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#....but not when it might have been important to both of us.....
yuri-is-online · 2 days
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Jade desperately googling and reading threads about mer x human pregnancies before he even dates yuu.
It differs from species to species, usually fem mer x male human results in viable pregnancies, there are a two articles about eels and humans, but none about morays.
His hope is dwindling, and the general consensus about deep sea folk relationships with humans isn't very good.
I HC that male mer x female human pregnancies don't last very long. After the sperm makes contact with an egg, it'll need a few months of growth before it's expelled from the body and put into the sea. Those kinds of couples usually have one child at a time, it depends on the number of available eggs.
Modern day people in twst have aquariums that are made to hold the clutches in a safe environment away from predators. The aquariums can be used both underwater and on land. After 'hatching' the babies are translucent, they are kept in the aquariums until they gain colour. Once they have enough colour they are let out.
The smallest aquariums need to hold at least one human adult, so that a parent can interact and communicate with their clutch during the growing process.
I think I read a post/fic with a similar headcannon to this? Long long ago, perhaps even before I even downloaded Twisted Wonderland. I don't fully remember... but it is something I have been thinking about a decent bit ever since you sent this ask because it raises so many questions.
I think it makes the most sense in human x mer relationships for one or the other to take a transformation potion and move onto the land/into the sea. In these cases pregnancy/egg laying would go as it would "normally" but what you're suggesting made me think about what would happen if a couple got it on raw in their normal forms and not transformed. Would that result in a viable pregnancy? If it did would it produce the sorts of offspring you are suggesting or would it result in some sort of hybrid child, barely held together by their own magic?
The aquariums are a good idea, the story seems to suggest that Jade and Floyd had other siblings once but they didn't make it. Their mother's obsession with checking up on them and teaching self defense makes a lot of sense if you think of that... she lost most of her babies, she wants the two she has to remain safe (i bet she's going feral rn, let Mama Leech into the enclosure S.T.Y.X. she'll put Malleus in his place ٩(๑`^´๑)۶) My question is whether or not that would interfere with the development of the eggs, especially on land. The deep ocean is very cold, recreating that on land could be problematic. With how few merfolk seem to bother with land (Azul mentions not many people bother with the free program in Book 6) there likely wouldn't be much of anyone thinking up a solution to this problem so few people have.
But Jade has that problem. Or will, he's sure of it but that's a minor detail- point is this is a problem he's actively thinking about. It keeps him awake at night, Jade strikes me as someone who would do a lot of research about this. It's part of how he loves, pouring through a pile of scientific articles that was slim to begin with but feel irrelevant now. None of these help him understand his chances because he is from the deep sea, Jade might be hardened towards the death of his siblings but he thinks of his own children and a rage unlike any he's ever known begins to stir in the pit of his stomach. Later, much later when he is explaining this all to you he will brush it off as him considering your human sensibilities, but the truth is written plain on his face. This little aquarium he has made was a solution painstakingly crafted with help from his own obsessions. It's the most important terrarium he has ever made because it will contain the most precious of all life forms, ones he watches grow in awe as he coos softly. These children were wanted long before they were ever born, their parents loved them to the point of invention and every second up until they hatch and forever after.
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Important News Regarding the Project!
Hey, everyone following our project, both new and long time fans!
Today we've got some news that aren't entirely positive, unfortunately.
THE OVERHAUL PROJECT WILL BE PUT ON HOLD.
The decision was made with the main team, as we've discussed the ways we've attempted to stay going with our deadlines. We've concluded that pushing ourselves, even if very gently, is not making our motivation came back.
While we still love Trigun dearly, we have felt somewhat alienated from the community lately. Beyond that, real life responsibilities and struggles have taken much of our personal energy, cutting us off from other aspects of our lives. We've decided to focus what energy we have into reconnecting with friends and focusing on personal creative projects, all avenues that suffered during our burnout.
So, for the foreseeable future we will not be uploading any new volumes, nor will we be posting monthly updates. We will still be answering any questions you send to our blog, we will reblog something here and there, and engage with with ongoing Trigun Bookclub (though under our personal accounts.)
We will also still be doing that review of the Trigun Deluxe book eventually, though much there is to say about it has truly been said in the community in general.
If we feel up for it, we might make a surprise upload some time of smaller releases, like: artbooks, comics, magazines, etc. Usually a posting notice will be uploaded a week in advance, so people hopefully won't miss it when we do upload.
We're sorry we won't be continuing our Japanese uploads for now, but as we know, and encouraged by fans as well, we must look after our own health first and foremost.
Thank you for your understanding!
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Ok I just saw your Vamp!Rhys brain rot headcanons post and I'm letting you know right now if you do not develop them into full blown chapters for Vamp!Rhys I'll literally sue for emotional damages ok thank you <3
lol I suppose I can make that happen ;)
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Ancient Recipes
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The bed is, surprisingly, empty when you awaken, the last rays of evening light filtering in through a crack in the curtains. Your hands brush absently through the cold sheets as if they could tell you where he’d disappeared off to. He’s not usually up this early.
With a yawn, you slide out of bed and yank on one of his discarded shirts, leaving the silky button down open down the middle in a half-hearted attempt at decency before padding off in search of him. 
The library and game room is empty, the curtains pulled tight, the air a little stuffy. You can hear Cassian snoring from behind his closed door and a tendril of shadow still guard’s Azriel’s door handle, telling you that he’s not off with either of them this early.
Eventually, you find yourself wandering down into the kitchen, expecting it to be empty too, but figuring it’s worth a shot. You’re surprised to find Rhys bent over the stove, shirtless, sleep pants slung low over his hips as he carefully chops a mix of vegetables. His ears twitch as you walk towards him, a sure sign that he hears your approach. 
“You’re supposed to be sleeping,” he says without turning. You can hear the pout in his voice without seeing the purse of those full lips you love so much.
“Missed you,” you say as you slide your arms around his waist and bury your head between his shoulder blades.
He sets the knife down long enough to run a hand over where yours hold his waist. “I was coming right back.”
You place a kiss against his spine before leaning around him to get a better view of what he’s doing. “I didn’t know you could cook?”
“I am a thousand years old, Darling,” he purrs. “That’s a long time to not learn how to prepare a meal.”
There’s an old, hand written book propped up against the stone wall, the swirling script fading under the cruel hands of time in a language long forgotten. The pages are brittle and yellow now, the date written in the corner nearly illegible. 
“What are you making?”
Skilled hands throw in diced vegetables and dried herbs into a pot simmering with some sort of red sauce. “Something my mother used to make me,” he says softly. “These are her recipes.”
Your chest tightens. He’d told you about the hunters that had killed his mother and sister not long after that night when those hunters had come for you. He’d, understandably, been on edge since, the encounter bringing up a lot of old memories he hadn’t touched. It’s little surprise that he would try and find some solace here.
“Smells good,” you say. 
He twists and pulls you in front of him, so you can watch as he works. “Can’t find all the right ingredients,” he frowns. “Some of these spices have been lost to time. I think these will work instead. Hopefully.”
Rhys dips a wooden spoon into the bubbling liquid and brings it to your lips, “Try this for me?”
You give it a second to cool before taking a taste, the mixture both earthy and spicy, but deliciously warm. “It’s good!”
“Yes, but is it right?” He insists.
You tilt your head up to look at him, brows raised, “How would I know, Rhysand? By the sound of it, most of the things you’re missing were lost to the world before my parents were even born.”
You think if he was capable of it he might have blushed against the mistake. Instead, he kisses the top of your head. “I suppose I could ask Az.” He licks a bit of the mixture, frowning as he goes, before putting the spoon directly back into the pot. Apparently a key ingredient in ancient recipes is a little bit of saliva. 
A moment later, the shadowy vampire emerges, summoned for this oh so important errand. Azriel’s dark hair is sleep tousled, shadows swirling lazily around his bare shoulders. Any other morning with the two males looking like this you would have climbed them like a tree, but this morning is apparently for other things, as Rhys nearly flings the spoon in Azriel’s direction. 
“What am I missing?” He demands.
Az takes a taste and spits it into the sink. “What did you do?!” He all but shoves the two of you out of the way to reach for the spice rack in the cupboards above your head. “Your mother would have beat you with that spoon.”
“I know!” Rhys huffs. “What did I forget?”
Azriel starts opening old jars of dried herbs and adding them into the pot. “Egg and thyme for one thing, dumbass.”
Rhys grabs the book off the counter and looks more closely at the recipe, keeping one arm around your shoulders to have you close even so. “Oh, yeah I did forget the egg.”
Azriel cracks four of them into the mixture, before throwing in more herbs. “You’re cooking it too high too.”
Rhys brushes his lips over your hair. “Wanted to bring it to you in bed before you woke up.”
You twist and lean up on your toes to give him a proper good morning kiss. “I would have loved it anyway.”
“Human taste buds are disgusting,” Azriel huffs.
You hear Cassian’s footsteps before you see the half-awake vampire stumble into the kitchen. “Are we cooking what I think we are?”
“Not if Rhys has anything to do with it,” Azriel huffs.
“It was for Y/N!” Rhys returns. “I didn’t make enough for everyone.”
“But she’s so good at sharing,” Cassian says with a wink, his sleep thick voice enough to make heat pool between your legs. 
Rhys lifts you up and places you on the counter, beside where Azriel still chops more ingredients, so he can kiss you deeper this time. “Mine.” 
“Not with your cooking she’s not,” Azriel quips. 
Cassian tuts as he comes over to Azriel’s other side and dips a finger into the now simmering pot. Azriel smacks his hand with the back of the wooden spoon and Rhys hisses, fangs glinting in the candlelight.
“How are you supposed to take care of the little human if you can’t even cook her a decent meal?” He brings his fingers to his mouth for a taste, then frowns. “Do neither of you own any peppers at all? What is this, baby food?”
“I added the aleppo, just as the recipe said!” Rhys retorts. 
“You definitely didn’t! Your mother never made anything this bland!” Cassian insists.
“I’m following the recipe!”
Azriel snatches the book, scarred hands thumbing quickly through the pages. “I remember it being spicier.”
Rhys frowns. “Maybe we’re thinking of that other recipe she used to make?”
“No that one was for dinner,” Cassian returns. “I definitely remember a spicy breakfast dish. Especially on cold winter mornings.”
“He’s right,” Azriel chimes in, eyes still glued to the pages. 
“I mean, our tastes did change when we turned, maybe we’re the problem?” Cassian asks, running a hand over his face in thought. 
“Your tastes change when you turn?” You ask.
“A little,” Rhys says with a frown, violet eyes on the dish. “Maybe you’re right, Cass. Did you think it was spicy, Darling?” 
“A little,” you reply. “It could use more, I think, but again, I’ve never tried it before so I’m not exactly an expert.”
Cass peers into the pot. “It looks right.”
Azriel sets the book back on the counter with nothing short of reverence. “Guess it is us.”
Rhys’s face falls, it’s like watching him lose a piece of the past. You take his face in your hands and kiss the tip of his nose. “I think any mother would be proud to know that you loved something so much that you put all this effort into sharing it, whether is tastes the same or not.”
His grin is soft, like the kiss he plants on your lips, taking his time to pull out of it.
“Thank you for sharing a piece of you with me,” you say.
Azriel scoops it up into four small portions, the wooden dishes old and reminiscent of a time long passed. Not the formal dining ware they bring out at parties, but a little piece of home that managed to survive the passage of time. 
It’s delicious, Az had been right about needing the egg and thyme, it brings a more rounded flavor to the dish. But it would have been equally fine if Rhys had brought the first attempt to you in bed, simply because he loved you enough to try and make something for you even when he could not fully enjoy it himself. It tastes all the better because it’s something the four of you can share, can make new memories out of. You certainly will not forget it, not even in the coming change of your mortality. 
“Well now you’ve got me curious for what other ancient recipes you’ve been hiding,” you say as the meal comes to a close. 
“You make us sound like we’re old as dirt,” Cassian huffs. 
You wink up at Rhys as he kisses your temple. “A thousand years is a long time. What else can you make for me?”
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trippinsorrows · 2 days
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without you + three
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authors note: welp. the ball is, gradually, rolling.
do not read this story if you haven’t read ’with me’. it won’t work as a standalone.
warnings: none
song inspo: be without you by mary j. blige
one + two
words: 4k
“I’ve been thinking.”
“That’s never a good thing.” Removing your eyes from the book in hand, you glare and flip your soon to be ex-fiance off if he keeps playing with you like this. 
Of course, he simply laughs as you shove on Joe’s shoulder.. “I’m serious.”
His hand moves to your stomach, rubbing a circle as he beckons, “tell me.”
Using the bookmark on the comforter, you stick it in the page you’re on and lay it against the side of you. “I think we should take Callie back so she can have her graduation.”
Joe looks over at you, brows furrowed. “I thought we were just going to do something here?”
