Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart
—-------
There are two things Daniel Fenton knows that his family knows as well:
He’s adopted.
He can’t remember anything else before that.
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.
It is a fast dream.
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods.
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)
—---
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom.
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
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Fluent Freshman - Part 12
PREVIOUS
If there was one thing no one would ever guess about FF it is that he unapologetically LOVES Black Friday.
You may be thinking. Ugh Black Friday. Everyone is so rude and tired. The deals aren’t even that good. It can turn into a blood sport at the drop of a hat over a toaster that is 15% off.
You are correct.
That is why FF loves it.
It is the one shopping day of the year where every single one of his instincts are correct, valid, and useful. He has pulled his gran out of the way of elbow drops, he has avoided the gaze of a woman in PINK sweat pants who was looking for someone to steal a blender from, and he knows without a doubt that the cashier hates him already so there’s no need to worry about whether or not they hate him.
It’s like a breath of fresh air!
Everyone is just as antagonistic and awful as he thinks they are!
Shopping is actually the blood sport he always feels like it is!
So there he is standing in a line at the nearest store (Target) waiting to be let in with the masses who all look ready to stab one another for better positioning for a TV. The jokes on them though because his only goal is the grocery section and he deals with the threat of repeated stabbings for BREAKFAST.
He spots an IHOP in the distance and hopes his gran doesn’t feel too lonely. They’ve gotten buttermilk stacks together at the IHOP by the mall for years after the two of them finished Christmas Shopping.
Someone elbows him in the side to get his spot in line but FF does not really care. Again, he doubts any of these people are going to be racing him to the all purpose flour.
It’s 4 AM and the barricades come down.
There’s a rush of people pushing and shoving but FF just steps to the side and watches as they all rush in. He’d mostly stayed in the line because the throng of people made it easier to stay warm. He had left his jacket back at the house because the five hour energy might be making his skin feel super sensitive but he is pretty sure that if he wore his nylon jacket he would die.
The five hour energy also may be upping his anxiety just a little bit.
He walks into the store at a leisurely pace and while the crowd fights over the carts he grabs one of the baskets. He can feel the eyes of other shoppers all wondering if he has some insider knowledge on a good deal that would only require the basket or if it’s a matter of who gets to the back to receive the ‘redeem’ coupon.
He sees a few shoppers get lured in by his siren call and much like a siren following anything that FF is about to do will undoubtedly lead to their downfall.
But FF doesn’t care about that.
He cares about HIS downfall.
So he makes his way to the grocery section and ignores the six different shopping assistants who try and guide him to where he ‘should’ be shopping and each of them only give him increasingly confused looks when he states his intention to go to the grocery section every single time.
Is it easier to ignore their stares when the five hour energy have set his baseline heart rate to something that might be too fast to register as a heartbeat? Maybe.
It is easier to ignore the confusion on their faces when he can see both the past (he asked for TWO favors from Andrew in one day how is he still alive???) and the future (still malleable at the moment apparently. There’s even a future where Andrew actually just is trying to make overtures of friendship but he dismisses that one as INCREDIBLY unlikely and looks at the far more viable one where Andrew at least makes his death quick while he enjoys his great gran’s brownies.)
It’s good to set reasonable goals for yourself.
So he arrives at the grocery section which is deserted aside from one employee who may or may not be asleep against a shelf. FF looks and….not a shelf he needs so he is not about to wake that poor man up.
So he gets everything he needs for his great gran’s brownies (he’s trying to buy his life here so he is not about to assume he can use ANYTHING in the house), the ingredients for a good breakfast (because he really needs to eat something that is not a five hour energy or sugar for the sake of his poor stomach and he may as well get enough for everyone), and (since Captain Neil mentioned it & he is trying to buy his life here) the ingredients to bake another pie.
While he grabs cinnamon he checks to see if they have grandma’s love in stock but, alas, it continues to be unavailable commercially.
