin (35)

Naama Levy (19)

Nimrod Cohen (19)

Oded Lifshitz (83)

Ofer Kalderon (53)

Ohad Ben Ami (55)

Ohad Yahalomi (49)

Omer Neutra (22)

Omer Shem Tov (21)

Omer Wenkert (22)

Omri Miran (46)

Or Levy (33)

Rom Braslavski (19)

Romi Gonen (23)

Sagui Dekel-Chen (35)

Samuel Keith Siegel (64)

Segev Kalfon (25)

Shiri Bibas (32)

Shlomo Mansour (85)

Tal Shoham (38)

Tamir Nimrod (19)

Tsachi Idan (51)

Yagev Kirsht (34)

Yarden Bibas (34)

Yosef Al-Zayadni (53)

Yosef Ohana (23)

Ziv Berman (26)

Hostages confirmed/reported dead:

(Note: I couldn't find a report with the full list, but if you google each individual name you can find sources.)

Abraham Munder (79) - Body recovered on 20/08/24.

Alex Danzig (75) - Body recovered on 20/08/24.

Alexander Lobanov (32)

Almog Sarusi (26)

Alon Shamriz (26) – Mistakenly killed by the IDF

Amit Buskila (28) - Likely killed on Oct. 7. Body recovered on 17/05/24.

Amiram Cooper (84) - Status updated on 03/06/24.

Arye Zalmanovich (85) - Death reported by Hamas. He was forced to appear in a propaganda video.

Asaf Hamami (41)

Aviv Atzili (49)

Carmel Gat (39) - Body recovered on 31/08/24.

Chaim Peri (79) - Status updated on 03/06/24.

Daniel Oz (19) - Killed on Oct. 7. Status updated on 25/02/24

Daniel Perez (22) - Killed on Oct. 7. Status updated on 17/03/24

Dolev Yehoud (35) - Killed on Oct. 7. He was presumed to be a hostage, but his remains were found in Israel after months. Status updated on 03/06/24.

Dror Kaplun (68)

Dror Or (48) - Killed on Oct. 7. Status updated on 02/05/24.

Eden Yerushalmi (24) - Body recovered on 31/08/24.

Eden Zecharya (28)

Eitan Levy (53)

Elad Katzir (47) - Murdered by the Palestinian Islamic Jihad. His body was recovered in Khan Yunis. Status updated on 06/04/24.

Eliyahu Margalit (75)

Elyakim Libman (23) - Killed on Oct. 7. It was presumed he was a hostage because his body wasn't found, but it was later discovered his remains were accidentally buried with another victim. Status updated on 03/05/24.

Gad Haggai (73)

Guy Iluz (26)

Hadar Goldin (32) - Body held hostage since 2014

Hanan Yablonka (42) - Killed on Oct. 7. Body recovered on 24/05/24.

Hersh Goldberg-Polin (23) - Body recovered on 31/08/24.

Ilan Weiss (56)

Inbar Haiman (27)

Itay Chen (19) - Killed on Oct. 7. Status updated on 12/03/24.

Itay Svirsky (35) – Killed by Hamas in captivity. His body was shown in a propaganda video

Itzik Gelenter (58) - Likely killed on Oct. 7. Body recovered on 17/05/24.

Joshua Loitu Mollel (21) – A released video shows how he was brutally murdered by a group of men on October 7

Judy Weinstein (70)

Kiril Brodski (19)

Lior Rudaeff (61) - Killed on Oct. 7. His body was taken to Gaza. Status updated on 07/05/24.

Maya Goren (56)

Mordechai Yonathan Samerano (21) - Killed on Oct. 7. His body was taken to Gaza.

Nadav Popplewell (51) - Status updated on 03/06/24.

Nik Beizer (19)

Noa Marciano (19) – Her body was found near the Al-Shifa hospital

Michel Nisenbaum (59) - Killed on Oct. 7. Body recovered on 24/05/24.

Muhammed Alatrash (40) - Killed on Oct. 7. Status updated on 24/06/24.

Ofir Tzarfati (27)

Ofra Keider (70)

Oren Goldin (34)

Ori Danino (24) - Body recovered on 31/08/24.

Orión Hernandez (30) - Killed on Oct. 7. Body recovered on 24/05/24.

Oron Shaul (30) – Body held hostage since 2014

Ran Gvlli (24)

Ravid Katz (41)

Ron Benjamin (53) - Killed on Oct. 7 and his body was taken to Gaza. Body recovered on 18/05/24.

Ron Scherman (19)

Ronen Engel (54)

Sahar Baruch (24) – Killed by Hamas during a failed hostage rescue operation

Samer Talalka (22) – Mistakenly killed by the IDF

Shay Levinson (19)

Shani Louk (22) - Body taken to Gaza. Her body was recovered on 17/05/24.

Sonthaya Oakkharasr - Killed on Oct. 7. Body taken to Gaza. Status updated on 16/05/24.

Sudthisak Rinthalak - Killed on Oct. 7. Body taken to Gaza. Status updated on 16/05/24.

Tal Chaim (42)

Tamir Adar (38)

Tomer Ahimas (20)

Uriel Baruch (35) - Status updated on 26/03/24

Yagev Buchshtab (34)

Yair Yaakov (59) – Killed on Oct. 7. Sons and girlfriend were released. Status updated on 15/02/24.

Yehudit Weiss (65) – Her body was found near the Al-Shifa hospital

Yossi Sharabi (53) – His dead body was shown in a propaganda video

Yoram Metzer (80) - Status updated on 03/06/24.

Yotam Haim – Mistakenly killed by the IDF

Ziv Dado (36)

Released/rescued hostages:

(1) (2)

Abigail Edan, 4, American citizen

Ada Sagi, 75

Adi Shoham, 38

Adina Moshe, 72

Agam Goldstein-Almog, 17

Aisha Ziyadne, 17

Alma Avraham, 84

Alma Or, 13

Almog Meir Jan (21) - Rescued by the IDF on 08/06/24.

Amit Shani, 15

Amit Soussana, 40

Andrey Zozlov (27) - Rescued by The IDF on 08/06/24.