“I know, and I think we still can, but I don’t want to take that from her. She was really excited about graduating.” It’s something you’ve been thinking about a lot, both as a teacher and a mom. It’s so important for children to feel and be able to celebrate their accomplishments. Sure, it’s only preschool, but it’s still a big deal for her.
You want her to be able to celebrate with her ‘classmates.’
And you express as such.
“She should be able to celebrate with the other kids. Plus, and I know right now, she’s still excited about them, but I don’t know, something tells me she’s going to struggle with some form of jealousy when the babies get here.”
Joe nods, not necessarily disagreeing with you. “But, that’s not entirely abnormal, right?”
“No, doesn’t mean it’ll be any easier to deal with though.” Frowning, it’s only now you also think about how that might be for you as well. For almost five years, you’ve been able to devote all of your time and attention onto one child. 
Now, it’s about to be four.
“Hey.” Joe, forever adept at reading you, brings his hand to your chin, forcing your gaze to land on him. “We’ll handle it together, alright?”
His words, as per usual, comfort you greatly. “You’re right.” His thumb flicks your chin, as you chuckle. “It’s probably good her little spoiled self is spending all this time with you now. Before she has to share you.”
His scowl makes you snort as he drops his hand back to your ever growing belly. “She’s not spoiled.”
“Joe, as the kids say, be so fucking for real.”
“What?”
Ignoring the fact that this man literally probably still has an AOL email with out of touch he is, you continue with your very valid point. “That little girl is spoiled rotten. You give her whatever she wants.”
“She doesn’t ask for much.”
“Not you being in straight up denial.” He’s so down bad for Callie Bear. It’s not even funny. “Need I remind you of her little tantrum two weeks ago? Baby, the way you folded so quickly should have been recorded. Tribal Chief, my ass. Got taken down by a four year old.”
Joe shoves you gently. “Shut up.”
Laughing, you continue, “just admit it, she has you wrapped around her lil’ finger, and she knows it. That’s why she tried you the way she did, but I mean it, next time it happens, and it will, set her little butt straight. She can take it.”
Joe’s frown doesn’t make it any easier for you to hold in your laughter. “I don’t like being mean to her.”
“It’s not being mean, baby. It’s being a parent. As much as she loves to play with you like you’re one of her little friends, you’re not. You’re her dad. She needs to respect you as such.”
“She does,” he defends, and you sigh, knowing this is probably just a battle you won’t win. Quieting down, you decide to switch topics to something you’ve been thinking more about as you prepare for the arrival of your children.
“I’m gonna tell her, you know. When she gets older, that I’m the reason you weren’t there the first few years of her life.”
Joe sits up in the bed, removing his hand from your stomach, concern evident all over his handsome face. “Y/N—”
You lift your hand to silence him. “No, she’s going to eventually ask, and I’m not going to lie to her. Whatever anger she feels would be justified, and I’ll handle it.” 
You’ve thought about this more and more as you progress with your pregnancy. The fact that these babies will get to experience Joe from day one when Callie didn’t. There’s undeniable unfairness, and should she ever want to know just why Joe was MIA at the beginning, you will be honest with her.
You’ll make sure she knows that it was you who decided to keep her a secret from her father. How specific you’ll get will depend on her age, but you’re not a fan of lying to and holding secrets from kids when it directly impacts them.
You know firsthand how thinking your dad didn’t want to be around can fuck with someone’s mental.
You won’t let that be the case with Callie.
Joe looks just as bothered, like he doesn’t want you doing anything that could impact how Callie sees you. “You don’t have to do that.”
“Oh, but I do and will, baby.” You place your hand to his cheek, his beard a little more outgrown and slightly unkempt as he truly relaxes in the embrace of vacation. “Because that’s one thing I never did and would never do. I never let anyone say any disrespectful shit about you not being in Callie’s life. Amir would try it a lot, and I shot him down every time.”
The mention of Amir brings a scowl to Joe’s handsome face. It’s a bit of a distraction technique you’re grateful worked. This will also be a revisited topic over the years, clearly. “I don’t know what the fuck you saw in him.”
Small smile on your face, you shrug, “he’s not ugly, and his dick was decent.” And before he can say anything smug and smart, “yours is better, duh. Why you think I’m giving you all these kids, huh?” He smiles and shakes his head. “You gotta have God tier dick for me to push out not one but gonna be four of your big headed ass children. Boy, I wish you would try to leave me. You gon be wrestling into your eighties with how much I’ll come for you in child support.”
He rolls his eyes and kisses your temple, “you know I’m not going anywhere and neither are you.”
“Of course not, who the hell is gonna want me with all these damn kids?” The topic at hand reminds you of the book on the side of your bed, the previous reason you two were taking a break from figuring out your approach for letting friends and family know about the courthouse wedding. “Now, we really need to start deciding on names. I’m almost five months.” Pretty soon you’ll be finding out the sexes of the babies. It’s crazy to you how quickly this pregnancy is passing by, most likely due to the happiness you feel. 
Time flies when life is good. 
“Did you get Callie’s list?” 
He curses. “Shit, I forgot.”
You wave him off. “No worries.” Sitting further up in bed, you shout out, “Callie Bear! Bring us your list for baby names!” 
She doesn’t say anything, and you start to try again when she comes running into the room, Disney notebook in one hand and her American Doll in the other. She doesn’t hesitate to climb onto the bed and sit on her knees at the end, “here you go, mommy!”
You accept her notebook that’s already opened to her list of potential baby names that she came up with. “Thank you, baby.” Callie switches to sitting with her legs crossed, her doll that looks just like her, courtesy of her rich ass daddy, smack dab in the middle. “Let’s see.”
A smile falls on your face as you share the notebook with Joe, pointing out the first name that he also smiles at. 
“Moana.” Predictable. So predictable. “Maui. Hei Hei. Tamatoa.” Joe coughs beside you to clearly hold in his laugh. “Baby….are these all names from Moana?”
Callie nods happily. “And Toy Story and Encanto and The Little Mermaid,” she essentially continues to sing-song list off damn near every Disney movie ever created. “The babies have to like Disney too, mommy! Like me, you, and Grandma.”
“You’re so right.” To be fair, you really shouldn’t have expected too much more. She is one Disney loving kid, through and through. “Well, thank you so much for the list, Callie Bear.”
“Daddy, did you make a list?” She asks, head tilted as she gently caresses the top of her doll’s head.
“Not yet, baby. Mommy and I are gonna make one together.” 
“I like baby Moana.” 
He chuckles. “But you’re our little Moana.”
She pouts and corrects, “no, I’m Callie.” Her sass makes you laugh. Joe wasn’t entirely wrong. She really is a lot like you sometimes. “I want a baby sister named Moana.”
“What if they’re all boys?”
You and Callie have similar reactions. It’s just that yours is one of horror and hers is more of shock.
“Noooo, I want a little sister.” 
Adding onto Callie’s vehement protest, you make your own strong thoughts and feelings known. “And I am not pushing out three boys at once, Joe. You done lost your god—”
“What do you want for your birthday, Callie Bear?” You’re partially thankful for the save but also irritated he’s asking this question he already knows is gonna generate a wild ass answer.
“A puppy!”
See.
You do your best to use the perfect combination of understanding yet assertiveness. “Baby, we done had this conversation before, we are not getting a puppy until you’re at least ten.”
“But, I’ll be old!”
“Exactly, old enough to take care of a puppy.” One look at Joe, and you can see he’s about to open his mouth and probably find some reason to ‘agree’ with or at least defend Callie’s request. “Absolutely not. No dog until she’s older, and that’s final.”
Callie, understandably, does not agree nor like this rule, and it’s evident in her deep pout and the way she crosses her arms over her little body. “Not fair.”
“Life ain’t fair, buttercup.” You retort, quickly reminding her as you take in her appearance. “Speaking of, it’s almost time for your wash day….”
The infamous, dreaded day of nonstop hair washing and styling is enough to wipe her smile away and award her a brand new reason to start whining, “I don’t want to.”
The feeling is mutual. “Neither does mommy, but we gotta do it eventually, Callie Bear.” Looking over at Joe, you inform him, “and you will be present for this ordeal, sir, so you can learn how to do her hair for me.”
He looks confused, nose turned up. A chuckle is withheld at how much he and his daughter mimic each other in this situation. “Baby, I don’t know how to do hair.”
Sucking your teeth, you smartly point out, “you do your own!”
“I barely do anything with my hair. You know this.” 
Damn. He’s right. Lucky ass. “Regardless, when I get too big to be bending over the sink like that, someone’s gonna have to do it.”
Of course, Joe’s smartass just decides to throw out something that should probably be discussed before saying around Callie, “I’ll take her to your mom.”
Callie’s eyes light up a bit. “Grandma!”
“Joe.” Lord, this man got too much money or something. “You seriously are going to fly our daughter out to my hometown so my mama can do her hair?”
He shrugs, clearly not seeing an issue with what’s being proposed. “Yeah.”
Rolling your eyes and shaking your head, you lean further back in the pillows of the bed. “You are too—” However, you’re cut short mid-sentence, face and chest dropping simultaneously, the change in your disposition enough to catch Joe’s attention. 
“What’s wrong?” He’s sitting up even more, expertly masking the concern that’s growing by the second. Recognizing this, you will that small smile to start forming on your face, shaking your head as you motion for him and Callie to move closer.
“Mommy?” Callie is just as confused as you reach for both her and Joe’s hands, placing them on your belly, trying to find the spot of origin. “What—”
This time, she’s the one to stop mid-sentence as she feels it, the sensation you last felt when you were pregnant with her. Callie’s face is still set with understandable confusion, but your gaze on Joe reveals minimal concern and an abundance of amazement. 
“What is that, mommy?” Callie finally asks. The emotion in your throat takes you back a bit. You’re not typically a super emotional person, but there’s something about this moment, about feeling your babies kick for the first time and being able to share it with your fiance and child that does something to you. Knocks at those pillars that hold up your resolve. 
“That’s the babies. They’re kicking.” You explain, smiling a bit as Callie looks at you in horror.
“Why are they hurting you?”
“They’re not, sweetie. That’s what babies do. As they get bigger and grow, they need to move around and sometimes kick. You did the same thing to me.” Adding some playfulness into your voice, there’s a level of relief to see she appears less concerned. 
Your attention, however, is brought back to Joe as he kisses your temple, hand still planted on your stomach, clearly soaking up every bit of this precious, cherished moment. 
“I love you,” he murmurs against your temple. It’s such a simple statement, a little three letter sentence that means more than anyone could ever understand. Moving your hand to the side of his face, you both laugh as Callie moves her face to your stomach. 
“Don’t kick mommy too much, okay, little babies?” The determination on her face should be captured and locked away for safekeeping for the rest of time. “She’s the bestest mommy ever and pretty and smart and—”
“—and still not getting you a puppy.” While your daughter is undoubtedly one of the sweetest kids you’ve ever come across, she’s also intelligent as hell. And you know her like the back of your hand. Enough to know where she’s headed with this. 
And, you’re proven correct when she rolls her eyes again, making a ‘hmmph’ sound that has Joe chuckling next to you. She then sets her little plotting sights on Joe as she takes her hand from your stomach and moves to crawl into his lap.
You have to keep yourself from rolling your own eyes as she pulls out that sickeningly sweet voice and holds onto his shirt. “Daddy?”
Joe doesn’t hesitate to answer right away. “Yes, baby?” One look at him, and you already know what the answer is going to be. This man is so weak for this little girl. It’s not even funny. 
“Hallie wants a friend…..” Joe’s eyebrows cave in confusion as he looks over at you. 
Gesturing to her American Girl doll on the edge of the bed, you fill him in, “that’s what she named the doll.” 
He chuckles, clearly amused by the name that rhymes with hers. “She does?”
Callie nods, that excitement building back up. “Two friends!”
Mouth dropping, you prepare to put this child in her place when Daddy Warbucks beats you to it, living up to his reputation.
“Well, then we need to get her two friends.”
“Yay!” Callie celebrates, hugging Joe who ignores your look of disapproval. “Can I make her friends too?” 
And once again, the first living, breathing bank to ever exist is quick to fold. “Of course, Callie Bear.”
“Yay!” She cheers yet again for another way too easy battle. It’s not even a battle at this point. Battle would mean that both parties have somewhat of a chance, and Joe is clearly putty for his little girl. “Thank you, daddy.” She seals the deal with a hug and kiss on his cheek before climbing off the bed, grabbing Hallie as she shares, “I’m gonna make them now!”
With her tablet, clearly. The tablet you’d bet any money Joe once again disabled the time limits on. 
Lord, you’re about to have five damn children to take care of at this point. 
It’s only when Callie is out of the room and on her way to celebrate yet another successful day of finessing her daddy that you punch this man in his big ass arm. 
“What?” It’s him having the audacity to sound and look confused that has you ready to kick him out of the room. 
“What do you mean what?” Angling your body more toward him, you explain, “Joe, why are you buying her more dolls? American Girl dolls, at that. I know you must have paid at least $300 for the first one you got her. I saw all them accessories.” He rolls his eyes but doesn’t deny it, because he can’t. Callie had always asked you for one, and while you could have scraped some money together to make it happen, you couldn’t come to grips with just how many other more useful things one could do with that money. “She doesn’t need them dolls, babe.”
