#. just remembered this actually also happened to me
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I don't think I have one currently but I had one in middle school. A bully of mine made it on Facebook and blamed me for his parents divorce and ruining his home life.
After our first incident, my mom met up with his parents and had chats about coming together or something. Not directly angry or anything or getting mad at them but hoping to positively affect each other and his mom & my mom became friends.
After the second/third interaction, my mom noticed my bully walk back into the school with just his father and decide we should go in to. We go into the principal office after them and witness the father lying up a storm on behalf of his son, saying that I'M bullying HIS son (For reference, I'm a scrawny kid at this moment who hasn't hit his growth spurt at this time, literally smallest kid in the school while my bully is the tallest, bulky and a boxer) and then claims my mom went to their car and was physically threatening them.
We stayed silent and just let him continue until the lady in the office interrupted to ask him if the group behind him was who he was talking about, bringing us to his attention. Our parents started getting into a yelling argument, so did me and his son and in the heat of the moment his son screamed at me "You act like I'm the only one that bullies you", my mom screamed "hold it! I'm not the only one who caught what he just said right? " and the school staff members confirmed they heard what he said too. All of a sudden, the father starts backpedaling and talking about his son getting violent and arguing with him at home too. Now the father is agreeing that his son hasn't been acting right now that he can't deny it.
Afterwards, my mom called his mom to tell him what happened and she was furious and embarrassed about what happened and even got a call from the school about it too.
I had no more interactions with this specific bully afterwards irl and he eventually stopped going to our school but the rest of this I learned from the Facebook group he created, dedicated to hating me after searching my own name online; after this event his parents started fighting a lot and eventually divorced one another. His mother was disappointed in both him and his dad so he had a long punishment from her too with a lot of his devices taken away, her got kicked out of karate (forgot to mention that we both took karate at the same place, I had stopped going a bit prior to this but remembered this, he was a purple belt and I was blue but we sparred once and he was very violent, my mom contacted the dojo about him using it to bully kids so they kicked him out), post divorce his parents were now both single income and moved to different areas so he could no longer attend the same school he once attended and both parents no longer had the extra income they had before to spend on gifts for him or just high quality items in general. Him having to go to a different school also meant he was separated from a lot of the friends he had made.
He considered all of this to have been my fault, that I ruined his life and then made this group not just to vent but to also recruit people still at the school to get revenge in his absence. I actually did get bullied a lot afterwards but I don't think it had anything to do with him, I think it was more related to exploitation of the schools new weird "no tolerance policy" where everyone gets punished in an altercation (yes that includes the victim in the altercation) and the school also expelled students who got suspended 3 times so it created an environment where bullies can all bully a specific kid and not get in trouble because the kid getting bullied would stop seeking help to avoid getting expelled themselves when they got punished along with whoever was bullying them.
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about illario working with the venatori, we can't forget that elgar'nan gifted him blood magic, so I do think that he somewhat influenced him and that's why he's so much more vindictive and jealous in comparison to tevinter nights. I don't mean that he's being mind controlled, but it's a bit like cyrian, a god just amplifying those negative emotions in you and promising power and glory can push a person to that edge and to make stupid af decisions.
im also not forgetting that zara line in inner demons where she talks about an envy demon. like. why an envy demon in specific...there's THINGS between zara and illario that were not shown
no literally if you get me talking about illario + envy + the possibility of getting him possessed, you will have me here for fucking ever. a non mage doing blood magic (any magic at all) is really weird and interesting to me and i don’t remember an example of this happening before (feel free to correct me tho lol. i’m discounting possessions and dwarves)
i had started wildly theorising after bloodbath that he had been possessed and he was tapping into the fade using an envy demon. especially like you said, zara mentions it, AND because i swear there’s a codex in the ossuary where it mentions an envy demon whereas spite is obviously determination, right? so i thought it was a breadcrumb trail to a big “illario is being influenced and doesn’t even know” reveal— same as you anon like great minds am i right— but i’m not sure there is actually any evidence of that lol. like maybe if you squint but i do believe it was explained away by “oh yeah, and elgarnan let him do special blood magic”
it does also make sense to me that illario can only control lucanis, due to being part of the same family. a bloodline thing, and it is very poetic to me that their shared family connection in caterina is what allows him to control lucanis, even for a moment lol. spite being the extra magical boost that lucanis needs to block that out ALSO makes sense to me so i’m not too fussed abt these details lol🤔
the envyllario in my heart also gets spectral weapons for himself. lucanis gets wings, illario gets talons, PLUS green-purple are complementary colors so it would have been really fun to see them clash with their spirit/demon-powers. the talon thing is also a kind of reflection of his end-goal desire, how envy demons already have those freaky hands, and it manifests as claws and is a much more aggressive, strength-augmenting manifestation (as opposed to manoeuvrability and speed-augmenting that spite’s wings give lucanis.) anyways that's what the diagram above is supposed to be (this is extremely hot to me)
#have been waiting all day to get out of work to draw what i have not stopped rotating in my head#also drawing is not totally clear yes that is lucanis using one hand to hold back illario trying to claw at him yayyyyyyy#illario dellamorte#lucanis dellamorte#my art#dragon age#veilguard spoilers#sorry. i was going to reply to this yesterday but my friend finished the lucanis questline#we were discussing this for a bit so the reply is a little more in depth and thought out#also both of the remaining dellamorte heirs both being possessed is fun to ME .#forget house dellamorte being cooked we HAVE to make sure they’re burning and smoking and potentially even on fire#i wish we got to make the crows actually confront what a possessed heir would mean#but that is largely overshadowed in the game by caterina’s kidnapping#and also feels underused because nothing of note goes terribly bad#he doesn’t even draw any blood when spite tries to kill illario#truly wish lucanispite would have gone out of control and killed someone. idk who tho#maybe. lol. jacobus come here. i need you to die tragically
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ᡣ𐭩 WE WERE BORN SICK
FEATURING: dazai osamu
SUMMARY: that sinking feeling that's been looming over you both has finally come to fruition. truths are revealed, questions are answered, but one big one remains: is love enough for you and dazai's relationship to survive this?
AUTHOR'S NOTES: happy fridayyyyy, i can't believe we only have one chapter left of civzai, it's actually makin me emotional </3 this chapter was quite a doozy to write, and i hope it's equally a doozy to read HAHAH no no jkjk , i hope you enjoy. also do u guys want to add an arcane au to the dazaiverse .. ive been thinking heavily about it. comments & reblogs appreciated
GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).
CHAPTER SPECIFIC WARNINGS: hardly edited. angsty chapter. explicit depiction of suicide (past recollection of dazai), implications of past self-harm (dazai), very toxic thought processes at certain parts (dazai), past (and a bit of current) suicide ideation (dazai), manic behavior (reader).
SEE: WASTELAND, BABY! SERIES MASTERLIST
“I’ve been eager to meet you for quite a while. In all of the years I’ve known her, my little hime has never let something as trivial as a boy come between her and our work… I knew you must be special, but I never could’ve imagined just how special. I’m so pleasantly surprised.”
Dazai’s head throbs as he comes to his surroundings. He’s laying in an uncomfortable bed—a hospital bed, he thinks, he can smell the unfortunately familiar scent of antiseptic, but the walls aren’t the typical white he’s used to. He winces as he sits up, unable to recall where he is or what happened to him. Everything is too fuzzy, he remembers being with Fitzgerald, the car ride to the tea house, and-
And he remembers you.
He remembers you.
He lets out a shaky breath as he recalls the way you’d pulled him into your arms, cradling him close as soon as you got him back from Fitzgerald. God, he only got to be with you for what felt like a second. It wasn’t enough time. It wasn’t nearly enough time. You sent him off, he remembers—you sent him with two of your subordinates, the weretiger and that freaky little girl, and then…
“Shhh… Don’t speak. I want to get this done and over with.”
The gun to his back, Atsushi and Kyouka’s cries of shock, the baton to his head.
“No can do, weretiger. On orders from the boss.”
His mind tracks back to the words that had been spoken as he was teetering on the edge of consciousness, mouth going dry and eyes widening as he becomes acutely aware of the other person in the room with him. His gaze flicks up to where a vaguely familiar man sits at a desk watching him—straight chin-length black hair, inquisitive purple eyes, a long black coat, Dazai isn’t sure where he recalls this man from but he knows that they’ve met before.
“Who…” Dazai asks, voice wavering as pain shoots through his head with every little movement. “Who are you? Have we… met before?”
His wrist hurts. His mother’s nails dig into his skin so deep that it draws blood, and he doesn’t know what’s going on. He’d just been sleeping—is he still sleeping? He isn’t sure. He’s stumbling over his own feet trying to keep up with her, he keeps asking her what’s going on but she doesn’t answer him.
They turn a hall and his mother stops so suddenly that he slams right into her, nearly tripping over onto the ground. He doesn’t even regain his footing before his mother is pulling him back the way he came, he looks over his shoulder trying to figure out what caused his mother to panic so badly and he looks at—a man?
Who is that?
Why is he coming from grandfather’s room?
Is that-
Blood?
“Shuji! Shuji, don’t look back! Keep moving!”
Shuji? Who’s Shu-
“I think you know the answer to that already.” Dazai is startled out of the memory—was that a memory?—by the man’s voice. He sounds amused, and from the way that his eyes are glittering, Dazai can tell he’s finding great entertainment out of this situation. It pisses Dazai off. “Don’t you?”
“Tane-chan, you know you won’t be able to hide him forever. You’re just making this harder on yourself.”
Dazai’s breath catches. He shifts backward on the bed to press his back against the wall. Everything is wrong—the air is too cold, his bandages are itching, his head hurts, and he doesn’t know what’s going on. Who is Shuji? Why is he thinking of his mother after all of these years? And what… what was he remembering?
Memories of his youth have always been sparse and fleeting—he can vaguely recall the faces of his siblings, the anxiety he felt around his grandfather, the loneliness—but something like this… The panic on his mothers face, the pain in his wrist, the way she was dragging him around, the fear in her voice when she screamed at Dazai—was he Shuji? But then why—to not look back, to keep moving. He would remember something like that. That would be… crazy to forget, right?