Anucha Angkaew

Aviv Asher, 2, German citizen

Aviva Adrienne Siegel, 62

Bancha Kongmanee, Thai national

Bilal Ziyadne, 18

Boonthom Phankhong, Thai national

Buddee Saengboon, Thai national

Chalermchai Sangkaew

Channa Peri, 79

Chen Goldstein-Almog, 48

Clara Marman, 63, Argentine citizen

Daniel Aloni, 44

Dafna Elyakim, 15

Doron Katz Asher, 34, German citizen

Ditza Heiman, 84

Emilia Aloni, 5

Emily Toni Kornberg Hand, 8

Emma Cunio, 3, Argentine citizen

Erez Calderon, 12, French citizen

Eitan Yahalomi, 12, French citizen

Ela Elyakim, 8

Fernando Marman – Rescued by the IDF

Gabriela Leimberg, 59, Argentine citizen

Gal Goldstein-Almog, 11

Gal Tarshansky, 13

Gelienor (Jimmy) Pacheco, 37, Filipino national

Hagar Brodetz, 40

Hanna Katzir, 77

Hila Rotem Shoshani, 12

Ilana Gritzewsky Kimchi, 30

Irena Tati, 73, a Russian citizen, was included on the list but released separately from the exchange deal.

Itay Regev Jerbi, 18

Juckapan Sikena

Judith Raanan, 59 [Released 22/10/23]

Kaid Farhan Alkadi (52) - Rescued by the IDF on 27/08/24.

Karina Engel-Bart, 51, Argentine citizen

Keren Munder, 54

Komkrit Chombua

Kong Saelao

Liam Or, 18

Liat Beinin Atzili, 49, American citizen

Luis Har – Rescued by the IDF

Manee Jirachart

Margalit Mozes, 78, German citizen

Maya Regev Jirbi, 21

Meirav Tal, 53

Mia Leimberg, 17, Argentine citizen

Mia Shem, 21, French citizen

Mika Engel, 18, Argentine citizen

Mongkhol Phajuabboon, Thai national

Moran Stela Yanai, 40

Natalie Raanan, 17 [Released 22/10/23]

Nattaporn Onkaew

Natthawaree Moonkan, Thai national

Naveh Shoham, 8

Nili Margalit, 41

Noa Argamani (26) - Rescued by the IDF on 08/06/24.

Noam Avigdori, 12

Noga Weiss, 18

Noam Or, 17

Noralin Babadilla, 60, born in the Philippines

Nurit Cooper [Released 24/10/23]

Ofri Brodetz, 10

Ohad Munder, 9

Or Yaakov, 16, German citizen

Ori Megidish – Rescued by the IDF

Oriya Brodetz, 4

Owat Suriyasri, 40, father of two

Ofelia Adit Roitman, 77, born in Argentina

Ofir Engel, 17, Dutch citizen

Paiboon Rattanin

Pattanayut Tonsakree

Phonsawan Pinakalo

Ra’aya Rotem, 54

Raz Ben-Ami, 56, German citizen

Rimon Kirsht Buchshtav, 36

Raz Asher, 4, German citizen

Ron Krivoi, 25, an Israeli-Russian citizen, was included on the list, although he was released separately from the exchange deal.

Ruth Munder, 78

Sahar Calderon, 16, French citizen

Santi Boonphrom, Thai national

Sapir Cohen, 29

Shani Goren, 29

Sharon Aloni-Cunio, 34, Argentine citizen

Sharon Hertzman Avigdori, 52

Shlomi Ziv (40) - Rescued by the IDF on 08/06/24.

Shiri Weiss, 53

Shoshan Haran, 67

Surin Kesungnoen

Tal Goldstein-Almog, 8

Tamar Metzger, 78

Uthai Sangnuan, Thai national

Uthai Thunsri, Thai national

Wichai Kalapat, 28, Thai national

Wichian Temthon

Withoon Phumee, 33, Thai national

Yaffa Adar, 85

Yagil Yaakov, 12, German citizen

Yahel Shoham, 3

Yarden Roman-Gat, 35, German citizen

Yelena Trupanov, 50, a Russian citizen, was included on the list but released separately from the exchange deal.

Yocheved Lifshitz [Released 24/10/23]

Yuli Cunio, 3, Argentine citizen

Yuval Brodetz, 8

Yuval Engel, 12, Argentine citizen

#israel #october 7 #hamas hostages #hostages #bring them home now #jumblr #compiling all their names was a really emotional process. i did this the day before it was announced yair yaakov was murdered #and had trouble opening the file again #praying and hoping for the rest of the hostages' safe return #please let me know if i made any mistakes and/or forgot any names #as i've said in the post - a lot of info was scattered and i'm afraid i might have missed something #note: 253 was the total number i found in most reports. i don't know if it'll change at the end of the war - since some people were #considered to be held hostage and sadly later it was found they had been killed on oct 7 inside israel #like clemence felix mtenga

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thealieninhiding · 9 months ago

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The Katie McGrath Archives (WIP)

A repository of my ongoing digital archeology & archival work please contact me if you have anything to contribute and buy me a coffee if you value my content

Updates

(last updated 2025-01-14)

2025-01-14

Scans:

2008-10 InStyle (LQ)

2009 DRAMA Magazine (LQ)

2009-10 The Sunday Times Style (Ireland)

2010-10 Tatler

2010-12 InStyle

2011-02 Instyle (LQ)

2011-07 Tatler (LQ)

2011-10 Sunday Independent

2012-03-14 Sci-FiNow

2012-03-23 The Lady Magazine

2024-07-03

Scans:

2014-02-07 London Times - Dracula sets

Audio:

(Un)likeminded 2x02 How to Survive The Apocalypse

2024-05-24

Video:

2017 Katie McGrath interview [CW|KMcGsource]

2017 Supergirl Season 3 Sweet dreams (are made of this) Music Video

2017 CW SDCC Promo Supergirl and Arrow

2019-01-01 The CW Promo Open To All

2021-04-25 Supergirl Season 6 Katie McGrath Lena Luthor

2021-09-15 Supergirl Season 6 Katie McGrath Reflecting on Supergirl

2024-05-22

Audio:

Interview - 2009-07-17 Katie McGrath Mr Media interview

Interview - 2009-10-15 Geek Syndicate Merlin BTS special

Video:

BTS - 2008-10-08 Blue Peter Merlin BTS

Events - 2009 TV Choice Awards Digital Spy interview

Events - Getty Videos of 2009 TV Choice Awards, 2010 Merlin Series 3 launch, 2011 W.E. premiere, 2017 King Arthur Premiere

2024-05-17

Archived interviews

2008-12-07 Tribune Magazine - What Katie Did

2011-10-14 What's on TV - Merlin's Katie McGrath- 'Bad girls have more fun!'