“You gon’ let her get a puppy now?”
An easy ass answer. “Hell no.”
He has the nerve to catch a slight attitude with you as he affirms, “then she’s getting the dolls.”
Rubbing your temples, you realize this isn’t a ‘fight’ you’re not going to win. “You know what, whatever. You do what you want, but I’m telling you right now, these—” You bring his hand back to your belly. “—babies are not going to be spoiled like their big sister. They gon be like Oliver Twist and grateful for a bowl of soup.”
He moves his hand around, probably trying to see if he can feel any more movement. “Callie is grateful.”
“For now.” Not really wanting to have this circular dialogue with him, you grab your phone to see a couple missed texts but open the one from your mom first, instantly rolling your eyes. “Not this again.”
The shift in your voice catches Joe’s attention. “What?”
Shaking your head, you show him the thread, thumb right next to the link for an article on ‘melanin maternal mental health’. 
Talk about fucking alliteration. 
“I don’t know what’s been up with her lately, but she’s been sending me all these links for articles and like motivational photos about mental health and motherhood.” You explain to him, going to heart the message and send a quick response to at least show some appreciation. Because there is a little there. That your mom cares about you so much. But the concern isn’t necessarily valid or needed..
This is the happiest you’ve been in some time. A long time. If ever.
Nothing is going to change that.
Especially being a mother to three more children. 
Placing your phone back on the nightstand, a glance at Joe reveals he’s debating something. “What?”
He moves closer to you, hand pushing back some of your coils. “Been thinking about that movie thing…..”
The smile on your face grows as you move closer, eyes twinkling with all the curiosity in the world. “What did you decide?”
—------
Megan is having a wonderful day.
One of the best she’s had in a while.
Not only did she manage to wake up on time, but the coffee she ordered from this cute little cafe she found while on a business trip in Denver a couple months ago awaited her on the outside of her apartment door when she got back from her pilates class the night before.
And there’s few things she loves more than a delicious cup of morning Joe.
A smirk falls on her face as she hums “Here Comes the Bride” while engaging in her extensive shower routine, admiring the expert work of her wax lady. Body hair has always been an absolute no. But, it’s when she moves the loofah across the weight of her heavy breast that Megan imagines hands and not her loofah. Big hands that would cup her boobs roughly as he forces her to turn around, slams her up against the shower wall and fucks her hard from behind, her moans and shouts of pleasure dancing across the tile, alerting everyone of just who owns this pussy.
Hand gliding down her wet, nude body, she keeps the vision going, slender thighs clenching together at the thought of him forcing her on her knees, his dick down the back of her throat, eyes watering as he mouth fucks her.
“Joe….” Thin fingers slip past wet folds as she realizes she’s going to be a couple minutes late for work.
So worth it though. 
Because Megan hasn’t come like that in years. Her legs are practically wobbly as she finally exits the shower, bathroom mirror completely fogged to where she has to grab a towel to clear up a section so she can see herself.
The pink tinge of her cheek brings a sly smile to her face. 
“I can’t wait until we can be together, my love…” A sweep of sadness comes over her as she grabs her phone, admiring his handsome face on her lock screen and opens Apple Music to play his entrance music, selecting the repeat button before she continues with her routine. 
It takes her about the usual time.
And soon enough, Megan is out the door, having finished her delicious coffee and opted to just have a banana for breakfast. There’s no time for unnecessary caloric intake.
She has to start preparing for the wedding. 
Walking into the office, right away, she can detect the almost sullen atmosphere and does her best to match the vibe.
To play along. 
And before she can go to her office bestie, Paige, to “find out” why everything feels so off, the team is pulled in for a mandatory meeting.
Luke’s quiet demeanor does take her a bit back. He’s never quiet. She’s not complaining though. Not at all.
As soon as everyone is seated, he starts off with the general pleasantries that are weighed by the sadness in his voice. And then he gets into it. “I know some of you have heard, but for those who haven’t, I—uh—I got some bad news.” He takes a deep breath, shaking his head. “There’s uh—no way to say this, but Susan Jackson was found dead this morning.”
As an array of gasps and shocked countenances fill the room, Megan does her best to blend in, to play along with the genuine surprise of all of her coworkers.
Paige leans over to whisper to Megan, eyes also watery, “they say she killed herself. That she was found her on the sidewalk in front of her apartment building. Window was open and everything.”
Megan expertly fakes a horrified expression. “Oh my god, how heartbreaking.” She even manages to crank out some tears that don’t shed but get the job done. “I can’t believe she’s gone….”
“Megan.” She lifts her head, eyebrows also raising. “I know you worked close with Susan on a couple of clients, and you also know she was set to assist Roman Reigns on his debut film, but with Susan gone….”
Megan shakes her head, pulling out a few sniffles. “It’s okay. I’ll….I’ll do it. I’ll take Reigns as my client.”
And my husband.
Luke gives her a nod of appreciation, wiping at his eyes as he clears his throat and continues to address the room.
It takes almost everything in her not to roll her eyes. The woman was fucking fifty for crying out loud. 
She lived long enough. 
He says something about grief counseling, the suicide hotline, blah blah blah.
Megan does her best to listen but mostly tunes out the rest of the meeting. It’s irrelevant. She has what she wants. Now, it’s time to go after who she wants, the thought alone creating such an intense, euphoric feeling inside of her stomach as she casually traces the brand new tiny letter ‘J’ she now has tattooed on her ring finger.
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accirax · 2 days
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Danganronpa: Despair Time Chapter 2 Episode 14 Dissection
I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.
SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.
Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.
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Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.
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Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.
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I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.
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The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.
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This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.
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Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.
(That's not me dunking on J's character btw she's valid for this)
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This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)
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Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?
However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.
Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.
Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???
Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.
Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.
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I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.
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This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.
Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)
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Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(
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If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.
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Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.
Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.
This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.
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Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.
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Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.
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You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.
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TERUROSE REAL??????
(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)
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Yahoo, lockdown logic strikes again! Also, a quick
Is Teruko Correct In This Assumption?
Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.
No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.
You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).
Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)
However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.
I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.
I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.
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She was WILD for this. Hilarious line of reasoning.
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What's Up With the Body Discovery Announcement?
The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.
However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?
David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.
However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.
MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.
This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.
Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:
Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.
Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.
Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.
So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.
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See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...
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I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.
The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!
After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.
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I wholeheartedly agree.
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Does Ace Have Nothing To Do With Arei?
What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:
Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.
From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.
However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)
So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.
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This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?
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... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???
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AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!
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OUGH AND THE MIN PARALLELS TOOOOOOO
MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!
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Jumping back in time for just a moment...
A Piece of Evidence That Lines Up to Them Only
I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.
But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.
I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)
Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.
UNLIKELY FINAL PIECES OF EVIDENCE
Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.
Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.
Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.
Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.
Dried Up Puddles: This has nothing to do with either of them. Point to no one.
Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.
Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.
Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.
Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.
Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.
Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.
Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.
Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.
Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.
Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.
SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE
Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.
Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.
Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.
Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.
Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.
MOST LIKELY FINAL PIECES OF EVIDENCE
Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.
Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.
Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.
So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.
Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...
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If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.
Concluding Thoughts
What? A conclusion? I've never done one of these on a dissection before?!!
Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!
I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.
(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)
Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?
On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?
However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.
Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.
Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.
For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)
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northopalshore · 1 day
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Juno Persona Chart: observations II
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࿐ Juno (3);
is an asteroid you use to look for when trying to decipher one's future spouse & circumstances of meeting. JPC masterlist.
North node (1° aries) in 1st house
Love at first sight. Fireworks and wedding bells start playing the moment you lock eyes with each other. At that moment, both of you will have no doubt that you are the one for each other.
Kiss (7° libra) in 1st house
You could have been their first kiss, at least romantically. You are likely to be seen kissing very often once in a relationship.
Kama (11° aquarius ) in 1st house
They could be someone very s*xual. You could be very s*xually attracted to eachother from the get go. You could assume they get nasty pretty often just based on how they look, and how unfazed they may be when talking about s*x. Once married, people around you will know you as that one freaky couple lol.
Briede/groom (28° cancer) in 1st house
You will see them as someone very gentle, and you'll think that they are wifey/husband material from the first time you meet. 💅🏻 As a wife/husband, they/you will be very popular, affectionate, soft and loving but also competitive and stubborn.
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Alma (29° leo) in 2nd house
Both of you will be very drawn into creating a name for yourselves as within your relationship. Perhaps you will work together on something creative. You will love indulging in the arts together.
Great Attractor (14° taurus) in 3rd house
People could say good things about your relationship. Perhaps your union will be talked about from person to person. Attracting rumours and media. You'll likely be friends with each other's siblings or friends.
Pluto (23° aquarius) in 3rd house
There could be communication issues when you meet i.e different languages or bad connection? Talking online a lot.
Chiron (13° aries) in 3rd house
Bonding through shared experiences or trauma, perhaps talking to them will bring a healing effect. However, this could also mean rumours being spread will cause trouble. Maybe they'll hear something bad about you and start to get weary, and this might be a problem you both have to face.
Eros (27° gemini) in 3rd house
Instant connect to your heart & your loins lmao. Everything they say will turn you on (they say some simple shit- yeah glo! Lol) . While they talk, you'll be looking at their face, their eyes, their lips, what they're wearing.. and when they call for your attention you'll be at a loss lmao.
Mercury (24° pisces) in Capricorn 4th house
You won't be able to talk as much as you'd like because of work. However, it also means you'll find yourself thinking of them, your previous conversations, their voice & perhaps even daydream about them when you're alone or at work lol.
Great Attractor (13° aries) in 4th house
Meeting at home or your home town. You attract a lot of attention to your home life after meeting them. Perhaps your mother or your relatives will constantly ask "So, how's your love life going?" lmao.
Great Attractor (15° gemini) in 6th house
Your partnership will open new opportunities in terms of your career. They could get you in touch with important people or even just expand your friend circle. People will notice you more in your workspace/daily life.
Pluto retrograde (5° leo) in Sagittarius 4th house
Distance could be an issue in your relationship at first. Perhaps you'll live far from them, so you won't be able to see each other very often.
Alma in aries/aries° 7th house
Your souls were meant to be united in this life through contracts i.e marriage. Love at first sight, the moment you meet you know they are the one.
Part of fortune (3° gemini) in 7th house
They could be a popular singer or a writer and they may be signed to a certain company/label/publisher. Your marriage will bring you a lot of luck and happiness.
Boda (4°cancer) in 8th house
Your marriage may drastically change your home life. Your marriage will be very private, romantic and perhaps slightly controversial to most people.
Saturn (3° gemini) in 9th house
They could still be in college or university when you meet. They may put a lot of importance into their higher education. They could also just be entering college/university i.e a first year/junior since gemini also symbolises early education. They could also just have dropped out lol.
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Moon (10° Capricorn) 9th house
They could be very emotionally mature for their age. Someone very introspective and logical. They could be burdened with work/education when you meet.
Moon conjunct saturn
Your heart could linger on them, or you'll find yourself thinking about them for a long time after the initial meeting.
note: It reminds me of that one interview with South Korean artist Rain where he tells interviewers how he met his wife (I think it was for a reality tv show). Her voice kept echoing in his mind after hearing it once. He likely has this placement in his juno pc if not saturn conjunct mercury.
Midheaven leo/leo°
Their career could involve the arts, children and being popular or extroverted.
ex: teacher, coach, actor, singer
Midheaven taurus/taurus°
Their career could involve their voice, their face and cooking/lifestyle.
ex: singer, model, chef, actor
Midheaven gemini/gemini°
Their career could involve young children, writing and talking. They work in an environment where information comes fast and easy.
ex: IT, preschool teacher, grade school teacher, writer, news anchor & commentator
Union (17° libra) in cancer 11th house
You could meet them at home online while scrolling on social media i.e Tiktok, Instagram, dating apps etc.
Mars (25° aries) in 11th house
You could meet them online, or the both of you will be very focused on humanitarianism & charity work. You could share a group of friends or perhaps they will introduce you to their friends.
Venus in 12th house
You will be put in a trance by each other. Perhaps your eyes will linger a little longer after they look away. Both of you will exchange a lot of "sneaky" glances towards each other. If you met online, you will likely fantasize about them through the screen lol.
ex: Your scrolling through Tiktok, then suddenly their video pops up and you can't help but linger on their profile for longer than you probably should have. It's likely you'll do a little stalking as well especially if it's in leo/pisces/scorpio lol.
Venus conjunct mars
Love at first sight. Both of you will be strongly attracted to each other the moment your eyes lock.
12th house stellium
LONG DISTANCE. You might not be able to see them often after the initial meeting, but you'll likely keep in contact through the phone.
Fama (24° pisces) in Leo 12th house
People may romanticise your relationship and how you met. Of course this can go both ways, there will also be a lot of assumptions that people will harbor about your relationship and about the both of you in general (perhaps even before you met! i.e assuming the type of partner you'll get. )
Any Grand trine present in the chart will make the house involved a lot easier to deal with.