He stares at the whipped cream for so long that the employee asleep in the other aisle woke up and asked if he needed help and, startled, he dropped it in his basket. “No I’m good.” He says before power walking out of the grocery department and deciding to brave the Home Goods section to buy some incense so that he can hopefully channel the spirit of his great gran to assist him in this, the darkest of his baking hours.
He arrives at the check out stations and finds the shortest line .
He can feel eyes on him, inspecting his purchases, judging them, judging him, who the fuck goes grocery shopping during the Black Friday rush?
FF.
FF goes grocery shopping during the Black Friday rush.
The cashier looks for hidden cameras but FF has no such thing accompanying him today or ever (as far as he knows.)
After a moment the cashier must look at the ever growing line and decide that whatever scheme they think FF is up to isn’t worth trying to figure out. They offer a membership card, FF valiantly declines to get one despite the two attempts.
He is out the door with four bags of groceries that all have a target on them that feels a little too correct. It’s 6 AM now (he really did lose a lot of time at the whipped cream section) and he’s walking back to the house in Columbia.
He actually feels a little bit better since he at least got to experience his actual favorite blood sport (sorry Exy) and he even got another 2 five hour energies while he was in the check out line so he could replace some of the ones that he had gone through.
“Smith?”
He would like to thank the combined weight of the groceries for keeping his feet on the ground when he heard Captain Neil’s voice.
He turns and Captain Neil is looking at him wide-eyed in his running gear that Smith has seen him in. “You were shopping??” He asks.
FF nods and lifts up the four bags as evidence. “Why didn’t you pick up your phone?” He asks.
FF almost scoffs but he doesn’t, “You can’t be distracted when you’re in a Target on Black Friday. That’s how you take an elbow to the eye.” He responds because it’s like Captain Neil has never experienced the WWE-like environment of Black Friday shopping.
Captain Neil blinks at him.
“Text Andrew or me next time you’re going to go off into the night or just let us know beforehand. Andrew would have driven you.” Captain Neil says and grabs two of the bags out of FF’s hand. “C’mon let’s get back and maybe you can get some sleep.” Captain Neil sighs.
“I’m fine.” FF adjusts the bags so he has one in each hand.
Captain Neil does not say anything so FF assumes that he has accepted that.
***
FF had not been asleep on the couch when Neil had walked through the living room. Neil, in a move that had Andrew fully waking up, went back to the room to check his phone to see if FF had texted him an update on going out. All that greets Neil is the impersonal series of texts that mostly confirmed when practice times had been changed, when the bus was leaving, and spelling on various Spanish words.
FF isn’t a big text person.
He’s more of an in-person kind of friend.
Neil likes that about him most of the time.
“What.” Andrew asks face still half buried in Neil’s pillow.
“Smith isn’t on the couch.”
That has Andrew getting up despite the early hour and their activities the night before. Neil watches as Andrew grabs his own phone to scroll through but seems to come up with the same lack of communication that Neil does.
Andrew does do the extra step and hit the call button.
But all he gets is the confirmation that the VM has not been configured that has greeted them every time FF misses their calls. (Voicemails make FF anxious so when he got his new phone he just…never configured it.)
Neil knew that FF was not pleased with them and somehow the calm request to either stop fooling around or let him out had hit him and Andrew harder than any of the screaming demands that the two of them were usually met with from Nicky, Kevin, Aaron, or any of the other Foxes.
“You said he wasn’t mad.” Neil says.
“He nodded.” Andrew confirms.
“Maybe he went on a walk?” Neil tries as they come out to the living room. They look at the front door and find that it’s locked but it looks like Aaron’s keys are gone. “He probably is going to come back if he took Aaron’s keys since Aaron wouldn’t be the one he’d be irritated with.” Neil rationalizes.
“He didn’t bring his jacket.” Andrew says looking at the black jacket still on the hook by the door.
“We can go and see if we spot him.” Neil offers.
