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#....on a post about art that was taken off the internet By its creator
arcaneyouth · 8 months
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here's to all the art that will never be known by anyone other than its creator. for whatever reason that is. i love you art that i'll never get to know, especially if it is intended to be that way. i love you art that exists in the nooks and crannies. i love you art that gets destroyed by the creators choice. i love you art that exists only for one. i love you art that will never be defined by anyone except the one who made it. i love you art that will never even leave the creators head. i love you art that simply is
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charpeach · 10 months
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I think you've created the best leshy and the best heket, both in terms of design and the posts and reblogs you've made.
but I would like to tell you that frogs don't have tails, heket is not a tadpole and that anura literally means tailless
Hi. I appreciate your message and thank you for the kind words about my designs.
Since the topic of Heket's tail seems to be appearing quite frequently in my and other artist's ask boxes, here's what I have to say.
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This is your reminder that it is not okay to comment on people's artistic choices like that.
Art is art, and it begins in the artist.
Art exists to express its creator. It's to put their ideas, their love and passion towards a character or a franchise as a whole into something that others can see (listen to, read, touch, I'm not speaking just about paintings).
Art is a shared experience. It is to be observed.
And it is not an artist's job to try and fit their work into every frame that some people on the internet may have created for themselves.
Heket is not a frog. She may appear so, but her existence in a regural frog's body had ended very long time ago.
She's a goddess. A fallen and defeated one, at last, but the divine essence has intervened with her existence so much that it can't ever be taken away from her.
Frogs aren't fifteen-ish times the lamb's height. They don't have additional sets of eyes and the definitely do not have some weird crosses and tower looking like things sticking out their head. Oh, right, and they don't have tails too.
Cult of the lamb is a fantastic fictional world, with magic, relics, gods and ???. Narinder used to possess an ability to rip his face open and detach his eyeballs from their sockets to have a fight with lamb.
I don't see any good reason why in given circumstances Heket's current body can't have a tail. She still has other eyes and crosses, even though I don't include the latter in my art.
Once again, art is art and my design is my design. I've made that decision and I'm well aware that it may not be accurate to real life biology. Question awaits, why in the world should it?
I used to grow toadpoles into frogs in an aquarium a while ago. I've watched them go through every stage of development, I've seen them change and transform, and it isn't a momentary process. The tail doesn't suddenly fall off. The toadpoles first grow their back legs, then front ones, and by the time the latter are fully formed, they still have their tail for about a day or two. So, here's your biological explanation: her current body is very, very young.
I chose to include the tail in the design as a metaphor of bishop's rebirth. Her mind may be old, but right now she's like a child in a world that is so new and unfamiliar to her. She has to go through everything that all young people have to.
This post might seem just out of place, as if I'm looking too much into a simple comment like that one. But I've seen just one too many artists bullied into thinking that their ideas or choices aren't valid and do not matter. They were forced to change their beautiful works because someone else had told them to.
So let me tell you something instead.
You don't have to change your art. You can make whatever artistic choices you want, and they are valid, and they are beautiful, because they are yours.
We wouldn't have a quarter of the diversity and creativity in art if a long time ago one artist their contemporaries claimed to be weird and incorrect submitted to them and returned to only drawing what they thought were allowed.
Frames are to be broken.
I love you all, thank you for reading this.
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deepdreamnights · 7 months
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The Age Old Debate: Fire Good, or Fire Bad?
This was originally going to be part of this thread, but the points were distinct enough and my thoughts rambly enough that I split it into two posts.
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From the recent PalWorld thread:
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We gotta handle that last tag in two parts.
Part 1 "the devs admitted to using AI art to make the pals"
First off, that isn't true near as I can tell. I can't find anything of the PalWorld Devs admitting they used AI for PalWorld designs. Palworld had demo footage with Pals in it 2 years ago on June 6 with their announcement trailer, which means they would have had to have started dev much earlier than that.
This is what AI art from June of 2022 looked like:
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On the left, Hieronymus Bosch's Pokemon, on the right, Charmander on Gumby.
I did a much deeper breakdown of the "used AI" accusation here. It does not hold water.
Now, I could change my mind on this point if there were linked evidence to the creators of Palworld saying this. But there isn't.
Because the accusation is repeated in a tag, there's no way to include supporting information, or even to easily directly ask the accuser for it. Many people are going to see it, internalize it, and then repeat it uncritically, and that's how rumors and witchhunts start.
Because I've seen a lot of accusations about PalWorld stealing fakemon, and I'm yet to see a smoking gun. There's barely smoke.
Gonna hit the second point in that tag, but while we're on the theme of spreading misinfo:
Part 2 of the Tag: Using AI to Brainstorm is "Bad"
This is also an assertion that would require support, and I believe it to be wholly incorrect.
Plagiarism happens at publication. Not at inception, not inspiration, not even at the production level. The only measure of whether something is or is not "stolen art" is whether what comes out at the end replicates, with insufficient transformation, an existing, fixed expression. Art theft is about what comes out, not about what goes in.
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For more about how this works with AI art, I suggest checking out the Electronic Frontier Foundation's statement on the issue. They're the ones looking out for your online civil rights, and I agree with their position on this.
The argument that AI art is theft because it is trained on public-facing material on the internet just doesn't fly. Those are all fixed published works subject to inspiration, study, and transformative recreation under fair use. The utilization of mechanical apparatus does not change that principle.
And fair use that requires permission isn't fair use. That's a license.
Moreover, altering the process to put infringement at inspiration/input or allowing the copyrighting of styles would be the end of art as we know it.
There's no coincidence that the main legal push against AI art on copyright grounds is backed by Adobe and Disney. Adobe is already using AI art as a pretext to lobby congress to let them copyright styles, and Disney owns enough material on its own to produce a dataset that would let them do all the AI they'd ever need to, entirely with material they "own." And they're DOING THAT.
The genie is out of the bottle, they (Disney, Adobe, Warner Bros, Universal) have it, and it can't be taken away from them. They just don't want anyone else using AI to compete with them.
Palworld didn't use AI to conceive of its critters. If it had, they'd have probably been less derivative.
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(three random AI fakemon I prompted up as examples of just that)
Both traditional and AI-assisted art can plagerize or be original, its entirely based upon how the techniques are used.
Moreover, you can infringe entirely accidentally without realizing, but you can also fail at copying enough that it becomes a new protected work.
We're well into moral panic territory with AI in general, and there's more than a touch of it around Palworld, largely because people aren't suspicious enough of information that confirms their worldview.
I used the quoted set of tags as the prompt for the top of the post, all the AI images in this post are unmodified and were not extensively guided, and thus do not meet the minimal expression threshold and should be considered in the public domain.
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toomanywatchers · 4 months
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Why I Love Travel Season’s Editing Style:
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Okokok- I already made a post stating my love for Travel Season after my first initial watch-through of the first two episodes, but I have more to say. Last night, I could not stop rewatching these episodes. Possibly because I am just over the moon seeing Steven, Andrew, and Adam back in action in a show created 100% by them, and where they are allowed to make it their way- BUT there is another reason I could not stop watching it. All do in part of the editing style.
As a self-taught (and soon to be academically-taught) video editor, my favorite thing when watching digital media is seeing what techniques and styles creators use to convey an overall concept to their videos/shows. Some of the more detail-oriented editing I see in today's climate of internet content comes from Watcher's shows. For instance, Mystery Files with the corkboard graphics. Are You Scared of the hand-drawn art from illustrators Mollie Ong and Rafael Mejia. Dish Granted with the use of circle cutouts and white negative spaces. Weird Wonderful World with its cartoon sound effects and stylistic graphics/music to fit whatever atmosphere the boys are in. Puppet History with the motion graphics being put within the confines of the puppet theatre and just everything that goes into the post-production process of the lore events of that show. I could go on, but I might end up writing a whole novel in the process.
Plus, this is about Travel Season... so let's talk about Travel Season.
I was barely 5 minutes into the first episode when I realized just how different Travel Season stands out against anything Watcher has ever created. The overall vibes of the show are calm, peaceful, comforting, and relaxed. The whole show feels like I am watching an old family home video made in the 90s with a camcorder. This style of content that isn't constantly moving at a fast pace and in your face would not perform well in the YouTube algorithm, and I am glad that Watcher was able to launch their own platform to make shows like Travel Season because gosh, this is the kind of content I miss. Oversaturation and pleasing the algorithm can only go a long way as a creative, trust me.
Anywho- back to editing. I am going to point out just some of my favorite editing details that were showcased in the first two episodes of Travel Season. Starting off with probably my favorite scene from both episodes:
This small clip highlights many of my favorite details of the post-production of Travel Season. The first detail I brought up in my previous post involves The Brick aka the camera. The concept of The Brick ties in with what Meredith, Watcher's Development Coordinator, said in Pod Watcher episode #23 about physical hobbies. Something that we can create in a physical sense that does not belong to a digital realm ala the internet/social media. The idea of having a functional prop with The Brick can tie a whole show aesthetic together, but in this case, The Brick also aids in the post-production allowing the team to make smooth-flowing transitions. What I mean is sometimes, especially with a show like Travel Season where they cover many different locations/activities in one video, finding a perfect, easy-flowing transition can be difficult. Jump cuts can be useful in certain cases to hit a comedic mark or shock the viewer, but that is not the overall vibe of Travel Season. The pictures taken on The Brick from their work tripe an easily organized B-roll for harder transition points and simple things such as finding Seoul provide space for much-needed voiceovers for context.
Another editing point that is provided in this clip is the audio. Watcher has never missed the mark regarding audio choices and the addition of sound effects in their work. Sometimes people think that when editing, the editor finds a song that fits and slaps it on the timeline, but here showcases the idea of editing for the environment. What really stuck out to me is the jump cut to the location and using an effect like Lowpass on the audio to make the audience feel as though they are truly standing outside of this nightclub-esk restaurant. Then it jumps to the audio back to normal with Steven dancing as Andrew browses then back to Lowpass edit as they introduce this next location. It's just such a subtle touch that had me all giddy because small details as this audio editing elevate the scene to another level. Showing that Watcher was trying to make you feel like you are there with the boys on their travels. A true immersion effect that I just love.
Also to Adam and Annie who were both camera operators, your b-roll is absolutely superb and adds to the overall vibe of Travel Season.
The last point of editing I want to bring up as it's on the top of my head are these moments:
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When they use a frame hold and then change the aspect ratio for a transition. I just find it such a charming technique in video editing. Plus I feel like this transition fits in with the whole "taking photos" approach because in a way the changing of the ratio on a frame hold is like taking a snapshot of that frame like a picture.
I just... I just love it, okay?
Honestly, I could go on and on about every little detail of this show and how they decided to overall produce it, but like I said- novel.
Watcher just puts so much love and care into all the shows they make. Even when it comes to the last process of video production which is editing the episodes together. I have not seen many channels put this much thought into the specificity of their videos like Watcher. This is why I gravitate towards them so much they care about the little things in the shows they create.
Moral of the story: I am in love with Travel Season and with Watcher as a whole.
thank you for listening to my ted talk aka my nerdy ramblings
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ordinaryschmuck · 6 months
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Why I Love The Owl House: Part 3-The BEST Thing About The Owl House (I'm Not Kidding)
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Salutations, random people on the internet who are already skimming past this! I am—The best thing is Lumity.
Yeah, might as well rip that bandaid off right now. I’ve done enough teasing last time, so the least I could do is jump right into it NOW.
If you were to ask a fan to pick five things that perfectly capture The Owl House, I’m willing to bet a good chunk of them would bring up Luz, Amity, and their adorable relationship. And for good reason, because Lumity is the one thing that Dana Terrace set out to do when making her show. The woman wanted to make the gayest show Disney could allow, and went about it by creating a bisexual main protagonist with a lesbian love interest. The reason WHY is because Dana is bisexual too and wanted to give kids who were just like her a character to identify with. So given how Luz and Amity are a couple who the fandom obsesses over the most, I like to think Dana rubbed her hands together like a cartoon villain, going, “Good, good…”
And BOY did the fans obsess. Even before the writers gave the TINIEST confirmation that Lumity would be canon, these two were EVERYWHERE. There was fan art, fan fiction, fan comics, and even an animatic that was SO popular that its creator deleted it because fans were being too annoying about it. A lot of fans LOVED Lumity…and a lot more grew to despise them.
Yes, like most things that grew intensely popular, showing up everywhere no matter WHERE you look, it grew tiring to those who didn’t get the hype. Some members of the fandom grew sick of Lumity’s popularity and said that there’s more to love about the show than the love between two teenagers. And then there were the fans who DID like Lumity but hate that they had to dig through MOUNTAINS of Lumity to get fan content of THEIR favorite characters and ships. As for me, an INTENSELY biased Lumity shipper, I definitely see where both kinds of fans are coming from and even sympathize with a few of them. But you CAN’T hate Lumity in the actual show just because the fandom blew them up. They’re the one aspect of the show that the writers put EVERYTHING into, crafting a love story that’s MOSTLY perfect. You might doubt that, but allow me to explain how well their relationship went throughout the series.
Now, I know what you might be thinking: “Shmuck, you handsome bastard, didn’t you already analyze their relationship last year?” And you’re right. I AM a handsome bastard…Oh, and I DID in fact write two posts that went through Lumity’s journey into becoming a canon couple, one focusing on Luz and the other on Amity. But that’s not…ENTIRELY what I’m doing here. I mean, yes, I WILL have to discuss how their relationship developed, but I’m also going to focus on how well it WORKS. The ups and downs, pros and cons, and overall quality of their relationship. I love these two with all my heart and will gush over every bit of cuteness, but I would be lying if I said there weren’t SOME criticisms that I have with their love story. Not a lot, mind you, but enough worth discussing. And let’s finally discuss it before this review turns into forty pages…
(It's actually thirty three, gosh dang it...)
“I Was a Teenage Abomination”: Ah, where it all TECHNICALLY started. In this episode, Luz and Amity were in the enemies phase of their relationship. Amity was a bully that needed to be taken down a peg and Luz was an annoyance that made Amity look bad. That’s how they saw each other, and, as a result, they didn’t care how poorly they treated one another. It was worth it to Luz to cheat because it helps Willow and annoys a bully who looked down at her. Just like how it’s worth it to Amity to almost get Luz dissected because it proves that Amity isn’t one to be messed with. This is the most these two have been directly against each other, neither willing to talk, hear the other out, or apologize. It works out in their favor, because if Luz and Amity spent most of the series wanting to kill each other before becoming friends, it would make their inevitable romance feel…inappropriate. Like, NO ONE should want to go out with a person that continuously wanted to kill them. The enemies portion of the enemies-to-lovers trope is best used briefly to better sell that the romance works despite the early hatred. It would also help if the attacks on each other aren’t too heinous, and Amity nearly getting Luz dissected…isn’t that, but I’m more than willing to say that Amity either wasn’t sure what Luz was or that she expected Willow to come clean the second Bump pulled out the knife. It’s not too much of a stretch to think, as it has enough believability to make it line up more with the Amity we know now, a version of the character that Luz would know better the next time they meet.
Covention: Another and FINAL moment where these two were at each other’s throats, this time much more directly. Luz starts off nice enough, willing to bury the hatchet instead of making an enemy. She’s not really looking for a friend, either, but you can tell in the way Luz holds her hand out for peace that she wants to squash out all animosity between them and start over. Amity, still reeling from the fact that a HUMAN tarnished her reputation, rejects Luz’s attempts at peace and further sells that she’s not to be messed with by treating Luz and King with disrespect. Luz, who is likely numb to people bullying her, doesn’t react too much to how Amity puts her down. But when it’s KING that Amity messes with, that’s when Luz takes a stand. She cares more about her friends and found family than she does about herself, willing to go above and beyond for them. Even if it means doing something incredibly stupid.
Challenging Amity to a witch’s duel was NOT the smartest thing Luz has ever done. What it IS, though, is a moment where Luz directly goes up against Amity. Helping Willow cheat caused Amity to be upset, but the main reason Luz did it all was to help Willow. Annoying Amity just came out as a happy accident. But for the witch’s duel, Luz does it for the sole fact that she’ll go against Amity and make her stop being mean. It’s partially influenced by The Good Witch Azura teaching her that to stop your enemies from being so negative, you must best them in combat. Only for the consequences to quickly meet her head-on when Amity forces Luz in an everlasting oath that could potentially stop her from learning magic forever. Because while Luz wants Amity to apologize to King, Amity just wants Luz out of her life as efficiently as possible, so she’s perfectly fine with messing with Luz’s life like this if it means never dealing with her again. It’s that unexpected consequence mixed with Luz realizing how more proficient Amity is with magic that she gains a bit of a reality check. Ironic, considering she ran away to the Boiling Isles to escape getting that exact same thing. 
Luz definitely learned to regret it during the fight, not because Amity was SEEMINGLY more powerful with a giant abomination, but due to Eda overcompensating Luz’s lack of skill with magical mines. Luz, the good person that she is, has major objections to this plan. First off, cheating goes against the whole point of the duel. Luz won’t prove that she’s the better witch if she has to cheat her way to victory. Like she said, “Even if I win, I still lose.” Then there’s the fact that Luz doesn’t want to really HURT Amity. Yes, it’s a fight and Amity’s out for blood, but Luz is still the one to stop Amity from stepping on a mine because she doesn’t want to MAIM the girl. Luz is on schoolyard fight rules where the worst that could happen is scraped knuckles and maybe a black eye. Not third degree burns and a potential impalement. So to prevent Amity from getting killed, Luz tries to stop her from taking a step too far. Only for Amity to get extra angry because Luz still cheated. To her, this is confirmation that all Luz is is a cheater who causes nothing but trouble. She’s about ready to leave, accepting that she’s the better witch…only for it to be revealed that Amity cheated too. Well, technically. She was unwillingly a tool for LILITH’S cheating because she expected Eda to cheat first. Didn’t matter to Amity, because just like Luz, Amity never wanted to cheat. What’s the point in proving that she’s the best if she didn’t earn it though cheating? Amity is as prideful as she is vengeful, being someone who worked so hard to prove everyday that she’s the best. So when it’s revealed to an entire stadium of her peers that Amity CHEATED…yeah, it breaks her a bit. Breaks her enough to run away crying and Luz, the kind person that she is, goes after her.
What follows is quite possibly the most pivotal moment in their relationship, one so good that I made a scene breakdown to it a few years back. To keep it brief, this moment is Luz once again trying to bury the hatchet, not wanting to have a relationship where she and Amity almost kill each other and one of them runs away crying. Seeing Amity in such a vulnerable state proves that it’s not good for EITHER of them, so Luz tries her best to apologize. Amity, of course, isn’t having any of it and chooses instead to yell at Luz for all the strife she caused her…and accidentally reveals some angst about Amity working so hard to be where she is now. It’s a taste of the real person behind the bully facade that Amity puts up to prove that she really is the greatest witch she worked hard to become. It’s why she’s DEMANDING that Luz admits to being the worst witch. Amity wants this brief moment of confirmation that all her work wasn’t for nothing and that she IS the best witch, the one that beat this scrappy human. And Luz caves, giving Amity what she wants…but a little something more: Perspective. Luz DOES admit that she’s not a real witch, but instead of leaving it at that, Luz performs a light glyph, explaining that while she isn’t a real witch like Amity, Luz still wants to be one. With that explanation comes this image:
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THIS IMAGE! The beginnings of Luz and Amity’s relationship is perfectly surmised in this image of Amity being in the dark while Luz holds out the light. Of course, Amity recedes back into the dark at first, playing Luz’s efforts off as nothing special. But because of that moment of perspective and Luz doing what must have been this mind blowing thing with just a pen and paper, it’s enough to get Amity curious and point out that she’s never seen a spell cast the way Luz did before. Luz points out how she’s willing to work hard for her goals, not wanting to be the best but just to be a witch in general. After that, Amity unbounds the oath and walks away. And I really love how it’s up to interpretation for WHY she did it. Was it because Amity decided that because they both cheated that Amity decided that the oath was null and void? Or was it because Amity saw the passion in Luz’s desire to learn magic? There’s no direct answer, but either way you look at it, Amity unbounding the oath is still a moment of mercy. She didn’t NEED to do it and, knowing Odalia’s conditioning, it’s likely that Amity would have been encouraged to let Luz be unable to learn magic. Gets rid of even the POSSIBILITY of competition. But she unbounds the oath anyway, probably telling herself there’s a logical excuse for it when, in reality, it’s Amity doing something nice for someone.