For example planets in the 1st-10th-4th (same element)form a grand trine: Your identity, career and home life are very harmonious with eachother. You are likely to receive a lot of support from your partner in these areas of life, even if some aspects in those houses are placed rather difficultly.
note: this goes for all charts including natal, composite and any persona chart.
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***entertainment purposes only: reader discretion is advised***
Thank you for reading ♡
@northopalshore
@northopalshore 2024 all rights reserved.
104 notes · View notes
mitsua · 2 days
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With an MC who likes to post about their dates with them
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Warnings: none Genre: fluff
Series: OM! SWD? MC'S. . . GN!
Words count: 0.74k
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I don't think he'd really like it at first, since you were all the time asking for a picture, for him to pose or smile, and, well, he doesn't really wish to do that.
However, once Asmodeous showed him all the posts you made on every date-how you wrote so highly and cutely about your spent time with him-it made somethings in his heart and pride go up to the stars.
"I'll smile only if you smile too."
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Maybe sometimes is the one who catches you off guard asking you to take a picture of the most random moment on your date just as a joke.
But oh boy when he scrolls down later on and sees you really posted those embarrassing photos, he's gonna be malfunctioning for a while.
Still, as he reads your thoughts about the date on the picture's caption, his mind will race a thousands miles per hour and kick his feet like a little kid (obviously without anyone seeing him).
"Be grateful I'm not charging ya' for those photos!"
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It started as posting about some streamings you watched, then to both your hands shown holding a video game controls, the final blow was when he woke up to an exaggerated amount of posts he'd been tagged on, new hashtags shipping the both of you and some even promoting their pages to read Leviathan x you content.
He was about to go insane, but as you asked him if he wanted you to delete all those posts, he reconsidered and ponder what was wrong on all that.
"It's fine, yes, it's going to be fine only with you by my side."
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He'd get used to you taking a photo before and after entering a new place with him, sometimes a couple more in there. But never thought nor asked what'd you do with those.
Later on, as he read online about new places to take your date to in Devilgram as it seemed to be the most reliable app to ask to, he came across your page and finally saw all you had to comment of your dates.
"I love reading your narrating, however, would you mind telling me by yourself what you thought about it all?"
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When he discovers your passion of publishing about your dates, you've grown accostumed to even going live on a couple of them. Of course the most part of your dates were private, you spent some time exchanging ideas on how to edit or tag your posts.
The only time you really caught him off guard was the time you posted a photo of him fully suited, when you attended to a fancy dinner of your anniversary together, he didn't notice you taking it! Your caption reading: "Hope you know you look beautiful to me in every way you'd never even got to imagine about <3"
His eyes got glassy as he absorbed your words and went immediately to hug you.
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It's an odd thing to him, but doesn't really comment about it unless he thinks you're spending too much time on your D.D.D. your eyes might burn because of being glued to the screen all time.
One day, after an important fangol match of his, some reporters asked permission to publish the photographs taken on their Devilgram account and tag them on it, to which all of them agreed happily. After returning to the HOL he'd look for their team's post and click on your page by mistake, mersmerized with all the love you put on your almost daily posts about your dates with him.
"Uhm... do you want to take a picture of both of us eating this cupcake?"
He'd still have a weird approach, but trust me, he's trying.
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He's between 'I don't like it' to 'I don't care'. Nevertheless, he would smile in a couple of pictures you want to take throughout your time together. But only when he's looking at you.
He won't bother looking to the camera, he'll only stare at you.
The only photo you have of him smiling to something else that was not you was when he was asleep. Probably dreaming of you too-
Sometimes, when he can't sleep, he might scroll down your Devilgram to remember those cute dates of yours.
"That I have to look to that little thing in your phone while you're taking the photo? Why? I want to look at you."
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All writings' rights reserved © 2024 Mitsua. (Credit to the respective owners of the picture and tagged anime character.) ⌇ my navigation!
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87 notes · View notes
luna-azzurra · 6 hours
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do you have any advice for writing a love confession without making it grossly cheesy or awkward?
im writing one between long time childhood best friends that are EXTREMELY close and im so stuck
Since these two characters have been best friends for a long time, the confession should feel like it’s built off their history together. Maybe start with a memory that’s meaningful to both of them. It doesn’t have to be a huge, dramatic moment, something small but personal, like a time they supported each other or a running joke they’ve had forever.
For example, one of them could say something like
“Remember that time we got caught in the rain walking home from school, and you made up that ridiculous song to keep me from freaking out? I’ve been thinking about that a lot lately… and I realized that’s when I first started seeing you differently.”
When people confess their feelings, especially in a real and vulnerable way, it’s usually not in flowery language. If you try to make it too poetic or dramatic, it might feel forced. Instead, keep it honest and straightforward. They don’t need to say “I’ve loved you all along” in some grand, movie-like way. Let the confession come out more naturally, almost like they’ve been fighting it for a while and finally just have to get it off their chest.
You could have them say
“I don’t really know how to say this, and it might sound weird… but somewhere along the way, I started seeing you as more than just my best friend.”
There’s no way for this kind of confession to be totally smooth, and honestly, that’s what makes it feel more authentic. They’ve been best friends forever, so there’s going to be nerves, maybe some hesitation or stumbling over words. Lean into that awkwardness, it actually makes the moment more relatable and shows how important it is to them.
Maybe one of them starts talking, realizes they’re rambling, and tries to correct themselves. Like
“Okay, wait, that sounded dumb, let me start over. What I’m trying to say is… you mean a lot to me, more than I’ve probably ever said out loud, and it’s kind of terrifying because I don’t want to mess things up between us. But I’ve gotta be honest, this is how I feel.” The vulnerability in admitting they’re scared to ruin the friendship makes it more heartfelt and real.
This is probably the most important part! These two aren’t just falling for each other out of nowhere, they’ve built this strong, deep friendship over the years. So the confession should acknowledge how much that means to them. Make it clear that the romantic feelings don’t take away from their friendship but add to it.
You could have one of them say something like
“You’ve always been the person I turn to for everything, and that’s not gonna change, no matter what. But lately, I’ve been feeling something more, and I can’t keep pretending it’s not there. I just hope it doesn’t mess things up between us.” This way, they’re emphasizing that the friendship is still the foundation of everything, but they can’t ignore the fact that it’s evolving into something deeper.
Overall, just make sure it feels true to the characters and their relationship. Don’t feel like you have to tie it up neatly with a perfect line or a romantic kiss right away. The beauty of this kind of love confession is that it’s messy and emotional, and it should reflect the complexity of their relationship. They don’t need to have all the answers right away. Let the moment be about the honesty and the fact that they’re finally admitting something that’s been building for a while.
Maybe end with something like
“I don’t know where this goes from here, but I had to tell you. You’re too important to me to keep pretending like I don’t feel this way.” This leaves room for both characters to process what’s happening without forcing a big romantic resolution right away. It’s more about them taking that first step into new territory, which feels more genuine and in line with the close friendship they’ve had for so long.
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maowives · 2 days
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this isn't a coherent thought yet but I'm like fairly certain that the proliferation of the framework of fictionkin is rooted in the fact that for many people (in particular, children who have not been given the language to identify and articulate the underlying phenomena animating their experiences), these identifications with characters provide a mythological scaffolding upon which they can start to build a way to make sense of the difficult interpersonal and intrapersonal experiences they've undergone. this may seem trivial to some, especially to those who participate, as it's clear that part of the draw of "Fandom Culture" broadly is that it affords an (ostensibly) unified theory of analysis and engagement for intimate interpersonal and intrapersonal experience, by way of storytelling and the curation of particular fictional experiences which resonate with the reader. it feels evident to me that this is more often than not, designed both as a method of communication, seeking to provide (relatively) broadly legible shorthands and handholds for articulating painful or otherwise important personal experiences which would otherwise be complicated or simply emotionally difficult to express, as well as a form of identity-crafting, in which these characters form the building blocks of an internal symbolic language that, when rearranged and ordered in a particular manner, enable the user to understand their experiences and their internal responses to those experiences. frankly I think it's quite an elegant solution, and one which I understand the utility of. in particular, I think it's relevant and understandable that these kinds of frameworks arise in the particular political contexts in which they do. further, it seems clear to me that many of the more reactive and reactionary elements of these kinds of contexts frequently arise from a deeply felt defensiveness about the sanctity of these internal frameworks and spaces, not because of the sanctity of the thing itself, but rather the ways that these symbols act as placeholders for particular individual experiences of particular and deeply felt narrative relevance and importance. said in another way, the sanctity of the particular reading of a character or a story are not valuable in and of themselves but rather for how they act as stand-ins for The Self. an example might be in the ways that "Fandom Discourse" tends to produce heated conflicts between different people who interpret different characters as having different kinds of essential moral qualities, as these characters do not function as characters in a text but rather as placeholders for either the reader or other people relevant to the reader's life, whether they be loved ones or agents of harm, or both. it becomes easy to understand why contending understandings of a particular character's "moral quality" become very high stakes very quickly, as the coherence of the individual's particular meaning-making system, and therefore, the integrity of a particular narrative about one's own life, depends on a particular reading of that character.
and, while, as I mentioned above, I do think it makes sense for this framework to function the way it does, and while I do think it is, broadly, an elegant solution to a difficult problem, I think it is hobbled by a few factors.
Using other people's fictional characters as a mythmaking device requires necessarily having inconsistencies and misalignments as well as implementing an active practice of Character Curation.
Conversely, using one's "OC's" as a shorthand for personal experience and expression requires other readers to be heavily invested in, and acquainted in, this particular idiosyncratic mythology.
These frameworks, while undoubtedly valuable for their legibility to others within the shared fandom space, are both imperfect, in that they never are able to communicate exactly what an individual sets out to communicate, as well as incomplete, in that their explanatory power borders on nil.
Because of the previously discussed contending interpretations of given individually relevant characters, these frameworks tend to promote intense and heated conflict between contending camps who, all in all, are most likely fighting over some relatively inconsequential quibbles of personal idealist moralism at worst, or just simple miscommunication and misunderstanding at best.
Because of this fact, ingroup compliance is heavily, heavily policed, and the space becomes more and more encouraged to adopt increasingly draconian and reactionary methods of control.
these observations are not intended to be a moral condemnation of these practices, as savvy MaoWives readers will know that OP does not traffick in idealist moralisms or other such quibbles. however, I do think that identifying the particular gap of where a unifying theory with explanatory power may come in handy for encouraging people to make sense of their own lives in terms that they have more control over, and which have more robust analytical tools. again, savvy MaoWives readers will be able to see the predictable turn to articulating the value of using a dialectical materialist and Marxist-Leninist analytical frame for these kinds of things, but further, perhaps more particularly, I could see a place where family abolition as a framing device may be significantly more helpful in encouraging interpersonal abuse survivors to make sense of their experiences, rather than the readily accessible, but inevitably incomplete, frameworks of using particular characters as social signifiers of experience, and mythmaking devices for intrapersonal awareness.
[I apologize for the length of this post. I did not have the time to write a shorter one.]
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amateurvoltaire · 2 days
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Summer holidays are over, and if you’re anything like me—still pretending that your inbox full of emails doesn’t exist (Yes, Sharon, I’ll get to your spreadsheet eventually!) and scrolling through holiday snaps on repeat—here’s something to help ease the pain: Robespierre’s Journey to Carvin, the ultimate travel blog (1).
In June 1783, a 25-year-old Maximilien Robespierre embarked on a modest 35 km trip from Arras to Carvin to visit his relatives. He wrote a delightfully dramatic account of this journey, addressed to Antoine Buissart, his friend, mentor, and his wife Charlotte.
For anyone who thinks of Robespierre as some cold, humourless figure, I present this letter as evidence to the contrary. His wit, self-mockery, and unexpected humour shine through. He likens himself to Aeneas, takes jabs at his own inflated sense of importance, and, of course, waxes lyrical about tarts (2). Absolutely brilliant!
As always, this is my own translation, and honestly, there are more polished ones out there. Robespierre is in full show-off mode, packing the text with references to Greek and Roman history and mythology—because why not? I’ve done my best to explain them all, but it’s possible I may have missed a few...
Translation: Impressions of a Journey to Carvin (3)
Monsieur,  
There are no pleasures truly agreeable unless shared with one’s friends. I shall therefore impart to you a description of those I have lately enjoyed.
Expect not an account of my journey, for such works have been so prodigiously multiplied of late years that the public must surely be sated with them. I know of an author who, having travelled but five leagues (4), immortalised the event in both verse and prose.
But what, pray, is such an endeavour compared to the one I have undertaken? I have not merely travelled five leagues; I have covered six—and six good leagues, I assure you—so much so that, by the reckoning of the locals, they are worth at least seven ordinary leagues. Yet, I shall not say a word of my journey. I lament for your sake, for it would have afforded you the most infinitely interesting adventures—those of Ulysses and Telemachus (5)  would pale in comparison.