What is going on?
“You’re Mori,” Dazai breathes out, clearing his throat. He hopes he doesn’t look as disconcerted as he feels, but he thinks he must. “You’re…”
The leader of the Port Mafia.
The closest thing you have to a father.
So, how does Dazai remember him from years ago? It doesn’t make sense. He couldn’t have been older than thirteen, maybe fourteen in that memory. What did he forget? When did he meet him? What’s going on? Dazai wants to scream, his mind is still slow from just waking up—he doesn’t even know how long he was unconscious, it couldn’t have been that long.
Mori’s smile widens as if Dazai just walked right into whatever trap that had been laid out for him, violet eyes flashing with a type of cruel amusement that makes Dazai sick to his stomach. Dazai has to circle back to remember what he just said, he needs to snap out of the daze he’s in. He needs to think. He made a mistake—Dazai made a mistake. He shouldn’t have admitted that he knew Mori. That was a mistake.
How does he fix it?
Can he fix it?
“You do know,” Mori says, like he didn’t actually expect Dazai to admit that he knew him. Like he’s pleasantly surprised. Again. Like Dazai just made things much easier for him. Shit. “Interesting.”
He’s going to use it against Dazai. Dazai knows it. He’s going to use it against him to hurt you. He remembers everything he’s learned about your relationship with Mori—how he pit you against that other girl, Yosano, to get results from you. And he already said it. He already said that Dazai is getting between you and your work, he’ll do the same thing here. He’ll pit you against him.
He’s going to tell you that Dazai knew who Mori was, and that Dazai is someone that he’s not—who is Shuji? Why doesn’t he remember his own name? Is that really his name? How does Mori know all of this? Who is Dazai?—and Dazai needs to be able to say something. He needs to be able to explain. How does he explain this when he doesn’t even know what’s going on? Dazai needs to remember; he needs to remember now, he needed to remember yesterday, because if he’s not the one to tell you this… If he can’t explain this…
This cannot be happening—it can’t. Right when he thought everything would be okay, when he would be with you. His throat starts to clog as anxiety clouds his head and weighs on his chest, a panic attack that he can’t afford right now. He needs to think, he needs to figure out what’s going on—Mori knows something about Dazai that he doesn’t know himself, and he’s going to use it against him to drive a wedge between the two of you. He’s going to tell you, and-
Dazai’s world feels woozy. Why can’t he remember? How does he know Mori? What was happening that night with his mother? He needs to snap out of this, needs to think, but he can’t even breathe. Fear—the mind killer.
“I don’t know what’s going on,” Dazai rasps, his voice is hoarse, and he feels sick, and he hates admitting that he doesn’t know what’s happening, but he needs Mori to believe it so that he doesn’t tell you something that’s not true. “I don’t know how I know you. I don’t-”
“You might believe that,” Mori says amused, “but will she?”
Dazai stares at Mori, his stomach churns violently and his vision swims as the answer becomes abundantly clear to him.
He doesn’t know.
———
The gun in your hand weighs heavily.
You hid it in the inside of your blazer to get up to the conference room. No weapons are allowed up past the thirty-fifth floor unless you’re one of the Boss’s hand-picked personal guards—even executives are forced to disarm themselves before going up, but security is much more lax for the upper echelon. Because you’re you—the hime, second-in-command, the Boss’s daughter—the guards outside of the elevator that goes directly to the top floor wave you past the metal detectors to go on up.
A mistake.
(Who is Tsushima Shuji? It can’t be Dazai. You know Dazai. Mori must be wrong.)
The smile on your face is bland and doesn’t meet your eyes as you walk down the hall to the conference room attached to Mori’s office. You greet the guards, and they don’t notice how off your demeanor is, too starstruck over the fact that they’re being acknowledged for once. They also don’t notice the way your hand is curled around the grip of your gun in your blazer.
A mistake.
(Mori is never wrong. Do you really know Dazai?)
When you reach the end of the hallway, you toss them one last brilliant smile. This one is a bit more genuine because you’ve realized that you’ve gotten through the top notch security of the upper levels of the Port Mafia headquarters without a hitch. That you’re one step closer to finishing this. They’re so blinded by the beauty of your smile that they don’t realize your teeth have sharpened into knives and the floral perfume you wear masks a putrid bloodlust.
A mistake.
(It’s always been odd, hasn’t it? The way he approached you. The way he was so insistent on pushing himself into your life. You always questioned it. There was a sinking feeling that something wasn’t as it seemed. Why didn’t you question it more?)
You keep your back turned as you slip into the room. You can feel four presences behind you—Kouyou, Piano Man, Chuuya, Ace. No Mori. No Dazai. That’s fine—you have something to take care of before they show up anyway. The conference room is soundproof; Mori designed it that way because he didn’t want the guards outside to overhear any discussion of sensitive topics. Even if he handpicked them for their loyalty, he understands that money can make the most devout man’s faith waver. Still, it’s not them rushing in that you’re worried about—it’s the people in the room with you rushing out, so you very carefully twist the nub of the lock and then reach up to fix the deadbolt. It won’t stop them, but it will slow them. You can feel their eyes on you as you make sure the door is locked, but none of them call you out for it or try to stop you.
A mistake.
(Mori always told you that the Tsushimas were like cockroaches. If they all weren’t killed, one would eventually return to reclaim their grandfather’s empire. There’d be a power struggle between the factions loyal to the new regime and the ones that still hid in the shadows believing that the Tsushima blood belonged at the head of the organization. Everything the two of you had built would crumble to ashes.)
You turn to make your way over to the conference table where the four of them are sitting. You haven’t decided how you want to go about this yet. You don’t know who all was aware of what Mori did, and because of that, you don’t know who needs to die. Treachery has always faced a death penalty—you don’t care if Mori ordered it, you don’t care that the Boss’s word is absolute, you have bled and breathed for the Port Mafia. You’ve sacrificed everything you’ve ever owned and wanted for the Port Mafia. You have made the Port Mafia into what it is today with your efforts abroad and at home—foreign governments, foreign criminal organizations, the Japanese government and other domestic mafias, all of them are just puppets that you pull the strings of to ensure the Port Mafia stays on top. Treachery against you will face the same penalty one would receive if they betrayed the Port Mafia, because you are the Port Mafia—Mori has made sure of that.
Chuuya and Piano Man share a look with one another as you approach the table. Neither of them say anything—is it confusion? Is it guilt? Did they know? Were you the only one unaware of the schemes going on around you? Were you the only one loyal? The only one you could trust?
Did they know?
Did they know?
(No one could ever love you without your ability at work influencing them. You’ve known that since the very beginning, but you were so quick to forget that when you discovered Dazai’s ability. You should have had more questions, you should have been more suspicious. Mori had been right from the very beginning. You were emotionally compromised. You were weak.)
Ace opens his mouth to speak.
A mistake.
“It was nice meeting your-”
Ace’s head hits the conference table with a hard thunk, his eyes wide and glassy, his mouth open around the words you didn’t let him finish speaking. Blood seeps from the bullet hole in his temple and pools around his head and the ground beneath his chair, staining the glass table and the white floors.
Instead of lowering your arm, you shift it so that the gun is pressed against Piano Man’s temple next. Chuuya says your name—it’s awful, something caught between a gasp of shock and confusion, he’s never said your name like that before. Like he doesn’t know what you’re doing. Like he doesn’t understand you. Like you’re something unfamiliar. Unrecognizable. You ignore him anyway, and the pangs that come along with it, and instead, you keep your gaze trained on Piano Man’s face.
He’s not as panicked as Chuuya, but you can tell that he’s just as caught off guard from the way his lips are twisted. He watches you carefully, waiting for you to say whatever you’re going to say—if you were going to pull the trigger, you would’ve done so immediately, he knows that. He’s always been good at reading you, better than even Chuuya sometimes.
“Did you know?”
Your voice is steadier than you expect it to be. Cold almost. Distant. You don’t recognize it yourself, you suppose it’s no wonder that Chuuya’s staring at you with such a foreign expression. You watch him just as carefully as he does you. He has a tell when he lies: he squints. Not an obvious squint, just the barest hint of his eyes squeezing shut like he’s calculating exactly what he wants to say, in what tone and with what fluctuation he wants to say it.
A subtle tell, but a tell nonetheless.
“No.”
He stares at you steadily as he says it. There’s no squint—he’s telling the truth. You don’t let out a breath of relief, but you certainly feel the weight off of your shoulders. You lower the gun, satisfied with his response, and then you walk over to where Chuuya is sitting.
You don’t raise the gun to his temple immediately. He looks up at you, you look down at him, a whole conversation is had in the silence between you, and eventually he lowers his lashes in resignation, telling you to do what needs to be done for you to feel more at ease.
He’s always put others before himself.
You lift the gun at the same time he lifts his gaze to meet yours. He could activate the Tainted Sorrow and end this before it starts, but he doesn’t—you know in your gut that if you pulled the trigger right now, he would accept the fate you delivered. Probably would take it as a better one than he deserved—it being at your hands rather than Arahabaki.
“Did you know?” you ask. The words taste bitter, rancid—they don’t belong there, Chuuya would never betray you, but you had to hear it from him.
Chuuya doesn’t have many tells when he lies—he’s a good actor, much better than people give him credit for. If he wanted to lie to you, he might be able to get away with it. But he won’t lie to you, not when he’s looking you in the eye.
“No,” he says, voice soft and raspy like he can’t believe he has to say it.
You let the gun drop to your side. It weighs heavier now—heavier than it did in the elevator, heavier than it did in the hallway leading to the room, heavier than it did when it was pressed against Piano Man’s head. You can hardly bear to keep holding it, but you’re not done yet.
Slowly, your gaze turns to Kouyou. Her expression is cold and unreadable, gaze pinned on you in the same way a lion stalks its prey through the tall grass… No, that’s not right. She stares at you with the same look in her eyes that a snake does when it’s curled in a corner, rattle shaking and hissing to try to scare off the predator that has it trapped.
“You knew,” you breathe out softly in disbelief. Your voice hardens and tightens as you repeat, “You knew!”