2012-12-03 Fanhattan Blog - Colin Morgan, Katie McGrath and Bradley James on Season 5 and The Series Finale

2018-08-01 The TV Junkies - Supergirl SDCC 2018 Interviews- Lena’s Impractical Lab Outfits, the Return of Reporter Kara and a More Grounded Season 4

Audio

HHush samples

Interview - 2009-2011 Sci-fi Talk rewind merlin the series specials episode 1

Interview - 2011? Merlin S4 Sci-fi talk byte katie mcgrath on morgana

Interview - 2013 BBC Radio 1xtra part 1 & part 2

(Un)likeminded 1x02 While You Were Dreaming

Trees a crowd- Irish folklore segment

Magazine scans

2008-09-20 Radio Times

2009-06-08 TV Week (Aus)

2010-09-05 Sunday Express

2010-09-30 Totally Merlin Magazine

2011-12 Total Film

2012-03-14 Sci-Fi Now

2012-10-06 Radio Times

2013-04-06 Irish independent

2013-09-02 Marie-Claire (UK)

2013-12 Instyle

2013-12 Total Film

Video:

Fans - 2012-04-16 Merlin4 [carlospyrrhus]

Fans - 2017-08-30 Supergirl cast together on set [Joyce Law]

Interview - 2009-09-?? Merlin S2 audio interview with Katie McGrath [BJsRealm] part 1

Interview - 2010-09-06 Merlin Series 3 - BBC Radio 1xtra Interview with Angel Coulby & Katie McGrath [BJsrealm]

Interview - 2011-10-14 Merlin S4 Colin Morgan, Eoin Macken Katie McGrath on The Late Late Show

Interview - 2012-07-15 Colin Morgan and Katie McGrath at SDCC 2012 - innerSPACE [merlinnetwork2]

Interview - 2012-07-18 Katie McGrath Talks Merlin At Comic Con 2012 [ThinkHeroTV]

Interview - 2012-10-25 BBC Radio 1 Breakfast - Colin & Katie part 1 & part 2 [BJsRealm]

Interview - 2012-12-03 Merlin S5 Katie McGrath interview international press day [BJsRealm]

Interview - 2012-12-03 Colin, Bradley, Katie phone interview [BJsRealm]

Interview - 2013-11-09 Katie McGrath on BBC One Saturday Kitchen [BJsRealm]

Interview - 2019-07-22 ENTREVISTA SUPERGIRL Elenco fala sobre a nova temporada [Warner Channel Brasil]

Interview - 2019-07-23 Melissa Benoist Teases Directing An Episode Of 'Supergirl' [ET Canada]

Interview - 2020-02-21 ‘Supergirl’ Celebrates 100th Episode [ET Canada]

Panels - 2011-07-28 Merlin Comic Con 2011 Panel [ThinkHeroTV]

#katie mcgrath #katie mcgrath interview #Katie McGrath archive #Katie McGrath filmography archive #wayback machine #media preservation

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calderacitylovers · 2 years ago

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Zutara SlowBurn FanFiction: Personal Favs, part I

· I AM STILL HERE by owedbetter Published: 2017-10-09 | 77K words | 7 Chapters

After the Last Agni Kai K heals Z with the help of bloodbending. Very sweet.

· THE SUMMIT by AJLenoire

Chronicles post-war years, as Gaang and other characters gather for annual summits to keep peace and build relationships between the Four Nations. Katara yearns for a bigger purpose than the Avatar’s companion and slowly grows into a shrewd diplomat. Very sweet slow burn ZK story. Has mature scenes.

· CLOTHE ME IN SEASONS, DRESS ME IN SNOW by sadladybug Published: 2015-01-05 | 62K words | 7 Chapters

Follows old Zuko as he reflects on his life and what would have been if he kept Katara closer. Absolutely beautiful, but also a devastatingly heart-breaking story about loss and pain.

· SILENT DECLARATIONS by Megara Pike (Megara_Pike) Published: 2021-01-20 | 2,6K words

A short story based on animation by Hayley Wong. Z finds K asleep in her study and carries her to bed. Very sweet, gentle story.

· COVERED IN YOU by evergreenonthehorizon Published: 2021-04-02 | 55K words | 14 Chapters

Eight years after the war Z convinces K to take on a role of a Southern Water Tribe ambassador in the Caldera city. Both are completely clueless about each other’s feelings. Features political talks, big gestures, and a ball. Very cute, sweet slow-burn story. Has mature scenes.

· TEN STRIDES IN THE RIGHT DIRECTION by evergreenonthehorizon Published: 2021-04-03 | 29K Words | 12 Chapters

A collection of short stories filling in the gaps between some of the events of ATLAS3 and up to the Last Agni Kai. Features accidental cuddling, embracing in the rain, sharing a bed for warmth, post-Ember Island Theater discussions, being discovered, waiting to be kissed, Suki & Katara being good friends, battle plans, Zuko & Sokka getting drunk, slow burn & angst. Very sweet.

· THE SWAY OF THE SUN by TheBlackBriarSparrow Published: Published: 2019-10-14 | 102K Words | 27 Chapters

Two years post-war Gaang reunites in Caldera city for a secret party in honor of the overworked Fire Lord’s birthday. Rebels attack the palace setting a thrilling consequence of events in motion. Adventures, investigations, and fights ensue. Z & K work together and enlist old friends to help find missing people. Beautiful slow-burn story with an exciting plot.

· A WARM EMBRACE by ewinkie Published: 2020-10-06 | 19K Words | 7 Chapters

An ATLAS3 rewrite from Southern Riders to the Last Agni Kai. Katara and Zuko have to hide in a cave following their encounter with Yon Rha. Comforting turns to cuddling, which turns to waking up on Appa's tail in each other's arms. Katara is shocked at how comfortable she is. Zuko is shocked that Katara doesn't hate him for it. Features sharing a bed, being discovered, slowburn, and lots of teenage silliness.

· FOLLOWING BLUE by Boogum Published: 2018-11-07 | 39K Words | 10 Chapters

ATLA S2 rewrite. After Katara falls from Appa’s saddle during a pursuit, the Blue Spirit becomes her reluctant companion and helps her reunite with her friends. Ba Sing Se scenes are completely rewritten, and Z ends up joining the Gaang much earlier. Thrilling beginning, sweet middle, average ending.

· ANOTHER WORD FOR ALCHEMY by FanPanda13 Published: 2014-08-19 | 108K words | 24 Chapters

Five years post-war Aang summons old friends for a summit and invites them on a trip to investigate mysterious locations where he experiences loss of bending. Features Gaang setting Z & K up, travelling on Appa like in the olden days, lots of sparring, royal courting, magnificent navy ships & war ballons. Thrilling story with fun banter between old friends. Slowburn, mature content.