“Covention” perfectly takes Luz and Amity’s relationship to a better direction. This is the last time they’ll actively go against each other as rivals, and for good reason. By the episode’s end, they gain new perspectives towards each other, Luz seeing a fragile side to Amity’s rough exterior and Amity seeing that there's a harmless desire in Luz wanting to learn magic. This perspective comes AFTER almost killing each other, but this is a work of fiction and you learn to accept an exaggerated reality. So the big fight doesn’t take away the sweet ending of these two making a sort of…LIGHT connection. They’re definitely not willing to be CLOSE, but they’re at least in a better place with each other. They’re not friends, not enemies. Just two young girls who acknowledge each other’s existence and are fine with it being just that.
Hooty’s Moving Hassle: Even though there was a BIT of back sliding. Amity all but directly called out Luz in a Penstagram post and Luz was more than willing to get back at her for it. It’s definitely a moment where they’re against each other, but it’s quick and comes across as two teens being bitter. We’ve all been there. Plus, I’m willing to bet that Amity was goaded by her peers into telling Luz to “bite it.” Knowing Boscha, she definitely wouldn’t stand someone in the group being showed up by a human and the last thing Amity wants is for Boscha to get suspicious of why Amity is soft on the human. OR it could be Gus pulling an illusion. Him and Willow were already dead set on showing up Amity and he just HAPPENS to find the Penstagram post that would convince Luz to join them? Even though Amity had no idea that Luz would see it because she has no way of knowing if Luz has Penstagram? I don’t know, I’m calling shenanigans on that.
Regardless, no matter what reason there is, this was clearly a blip in the relationship. The meat in the episode is mostly about WILLOW and Amity, not Luz and Amity. There wasn’t much of a need to develop their bond when it’s not a central focus. Still a LITTLE weird that they went back to old habits of being enemies despite the decent spot they were in last time, but I can wave it away. They got a GLIMPSE of who the other was, but nothing more to make them willing to commit to being friendly. But when they meet again…
Lost in Language: Things get more interesting.
Luz, recently swooning over the idea of befriending rivals, has the desire to befriend her own. I’ve heard some complain that it’s a weak excuse for Luz to reach out to Amity because she got inspired by a kids book. In fairness to Luz, not only does she CONSTANTLY use Azura as a source for inspiration towards EVERYTHING in the Isles (It’s the INITIAL motivation for why Luz wanted to stay), but with the way Luz said she wish she could befriend her rival, it almost sounds like she wanted to for a while. She got a glimpse of a complicated person at the Covention and likely saw someone worth being friends with. The problem is that Luz wasn’t willing to commit to that idea because all she got was a glimpse. And, yeah, being told to bite it wasn’t helpful either. Still, the way Luz swoons tells me that she isn’t AGAINST the idea. She just needs more of a reason to befriend Amity, and gets one pretty quick.
While avoiding the hell that is babysitting demons, Luz spends her day being taken in by the magic of a magical library. Everything amazes Luz about it, but what stuns her the most is seeing Amity reading to kids and being so happy while doing it. There is true joy and delight in Amity’s eyes and smile as she treats these kids nicely when reading to them. THIS is what Luz needed. In this moment, Luz has visual proof that there’s a sweetness to Amity’s sour personality. Amity tries to play it off as her trying to get extra credit, but there was no putting the genie back in that bottle. Luz saw the kindness in Amity’s eyes and knew that it couldn’t be faked. So, she goes all in with Friendship Mode, being over enthusiastic about wanting to help Amity read to kids so it can be something that they could bond over. What Luz isn’t aware of is that the library is Amity’s safe space, a place for her to go to, without her family getting in her face. At least, most of the time. And then here comes this human who caused nothing but stress in Amity’s life, even if accidentally, who then shows up to suggest that she could ALWAYS invade Amity’s space. Needless to say, you can’t blame Amity for snapping at Luz. She’s fine with Luz existing as long as she stays far away from Amity. Luz, very quickly taking the hint, apologizes and heads off. She really doesn’t want to cause conflict anymore, and it at least shows that Luz learned that it’s better to squash issues with Amity than make things worse with confrontation. She literally almost died in “Covention” and “Hooty’s Moving Hassle” all because she HAD to show up Amity for being mean. In a way, it IS Luz just not wanting to tempt fate, but you CAN tell in the tone of Luz’s voice that she DOES regret pushing Amity. And even Amity regrets something too. We’ll later learn in this episode that Amity doesn’t WANT to come across as a cruel person. The scene even hints at that with the way Amity almost reached out to Luz after she apologized. Except Amity stopped herself because, thanks to the conditioning of her family, she believes that kindness is a weakness. So there’s no apologies for Luz unless Amity wants that softness getting to her mother. Which she very much does NOT. But on the topic of her family…
After Luz is about to give up on befriending Amity, Edric and Emira showed up to do two things in this episode. First off, they confirm Luz’s bisexuality, because while she was VERY attracted to Nevereth and his angsty muscular energy, Luz still blushes at both Edric AND Emira when they wink at her. And when you want to start a romance between two girls, it’s important to prove that both of them are attracted to, well, girls. Ed and Em accomplish that feat while also providing MORE perspective for Luz. Through them, Luz gets a peek at Amity's home life. Or, at least, an assumption of it. With the way Ed and Em stand up for Luz and humble Amity, it leaves the impression that they’re the nicer members of the family and are as fed up with Amity’s behavior as Luz once was. And that’s…partially true. Luz will learn the truth later, but at that point they were, to her, cool kids that were more than fine to hang out with Luz. They got along perfectly with her, having what were originally harmless pranks and goofing around where no one got hurt. Luz went along with it because she’s living the teen girl fantasy of having cooler, older kids liking her (Ten bucks say that she was mentally debating on who to go out with). On top of that, Luz thought that it would be a great way to befriend Amity, getting to know her better by dating—I mean, hanging out with her older siblings. And I do like that Luz doesn’t give up on befriending Amity despite her earlier outburst. She’s still all for the idea of hanging out with her, but wants to go at it from a different angle, believing that connecting with Amity’s family would present a connection between her and Luz. It’s a valid plan…that goes to pieces that night.
At first, when the Wailing Star flew across the library, it was still harmless fun between Luz, Edric, and Emira. But when Edric and Emira find out that crazy things happen when you vandalize a book, it’s the first red flag Edric and Emira present that night. I really adore how obvious the episode makes it that Luz is uncomfortable with making innocent book characters suffer disfigurement. It shows that while Luz is up for fun and games, there are lines she’s unwilling to cross. That will become more relevant later, after Ed and Em take Luz to Amity’s secret room. Before we get to what goes down, I find it interesting how Luz adores the clubhouse, saying how much it’s something SHE would want to have. She COULD be saying that to appease her crushes, but it sounds like she was genuinely delighted by it. To me, it feels like a subtle hint that Luz and Amity have similar mindsets of what makes them comfortable, hinting that they’re not so different after all. An idea that is strengthened by the reveal that Amity is just as big of a fan of The Good Witch Azura as Luz is, shown by the collection of books and the fan art of Amity as Azura on her diary’s cover. BUT I’m getting ahead of myself. While this secret room reveals so much about Amity, it indirectly reveals Ed and Em’s true nature as they want to leak Amity's diary pages. While Luz was more than willing to brush off how sickly entertained they were to mess with that poor cartoon duck, likely thinking it was a little thing, Luz is IMMEDIATELY against it. For one, she still wants to earn Amity’s friendship, and there’s nothing that could ruin that more than DIRECTLY ruining Amity’s life. It’s also because Luz’s good nature would prevent her from stooping so low. She doesn’t care how sour Amity can be, she doesn’t deserve to have her private thoughts revealed to everyone. Edric and Emira tries making excuses about how it’s tough love and that Amity DOES deserve it, all to justify their actions that Luz finally realizes are awful. It’s why Luz tries to get them to stop and try to hide the diary when finding it… but not without taking a peek. It was involuntary, yes, but Luz STILL lingers on the diary’s passage a little longer than she should have. She should have closed it the second she realizes it’s the diary, but still leaves it open as a tiny Amity admits that she doesn’t want to be cruel. To me, this is showing a bit of selfishness in Luz. She WANTS to know more about Amity and here’s the very thing that tells her more about Amity. So Luz listens a bit, but stops herself when coming to her senses. She shouldn’t be hearing ANY of this, and goes about making sure that NO ONE does. Even when pages fall, revealing more about Amity’s loneliness, awkwardness, and occasional frustration, all Luz thinks is to grab each page before more is revealed. And, of course, that’s the moment Amity finally shows up.
Amity didn’t hear Luz defending her privacy, so when she finds her grabbing at diary pages, it really DOES look like she’s stealing Amity’s secrets instead of protecting them. What’s most interesting is Amity’s reaction. At first, she’s furious, and rightly so. But when she simmers down, Amity sounds almost disappointed with Luz. Amity admits that she was struggling to figure Luz out, proving that “Covention” DID have an affect on her in that she was willing to except that Luz wasn’t a bad person. An annoyance, maybe, but that moment they shared after the duel proved that Luz isn’t one to be malicious. But after causing chaos with her siblings and trying to steal her diary, Amity feels as though she was wrong from the beginning and assumes Luz IS a bully for all the ways she messed with Amity’s life. So, feeling both embarrassed and little betrayed, Amity runs off…from her room hidden away in the “romance” section. Don’t TELL ME that wasn’t an intentional hint from the show to where these two were heading in their future. But enough about obvious symbolism about Amity running away from her inevitable future. Luz rightfully ditches the twins to go make things right with Amity. She doesn’t want to leave things on a bad note and if Luz could bring out peace once, surely she could do it again. Except that Luz doesn’t get the chance, not just because Amity isn’t having it this time, but also because a twisted children’s book character shows up to kill them.
Now, it WOULD be bad that a monster attack spoiled a heart-to-heart moment, but Otabin’s useful for the fact that he shows what Luz and Amity are willing to do for each other despite everything. If Luz really was a bully, she wouldn’t have tried all she could to save Amity’s life. Sure…she fails. But Luz still tries, and doesn’t stop trying as she keeps coming up with plans to try to get them out of this situation. And when she acts all goofy despite the danger they’re in, showing her true self, Amity laughs. For what might be the first time in years, she lets down her walls just long enough to appreciate this small moment and laugh at the madness. By the time it was LUZ who’s in danger, it’s Amity’s turn to do all she can to save her. Amity was free and could have left, but she’s not a monster or a bitter rival to leave the hero to her fate. Amity’s a good person who is willing to help this weirdo girl who may have brought chaos into Amity’s life, but doesn’t deserve to be in a book forever. This crazy moment of escaping death led to Luz and Amity realizing that neither of them are bad people and are willing to help despite how they treated each other in the past few days. Even when the danger has passed, Amity sticks around to help clean up the mess Luz made. Things seem to be going well…until Amity decides to pretend that nothing they went through happened and is more than willing to move on. It’s a moment where Luz has an out. Amity now knows Luz isn’t a bully and they can go about their lives as they did before. But after everything, Luz doesn’t want that. So she does the best thing she could think of: Give a peace offering. Through astute observation, Luz notices that Amity is missing the last Azura book in her collection. Luz offers hers as a way of apologizing further, and you can tell that Amity appreciates it dearly in the soft way she says “Thank you.” This is likely the nicest thing anyone has done for her in forever, and I think it’s that reason Amity’s willing to let her walls stay down a little longer to admit that she’ll consider friendlier things with Luz. Amity didn’t HAVE to say that, she could have just said thank you and left, but this one small act of kindness that meant the WORLD to Amity helped make her realize that this annoying human isn’t so bad after all. So she leaves Luz, this sense of hope in the air that things might be better between them.
This whole episode does wonders to jumpstart Luz and Amity’s relationship. It allows both characters to see the true versions of each other, past the antagonism and annoyances. And given how this episode takes place in a library, the “Don’t judge a book by its cover” metaphor practically writes itself. By the end, I’d say the enemies phase has faded. I wouldn’t say they’re FRIENDS yet (I don’t think even THEY would say they’re friends), but it ends with BOTH of them being more open to the possibility. It’s smart to have them at this stage by the THIRD big episode together. The sooner enemies make peace, the easier it is to accept the very possibility of a romance. “Lost in Language” does that well, while also perfectly giving us cute moments like Amity laughing WITH Luz and showing how they have things in common. The pieces were there for an eventual romance and fans couldn’t wait for Luz and Amity to meet again to strengthen their romance. And by the time they did…
Adventures in the Elements: it was in a lackluster episode. If you love it, love it. That’s fine. For me, I’ve explained well enough in separate reviews how I feel about this episode and how it’s pacing makes Luz feel unreasonably impatient and whiny. BUT one addendum I WOULD like to make is how this was the ONE episode where I agree with the complaint about how Lumity feels rushed. For the most part, I don’t think they're rushed at all. I think that complaint is from people who are too used to an endgame couple becoming official near the end of the series, especially for same sex couples. To me, Lumity isn’t really badly paced, but instead…differently paced. I think it’s great that we got a couple who grew closer together with every episode they shared, giving us EXACT phases of their relationship. At first, I thought that “Adventures in the Elements” was the only time things felt poorly paced, as Luz and Amity seemed too friendly with each other. Amity went from “I’ll think about it,” to waving at Luz as if they were already friends. But then I looked at some subtle touches that makes me realize this is less of an episode where they’re starting out as friends, but more like they’re testing out a friendship.
Luz acting friendly is a given. She’s friendly with almost everyone, so when she’s engaging with Amity about the book, it’s no different than if it was anyone else. There’s a bit of excitement, but that could be attributed to the fact that she’s finally interacting with another fan for the first time in her life. It’s pretty obvious that, for both Luz AND Amity, their love for Azura isn’t common among their peers and they’re the only teens they met who really enjoy the books. So Luz is noticeably excited to talk about Azura with Amity, and Amity is a BIT more closed off. She simply calls the fifth book fine and burns her self-insert fan art out of embarrassment and being unwilling to let her nerd flag fly. Amity’s grateful for the book, there’s no doubt about it, but she’s not comfortable with fully expressing that gratitude. But she’s still polite enough to engage in Luz’s conversation, Amity just holds back a lot more of her feelings. In fact, being polite is the best way to describe Amity in this episode, especially with what happens next. When Luz announces that she’s going to Hexside, Amity’s voice, face, and even the musical cue in the background makes it clear that she is NOT ecstatic about this news. At least, initially. Once the shock comes and goes, Amity calmly explains to Luz the requirements to be in Amity’s class and asks if Luz knows enough to register. There may be a part of Amity that doesn’t want to see Luz more than necessary, but her willingness to act politely proves that Amity still wants to give Luz a chance.
The politeness continues later when they’re on The Knee. The parts where I always felt like we skipped a step was when Amity confided in Luz about breaking Ed and Em’s record and waved at her during practice. To me, it seemed like Amity was being too comfortable and friendly with Luz at this stage of their relationship. But again, I looked at the subtleties of these moments. Amity admits that she’s trying to break her siblings’ record, but she never shared about feeling under pressure to beat them or even that she’s struggling. It’s Edric and Emira who share that Amity can’t perform a fire spell without a wand, a clear attempt to annoy Amity by hitting where it hurts: Her pride. But what also annoys Amity is that they revealed that to Luz when she didn’t really want to. Heck, when Amity was telling Luz, she wouldn’t even look at Luz’s face, almost as if she couldn’t admit something as basic as beating a record. It’s exactly how Amity acted when discussing the Azura book. She’s willing to engage with Luz but is still holding back a lot of her TRUE feelings because, simply put, they’re not there yet. The most Amity is willing to do is wave at Luz from across the way. That was another short, albeit adorable, moment that made me think that they speeded past things, but now I’m starting to see it as a showcase of Amity TRYING. She’s trying her best to be better, even if she’s not willing to fully commit to a full on friendship. Unfortunately, Luz isn’t appreciating any of it at the moment due to being hyper focused on learning a second spell. The last thing she wants is to be in a baby class and be seen as a loser by her peers. She tries to hide it from Amity because they’re not at a point where Luz can confidently confide in her about problems like she does with Gus and Willow. Plus, Ed and Em are always there and something tells me that Luz doesn’t want to come across as a loser to two cool teens she still has a baby crush on. Either that or Luz is worried about being a target to their teasing, and judging by what they would do to Amity (Despite the constant apologies), it’s a justified worry. Any of those possibilities are equally valid, making Luz’s desire to hide her lack of skills understandable. Still wish we spent time on Luz’s impatience with Eda’s teaching methods, just so it can better justify what Luz does next.
Luz stealing Amity’s wand makes sense narratively, at least for where they’re at. It’s more than Luz wanting to hide that she doesn’t know two spells. They’re at a point in the relationship where Luz can’t simply come up to Amity and ask to borrow the wand for a few minutes. After all the strife Luz accidentally caused, she’s in no position to ask for favors, especially when Amity would likely say no. And the thing is that Amity wouldn’t have said no due to a dislike towards Luz. It’s more like Amity’s wand was low on charge and she didn’t entirely trust Luz to be careful enough with it. She gets mad later, sure, but it’s because Luz, once more, lied and cheated for her benefit. When Amity catches Luz with the wand and spell book, her expression is that of betrayal. Amity was actually trying—And say what you about the pacing of this episode, but it actually shows that Amity was TRYING to be better towards Luz. There’s no denying that. She’s actually putting in the effort and being as polite as possible, and here Luz is doing the exact same thing that made Amity assume that Luz was a bully. Narratively, this all lines up. But the piss poor pacing doesn’t do Luz any favors as it makes her uncharacteristically selfish. She is quick to regret it, both because of the scolding and the monster attack she indirectly caused, and you can tell through Luz’s voice and body language that she couldn’t be more remorseful. Regardless, it doesn’t change how bad this makes Luz looks and justified Amity’s anger. Though, I do like what happens next.
While Amity yells at Luz for putting Eda, Edric, and Emira, and rightfully tells Luz to stay put instead of helping, what Amity says next speaks VOLUMES. Instead of telling Luz that she’ll only make things worse, she says, “You’ll only get hurt.” Amity has every right to tell Luz off further and rub extra salt in the wound, but she doesn’t. Amity understands that Luz doesn’t cause problems out of malice. She just doesn’t think things through and ACCIDENTALLY makes things difficult. It’s one of Luz’s biggest flaws and Amity saying Luz will only get hurt by helping proves that she finally gets who Luz is. And I love that while Amity COULD stop trying with Luz, she still keeps at it because the night in the library didn’t JUST make Amity rethink being friends with Luz. The night made her rethink being mean in general, trying not to see kindness as a weakness and trying to treat others a little nicer. Her holding back what she likely WANTED to say to Luz is a testament to that. Though, I don’t think she’s likely be friends with Luz at this rate. Thankfully, Luz proves that she’s not too bad…again.
Once Luz slows down and allows herself to concentrate, she finally learns a second spell and comes up with a plan to save everyone. A plan that puts LUZ in the most danger and proves that she has enough power to back herself up…sort of. Eda’s the one to finish the fight and Luz is there to do most of the work. Still, the whole thing is a gesture that shows Amity the true extent of Luz’s selflessness and capabilities. This was Luz’s mess and she wanted to do all she could to clean it up. It proves that while she may not be perfect, there’s nothing Luz won’t do for the ones she cares about. Seeing that in action miraculously makes Amity willing to forgive and forget about the whole wand thing. Luz can and likely always will mess up, but will always make up for it. And I think at that moment, Amity decides that being friends with Luz isn’t too bad of an idea. She sounds genuinely excited by the idea of Luz going to Hexside now, and is willing to indulge in Luz’s desire for an Azura book club, albeit on Amity’s terms of keeping it secret. She’s finally gave in and decided to give Luz a chance, now knowing that Luz is GOOD despite her faults. It’s the right decision to make and it’s great that the episode ends with them being friends…but it’s still a mess.
“Adventures in the Elements” does great in showing the subtleties of Luz and Amity trying the POSSIBILITY of friendship. Luz is all in, while acknowledging that they’re not too close yet, whereas Amity’s on the fence but willing to be polite before deciding to make the friendship official. The pieces are there for a decent picture but Luz’s actions and the episode’s pacing makes her unreasonable, making it a miracle that Amity was willing to become friends. Luz’s rescue plan saves things, though it doesn’t stop this idea that if Amity wasn’t willing to be nice, she would have distanced herself from Luz further. Luckily, for Luz, Amity WAS trying and is willing to give the benefit of the doubt in the end. It works ENOUGH, but the journey to get there still feels a little messy. Regardless, this is the ONLY time that the relationship feels this way, as it’s handled perfectly from here on out. If you accept that this is the start of the friendship phase for Lumity, then the progression of their relationship will feel natural from there. Especially when you look at Amity’s little blush at the end of this episode. Now, I personally don’t think that this is a subtle hint that Amity has a crush, as this could easily be explained away as her being embarrassed of her siblings overhearing her CONSIDERING a book club. So when I hear people saying that this is the moment Amity has a crush on Luz, I feel like they’re jumping the gun a bit…but that doesn’t mean she isn’t questioning things.