Before you can raise your gun—before you can pull the trigger four, five, six times, before you can riddle her body with holes because how dare she know, how dare she know and not tell you after what the previous boss did to her—the door that separates the conference room from Mori’s office opens, and your attention is drawn to the one person who caused all of this.
“Oh my,” Mori says airly, looking between you, Ace’s body, and Kouyou with an expression that is frustratingly amused. “I see you’ve been busy.”
You don’t even know what to say to that. You almost want to laugh. You think you do laugh, actually—someone does, and you think it’s you, because you feel yourself walking away, you lift your hands to your head to tug at your ears in frustration. Your vision is blurry—are you crying?
“You betrayed me,” you finally say, voice quieter than you intend, so you raise it as you repeat yourself. “You betrayed me. You. Of all people I never thought you would be the one to-”
You can’t even finish the sentence, your voice cracks over the words. It makes you feel sick, it makes you angry, it makes you want to crawl out of your skin, because how could he? To you? You don’t know why you’re so angry, why you’re so betrayed. Mori has always made it clear that his priority is the Port Mafia, but still, to do this to you. To do this to his-
To his what?
You’re not his daughter. You hate when people imply that you are, you hate being called hime, you hate being called ‘Miss Mori’, you hate when people give you respect because of your perceived relationship to him.
He’s the only father you’ve ever known. Almost every decision you’ve made has been with the motive of making him proud of you. When he seeks out your opinion specifically during meetings, your chest becomes warm with pride.
You don’t love him. How could you? Look at what you’ve become because of him.
Then why do you feel so betrayed? Why did you think he would be the last person to do something like this to you when you know the type of person he is? Why does your chest feel like it’s caving in? Like your heart’s been ripped right out of it? Why does this hurt as much—why does this hurt more than Dazai’s potential betrayal?
And he certainly doesn’t love you. He never would have done this if he did.
He’s killed people for disrespecting you—he hardly ever gets his own hands dirty, but he does when it’s you and your dignity on the line. He spends hours meticulously picking out birthday presents that he knows you’ll like. He gets sad when he invites you for lunch and you don’t join him, reminiscing about the days where you clung to the back of his coat.
He touches your shoulder, and your finger twitches on the trigger of the gun. You want to lift it, press it to his temple and pull the trigger just like you did to Ace, but you can’t. Your arm feels like lead, and when his hand slides down to your bicep to force you to turn around and face him so that your back is to the rest of the executives, you dutifully follow along.
His expression is unreadable as he looks down at you, violet eyes swimming with an emotion you’ve never seen in them before. He lifts his hand to wipe away one of the tears that had spilled over your cheeks with his knuckle, and then taps your cheek twice, chiding you silently.
Do not cry here, little hime. Not here.
“You have always been so dramatic,” Mori hums just loud enough for you to hear, but the words are fond, and the corners of his lip curl up as he looks down at you. “I would not betray you. Not ever, dear.”
You look at Ace pointedly in response and then back to Mori, the man sighs dramatically and gives you a disappointed look. The nerve, you think bitterly, narrowing your eyes on him as you wait for his explanation.
“I told you,” Mori says. “I did this to protect you. I wanted to get ahold of the boy-”
“Because you have some mistaken belief that he’s a Tsushima,” you interrupt coolly. “How did you even manage to come up with that ridiculous theory?”
Mori’s eyes flicker with something akin to interest, but shifts quickly into pity—you can’t tell if it’s genuine or mocking, and you don’t know which would be worse. He must be mistaken, he has to be. You don’t think you can handle the implications of if he isn’t, of what it might mean for you. For Dazai. Your whole relationship with him. How much was manufactured for him to get information about the Port Mafia? So he could get a foothold in the organization? Get in contact with the remaining loyalists to his family?
“Sit,” he tells you, guiding you over to the seat at the right of the head of the table. “I’ll explain everything, but first… Shuji-kun, why don’t you come out and join us?”
Your breath catches at Mori’s words, gaze twisting to the side over to the door that he’d come out of. You watch as the door creaks open, and the achingly familiar sight of his face finally comes into view. You’ve missed him—you’ve missed him, and you hate this. You should be back at your apartment with him, you should have him curled up in your arms, you should be listening to him complain about how long he was stuck with the Guild.
This shouldn’t be happening. You shouldn’t be sitting at the executive roundtable with Ace’s dead body a few feet away, and Dazai entering the room, questions of his identity, of whether or not he’s been using you for information and opportunity to take back his grandfather’s legacy.
You hoped that Dazai would enter the room angry, irritated by the kidnapping and the accusations, but you don’t think you’ve ever seen Dazai look like this before. He looks a mess, fidgeting, brown hair matted to his forehead, dark eyes wide and swirling with emotion. When he seeks you out, they’re pleading, imploring, like he already knows that whatever is about to be said is going to be bad for him.
He looks… frazzled. Nervous. Confused.
He looks guilty, and you know that Mori is telling the truth.
How much of this was a lie? All of it?
Your throat feels uncomfortably tight, gaze sliding from Dazai back to Mori.
“Tell me.”
Who are you, Dazai Osamu?
———
Despite his body being wracked with a strange sense of guilt, Dazai pushes open the door to enter the room where he assumes you’ll be waiting. You’re not the only one there sitting at the table—there’s five… no, four others—but Dazai can’t help the way he immediately seeks you out. He recognizes his mistake instantly. That highly unwelcome, and highly misplaced, guilt amplifies the moment his gaze meets yours and he sees how crushed you are by all of this. His face twists into something that he knows condemns himself more. and from the way you instantly look away from him, directing your full attention to Mori, he knows he has.
Now, you won’t meet his eyes at all.
Dazai sits stiffly across from you to the left of Mori. Nakahara Chuuya is on his opposite side, glaring holes into the side of Dazai’s head, but he can’t drag his gaze from you. He’s never seen you like this before—even back at the beach house when you’d been so close to breaking down under the weight of everything on your shoulders, you’d held yourself together as best you could.
You’re unraveling now; he can tell you’re still trying to hold yourself together, but it’s as good as trying to pick up water with your fists, your emotions spill out through the cracks carved into the walls you used to hide yourself behind. Mori hasn’t even begun talking, yet your breath is unsteady and your eyes are swimming with emotion; your fingers are still wrapped tight around the grip of your gun, and Dazai is very acutely aware of Ace’s dead body slouched over the table not even a few feet away.
And you won’t even meet his eyes.
Maybe it’s a good thing, he realizes, because Dazai isn’t sure what you might see if you do. You clearly didn’t like what you saw the first time. He just feels so guilty, and he doesn’t even know why he feels guilty because he’s not-he didn’t do any of what Mori implied. He didn’t use you, he didn’t know who you were before meeting you, it wasn’t all some scheme to try to take over the mafia. That’s ludicrous—he’s a literature student at YNU, not some gang lord. He just-
He loved you. Loves you. No ulterior motives. No strings attached.
“I said tell me,” you snap when Mori doesn’t immediately begin talking. “You love talking, so why are you holding back now? Tell me, or I’m leaving.”
Dazai feels a bit sick to his stomach when you say ‘I’ with no implication of taking him with you. He tries to get you to look at him again, silently pleading with you to just spare one glance in his direction, but you’re irritated now. He can see it in the way your fingers flex around the gun, knuckles whitening and finger twitching on the trigger—it’s pointed at the woman sitting next to you, who is very acutely aware of the fact from how stiff she is.
“Do you remember the night we took over the Port Mafia, dear?” Mori asks her, voice a low hum.
“What kind of question is that?” you answer tightly. Your lip curls up in irritation, Dazai can see you become more and more antsy and angry—he’s never seen you so out of control before. “Of course, I do.”
“And you, Shuji-kun?” Mori turns his attention to Dazai and he wants to spit in his face—his name is Dazai—but his voice fails him when he sees the way your face twists at the sound of the unfamiliar name. He stares at Mori instead, hating how amused the man becomes at his silence. “I’ll take that as a no, allow me to refresh you.”
“Eight years ago, a coup was staged against your grandfather’s regime,” Mori says, and Dazai feels like he’s being studied under a microscope. All eyes are on him now—even yours, but now, he can’t bring himself to look at you. He doesn’t know what he’ll find, and he’s scared it’s going to be something he doesn’t like. “Your grandfather was mad, killing civilians and mafiosos indiscriminately, something had to be done, and nobody was willing to do it, so we did.”
“We had to wipe out the whole family, and any loyalists. I was fourteen when I killed someone for the first time. She was a girl my age—the previous boss’s grandaughter…”
Dazai’s gaze drags over to you. You’re staring ahead now, gaze listless and expression eerily blank like you’re slowly starting to realize what this means. Dazai hasn’t come to terms with it yet, because if even a little of what Mori is saying is true then…
“We wiped out the whole bloodline and as many loyalists as we could,” Mori continues, “or we thought we did, at least. My dear hime was who I sent to kill the heirs, I trusted in her to make it quick and painless. We didn’t realize one of the grandchildren were missing until it was too late—he wasn’t in his bedroom, apparently liked to wander around at night because he couldn’t sleep. His mother was able to swoop in and get him out of the estate before our men took over the building… Tsushima Shuji, the youngest of the previous boss’s grandsons. Does this sound familiar yet, Shuji-kun?”
He has the best view of the night sky from an alcove on the fourth floor of the estate—his grandfather’s floor. It’s where he likes to go when he can’t sleep at night, and ever since his cousins and siblings started fighting over their grandfather’s legacy, that’s been just about every night: half because of fear now that things have started escalating to violence, half because he’s not even sure why he’s still here.
His knees are tucked tight to his chest, arms wrapped around them and head resting against the cool glass as he looks up at the stars. He hears a commotion happening somewhere downstairs, but there’s always a commotion happening at the estate, so he thinks nothing of it. He submerges himself in the darkness instead, letting his mind float away as he stares up at the sky—it’s the only time he’s able to relax, escape from the shadows of his own mind.