It was at five o'clock in the morning when we set out; the carriage which bore us passed through the city gates at the very moment the chariot of the Sun rose from the bosom of the Ocean. Our vehicle was adorned with a cloth of dazzling whiteness, a portion of which fluttered freely in the breath of the zephyrs. In this manner, we passed in triumph before the customs house. You may imagine that I could not resist turning my gaze in that direction, eager to see whether the sentinels of the excise office would betray their ancient reputation for courtesy. Filled with noble emulation, I dared aspire to outshine them in politeness, should it be possible. Leaning over the side of the carriage, I doffed my new hat and saluted them with a gracious smile. I had expected a courteous return. Would you believe it? These officials, motionless as statues at the entrance to their hut, fixed their eyes upon me, offering no return of my greeting. Ever possessed of an infinite sense of pride, I was deeply wounded by this sign of disdain, and it soured my temper for the remainder of the day (6).
Nonetheless, our steeds bore us with a swiftness that defies imagination. They appeared as if they sought to rival the Sun’s own horses (7) flying above us. Just as I had endeavoured to surpass the customs officials at the Méaulens gate in civility, our horses leapt over the suburb of Sainte-Catherine with a single bound (8), and with a second, we found ourselves upon the square in Lens (9). There we paused briefly. I took advantage of this respite to survey the beauties of the town that might engage the curiosity of travellers. While the rest of the company breakfasted, I stole away and ascended the hill upon which stands the Calvary. From this vantage, I cast my gaze, with mingled sentiments of tenderness and admiration, over the vast plain where Condé, at the tender age of twenty, won that famous victory over the Spaniards, saving the fatherland (10) . Yet a more compelling object drew my attention: the Town Hall. Though neither remarkable in size nor magnificence, it still had every claim to inspire my keenest interest. “This modest edifice,” I mused as I gazed upon it, “is the very sanctuary wherein Mayor T..., with a round wig and the scales of Themis (11) in hand, once weighed with impartial justice the rights of his fellow citizens. A minister of justice, favoured by Aesculapius (12), after pronouncing sentence, he would immediately dictate a medical prescription. Both criminal and patient alike trembled at his presence, and this great man, by virtue of dual authority, wielded the most extensive power ever exercised by one man over his compatriots.”
In the fervour of my enthusiasm, I could not rest until I had penetrated the precincts of the Town Hall. I was determined to see the courtroom and the tribunal where the aldermen sit. I had the porter sought throughout the town; at length he came, unlocked the doors, and I rushed into the courtroom. Seized by a religious reverence, I fell to my knees within this august temple and passionately kissed the seat that had once been pressed by the posterior of the great T....
Thus did Alexander prostrate himself before the tomb of Achilles (13), and thus did Caesar render homage to the monument which housed the ashes of the conqueror of Asia (14).
We resumed our journey; scarce had I settled upon my bundle of straw when Carvin came into view. At the sight of this fortunate land, we all let out a cry of joy, much like the Trojans, escaped from the ruin of Ilium, upon first sighting the shores of Italy (15).
The good folk of this village gave us a reception which amply compensated for the indifference we had endured from the officials at the Méaulens gate. Citizens of all ranks vied with one another in their eagerness to behold us. The cobbler paused, tool in hand, on the verge of piercing a sole, so that he might gaze at us at leisure; the barber, abandoning a half-shaven beard, rushed towards us, razor still in hand; the housewife, in her curiosity, risked the burning of her tarts. I beheld three gossips interrupt a most animated conversation to fly to their windows. Alas, the journey was all too brief, but during that time, we savoured the flattering pleasure of being the sole object of the populace’s attention. “How sweet it is to travel!” I mused. Indeed, they say that no man is a prophet in his own land; at the gates of one’s own city, one is scorned; six leagues further, one becomes a figure of public curiosity.
I was lost in these reflections when we arrived at the house that marked the end of our journey. I shall make no attempt to describe to you the outpouring of tenderness that accompanied our embraces—such a scene would have moved you to tears. Indeed, I know of but one comparable moment in all of history: when Aeneas, having fled the ruins of Troy, arrived in Epirus with his fleet and was reunited with Helenus and Andromache, whom fate had placed on the throne of Pyrrhus (16). Their reunion, it is said, was one of the tenderest on record. I do not doubt it. Aeneas, with his excellent heart, Helenus, the finest Trojan, and Andromache, the sensitive widow of Hector, surely shed many tears and heaved many sighs upon that occasion. I am willing to believe that their emotion was equal to ours; but after Helenus, Aeneas, Andromache, and ourselves, one must draw the line.
Since our arrival, our days have been filled with nothing but pleasures. Since last Saturday, I have been indulging in tarts, undeterred by others’ envy. By fate’s decree, my bed was placed in a chamber that serves as a storeroom for pastries, thus exposing me to the temptation of indulging all night. But I reflected that it is noble to master one’s passions, and so I slept, surrounded by these seductive objects. It is true, however, that I made up for this long abstinence during the day.
I give thanks to thee, O skilled hand,  
That first shaped pliant dough  
And offered to mortals this delicious dish.  
But have they honoured thee as they ought?  
Have they raised altars to thy glory?  
Hundreds of peoples, offering incense and vows,  
Have filled the earth with temples and gods,  
Yet all have forgotten that sublime genius  
Who brought ambrosia to mankind.  
The tart, with due honour, graces their feasts,  
But do they think of its first creator?  
Of all the acts of ingratitude for which mankind has been guilty toward its benefactors, this has always shocked me the most. It is the people of Artois who must atone for it, for by the judgement of all Europe, they know the worth of tarts better than any other people in the world. Their honour demands that they erect a temple to its inventor. I must tell you, in confidence, that I have a project in mind, which I propose to present to the Estates of Artois (17). I fully expect it will be strongly supported by the clergy.
But it is not enough to eat tart; one must also eat it in good company. I have had this pleasure. Yesterday, I was granted the highest honour to which I could ever aspire: I dined with three lieutenants and the son of a bailiff. All the magistrates of the neighbouring villages were assembled at our table. At the centre of this Senate, shone the Lieutenant of Carvin, like Calypso amongst her nymphs(18). Ah! Had you but seen with what graciousness he conversed with the rest of the company, like an ordinary man! How indulgently he judged the champagne poured for him, and with what satisfaction he smiled at his reflection in his glass! I witnessed all this with my own eyes... And yet, see how difficult it is to content the human heart. Not all my desires have been fulfilled; I am soon to return to Arras, where I hope, upon seeing you, to find a pleasure far more genuine than those of which I have spoken. We shall meet again with the same joy that Ulysses and Telemachus felt after twenty years of absence. I shall have no trouble forgetting my bailiffs and lieutenants. However charming a lieutenant may be, believe me, Madame, he can never rival you.
His figure, even when the champagne lends it a soft blush, cannot approach the natural charms that are yours, and no company of bailiffs in the world could ever compensate me for the pleasure of your delightful conversation.
I remain, with the utmost sincerity, Monsieur, your most humble and obedient servant,  
Robespierre.
Carvin, 12 June 1783.
Notes
1) I’m also working on my own “travel blog” about frolicking through the Vendée, but—procrastination, you know. 
(2) If you ever find yourself in Northern France, eat the tarts. They are sensational.
(3) This describes his  journey from Arras to Carvin
(4) 1 league = around 5 km
(5) Ulysses (Odysseus) and his son, Telemachus, are central figures in The Odyssey, known for their epic and legendary adventures  filled with mythological dangers, gods, and heroic feats over many years. Ulysses faces numerous trials, including battles with monsters like the Cyclops, the Sirens, and the struggles against divine wrath, while Telemachus embarks on his own perilous journey to find his father.
(6) Robespierre’s original line, “J'ai toujours eu infiniment d'amour-propre,” reveals quite a bit of self-reflection and perhaps a healthy dose of self-awareness.
(7) In Greek mythology, the Sun (often represented by either the titan Helios or god Apollo) is said to ride across the sky in a chariot drawn by powerful horses that pull the Sun from east to west each day. These horses are often imagined as swift and unstoppable forces.
(8) Méaulens is a gate, and Sainte-Catherine is a neighbourhood, both in Arras.
(9) Lens is a village about 20km from Arras
(10) I assume Robespierre is referring to the Battle of Lens here (since he is in Lens), which occurred on 20 August 1648 and was significant because it helped solidify France’s position at the end of the Thirty Years' War. But Condé was 26 at the time, and Robespierre might be confusing it with the Battle of Rocroi, which Condé won at 22. Does Max suck at history? Maybe!
(11) Themis is the Greek goddess of justice who is often depicted holding scales
(12) Aesculapius is the Roman god of medicine
(13) Alexander the Great, the Macedonian conqueror, greatly admired Achilles, the legendary hero of the Iliad. During his military campaigns, Alexander visited the supposed tomb of Achilles near Troy. According to historical accounts, he prostrated himself (knelt or bowed) before Achilles' tomb as a sign of deep reverence, honouring the warrior he aspired to emulate. Alexander saw himself as a successor to Achilles, carrying the mantle of Greek heroism into his conquests.
(14)  Caesar, like many Romans, admired Alexander's achievements, particularly his conquests in Asia (which included vast territories from Greece to India). Caesar visited Alexander’s tomb in Alexandria, Egypt, where he reportedly paid homage to the great conqueror.  Obviously Robespierre is being ironic by comparing his kneeling in the town hall and kissing the seat of a local magistrate) to these monumental moments of history.
(15) This refers to Virgil’s Aeneid, where Aeneas and the surviving Trojans are filled with hope and relief upon reaching Italy after enduring numerous trials and suffering.
(16) Again, a reference to the  Aeneid. Aeneas, after fleeing the destruction of  Troy, arrives in Epirus  (a region in modern-day Greece and Albania) during his long journey to find a new home for the surviving Trojans. There, Aeneas encounters Helenus and Andromache. Helenus is a Trojan prince and the son of King Priam of Troy. After the fall of Troy, he ends up ruling part of Epirus, having taken control of the land once ruled by Pyrrhus (Neoptolemus), the son of Achilles.Andromache was the wife of the Trojan hero Hector  (who was killed by Achilles during the war). After Hector's death and the fall of Troy, Andromache becomes a captive of Pyrrhus, but in Epirus, she is eventually freed and marries Helenus.
(17)  The Estates of Artois were a were a regional representative assembly or parliament the Artois province. 
(18) Calypso is a nymph or Oceanid who appears in Homer’s Odyssey. Calypso lived on the island of Ogygia, where she detained the hero Ulysses for several years. She was surrounded by lesser nymphs who served her.
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phantobats · 2 days
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For the BatFam prompt/plot:
AU where the BatSiblings/BatKids are complete strangers stuck sitting next to each other on a 16-hour long flight ✈️
High Altitude Hijinks: (longer version available on AO3.)
The fluorescent lights flickered overhead, buzzing like a swarm of angry bees as flight attendants zipped down the aisle, securing the last of the carry-ons. Jason slouched in his cramped seat, casting a disdainful glance at the kid beside him, who looked like he might wage war against the next flight attendant to offer him complimentary peanuts. Seriously, how could a child wield a pencil with such intent while drawing?
“Hey, little man,” Jason muttered, trying to muster a smile that came off more like a grimace. “You know we’re all in the same boat here, right? Might as well talk.”
“Why would I engage in small talk? It serves me no purpose,” the boy shot back, his nose wrinkling in disdain as he turned away. Jason rolled his eyes so hard he thought he might strain something. Great. This was shaping up to be a long, torturous flight.
“Talk about spoiled,” he grumbled under his breath, leaning back and shutting his eyes. Maybe if he pretended hard enough, he could will himself into a better scenario—like being anywhere else.
Suddenly, an arm shot out from behind him, intercepting the pencil that had been aimed straight for Jason’s leg. “Damian,” a voice hissed, and Jason whipped around, wide-eyed at the scowling kid now being restrained by some well-meaning adult.
“What the hell is wrong with you?” Jason snapped, sitting up straighter and turning to face the savior of his potential death by stationery. “What the hell is wrong with him?” he repeated, pointing at the miniature menace beside him.
The man with black hair and bright blue eyes smiled wearily, as if he was used to dealing with this chaos. “He’s had a tough upbringing, is all.” Familiar, but Jason couldn’t quite place him. Or wait-
“Hey, aren’t you—?” Jason started, but was interrupted by the kid next to the man, who was struggling with a massive tome titled Advanced Tactics for the Elite.
“What, is he pissed off he has to share a plane with lowly peasants?” the teen quipped, glancing at Jason with an eyebrow raised before diving back into his book like it was a lifeboat.
A snarl erupted from Damian, and Jason decided it was best not to poke the bear.
“Tim, don’t be condescending,” the older guy sighed, turning back to Jason. “Sorry about that, man. Damian promised me he’d behave.”