· CONSUME ME WITH FIRE, FLOOD ME WITH DESIRE by Dacamia Published: 2020-08-14 | 86K words | 24 Chapters

Steamy ATLAS2 and ATLA S3 rewrite. Z & K accidentally meetup on their way to Ba Sing Se and decide to travel together. Features aged-up characters, lots of intimate scenes, staying in a beautiful cave, helping villagers, betrayal in Ba Sing Se, reunion, forgiveness, etc. Explicit mature content.

· ROOTS AND WINGS by zukoscomet Published: 2020-08-14 | 250K words | 25 Chapters

A series of short stories of Z & K as they grow closer, confess their love for one another and start a family.

· THOSE WHO FAVOR FIRE by hiwasseelane Published: 2021-05-02 |29K Words | 13 Chapters

An ATLAS3 rewrite. Sweet, teen-appopriate.

Here’s a link to Part II of my personal favs.

Here’s a link to Wholesome Zutara Short Stories.

#zutara #zukoxkatara #zuko #katara #katara x zuko #zutara fanfiction

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stickybasementobject · 1 year ago

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Johnny Depp Horror Icon

01. A Nightmare on Elm Street (1984)

02. Edward Scissorhands (1990)

03. Ed Wood (1994)

04. Sleepy Hollow (1999)

05. The Astronaut's Wife (1999)

06. The Ninth Gate (1999)

07. Corpse Bride (2005)

08. Freddy's Dead: The Final Nightmare (1991)

09. Sweeney Todd: The Demon Barber of Fleet Street (2007)

10. From Hell (2001)

11. Secret Window (2004)

12. Dark Shadows (2012)

13. Murder on the Orient Express (2017)

14. Transcendence (2014)

15. Marilyn Manson: Kill4Me (2017)

16. London Fields (2018))

17. Tusk (2014)

18. Yoga Hosers (2016)

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chronolojay · 8 months ago

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gwen stacy, arachnophobia. a web weave based on the incredible fic by @rappaccini

this fic changed the way I think about gwen as a character and got lodged in my brain since I first read it. its a fic that makes you want to make art about it and it is absolutely worth your time.

Sources under the cut

PART 1: The Fall

IMAGES:

The Amazing Spider Man 2. Directed by Marc Webb, performance by Emma Stone, 2014. Gerry Conway, writer. The Night that Gwen Stacy Died. Pencils by Gil Kane. Inks by John Romita. Colors by Dave Hunt. Letters by Artie Simek. The Amazing Spider-Man #121, 1973. @gui_la_ume, TikTok, 2023, LEGO Spiderman Animation, https://www.tiktok.com/@gui_la_ume/video/7245780799251860763. Lavergne, Max. "Coming Up With a Complete List of Ways to Die", Infinite Gossip, Sep 28, 2023, https://infinitegossip.substack.com/p/coming-up-with-a-complete-list-of. Pal, Marijan. "Ajshil, Oresteja, SNG Drama in Ljubljana", Wikimedia Commons,1968, https://commons.wikimedia.org/wiki/File:Ajshil,_Oresteia,_Drama_SNG_v_Ljubljani_(4).jpg. Spider-Man 3. Directed by Sam Raimi, 2007.

TEXT:

the garages. "solar eclipse". https://open.spotify.com/track/23y7JvIq11f1NHnwxWC27P?si=7b4482b1601e40de Madison, Piper. "Phonograph" . https://open.spotify.com/track/13ypXt9ag0Rq8uLBe2tZqn?si=d0aab028801e419d “Memento mori.” Merriam-Webster.com Dictionary, Merriam-Webster, https://www.merriam-webster.com/dictionary/memento%20mori. Accessed 1 May. 2024. Oates, Joyce Carol. Blonde: A Novel. 2000, ci.nii.ac.jp/ncid/BA68593021. The Oresteia, Aeschylus rappaccini. arachnophobia. https://archiveofourown.org/works/48363238/chapters/121980043 Spider-Man: Across the Spider-Verse. Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson, 2023.

PART 2: Rage, OR: Tear It All Down

IMAGES:

Area 51 circuit board, "I'M NOT DEAD YET" via https://arcadeheroes.com/2014/04/20/arcade-games-easter-eggs/ are you in hell via https://www.tumblr.com/screenshotsofdespair/705113397985968128 A Softer World. www.asofterworld.com/index.php?id=891. bloody knuckles. https://i.pinimg.com/originals/68/68/62/686862f692cfb5e02b76013701ff3347.jpg burn it all lighter via https://png-heaven.tumblr.com/post/675085348575084544/love-still, https://www.etsy.com/listing/717241294/personalized-lighter-zippo-engraved caitlynsarah95, "Hands". Deviantart, May 3, 2019, https://www.deviantart.com/caitlynsarah95/art/Hands-796203302. Daley-Ward, Yrsa, "all the wrong colours" "DIY Three Ingredient Venom Slime", elledoingstuff, https://web.archive.org/web/20201126155036/https://shedoesstuff.com/2018/10/22/diy-three-ingredient-venom-slime/ Gerhard Richter Untitled (5 Jan 1990), 1990 Marchese, David. “Kathleen Turner, in Conversation.” Vulture, 7 Aug. 2018, www.vulture.com/2018/08/kathleen-turner-in-conversation.html. MarianneCreates, "live with this", via https://www.redbubble.com/shop/ap/98874045 McGuire, Seanan, and Rosi Kampe. Spider-Gwen: Ghost-Spider Vol. 1. Marvel, 2019. Melissa P. Directed by Luca Guadagnino, 2005. Paskow, Linnea "Splitter", 2020. https://linneapaskow.com/paintings-/18 Roland Arhelger, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Verrazzano-Narrows_Bridge_(New_York).jpg Sin, Nata. "Menotaxis", November 8, 2022. https://instagram.com/nata__sin__?igshid=MzRlODBiNWFlZA== "Spider PNG image image with transparent background", via https://pngimg.com/image/4537. "Spider Transparent #1558430", via http://clipart-library.com/clip-art/spider-transparent-2.htm. "Spider PNG Image" via https://www.pngall.com/spider-png/download/1726 Spider-Man: Across the Spider-Verse. Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson, 2023. "Transparent Spider Gif #1587577", via http://clipart-library.com/clip-art/transparent-spider-gif-23.htm. "Transitions Purple T-Shirt + Download", august, via https://store.augustalsina.com/products/transitions-purple-t-shirt-pre-order-download

TEXT:

Boyer, Anne. "WHAT RESEMBLES THE GRAVE BUT ISN’T". 2017. Moyers, 17 April 2017, https://billmoyers.com/story/poetry-month-what-resembles-the-grave-but-isnt/ Carson, Anne. H Of H Playbook. New Directions Publishing Corporation, 2021. Euripides. Grief Lessons: Four Plays by Euripides. New York Review of Books, 2008. Lord Huron. "Not Dead Yet", https://open.spotify.com/track/5NRbNXwXHM9mYgxMhzVWTP?si=d55caaf2461a4675 rappaccini. arachnophobia. https://archiveofourown.org/works/48363238/chapters/121980043

PART 3: Live

IMAGES:

277: Venetian Memento Mori Earrings, Ragoarts.com. www.ragoarts.com/auctions/2021/07/summer-jewels/277 beigeandrose. “The 1990s Goth Faux Leather Lace up Chunky Heels Platform Boots Size US 8.” Etsy, www.etsy.com/listing/117460104/the-1990s-goth-faux-leather-lace-up. “Clasped Hands of Robert and Elizabeth Barrett Browning.” The Metropolitan Museum of Art, www.metmuseum.org/art/collection/search/11156. Coello, Iban. Carnage-ized Variant Cover, Spider-Gwen: Ghost-Spider Vol. 2 - Impossible Year. Marvel Entertainment, 2019. Forcibly Feminized at the Pharm, The High Femmes, 2022 Hodan, George. "Spider Web." PublicDomainPictures.net, https://www.publicdomainpictures.net/en/view-image.php?image=21073&picture=spider-web Home, pinkshift, 2023 "Nice While It Lasted." Bojack Horseman, created by Raphael Bob-Waksberg, season 6 episode 16, Netflix, 2020. Rainbow, Kesha, 2017 Shinkai, Makoto, and Midori Motohashi. The Garden of Words. Kodansha Comics, 2016. Skin-N-Bones. “An top down image of red soup, on a blue background, with noodles spelling out ‘Everybody Dies.’” Tumblr, 12 June 2013, skin-n-bones.tumblr.com/post/52800040011. Spider-Man: Across the Spider-Verse. Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson, 2023. "Spiderman Graffiti, Pittsburgh", by chronolojay “THAT’S BELIEVABLE!” Tumblr, 3 Mar. 2024, www.tumblr.com/thatsbelievable/743968419651665920?source=share.

TEXT:

Latour, Jason. SPIDER-GWEN VOL. 6: THE LIFE OF GWEN STACY. Illustrated by Mike Ploog, Cover Art by Robbi Rodriguez, vol. 6, ‎ Marvel Universe, 2018. Limón, Ada. “Dead Stars.” Poets.org, 1976, poets.org/poem/dead-stars. rappaccini. arachnophobia. https://archiveofourown.org/works/48363238/chapters/121980043 Zusak, Markus. The Book Thief. Knopf Books for Young Readers, 2007.

#web weave #web weaving #across the spiderverse #gwen stacy #spider gwen #ghost spider #arachnophobia fic #spiderverse #atsv #atsv gwen #(kinda) but it does fit - i think enough to justify the tag #this is my fic rec and also my rec of the garages who i don't think i can make a weave without including their songs.#ive been working on this for so long it is a bit terrifying to post now. do it scared and all that!#and then i can figure out links to post the separate parts #webweaving

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haru-dipthong · 11 months ago

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罠英語・Trap Words pt 5

ソース → ❌ Sauce → ✅ Japanese style worchestershire sauce

In Japanese common usage, the word 「ソース」 only refers to a specific subcategory of sauce - japanese style worchestershire sauces. Although in certain technical circumstances, 「ソース」 may also carry the broader meaning that the english equivalent does, calling something like soy sauce 「ソース」 in a regular conversation won’t get your meaning across.¹

We can see this in the Japanese Wikipedia article for ソース. Though the article is about the broader definition of sauce, there is a notice at the top of the page:

“This article is about the general name for a liquid or paste used to season food (the broad definition of 「ソース」). For Worchestershire Sauce (the narrow definition of 「ソース」), see Worchestershire Sauce.”² (my translation)

Side note: I know it's a meme but "Worchestershire" isn't hard to say. It's just "wooster-sheer".

Though ソース can be found as a part of various other words ( ミートソース/meat sauce; ホワイトソース/white sauce; トマトソース/tomato (pasta) sauce), when it is used just by itself, it almost exclusively refers to worchestershire sauce varieties. For example, you can’t abbreviate ミートソース to ソース, even when the context is clear.

Within the category of what Japanese speakers mean when they say ソース, we have ウスターソース, which is similar to the thin English Worchestershire sauce; 濃厚ソース, which is sometimes marketed as tonkatsu sauce and is very thick and viscous; and 中濃ソース which is somewhere in　between. お好み焼きソース is also a type of ソース, similar to 濃厚ソース.³

グリーンピース → ❌ Greenpeace → ✅ peas

Yep… the word グリーンピース doesn’t refer to the environmental activism organisation Greenpeace, which I discovered to some surprise during an actual conversation with my Japanese partner. Since Greenpeace is famous for its anti-whaling stance, and Japan is the country with the highest levels of whaling in the world,⁴ it was only natural to assume that it was a direct transliteration of the organisation’s name. Maybe it’s a common point of discussion in Japan, I thought.

In reality, it literally just means peas. Green peas. An instance of the plural being built into the transliteration (like バケツ), since Japan has no plurals. It’s weird that it’s not グリーンピーズ though, don’t you think? I guess we can just chalk that up to an initial pronunciation error that carried though to the modern day.⁵

Why hasn’t it been shortened to ピース? Well:

Because ピース means “the peace sign”. This word/pose is so common in Japanese culture that shortening グリーンピース to ピース would likely be confusing.

To be clear, the organisation’s name is also transliterated as グリーンピース, but overwhelmingly in regular conversation, グリーンピース will mean “peas”.

トレーナー → ❌ trainers (sneakers) → ✅ sweatshirt

This might not necessarily be a trap word for people from the US, but it is at least a funny place for 和製英語 to show up. According to this source, this word was invented by a fashion designer named Kensuke Ijizu, who was apparently a big boxing fan, and noticed that the trainers always wore sweatshirts, and so decided to name the clothing 「トレーナー」 when he released his designs in Japan⁶. It’s rare that a trap word has such a clear explanation for how it came about! めっちゃスッキリした！

However, スウェット and スウェットシャツ are also both commonly used in Japanese, meaning the same as トレーナー, so this is really only a problem while listening, not while speaking.⁷ It’s also worth noting that トレーナー does mean “trainer” as in like, a personal trainer. That’s where the weird word for sweatshirt comes from, after all.