He’s not sure how long he sits there admiring the night, time passes immeasurably when he’s lost in the stars—he’s only snapped out of it when he hears feet slamming against the ground in his direction. He stiffens, eyes wide, wondering if another one of his cousins has finally turned to bloodshed as the way to inherit their grandfather’s legacy, but instead his mother turns the corner, her smooth face contorted in a type of panic he’s never seen on her before.
“Mothe…” he starts to say, confused, but he doesn’t even get a chance to finish the word, gasping as his mother grabs his wrist and yanks him off the cushioned seat in the alcove.
“Shuji, we have to go,” she gasps, “we need to get out of here. It’s not safe.”
He stumbles after his mother, struggling to keep up with her quick pace and longer legs. Her grip was painful, nails digging into the bandages around his wrists, right into the fresh wounds they covered. He grimaces in pain, breathing heavy as he follows his mother down the hall, assumingly toward the steps near his grandfather’s room.
“What’s going on?” he asks. “What about Bunji? Akane? T-”
His mother chokes over what sounds like a sob and his eyes widen—he’s never heard his mother cry before.
“There’s no time,” she chokes out, “we have to leave without them. We-”
They turn a hall, she skids to a stop and-
“It seems that it does… Allow me to continue then,” Mori hums, drawing Dazai out of the memory. He sounds unbearably amused, and Dazai would be angry if he wasn’t so shaken. He pulls his hands off of the table to rest them in his lap to hide the way his fingers are trembling. “Your mother was able to hide you from us for half a year, I warned her that she wouldn’t be able to for long and since she didn’t share your grandfather’s blood, promised to spare her life if she gave you up to us, but she refused. She tried to take you out of the Kanagawa Prefecture, but our men were catching up to her, and she took… drastic measures to ensure we couldn’t track you down. That I’m sure you remember.”
“Mother,” he whispered, staring up at the rope, her limp body, gaze trailing down to the kicked over chair. “Mother, I don’t… why did you…”
He takes a step closer. A step back. Another step closer. He reaches out, fingers brushing the white nightgown she’d worn the night before while getting him settled in bed, but he snatches them back instantly like he’d been burned, clutching his hand to his chest.
He’s not breathing, he realizes when his lungs start to burn. His eyes sting painfully, unable to draw his eyes away—unable to even blink—is it a nightmare? Is he hallucinating? She sways—sways like when she used to distract him when he was settling into a depressive episode by putting on music and forcing him to spin with her in the kitchen, sways like the wind chimes she keeps outside because the house doesn’t feel homely enough without him, sways-
“Shuji! Shuji, get away from there!” The voice that calls to him is familiar—Aunt Kiye? Why is she here? “God, I tried to get here earlier. Nee-san, forgive me.”
Aunt Kiye grabs his wrist, yanking him away from his mother, dragging him out of her bedroom and down the hall. His voice is hoarse as he screams, he doesn’t know what he’s screaming, if he’s even screaming anything intelligible. He doesn’t stop until he’s out of the house and she’s kneeling in front of him, shaking him out of his panic.
“Enough, Shuji! We have to go, we can’t stay here, they’ll be here soon,” Aunt Kiye shouts at him, expression twisted and eyes pooling with tears that she doesn’t let spill over. “We need to go, and we-we need to change your name, change everything. I promised I would hide you, I-”
“We can’t leave her there,” he argues, voice shrill. “I don’t understand, why did she do that? What did I do? It was my fault, It was my fault, wasn’t it? It-”
Aunt Kiye doesn’t answer his question. She looks bitter, angry, hateful. “We have no time. We have to leave,” she whispers, dragging him to the car despite his protests. She continues talking, more to herself than to him, but the words make his chest cave in. “I told her not to get involved with that family. Their blood is black, cursed. Everyone knows nothing good comes from associating with those people.”
His fault, he realizes, breath becoming thin and shallow. It’s his fault, his blood, his fault that his mother-
“Yes, quite the unfortunate scene we walked into,” Mori says dismissively. “She was smart for it though, she never would’ve survived a night with our sweet hime interrogating her. You should see what she did to that despicable journalist. Of course, she wasn’t as fine-tuned with her ability back then, but that would’ve been at your mother’s expense—her first few attempts at conditioning were quite… unfortunate for her test sub-”
“Enough,” you spit out, interrupting him. Dazai wants to believe that it’s because you can see how uncomfortable he’s getting, but he’s not even sure that you care. He’s not even sure you remember he’s in the room. “Get to the point. You think he’s the Tsushima kid we missed—that doesn’t prove shit. It doesn’t mean-”
You don’t finish what you’re going to say, but you do look at him, and Dazai’s breath catches when his gaze finally meets yours again. He can’t tell what you’re thinking—the expression on your face is entirely indecipherable, something caught between being accusatory and guilty. Dazai doesn’t know if he’s going to make it out of this room alive. Even if by some miracle, you decide to believe him, there’s a good chance that Mori will order his death anyway, and he’s not sure if you’ll pick him over the Port Mafia.
That being said, Dazai doesn’t even know if he wants to make it out of here alive. His brain is fogged with memories that he locked so deep within him that they never should’ve resurfaced—every time Mori speaks, Dazai’s recalling something new, something awful, something that proves that he’s every bit the freak people have always claimed him to be. Every bit as bad. Every bit as wrong. Not like other people. A monster whose mother killed herself because of him, a monster who's been cursed since the day he was born.
“... blood is black, cursed… nothing good comes from associating with those people.”
More than that, he doesn’t see how the two of you are going to be able to come back from this, and that scares him more than anything. You’re the only good thing left in his life, and he doesn’t think he’ll make it without you, but he doesn’t think that after all of this things are just going to work out. You killed his siblings. His cousins. And yeah, Dazai was never close to them—they thought he was too quiet, too strange, all of the things that the other students at school whispered, his family was the first to—but… they were still his family, and if Dazai had been in his room that night, he would’ve been just as dead at your hands as the rest of them.
You killed his family. You would have killed him. The Port Mafia is the reason his mother killed herself, the reason why he walked into her bedroom and saw her hanging from a fan. The Port Mafia is the reason his aunt hated him so much that she couldn’t even bear looking at him, the reason why he was left to die in Suribachi City.
Would you ever be able to get over the guilt of that? Would Dazai be able to accept it? You had a heavy hand in ruining his life, is it enough that you saved him years later? He doesn’t know, he’s hardly even processed it, he just knows that he has to cling to what little he has left, dig his nails in and not let go even if it makes you choke on guilt, even if it makes him sick with shame. He won’t let go.
“So impatient,” Mori sighs. “Your aunt hid you for almost another half a year, but she wasn’t able to move out of the Yokohama area. She did well though, I’ll give her that. We had our best trying to find you, but she was very careful. It was partially our own fault that we didn’t get our hands on you back then—some loyalists to your grandfather snuck under our radar, told her when we were closing in on the two of you. She got rid of you before we got to her… but we did get to her. Kouyou-kun was the one who handled her, if I recall it got quite… messy. I can’t imagine how it must feel knowing that your mother and aunt sacrificed themselves to protect you only for you to throw it all away in an arrogant attempt to reclaim your grandfather’s legacy.”
Dazai doesn’t even zero in on the last bit of what Mori says because he’s too busy trying to wrap his head around the rest of it. Aunt Kiye didn’t… die for him. Aunt Kiye hated him. He remembers that clear enough—he remembers how she could hardly stand to look at him, he remembers the way she was always so cold and rough with him, he remembers-
“You have to go, Osamu.” Aunt Kiye is shouting at him, and he’s sitting in the passenger seat of her car. He doesn’t move, he thinks maybe if he sits still enough, she won’t see him there and won’t make him leave. “Osamu, get out of the car and go, we don’t have time! They’ve found us.”
The name is still unfamiliar—he’s not used to it, and he doesn’t know if he likes it, but Aunt Kiye insists that Tsushima Shuji is dead and that name can never be uttered again. She gets mad when he doesn’t immediately answer to it, tells him not to let his mother’s death be in vain, and that’s usually enough to get him to stop being stubborn over it.
“Osamu, go!” She grabs his bicep hard to try to get his attention, but he flinches and squirms out of her grip, still not responding to her. He can’t remember the last time he’s spoken—he thinks maybe since they left the cabin that morning. “You-”
Aunt Kiye sounds angry now, but he can’t bring himself to look at her. It’s only when he hears her unbuckle and feels her start reaching over him that he starts to panic. He reaches up to grab her bicep, trying to stop her from grabbing the handle of the door to open it, but she’s stronger than him. He’s hardly been eating lately, and he’s never been particularly strong—he was always the smallest among his siblings.
It takes no effort for her to bat his hands away, pushing open the door and unbuckling his seatbelt. He struggles against her as she tries to push him out of the car, and she’s still speaking—shouting at him, begging him, he thinks she might be crying too, but he can’t even tell. His mind is fogged with panic and fear—he doesn’t want to be alone in Suribachi City, he doesn’t want to be alone at all. He wants to stay with Aunt Kiye even if she hates him because he doesn’t want to be alone.
Eventually, Aunt Kiye wins the fight—even with him fighting tooth and nail, she manages to push him out of the car. He hits the ground hard, gasping when he lands poorly on his elbow. He’s stunned for a moment by the shock and pain, and Aunt Kiye takes the chance to toss out a backpack from the back seat and close the door behind him, locking it quickly.
“No!” His voice is raspy from lack of use over the past few months. He scrambles to his feet and tries to pry the door open but can’t. Aunt Kiye won’t even look at him, she stares ahead as she switches the car into gear and he slams his hands against the window. “Aunt Kiye! Aunt Kiye, don’t leave me here! Don’t leave me here, please, I’ll be better, I’ll do better, just don’t-”
He stumbles back as she pulls the car away, falling when he trips over the backpack onto the asphalt, scraping up his hands and forearms. He’s not sure how long he sits there staring after where the car disappeared waiting for her to come back for him.
She doesn’t.
She didn’t die for him, Dazai thinks again, nails digging crescents into his palm. She didn’t die for him, she couldn’t have. Dazai won’t believe it. Aunt Kiye hated him, she abandoned him in Suribachi—none of this can be true. It can’t. His mother killed herself to be free of him, not to protect him; and Aunt Kiye abandoned him because she hated him, not to save him.