Andrew nods and Neil heads out first since Andrew is still in his sleeping clothes and will need some time.
Neil had not expected to find FF walking back to the house with groceries for breakfast and the pie that Neil had mentioned hoping they could bake at the house.
“Is this for the pie?” He asks looking down at what was in the bags he was carrying as the walked back to the house. Neil managed to shoot off a quick text letting Andrew know that it was fine, FF just went grocery shopping.
FF just nods, “Got everything but Grandma’s love.” He says.
FF is a nice guy to brave the stores on a morning like this but FF also looks like he hasn’t slept a wink.
“Did you sleep at all last night?” Neil asks.
“I’m fine.” FF repeats.
Neil really is starting to understand his friends’ hatred for the phrase.
They get back to the house and Andrew is sat out in the living room. FF stops and blinks at the sight of him sitting there.
It is a well-known fact that Andrew does not willingly wake up early most days unless he has to. Neil is glad that Andrew has a friend that he’s coming to care about the way Andrew cares about FF.
Andrew gets up and yanks the bags out of FF’s hands. “Go to sleep. Today will be irritating if you’re half-asleep.” He says with a scowl and walks to the kitchen to put away the groceries FF had bought.
FF just looks at where Andrew had gone uncomprehendingly for a few moments and Neil figures he’s just tired. Neil feels guilty that him and Andrew messing around in the car like that had rendered FF unable to sleep and the two of them had agreed last night that from now on when FF is in the car they can talk all they want but hands stay on the wheel and eyes stay on the road.
FF is plopped down on the couch when Andrew and Neil come out of the kitchen after putting away the groceries (“These are the ingredients for brownies.” Andrew had noted as he put away melting chocolate.) and he’s looking through his flashcards again and not sleeping. He hears Andrew make a disgusted noise next to him and the next thing he knows Andrew is smacking the cards out of FF’s hands.
“Go. To. Sleep.” Andrew enunciates.
FF stares at him, then down at the flashcards. “I don’t think I can.” He says which is better than him lying and saying he wasn’t tired even if the truth had Andrew’s mouth stretch into a thin line that meant he was beating himself up for something.
“Try.” Andrew orders. “Just lay down and close your eyes. Nothing will happen to you while you’re sleeping.” He says.
FF blinks but nods turning on the couch and laying down. The blanket is still over on the lazy boy that Neil had set it on the night before and Andrew rolls his eyes before grabbing it and tossing it over FF.
“Thanks.” FF says before closing his eyes.
Neil looks to Andrew who nods and Neil accepts that there’s nothing else to be done for now and heads out on his run.
***
FF can admit that he’s a bit adrift in what Andrew and Captain Neil are doing right now.
He really should go grab another five hour energy because falling asleep IN FRONT of an irritated Andrew Minyard feels like a death sentence but “Nothing will happen to you while you’re sleeping.” And having a blanket thrown over him did not feel like a threat even if he can feel Andrew’s eyes watching him.
FF is tired and when he’s tired he tends to make stupid decisions. So FF lets himself drift off to sleep while the man who was likely going to move him to a secondary location sat and watched.
His dreams are not peaceful.
He’s running, can’t escape, an echo of words he should have considered before letting himself drift off and he knows he’s going to DIE.
He wakes up with a start to the smell of bacon, eggs, and hashed browns with Nicky standing over him. “Hey there sleeping beauty! I made you a plate!” He says and hands FF a plate of breakfast that smiles up at him with a bacon mouth, egg eyes, and hashed brown hair.
FF takes the plate and digs in immediately. He needs his strength.
“Today will be irritating if you’re half-asleep.”
Andrew Minyard was going to hunt him for SPORT.
NEXT
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you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.
you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.
he says i don't like small talk. and then he smiles again, watching you.
a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.
he doesn't like small talk, figure out something to say.
you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.
people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.
wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.
also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.
he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."
you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.
"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."
he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.
you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.
is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?
you look down to your hand, clutching the knife.
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