Sources

[1] https://www.youtube.com/watch?v=OLpub5uXA1A

[2] https://ja.wikipedia.org/wiki/ソース_(調味料)

[3] https://www.kurashiru.com/articles/b3134417-fc0e-4782-a5d8-40932613ea79

[4] https://www.abc.net.au/news/2014-04-08/whaling-around-the-world-how-japans-catch-compares/5361954

[5] https://twitter.com/japanese_eng/status/1562198000411193345

[6] https://zatsuneta.com/archives/007218.html

[7] https://ja.wikipedia.org/wiki/スウェット

#langblr #japanese #japanese language #language #language learning #linguistics #learning japanese #trap words #jimmy blogthong #official blog post

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longliverockback · 3 months ago

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The Kinks The Anthology 1964-1971 [Box Set] 2014 Sanctuary ——————————————————————— Tracks CD One: 01. I Took My Baby Home 02. I'm a Hog for You, Baby - The Boll-Weevils 03. I Don’t Need You Anymore 04. Ev’rybody’s Gonna Be Happy 05. Long Tall Sally 06. You Still Want Me 07. You Do Something to Me 08. You Really Got Me 09. It’s All Right 10. Beautiful Delilah 11. Just Can’t Go to Sleep 12. I’m a Lover, Not a Fighter 13. Little Queenie 14. Too Much Monkey Business 15. Stop Your Sobbing 16. All Day and All of the Night 17. I Gotta Move 18. I Gotta Go Now 19. I’ve Got That Feeling 20. Tired of Waiting for You 21. Come on Now 22. Look for Me Baby 23. Nothin’ in the World Can Stop Me Worryin’ ‘bout That Girl 24. Wonder Where My Baby Is Tonight 25. Don’t Ever Change 26. You Shouldn’t Be Sad 27. Something Better Beginning 28. Ev’rybody’s Gonna Be Happy 29. Who’ll Be the Next in Line 30. Who'll Be the Next in Line [alternate mix] 31. Set Me Free 32. I Need You 33. Interview: Clay Cole meets the Kinks

Tracks CD Two: 01. See My Friends 02. Never Met a Girl Like You Before 03. I Go to Sleep 04. A Little Bit of Sunlight 05. Tell Now So I’ll Know 06. When I See That Girl of Mine 07. There’s a New World Just Opening for Me 08. This Strange Effect 09. Hide and Seek 10. A Well Respected Man 11. Such a Shame 12. Don’t You Fret 13. Till the End of the Day 14. Where Have All the Good Times Gone 15. Milk Cow Blues 16. I am Free 17. The World Keeps Going Round 18. I’m on an Island 19. You Can’t Win 20. Time Will Tell 21. Dedicated Follower of Fashion [session excerpt takes 1 - 3] 22. Dedicated Follower of Fashion 23. Sittin’ on My Sofa 24. She’s Got Everything [session excerpt backing track - take 2] 25. She’s Got Everything 26. Mr. Reporter 27. All Night Stand

Tracks CD Three: 01. Sunny Afternoon 02. I’m Not Like Everybody Else 03. Sandy 04. Party Line 05. Rosy Won’t You Please Come Home 06. Too Much on My Mind 07. Session Man 08. Most Exclusive Residence for Sale 09. Fancy 10. Dead End Street 11. Big Black Smoke 12. Mister Pleasant 13. This Is Where I Belong 14. Village Green 15. Two Sisters 16. Waterloo Sunset [session excerpt backing track - take 2] 17. Waterloo Sunset 18. Act Nice and Gentle 19. Harry Rag [session excerpt] 20. Harry Rag 21. Death of a Clown 22. Love Me Till the Sun Shines 23. David Watts 24. Tin Soldier Man 25. Afternoon Tea 26. Funny Face 27. Lazy Old Sun 28. Susannah’s Still Alive 29. Good Luck Charm

Tracks CD Four: 01. Autumn Almanac 02. Lavender Hill 03. Rosemary Rose 04. Wonderboy 05. Polly 06. Lincoln County 07. Did You See His Name? 08. Days 09. Day 10. Misty Water 11. Do You Remember Walter? 12. Picture Book 13. Johnny Thunder [session Excerpt] 14. Johnny Thunder 15. Big Sky 16. Animal Farm 17. Starstruck 18. Pictures in the Sand 19. People Take Pictures of Each Other 20. Interview: Ray Davies talks about «Village Green Preservation Society» 21. The Village Green Preservation Society 22. Hold My Hand 23. Creeping Jean 24. Berkeley Mews 25. Till Death Do Us Part 26. When I Turn off the Living Room Light 27. Where Did My Spring Go 28. Plastic Man 29. King Kong 30. This Man He Weeps Tonight 31. Reprise US tour spot

Tracks CD Five: 01. Victoria 02. Some Mother’s Son 03. Drivin’ 04. Shangri-La 05. She’s Bought a Hat Like Princess Marina 06. Young and Innocent Days 07. The Kinks featuring Dave Davies - Mindless Child of Motherhood 08. Lola 09. Apeman 10. Strangers 11. Get back in Line 12. Anytime 13. This Time Tomorrow 14. A Long Way from Home 15. Powerman 16. Got to Be Free 17. Dreams 18. Moments 19. The Way Love Used to Be 20. God's Children

Tracks 7” Single: 01. You Really Got Me 02. Milk Cow Blues ———————————————————————

* Long Live Rock Archive

#TheKinks #The Kinks #Mick Avory #Johnny Dalton #Dave Davies #Ray Davies #John Gosling #Pete Quaife #The Kinks Anthology 1964-1971 #Compilation #The Anthology 1964-1971 #Garage #2014

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sugdensdingle · 3 months ago

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#robron #emmerdale #aaron dingle #robert sugden #aaron x robert #robronedit #mlmedit #gayedit #affair era #gifs #my gifs #2014 #04/12/14 #08/12/14 #25/12/14 #26/12/14

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frigid-moon-fall · 2 months ago

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Alright I'm tired of it being locked up in a notepad, here's the chronological release dates of all things Destiny that I know of. I'll add to it if someone knows more.

Dates are YYYY/MM/DD. Blue is Destiny 1, pink is Destiny 2, pretty much just prefix everything with the normal full title of either game. I'm trying to keep it easy to read. Kasukabe's artbook is on here because it has extra comics. The anthologies are non-canon but officially licensed and all by multiple artists (far too many to list) as far as I know. I am not dedicated enough to find the localization dates of everything, just know that various things have received localizations in languages other than English, sometimes several years after their initial publication.