That’s the truth. It has to be. They couldn’t have died for him—for him. It doesn’t make any sense. He doesn’t want to remember all of this—he was better off thinking that they hated him, that they wanted to be free of him.
He can feel you looking at him now, but Dazai is back to being unable to look at you. He’s staring down at the glass table looking at his reflection, his eyes are wide and dark and far too black—he looks warped, inhuman almost. His expression is blank, none of the turmoil within him is reflected on it, and he doesn’t even understand why. He thinks it’s probably just making him seem more guilty.
“We figured she left you somewhere in Suribachi City, but we weren’t able to track you down,” Mori says flippantly. Dazai wants him to stop talking, but he has a sick feeling things are only going to get worse from here. “Not until you ended up with Oda Sakunosuke, at least, we…”
Dazai’s ears ring at his old friend’s name. Mori is still talking, but his words become a distant buzz. Everything starts coming back to him at once—his time alone in Suribachi City, the weeks he spent rationing the little food he had, getting the shit kicked out of him by some low rung gang who stole his mother’s ring from him. He remembers giving up, questioning the point of his own existence with a detached logic that left him with only one answer—there was no point to his existence, so he was as good dead as he was alive.
He remembers seeing on a sign that it was the eve of his fifteenth birthday, and he remembers dropping himself in the bay during a storm, hoping that the tide dragged him so far beneath the surface that he’d never see the light of day again.
He remembers waking up the next morning to an unfamiliar face at his bedside, brows knit in disapproval and lips turned down, and he distinctly remembers feeling put out by a stranger looking at him that way.
“What’s your name, kid?”
Dazai couldn’t remember anything but the name Aunt Kiye had drilled into him over and over again the past few months.
“Dazai Osamu.”
“Hm. Oda Sakunosuke. You got a family, Dazai?
Odasaku brought him in.
Odasaku saved him.
The doctors said he’d been dead for almost three minutes when Odasaku found him washed up on the beach—said his memory might return over time, but it might not—but Dazai didn’t even care, because Odasaku brought him in. He gave him a roof over his head, food to eat, and a reason to live. He sent him to school so he could feel like a normal kid his age. He played board games with him and didn’t even care when Dazai was a sore loser and quit mid-game when he realized he wouldn’t win. He humored Dazai when he faked being sick because he didn’t want to go to school. When Dazai was going through bad depressive episodes, Odasaku would sit with him silently and write his book so Dazai never felt alone. Odasaku introduced him to Ango and they were-
They were his friends.
Family, maybe.
They were all he had, and they were all he needed.
And then-
“We were the ones who killed him.”
Dazai’s gaze drags up from the table to focus on Mori. The man’s lips are curved into a cruel smile, his eyes are sharp, and Dazai is moving before he can stop himself. He lunges across the table, but Mori doesn’t even flinch because Nakahara Chuuya grabs the back of his shirt and yanks him back down into his seat.
“You-” Dazai spits, voice raspy and angry.
“Don’t look at me like that, we were trying to get to you,” Mori says casually as if the words don’t shatter Dazai’s entire world. “We would’ve loved to have Oda Sakunosuke amongst our ranks. His death was unfortunate. Collateral damage. He was an assassin for a long time—one of the best in the world. He was pretty much unkillable, his ability allowed him to see six seconds into the future. I never understood how our sniper managed to get him that day, but now I do. He saw you getting shot with his foresight and tried to pull you out of the way, but your ability is nullification, so when he touched you to save you, he damned himself. In those split seconds when he was pulling you to safety, he couldn’t see the future, and couldn’t see the bullets aimed for you that lodged into his chest instead.”
Dazai can’t do this anymore. He tries to push himself up to his feet but his legs are numb and uncooperative, and he can’t move his hands or arms. Mori’s lips part to continue speaking but Dazai can’t do this, he can’t hear anymore of this. He’d always known in his heart that Odasaku’s death was his fault even if he couldn’t remember much about his mother and Aunt Kiye and their desperate attempts to hide him from the Port Mafia. He’d known, but hearing it-hearing the confirmation, it’s too much for him.
Before Mori can say anything, Dazai is startled from his spiraling thoughts when you stand up so abruptly that your chair goes flying back. Your expression is haunted and you’re not looking at him again, but Dazai is glad for it, because he thinks he’s about to throw up.
“I… I need a minute. I just need a minute,” you say shakily before fleeing the room into Mori’s office so quickly that you almost trip over the chair you knocked over.
The room is silent in your wake, and after a few impossibly long moments, Mori stands to follow you into the other room. The three Port Mafia executives left in the room don’t say anything for a moment, and Dazai is just trying to breathe. He’s trying to breathe and process what Mori just said, but he’s failing miserably at it.
It’s the woman, Kouyou, who speaks first.
“She’s going to kill me for knowing about this,” she says simply, sparing a glance down at the dead body on her opposite side. “I’ve never seen her like this before. Even when Chuuya-kun went missing for a few days, this…”
“Well, maybe you shouldn’t have conspired against her,” Piano Man sings, looking entirely unperturbed. “I mean honestly, after what the previous boss did to you, I would’ve thought you’d be more sympathetic. Silly me to think you aren’t a cold-hearted bitch.”
Dazai tries to pay attention to what they’re saying, he tries to ground himself with the conversation happening so he can forget the feeling of Odasaku’s blood all over his hands, staining his clothes, smeared on his face. He tries to replace Mori’s echoing words with what they’re saying but he can’t.
“We were trying to get to you.”
“It has nothing to do with sympathy,” Kouyou snaps, but she does look ashamed. “It’s a security threat, it’s bigger than love. This boy could spell the end of everything we’ve built.”
“She won’t kill you, Ane-san,” Chuuya finally speaks up, his knuckles are tight around the armrest of the chair he’s sitting in. “I’ll talk to her, I just-”
“When he touched you to save you, he damned himself.”
“Chuuya-kun, she almost killed you,” Kouyou says so dryly that the words almost don’t even register to Dazai, but when they do, they’re the only thing that effectively draws him from his spiraling thoughts. He looks at Chuuya sharply to see if what Kouyou said was true, and his eyes widen when he only grimaces and looks down. “You and Piano Man. She didn’t even hesitate before pulling the trigger on Ace. She’s unstable right now, there’s no talking to her.”
“But she didn’t,” Chuuya says tightly. “I’ll talk to her, but first…”
Chuuya looks at Dazai so suddenly that he almost wants to snap his head away and ignore him, but he can’t. The ginger studies Dazai so intensely that it makes him want to crawl out of his own skin.
“Did you know?” Chuuya asks, voice low. He’s angry, Dazai can tell from the way a dark red color starts to flicker around his hands, but he’s trying to keep it together. “Tell me. Did you know who she was and use her to get closer to the Mafia for revenge? I’ll spare her the pain of having to put a bullet through your fucking head and kill you myself right now. Did you know who she was and purposely-”
“No,” Dazai interrupts, voice hoarse. “No. I didn’t-I didn’t know.”
Chuuya stares at him for a few seconds, studying him like he doesn’t know if he actually believes him, but after what feels like an eternity, he finally shakes his head and looks away, rubbing his face with his hands.
“Fuck, this is such a mess,” Chuuya breathes out, voice strained. “Fuck. She-”
Chuuya doesn’t finish his sentence because the door to Mori’s office reopens and you step back into the room, Mori at your heels. Your eyes are red, but your expression is withdrawn now, void of the tumultuous emotions that had been raging across it just a few minutes before. You settle back in your seat. Your eyes flit over Dazai like he’s not even there before focusing on Mori.
Dazai suddenly has a bad feeling.
“I’m not quite sure how you escaped us after that,” Mori continues where he left off, and Dazai is so sick of the man’s voice that he almost wants to rip his own ears off. “Probably Sakaguchi-san from the SDUP, I recall him and Oda-san being close… but that brings us to the present, doesn’t it? Four years later, you stumble into our lovely hime… Come, dear, let me tell you my running theory, and you tell me how accurate I am, yeah?”
Mori is looking at you now, eyes glittering as he waits for your response. Dazai has his own serious issues with the man, but he thinks it’s sick the way he’s enjoying your clear discomfort and increasing distress. Your jaw tightens a bit, but you nod, signaling for Mori to speak. Dazai’s nails dig into his pants as he waits for Mori to continue. Neither of you look at him, and Dazai’s lips part to speak so he can preemptively deny whatever Mori is about to accuse him of, but he can’t push a single word out.
“Your first meeting with him wasn’t by chance. A cafe, maybe… a bar?” Mori offers, watching your face carefully for a reason. You look away at the second option, and the man’s lips curve up. “A bar, then. One you frequent, I bet. The one in Hodogaya-ku, perhaps? Your first meeting, but not Shuji-kun’s first time seeing you. Ui Koutarou—his journalism professor at YNU—wrote his first article implicating the Mori Corporation’s connection with the Port Mafia in February of this year, around a month before rising fourth year students register for classes. Shuji-kun, naturally, has been following anything related to the Port Mafia closely, so when he sees a class being offered in the fall by the same man who has been openly targeting the Port Mafia, he sees an opportunity and signs up for the class.”
No, Dazai tries to say. His lips form the word, but the sound doesn’t come from his lips. No. No, no, no, no. You look haunted suddenly, and Dazai remembers the argument he had with you during the government event in Tokyo. How cold and withdrawn you’d become. How when he confronted you next, you accused him of working with Ui Koutarou and blackmailing you for money. Mori is reigniting all of the initial fears you once had.
“Ui-san has had his sights set on you for quite a while, dear. You don’t need me to tell you that, you’re very well aware of the man’s hatred of you… When Shuji-kun started classes in the fall, Ui-san roped him into his plans, and you became his project. That wretched man had many documents on you. I had the Black Lizards raid his apartment after we captured him—most were harmless, detailing places you frequented and people seen around you, but when Shuji-kun became involved, he started using that information to manufacture meetings between you. I imagine that after you met him that first time, he started appearing around you rather regularly. Bump-ins at that cafe you like in Minami-ku, on the streets—he even started renting an apartment on property that we own after he realized the opportunity he had with Ui… he’s only been living there since the summer, you know?”