The First Day-Not many Lumity moments in this episode. In fact, if you squint, there’s two. That’s because the meat of this episode is having Luz finally becoming a student at Hexside and making new, easily betrayed friends. But with the two moments we DO get, we see how they are as friends and hints of what’s to come.
Things start out nice, with Amity welcoming Luz to Hexside and congratulating her for getting out of the baby class. It’s genuinely sweet seeing Amity act this way towards Luz, even out in the open. It shows that Amity doesn’t really care who sees her being nice with Luz, because Luz tried harder to be nice to Amity despite every outburst and despicable action. Luz is her friend now, and Amity is willing to be a better person to her than she was with Willow (We’ll get to that). There’s some awkwardness with Amity’s abomination slapping Luz’s face with goo as Amity went for a high five, but it’s still sweet that Amity’s trying and Luz isn’t bothered by it. If anything, Luz is ecstatic to have this new friend, already treating Amity the same as Gus and Willow. And Amity is just as happy…but she is questioning her feelings.
Once alone in the hall, Amity tells herself that her and Luz going to the same school doesn’t change anything. Many people point at this moment as Amity denying she has a crush on Luz. For me, this is more like Amity questioning her friendship with Luz. She isn’t against it, but the two of them going to the same school presents changes to Amity’s status quo. She’s still the top student of her class and has a reputation to keep up. This could potentially lead to a strained friendship of Amity being forced to choose between Luz and a false image to keep up. Except that Amity likes Luz. She isn’t entirely sure why or aware of how much she likes Luz, but the fact remains the same that Amity likes her and is willing to be friends. Now that they go to the same school, Amity is questioning how she should treat Luz further, continuing to be nice or keeping up a rough exterior for her image. And then we get to her saying “That doesn’t change anything.” One way of looking at that line could be Amity deciding that just because they go to the same school now, that doesn’t mean she should change how people see her for Luz’s friendship. She should still act all high and mighty without worrying about coming across as soft. Another is that, despite being in the same school and people seeing them together, Amity shouldn’t change how she currently acts with Luz. I like to believe it’s the latter because it lines up with how Amity acts in the school courtyard. Amity is willing to be BETTER for Luz, reminding herself that things shouldn’t change just because more people will see that they’re friends now. Amity wants to be a good friend this time and NOT mess things up like her last friendship…
Understanding Willow-This is an episode about the friendship between Amity and Willow more than anything that goes on between Luz and Amity. Regardless, some big developments happen here.
Things start off great with the reveal that Luz wants to make Amity and Willow friends again. This could partially be Luz wanting her two new friends to be friends to make the group bigger and stronger, but I prefer to think that this is Luz wanting to make peace now that she knows the kind of person that Amity is. Amity wasn’t the one-dimensional bully Luz was introduced to, as there’s reasons behind her behavior and evidence that proves that Amity wants to become better. Willow, understandably, doesn’t want to be friends with Amity yet, likely still feeling the pain of how they separated. Though, it is interesting that Willow has no objections to Luz and Amity’s relationship. Some would say that it’s a missed opportunity to not have Willow get upset, but this episode reveals that she has a very unhealthy motto of “Out of sight, out of mind.” Add that with Willow’s more passive attitude (At this point), and it’s easy to believe that Willow is accepting of Luz and Amity’s friendship just as long as she doesn’t see it. Just like how she doesn't want to be friends with Amity, thinking it's best not to even SEE her. Luz is a little blind to this knowledge, though, and is still persistent to cause shenanigans, believing that it’s worth it because she knows Amity isn’t a horrible person and is willing to be better. Only for Amity to prove that wrong by burning Willow’s memories.
Effectively causing Willow brain damage was NOT Amity’s intention. She only wanted hide her face from Willow’s memory, to keep people from learning about that part of their history. It’s selfish and the way Amity did it was stupid, but you will come to understand the reason WHY she did it. Amity only kept her reasons a secret from Luz, because A. They’re not there yet. Amity likes Luz, she’s happy to be her friend, but is a little unwilling to disclose heavy stuff. And B. Amity likely doesn’t want Luz to see that part of her. The memory Amity burned features Amity at her worst, something that she doesn’t want Luz to see. Here’s a girl that, by some miracle, was willing to see the good parts of Amity, and seeing Amity’s worst traits, being a part of her since she was seven, could ruin a lot of how Luz sees her. So Amity keeps it secret, no matter how much Luz pries. Though, it is worth noting that while Luz does keep asking why Amity did all this, she never really FORCES Amity to explain. She knows that there’s a reason WHY, but also knows that it’s too personal of a subject. So Luz keeps giving Amity a chance to explain, ALLOWING her to do so at any moment, and only puts her foot down when they have no choice BUT to face the past. Luz has every right to be angry and demanding. After all, Amity BROKE Willow, Luz’s best friend. Amity wouldn’t blame Luz for getting upset, but Luz, the queen of causing problems and fixing them later, understands that the last thing a person wants after accidentally making a mistake is to be yelled at. She does raise her voice to remind Amity that she set Willow’s brain ablaze, but that’s as far as things get. All things considered, Luz is incredibly patient with Amity, to the point where Amity pretty much has to scold HERSELF, admitting shame to cause this much damage. It’s mostly because of guilt, but it can be argued that Amity acts like she’s expecting to be yelled at. It’s made pretty clear that Amity’s parents, mostly Odalia, are ones to scold her for failure and screw-ups. And with how often Amity yelled at Luz for HER mistakes, she probably assumed Luz would have done the same to Amity here. It would only be right, but Luz never does. For the most part, she remains supportive and understanding towards Amity, saying that they can fix things together. And it's at this point that I’d say that Amity realizes she has a crush on Luz.
Before this episode, saying that Amity’s feelings towards Luz were complicated is an understatement. Luz was frustrating, endearing, caused chaos, solved problems, was powerless with magic but resourceful in intelligence. Everything about Luz annoyed Amity, but she grew to appreciate the best sides of her and accepted the worst. And in “Understanding Willow,” when it’s Amity’s worst qualities on display, Luz still acts with kindness and understanding. It’s something Amity never experienced before, all from a person SHE disrespected in the past. Yet here Luz is, proving that yelling doesn’t solve much and is still willing to back up Amity despite everything. It’s a level of kindness that Amity’s never experienced, and getting it all from Luz makes Amity admire her more. She was less than willing to give Luz a chance at first whereas Luz gave Amity all the chances in the world, even now. It’s enough to make Amity finally understand her feelings, starting to blush a little bit due to Luz’s support and sudden proximity. Though, just because she realized her crush, that doesn’t mean Amity knows how to act around Luz. She KNOWS her feelings, but when it comes to figuring out how to go about them, she stumbles. Amity acts as she always does towards Luz, but still wants to be close to her. When the whole adventure is over, you can tell through how resistant Amity is towards going out the door and giving a short, awkward wave that Amity doesn’t want to leave. She does it for Willow’s sake, expecting that she doesn’t want Amity around, despite everything. If not for taking Willow’s feelings into consideration, she might have stayed, talked more with Luz and Willow, and her crush would have grown stronger. But instead, Amity leaves and it’s for the best. She has a lot to think about.
“Understanding Willow” is a fantastic episode primarily for insight into Willow and Amity’s friendship and seeing them reconcile. The Lumity moments are just a little cherry on top to something already perfect, not being the focus but giving great scenes all the same. It’s part of what makes Lumity so perfect: You see Luz and Amity’s bond growing every episode that they interact in, even in episodes like this where it’s not THEIR relationship that needs attention. It causes their relationship to flow all the better and makes what happens NEXT episode feel like a natural conclusion.
“Enchanting Grom Fright”- Ooooooh, this episode…
The episode where the cast and crew kept telling fans that they weren’t ready for it. The episode where there was NO heterosexual explanation for anything. An episode where the writers pretty much looked at the audience and said, “Yeah. We’re doing THIS.” An episode that will likely forever be remembered for the leaps and bounds it did for LGBTQA+ representation! An episode…that I like less and less the more I rewatch it.
Yeah, I’m that jerk in the fandom who thinks “Enchanted Grom Fright” is a LITTLE overrated. That doesn’t mean I hate it. Heck, I loved this episode upon its premiere, and you can see why in my review. But every time I come back to this one, the more the cracks tend to show. King’s subplot is forced padding in an already poorly paced episode, the fact that a responsible principal like Bump allows children to fight a nightmare demon is all kinds of questionable, Eda chaperoning the dance makes LESS sense, the episode feels like it takes place in two days when it’s ONE, some jokes feel awkward to me, and some dialogue is unnatural. All in all, this episode is a mess, with two things that make it worth a watch: Luz’s regrets toward lying to Camila and, as you could imagine, the Lumity moments.
Every scene these two share are pretty much the writers confirming that Lumity is going to be canon. There’s the little stuff, oozing with romantic energy. Like...
How Luz consistently makes Amity laugh and smile, showing how much Amity has come to appreciate Luz’s oddball personality
The scene in the forest is cute with how romantic the lighting is, how close their faces got at one point.
How Luz sits in the mud to make Amity more comfortable after getting messy.
That scene outside the gym, with the playful banter, the genuine admiration in Amity’s eyes, and the little music in the background that’s practically SCREAMING at these two to just kiss already.
All the little scenes are great but the juiciest, meatiest stuff comes from THE NOTE
It doesn’t take a shipper’s mind to guess that Amity’s little pink, love-colored scrap of paper is a note Amity wants to give to Luz, putting ALL her feelings out there. If “Understanding Willow” was the episode where Amity realizes she has a crush on Luz, “Enchanted Grom Fright” is Amity struggling to figure out if she WANTS to date Luz, and for a number of reasons. Because being friends with Luz is one thing, DATING her is another. Amity can always play off their friendship as her pulling a long con on Luz or maybe even faking it to keep the human from being a personal hindrance. There’d be holes in her logic, but Amity can still commit to excuses where anyone can be convinced they’re true depending on how well she sells them. DATING Luz will be harder to sell, as there are a lot of things a person couldn’t fake for a relationship. So the second Amity asks Luz out and they become official, any ounce of Amity’s image that’s left will get torn to shreds. And while Amity is willing to risk it for a FRIENDSHIP, she struggles to think if it’s worth it for a girlfriend. We already know how Odalia reacts to Amity being FRIENDS with someone like Willow and how a so-called friend like Boscha treats people below their status. If word gets out that Amity is dating a HUMAN, life for her will be hell. It’s the main reason why Amity doesn’t want Grom to reveal her fear of Luz rejecting her. It’s a gamble that Grom could take a vague or clear form of someone’s fear, which you see in Luz’s fight with it. It’ll take Camila’s form no problem, but when trying to look like Eda, it’s a lot more like a shadow. And Amity doesn’t want to risk either, because while it’s embarrassing enough to reveal that the great Amity Blight is afraid of rejection, it’ll be worse to show that she’s afraid of getting rejected by the unpopular human. Needless to say, NO ONE would let Amity live this down. And while we’re on the topic of Amity’s greatest fear, it does make sense why she’s so afraid of asking Luz out.
Some fans give the episode flack for making Amity’s greatest fear be her getting rejected by a girl. And out of all the problems “Enchanted Grom Fright” has, this is one criticism I understand but respectfully disagree with. Luz is more than just a girl Amity has a crush on. Despite all the chaos, Luz is the best thing that happened to Amity. She helped patch things up with Willow, gave Amity the final book in a series she adores, and offered kindness and understanding during moments when Amity didn’t feel like she deserved it. Even now, Luz is taking a bullet for Amity by facing HER fears as Amity’s fearless champion. Luz is the bright light at the end of the tunnel that Amity calls life, and she values that. She values Luz’s life so much that losing it terrifies Amity. Asking Luz out is a risk that she’s not willing to take because it’s a miracle that Luz still wants to be friends despite everything Amity has done to her and others. She has NO idea if Luz could like Amity that way or even if she likes girls. If Amity asks Luz out, she risks the gamble of Luz saying no and their friendship being awkward at best and over at worst. Because how can things go back to normal when Luz knows that Amity has a crush on her. It’s why Amity yanks the note out of Luz’s hands instead of letting her keep it. Amity doesn’t want to give it to Luz until she’s one hundred percent sure that Luz could say yes, holding onto the note right up until Grom starts, a point where most would say it’s too late to ask someone to a dance. The grip that Amity’s fear has on her is strong, even if SLIGHTLY unjustified. Most people understand the fear of being rejected by a crush, especially if you’re a teenager and this is the first time you’re feeling the butterflies in your stomach. But Luz isn’t someone who would sever ties with Amity because of a crush. She may be surprised at first, but the worst case scenario would be that Luz would let Amity down gently and politely. As for the best case, Amity bears witness to it.
Once Grom becomes too much for Luz to handle, Amity finally steps in to fight her own battles. And it's great that Luz is worried for Amity facing her fear, showing that there was NO resentment on Luz’s part. She willingly chose to do this for Amity…and partially for the selfish reason of proving that she isn’t as fragile as Eda claimed. Regardless, helping Amity is a big part of why Luz is willing to do this, and it’s her overconfidence that leads to Amity having her fear forced upon her, with Luz sounding more scared than Amity. Because while it’s not LUZ who realizes she has a crush yet, she still cares about Amity like any other friend, wanting to take her place before anyone would call Luz soft. So failing her hurts Luz more than Grom ever could. As for Amity, she weirdly lucked out in this scene. Grom DID reveal Amity’s afraid of rejection, but in a vague shadowy form where Luz couldn’t even tell it was supposed to be her, which is for the best. Amity wasn’t ready to tell Luz and having Grom do it for her would have been a BIGGER nightmare. Hell, it likely already was. The way Amity cringed in anticipation of Luz’s rejection, already assuming Luz had enough information to figure out the truth. Except when Luz picks up half the note that Grom ripped up, all Luz gets is that Amity was afraid of getting rejected by SOMEONE. Not only does Luz act sympathetically, immediately understanding Amity’s plight, but Luz also surprises Amity by volunteering to be her date instead. It was to go as friends, but that’s besides the point. Luz’s gesture proves to Amity that Luz is just…kindness personified. No matter what her feelings were to Amity or how Amity asked her, Luz would have said yes. Maybe she could have misread the situation (somehow) or said yes just to be polite. The point is that Luz would have said yes either way, and while it wouldn’t entirely be what Amity wanted, it’s at least enough to tell her that she has nothing to worry about with Luz. Whether or not Luz would feel the same way, she will NEVER break Amity’s heart. And it’s that confirmation that tells Amity that liking Luz IS worth it. There could be conflicts and consequences from this crush, but Luz is the nicest, warmest person who gave Amity exactly what she wanted without knowing it. Any feelings Amity has for Luz were STRENGTHENED by these events…but doesn’t make her brave enough to admit that she wanted to ask out Luz.
While Amity does understand that Luz won’t break her heart, her strengthened feelings for Luz don’t make her braver. She may be willing to dance with Luz for a beautifully animated combo move to kill Grom, but showing her the rest of the note? Yeah, Amity tosses that thing away immediately. And before I move on, I DO want to say how much of an expectation subversion the writers give with this scene. Most shows fighting for LGBTQA+ representation would have kept out who Amity was willing to ask out. They would have strictly implied it and left it to interpretation to make the studio executives happy…But not The Owl House.
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You see it up front, baby! WHOO!
I will ALWAYS gush about how impressive and important this single image is. This is the first big show where a gay character having a crush on the main protagonist is shown EXPLICITLY through visual confirmation. We could have picked up the pieces in past episodes and even in this one. But to have this clear bit of PROOF that it’s officially happening between these two THIS EARLY in the series is all kinds of special. And it is the reason why I still don’t hate this episode despite its problems.
“Enchanted Grom Night” might be a mess, but the Lumity moments will always carry it. Everything that happens between these two in this episode is adorable, endearing, and groundbreaking enough to always make watching the episode worth it. If this was the last bit of Lumity fun we would have gotten this season, I would have been happy…but the writers snuck in one more episode.
Wing It Like Witches-There’s not a lot I could talk about here because a lot of it is pretty self-explanatory. Due to a magical night that proved once more that Luz is perfect, Amity became even more smitten and unable to be near Luz without blushing up a storm. Some fans grew to resent this episode because of how it ruined Luz and Amity’s reputation in the fandom, due to everyone latching onto this idea that Amity is a lesbian disaster and Luz is oblivious to it. As for me personally…I still love it.
The second Amity started nervously stammering in front of Luz, it blew my frickin’ mind. It IS a little weird that this is the only time Amity acts like this, but I can take it as the writers further confirming that this is in fact happening and we should get ready for it. And every moment that shows Amity being a blushing mess was hilarious and adorable to see. As for how Luz, the shipping queen, couldn’t see the obvious signs of a crush, there are two plausible explanations. There’s the boring one where Dana Terrace said that Luz just has a lot on her mind at the moment to notice. Then there’s the interesting explanation, where this is the first time that Luz has ever had someone act this way towards her. It’s pretty obvious that Luz isn’t used to the idea of people caring about her, whether as a friend or something more. This episode alone proves how inexperienced Luz is to friendship itself, making things more stressful for Willow when trying to help her. Before Hexside, Luz was unfortunately a social outcast, with Gus, Willow, and now Amity being the only kids her age who actually like her. So when Amity starts acting a little silly, Luz’s first thought isn’t, “Oh, she’s crushing on me.” It’s, “Gee, Amity sure is acting weird today.” While it’s INCREDIBLY obvious to everyone else, it’s a foreign concept to Luz because it’s not something that she’s used to experiencing for herself. It hurts to think about and is a lot more interesting, to me, than saying Luz has a lot on her mind.
While the fandom definitely went to far with the joke of Amity crushing hard and Luz being oblivious to all of it, the Lumity moments here are still cute. As for any development, this is the episode that cements Amity as part of the group, finally deciding that being with Luz (And, to a greater extent, Willow) is worth any consequence, not caring what someone like Boscha thinks. It’s great and it IS unfortunate that people don’t point that out as frequently as Amity being a blushing mess. But I kind of get it. It’s not as prevalent and you don’t realize it until the episode’s over with Amity sitting with everyone for tea. In a way, this development is more of a footnote in an episode that hammers in the idea that Amity has a crush on Luz, but it doesn’t make it any less important.
And that’s all for Season One. Due to a broken leg, Amity had to sit it out on the sidelines while some big, dramatic stuff happened in the finale. That’s really for the best because with how much Luz and Amity’s romance develops with every episode they’re in together, it makes sense to leave Amity out. Any growth they could have had would have hurt the finale in the long run as it would have been remembered as the episode where Lumity did X instead of…anything else that happened. Regardless, after three episodes in a row where Lumity got closer and closer together, it left fans demanding MORE and hating that they’d have to wait LONGER due to the show going on a nearly year long hiatus. But when that hiatus ended, they were given a good treat.
Escaping Expulsion-Oh, how this one ends beautifully…
But before we get to that, it’s worth noting that this episode is Amity’s last test of loyalty. Once Odalia finally learns about Luz and the others, she wastes no time in trying to cut them out of her life as much as possible. It’s living up to the threat Odalia gave Amity years ago about her friendship with Willow, only this time Amity doesn’t get the illusion of choice to break things off herself. Odalia uses her status and privilege to kick Luz, Gus, and Willow out of Hexside, with Luz begging, screaming, even getting down on her knees (Well, ONE knee—Hey, that’s an image for ya!) as she tries to convince Amity to help them. And you can tell that Amity wants to. She REALLY wants to. The look in her eyes and the way her body goes stiff as if she has to FORCE herself to do nothing shows that it’s tearing Amity apart to not help. Amity wants to be there for Luz like Luz was there for her, but doing so means going against Amity’s mom. Amity’s been allowing herself small rebellions, getting braver for Luz who brought out the best side of Amity. But when the consequences finally caught up to her as Odalia enacted a punishment no one deserved, it made Amity realize that no matter what she’d do, her mom will find out and make her life miserable. So Amity says no and is only brave enough to say sorry. It’s tearing her up inside to let Luz down like that, but she does it anyway. At least Luz eventually gave some motivation for Amity to fight…in an irresponsible manner on Luz’s part.