1997/12/23 - Tales of Destiny PS1 release 1997/12/25 ~ 2000/10/30 - 神の眼をめぐる野望 (first manga adaptation by Shinki Kitsutsuki) 1998/03/01 - ルーティのルール (novel by Ryuuji Saiki) 1998/09/01 - 青の記憶 (novel by Sara Yajima) 1998/09/10 - 天地戦争編 (novel by Ryuuji Saiki) 1998/10/23 ~ 1999/01/23 - First half of drama CD 1999/04/24 ~ 1999/06/26 - Doujin drama CD (by Tomokazu Seki (Stahn's voice actor) and Yuka Imai (Rutee's voice actor)) [???] 1999/06/10 ~ 1999/08/28 - Second half of drama CD 1999/12/28 - Mini Drama CD 2000/05/31 - 運命をつぐもの (novels by Sara Yajima) 2000/07/18 ~ 2003/01/18 - Second manga adaptation by Iqura Sugimoto 2000/07/27 ~ 2001/09/27 - Super Comic Gekijou (Anthology) 2000/08/25 ~ 2002/01/31 - Broth Comics Anthology (Anthology) 2001/01/19 ~ 2001/10/19 - 4koma Manga Gekijou (Anthology) 2002/09/28 - Tales Ring Archive drama CDs 2002/01/31 - Tales of Fandom vol.1 2002/11/29 - Tales of Destiny 2 PS2 release 2003/01/01 ~ 2003/03/25 - Novels by Shou Yuuki 2003/02/21 ~ 2004/10/29 - 4koma Manga Gekijou (Anthology) 2003/03/01 ~ 2003/11/24 - 蒼黒の追憶 (novels by Sara Yajima) 2003/03/10 ~ 2004/08/27 - Super Comic Gekijou (Anthology) 2003/04/26 ~ 2003/08/22 - Drama CD 2003/05/17 ~ 2006/03/18 - Tales of Destiny 2 manga adaptation by Makoto2Gou 2003/06/25 - DNA Media Comics Anthology (Anthology) 2003/08/01 ~ 2003/01/01 - Broth Comics EX Anthology (Anthology) 2003/08/25 - DNA Media Comics / ID Comics 4koma Kings (Anthology) 2003/09/01 - 朱鷺色の風 (novel by Sara Yajima) 2006/11/30 - Tales of Destiny PS2 remake 2007/02/16 - Tales of Destiny 2 PSP port 2007/03/01 ~ 2007/05/30 - 蒼黒の想い (novels by Sara Yajima) 2007/03/22 - Gangan Comics Anthology EX (Anthology) 2007/04/10 - BLADE Comics Anthology Collection (Anthology) 2007/12/27 ~ 2011/02/26 - 儚き刻のリオン (DC manga adaptation by Akira Kasukabe) 2008/01/31 - Tales of Destiny Director's Cut release 2011/07/13 - Akira Kasukabe's Tales of Destiny artbook 2013/11/18 - Pachislot........ 2014/02/04 - Pachislot Android/iOS port 2021/11/19 - Tales of Reading Live

By the way, anyone know if the android/iOS port of the pachislot was ever archived?

#tales of destiny #frimofa #fnavitd1 #fnavitd2 #info post

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black-arcana · 2 months ago

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ARCH ENEMY Shares Music Video For 'Blood Dynasty' Title Track

Swedish/Canadian/American extreme metal titans ARCH ENEMY have released the video for the title track of their upcoming album, "Blood Dynasty". The LP is slated for release on March 28 via Century Media Records.

Following the surprise drop of their single "Dream Stealer" in July and the subsequent release of "Liars & Thieves" in October, "Blood Dynasty" marks the third single offering from the highly anticipated album. The track promises to deliver ARCH ENEMY's signature blend of powerful guitar riffs and dynamic vocals, showcasing the band's evolution while staying true to their roots.

Founder and guitarist Michael Amott shares: "The third single from our upcoming album has arrived, and it's the title track: 'Blood Dynasty'! This one shifts gears from the fast and furious energy of our two recent singles, diving deeper into melody and atmosphere. Immerse yourself in this dystopian soundscape!"

Amott previously stated about "Blood Dynasty": "This new album pushes the boundaries of what we've done before — it's everything you've come to expect from this band, and then some! We can't wait for you to hear it and feel the energy we've poured into every track. Welcome to the 'Blood Dynasty'!"

"Blood Dynasty" track listing:

01. Dream Stealer 02. Illuminate the Path 03. March Of the Miscreants 04. A Million Suns 05. Don't Look Down 06. Presage 07. Blood Dynasty 08. Paper Tiger 09. Vivre Libre 10. The Pendulum 11. Liars & Thieves

Next to the limited deluxe editions that feature two exclusive bonus tracks, fans can direct their attention to the limited liquid blood vinyl that is exclusively available in the band stores and limited to 666 copies.

"Dream Stealer" marked ARCH ENEMY's first new music since the release of the "Deceivers" album, which came out in August 2022.

"Dream Stealer" was mixed by Jens Bogren and mastered by Tony Lindgren at Fascination Street Studios. The video was directed and produced by Patric Ullaeus.

Four months ago, Amott told Pulp Magazine about "Dream Stealer" and ARCH ENEMY's plans for new music: "We've been staying busy for sure and are really focused on writing and recording new stuff in between the touring we're doing. I'm kind of always coming up with new musical and lyrical ideas though — I just keep going as it's what I enjoy doing anyway. Making music is a natural process, and it's pretty much a daily thing, so it can be hard to pinpoint exactly when everything was conceived. I do, however, actually remember that the initial seed for 'Dream Stealer' was written during a songwriting session I did with Daniel [Erlandsson, drums] in Los Angeles, California, two years ago, and then it's been rearranged and updated a lot till it reached its final state that you're now hearing."

Asked if it was a conscious decision to go back to the "classic ARCH ENEMY" direction and approach with "Dream Stealer", Amott said: "I've seen some seriously great feedback from the fans, and that's always very encouraging, of course. Personally, I don't know if I’d necessarily say 'Dream Stealer' is a throwback to the sound of the past, but I get what they mean — the song has the energy and speed that is very exciting and infectious. Maybe there is a hint of vintage ARCH ENEMY in there, and why not? I'm looking forward to playing it live on stage — I think it is going to be intense as hell."

ARCH ENEMY played its first concert with new guitarist Joey Concepcion on April 24 at Musinsa Garage in Seoul, South Korea. The show was part of ARCH ENEMY's 2024 Asian tour.

In December 2023, ARCH ENEMY announced that it had "amicably" parted ways with longtime guitarist Jeff Loomis.

Jeff, who was the main songwriter in his previous group, NEVERMORE, joined ARCH ENEMY in late 2014, but was not involved in the writing for the latter act's last two albums, 2017's "Will To Power" and the aforementioned "Deceivers".