His last apartment wasn’t close enough to the school, Dazai wants to argue desperately. He’d been lucky that a cheap apartment opened up in Hodogaya-ku before the semester started—he’s been trying to get one since his first year. It has nothing to do with-
Dazai suddenly feels nauseous again, everything is spinning around him—he still hears Aunt Kiye screaming at him, he still hears the creaking of the rope his mother hung himself on, he still hears Mori’s confirming that Odasaku’s death was his fault. And now this, and you’re not looking at him again, and he’s not saying anything, why isn’t he saying anything? Why isn’t he denying this?
“He attached himself to you quickly, didn’t he?” Mori asks rhetorically. “Too quickly, I’m sure you had doubts—not even your ability makes people reliant on you as swift as he became. How long did it take for him to start prying for information? Trying to make you slip up and implicate yourself with the Mafia? Confess yourself as an ability user?”
The night of the earthquake when you showed up at his apartment, he remembers dizzily. He started pressing you on your political opinion because he remembered Ui saying that all of the criminal syndicates in Japan are going to do whatever it takes to prevent the military bill from passing. But he wasn’t… doing it to prove anything? He just wanted to know more about you, he was curious, he was finally putting the mystery that you are together. It wasn’t malicious—he just wanted to know you. That’s all it ever was, he’s only ever wanted to know you.
“When did you tell him about your ability? More about our organization? Around when the Guild started making their move in Yokohama, I’m sure. He never told you about his ability until his hand was forced. In fact, I’m willing to bet he lied and said he didn’t know he had one, but tell me, do you really think an assassin of the caliber of Oda Sakunosuke would not realize his ward had an ability that negated his own? That he wouldn’t be trained in how to use it… Most importantly, if all of this wasn’t a scheme of revenge—if he really did love you—then why did he never get rid of the flash drive that contained the proof that his journalism house published? The proof that got you thrown in prison?”
You’re crying.
Dazai’s throat swells when he sees the tears silently tracking over your cheeks. At once, he realizes that he’s never seen you cry before; he itches to reach over to you, to grab your hand or wipe away the tears. He doesn’t—partially because he doesn’t think he could move if he tried, but mostly because he knows that he’s the reason you’re crying.
He wants to assure you that none of this is true. He had nothing to do with the Guild—they kidnapped him for fuck’s sake. He didn’t know about his ability, he didn’t even know Odasaku was an assassin. And he was just… careless with the flash drive, and he shouldn’t have been, but there was always so much going on, and he was so new to having someone in his life that really loved him that he was quick to bask in it and forget everything else.
He doesn’t assure you of anything, instead he watches as Mori reaches out to do what Dazai wants to do. He brushes away your tears and turns your face to look at him, a disgustingly sympathetic look on his face.
“I know you were eager to believe that someone could love you without your ability at work influencing them, dear,” Mori murmurs, “but people like us will never find a love that pure. There will always be other factors at work sullying it—wealth, revenge, threats. You understand now what this was, don’t you?”
No, Dazai wants to scream at you. He does love you, this wasn’t some ridiculous revenge plot for family he hardly remembered until this meeting, that-
“I do.”
Dazai finally is able to make a noise when those two words leave your lips. It’s weak—something caught between a wheeze and a whimper that sounds too loud in the silent room. He feels eyes on him—Chuuya and Kouyou’s in particular. Not yours. You stare down at the table.
“Ogai-dono,” Kouyou clears her throat. “If I may… perhaps we could… send the boy away. Abroad. Ensure he never comes back to Japan so we don’t have to risk him coming back and disrupting things.”
“We could give him a seat at the table,” Chuuya interrupts, ignoring the wide-eyed look both Kouyou and Piano Man give him because of the radical idea. “We’re down an executive anyway. We tell people who he is, that he supports the new regime. It’s what you wanted to begin with, right, boss? You wanted one of the grandchildren to legitimize the passing of power. We could make it work.”
“It’s too risky.” Mori isn’t the one to speak, Piano Man is, but he doesn’t look happy to do it. “Maybe back then it could’ve worked, but the Port Mafia killed his friends and family, and hunted him down. Too much has happened, he’s an unpredictable variable that we can’t risk. We can’t trust that he’ll just accept it all, that he won’t work behind the scenes to take us down. Giving him any leverage in the organization is the last thing we should do, but what Kouyou-”
“Leave him alive and we risk everything we’ve built falling apart—a civil war igniting, Yokohama being caught in the crossfires and all of our foreign enemies crawling into the city to reap the benefits of our fall. It’s one life or hundreds—thousands, even,” Mori interrupts, voice cool. He turns his gaze onto you. “I trust you know what has to be done, dear.”
Your expression is resolved, a heavy emotion in your eyes that tells him your answer before you even speak. “Yeah, I know.”
You stand up, and Dazai knows that it’s over. When you look down at him, it’s with a type of apathy that makes his stomach twist—he’d rather hate than nothing. His lips part to speak but he pauses when you shake your head slightly, so subtly that he almost doesn’t even notice it.
“Get up,” you say flatly, and then glance at Chuuya. “Chuuya, will you…?”
“Yeah,” Chuuya replies without you even needing to finish the question. His voice is hoarse, he looks more than a little disturbed. “Yeah. Of course.”
Chuuya rises to his feet and then grabs Dazai’s bicep to pull him up to his feet too. Dazai doesn’t even have the heart to give him a dirty look in response, following along as he leads him out of the conference room and into the hallway.
For a split second, Dazai really believes that maybe you’re just trying to fool Mori, you made him think you were taking Dazai to have him killed so that you can get him out of here safely, but even once you’re out of the conference room without Mori’s eyes carefully watching you, you don’t look at him.
“Get one of the clean up crews up here,” you tell one of the guards waiting in the hall instead as you frown at your phone, typing out a quick text to someone. You pointedly ignore how alarmed they are by the offhand comment to click on the button to the elevator.
When you look back at the two of them, it’s not to look at Dazai—it’s to look at Chuuya. The two of you are having a conversation, Dazai can tell that much, and he thinks that maybe he should be putting in the effort to figure out what’s going on, what you have planned, but he’s just… tired. He’s not even sure if he cares what happens to him anymore, and he figures the worst case scenario is that he dies at your hands, and of all of the ways he could go, he thinks that would be the most preferable, because at least you would be the last thing he saw.
He doesn’t try to speak again until the three of you are in the elevator and the doors have closed.
“I-”
“Stop.”
Dazai is startled by the sharpness in your voice. He looks at you, but you’re still not looking at him, your lips are curved down as you stare at your phone, typing furiously. He glances up into the left corner of the elevator, noticing the cameras—maybe that’s why, he thinks a bit unsurely, deciding to stay quiet until out of the building.
When the elevator doors open, it’s Chuuya that urges him to keep walking by nudging his shoulder. You don’t touch him, don’t look at him. There’s nobody in the main entrance of the building, which Dazai thinks is a bit odd, but he bites back any comments he might have when he sees a black car waiting outside the building.
The doors to the building open at your approach, and Dazai inhales the crisp, fresh air greedily, not even having realized how stifled he’d felt in that room with Mori, you, and the other Port Mafia executives. He thinks maybe that you’ll sit in the backseat with him and he’ll finally be able to talk to you, but you don’t. You open the door to the passenger seat and sit there without even sparing him a glance.
Dazai’s throat starts to swell again, stopping in his tracks as he stares at where you disappeared behind the car door. Chuuya pushes him forward, not letting him linger for long—he opens the door to the backseat and pretty much manhandles Dazai into the car before taking a seat next to him.
He recognizes the person at the wheel—Albatross, your friend. He’s driven you and Dazai around before, every time Dazai gets in the car with him, he makes a sharp comment aimed to embarrass you in some manner. This time, he doesn’t even look at Dazai through the rearview mirror. He just puts the car in gear and starts driving.
A pit starts to form in Dazai’s stomach. Dazai tries to initiate conversation with you again now that you’re outside of the Port Mafia headquarters within closed quarters, nails scraping against his pants as he decides what he wants to say.
“I d-”
“Stop.”
When you cut him off now, Dazai’s stomach flips. He stares at the side of your face, trying to understand why you won’t even listen to him. You can’t actually believe what Mori was saying, you can’t. You were faking him out, tricking him into thinking you fell for it—you had to be, you have to be. You can’t possibly believe him.
“You won’t… even hear me out?” Dazai asks you quietly.
“There’s nothing left to say.”
Oh, Dazai thinks to himself, withdrawing. He stares at you for a moment before turning away stiffly, expression tight and strained as he stares out the window, watching the buildings pass by as they get closer and closer to the ports.
You believe it, he realizes dully. You believe that it was all just a scheme. You believe that everything was manufactured, that he used you for some fantastical revenge plan, that he never loved you. You believe it.
But it doesn’t make sense, he thinks desperately. He doesn’t understand how you’re not seeing through it, and if you are, why aren’t you at least giving him some hint? He should try to say something again—he knows that, but he finds himself unable to. He’s a smooth-talker, quick on his feet, but never when it comes to you—since the day he met you, he’s been fumbling over words awkwardly, but now it’s costing him everything. He finds ash in his mouth preventing him from salvaging anything he might’ve had with you.
Dig your nails in and cling, he reminds himself, but his nails have become rounded out and blunted from how long he was scratching at his pants and skin while remembering all those memories he locked away. He tries to dig his nails in and cling, but his voice fails him and his nails can’t even find purchase on your skin, you slip out of his hands as easily as an eel.
He’s going to lose you. He might’ve lost you already.
Dazai thinks that’s worse than the realization that he really might be about to die.
The car comes to a stop much quicker than Dazai had hoped, and he stiffens when you waste no time before getting out of the car. He makes no move to join you outside, and Chuuya sighs next to him.
“Get out,” Chuuya says flatly. When Dazai doesn’t budge again, Chuuya snaps, “Get out of the car-”
“-and go, we don’t have time! They’ve found us.”