While Amity is too scared to face Odalia, Luz isn’t afraid of much of anything (Aside from facing her own mom, funnily enough). So Luz isn’t worried too much about going up to Odalia and willing to work things out. Luz goes in peacefully, hoping to set things right where no one gets hurt. Except that Odalia’s out for blood and decides to use Luz as target practice for all of her deadly weapons. Luz takes it all, hoping for it to be for the best until Odalia busts out the literal killing machine. Because earlier, Luz made the valid point that even though they don’t go to the same school together, Luz and the others will still be friends with Amity. Odalia very much disapproves of that fact and decides to take things to the next extreme by trying to kill Luz. Luz fights for her life, but it’s clear how outmatched she is with it taking a miracle to save her. Fortunately, one did.
It’s one thing to separate Amity from Luz or to use Amity as a test dummy, but putting Luz in danger is where Amity draws the line. And it really is amazing that Amity doesn’t waste a second to rebel and get the gang together once she knows Luz put herself in the line of fire (Read: Confronting Odalia). After everything that Luz has done for Amity, it’s great that she’s willing to step up when Luz finds herself in real danger. Getting expelled is one thing, but facing Blight Industries tech and mechs is another. And when the Abomiton 2.0 comes out, Amity rushes to get to a high enough vantage point to come to Luz’s rescue. Perhaps a little enthusiastically with the way she screams, “Stay away from MY Luz!” But she still swoops down like a hero from a fantasy story, standing between her maiden and a literal killing machine. Amity has saved Luz before, but this is the moment that has the most at stake for her as it risks Amity dealing with more hell from her mom. But if the choice is losing Luz forever or dealing with Odalia being MORE unbearable, it doesn’t matter to Amity. Luz has done everything for Amity out of the goodness of her heart, and Amity’s more than willing to do more than anything for her. It’s more than fair to her and she’d do it again no matter the cost. What Amity doesn’t know is that her actions rewarded her in a way she didn’t intend.
Luz liked Amity, there’s no doubt about that. She cares enough to help put out the fires in Willow’s brain and fight Grom for her. It was never a question for whether or not Luz liked Amity…but fans did debate HOW MUCH she liked her. Did Luz have a crush lingering above the surface but never quite knew THAT’S how she felt? I…don’t think so. I know fans like to say that she did (I used to be among them), but it’s clear that Luz’s feelings towards Amity were equal to any other friend. Anything Luz did for Amity isn’t different than how she would act for Gus or Willow. Case in point: The main reason Luz was in this mess was because she wanted to help her friends get back into Hexside. To Luz, Amity is just another friend…But then Amity saved Luz’s life and acted like the coolest witch that ever lived. Luz isn’t a stranger to getting her butt saved, especially when she was too close to death like in that moment. What makes things different here is that Luz is trying her hardest to survive, barely keeping ahead, and is out of luck when she reaches her limit. Just when things seem hopeless, Amity comes out of nowhere as a knight in shining armor, saving Luz in an incredible feat of magic and looking good doing it. In every other dangerous situation Luz found herself in, she either got herself out of it or expected someone to come to her rescue when things got dire. But because Luz didn’t tell anyone about what she was doing, she was all on her own with no one to help her with the Abomiton that she couldn’t keep up with. Then in comes Amity, swinging in holding down the thing that was seconds away from killing Luz in an impressive display of her magical prowess. And with the cape, the way Amity speaks, and how her magic leaves this intense glow in her eyes, it’s all enough to leave Luz a little star struck. This girl, close to her age, is standing between Luz and certain death for the sake of her own protection. It is like every crush fantasy that Luz must have had rolled into one, and it’s Amity doing it all for her. Luz, the fantasy nerd that is, likely DREAMED of a moment like this happening to her. Heck, remember that angsty teen warrior who was used as bait to lure Luz into a trap? He’s proof that Luz has a type and Amity is checking off every box at the moment, finally leading Luz to see Amity in a new light. And, really, can you blame her.
“Escaping Expulsion” is good for seeing Amity standing up to her parents, but Luz gaining a crush on Amity makes the whole thing a little sweeter. And I really do love that Luz gets her crush after Amity gets hers. It goes against the cliche of the nerd trying to win over the popular girl by having that popular girl already falling for her. It provides a decent twist on the concept while showing that Luz doesn’t have to do anything to earn Amity’s affections as that task has been done weeks ago. The problem is that Luz doesn’t know that as we’re now in the phase where the crush is mutual but neither is aware of it. This fact led fans to be excited about what happens next as we’re now super close to Lumity being canon and hoped they’d get closer sooner than later. Thankfully, we didn’t have to wait too long.
Through the Looking Glass-This episode gets a bit of flack due to people focusing more on the Lumity subplot other than the main story of Gus being insecure and looking for a confidence boost. This is definitely part of a bigger problem of fandoms and their obsession with ships over other characters, and it IS worth discussing…But this Lumity discussion post, so we’re just going to save that problem for another day.
Luz and Amity’s subplot in this episode is everything I could have asked for and more. Due to their mutual crush, Luz and Amity spend most of their shared screen time as flustered, blushing messes who can’t pick up on the painfully obvious signs because they’re too busy looking away due to their equal nervousness. It’s adorable and I love how it’s STILL obvious to everyone else. Gus is straight up annoyed by Luz’s cowardly BS of constantly asking for his library card to see Amity but never asking her out, and Edric and Emira are willing to give the lovebirds alone time and support Amity for her crush. Everyone gets it, but never forces Luz and Amity together as it’s equally obvious that they need to work this out themselves…At least in this episode. We’ll get to what Hooty does later.
I will say that if “Through the Looking Glass Ruins" was just the cute antics of Luz and Amity being complete messes, it would be an easy 10/10 episode for me. Unfortunately for them, some angst got sprinkled in as Amity lost her job to help Luz find an old book. What’s interesting about this is that both parties have different ideas for who’s to blame. Luz, of course, blames herself. She’s the reason they got caught despite the many warnings Amity gave to be careful. It was her screwup, but Amity blames herself more. She could have just asked Malphus for the book or turned back when Luz first suggested it. Instead, Amity was so focused on helping Luz that logic went out the window. Look back at how Amity reacts to Luz suggesting to show Amity around the human realm. The second she puts it together that it could lead to a date, she yanks Luz further into the library just to get it faster. So when they get caught, Amity believes that she’s to blame because being around Luz makes her do stupid things and act without thinking things through. But when Amity vents her frustrations over it, it only makes Luz feel worse because it made her think that Amity’s upset about LUZ and not what she does to her. Amity was more upset about herself and her actions than she is with Luz, but Luz, already believing that everything is her fault, can’t help but take the message the wrong way. Amity’s quick to pick that up when she sees Luz tearing up, and that makes HER feel worse as she believes she accidentally made Luz think everything is on her. Except that Luz is crying is because SHE believes that Amity is finally tired of Luz getting them in trouble because Luz makes her do stupid things. It’s an entire moment of miscommunication and misunderstandings that’s a heck of a lot more believable than most romantic drama in fiction. Neither is mad at the other or gives up without a fight. Amity just goes home to think about her feelings and Luz instantly sets out to make things right, telling herself, in Spanish, that things won’t work unless she makes it work.
What gets to me is that despite going through hell to get Amity her job back, Luz is already accepting that Amity will never want to see Luz again. It speaks volumes of how accustomed Luz is to rejection that she already assumes that Amity will be the same like every other crush in the past and would want nothing to do with Luz after this. And yet, despite that mindset, Luz still goes through on getting Amity back her job to make things right. Because even though Luz believes that she no chance with Amity anymore, she’s the kindest person in the world and, after everything they went through together, Luz doesn’t want to end things with Amity without fixing her mistake. So Luz goes through a whole ton of trials for Amity’s job and comes up to her door with an apology already prepared. Only for her words to die in her throat upon seeing Amity’s new haircut.
You see, while Luz was busy facing her guilt, Amity was facing her feelings. Through a wonderfully adorable interaction between her and Emira, Em makes the great argument that it doesn’t matter how Amity acts now because of Luz because she’s never been this happy before. It’s a sweet moment that I always think about when it comes to Amity’s relationship with EMIRA, but the meat of it brings up exactly what I’ve been saying most of this review. Luz is the best thing that has happened to Amity, bringing out her best qualities and being brave enough to go against her parents. Remembering that gives Amity confidence to do something that makes HER happy, this time without Luz motivating it. I mean, Luz would have likely encouraged it anyway, but it is smart that it’s a decision that Amity makes without Luz’s input. After feeling frustrated by Luz making her do stupid, risky decisions, I like how we see Amity deciding to dye her hair as something SHE wants without the supposed source of Luz influencing it. It’s a risk that could cause Odalia to be upset about, but it’s worth it for Amity’s happiness…and the effect it has on Luz. But that last part is just a bonus.
Speaking of Luz, she once again proves why she’s so amazing to Amity. She didn’t HAVE to go through so much to get Amity her job back. Amity already blames herself for the incident and was willing to accept the consequences. Then here comes Luz, fixing Amity’s problem without her having to ask for it. It was done out of guilt, but it doesn’t change how Luz, despite any consequence, will always make things better for Amity. It’s a good deed that proves to Amity that any stupid mistake is worth it because she'll always be happy when she’s with Luz.
…And then Amity kisses Luz on the cheek. A moment that surprised everyone, including the audience, Luz, and even Amity. Seeing Luz and the hell she went through to get Amity her job back filled Amity’s heart with so much admiration that she was thinking on impulse. Only for her to immediately regret it because she just kissed her crush BEFORE admitting her feelings. It’s definitely a leap too far and revealed Amity’s crush to Luz before she was ready. And while WE can see the look of awe in Luz’s eyes, Amity’s more focused on the general shock in Luz’s expression and chooses to run away instead of explaining herself. A shame, too, because…look at this face.
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That is the face of a girl who finally realizes that she has a chance with her crush. While Amity is too busy panicking about messing up HER chances, Luz numbly falls to her knees, overwhelmed by the most magical thing that’s ever happened to her. And that’s saying a lot.
Like I said, everything between Luz and Amity in this episode is perfect, with the adorable antics mixed evenly with some light angst. I love it a lot and I adore how the next episode quickly addresses the kiss. The writers KNEW that they couldn’t move on to other antics and adventures with new characters without at least ADDRESSING the kiss. All they had to do is have Willow say that Amity missed a school day and that’s enough to tell us all we need to know: Amity’s too embarrassed about the kiss and is avoiding Luz because of it. And Luz understands that. It took a kiss on the cheek to do it, but she finally understands that Amity has feelings for her. She also understands that the ball is very much in her court. If Luz wants to go out with Amity, SHE has to ask Amity out because Amity is too much of a nervous wreck to do it. The problem is that Luz has a different fear of her own, regarding the matter. A fear that a certain someone helped her out with…
Knock, Knock, Knockin’ on Hooty’s Door-Ooooooooooh, NOW we’re onto the good stuff…
“Knock, Knock, Knockin’ on Hooty’s Door” is the best episode of the show. Or second best. Honestly, it’s always a toss-up between this and “Thanks to Them.” Both are very good episodes of television for different reasons, with “Knock, Knock, Knockin’ on Hooty’s Door” being great for solely focusing on the members of the Owl House and what makes the show so damn good. You get some great comedy from King trying to figure out who he is, well-done drama and tragedy with Eda’s backstory and curse, and some cute, gay fluff with Lumity.
Luz’s vignette begins perfectly by showing how her feelings for Amity are distracting her from figuring out a way home. Luz KNOWS she has to ask Amity out, but due to being rejected one too many times, she isn’t sure how. Amity is the first crush Luz has had to ever show feelings for her and she doesn’t want to mess that up. Unfortunately, her anxiety has left Luz distracted and unable to focus on figuring out how to get the echo mouse to do what Luz needs and help her learn how to build a portal home. She could ask Amity about it, but how can she get Amity’s help without addressing the kiss and how they BOTH want something more from it. Luz can’t ask Amity for anything without revealing her feelings and asking Amity out, and she can’t do THAT until she plans out the perfect way to ask Amity out. It creates this never ending loop in Luz’s mind, adding in an extra bit of stress that makes her life hell. Thankfully, Hooty is there!
Hooty, like everyone else, picks up that Luz is head over heels in love with Amity and needs a push in the right direction. The good news is that Hooty’s there to offer his assistance. The bad news is that he’s there to offer his assistance. His idea to kidnap Amity and lock her in the basement is more than questionable. It’s downright disturbing with and without context, but Hooty DOES have the right idea. Luz and Amity were NOT going to talk to each other unless SOMEONE forced them into a room and finally see one another face to face. Although, things don’t start off well with Amity IMMEDIATELY suggesting that they pretend that the kiss never happened. Luz panics because that’s the LAST thing she wants. Amity may be willing to forget something beautiful and perfect for the sake of keeping Luz in her life, but Luz doesn’t want to move backwards in their relationship. She’s terrified of taking that next step, but Luz still won’t allow Amity to entertain the idea of forgetting the kiss, distracting her with the goal of getting out of the basement, deciding to talk about the kiss later. Unfortunately for Luz, Hooty literally drops her and Amity into the last thing Luz wanted.
Under different circumstances, Luz might’ve loved the tunnel of love. For all we know, she might’ve fantasized about doing something as cheesy as a tunnel of love. The issue is that cheesiness is something that Luz is trying to stay away from. Due to still having this image of this heroic, aloof badass who will save Luz’s life like a knight in shining armor, Luz thinks that something corny and cheesy will make Amity think that Luz is a loser. Except that Amity has not only seen Luz at her most loseresque and fell for her anyways, Amity is also a loser herself. She drew fan art of herself with characters from her favorite book series and acts as a blushing mess around Luz. Amity’s not the super cool witch Luz keeps remembering fondly and is just as much into cheese as Luz would be. The proof is in HER reaction to the tunnel of love. While Luz is cringing her butt off, Amity is…confused. She has no idea what they’re in or what this whole thing is about. It’s not until Amity starts looking around that she picks up SOME idea of what is happening. Upon looking at the messages on the walls, realizing that they’re describing her, Amity comes to the assumption that this whole thing is some elaborate grand gesture for Luz to ask out Amity. It’s HALF right, that’s the whole point behind the tunnel of love. But instead of knowing that it’s Hooty’s idea, Amity believes it’s Luz’s, which you can’t blame her for. Luz’s whole thing is making grand gestures for people she cares about. It’s the very reason why Amity kissed her on the cheek. So when looking at the tunnel of love and think Luz is doing it for Amity, it shifts Amity’s reaction away from...
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Confusion
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To realization
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To elation
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To nervous excitement. Finally, at long last, Amity has what she thinks is definitive proof that Luz likes her. The moment is awkward and she probably prefers NOT to being dragged into a basement, but Amity’s willing to sit through all of it now knowing it might end perfectly between her and Luz. Only for Luz to start tearing the place apart and tearing Amity’s heart to shreds in the process. WE know why she’s doing it. Luz is trying to save face and avoid embarrassment, not letting the chance for a perfect romantic confession be ruined by all this cheese. But to Amity, what Luz does is the very reason why Amity was too scared to ask Luz out. When Amity finally allowed herself to hope that Luz might feel the same way as her, Luz destroys what Amity took as a sweet love confession, burning it all to the ground in a savage display all to make one message clear: Luz doesn’t want any of this. She even makes it clearer later that the whole thing was Hooty’s stupid idea. Again, WE know that Luz meant the tunnel of love, but Amity is focused less on actual tunnel and more on its meaning. The whole thing was meant to convey that Luz wants to go out with Amity, and Luz just called it stupid. Amity was already shattered when Luz was wrecking the place, but hearing Luz calling the idea of them dating stupid just about brought Amity to tears. It’s not what Luz meant, but it doesn’t stop Amity from misinterpreting the words and, worst of all, accepting them. Amity wants MORE than friendship, but she also wants to have Luz be close to her so she tries to live past the pain and laugh it off with Luz. Only for a single tear to betray that, making Luz realize her mistake…And causing chaos to start.
After Hooty thinks that he failed his friends, with Luz being the last straw, Hooty proceeds to have an emotional breakdown that nearly destroys the Owl House. Despite King and Eda trying to explain that he indirectly helped them, Hooty still clings to the fact that he failed Luz, who might be the only person who was currently left worse off after Hooty’s “assistance.” Most of it’s on her, but that doesn’t stop Luz from being backed into a corner where if she DOESN’T ask Amity out, Hooty would only get worse. When Luz explains her situation to Eda, she doesn’t waste a second to give Luz support. She offers great advice that if Luz wants to ask out Amity, she should ask her out. Perfection is NOT something to strive for in a relationship, otherwise you’ll be driving yourself crazy with every little decision. And if you’re too scared to ask a big question, putting it off until the perfect moment, you’ll end up losing your chance, something that ALMOST happened to Luz this episode. Eda gets that idea across in just a few little words, being the exact motivation Luz needs to finally go for it. Though, not before Eda yanks Hooty away to give them a more calm, PRIVATE environment. Because while Eda’s advice rings true, she understands that asking a girl out while a house demon is crying wouldn’t be the most romantic moment.
So, Luz and Amity get their privacy, Luz FINALLY explains herself, and…says something that requires me to go on a quick tangent. You see, a buddy of mine has this sort of nitpick where he doesn’t like that Eda and King got cool, new power-ups where Luz…didn’t. It’s part of this bigger problem where Luz isn’t really shown to be as capable in Season Two as she was in Season One. I get where he’s coming from and I PARTIALLY understand what he’s saying here. It does feel a little weird that Eda and King got new powers where Luz got nothing, but…that’s not entirely the point of this episode. The main trio are all looking for SOMETHING. King’s looking for knowledge of what he is, Eda’s looking for control through the chaos in her life, and both get rewarded by confronting what’s REALLY bothering them. King gets a booming voice when he vents his frustrations about feeling abandoned by his father and Eda gets a new harpy form when she asks for a compromise with the beast inside that went through as much chaos as her. As for Luz, what she’s looking for is certainty. Two episodes prior, Luz comes to the realization that she isn’t sure what she wants anymore. By believing that her adventures in the Isles will lead to her being a witch, she forgot to consider what kind of witch she wants to be or if she wants to be a witch at all. And two episodes later, Luz will be given ANOTHER uncertainty on whether or not she’ll return to the Isles. Might even explain why she isn’t as capable this season, as so much uncertainty has bogged Luz down to the point where she’s distracted and unable to focus on anything other than what’s in front of her. She’s also desperate for some kind certainty in her life, something that‘s easy enough to grasp and obtain. And the only thing that Luz is certain about at this point in time…is that she wants to be with Amity. It’s not as big as her wanting to go home or being strong enough, but that’s the point. It’s small, it’s manageable. Plus, for a teenager, going out with a crush is bigger than anything in your life. There’s a lot of reasons why Luz hyper-focuses on Amity, as it all boils down to the idea that no matter what happens, all Luz wants is Amity to be there with her. All she has to do is ask a single question. A question that could change everything if Luz has the courage. And she almost does, the words were coming out of her throat. Except that Amity beat her to the punch.
I’m fine with that for two reasons. Firstly, Luz was NOT going to ask Amity out with all the tension surrounding the importance of a single question. Amity blurting the question out first takes away the stress and allows Luz to finally ask Amity out with confidence that the answer will already be yes. Plus, this is a good character moment for Amity. Her biggest fear was asking out Luz due to a fear of rejection. A fear she was basically living through back in the tunnel of love. And here Amity is, met with more evidence that Luz really DOES like her. Hell, she’s pretty much saying it to Amity’s face. There’s no reason to be afraid anymore and just have to wait for Luz to ask the question that Amity’s been DREAMING to hear. Except that Luz is taking too long and, either due to the anticipation was killing Amity or because she fears that Luz will change her mind, Amity blurts out the question first. She finally pushed her own fear aside and went for it, with the results being very fruitful. I mean, look at their faces.
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Every time I watch this scene, I want to bottle and sell the pure joy radiating from both their bright, smiling faces. After all that pining and hoping, these two are, at long last, together. Things are awkward and these two are mutually scared of dating each other, but that’s to be expected. They’re both each other’s first girlfriend and are a little nervous about what that could mean for the future. One thing for sure is that Hooty’s right. They’re adorable and deserve all the happiness.
It’s a bit of a shame that “Knock, Knock, Knockin’ on Hooty’s Door” is primarily remembered as the episode where Lumity became canon as there are equally great moments with Eda and King that make it the best episode of the show. But…you can’t blame people. This is the first time that a bisexual main character and her lesbian love interest became canon HALFWAY through the series. In previous media, this kind of thing could be done through implications, side-characters who appear once or twice a season, or waiting until the series finale. Luz and Amity getting together is not only a huge step in LGBTQA+ representation, but it also gives us more than enough time to see these two act as a couple. And the writers didn’t waste time on doing just that by quickly jumping in and giving fans little moments and episodes about Luz and Amity growing closer and stronger as a couple. How quickly?
Eclipse Lake-The very next episode.