“You’re Dick Grayson-Wayne, aren’t you?” Jason asked, finally connecting the dots. “And that’s Damian Wayne, no?”
Dick’s cheeks flushed as he scratched the back of his neck like a kid caught sneaking cookies. “Uh, yeah. Guilty as charged.”
“Why in the ever-loving hell are you both on a commercial airplane?” Jason asked incredulously, genuinely baffled by the sight of two Gotham elite among the commoners.
“Listen—” Dick began, only to be interrupted.
“Because Father has already taken the private jet to Rome. We would have flown with the second one if it weren’t for Drake convincing Grayson to reduce our carbon footprint,” Damian hissed, brandishing another pencil menacingly at Tim - where did he even pull this one out from? - who had finally looked up from his book.
Tim shrugged, unfazed. “It’s important to suppress our need for convenience for the greater good, especially when it means that less greenhouse gas is destroying the ozone layer. You know, the thing literally keeping us alive.”
As the two continued their fighting, Dick turned to Jason. “So, you’re from Park Row, aren’t you?”
Across the aisle, a blonde girl was animatedly chatting with a red-haired woman, while a black-haired girl quietly observed, her expression calm and curious.
“How’d you know?” Jason asked, feigning surprise.
“You’ve got a thick accent, my friend. I’m assuming Cooke Avenue?” Dick replied with a teasing grin.
Jason groaned and slid down in his seat, feeling all too exposed. “Don’t even mention it.”
Just then, the blonde girl perked up, her eyes sparkling like she’d just discovered a hidden treasure. “Wait, did someone say Cooke Avenue?” She turned to Jason, her finger pointing dramatically. “I’m from there too! And I recognize you—you're Jason, right? The mechanic who fixed Barbara’s wheelchair!”
Jason’s eyes widened in recognition. “Barbara? The librarian from the Gotham Public Library?”
“That's me!” Barbara smiled, waving from behind the blonde girl, her bright demeanor matching her auburn hair. “You did a fantastic job. It’s still running like a dream.”
“Really? That’s awesome!” Jason said, his earlier gloom lifting like the cabin altitude. “I remember fixing it so you could get around easily. How’s it been treating you?”
“Great! I’ve been able to keep it in perfect shape, thanks to you,” Barbara replied, her smile radiating warmth.
“I’m glad I was able to help. If it starts giving you trouble again, you know where to find me.” Jason returned her smile, feeling a rare sense of accomplishment.
Meanwhile, the blonde girl seemed to have lost interest in him, her eyes now glued to Dick, who had the charming smile of a guy who knew exactly how to work a crowd.
“Holy shit, that’s Dick Grayson!” she whisper-screamed, practically vibrating with excitement. Dick burst into laughter while Damian and Tim groaned in perfect synchrony.
“Yes, that’s me. What are your names, ladies?” Dick asked, flashing a smile that could probably launch a thousand ships.
The blonde girl jolted at being addressed, clearly still reeling from the realization that Dick Grayson was talking to her. “I’m Stephanie!” she exclaimed, pointing dramatically at the girl beside her. “That’s Cassandra. The three of us are on a girl’s trip to Rome!”
Cassandra and Barbara nodded along, and Jason noticed Cassandra seemed to be signing something in sign language.
Dick lit up at the sight. “It’s nice to meet you too, Cass and Steph! I can call you that, right? Also, you’ll have to excuse me; my sign language is rusty.”
“Yeah, you totally can! And don’t worry, Cass doesn’t know all too much either. She usually writes down her responses, but right now, she’s too lazy to grab her notebook.” Jason could definitely relate to that level of chill.
“Oh, sorry if this is insensitive, but I thought most deaf people have a good understanding of sign language?” Dick asked, genuinely curious.
“Cass isn’t deaf; she’s mute. Selectively, might I add,” Barbara corrected gently, and Cassandra nodded along.
Tim raised an eyebrow, his expression turning puzzled. “Why?”
A moment of silence hung in the air as everyone processed the question. Then, both Dick and Damian exclaimed in unison.
“Tim, you can’t just ask people why they’re mute!” Dick said, a mixture of panic and amusement washing over his face.
“Drake, you imbecile! I cannot believe you told me I was terrible at social interactions!” Damian added, sounding more offended than Cassandra looked, who was regarding them with a bemused expression.
The girls erupted into laughter, their giggles filling the cabin. Jason sighed, shaking his head. This was definitely going to be a long flight, but at least it was shaping up to be an entertaining one.
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clairedaring · 2 days
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Compilation post of my favorite Nadao actors (Nonkul Chanon, JJ Krissanapoom, Tor Thanapob) & Bright Rapheephong giving some interview answers on why they decided to star in queer/LGBTQ+ coded series/roles, some of their takes on being in BL (Y)/Queer series.
note: if you find this post familiar, it's because i've posted this on Reddit before. reposting here for archival purposes
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TOR THANAPOB
Tor Thanapob interview in April 2023 when being asked about starring in Midnight Museum (a queer-coded GMMTV series) - (translation by infinitygraph_)
Tor: I think nowadays we should stop talking about gender. It doesn't mean that I have to act with women all the time or I can't act with men at all. I feel that I have proved to everyone that, work is work, and everything is about art. Even my team who are staying with me all the time has all kind of sexualities. It's not strange if someday we want to try telling story of other sexualities that we feel that we might be able to help them telling. If you ask me if today I am like that, today I might not, but I have a chance to understand them more, so I want to do it. Q: Is it because of the spoiler that [Midnight Museum] might be a series Y (BL)? Tor: Nothing to do with it. I tell you, sincerely, it has nothing to do with the spoiler. I just want to say that you don't have to overthink about it because nothing is fixed. Actors are actors. These days there are some award shows don't divide genders into categories anymore. I think this is a great step. Actresses also don't have to act with men all the time, they can act with women. And they both being the main characters Right. Because not all the main characters from every project have to come with the word 'love'. Even if there's 'love', there're many kinds of love. It's up to the audience what kind of feeling they have. Do they feel the same as me or they even feel more than I do? Q: So that means these days you can accept the work without any limit about what you are, which genders... Everything is about the story/script-writing? Tor: Right. I admit that I was afraid before. I wasn't afraid about my image, I was afraid that I would tell the story without understanding it, because I didn't have any experience at all. But at some point I found the chance to be more open-minded, brave to act it out all the way, such as Midnight Museum...
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Tor's Vogue Interview in February 2024 on Spare Me Your Mercy as another important milestone as an actor (all translation by saltymarbles on twitter)
Tor: As for Euthanasia, I’ve been interested in it just from its name. If we were to go back in time to the period of the Prime Ministerial elections last year, there was some talk regarding the laws about euthanasia. As such, I know the meaning of it but if I had to explain it, I wouldn’t dare to because I don’t know that deeply about it. Tor: Up to the day that this drama happens, the owner of this project told me he wanted to set this question before anything changed in society: ‘Actually, are humans capable of choosing their death?’. Tor: This question shot through the core of my brain and immediately, i was like: ‘I need to tell this story’. And the role that he hoped to give me also served that function too. It’s a character which sets up the question of ‘what is right?’.(t/n: "this question" likely refers to a more philosophical kind of question regarding morality which asks what does being ‘correct’ mean — what is ‘objective morality’ (if it exists)) Tor: Do the people who are really suffering have the right to ask to leave? (t/n: "leave" is just a polite way of saying die (Thai people usually don’t use directly use the word die when talking about humans, usually use a more polite way like how we say ‘passed away’ or ‘xyz has left us’) Tor: Thus I decided to play along with knowing that the timeline of Euthanasia will remain with one in a hundred (people), so I like shades of the polar opposite. If the first story is navy blue, the other will be red — not close at all.
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NONKUL CHANON
Nonkul's response to the question “If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?” in a Facebook Q&A video in 2021
Nonkul: If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I’m gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. “Like, wow, that’s my type!”, I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. For BL Series, I think I can work with everyone. I don’t think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who don't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel ‘Peremo’] I would prefer to choose the “heroine” role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a “heroine” role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo’]. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I’m not only fixated on this novel. I’m also open for many more BL series if there is an interesting plot.
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Nonkul's response to being ask if he's worried about filming NC scenes in IFYLITA (translation by saltymarbles)
Nonkul: I have to say when I had finished reading [the novel] and it’s made me want to act (in this series). I am probably worried more about the CG because if it’s a fantasy story with time travel, if the CG isn’t good, people will feel that it’s ‘off’. Because CG is something we don’t know anything about until we see the final product. One of the reasons that I accepted this role is because for some series, when I’ve read (the script/novel) for homework, I don’t accept them because there are some scenes that are forced in just for the sake of fan service. And I’m not really into that. If it’s a natural NC scene, then I’m not bothered. I’m a person who places a lot of importance on the story in series making sense. So to me, if an NC scene is reasonable, I won’t be bothered by it. But if it seems forced, I’m not into it. It’s important to show human-ness.
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Two clips of Nonkul being asked what he thinks about doing NC scenes in IFYLITA (Clip 1 and Clip 2). Nonkul said that he places great importance on the character's actions. If an NC scene is reasonable he wouldn't mind but would if it's not reasonable. For Nonkul, understanding character is very important, especially for himself as an actor. Nonkul also said previously he had rejected some BL series offers because he can feel when NC scenes are put in just for fan service, which is also a reason why Nonkul accepted to play Jom in IFYLITA is because the love scenes are natural and make sense.
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JJ KRISSANAPOOM aka JAYLERR
JJ's interview in February 2024 on Spare Me Your Mercy and his chemistry with Tor (translation by saltymarbles)
JJ: The pilot of ‘Euthanasia’ has been received well since the novel has many fans already who are excited about it. JJ & Tor are similarly excited and are committed to doing their best. The chemistry between Tor & JJ need not be questioned according to JJ since they are already close with each other. The series is in the phase of pre-production currently.
One of my favorite fictional characters of ALL TIME (not just in Thai or BL series) has got to be Tangmo from Great Men Academy (2019) (the series that a lot of BL audience refused to admit it's a queer series). The character Tangmo (played by Jaylerr) was questioned by the press about his gay crush on the protagonist: "Do you think being gay affect your chance of winning the competition?" to which his reply was a stellar "Well then let me ask you something, Does being gay make my good deeds meaningless?"
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This isn't the first time JJ has played a queer role, JJ has played a gay character in TWO seasons of the LGBTQ+ series Diary of Tootsies (2016 and 2017). JJ plays Gus, the love interest of the main character.
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So even though many BL fans consider Spare Me Your Mercy to be JJ's "first" BL series (which I don't agree with this strict interpretation of BL series), it is definitely not his first QL (Queer Love) series nor queer-adjacent roles as shown through out his filmography.
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It is also noteworthy that even during the airing of these series, JJ was already in a public relationship with his fellow actress girlfriend Thanaerng (who has also played sapphic roles). You can see that the real life relationship of JJ or Thanaerng do not influence how/what projects they take on because work is just work :D
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BRIGHT RAPHEEPHONG (all translation by saltymarbles on twitter)
Bright at Mono29 Lineup event
Bright: I think that, as I’ve previously said, BL series are just like other ordinary series or movies. Like IFYLITA can be changed to be said to be more like a period drama. I feel that BL is just about two people loving each other, not about whether it’s about male-male or female-male. This series is a period drama and it’s a romantic comedy and the other series is an action drama.
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Bright's Interview with LIPS Magazine
Q: What if one day, we’re sucked in by the ship? Bright: I think fans in this day and age don’t need actors to do fan service to that extent. For myself, I’ve never intended for it to be the foundation (of his work). I think it’s a matter of being partners and working together. As such, it’s somewhat good in every aspect because it’s not forcing it. But in some moments, there may some actions that may just be the result of being friends. So even if fans ship, it’s cute to me. (smiles) Q: Do you feel a sense of “newness” stepping into a full-fledged BL? Bright: I feel that BL series are another branch of acting. I don’t think of it as being a specific form of male to male communication. It’s just another type of series just like action dramas, comedy etc, it’s just another kind of role that we can play.
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Bright's Interview with Praew Magazine
Q: How is it working with Nonkul? Bright: Nonkul is a person who already does a good job at his work. He does his homework and he is also good at delivering and receiving emotions when on set. It isn’t just Nonkul who is great but the other characters in this series too, this includes P’Tee, the director. We can always talk about ideas which made the work even better. If asked whether entering the scenes with Nonkul made me shy, I would say that BL series are just another branch (of acting), it is just another role. I don't think that when acting with another man, that there’s a need to feel anything. I feel that it’s just another form of work. Another thing is that our workshops were very complete. When we work together I know what level and extent I can go to, what I should do and also trying my best in how I should feel. Thus, I felt at ease working together.