Dazai draws his knees to his chest, breath becoming a bit labored as his aunt’s voice echoes in his ears. He doesn’t even realize that Chuuya has gotten out of the car until Dazai’s car door is pried open. For a split second, he confuses the executive with his aunt as he’s yanked out of the car—he’s fourteen again and being abandoned by the only person he has left, and he can just barely bite back the “don’t leave me here!” that almost spills from his lips as his knees hit the ground hard.
Dazai is instantly hit with a thick scent that makes him gag. It’s noxious, almost entirely unbearable, clogs his throat to the point he almost struggles to breathe—a blend of rot, acrid chemicals, and something he doesn’t recognize, but it’s sickeningly sweet. As he pushes himself to his feet, he notices you pass your gun over to Chuuya, but in that moment, Dazai is more concerned with figuring out where he is, and when he does, his stomach drops.
The dumping grounds by ports stretch endlessly under the heavy, overcast sky. Mounds of trash rose like grotesque hills patched with scraps of torn plastic and suspicious lumps that Dazai doesn’t have to get close to know what they are. The ground is uneven and treacherous—a mix of sticky mud and sharp shards of discarded glass and plastic, and pools of murky water shimmering with oil slicks.
It’s disgusting, and Dazai has a feeling it might be his final resting place.
He trails over to the side of the road and his gaze tracks down to the ground directly below him. It’s not a far drop, hardly a foot or two, and certainly less gross than some of the other parts of the area, but that’s a low bar to meet. He tears his eyes away from the scenery around him to look back at you, lips parted to speak but he doesn’t say anything.
You’re leaning against the front of the car, watching him with an expression that Dazai can’t describe. Sad, maybe, resigned. Chuuya is back in the car, from what Dazai can tell, he's still fiddling with your gun—he wonders if this is his way of letting the two of you say goodbye in private.
“I do love you,” Dazai says. His voice cracks over the words. “No ulterior motives. No schemes. I just loved you. Love you.”
You don’t say anything for a moment, eyes drawing from him somewhere over to the side like you’re looking for something, but after a moment, you look back at him, your face a little softer than it was before.
“I know,” you tell him quietly. “I know, Osamu.”
Dazai’s lips part to say something back—he doesn’t even know what he wants to say, because confusion fogs his mind. If you know, then why-
Why are you doing this?
He doesn’t get the chance to ask. The car door opens and Chuuya steps back out, he passes your gun back to you and Dazai sees you subtly slide something into his hand too, but he can’t tell what it is. You sigh as you look down at the gun before looking back up at him again, he holds his breath as you make your way closer to him.
His lashes flutter shut, expecting to feel the cool barrel of the gun against his forehead, but his breath hitches when he instead feels the familiar warmth of your hand cradling his cheek. Your fingertips are flaked with Ace’s dried blood, but Dazai still leans into your touch, eyes sliding back open to look at you.
Up close, your expression is twisted with regret and… is that fear? Dazai can’t tell, he doesn’t care, he’s more preoccupied with memorizing the image of you before he runs out of time to.
“Forgive me,” you whisper so faintly that Dazai almost doesn’t hear you.
“I do,” he replies just as softly.
Your face crumbles as you look away. You take a step away from him, and your hand drops down from his face. Dazai instantly mourns the loss. You let out a heavy, shaky breath, sparing one last look down at the gun in your hand, one to Chuuya who stands half a step behind you, and then you look at Dazai again.
“Forgive me,” you say again, this time as you lift the gun—your voice is raspy, breath uneven.
Your fingers tremble so violently that the whole gun is unsteady, but Dazai doesn’t even care to look at it, gaze focused on your face instead.
“I do,” Dazai repeats.
You pull the trigger.
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Charles representation enjoyed here again! I’ve not read much of the comics bc I can’t afford them but I just rewatched FC and I was wondering if Charles being paralyzed is the same in the comics (Erik doing it)? Do they often include that part of his story?
hello my inquisitive friend :] !!!! im more than happy to give some more info bout the origins charles' disability in the comics- to the best of my abilities that is !
while they don't include an origin for his paralysis in EVERY story/run, as far as i know there are three major ways charles loses his mobility (though like yourself, i havent read many of the comics so far, so i could be missing a few. this is the part where i invite readers to submit additional info if im leaving any out)
the very first manner of charles losing his legs was relayed to us in the original X-Men run of the 60's in issue #20
(X-Men #20: "I, Lucifer!")
before magneto was regarded as charles' main adversary there was the extraterrestrial lucifer (who sported the same color scheme, ironically. it wasnt as though lucifer came before magneto so it was definitely A Choice..) who charles would have a semi-reoccurring feud with for a bit early on in the series. during their first encounter, charles would corner lucifer in his lair only to have a stone slab dropped on him, disabling his legs indefinitely
the second manner in which charles loses his mobility- and the time where erik is the most involved and is most deliberate- comes from. Our Favorite Universe in 2001: The Ultimate Universe
(Ultimate X-Men #1: "The Tomorrow People")
as is typically how charles x magneto team-up arcs go, while charles and erik worked together for some time it wasn't very long before erik wanted to pursue more Dramatic Measures for mutantkind. and As This Story Goes, amidst trying to escape the savage lands sanctuary he and erik built, erik drove a metal spike through charles' spine, leading to his disability in this verse
lastly, we have the House of M- or more specifically its prequel miniseries, Civil War: House of M- verse in 2008:
(Civil War: House of M #2: "Revolution")
(Civil War: House of M #3: "Reign")
similar to Ultimate and the movies, this is another timeline where charles and erik team up. this time however, charles is more willing to follow erik's ideas after seeing the horrors of genosha upon reading the mind of a mutant who escaped the island, and the two seek to liberate the other mutants left behind. unfortunately, during their mission, a sentinel collapses the building charles and co. are infiltrating, leading to the loss of his legs
hope you had fun reading- i had fun typing up everything and looking back at these issues :] !
#long post#x-men#x-men comics#cherik#snap chats#also! its very easy to find these issues online for free. thats what ive been doing LMAOO#i still have to read ultimate and house of m in full so i have very little idea of the plots beyond these issues#again i only really buy issues if i really like the story or if i happen upon it in the wild and it piques my interest enough for me to tak#buuuut yeah as far as i know here's how charles loses his legs. in various timelines#bruh what makes me pissed about ultimate is that art of charles getting spiked is actually so fuckin well drawn#horrifying but its drawn so well it makes me mad#as far as i know they dont address the origin of his disability in any of the cartoons#not that i can remember of 92 and i havent finished evolution#we'll just have to see 😩#its kind of insane with the classic timeline cause not even like three/four issues later#charles builds some kind of device that lets him walk using his Psionic Energy or something#granted its not permanent and does need to recharge and he doesnt use it often but still. wild#anyway ! hope this helps :]
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Kari happily held onto Hawks, hugging him firmly but not super tight. "I'd like some water please." She chirped then looked at Core who nodded.
"Water would be nice please." He said with a soft sigh then looked at Kari who just happily clung to Hawks and chuckled, glad she had someone she was so close to and who she trusted so much.
The two walked through security, Kari clearly a bit nervous since she wasn't exactly used to it while Core wasn't as nervous. Not quite as at ease as Hawks but not as nervous as Kari.
Once inside Kari became more and more excited to spar, wanting to let loose and have fun with her many quirks while Core felt a wave of nostalgia, getting closer and closer to where he and Kari would be sparring.
"The game plan," Core hummed in thought. "Uh, honestly I was thinking you'd supervise me and Kari while we spar in the sparing area or whatever it's called and that would be it. Maybe best two outta three or something kinda like how I was used to back when I sparred with my cousins back before everything happened." He informed, thinking of how sparring used to go back then. "If I remember correctly it worked sort of similar to a simulation of a real fight or something, stopping short of causing actual damage. If one person couldn't make a move to get out of a situation they lost that round. It kept us on our toes, pushed us to think outside the box so we had the skills to either protect ourselves or to become great hero's when we got older if we wanted to become hero's. But it also helped us learn about our quirks quickly too which was really helpful." He looked up at Hawks with a slight grin. "That ok?" He asked nervously, hoping that they were able to do what he suggested.
Hawks touched down smoothly as the car pulled to a stop, his wings folding neatly behind him. "Glad to see you two are still in good spirits," he said with a smirk, placing an arm around Kari as she bounded toward him. "C’mon, let’s get you checked in. Wouldn’t want to skip the boring part and give the security folks something to do."
As they walked toward the entrance, Hawks kept Kari close, his hand lightly on her shoulder while glancing at Core. "So, future pro heroes, any last-minute needs before we hit the training grounds? Water? Snacks? A pep talk? You know, something inspirational about how ‘heroes rise through struggle’ or whatever they always put on posters?"
He grinned down at Kari and gave her shoulder a squeeze. "Or maybe you’re already hyped enough to take me on and show me what you’ve got, huh?"
Hawks held the door open for them, guiding them through the security check with an ease that spoke to how often he did this kind of thing. "This place is all set up for quirks, so you’re in good hands. But remember—no blowing up the training ground. I’m looking at you, kid," he teased, his golden eyes twinkling as he ruffled Kari’s hair affectionately. "Now, what’s the game plan once we’re inside?"
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Zombies
(So this is a little continuation from this post)
So basically in that post, Marvel and Aquaman got separated from the JL and find some ancient underwater Atlantean zombies.
*zombie groan*
Aquaman and Marvel: *slowly look over*
Giant Horde of Zombies: *just standing there*
They proceeded to go on a scooby doo be do type of chase, eventually deciding to hide in a ruined building.
Aquaman: “Should we just get rid of them?” *peeks head over some rubble to look at the zombies and is already readying his trident*
Marvel: “We can’t.” *also peaks head*
Aquaman: “What do you mean, we can’t? We have to take care of this now. If we leave, they might follow us back to Atlantis.”
Marvel: “I’m not saying we should leave them. They’re cursed.”
Aquaman: “Magic did this?”
Marvel: “Yeah.” *nods head* “We have to find out what happened to them.”
Aquaman: “Wouldn’t killing them be much easier? It’d be putting them out of their misery.”
Marvel: “Arthur, they’re still alive.”
Aquaman: “Eeeeh… Are they though?”