In no time flat, The Owl House delivers cute couple nonsense, giving us the perfect glimpse of what a canon Lumity would be like. From the get go, they both seem so excited to be dating each other. Luz is grinning from ear to ear about calling Amity pretty and Amity is calling herself Luz’s awesome girlfriend at any available opportunity. I also love that most of the awkwardness is fading. Amity still blushes over Luz hugging her and calling Amity an awesome girlfriend, but that’s as far as things go. At least in this episode. So much of their interactions show how happy they are to FINALLY be dating, and you’re right there with them. As someone who’s been hoping these two get together since the damn near beginning, seeing them just slip into this pure, fluffy relationship with equal love.
But as adorable as things are—And they ARE adorable—this episode shows us the first problem in this relationship, particularly with Amity. Throughout “Eclipse Lake,” Amity’s dealing with the idea that she has to EARN Luz’s love. It’s not true, we know it’s not true, and even Amity didn’t think it’s true at first. But due to some meddling from Hunter, it gets into Amity’s head that if she ever fails Luz, they’re done. And the reason it gets to Amity so easily is because that’s how she functioned her whole life. With her parents, mostly Odalia, Amity grew up thinking that love comes with conditions and that if you don’t do what you’re supposed to then you don’t deserve love. Of course, it’s complete nonsense. Still, look at Amity in the beginning of the episode. Her treating Luz’s cold as this big crisis is the type of adorable overreaction that we would come to expect, but it’s more than Amity caring deeply for Luz. It’s Amity stepping up proving that she can be an awesome girlfriend to Luz. And looking back, with every time Amity keeps calling herself an "awesome girlfriend," it CAN come across as her going, “Yes. This is real. It isn’t a dream, it’s a reality.” With each “Awesome girlfriend,” Amity is reminding herself that she and Luz ARE dating and that they won’t break up as long as she keeps proving herself. Thankfully, near the end, Amity remembers that this is Luz they’re talking about. Luz loves grand gestures. After all, it was a grand gesture that made her fall for Amity. But Luz took an interest in being Amity’s friend due to warmth and nerdy fun that only Luz got to see, feeling attraction by seeing Amity’s strength, bravery, and just how cool she looks. Luz loves Amity for who she is and not what she does, and she proves that by hugging Amity the second she gets back. Amity doesn’t have to earn anything. She already has Luz’s heart and it’ll take more than a partially failed mission to change that. Her love is condition-free and I am so glad that “Eclipse Lake” immediately addresses this issue as Luz and Amity start their relationship. Us fans are ready for all the cute moments. Like Luz, in the next episode, immediately thinks of seeing Amity. She’s in the middle of a mission, and all she can think of is her girlfriend. The writers are quick to confirm that we’d get tons of the cute moments we were hoping to see, but an episode like “Eclipse Lake” proves that things won’t be perfect and that there are SLIGHT issues that these two have to work through. I honestly love that more than just giving us constant Lumity fluff. I wouldn’t mind it, but it’s sweet that we get to see them navigate being in a relationship. Instead of doing this on again/off again nonsense or holding off becoming canon until the series finale, we finally get to see a couple BE a couple as they persevere through every obstacle. Even in episodes that you wouldn’t expect.
Follies At the Coven Day Parade-Given the episode’s description and every single expectation going into the second half of Season Two, I was surprised to see that we’d get some more Lumity moments and an entire subplot about their relationship. Things start off cute enough with pet names, Amity getting flustered by Luz’s proximity, and Luz giving Amity a cheek kiss, completely shutting down Amity’s brain in the process. Things are adorable, but they don’t last when Amity notices Luz acting strangely.
Previously, Luz faced a fear of her own by finally telling Camila the truth about Luz’s summer. Things didn’t go well and it resulted in Luz feeling unsure about a lot of things. Will she return to Isles? Will she see her friends again? Could she and Amity be together? All these questions bounce around in Luz’s head and leave her anxious and trying not to show it. The only people she feels comfortable talking about her problems with are King and Eda, and that’s because as close of a connection that Luz has with someone like Amity, it’s nothing compared to what she has with King and Eda. They’re family to her and she trusts them with anything. With Amity…she and Luz have JUST started dating. Luz trusts her, but there’s more of a limit to it, all due to some issues that become MUCH clearer in another episode. While Luz feels she can say SOME things to Amity or share some secrets, Luz isn’t sure what would be too much baggage to drop on someone you’ve dated for a few days. Nor does Luz want Amity to worry. Being new to a relationship, Luz is too focused on keeping Amity nice and happy, not wanting to bring personal drama or conflict when things are going so perfectly between them. Except that Amity wants things to go differently.
Because Amity picked up that Luz was going through something, she wanted to figure out what. This time, it’s not out of wanting to prove herself worthy of love but instead wanting to just…help. To Amity, that’s what couples do: Help each other through mutual love and understanding. And with all the times Luz helped her, Amity only feels like it’s fair to return every single favor. But she can’t do it without knowing what’s wrong with Luz and it’s with this conundrum that the universe decides to give Amity a test. You see, Luz forgot her phone at school. A phone that has a video that can tell Amity exactly what she needs to know. Amity COULD play the video and figure out how she can help Luz…but that would be an invasion of Luz’s privacy. And given how Amity freaked out over her siblings and Luz nearly getting Amity’s diary, I’d say that the last thing Amity wants to do. Yet she still wants to. A small, selfish part of her wants to just play that video and finally help Luz. But if she does, she’ll breach Luz’s privacy and potentially risk losing some of Luz’s trust. It’s a situation where Amity knows the right answer, but it frustrates her so much that she’s desperate for any justification to act a little selfishly. Ultimately, she sticks with the right decision, and I’m glad that she does. All on her own too. Amity DID go to Willow for advice, but Willow basically gave a non answer, leaving it to Amity to figure out what to do. It’s for the best, because if Amity was told what to do, even though she already knew the answer, it would take the punch out of her final decision. But by far, the best thing about this, is how Amity reacts when she asks Luz what’s wrong.
When Luz saw that Amity holds out Luz’s phone and fears the worst, Amity’s quick to act. She doesn’t yell, act confrontational, or feel betrayed like most love interests in bad romantic dramas. Instead, Amity voices her worries, carefully asks Luz what’s wrong, and speaks with understanding when Luz makes her case. THIS is how a couple SHOULD act in a story. Not get into big fights and force a breakup to milk that drama, but actually TALK to each other for the sake of figuring out this problem together. Though, things aren’t perfect. Primarily on Luz’s end. In this scene, we see how Luz handles telling the truth about something uncomfortable. She looks away to hide how upset she is and forces a smile to give the illusion that everything is fine. It’s unfortunately something Luz does a lot around Amity, acting out of this “Keep things peaceful” mindset that does more harm than good. Avoiding the problem doesn’t get rid of it, nor does it stop Amity from worrying. The only way to fix things is by facing what makes you uncomfortable head on. Otherwise, it’ll fester and get worse. Luz was lucky this time, both for Amity catching on early and for being understanding enough to why Luz would want to be secretive. But if Luz remained tight-lipped longer, telling Amity the truth way later, Amity could have felt a little more betrayed by Luz keeping this secret from herand they would have LESS time to process it and figure out what to do. And I will admit that it IS a little strange that they never talked about what COULD happen if Luz couldn’t return to the Isles. They just kind of ignore it and go about things as normally as they could, almost as if they were expecting things to be fine between them. To be fair, the episode ends with them agreeing to take things one step at a time, but they don’t really go past more than one step. Despite that, I still love this interaction between these two. 
I expected Luz to tell Amity the truth eventually, but I didn’t expect it to happen so soon and so well. The writers found the perfect time for them to discuss Luz’s promise to Camila, nixing unnecessary drama for the sake of showing how healthy Luz and Amity are as a couple. EVERYONE appreciates that decision, because while couples CAN fight and argue, it doesn’t mean we want to see them do that. You root for a couple to get together and be mostly happy. Some angst can seep in, but don’t forget the good stuff. While Luz and Amity met with their first real obstacle, it’s nice seeing them work through it without an argument breaking out. It’s a good mix of fluff and angst that shows just what makes Lumity so good.
Although, not every story these two have together is perfect.
Any Sport in a Storm-I am NOT a fan of the Lumity subplot in this episode, which is CRAZY for me to admit. I love seeing these two together and seeing how perfect they are for each other. But this episode was NOT doing it for me.
I get the intention that the writers were going for. Luz and Amity spouting theories about who Azura’s author could be is meant to show that they’re both of the same mind, coming up with equally crazy theories together. On paper, I love this idea. It SOUNDS like a cute idea. But in execution, it makes Luz and Amity seem a little TOO dumb. They fully believe everything they come up with is plausible and it doesn’t sit right. I can KIND OF buy it with Luz, she’s said weirder stuff with conviction. For Amity, I don’t think any of it lines up. Again, I get that the intent is to prove that Amity can be just as weird as Luz, but there can be better ways of showing Amity’s weird side that doesn’t involve degrading her or Luz’s intelligence. Plus…did we really NEED this subplot? Did we really need Luz and Amity figuring out the mystery behind their being Azura books in the Isles? Just an off-hand comment about how Amity found her books in a box that washed up onto shore would have been more than enough. Over complicating it with having it be this big scam from Tibbles of all characters makes the whole thing weird and leaves me wishing that Luz and Amity went off to do anything else. There’s some good stuff like Luz calling Amity “beautiful” in Spanish, Boscha being jealous of their relationship, and Luz and Amity deciding to start a writing club after realizing they’re equally creative. I love this, but I’d much prefer it happening in a better written story.
But while we’re on the subject of better written stories…
Reaching Out-This…might be the best episode between these two.
Things start…not great. Not for Luz. We catch on quick that Luz is missing something big and is throwing herself into anything and everything just so she won’t think about it. Nothing that she’s doing is healthy and everybody, from the characters to the audience, can pick up on it. Still, Luz refuses to acknowledge her problem and hopes for SOME kind of distraction. And here comes Amity, having problems connecting with her dad and providing Luz with the distraction she wants.
It’s worth noting that Luz would have helped Amity any other day with no objections. That day, though? Luz’s main reason for helping Amity was so SHE wouldn’t think about her own problems. Luz still cares enough about what Amity is going through and offers nothing but support throughout the entire Bonesborough Brawl. The issue is that Luz’s heart and mind isn’t in the right place, leaving her both distracted and a little reckless. Er, well, more so than usual. And, of course, Amity picks up on it. After all the things that they went through together, Amity knows Luz enough to figure out that she’s a little off. Plus, Eda telling Amity that today’s a bad day for Luz definitely helps Amity figure out that something is wrong. And Luz…does the exact same thing she did in “Follies At the Coven Day Parade.” She brushes off the very notion that there’s a problem and pretends to be happy despite the emotional weight adding pressure to her heart. Now, there ARE a few reasons for this. Luz still isn’t sure if her and Amity are close enough for this emotional of a discussion, she doesn’t want to worry Amity while she needs help, and Luz is trying her best to avoid THINKING about the topic altogether. She doesn’t even go into the details with King and Eda, being vague with why it’s a rough day for her. If Luz can’t divulge the details to the people she considers family, then it’s not really anything against Amity. This is just a touchy subject that makes Luz uncomfortable to talk about it with anyone. But that doesn’t change how things would have gone smoother if Luz wasn’t so tight lipped.
If Amity knew what was going on with Luz, she would not have gone to her for help. Amity’s problem is more than winning the Bonesborough Brawl. It’s all about her trying to form SOME kind of connection with Alador, her father who was always too busy to notice Amity being in the same room as him. This is personal to her, and she wouldn’t want to burden Luz with more problems when she’s already going through something. But since Luz doesn’t offer the exact details, Amity allows Luz to help, only if she’s sure she’ll be okay. Except that Luz isn’t okay, she’s practically bursting at the seams and is making risky decisions with riskier moves. Amity notices all of it and CONTINUOUSLY asks Luz if she’s STILL sure everything’s fine. Luz lies and digs herself deeper into a hole when covering a mistake by attacking an Abomiton that Alador sent to watch Amity. Luz was acting out of anger, and didn’t tell that to Amity because then she’d have to explain WHY. So, she kept it a secret, hoping that Amity would win the brawl before any consequences came up. A decision that would quickly bite Luz in the rear as Alador showed up, called off the fight, and revealed to Amity that Luz lied. Again. Lying once in “Follies of the Coven Day Parade” was one thing. Amity figured quick that Luz was going through something and that there were no personal stakes to her at the time to make it an issue. Here, Amity has no idea what’s wrong with Luz. This was supposed to be a day to help AMITY, and Luz did nothing but lie all day. Doing it once is understandable. By doing it twice, Luz presents a pattern. It tells Amity that Luz would sooner lie to her instead of letting Amity know that something is wrong. It’s that realization, added with Alador’s pestering, that causes Amity to run away from BOTH of them. Alador is understandable enough, but for Amity to run away from Luz, a person that made her feel safe and comforted, just tells you how badly Luz screwed up. As for what happens next…Do you remember how I said in part one that Eda’s talk with her dad was my second favorite interaction in the show? Well, what happens next is my ABSOLUTE favorite.
We find Amity sitting at the tree she and Luz made, a symbol of their mutual trust and teamwork. And now its leaves are falling, making the tree look like it’s wilting away just like the trust Amity feels for Luz. Once Luz shows up, asking to take a seat, Amity doesn’t verbally respond. She gives a small, barely noticeable nod, but doesn’t speak. She doesn’t even look at Luz because of how betrayed she feels. Once more, I cannot emphasize enough how badly Luz messed up with all the secrets and lying, and she knows it too. She tries to apologize, but Amity wants more than that. She doesn’t want this to become a pattern and makes it clear she wants the truth now, no matter what it is. With Luz now backed in a corner, she finally comes clean about what’s been bothering her: Today was the anniversary of her dad’s death.
That truth is already sad enough, but the way Luz explains it is almost sadder. She forces a smile, acting like this isn’t a big deal and prefaces it in a way that’s almost rehearsed. Luz saying it happened a long time ago and how it’s no excuse for how she acts tells me she was scolded for acting up with people telling her those same things. Luz says it to Amity because she expects to get the same treatment from her, anticipating that exact same reaction. But when Luz looks at Amity…
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All Luz gets is empathy, shock, and horror. On a day when Amity is dealing with a strained relationship she has with her father, she dragged Luz in to help when she's trying not to think about HERS. Not only that, but it’s a day when Luz WISHES she could be with her dad again, that they could just talk or do anything. And on that day, she spends it helping Amity and failing to do just that. It’s not like Luz can do anything else. She can’t go to the human realm, she can’t be with her mom, she can’t pick FLOWERS. It’s all these thoughts, realizations, and feelings that Luz has been trying to avoid all day, and it’s all coming out at once, breaking her. As for Amity, she gains an even better understanding of Luz than she ever had before. Luz is more than a nice person. She is someone who would push aside her own issues for the sake of helping someone through theirs. In this case, it’s partially for selfish reasons, but it’s no less true. Luz has a great amount of care for all of her friends, caring less about herself when they need her. Just look at all the times that Luz threw herself into danger for someone she loved. This episode is sort of the one time Luz thinks of herself first, using Amity’s problem as a distraction to hers, but every decision she makes is to help Amity, even if her focus isn’t a hundred percent on Amity’s problem. And when a new problem arises and Luz is too emotionally distraught to stand, let alone follow Amity, Luz makes a joke, fakes another smile, and says she’ll catch up later as if she’s not going to spend the next few minutes crying alone. All of it proves to Amity that there’s a tragedy behind the kindness that is Luz, as she would pick helping people over helping herself. 
So Amity decides that she won’t let this stand anymore. If Luz won’t help herself, then Amity will help her, pushing aside her previous betrayal and says that when everything’s over they will pick flowers together and do as much as they can while Luz is stuck in the Isles. Because Amity understands Luz now, and realizes that even the helpful can feel a little helpless at times, wanting to be there for Luz like Luz was there for her. It’s a beautiful sentiment, and you see in the astonishment in Luz’s eyes, mixed with the blush, that she finally realizes how much Amity really cares about her. Amity’s ALL IN with this relationship. No matter if it’s uncomfortable or is about something difficult to talk about, Amity will be there when Luz needs her. That realization astonishes Luz, and leaves her realizing she shouldn’t take Amity for granted.
“Reaching Out” didn’t really need to go as hard as it did. If it was just an episode about Luz helping Amity with a problem, it would have been fine enough. Instead, it gave us AND Amity insight about the sadness Luz hides away so no one would be brought down by it. And on top of that, we STILL got cute moments. Luz spinning around Amity while calling her pretty, Luz blowing Amity kisses, Amity being flustered by Luz’s awesome entrance. It’s all adorable, WITHOUT having these two kiss like it was originally planned. Speaking of which, as mind blowing as it would have been to see these two kiss, I’m glad they didn’t. It would have been too much and fans would have remembered this episode more as the one where Lumity kissed instead of the one where Luz opened up about her dad. Not to mention that it would have been a bit inappropriate for Luz to kiss Amity after opening up about her father. Luz saying, “Thank you,” and admitting that she can’t wait to pick flowers with Amity is more than enough to show how grateful she is. We don’t need a kiss to top off what’s already perfect.
And…that’s about it when it comes to Lumity episodes. Due to the show’s shortening, everything was coming to a close and we had no time to have an entire episode dedicated to their growing relationship anymore. We still got cute moments, though. Stuff like Luz and Amity sending messages with a ton of love hearts between episodes is always adorable to see and it shows that these two don’t need to be the center of attention to have an endearing relationship. It’s just that there’s no time to focus on JUST Luz and Amity anymore, so the writers have to squeeze them in at any opportunity they can…But still knew when to throw in the important stuff.
Clouds on the Horizon-People would call this a Lumity episode, but I wouldn’t. There’s so much focus on setting up the season finale and stuff going on with Amity’s family that the Lumity stuff, while incredible, isn’t what the episode is about. With that said, we still got ONE big moment that’s worth discussing. And we’re gonna break it down…
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We start with Luz being nervously excited to see Amity again. They’ve been a week apart from each other and the first thing Luz does is climb up to Amity’s balcony as if she’s the Romeo to her Juliet. Luz is probably quoting the play in her head right now as she fusses with her hair to make it look better before seeing Amity. That is, until Luz overhears Amity’s little breakdown.
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Amity’s whole life is crumbling down before her eyes. Her parents are helping the emperor do something terrible, she has NO idea where Luz is, and Amity is locked away in her room, unable to do anything about all of it. She’s trapped with nothing to do, and all she can do is think about Luz and what SHE’S going through. With the thought of Luz being in MORE trouble making Amity feel worse.
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Funnily enough, it’s thinking about Luz that also makes Amity feel better. It’s just that she focuses on what Luz would say in this moment instead of what bad things COULD be happening to her. And Amity has an accurate understanding of what Luz would do and say, with the very idea of Luz’s warmth and kindness being enough to make Amity smile again, getting enough determination once more to fight to stop everything because she’s not letting a genocidal madman destroy everything before she has her first date with Luz.
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Unbeknownst to Amity, Luz was hearing the whole thing, and agreeing with every word with gusto. In fact, I’m willing to bet that Amity said the exact speech Luz had planned to say, word for word. That just tells you how well Amity knows her girlfriend to take the words right out of Luz’s mouth.
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And I love that the second they see each other, they both immediately run to each other, with Luz calling Amity "Sweet Potato,” keeping that nickname alive, and Amity jumping into Luz’s arms. It’s already adorable, making the Lumity fans happy with this incredibly cute moment. There’s only one thing to make it more perfect…and the show does just that.
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BOOM! On screen kiss! And one with the smoothest animation possible, too! I like to think that’s an extra middle finger Dana gave to Disney, using so much of the budget all for a kiss. A progressive kiss between two girls, but a kiss nonetheless. And I can’t help but appreciate Luz’s facial expressions throughout all of it.
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“Heh, my girlfriend is so pretty…”
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“Wait what’s happening—“
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“OH, we’re kissing!”
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“Oh, we’re kissing…”
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“Oh, wow…”
It is everything I could have asked for. And a little bit more.
Luz and Amity’s awkward reactions to the kiss is just a little cherry on top that I didn’t know I needed. Amity is embarrassed and astonished that she was brave enough to kiss Luz. The girl keeps making first moves and somehow STILL ends up being surprised that she made them. As for Luz, she’s embarrassed over the fact that she reacted to the kiss by going “Crikey.” Of all the things she could have said in this moment, it’s one random word that nobody would have expected. It’s perfectly Luz and helps sell this scene as a teenager’s first kiss. It’s ALMOST perfect, but the awkwardness and inexperience makes it a moment Luz and Amity will both cherish and regret. It’s the exact type of normalization that the LGBTQA+ community has been BEGGING to see, with The Owl House expertly delivering it.