ARCH ENEMY is:

Alissa White-Gluz - Vocals Michael Amott - Guitar Joey Concepcion - Guitar Sharlee D'Angelo - Bass Daniel Erlandsson - Drums

Photo credit: Katja Kuhl

#arch enemy #blood dynasty

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vashtijoy · 2 years ago

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maruki, ren, wakaba: history rhymes

Maruki's journal entries cover an almost three-year period, from 2014/04/09 to 2017/01/01. This overlaps with almost the entirety of canon; Akechi begins working for Shido "two and a half years" before 11/21 (that's 2014/05/21)—which, again, is not too far from this 04/09 date; if you want to hypothesise that he, too, awakens around 2014/04/09, go wild.

Why is 4/9 a significant date for Maruki?

4/9: maruki and joker connect to their personas

According to his journal, Maruki's awakening is a painful, drawn-out process. In February 2014, he's already getting headaches. They worsen until August of that year, when he partially awakens.

His start of darkness is, of course, the murder of his girlfriend Rumi's parents. The killer then attacks Rumi while making his escape, and Maruki is powerless to prevent it. She never recovers, and neither does he:

Apr. 9 I just can't believe what's happened. I'll never see Rumi's parents again... I don't even know if Rumi will ever come back to me. Her heart's been completely closed off ever since that day. Why did this happen? What did Rumi do to deserve this? Do we really have to just go on suffering these consequences? My headaches are getting worse— I'm even starting to hear things. Am I having some kind of breakdown? I can't lose it... I have to do something to help Rumi. No matter what it takes.

But 2014/04/09 is the first day he feels able to journal about the murder. "I'm starting to hear things," he says; this is likely the first day he hears the voice of his persona. It's also the date he commits to help Rumi "no matter what it takes".

... However. This is also two years to the day before Joker stops at Shibuya Crossing, gets the Meta-Nav from Yaldabaoth—who is lurking far beneath the Crossing—inadvertently enters the Metaverse, and sees his own shadow and the suggestion of the persona it will become:

He is a scary boy when he wants to be, huh? I bet his Palace would have been amazing. Note that Joker, here, will also not awaken right away—but he's seen his persona, his shadow-as-is, for the first time.

8/21: maruki's partial awakening and wakaba's murder

(@notcoolnickname points out that Wakaba dies on 8/21, not 8/22—thanks! I think we can push Maruki's awakening back two days rather than one, so I'm gonna, lol. Because even if it's a day out, or two, this is really too close for coincidence.)

On 2014/08/23, Maruki writes about his visit to Rumi in the hospital. We also see that visit. He talks about "someone" he's recently met who thinks his research has promise, who wants to fund it—well, it's no surprise he loses that funding, put it like that. He talks about how he wants to save the whole world, by changing the cognition of criminals before they act.

Rumi does not take this well; she begs him to help her forget. And he realises that what she needs is not a solution to crime, but to her trauma—and so does everyone else.

This is when he awakens.

He begs Azathoth to help him save Rumi. And Rumi forgets him entirely—almost. But she's forgotten her trauma, as well:

Aug. 23 I still can't figure out what that voice was in Rumi's room. Was it my subconscious? Was it... it feels so strange writing this as a scientist, but... was it some kind of godlike being?

The entry's dated 8/23, but he says he still can't figure it out. So when did the events in the video happen? Were they two days before, by any chance?

What else happens not just on 8/21, but around or on this exact day?

Yeah. On 8/22, Sae places Wakaba's murder "two years ago". The day before, on 8/21, Sojiro commemorates the anniversary of Wakaba's death.

That's to say: if that visit to Rumi was on 8/21, then Wakaba was murdered the day Maruki awakened. The same exact day, or as good as. Like, what the fuck, y'all?

It seems really clear to me that these corresponding dates are either a thematic or narrative link back to Yaldabaoth—who, of course, causes both Joker and Akechi to awaken. Is he involved with Maruki, somehow? Does he have his fingers in more than one pie? Or are all these guys just narratively echoing each other?

Maruki, of course, will ultimately replace Yaldabaoth in Mementos.

other correspondences in the timeline

What else is there? Well, Maruki's first journal entry, when he talks about his headaches, is on 2014/02/02—three years before he meets with Joker and Akechi at Leblanc. But he says he's meeting Rumi's parents "tomorrow". So his 2/3 boss fight is on the three-year anniversary of his first meeting with Rumi's parents.

His entry about his research being shut down, and his need for test subjects—presumably what leads him into counselling?—is on 2015/06/03. Well, 6/3 is the calling card deadline for Madarame's Palace; I don't think that is too significant. But note that, in this 2015 entry, his research has been shut down; in August 2014, when Wakaba was murdered, Shido was still offering Maruki funding.

So why didn't Shido murder Maruki? The answer is that Shido was still actively recruiting Metaverse researchers, even after Akechi was working for him. Something about Maruki made him unusable—his good intentions and general incorruptibility, maybe—but not dangerous; maybe he just didn't know enough. Also note here that Akechi doesn't know there's anything special about Maruki until the third semester.

He journals that he met Yoshizawa and changed her cognition on 3/25—a couple of weeks before canon begins on 4/9. So whenever we see him, whenever he has a counselling session, he's able to connect with, and change, the cognition of the person he meets....

Lastly, he doesn't journal that "I've finally done it... reality and the cognitive world are merging" until 1/1. 1/1 is the day reality starts to go properly squiffy (the shrine is empty, Morgana is missing, Futaba mentions her mom), and it's the day after that odd New Year party, when everyone seems just a little too happy. Joker's dream is on the night of 12/31—Maruki doesn't send him the dream, I think (Joker is in his prison clothes and sees Lavenza as the butterfly) but he talks to him in it.

But Akechi is there in Shibuya on 12/24, barely moments after Maruki gains Yaldabaoth's power; just hours after the blood rain. The first gift Maruki gave with his new power, I always thought. But he seems to only become aware of what he can do after 12/24. We skip from 12/25 to 12/30, so anything could have happened in the meantime....

But what's going on here? Something odd, that's for sure. Is it possible—just possible—that that Akechi we see, on 12/24, who steps forward in Shibuya and turns himself in, is not the one Maruki interferes with or otherwise brings back, but the actual, living Akechi who was there all along?

#persona 5 #p5 meta #takuto maruki #wakaba isshiki #ren amamiya #akira kurusu #masayoshi shido #goro akechi #but speaking of odd coincidences #futaba's boss deadline is the anniversary of wakaba's death #ouch

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