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Bright’s Interview with NineEntertain
Q: Are you happy to do “ship” activities like this? Bright: I feel that if there’s an opportunity with regards to being an actor, I don’t want to be stuck in ships like this. I accepted this role with the status of an actor and I want to accept various roles too. It doesn’t always need to be BL or a specific kind of series. I will have another series next year which is ordinary boy-girl relationship and not a BL series. I feel that BL series are just another category of series — not like BL series are just BL series. It’s another category like action, romcom, or drama. It’s just another category. Q: There is still the possibility of coming to act as per usual. (unclear of what the interviewer said) Bright: I feel that with every work opportunity, it’s more about the script and storyline of the work that I were to accept. For example, I accepted the role of Khun Yai in IFYLITA as i felt that it was a script that was suitable for me. I didn’t think of it as “oh it’s a BL series, I need to accept it” because to be honest, I have been contacted for various BL series but because [IFYLITA] storyline is really good, I wanted to try acting in it. Q: What is the difficulty of acting in BL as an actor? Bright: I feel like there isn’t any difference compared to regular series. I feel that when two men love each other or kiss, I don’t think of it as (me and) a man, I think of it more as each of the characters or persons. Q: Does that affect the trend of being a ship? Bright: Hmm… Actually I am not able to answer that because I feel like it depends on people’s perspectives. Because some people may prefer that (an actor) has a (onscreen) gf/bf but some people may be upset about it. I feel like the trend depends on the people’s perspectives as people have different ways of thinking (about it). I think that I am open to listening to all different opinions on this. I feel that working (in this industry), you should be able to explore different things and you should not be fixed in one thing. We need to continue moving onto the next thing. I feel that Non has his own work and I also have my own work, and other actors too have their own upcoming work. It doesn’t mean that coming to act in IFYLITA means that you stay in IFYLITA forever. Q: Some may feel that it’s sad their their ship is coming to an end and that they are gonna work with different people. Bright: Actually, there are still some upcoming pair events but as I’ve said earlier, everyone needs to continue to do their own duties as an actor. Q: What if people change their minds about shipping your ship in the future? Bright: I think it’s a normal thing. I feel that when someone (likes us), they also like our work. I feel like our fanclub likes both Yai and Jom, and they also like Bright and Non. They like the characters and that Bright and Non play these characters and they so they like us at this point. I feel like people who came to like us are also fans of other people. I feel that they are a source of encouragement for me when they like me but I am also glad if they meet someone new or support another person. I feel happy when they come to meet me and if they’re happy when they meet other (celebs), it’s a good thing for them. If there’s a new person, an older person, a regular person or a person they just met that they are happy to meet, I feel that it’s nothing to be stressed about. Let’s say a fan comes and likes me and is following my work and there’s someone new who enters and they like their work, I am glad for them to go support that other person because that person can bring happiness to the fan.
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Wow, I really got carried away with this compilation but as a fan who's followed Nonkul, JJ and Tor since their Nadao days, watching them star in queer-coded series/roles like Bangrak Soi 9/1, Hormones, Diary of Tootsies, Great Men Academy... (or in Bright's case a gay character in lakorn Rivalry), I'm just so proud that they have been able to receive "BL" series script offers that they would like to take on.
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I've never sat well with the difference in the treatment of the press to "BL actors" and "non-BL actors". I wish there weren't such a distinction because it feels like the notion itself holds a lot of prejudices baggage with it, to both "BL" and "non-BL" actors. To quote a friend on Reddit, "I believe most actors would feel more fulfilled if they knew their fans loved/respected them as individual artists, instead of only seeing them as one part of a unit whose value is lower when 'separated' from their official partner."
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sainamoonshine · 2 days
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I might hate loud noises and social interaction but I’m actually very useful to have around at gatherings because I fulfill the important yet often overlook social role of « the one who eats first ».
Ever been at a party where the host set out some snacks or there’s a buffet table but there’s an awkward moment where nobody wants to be the first one to get a plate? Not when I’m around. I’m already eating. I’m sampling the hot dish and giving my compliments to the chef. I’ve been sitting with a good line of sight to the BBQ and I know the minute the first hot dog is leaving that grill. I’m taking a bite of corn on the cob and helpfully informing everyone that its still too hot to eat and I burnt myself.
Everyone chilling around with a vague plan to maybe order pizza later but nobody’s ordered it yet? Nuh-huh not on my watch I am Hungry and I’m On Task and I WILL prompt everyone that it should be pizza time soon
And you might think « well, isn’t that kinda embarassing? » to which I say: why should it be? Someone’s gotta be first. I have ten of your most shy relatives clustered around me making increasingly unsubtle comments about how there’s food out and doesn’t it look tasty? And I know that as soon as I approach that snack table all ten of them will be right behind me with their plates.
One time my nephews were really insistent that I go get a second serving at the buffet because some of my favourite dish was left, and as soon as I stood up they both did too and I was like « ah. I see how it is. »
I can’t just Not be « the eaterrrrrr » now. People are counting on me!
Also I’m hungy.
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justme315 · 8 hours
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New family 1/?
! Warning !
swearing, angst, fear, step-family, g/t family, abuse, mention of abusive giants, gigantophobia, mention of the character being religious, sickness
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I was fucked.
I'm sorry for using that kinda language but I really was. You see, my whole life has been destroyed by thoese damn giants.
Sorry, I don't think I introduced myself yet, I'm Zack.
Me and my mom were always a team. After my dad has passed away when i was 6 she was the only person important to me. It was basically us two against the whole world.
Something that might also be important for you to understand my story is the fact that we live in a world full of humans (like my and my mom) and giants. Giants are.. humanoid 60-ish feet tall creatures. Easily to say - their dangerous. The government rightfully understood the danger and the fear of us humans and created 'human-only' zones, cities, countries even. There were also a few 'giant-only' zones, but I'm not really sure why. It's not like the giants would fear us. Most of the places thoese enourmous beasts live are simply 'mixed-zones', places where both humans and giants can live. Thank God that me and my mom always lived in a 'human-only' zone. I was always skeptical and yeah, terrified of giants.
My mom was different though. Maybe she was just dumb (sorry for saying that mama) but she just couldn't sense danger. She worked in a company that required her to sometimes travel to 'mixed-zones' or 'mixed-cities'. I was always opposed to that but she.. enjoyed it. She even said that she made some giant "friends". I never believed in their honesty though.
But what changed my life once and for all, had happened when I was just 16. Well, going on 17 already, but yeah, still 16.
I never ever once questioned my mom's romantic life after my dad has passed away. She just.. never acted like she wanted to start a new relationship. And I was very okay with that.
But one unfortunate day, just after she came home from one of her business trips she told me that she has got a boyfriend.
That was weried to know, I mean c'mon, picturing your mom having a crush, dating, falling in love etc. is just.. weried and kinda disgusting if you ask me.
Of course, I questioned her and soon I reaveled her secret.
"Zack, I have been dating him for a little over a year. I was just scared of how you might react. But now, I must tell you since.. he proposed."
That felt like I was stabbed straight into the heart. How could she have kept having a boyfriend a secret from me for so long? Why would she? Being lied to by her felt horrible. I thought we were a team - we always told echother everything. But I guess I was wrong.
Really soon I found out that my mom's boyfriends (and now fiances) name is Andrew, that he was just slightly older than her and had two sons about my age, he was also a widower, and according to my mom, we had much in common.
I really couldn't understand why my mom would keep her boyfriend a secret. Untill she revealed she wanted for us to move in with him and his sons. I mean, she had a lot of planing to do, as she was soon to get married again, so that was kinda understandable. I wasn't opposed to moving into a new home, but changed my mind really quickly when my mom reaveled that our new home would be in a mixed-city. I mean, I was never even in that kind of a city, never even seen a giant in real life and was hella terrified of them! She should've understood me. Before she 'fell in love' she always has.
I asked her a milion times if Andrew and his sons can't just move in with us but she always found some excuse. Once, our house was too small, then his older son didn't want to switch universities, another time Andrew was scared of loosing the job. It was always a stupid excuse. Untill she finally reaveled the truth.
You see, Andrew, my mom's husband-to-be was a giant. And so were his sons.
To say that I was mad and scared was an understatement. I felt lied to. I felt like I was being dragged into something I didn't want to be a part of. I, understandably, questioned the honesty of my moms relationship, which angered her the most. I was angry with my mom for over two weeks after finding out about the size of my soon to be step-family and barely spoke with her. I couldn't be away from her for long though and forgave her, but in my heart I still had plenty of doubts.
My friends didn't help ease my fear. I told my best buddies at school and the stories they have told me only made me more afraid and suspicious of the said Andrew and all giants at that point.
"Don't y'all remember Joseph from middle school? He moved to a mixed-city with his parents. He was stepped on by a giant and died!"
"That's nothing compered to what happened to Amy. A quick death is better than being tortured. She is my cousin. She moved to a mixed-zone because she wanted to go to a better collage. One of her giant male classmates kidnaped her and done horrifying things to her. Once she was found she had missing limbs, many scars.. She was mentally, physically and sexually abused by him for months, untill they found the giant. And he barely got any jail time for that! She's still in mental health hospital!"
"My dads best friend Thomas was freaking eaten alive!"
Yeah, I think 3 stories is enough to give you the idea of how freaking terrified I was of the said 'step-family'. Some might say I am a specist (a person that discriminates based on the species (giant and human)) but I wouldn't agree. I don't really think that a human can be a specist becouse we are in the more vaunurable position. Also, I don't hate giants becouse of their size. I hate and fear them because of how brutal and cruel they are towards humans. Maybe a giantophobe would be a more appropriate term for me.
That day was the worst day in my entire life. And it's really hard to beat the day my dad had passed away.
We sold the house. We were at the airport. All ready to go to a mixed-city, over the wall that the government made.
Mom was all smiley and happy, her nose never leaving her phone.
"Andrew texted me that he and his boys are at their side of the barrier already, waiting for us. They can't wait to meet you!"
Right, didn't I mention that they all knew echother, but me?
"I just can't wait to show you the city and our new home!"
I was standing there quiet. No matter how many times I told my mom that i don't agree with her choice of dating a giant or for the fact that I didn't want to move away into a mixed-city she would always say that I will change my mind once I overcome my fear. Hell, I would.
I held my bag closely, trying to hold onto whatever I have not to lose my composure. I was terrified and angry, sure, but showing thoese giants from the start that they have some power over me, even though it was obvious, wasn't something I would do. At last, if I could hide my emotions.
Just a few minutes before our flight, a flight in the opposite direction landed. I saw all those humans, coming back from the mixed-city, most of them seem, okay. That made me confused and curious. Would it really be all that bad?
Untill I saw a girl, probably my age, on a wheelchair. I mean, there is nothing wrong with disabled people, don't get me wrong, but she was crying so she easily got everyone's attention. A woman run up to her.
"Mom!" The girl sobbed, opening her arms to hug her mother. The woman tried calming the girl down but she just kept crying and screaming "It was just supposed to be a student exchange program!! This scary giant crushed my legs!"
The girls voice echoed in my head. It was different to hear stories of distant people, but to see someone hurt by thoese monsters in front of my own eyes was completely different.
Even my mom lowered her phone and looked at the girl with pity in her eyes. I prayed to the Lord to open her eyes and return home safely with me.
"Poor girl" she signed "That must have been a.. horrible accident".
I couldn't believe what I was hearing.
"Accident?" I looked at my mom angrily, finally letting my emotions out "A giant crushed her legs".
"Honey, I'm sure they didn't mean to.." she looked at me, somewhat shocked at my defensiveness. I shouldn't have expected her to understand. She just simply couldn't sense danger. And that could get both of us killed.
"Her legs were crushed by a giant, mom!" I raised my voice, even so slightly as I couldn't believe how blinded she was by her feelings.
"Zack, calm yourself down" she looked at me more strictly now, as I was getting other peoples attention. I couldn't bare the thought of how stupid this all was. I just wanted to be home. Or anywhere at that point. Anywhere but in a spece where giants were allowed.
"You-" I began to speak.
"The flight 16-399Bhc** is preparing to take off. We ask all the passengers to board the plane within 5 minutes. Thank you and have a good flight" said a voice from the speaker.
"That's our flight!" My mom cheered up and grabbed my arm, pulling me as she ran to the plane.
She was so excited it made me feel like I was gonna puke.
Don't get me wrong, I always loved planes but this time I felt uneasy. My whole body was shaking ever so slightly, I felt like I was about to puke, I swear I heard my heart pumping blood, my head was spinning..
That can easily be called my worst ever flight.
After we landed I need a good 15 minutes in the bathroom to regain my composure.
"Honey, are you alright?" I heard my mom knocking "Are you sick?"
"I'm fine mama, I'll be okay" I mumbled, though I didn't feel like I was going to be okay for at last next few hours. I was also convinced my life was about to end so why bother worrying my mom. But before I cross the barrier of the airport, I didn't have to see or interact with any giants. Maybe me feeling sick was actually a gift from God to give me more time to get ready for what was about to come? As I was almost ready to go I hear my mom speaking:
"Honey, are you sure? I texted Andrew and he and Ethan are worried sick. They can drive us to a hospital"
And then I got sick again at the mention of the giants.