And that’s…really the last big moment in this series. Don’t get me wrong, we still got cute bits afterwards. Like Amity defending Luz’s honor and Luz being amazed by Amity’s strength. Or in the very next episode where all Amity can think about is saving Luz or how it’s Amity tearfully begging Luz to run that temporarily convinces Luz to leave behind the Boiling Isles. You get the sense that their relationship is still going strong, but there’s rarely a sense of progression or focus, especially when we get to—
Season Three-Yeah, might as well lump the whole “season” together. Because with the writers only having three specials to wrap up the rest of the story, we have no time to build off of Luz and Amity’s relationship more than we’ve had. There were SOME cute moments, like…
Luz’s little video that she used to come out to her mom. The fact that Luz calls them Lumity in universe is perfect.
Their little dance in the rain was precious and everything fans expected.
All the little touches and kisses these two shared proved how comfortable they’ve gotten with each other over time. They’re past the awkward stages of their relationship and finally accepting that this IS their reality.
Their couple costumes are the best and it’s kind of funny that they become their default outfit for most of the season.
Luz knowing she’s in a nightmare because Amity misquoted Azura is how it should be done. Luz knows Amity enough to know that would NEVER happen.
And their last on-screen kisses just feels like a final middle finger to the network that screwed the show over.
I couldn’t get enough of these moments, and I appreciate all of them. But it doesn’t change how Lumity is never something that takes the focus in an episode. Instead, it’s something that just simply exists, which is honestly good for a different reason. It allows Luz and Amity to just…be. To prove that their relationship doesn’t have to be the center of attention to be a good couple. They’re in a comfortable enough state and have already gone through so much that there’s not much to do that wouldn’t be repeating what we’ve seen already. Besides, we do get SOMETHING beyond cute moments.
Due to there being three specials left with the series, a lot of characters got the short end of the stick, even for fan favorites like Amity. And while Luz’s role this season is to go through a goth phase, Amity’s is there to…just be Luz’s girlfriend. I explained in part one how fans didn’t appreciate this decision, but I learned to accept it. I see it less of a downgrade and more of a character progression. And it can be best explained through ONE image:
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Luz is in a dark time in her life and Amity brings her attention back into the light. That’s Amity’s real role this season: Being to Luz what Luz was toher. With Luz shrouded in guilt about Belos and The Collector, Amity is there to do as much as she can to help cheer Luz up. Planning a way back home in the hope of surprising Luz with a win, coming up couple costumes, reassuring Luz that life is better with her in it, giving advice about the egg, and motivating Luz to save the world one last time. Luz was the person who helped Amity through the darkest part of her life and Amity’s trying to do the same. It’s a culmination of her character development, showing her being the same supportive person Luz was and proving that she can give as much as she takes. The best part is that it…ALMOST works on Luz. Everything Amity does is effective enough to temporarily take Luz out of this funk she’s in, to the point where most of Luz’s genuine smiles came from Amity’s mere existence. But it wasn’t enough to completely help Luz get out of her depressed state. It worked in spades, don’t get me wrong. Whenever Luz was at her lowest, Amity was there to cheer her up a LITTLE. It’s just that Luz was too deep in her guilt that it would take more than Amity being her wonderful self to snap Luz out of it. Still, it was better than nothing, especially considering how Amity was the closest source that left Luz indecisive about leaving the Isles forever.
Eda and King would have likely driven Luz to stay…but they’re not there at the moment. They’re separated from Luz, with any knowledge of their fates left unknown to her. As for Luz’s friends, she’ll miss them dearly but she can always tell herself that they’d be better off without her. And with Willow and Gus already getting along great with Hunter, it just makes Luz’s argument easier to convince herself with. But with Amity, things are different. Dating her was an act of Luz trying to gain some sense of certainty in her life after all the crazy things that left her unsure of even who she wants to be. Being with Amity is something Luz fought for and, if she wanted to give it up, she had two chances to break things off if having a girlfriend wasn’t an option. She could have confessed that they should break up after telling Amity about her promise or take the L in “Reaching Out” after screwing up Amity’s moment to shine. But She didn’t. Because Luz wants to be with Amity, more than anything. And Luz knows that if she stays in the Human Realm, then that’s the end of their relationship. With that being the LAST THING Luz ever wants, it makes her decision weigh heavier on her heart, making Luz feel even more guilt with each soft moment she has with Amity. Because Luz KNOWS she has to confess about staying eventually and actually plans on doing it this time. There’s no ignoring the problem and solving it on her own or lying about things being perfectly fine. Luz planned to have one last happy memory with the people she loves before bringing down the mood about her staying in the human realm. Then Belos happened, but instead of putting it off for a better moment, Luz still decides that she HAS to tell the truth. The only reason she doesn’t is that Camila stalls things by saying that they’re BOTH going to the demon realm to fix things. Luz agrees with that for now, but is still convinced that she has to stay home. She’s even ready to say that to Amity later, only to get interrupted by Kikimora’s insane plan to rule over teenagers. And by the time THAT’S resolved, Camila managed to help Luz get through her angst and help her understand that leaving the Isles isn’t an option. Which means that there’s really no reason to tell Amity or anyone else about the whole thing anymore. She could, but it’s not so big of a deal that she HAS to. Not anytime soon, at least.
To me, Luz wanting to come out and say that she’s staying in the Human Realm is done well enough to make it where she SORT OF learned her lesson in “Reaching Out.” I used to think the opposite and…yeah, it’s not perfect, but it’s good enough. Luz might still stall from saying the truth, and never does, but she still wants to. Luz was just struggling to find the right words or stalled for the right time. As for Amity, she knew that something was wrong but respectfully didn’t pry. Amity offered support when needed, but understood at this point that if Luz was hiding something, it was likely for a good reason. She’ll say it in time and Amity’s willing to trust Luz to do so. And while Luz never does, again, there’s no real reason or urgency to. Plus, trust me when I say that the last thing I want in the final season of The Owl House is more Lumity angst. I am perfectly content with there being primarily fluff between these two with just the SLIGHTEST angst sprinkled in.
I’m also content with the series ending with Luz and Amity STILL being together. They don’t break up, they’re not forced to separate, and neither die.
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…Well, not permanently, anyways. The show ends with them together and still dating up to three or four years if the time skip is anything to go on. They got a chance to go on more dates, say “I love you” to each other constantly, hold hands and share soft kisses, go to Grom WITHOUT the drama, have disagreements they can work through, and…likely do adult things in the future when they’re ready for it. They get to go through it all together, likely for forever. I know that there’s this opinion about how it’s unrealistic for teen couples to stay together, especially ones who only ever dated each other, but…I don’t really care. For one, it’s a work of fiction. In a work of fiction, I WANT to see the cute couple get together, stay together, and ALWAYS be together. No sane person should want Luz and Amity to break up unless their reasons are “I don’t ship it.” These two are cute and have a healthy relationship that communicates well and learns WITH each other. These reasons make Luz and Amity one of my favorite fictional couples in animation, as well as the best thing in the show.
Lumity being the best thing in The Owl House goes beyond them being a cute couple. It’s ONE reason, but there are still others. Luz and Amity’s relationship normalizes LGBTQA+ romance, trading spectacle for sweet, awkward teen love that was a joy to see every time. It was also a joy to watch their bond grow stronger every episode, seeing the natural progression of rivals to friends to now girlfriends. There’s no forced drama or stretching out the romance. The writers figured that fans would want a cute couple to be a GOOD couple, so they prioritized as much as they could to make it as appealing as possible. It’s why Lumity works so well. It’s a part of the show that the writers knew they needed to get right, so they tried their best to do so. With it came an impressive romantic subplot that I, and others, couldn’t get enough of, for the adorable moments, showing us how far these two grew, and giving them both a happy ending they deserve. For me, I couldn’t have asked for anything better from a show I love.
Now, a normal person would stop their big, six part long review after talking about what they call the best thing about their favorite show. Save the best for last, and all that. But I…am an idiot who didn’t think this through. And there’s two more things I want to get out of the way before the conclusion. So tune in next time as we discuss the STORIES within The Owl House.
Next Part
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neon-dynasty · 10 months
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Sidequests
After reviving Crono, the party still has more work to do before using their newfound motivation to defeat Lavos. Everyone (except Crono and Ayla) has unfinished business to attend to across the ages.
(As always, if you have any suggestions on wording, balancing, or changing everything about the abilities, please let me know! And if you do not want your artwork used for this, also please let me know!)
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Here we go!
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In the Middle Ages and Present, there's a barren desert where there was once a lush forest. Speaking with a young woman who lives nearby, the party learns that the desiccation of the environment is due to an overabundance of monsters. They defeat the monsters, but more work needs to be done, over many human generations. Robo volunteers, as it is his mission to help humans. He revitalizes the land and is enshrined and venerated for his efforts.
This card represents Robo's various tasks in reviving an entire forest. I don't need to explain each one at this point. I'm not too happy with the red ability, so if you have a better suggestion, go for it.
As for the incredible artwork, it was done by Tumblr user @anthonyvaccarelli and it can be seen here.
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Magus needs to rein in his former generals, who have since relocated to Ozzie's old fortress. Honestly, I'm not sure what the real purpose of this was, but I like to think that Magus wanted to clean up his mess with these three.
I didn't want to do too much work with the generals, so they all went on one card. They don't have the boss mechanic, which is a little weird. I don't even know what they'd drop, and for whom. If you have any suggestions, please let me know.
The artwork was done by Uncle Snowy, Tomoshi, and DeepInk, which didn't really fit on the artist line. It was for the Chrono Trigger Musical, by Man on the Internet, seen here.
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One of the most gut-wrenching parts of Chrono Trigger is the Origin of Machines questline. Robo needs to go to where he and the other robots were made. What he finds is a nightmare beyond words. Humans are being processed to be made into machines. His former friend attacks him and he discovers that the administrator of the facility, the Mother Brain, has been reprogramming robots around the world to kill all humans. Robo needs to destroy not only his dearest companion, but also his creator in order to keep humans alive on the dying planet.
This is just a top-down card representing the humans being processed. People go in, robots come out. It's an enchantment artifact because even though this represents an event, the event it represents is the machine supremacy. I went with Servo tokens because they're fairly well-established in Magic, but also, I couldn't find artwork of the robot enemies.
The artwork on this card, however, is done by Yuto Sakurai, one of my favorite CT fan artists. I can't believe I hadn't used his artwork before, but here we are. You can see the original piece here.
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This is a quest that makes full use of having access to a time machine. In the future, the party comes across a cave housing a shrine to the Kingdom of Zeal's exhausted Sun Stone. Before they can see it, though, they have to face off against the Sun of the Sun, its puzzling guardian.
I made this card so long ago! It's very top-down, but I like it. It's meant to be hard to kill, but worth the effort in the end.
The art was done by Enair and posted on Amino.
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Prominence is a photo of a real scientific phenomenon, the blue flame whirl, taken by Sriram Hariharan. Sun Stone is a cartoony fantasy object, drawn by Seo EagleSage.
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Frog also has unfinished business. The ghost of Cyrus is haunting an old manor on Choras, and the party helps clear the monsters so that the spirit can rest in peace. Cyrus tells his old friend how proud he is of the man he's become, and the closure allows Frog to use the Masamune to its fullest potential.
The mechanics of this card are very simple. Maybe a little too simple. I'm also not sure about the mana cost. The ability is very much in white's piece of the color wheel, which makes it a little awkward that players can't use it in a Frog Commander deck.
There's such little fanart out there of this particular quest, so I went with a scene from the opening cinematic.
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Finally, Marle's and her father have to repair their frayed relationship, but the chancellor keeps making things worse between them. Ultimately, he attempts a coup and it's revealed that he's the descendant of Yakra, defeated four hundred years ago. The party defeats the grudge-holding Mystic and presents evidence that the King did not sell Guardia's national treasure - the Rainbow Shell. Melchior then fashions gear out of a little bit of the shell, and it's some of the best in the game.
I made the Rainbow card over a year ago! This was before I started posting the cards in chronological order. Here's the description from the Imgur gallery: Crono's most iconic weapon. I wanted an equipment that got better the more colors you were able to pay into it. I think this can be tweaked to be a little better, if not less interesting. We'll see.
As for the art, once I saw this piece by Ahakarin, my jaw dropped and I knew a card needed to be made.
I also made the PrismSpecs card a really long time ago, but never posted it. I love the protection it grants based on colors, but I'm very proud of that flavor text. I think it's funny, at any rate.
The art on PrismSpecs is done by Lushie. It was the most colorful and cartoony art I'd ever used for a Magic card up to that point.
And that's that for the sidequests! It's not like there are two more coming up or anything like that.
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feral4daryl · 11 months
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Ok so first of all. My main man you do understand you can’t claim you actually made the “art” you “made” right? It’s AI generated.
“If it's created by AI, nobody can claim ownership of it or copyright it”
That’s law dude. You didn’t make any of the “art” your showing off. Anyone can come post it anywhere and claim it with no repercussions because quite literally. NO ONE MADE IT. It was made by AI. A robot. Not even the company can claim it because it was their bot that made it. Not them.
Lastly 👀💦 and this is no like jab to you at all but. Why not just draw or write this stuff yourself? It’ll always come out 1000% better than AI no matter what level you’re starting at. I mean dude. Ai can hardly render hands or complexity 90% of the time. Not to say I can either but like 👀 bro. Plus it always looks… the same. Like you can pose things however you want but it’ll always have that ai sheen to it ya know. No real heart or soul to it. You’re literally feeding a bot when there are so many artists out there that can be benefiting from this that would be willing to put everything they had into it (shading, dynamic posing, lighting, backgrounds,) for a few dollars or experience if you know them and ask nicely enough.
hello, good evening! ^^
yes, you are totally right. it's wrong for someone to claim rights over something an AI did, specially if it's supposed to look like art or a drawing.
however, i never did that. you probably saw my pinned post or the watermarks i started adding to the images, and I suppose that's why you sent me this, but just to clarify things, i do not care at all if people repost those ai images. like, I really don't. I've seen them being reposted countless times, specially on pinterest and i don't claim to have "created" them. all i said I did was write a prompt and the ai generator did all on its own. I made that very clear more than once.
I had an issue with that one specific creator I talked about on my pinned post because they were doing exactly what you're saying, they were claiming to have spent HOURS working on those "edits". they even said that I STOLE them. and when I confronted them, I made it clear that those were made in seconds.
and that's exactly why I started adding the watermarks. I didn't wanna do it in first place as I've said before, but it really pisses me off, you know? when someone tries to get clout for something that they didn't do. the watermarks prevent that from happening again, since they make it clear that it's ai generated. I mean, it literally says "made by ai".
also, i understand the issue regarding all that ai art thing, i really do. but those images are not made off art tho... you can tell they are realistic, since (as long as I know) the ai used real images (of real people, taken by cameras) that are available on internet. I'm also very against those ai arts too, that's why I never post any art looking images (or even if they're slightly artsy) that the ai generates from time to time, because I'm very aware that they steal from artists. I mean, i'm an artist myself. I'm not "feeding" a bot because... it feeds itself.
when I started posting the images, i was just trying to have some fun and share it with the fandom, I don't benefit from this at all. i mean no harm, and honestly, it's not that serious. if you don't like how it looks, well, you can block the hashtag "ai" (I always tag my ai images posts with it) and you won't see it again. you can even block me if it's not the type of content you're interested in, no hard feelings at all. anyways here's a screenshot that shows that I never took any credit for any of the images:
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well, I hope you have a great day, and thanks for addressing this issue. it's very important to talk about that. ❤️❤️❤️
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counttwinkula · 2 years
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i gotta say that one of my least favorite things about the modern internet is the ease with which people just accept that an image exists without any thought of its provenance
like, the most obvious cases of this are when an illustration gets turned into a meme and spread across the internet without the consent of the creator
how many times have you seen the original form of a viral image spreading around tumblr with people reacting in shock and awe, "that's what the original said?"
and here's an example that makes my blood boil: remember the iconic "one fear" comic?
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do you remember when someone removed the artist's signature, and then dozens of edits were spread with the words "one big meme" in its place?
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it's like someone was out there trying to make my point for me: that once the image goes viral and becomes exploitable (as we called it back in the encyclopedia dramatica days) the artist's identity gets filed off of it
but the other half of this issue, which is the part that really just confounds me altogether, is better represented by the sculptor izumi kato. if you don't recognize the name, you may recognize a very specific photo of his work:
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this photo of a work by kato (untitled, 2004) accompanied the original SCP creepypasta. in the years since SCP-173 was first posted this photograph and depictions of the character it inspired—a character whose physical appearance was taken directly from kato's art—has been spread far and wide across the internet's horror communities
(yes i know the SCP website has removed the image from the official website and i applaud that decision)
unlike teen comix, where any viewer immediately, if unconsciously, knows that this is a drawing and that therefore someone drew this, i think that the public does not have that same awareness when it comes to photographs
as many art critics have noted since the advent and spread of photography, the photograph occludes not only the concept of authorship (which is beyond the scope of this post), it also alienates the viewer from the idea of context—the image exists for its own sake, separated from the subject of said image
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the internet is built on weird images spread without any sort of context, and i get that. i also know that i'm the kind of person who thinks about this stuff and not everybody is
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(chris sharp, fire hydrant jack, ca. 2007)
what just makes me crazy is how people seem so willing to look at a picture and just think "i guess that exists" without taking a moment to think "someone must have made that"
and what irks me is how many blogs here—beloved blogs with tons of followers—repost and reblog this content without any thought put toward attribution when the item in question is obviously an art object. the blogs that come to my mind, and i do not say this with any malice, are ones that reframe the subjects of these photos within a D&D context, placing the focus on their "bit" and entirely eclipsing the artists whose works their blogs rely upon for content
the issue of attribution has become even more urgent because the efficacy of google's reverse image search function has plummeted
i cannot tell you how many times i have scoured the internet for any sort of image source for a work of art, wading through scores of pinterest and tumblr links, before suddenly finding the artist's name—or before declaring the whole matter a lost cause
that was when reverse image search was still useful, and nowadays for whatever reason (i am not knowledgeable enough to say why or how) it has ceased to be useful altogether. i have no idea what alternatives we have, and so i really think it falls on us to try to apply some code of ethics to this matter
i'm not saying i only reblog attributed images, i know that's basically impossible, but i am imploring people to at least think twice about this, and i am asking blogs with big follower counts that rely on other people's images to think about the impact they have on further distancing the art from its creator
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calumaai · 7 months
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UGLYWORLDWIDE: In Conversation Notes 
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Earlier on in digital life there was a seamlessness to crossing the boundaries 
Changes in the algorithm and chronology of instagram has changed how work can be presented and perceived  
Content vs Art - Jazzelle’s career is reliant on sharing via content creation for free 
Creator vs human 
Forced Participation for preferential treatment from the algorithm but the trolling makes it hard to keep up - toxic/violent
Building you up to bring you down is the maximum way to produce value via the algorithm 
Important for Jazzelle to not share parts of their life, keeping some rituals for them, audience  desire for authentic content but constantly 
The risk of violence for what reward - how much are we willing to give away for free for the possibility of money 
Does not read their DMs anymore, not sure how to handle with other’s trauma and projected view of them as successful 
Tries to find a balance between reality of life/mental health and fantasy of creation. 
Once replying, can't stop replying, no boundaries between them and audience
Can barely perceive themselves away from the imposter syndrome / self sabotage 
Values real life interactions 
“maybe I'm just posting my silly little pics and that I want to continue to treat the internet”
On balance they feel the audience do get a good fair perspective on them, but its not all they are 
Aware their actions are political 
Calls out safety in the digital crowd 
Wary of trying to encompass everything with a searchable, marketable trend 
Queer spaces (digital and physical) have allowed Jazzelle to form family but also have been taken away 
Cancelation - Diet Prada, hatred, death threats for visiting UAE, but queer people who lived there found it affirming and reached out privately
Audience feels ownership - Audience polices digital spaces - ‘but is anyone really 100% anything’ - Where are they in their journey  
Feels that they are coming off the platform due to social reliance (people  only checking in on them when they do not post) as well as the visibility 
Jazzelle was part responsible for a large charge in casting at the time of their rise to noterarity. 
Remembers first casting (Alexander Wang) and seeing tall, white skinny long hair models when they were bald and poor with big boobs - 2016 was the big shift 
Talks about keeping the door open for others 
Didn't want to be a sexy model, found beauty in themselves by taking away societal beauty standards but then changed them 
Was booked for being them but then on set would be put in ‘normal’ beauty looks 
Was being embraced to bring in queer/alt followings, not fully accepted, maybe tolerated 
Big change came when they realised they had a certain power, power to say no and keep their creativity to them/choose when/where to share it. 
Personal semiotics come from references, histories etc, individuals copying is ok but brands copying is worrying. Especially when they won't hire Jazzelle due to their beliefs but will take those aesthetics. 
Always approached digital with themselves, never separated or created differently - wouldn't change a thing! helped shift shift the industry + move along culture
Its normalised and OK to be freaks in London, Paris, New York - But hasn't been able to book high fashion campaign 
Positive feedback doesn't mean much, wants to be a good friend and family member. Does Not need to be told they are pretty or cool. Desensitised  
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ofthedarkwoods · 1 year
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Questions
Platforms currently?...
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Ofthedarkwoods :random shit all the time basically main blog
OfthedarkwoodsArtwork :Multi-fandom artwork and content
Pinterest
Ofthedarkwoods :filled w/ lots of references, art challenges, brushes, and more.
Ofthedarkwoodsfashion :different themed oufits perfect for ocs or going out.
Twitter
Ofthedarkwoods : rn all I've been focusing on is to share about Palestine hoping it'll keep spreading
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Is rebloginging your art okay?
Yes of course reblog away! The more reblogs the better!
Are you okay with me uploading your art to other platforms?
As long as you keep the watermark & give name credits i dont mind, maybe even a link so others can find me and enjoy my artwork as much as you do. If I see on any platforms where no name credit is given (watermark deleted.. ect.) I will get it taken down, so please be respectful. Also remember not every artist is like this so always find the creator and ask no matter how long it takes or how little research there is. Otherwise, I wouldn't bother posting any artwork.
Also for mature content like nsfw & gore I beg of you to put warnings. If you can't put warnings then dont bother rebloging or reposting at all. My content is not made for everyone and any mature +18 content without warning will be taken down forcefully. Anyone who sees my artwork being shared without warning let me know please.
Is dubbing your art ok?
Yes that is fine although I would still love to hear you ask so I can research your account, find out more about you, and maybe even like and support you as well. Just remember to give name credit please.
What mature content are we talking?
I wish to post more content like gore and consensual type themes in the future for other adults to enjoy. I have been experimenting with my artwork and seem to have found myself drawn to it quite literally. I have been observing pastel gore and just love it. All this type of art will have warnings and if anyone reposts this should have warnings as well or else.
OH! Please note I WILL NEVER POST ANY INCE$T, PEDØ, CØMSHIP/PRØSHIP TYPE STUFF SO FUCK OFF!
Why are you interested in drawing gore?
What can I say.. well, when I was younger, I had surgery and was always afraid of my scars opening up. It wasn't until recently I decided that my scars were something to not be afraid of and that it was all in my head, I started seeing the beauty in candy/neon/pastel/fruit gore. I saw it all in a different perspective and that other people must feel this was too. I want people who want to see it to feel the beauty and comfort like I do. I thought as though I'm reclaiming it for myself instead of being afraid but to embrace it.
I'm a minor under 18 how do you feel about that?
I'm gonna be forward and say i dont feel comfortable with minors on my page. I'm an adult I talk about mature topics and will be posting mature content (w/ warning of course). Yes I know I cant fully stop you from seeing my posts especially on other platforms but if you message me or ask any questions I will ignore/block you. The internet is a fucked up place and I truely wish more adults would take topics like this seriously. I really care about each and everyones safety so I will take measures into my own hands if i have to. I really dont want to be friends with childern so please respect my wishes and leave me alone.
Are you open to commissions?
Unfortunately no. I'm still figuring out some things at the moment but I will take suggestions for any lgbtqia+ icons to have as a pfp. I mean starting a business is tough and I want to take my time with my art on my own terms, I'm still a part time artist and on top of that I procrastinate a lot so deadlines are exhausting.
How do you feel about Spammimg?
If we're talking about DMs I honestly wouldn't really perfer a ton of text messages to reply to however you're welcome to hit the like button as much as you like. It shows your appreciation and I know what its like finding an artist with cool artwork to enjoy. Comments are fine but I dont think I can respond to every single one.
Are you trans?
Yes probably non-binary specifically with they/them pronouns because I feel like the "given" binary spectrum and "gender roles" don't really suit me. I mean most days I feel "feminine", some days I feel "masculine", and some days I wake up feeling neither, or sometimes I wake up feeling both. Gender is very confusing so for short I'm nonbinary.
Why did you quit Instagram?
Animation is one of the hardest things I've pushed myself to do. Instagram's platform wasn't necessarily fitting to my standards per say. My technology kept failing as well and made it difficult to keep a steady rhythm with posting. But also in other words I felt many users wouldn't accept my artwork as much as they'd accept my videos. I also felt that many Instagram users didn't see me as non-binary meaning many didn't use my pronouns correctly. I felt like all this together was enough to push me away. Tumblr felt more freeing than Instagram and so far its been more enjoyable, but none the less I made friends and will miss them dearly.
Will you do anymore Animation?
Yes i do animaton but wish to expand more on that later... right now it's just artwork and edits. I've thought about posting to YouTube but idk..
Why are you so political?
I think everyone is affected by politics all over the world. It's a part of our society, and I do have morals so of course I'll be evolved. Like already most of the world is against me for their own selfish insecurities and I realize that I have some privilege of my own and should stand up for others when they are faced with unjustifiable terms. I get that people need breaks and yes please take breaks and take care of you basic needs but without ever talking about any issues, wintnessing but keeping to yourself, or simply not teaching and discussing your feelings with others can lead to serious problems or issues that will never be fixed. There is always a time to bring up your concerns and make yourself feel heard but remember things like this take some time, communication on every side, and a good support group.
You are welcome to block, ignore, or mute me but I'll always keep posting important topics.
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wufflesvetinari · 4 years
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IA copyright lawsuit, or “The Wayback Machine is Under Attack”
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So, the Internet Archive copyright lawsuit thing is more complicated than it appears. This is a good rundown of the legal questions involved, while this NPR piece describes the reaction to “National Emergency Library” that pushed things to the brink.
TL;DR, the IA provides crucial archiving services (including the Wayback Machine), but they’ve recently started a large-scale illegal lending model that put their other services at risk. This is really disappointing to me and I’m going to write a long, dry post about it.
Essentially, the Internet Archive has historically only allowed books to be “lent out” digitally to as many people as the IA has physical copies stored. So if they have 2 copies of Mary Sue’s new book, only 2 people can be reading their PDF scans at a time. This was enough for many publishers and authors to look the other way (although groups like the Science Fiction Writers of America has been decrying the practice for years, since in many cases they were “lending” books they didn’t have licensing for.)
Because, while this is similar to the system used by libraries, libraries pay for each lending copy of their book (ensuring that the authors, artists, publicists, editors, etc are getting paid). the IA, from many accounts, did not pay for all of these books in the first place. but again, small-scale enough that nobody went after them for it.
Due to the pandemic, they removed the waiting list for these books, arguing it was in the national public interest to have access to knowledge. Great! I respect this ideology. Except that rather than paying ~$0 for two digital copies w/o author permission, they’re now paying ~$0 for unlimited copies w/o author permission. Writers who put years of labor into these books began kicking up a fuss (including Chuck Wendig, who’s receiving death threats because I guess he’s the most recognizable name involved?) and publishers sued.
So nobody’s goal is to get the Archive taken down entirely. Instead, the argument is that the damages claimed in the lawsuit could absolutely be large enough to cripple them. The IA ended the emergency lending program earlier than planned, so we’ll see if the suit goes through after all.
So, why is this complicated?
On the one hand, copyright law sucks right now and many are understandably infuriated at the idea of huge publishing companies suing a free library. 
On the other hand, they were not operating as a library, and creators were failing to be paid for their work. with the new lending model, Mary Sue Author (who, as an average author, receives wages below the poverty line) is worried that this change is actively preventing her from making a living. If she’s a new author, an impact to her numbers is enough to ensure that the publisher doesn’t buy her next book. 
If Mary Sue is a marginalized author, she’s especially at risk of economic insecurity. If Mary Sue and authors like her cannot afford to write books, writing remains a domain of privilege. 
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(Also, there’s some legal argument that if Mary Sue fails to actively protect her copyright, she could lose it. I’m not an expert and won’t weigh in on this.)
But wait! (Common Counterarguments swirling on the Twitters):
“Writing should be a hobby anyway. If you care about making money for your art, you’re not a real artist.” Hopefully we are all familiar by now with how shit this argument is; we see it a lot around here flung at visual artists. Pay people for their work! Also, again: this is how you get a bunch of WASP authors and nobody else.
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“It’s actually the publishers screwing the authors, so this is a punishment for the publishers.” Except it is...not. It is not. The people most likely to suffer would be the writers, not the publishers. 
“Libraries are closed, so what are we supposed to do about it?” This one is tricky right now, but I’d first check to see if your library participates in an e-lending service (many do). check out OverDrive or Audible, which do pay authors. Project Gutenberg has free classics in the public domain. Amazon has its own problems, but Kindle Unlimited allows access to many, many free books where the author is actually seeing payment. 
“Okay, but why should the digital library of Alexandria go down because some authors are mad?” I honestly really want to ask this question to whoever was making these lending decisions at the IA, because I also am very pissed about it. I don’t know why they thought publishers would ignore this very blatantly illegal thing (not even “grey area”--just under current copyright law, completely illegal). Regardless of whether copyright law currently sucks ass, it was a weird move! And now bad things are happening.
“Fuck off, everybody mad about this writes YA and science fiction, not real literature. Who cares if those guys get paid?” Seriously. This is a very common rebuttal on Twitter right now. Burn Twitter.
“Honestly you’re right but I just want free shit.” is it weird that this is the response I most respect
In case you skimmed all that, my point isn’t “copyright law is good, actually.” It’s that the issue is more complex than donation drive posts have portrayed it as. 
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likeadog · 2 years
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for context the furry server im in has a vent art channel and i was feeling kinda weird about its existence but like. maybe i just dont think "vent art" should be separated from art in general. the distinction as a category doesnt make a ton of sense to me. shuffling off all of the things you make under the influence of "bad" feelings to be compartmentalized as if it cant coexist with other factors is strange to me
its not taken seriously by people in art spheres and is instead something to mock people who are "cringe" or get their feelings hurt too easily (which is its own thing). like, how do we classify "vent" art? are goya's black paintings "vent art" now? why does it specifically become an object of mockery once the creator and or medium and or subject is one you want to dismiss as superfluous or shallow?
some of it is obviously heavy handed and may make you cringe a little because of it, but that doesnt mean it can be dismissed or mocked on that basis. art is a tool of communication, sometimes people dont have the "words" to express how they feel with the level of eloquence people expect from them, just because its visual doesnt change that
art criticism should focus on technique and if it does/does not succeed in communicating what it is trying to communicate, and furthermore in what it DOES communicate for example: sexual fanart of minors is bad BECAUSE it SUCCEEDS in communicating the EROTICISM of CHILDREN. it has little to do with the fact the genre of art may be comic or painting or otherwise technical criticism should be focused on being constructive towards ones own skills or the skill of the artist being criticized, and it may tie into how a piece of art succeeds/does not in communicating its message.
dismissing something on the basis of “vent art” ends up lumping in art that may be unrelated all into one category. exploitation material is bad because of it’s exploitation, not necessarily because it depicts something that is objectively dark or upsetting. ergo, the focus of the criticism should not be "you drew a bad thing", it is "you drew something that was unclear in its purpose OR that was explicitly trying to exploit the pain of a human being"
like with SOLELY visual art especially it can be easy to point at someone who solely draws waifish figures in juxtaposition of violence as being exploitative in their art, but it could be the exact opposite in intention and when the finer details are examined. a lot of people jump to conclusion about visual works because they want to be able to decide if something is "good" or "bad" from the outset, and visual language and analysis isnt something thats taught on a larger scale
like just with the concept: A young woman in a war scene, wielding a gun despite her age. is this a critique on the horrors of war and cradle-snatching of militarized governments who see humans as fodder, or is a weirdo anime fan who wants to glorify the fascism the first person is trying to critique?
art is also just taken a lot less seriously if its posted online because of the assumption that the internet is an "open" and therefore "lesser" forum that post about horror artists being  when the 500th unfunny person comments "me looking for beans at 2 am" on their art isnt really that far off when you make something sincere online, the irony-rotted brain state of social media means a lot of people see it as the springboard for a joke, not art, which i think circles back to how vent art is regarded people criticize vent art for "not taking things like mental illness seriously", but then they also refuse to engage with the art and acknowledge that the person who made it may be taking it seriously, and that this is just how they express that, whether due to lack of skill or just because that’s what feels right to them.
and it’s the same with traumacore. i think traumacore as a term diminishes trauma, but i think it’s also important to understand why it exists. you can’t ONLY remember the “trauma” part of “traumacore” when you want to criticize the people making it and compare them to abusers. most of these people make this art because they were abused, and are suffering in some way. traumacore exists because the internet is hostile to personal narrative, and so in order to justify putting their feelings out there without being harassed, it must become a commodifiable aesthetic that will not be questioned. this does not make it GOOD, or HEALTHY, but the complete lack of compassioon towards people expressing their suffering is disturbing.
if someones art is saying "im suffering and i dont know why" or "im having trouble maintaining my relationships with other people" or even just "im sad", arent you the one who isnt taking those things seriously by disregarding it on the factor of amateurity or because its not said in the same way you would say it?real people make these pieces. just because the subject in question may be a colorful animal doesnt make those feelings less real. surrealist commentary on the world isnt null because they drew "silly" things like melting clocks
you must acknowledge art as art in order to criticize it. i criticize buzzfeed comics not because they arent art, but because theyre an artform designed with profit in mind and are entirely detached from anything other than a narrative of being safely "quirky" . which i personally dislike and it is okay to say something is just "ugly". thats a subjective statement. and art is subjective. ugly art is art, and it being ugly does not inherently deny it meaning or communicatory value
and in the end, this constant mockery and demeaning and seperation of art on the VIRTUE of it being “vent” art instead of criticizing exploitation in the work or what it communicates over all will only shame artists who seek to make art about their lives and feelings.
**i am saying this under the presumption we are all aware of how i feel about material that exploits others in any form through either indirect or direct means yes ok alright proshippers die challenge
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thefanficmonster · 3 years
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Real Friends
Valkyrae & Reader (Male)
Warnings: Swearing
Genre: SMAU, Platonic fluff, RPF (Real Person Fic)
Summary: Following an accidental and not very consensual face reveal, Y/N’s dealing the sudden shift of the spotlight on him even more than it was before. Being the big deal he is on social media, the internet has every right to be freaking out. Luckily, he’s got a friend to help him cope with it all.
Requested by @iawaythrown Hii! Thank you so much for your request! I’m so sorry for how long it has taken me to complete your request and post it but here it finally is. I’ve never written a SMAU before so this isn’t the classic SMAU format but I still hope you’ll enjoy it! Love, Vy ❤
Imagine you end a toxic relationship of almost a year and go to bed feeling like a ton of bricks has been lifted off you, like you can finally breathe properly and like you’re finally getting a taste of freedom. The very freedom you chose to lose by getting in the toxic relationship in the first place. Of course, I didn’t know it was toxic at the time, probably cause it wasn’t, but it gradually turned into a nightmare.
A nightmare that keeps haunting me even after I thought I had put an end to it.
Apparently, that was wishful thinking cause I woke up this morning to find an unbelievable number of notifications and messages from friends, family and my manager and associates. Being in the music industry as a faceless creator, I keep my circle tight and it only consists of people I can trust so to see them all freaking out at me at once, even the most level-headed ones, freaked me out too. Quickly, I opened the first notification I reflexively tapped on and it opened a post in which someone had tagged me.
A picture taken of me while I was asleep, no doubt one taken by my ex. That being said, I think we can all have a guess at who posted it in the first place. I didn’t listen to my manager when he told me to not allow anyone I trust 1000% into my inner circle. I was foolish and at the peak of my career, feeling on top of the world and feeling invincible which was rare for me. I’ve always been insecure about many things in my life, growing up with a lot of judgy people made me be that way. Not to mention that I didn’t want to be the victim of the internet’s racism either. People turn a blind eye most of the time, but it’s still there, it still exists and looms over all social media platforms, disturbing people’s peace left and right.  You see, I didn’t want people to have an opinion of my art based on my appearance or associations with other creators. I’m pretty good friends with many content creators, especially in the gaming industry, but I’ve never wanted to be put in a box as one of the many friends of someone famous. I made a name for myself without anyone knowing who I am exactly.
And now they all know because of this photo that my ex sent to float down the rivers of hungry social media:
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Damn am I gonna get an earful from my manager or what. It’s still rater early though and I’m really not about to deal with this drama on a caffeine-free brain so if there are any calls, emails or messages that need answering - and yes, there are PLENTY of them - they’ll all have to wait until I feel like dealing with them. I’m glad I don’t have to keep up this unbothered charade at home since I live alone cause I seriously don’t feel ok with this. I mean, I could probably report it, but what use would that be when my brand now has a face and a huge chunk of my privacy has already surfaced against my will.
As I sit in my kitchen, sipping my coffee, I finally gather the nerve to at least scroll through the notifications that I’ve received. Fans reaching out, relatives, friends, pissed off people that are there just to exist and try to disturb my peaceful existence but all they’re gonna get is a hard DELETE from me. I have offers on top of offers for modeling pending, waiting on my response. I’ve never considered it, being a faceless creator and all, but my manager will definitely want to milk some cash from this too. That thought makes me sigh in defeat. I have no one to blame but myself for trusting my ex. No one made me do it, no one made me let them in, but I still did, fucking myself over insanely. Just like they’ve now fucked me over.
Amongst the sea of notifications and yet to be opened messages, one in particular stands out and makes me do a double take. It’s a message from my friend Rae - Valkyrae, as she’s known online. She’s one of those gamer friends I mentioned earlier, probably the one I’m closest with. Her and I talk on the regular so seeing a message from her in my inbox is nothing unusual so I wonder why that was the one that stuck out to me. Regardless, that’s the only one I feel like opening and replying to at the moment.
V ~ Hey Y/N, you doing ok? This all must be really hard on you so don’t feel obligated to reply. Do so when you can or want to. I’m here if you wanna talk
Of course Rae would be the one to know how I truly feel in a situation like this. I can act and cover up all I want but she knows exactly what’s underneath the surface of my façade. That third eye friends have for each other, it’s incredible.
Me ~ Doing ok. Wasn’t expecting to wake up to this but now that millions of people know what I look like it feels oddly bittersweet, you know? Like I don’t have to go out of my way to hide anymore but I’m also gonna miss that privacy I had while I was a phantom
Me ~ On the upside: people want me to be a model now XD
My message goes to Seen almost write away, the Typing icon appearing shortly after the messages were read. I wait for Rae’s reply, sipping my slowly cooling coffee with little interest due to how invested I am in our conversation. If there’s a person who can make light of this situation, it’s Rae, no doubt about it.
V ~ I know what you mean. It’s not gonna be easy to adjust to but you will get used to it eventually. I’m sure you’ll even grow to like it. Promise you, it’s not that scary to be exposed, there’s literal millions of people who support you wholeheartedly :) 
V ~ Us, your friends, are here too! Never forget that, we’ve always got your back, Y/N!
V ~ Oh and you really should be a model! Whoever’s saying that has got the right idea. Maybe don’t fear this new change, but embrace it! Take this new turn in your life confidently. Sure, it was out of the blue, but do you really want the person who exposed you to feel the satisfaction of bringing you down? That doesn’t sound like you at all tbh
The epiphany strikes me as soon as Rae’s words sink in as I read them. She’s 100% right. The last thing I want is for my ex to think they’ve won. I refuse to give them the pleasure of tasting victory on the expense of my mental health and career progress. In fact, imma show them just how much they benefited me. But first...
Me ~ Thank you so much, Rae. Thank you from the bottom of my heart for this eye-opener
Me ~ I owe you one <3
I sure as hell owe her one, but for now I have other battles to win.
Rifling through my gallery, I find one more recent picture and without a shred of doubt or hesitation, I go straight to Instagram to post it.
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~ “Since y’all were curious...And since y’all wanna see me model, you’re welcome” ~
Within seconds likes and comments start flowing in like a riptide, taking over my phone that, despite being charged all night, is already at half of its battery life.
I refresh the page with the post to look at the new comments that have come through, all supportive and complimenting me, some are real thirsty and some are incredibly kind. And even in that sea, her comment still sticks out to me, making me grin like an idiot.