Oh, you might not know who is who. Andrew is my moms 45 year old husband-to-be, but I'm sure I have spoke about him already. Ethan is his older son, he was 21 back then. His younger son - Ryan - was 17.
After, what appeared to me as a minute and to my mom as an hour I finally could exit the bathroom.
My mom rushed me, saying that the boys have been waiting for us long enough. I was feeling less and less okay. I couldn't keep my emotionless demeanor. My eyes felt heavy, my heartbeat fasten as well as my breathing, my legs were shaky and I was not able to say even one word.
As I saw the enourmous glass wall behind which were a ton of giants, I felt like I was going to faint.
Or simply turn around and run.
My mom stopped in her trucks and looked at her phone. After maybe three seconds of reading what I supposed was a message form Andrew she looked into the direction of 3 giant men waiting and her eyes started to freaking sparkle and her smile grew.
She then looked at me and pointed in the direction of thoese giants, who weren't looking at us, thank God.
"That's Andrew! And Ethan and Ryan!" She said with an excited expression.
Andrew was surprisingly the shortest of the group. He had brown hair that were turning grey, a short beard, thick glasses, a blue sweater and more elegant pants. He was overall a handsome middle-aged dude, if it wasn't for the fact he was freaking enormous.
Ethan was talking with him. He had fluffy brown hair and was slightly taller than his dad. He had a few freckles and dimples on his cheeks, his smile was truthfully welcoming. His white hoodie also looked very comfy.
The tallest one was the youngest - Ryan. He had black, short hair, a pierced ear and stylist clothes. If he would have been a human, he looked like one of the popular kids that you always look up to. I really liked the belt he had, same with the rings on his fingers.
All three giants had the same eye color - hazel.
My mom grabbed me again and pulled me into the direction of the glass wall that was the last thing keeping me outside of the reach of giants. She looked so happy to see them that it was hard to recognize her. She only ever smiled at me like that before.
Soon enough, we were close to the exit of my comfort zone. My fear only grew as we were closer to the giants. It was still probably about 20 feet between us and the door when Andrews eyes rested on us. I felt the enourmous gaze and felt like I was stung. Soon both his sons eyes locked on me and my mom. She realized quickly and slowed down with the running. She then waved at them. Andrew and Ethan waved back. Ryan stood there, looking maybe a little conflicted but surely also kinda annoyed.
At that point I could feel the blood boiling in my veins. My heart ached. As well did my head. My legs were shaky. I felt like I couldn't catch my breath correctly.
If you think you're not socially awkward, three giants looking down at you with their enourmous eyes, almost scanning you as if you were an insect would change your mind right away. And if you are socially awkward like me? Well, you would feel as if you were just about to die.
My mom rushed me again, ready to exit the safe space, that only allowed humans. I walked behind her, but I wasn't as excited or as fast. Partly, becouse I wanted to be out of the giants reach for as long as I could and partly becouse I was feeling worse and worse.
To be honest, I don't know what was making me feel bad. Maybe it was all the emotion, fear, anger and all, maybe it was my mental health killing me and shouting at me that danger was close, maybe it was the horrible flight, maybe it was my body being sick. I don't know.
What I do know is, each step I took, the more powerless I felt. My legs felt to weak to hold my bodyweight.
My mom was already by the exit door when she turned around to rush me again. I was maybe 7 feet behind her, still surrounded by the enourmous gazes of those three giants, two of which were smiling. Their smiles made me sick in my stomache, but Ryan who was the only one not smiling made me feel ever worse somehow.
I totally expected my mom to yell at me to hurry up, based on how excited she seem but she just stared at me for a secound with wide worried eyes and then returned to me.
"Are you okay honey? You don't seem too good"
I wanted to answer her but it came out as a soft yelp. I thought I was going to puke again.
Faces of the giants became more serious and worried. I didn't like that expression either, to be honest.
I looked back at mom as she reached out to me and raised her hand to my shoulder for comfort probably.
"Are you scared Zack? Is that it? Because if it is, I assure you, they won't hurt us. Ever." She spoke in a soft, quiet voice. Her expression didn't show anger but she looked more understanding than any other moment of the past few weeks. She spoke with such confidence I could have believed her.
Well, I maybe even would have if I didn't faint.
Because just a moment after she spoke my vision went black and my body felt weak. The last think I remember before fainting were thoese scary gazes and my mom yelling:
"Zack!"
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Thanks for reading, hope you enjoyed the 1st part!
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blueishspace · 16 hours
Text
Looped Sun 16
Aka: The end of the Fear and Hunger loop because It's important.
Loop #459 (part 2)
Jimmy: I'm a bit...worried about the girl.
Tango: Yeah... she hasn't talked at all since we rescued.
Scott: She also seems hurt and starved.
Jimmy: I could just use the healing incantation right?
Scott: I doubt she's going to trust you enough to let you touch her for enough time to heal her.
Tango: Hmmm... I have a lot of enchanted gapples in my pocket, do you think they'll help?
Scott: Better then nothing, yeah. We should all eat one though or she might worry that It's poisoned.
Jimmy: Talking about food, how much do we have? Being here is like having the hunger effect.
Scott: We are ...good. At least for the hunger part of fear and hunger, I have a lot of food stored up in my pocket for emergencies.
Scott: I found the doll.
Tango: The doll? What doll.
Scott: It's from the game, It's for the girl. It helps her.
Tango: Oh, that's uh nice of you.
Scott: Thank you...?
Tango: You know, I think Jimmy got attached.
Scott: Yeah... bird instincts and all. It's kinda cute though, he's like a mama bird now.
Tango: It's going to crush him when the loop ends.
Scott: Yeah... yeah it will. But we can't make her loop with us, not without risking the world tree breaking more.
Jimmy: TANGO!!
Girl: ...!
Tango: Oh...that's...bad.
Scott: "That's bad"!? You lost an arm!
Tango: ... I-
Jimmy: Come here! Flower gleam and glow, let your power shine-
Scott: ...Jimmy.
Jimmy: Heal what has been hurt and bring back what once was mine.
Scott: Jimmy.
Jimmy: Flower gleam and glow let your power shine. Heal what has been hurt and bring back what once was mine!
Scott: Jimmy!
Jimmy: Flower gleam and glow let your power shine. Heal what has been hurt and bring back what once was mine!
Scott: JIMMY!
Jimmy: What!? ...what?
Scott: It isn't working like that, it just stopped the bleeding, the incantation can't regrow a limb.
Tango: Jimmy It's... I'll have it back next loop don't worry. Nothing permanent.
Jimmy: It's not ok! You- ughh! Fine don't listen to me I don't care.
Scott: So... the girl.
Tango: Are you finally telling us stuff about this place?
Scott: Yes.
Tango: Finally! Right Jim?
Jimmy: Sure.
Tango: ... yeah...so...what about her?
Scott: That's the god of fear and hunger.
Tango: ... No... That's a child.
Scott: For now, at the end of the game in at least one ending she ascends to godhood.
Jimmy: That's... good?
Scott: Not really, gods in this loops are different from gods like me. They are closer to the dread gods from the magnus archives then they are to me.
Tango: Well...fuck.
Jimmy: We can't let that happen!
Tango: Yeah, Jimmy basically adopted her.
Jimmy: Wha- I did not!
Scott: ... Anyway. I have prepared a plan.
Tango: Scott, I hear people.
Scott: What do you mean? There shouldn't be anyone here at the throne.
Tango: I don't know what to tell you, there is someone there!
Scott: Did we make a mistake of some kind? Mess something up? I don't -
Jimmy: Shouldn't we stop them?
Scott: Right! Tango, you stay here with the girl. Keep her safe. Me and Jimmy will do this.
Tango: What if me and Jimmy go instead?
Scott: You are no offense the least powerful person here.
Tango: Yeah, no offense.
Girl: ...uh...
Scott: You speak!? I mean, whats wrong?
Girl: ... ... Jimmy...went on his own.
Tango: What.
Scott: Oh no he doesn't, Jimmy. Jimmy you come back here right now!
Jimmy: Scott?
Scott: Jimmy! What do you think you are doing!?
Jimmy: I am doing something instead of listening to you squabble!
Scott: I-
Jimmy: No! Everyone always thinks I'm the naive and immature one but you and Tango have been acting like children! I tought the truce meant you would at least try but no! The both of you keep doing this!
Scott: Jimmy! Watch out!
Jimmy: Wha-
It's Scott that in a flash of blue appears between Le'gard's blade and Jimmy.
Jimmy: Scott!
Scott: It seems I miscalculated the position a little bit.
Jimmy: Scott you better not trow one of those "noble sacrifice" at me, I will hunt you for the next hundred loops.
Scott: I'm not dying Jimmy...ugh...i'll probably need either a golden apple or an incantation though.
Jimmy: And you.
He said as he turned to Le'garde.
Jimmy: How dare you.
Scott didn't get to see much as he passed out but he clearly saw Jimmy's hair go black and someones screams of pain.
Tango: So you can talk?
Girl: ...yeah...not often.
Tango: Hey that's ok. You don't have to, just wanted to know what brought you to.
Girl: Jimmy run off... tought it was important.
Tango: It was... I'm sorry about that fight, not the best thing to do in front of a kid.
Girl: ... Not the worst... I have seen.
Tango: That's not really good... Listen.
Girl: ...?
Tango: There is something me and the others have in common, I think I should tell you.
Jimmy: Scott, Scott. Scott! wake up.
Scott: W-what happened? Oh end, did I pass out?
Jimmy: You did.
Scott: Aeor, that's embarassing.
Jimmy: Are you ready to go find the others?
Scott: Yeah, yeah. Give me a second.
Girl: ... Pockets?
Tango: Pockets, yeah. They are like dimensions in a way. Extremely big inventories...
Girl: ... Can you put...people inside?
Tango: I... don't know?
Girl: Maybe... I can ...stay with you three... If you put me inside the pocket.
Tango: I... wouldn't... surely that can't work... Others must have tried it before.
Girl: ...
Tango: I'll try though.
Jimmy: Tango.
Tango: Jimmy. Scott. You are back! What happened?
Scott: It's a bit of a long story.
Tango: ... Are you ready... I have no idea if this will work.
Girl: ...
She nodded.
Scott: What will? What are you doin-
Loop #460
Tango: It-it worked-?
Calliope: TANGO TEK.
Scott: Calliope?!? What's wrong-
Calliope: Tango Tek, what did you just do?
And Tango was cornered.
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l0stfoster · 17 hours
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Paul anon here, im literally in fucking tears by these doodles like . Im so . Skgskshdjhdbd AH. The socs choking Paul bc they dont know how his power works makes so much sense but is also like , SO sad . And Soda showing up during the jumping is crazy and Umbra my beloved you are the best character in this .
Darry calling Paul his pretty boy im gonna mmfnshhdvd i actually had to put my phone down and the RINGGSGSSS IM ACTUALLY SOO pony being a good brother reluctantly is soo funny and special to me actually . And paul using the last bit of money he had saved to buy that ring for darry is so ,, what a simp, i love him so bad . that had me in tears i love cursed!parry so much
And the powers beinf tied to his lifeforce ,, we’re gonna pray to god he never tries a ritual again or imma rock his shit lovingly <3
Im so obsessed with this au actually and it is constantly in my brain good job please never split parry up or i will sue 🫶🫶
Paul anon you match my freak™️ because we’re both insane for Cursed Paul. The writers appreciate every time you pop up because I storm over to our discord server and smack down a screenshot like it’s murder trial evidence and I'm an android detective (/ref) it’s great. Paul's jumping sucks extra for him because in the way I've gone about it is that the ones who jumped him were arguably the socs he was closest with; they took his sudden shift to bond with the greasers as an utter insult. Started a little writing thing about it but I'm not sure if I'll finish it, was mostly for my own visualization.
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Paul got SO lucky that Soda showed, though it's likely that absolutely anyone would've followed after Umbra as well. Poor Soda absolutely PANICKED after the socs were gone, though. He had no idea if Paul was even still alive. (Fun Fact! In parallel to Two's jumping and how he mistook Dally for a soc when he was found, Paul assumed the same with Soda. Instead of lashing out against him, he tried to use his magic to get Umbra to run </3 Thought she was in danger by being there.) Even with his newfound scars and the ones he already had (ritual scars beloathed) he always be Darry's pretty boy. He loves his man, do NOT separate them. It certainly wasn't the last of his money but it sure as hell WAS the majority of the money he'd been making ('cause like I said, he does eventually end up finding work to help w/ bills). He's so down bad, Paul would do so much for Darry and it's my favorite thing ever. They get to be healthy.. or, as healthy as an unstable fae and human in a gay relationship during the 60's can be?? Seems like you might have to rock his shit.. Paul doesn't know that very important fact; but he is VERY intent on freeing himself (and assumedly, whatever upcoming generations of Tulsa) from this curse. Poor Darry has to witness the outcome. Aaand don't worry, Parry will never split (save for their pre-book falling out {and when I draw non-canon Darbit} ) so don't sue me I'm poor /silly
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