“That’s what I was talking about! Work it, Y/N!“
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dmnfox · 3 years
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“I googled it” “I don’t know who the artist is” THEN DON’T USE IT.  Wanna know somethin else? IF YOU CLICK THE IMAGE YOU’RE LOOKING AT IT HAS A LINK YOU KNOW.
Also REVERSE IMAGE SEARCH
Thank you for coming to my Fex talk. --------
Posted this on Twitter but I’m going to bring it here as well. I want to make this train/trend go on about our experiences with art theft. I know us speaking out won’t stop art theft as that is a very impossible mission, but I’m hoping that this will come across people unaware the damage they cause by simply using an art piece with no proper credit given, permissions asked, or not showing resources on the art.
I want artists to have fun with this little side project on drawing out their experiences with their oc’s/persona’s of art theft. Or maybe if you have yet to experience someone stealing your art, draw your support of being against the idea of art theft - it would be much helpful. Hash tag the piece #voArtists and/or #VoiceOfArtists. (I just realized today that #voArtists also stands for Voice Over Artists WHEEZE but I’m going to still roll with it. I already tried dodging VOA becauses that stood for Voice of America dlosahgiusdhg) I hope this gets messages spread around about art theft as many of us artists are tired of it happening. Just saw a friend’s art get taken when it had a large signature of their name on the bottom and it was simply cropped out in their edit with no credit given.  The excuse we got was “Oh I didn’t know who the artist was when I found it” but used it anyways. I say again. If you don’t give credit, research the image’s original source, reverse image search, or even care to mention that the piece is not yours in description you do not use it as it doesn’t belong to you
I’ve had my drawings found on the internet and even one of my characters trying to be sold and I’ve even gotten “Oh well its on google” or “But its on the internet which means I have the right to use it”  Me being the artist of course answers “Me being the owner and creator of the image I did not give you permission to use my property” And of course they proceed to argue the fact that its online and free to use.  Worst part is, is that it is very difficult to get our art taken down upon request to that art thief. Sometimes we are ignored, blocked, or even told off then blocked. Those are the fun ones :) Some places don’t have proper reports to assist us in cases of art theft. Tik Tok’s report system is dog shite. You try to report property theft they ask for your full personal information and proceeds to say “You give us permission to share this with the other party” that is not ok. Gonna stop here before I keep ranting and rambling haha, apologies.  But please do help support this and spread the word. I’d like to see stories out there and I’m even checking these hash tags to see art that’s been made on this and stories being told. 
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oh I'm interested in the tag novel on how fan spaces becoming more meat spacey benefits the producers!! also happy Halloween! 🖤🧡🖤🧡
It’s not a particularly academic argument---I don’t have sources to back this up, I haven’t done research. I’m also wary of painting a picture of “fandom” as anything more than a lot of weasels in a trenchcoat, because that word means a lot of things to a lot of different people, some of whom hate each other. But as long as everybody understands that this is the ethnographical equivalent of drunkenly throwing darts at a copy of the AJS...sure.
[under a cut because it’s long and baseless, and also I had a lot of thoughts and feelings. Sorry.]
My basic premise is that fandom occupies “fanspace.” Fanspace is not solely online, since fanzines and conventions are fanspace too, but since the 90s it has become increasingly and primarily internet based. While some websites are designated fanspace (e.g., AO3, ff.net, stand-alone fansites) fanspace is not necessarily contiguous with a hosting site (e.g., there is fanspace on tumblr, but tumblr is not a fanspace). Fanspace is really just those urls, message boards, threads, blogs, accounts, etc. designated for fandom and/or where fannish activity takes place.
Its deeply-rooted internet presence has allowed fanspace and what I call “meatspace” to operate on different rules. Meatspace has always informed fan spaces, of course---disclaimers on fic to ward off accusations of copyright infringement, for example, or asking readers to attest that they’re over 13 before reading an R-rated fic. But traditionally, fandom has accepted as norm things that don’t apply to meatspace: fake names and anonymous posts, pictures of someone else’s characters, lengthy self-published stories featuring violence, explicit sex, sometimes even gay people. Fanspace is in many ways an artificial carve out from meatspace, where fewer of its rules apply; fanspace supplements these with its own norms.
The division between fanspace and meatspace is not and has never been a clear, settled line, however. Debates on how much meatspace should inform fan spaces have been raging for as long as I’ve been on the internet, and to be fair to meatspace, it has made good points. (I’m not sure if “don’t be racist,” counts as a meatspace rule given...racism, but fandom frequently reacts to it like a meatspace intrusion so I think it should count.)
However, what used to be intra-fandom conversations have become increasingly more public, for a few reasons:
Part of this is just the natural development of the internet---it’s not like fanspace was ever hidden, but there just weren’t as many people online, and stuff was harder to find in a pre-google, pre-algorithmic promotion world.
Part of it is the changing architecture of fanspace---websites shutting down, Strikethrough, and the tumblr porn ban have all, in their own ways, served to alter fanspace and move towards more and more public-facing sites.
But part of it---and this is the biggest factor, I think---is that over the last two decades, we’ve seen content-producers** increasingly willing to engage with fandom. 
On its face, this sounds good! After all, fans like people who make things, people who make things want fans. What could possibly be wrong about both sides recognizing their mutualism?
I think this works when the most interaction you could expect with a creator was showing up a bookstore to ask Tamora Pierce a question, or writing fanmail to Paul Gross. But it falls apart when you consider just how public-facing fanspaces have become, and just how much interest content-producers have taken in cultivating the fannish audience. Content-producers engaging directly with fandom are a thumb on the scales of mutualism, and a heavy one. After all, one side of the relationship is a loosely collected anarchic cult, migrating along a series of websites they mostly don’t control, making do with nothing but ongoing wank and general obsessive tendencies. 
The other side has D*sney, Harper Collins, and Comcast.
That thumb on the scale has paid off, more than I think even the content-producers could have anticipated. Fandom is good at loving what it loves and talking loudly about it, but capitalism is way better at doing what it does---turning everything into profit. So now people pay $100 a pop to go to Harry Potter World. Conventions are well-produced extensions of their parent companies, raking in money and providing a blitz of publicity---directly to the source most likely to take your messaging and amplify it. Make a superhero movie and the minute the trailer drops you conjure up thousands of online fans will be your de facto, unpaid publicists---generating interest via fan art, fic, and controversy with minimal corporate effort.  Of course fic writers who have established online presence are the darlings of the publishing world---what publisher wouldn’t want a built-in hype machine for a new author? 
And, just coincidentally, of course, fanspace and meatspace are drawn closer together, that line further blurred by this new and very, very interested third party.
I’m not saying this is some big conspiracy. No tv exec is out there rubbing their hands together and cackling evilly about how they’re going ruin fandom. But in exchange for meatspace validation and an endless stream of new content, I think fandom has ceded important ground. And I think it’s changing fanspaces, even now:
One of the founding rules of fanspace is that it does not generate money---you risk real copyright infringement that way. (This isn’t to say that money hasn’t been involved in a few massive fandom scandals, but it’s not typical.) Increasingly, however, the grumblings about getting paid for fan art and fic have gotten louder, probably due to meatspace’s general emphasis on the side-hustle, and seeing content-producers churn out more and more fan-like things for a profit.
(It seems unimaginable now, but once upon a time the HP Lexicon was an invaluable resource, a rare unicorn in a pre-wikipedia age. Now, D*sney wouldn’t even think of releasing a tentpole movie without a novelization, a picture dictionary, and a tie-in novel.)
Also, those calls for fan art that “might be featured” by a content-producer are (rightfully) scorned for asking for work pro bono. But the takeaway seems to be “we deserve to be paid for our fan art!” rather than “how dare the content-producer intrude on our fanspace and its activities!”
Fanspaces have never expected or required legal ID, permitting anonymous or pseudonymous activity in order to protect individual privacy. And while there’s still no expectation you link your legal ID with your online/fan ID, the norm has shifted---it’s no longer considered gauche to go by your legal ID, even necessary when turning mutuals and followers into an “audience.” We’re not anonymous fans, engaged in our mutual hobby anymore---some people are doing that, and others are potential content-creators.
I’d argue that even purity wank if an example of this new blurring, classic “don’t like don’t read” arguments taking on new life now that meatspace is so nearby---we wouldn’t want to offend the neighbors!
Even these things benefit the content-producers: the more fan-like stuff they churn out, the less fanspaces will create on their own; the more fanspaces that emphasize linking legal ID to online ID, the less people will be able to engage in fan activities privately; the more meatspace rules assert themselves on fanspaces, the less fanspace we’ll have.
Now, maybe this is just...evolution. As I said before, there is a porous and shifting border between fanspace and meatspace. I remember angry threads about whether m/m fics should be rated higher than a het equivalent; I remember the tagging debates, the incredible resistance to accurately describing what happens in your fic. Maybe in a few years, my longing to return to a more separate fanspace will seem equally as embarrassing, incorrect, and unnecessary. 
But right now, it feels more like an erosion---one fandom is about as willing or able to resist as the tide.
.
** “Content maker” is a term that’s come to mean “anyone who makes something” which is sheer nonsense. There’s a difference between publishers/television producers/movie studios and someone recording a podcast in their bathroom. There’s even a difference between D*sney, a vast undead creative monopoly animated by copyright protections, and someone like James Patterson, who uses a stable of ghostwriters to churn out “his” works. We shouldn’t be scrutinizing all these things them the same way, it’s lazy, and intellectually dishonest.
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Paint My Spirit Gold
Dukeceit Week Day 2: Green/Yellow
Fans of the YouTubers "Deceit" and Remus "The Duke" Sanders start to suspect that maybe, just maybe, the two of them are more than simple internet pals.
AO3 Link: [here]
Word Count: 2187
Warnings: n/a
@dukeceitweek <3
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[ID: A screenshot of a Twitter post by user @CallMeDukie. It features a watercolor-style painting of a snake. The snake appears to be made of melting chocolate, and there is a large bite taken out of its tail. Cherries and jam are leaking out of the snake at the bite wound. The snake's expression of horror is overly-exaggerated to the point of comedy. The caption reads: "liked your snake boi, @SerpenThyme. thanks for the inspo." /end ID]
A notification ding cut Janus off mid-sentence. 
“Wow, someone left their cell phone on, so professional,” he said, giving the camera a dramatic eye roll. That someone was him, of course, because he was the only one in the apartment- just him and the running livestream- but that was no excuse not to be a drama queen about it. He finished wiping flour off his hands and grabbed his phone to silence it; but the notification made him pause. He flicked his eyes up toward the camera and gave a slight smirk.
“My goodness, I’m famous,” he drawled. “The Duke himself has graced little old me with some fan art.”
Most of the comments in the chat wanted him to show it, so Janus opened up Twitter to see the full post he’d been tagged in. It was a watercolor painting of the coiled-snake chocolate sculpture- lovingly named Jake by his viewers- he’d made for his YouTube video last week; it was wearing an expression of such comedic horror that Janus had to stifle a laugh. He flicked his phone screen toward the close-up camera on his counter so his viewers could see.
“How kind of you, Remus,” he said. “All of you should go scold him for what he’s done to poor Jake here.”
Most of his viewers would know he was joking- after all, they were the ones to nickname him Deceit when he provided neither a real or fake name for his online persona. They knew full well what he was like by now.
The oven timer dinged. Janus silenced his phone and set it aside.
“And our first batch of cookies is done. You know, why don’t we show the Duke some appreciation?”
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[ID: An Instagram post by user @SerpenThyme. The photo is an artistically-framed shot of a stack of sugar cookies with green, yellow, and pink icing. Propped up against the stack is another cookie, with an intricate icing-drawing of an octopus. The photo appears to have been color corrected to have high contrast, low saturation, and a dark vignette at the edges. The Instagram user @OctoDukie is tagged. No caption. /end ID]
“You know, I have often been accused of actually being a little old lady, what with my fondness for knitted jumpers, rocking chairs, and incredibly fucked up murder mystery books. Today I am doing nothing to dispel this accusation, by making soup.”
The studio was dark and empty aside from Remus' workspace. Everyone else had left long ago, even his own brother, which meant that it was officially ass-o'clock in the morning (or, as most people called it, somewhere between 1 and 2 a.m.) But Remus was stuck in hyperfocus, honed in on putting the last touches on a commission that he'd been putting off for weeks. It's not that it was a tough painting- once he'd gotten started, it was actually a very creatively satisfying piece- but man, executive dysfunction could go suck a dick
“French onion soup, specifically. Because while I do like to pretend I am a classy bitch, I am also, regrettably, a lazy bitch with a distaste for anything that takes longer than one bottle of wine to make.”
Remus hated working in silence. It was stifling, almost suffocating. His brain needed noise like his lungs needed air. So when the studio had grown still and silent, Remus had flipped open his laptop and queued up some YouTube videos. 
“So we have here three pounds of onions that we need to slice up, pole to pole. You’re going to cry no matter what, so if you have any memories you’ve been repressing since middle school, now is an excellent time to dredge those up.” 
And if it happened to be 90% SerpenThyme videos, well. Sue him. 
“Now the first rule of caramelizing onions: fast and sloppy is always better than slow and thorough… at least, that’s what every man I’ve ever slept with tells me.”
Remus choked and glanced over to his laptop screen just in time to catch Deceit's trademark smirk directed at the audience just for a moment. It was the deadpan delivery that always got him. Remus could barely hold onto a joke long enough to get through it without cackling mid-punchline, but this fucker could say the funniest shit like an off-hand comment. 
He wiped his hands off on his jeans (what use were clothes if you couldn't use them as paint rags?) and pulled his laptop across the table.  He typed out a quick comment, citing the timestamp of the joke, and after it was posted, he shut his laptop. 
'Cause ass-o'clock was short for "get-your-ass-home-or-I’ll-kick-it" o'clock. 
-
[ID: A screenshot of a YouTube comments section. The first comment is by user TheDuke, and reads: "10:42 wow, rude." The second comment is a reply by user SerpenThyme, and simply reads ";)" /end ID]
-
Janus plopped down on the couch with a slight groan. He didn’t need to stream today, but he really hated missing days. Besides… he was fine. Really. 
He adjusted the camera until he was happy with the framing, and then checked the settings on his streaming software. Satisfied, he started the stream, and watched as his usual viewers rolled in. 
“What do you mean I’m not in my kitchen?” Janus drawled, addressing the chat. He glanced around with an expression of faux-shock on his face. “My goodness, when did that happen?”
He chuckled, and then gestured to his surroundings. “Yes, we are in my living room today. If you must know, my closest and most trusted friend tried to murder me today- yes, Virgil, it was attempted murder and nothing less- and I survived with nary a scratch… and a broken foot, but that is beside the point. Anyway, I’m not allowed to stand for long periods of time, and I may or may not be somewhat inebriated by pain pills and couldn’t stand even if I wanted to. So we are cooking from my couch today.”
Janus paused for a few moments to read the chat messages as they popped up. A few get well soon’s, a few theories about the “attempted murder,” Virgil- who moderated his chat for him- vehemently denying the “attempted murder” but otherwise refusing to clarify the event, and a large volume of wtf why are you streaming today, take care of yourself comments, which made him smile. But one particular comment caught his eye, almost lost amid the torrent of an active chat: wait this kinda looks like the Duke’s living room?
“Oh, VampSuga,” he said, addressing that commenter in particular with a slight smirk. “I haven’t the faintest idea what you’re talking about. Anyway, since I can’t reach my oven from here, I thought some no-bake cookies were in order. For these you will need-”
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[ID: A screenshot of a Discord conversation. The text reads:
“VampSuga: Ok ok hear me out. Dukeceit. 
Starstruck96: who?
IneffableSnek: lmao
FeralBeauYasha: lol
VampSuga: Deceit and Remus Sanders! They’re totally dating. I will die on this hill. 
FeralBeauYasha: Isn’t the duke w/ PatPat?
IneffableSnek: no thats his brothers bf
FeralBeauYasha: ohh
VampSuga: Did anyone see Deceit’s stream today? I swear that’s the Duke’s livingroom. 
StarStruck96: idk that seems like a stretch
IneffableSnek: no wait i kno what u mean
IneffableSnek: im watching the duke’s old videos and that one where he shows off all his old weapons he’s in a living room kinda like deceit’s 
FeralBeauYasha: They were acting all cute on twitter too
VampSuga: DUKECEIT”  /end ID]
-
"Hey guys, been a while since you've seen my face and not just whatever my hands are busy with, when it's within YouTube's terms and conditions I mean. They used to be way more lenient…" Remus trailed off for a moment, then shook his head sharply and plastered on a grin. 
"Anyway! In June me and a few other creators did a fundraiser for the Trevor Project, and y'all smashed the goal, so I let you decide what video I'd make this month." He paused, and gestured to the mountain of clothes piled behind him on the bed. "And you had so many juicy ideas to choose from, but you decided to dress me up like a Barbie instead."
Remus paused to scroll through his phone for a few moments. "Ah, ok, here we go. Twitter user YoonIsMyCat- oh, BTS, nice- sent in this first outfit. Uh… future Remus, put up the post here somewhere." He gestured vaguely to his right. "Y'all went with either a fuckton more clothes or a fuckton less clothes, which I respect. Apparently this outfit is called…” He squinted at his phone. “Amish chic? I take it back, no respect at all.”
Remus cycled through the outfits his viewers sent in, which ranged from the aforementioned “Amish chic” to “2008 rave attire” to “ok now you guys are just fucking with me” (which consisted of one of those big puffy snow coats, lime green in color; booty shorts with the shrug text emoji across the ass; fuzzy pink boots; and a yellow cowboy hat to top off the whole thing. It was awful. Remus loved it.) The mountain of clothes on the bed gradually became a mess of clothes spread across the floor instead, until there was just one outfit left. 
“Ok so Twitter user VampSuga sent me this outfit that I’m gonna call ‘sexy librarian.’ I couldn’t find this exact sweater online, but-” he paused for dramatic effect, before brandishing a sweater toward the camera like a bullfighter. “My boyfriend had something that was close enough.”
Remus hopped up from the bed and switched off the camera so he could change.
“They’re going to lose their minds,” a voice drawled from the doorway. Remus threw his shirt at him.
“Shoo, I’m getting naked.”
-
[ID: A Twitter post by user @CallMeDukie. It features a selfie of YouTuber Remus “The Duke” Sanders, a Hispanic man with his hair dyed green and styled into a spiked mohawk. He is wearing a yellow knitted cardigan over a black button-up shirt. He is grinning widely at the camera. The caption reads: “my viewers pick my outfits! now live on youtube. go see what i look like as a sexy librarian!” /end ID]
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DukeceitStan
first and only dukeceit shipper ig
DukeceitStan
wow there’s so many of you now! Hi!!
DukeceitStan
i want this to be canon so bad omg
DukeceitStan
i mean just look
[image]
how 
[image]
cute
[image]
[ID: A series of three gifs featuring Youtubers SerpenThyme, aka Deceit, and TheDuke, aka Remus Sanders. Deceit is a black man with long, dreadlocked hair, and vitiligo patches along the left side of his face. Remus is a Hispanic man with green-dyed hair styled into a mohawk, many ear and facial piercings, and tattoos covering both arms. Each gif is edited so that the highlights are tinged yellow when Deceit is seen, and tinged green when Remus is seen.
The first gif depicts a close-up shot of Deceit’s hands as he carefully decorates a cookie with green and yellow icing. The cookie art he is working on appears to be a half-finished octopus. The gif then fades into a mid-shot of Remus, with his back to the camera, facing a canvas. The canvas is blank, and Remus appears to be laying out paints on a table to his left. 
The second gif depicts Deceit seated at his couch, facing the camera. He has many ingredients spread across his coffee table (including oats, cocoa powder, and butter) and appears to be in the process of laying out several more. The gif fades to show Remus seated at a similar couch with a similar coffee table in front of him. The camera is angled slightly downward to better show the myriad of knives spread out across the table. Remus is gesturing wildly with a morning star held in his hand. 
The third gif depicts Deceit in his kitchen. He is pulling on a bright, yellow knitted cardigan, and smirking toward the camera. The gif fades to show Remus in his bedroom, seated on his bed. He is holding up a similar-looking cardigan toward the camera and grinning. /end ID]
“Remus, it’s almost two in the morning. Come to bed.”
“I’m coming, sorry. Twitter distracted me.”
“Mm. I can’t believe the bird app is more distracting than I am.”
“You should try harder.”
“Come to bed and maybe I will.”
“Ok, ok, I’m coming. Hang on though, is it cool if I post this?”
“Sure. They figured it out anyway.”
“Sweet. Ok, Jannie, I’m coming.”
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[ID: A screenshot of a Twitter post by user @CallMeDukie. It reads: “Dukeceit is canon.” /end ID] 
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