Marvel and Aquaman: *watch has a zombie runs into a wall and keeps trying to walk through that wall*
Marvel: “They are. Killing them will be our Plan B. If the curse is lifted, they might go back to normal and if not...”
Marvel and Aquaman: *look back at the zombie that is still running into the wall repeatedly*
Marvel: “We’ll get rid of them.”
After sneaking around a bunch more, they finally found a temple.
Marvel: “Gosh, I remember this place!” *looking around in wonder* “It was beautiful. It’s a real shame it’s just ruins now.”
Aquaman: *leaning down and looking at some broken stained glass* “I bet it was.”
Marvel: *spots a chalice on an altar* “I think that’s is it. I can sense some magic residue.” *jogs over*
Aquaman: *also walks over and spots a plaque on the altar* “Ancient Atlantean?” *skims it over* “Wow. The thing in that cup was a glorified liquid plague.”
Marvel: “It was? All the priests always talked about it like it was holy water.” *picks up the chalice* “Looks like someone drank it.”
Aquaman: “No wonder they’re zombies.”
Marvel: “Huh. To think the plague lasted this long. It’s a wonder they aren’t decomposing.”
Aquaman: “Uh, Cap?” *points to the horde rushing at them*
Marvel: *sighs* “It looks like we’ll have to get rid of them after all. If they’ve been with this plague for so long, it’s probably bonded too deep for me to use a counterspell.”
Aquaman: *pulls out his trident and gets to work*
Like Two Days Later…
Supes: “You were gone for almost two days, where have you been?”
Aquaman: “Oh yeah, that’s our bad. We got rid of some zombies-
Flash: “Zombies??”
Aquaman: “-and then popped up to the surface for some burgers.”
Batman: “And you didn’t think to contact us at all?”
Marvel: “We were really hungry. Arthur also tried to pay them in Atlantean currency cause that was all he had. So I spent like twenty minutes having to convert it into US dollars.” (Ref to the Wonder Girl and Marvel post from a long long long time ago)
Flash: “Cool! Uh… but why’re you guys covered in blood.”
Aquaman: “This is from the zombies.”
WW: “Have neither of you bathed yet…?”
Marvel: “Nope.”
They were in fact covered in blood. Fun fact, after killing all the zombies, Arthur actually found out the hard way that Atlantan zombie blood doesn’t infect you if it gets in your mouth. Though, he still ended up retching for like five minutes while Marvel was just patting his back.
Aquaman: *violently retching his guts out*
Marvel: “It’s okay, pal. Let it all out.” *patting his back*
#billy batson#shazam#dc captain marvel#captain marvel dc#fawcett city#fawcett#fawcett comics#aquaman#arthur curry
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Being in an Established Relationship with Jayce and Viktor • Headcanon
(Gif not mine)
Request: I am desperate for more Jayce x Viktor x Reader content! Would I be able to request headcanons for what an established relationship with them would be like?? 🥺 -- @spatialwave
Warnings: gn!reader, first time writing arcane and jayvik so I hope it's all good!!
A.N: Andy (@spatialwave) has inspired me so much so PLEASE go read their beautiful writing! You need to understand I got this request LAST NIGHT, I just had to bang it out I was writing like a FIEND. I loved writing this so much, I hope to write more in the future!! Hope you enjoy!
•
Being in a relationship with Jayce and Viktor is like being a part of an old married couple that simultaneously bickers all the time and is just falling in love all over again every day
Jayce is like a ray of sunshine on a summer afternoon
He's clingy--but not overwhelmingly so. Jayce just has to have some sort of body part on either of you at all times (except in the lab unless he's feeling especially in love that day)
He loves putting his arms around your waist, chest pressed up against your back and lips ghosting over your neck. Jayce is a bit more subtle with Viktor, since your other partner prefers smaller touches, so their fingers are always tangled together. Some days Jayce will even sneak his hand into Vik's back pocket, making the slimmer boy light up red from the neck up
Jayce is also the type of boyfriend that will always have you two on his mind. He picks a flower from someone's garden to give it to you because "the vibrancy of its color reminded me of your eyes," or buys a little knick knack for Viktor because "I thought you would find it hilariously stupid" (Viktor will put it on his already cluttered desk at the lab because Jayce was right, it is stupidly funny)
Jayce will always get an A for effort because even if he can't remember how you like your coffee or tea, it's the thought that counts
Has bigass puppy dog eyes and he fucking knows how to use them against you two
All he has to do is look between you and Vik with those golden eyes are you're both putty in his hands
Speaking of being putty in hands, Jayce is the cuddler of the relationship
Which is good because he is also the space heater of the relationship too
Will basically have Viktor curled up on one side and you on the other. His face will be buried in Viktor's hair, placing sleepy kissed on his scalp. His fingers will rub circles on the small of your back. Jayce is the best pillow and blanket in all of Piltover AND Zaun
Viktor, on the other hand, is like the moon at midnight
He loves the both of you in a slightly different way than Jayce
While Jayce is more touchy and exuberant with his love, Vik is certainly more subtle, though that doesn't mean he loves you two any less
He is actually exceptionally smitten with you and Jayce. It's like his walls come crashing down whenever you two are with him. He could come back from having a disagreement about a project with Heimer, with his jaw clenched and brows furrowed, and then he'll spot you and Jayce in your shared apartment and it all melts away
Viktor isn't carrying the world on his shoulders with his partners around him. He knows that you guys will lift the hefty weight from his shoulders
While Viktor isn't as touchy ad you or Jayce, he shows his presence in other ways.
Viktor will always have at least one eye on you at all times. It's not that he doesn't trust you two (on the contrary, you two are the only people he trusts with his life), he just needs to know his lovers are ok
Jayce could be tinkering with something in the lab and 50% of Viktor's attention will be on him. Making sure he doesn't shock himself or mix the wrong chemicals together. And if that does ever happen, Viktor drops everything to help him. He masks his worry with wit, but the mask is transparent for you and Jayce
Viktor is also the one with the extreme attention to detail. Your coffee or tea is always right and always the right temperature in the morning. A scarf is always hanging on the coat rack near the front door on chilly days for you. Puts a bookmark in the book you're reading when you unexpectedly fall asleep reading on the couch
He is so big on being a gentleman. Will open doors for you two, pull out seats during a nice dinner. Also is the type to lift up your hand so he can kiss your knuckles (he knows this drives you wild and he struggles to hide a smirk at your heated face)
The three of you are witty and biting and funny in your own ways, quips are basically thrown around every hour of the day. The day isn't complete without someone rolling their eyes. Teasing knows no bounds--the apartment, the lab, a fancy dinner, in front of councilmen and women--doesn't matter
Every day you feel lucky to have these two as your partners, you really hit the jackpot with them. They're caring and attentive and loving in ways no one else is
And they feel the exact same way
•
#arcane#arcane x reader#arcane x you#jayce talis#jayce talis x reader#jayce talis x you#jayce talis x viktor#jayce x viktor#viktor arcane#viktor x reader#viktor x you#jayvik#jayvik x reader#jayvik x you#arcane headcanons#arcane fanfiction
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SIMPLE !
pairings: jude bellingham x lewis hamilton’s assistant!reader
summary: after your first few dates with jude, everything seems to be going smoothly. however, there’s just one problem: your boss seems to hate your new boyfriend.
warnings: judeyn being dumbasses.
author’s note: part of my dream girl universe. for best enjoyment, read after the first instalment. assistant2 also makes her first official appearance!!
────── ⋆⋅☼⋅⋆ ──────
📍 berlin, germany.
tagged: judebellingham
liked by ham1ltonshaderoom, jobebellingham and 2,837,918 others.
yourinstagram: the photos he takes of me vs the one i take of him. i think you all can see the better photographer.
view all 1,108,928 comments
user1: LOVE seeing hot people date each other.
-> user11: i love seeing two hot people be BESTIES.
user2: JUDE IS TAKEN ???!!!! NOOOOOOO
-> user3: babe… you didn’t have a chance at all. like please be serious.
-> user13: thank god they aren’t actually dating tho.
user4: my gf <3
-> judebellingham: who even are you.
-> user4: we can share <3 i can keep her satisfied thru the weekend u have the weekdays king.
jobebellingham: love this yn. he looks so depressed and ugly.
-> judebellingham: U JEALOUS ASF 😹
-> jobebellingham: yn i’ll paypal you £50 rn if you post more ugly pictures. which is all his pictures really.
-> yourinstagram: challenge accepted 🫡
lewishamilton: you look good yn!
-> user5: and what about jude??
-> lewishamilton: what about him?
-> user6: NOT YN’S HUSBAND HAVIN BEEF W/ HER BFF 😭
user7: lip combo?!!??
-> yourinstagram: i’m not a gatekeeper. it’s on my tiktok!! my most recent one <3
user8: you did my king so dirty with that one pic…. LMFAO DO IT AGAIN
-> yourinstagram: 🫡🫡
user10: their friendship is so cute!!
user12: yn is moving up in the world!!! from bts delulu to besties with JUDE BELLINGHAM
-> yourinstagram: blocking you! 😃
-> user12: you can block me but you can’t erase ‘hobisbabymama’
-> yourinstagram: HELLO?2&/9£/
user9: WHERE IS LANDO?!
-> user10: she blocked his main and his ten other side accounts because she’s secretly in love with him and wants to leave loser jude for him.
-> user9: hi lando 😁
user10: no roscoe pic?
-> yourinstagram: sorry babe :(( he’s at home with his dad and i’m on holiday. assistant2 has some highlights of him on her page!! <3
judebellingham: why do i look so depressed
-> yourinstagram: idk <3 want to get ice cream?
-> judebellingham: .. yeah
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title: my girlfriend’s boss (l,39) hates me and it’s ruining my relationship. help?
hi all, i don’t really post on here, but i’m at my wit’s end and need advice. i (j, m21) have been dating my girlfriend (y, f24) for a couple of months now, and it’s been brilliant. she’s smart, funny, beautiful, and honestly the kindest person i’ve ever met. here’s the catch: her boss (l, m39), who also happens to be an insanely famous athlete and very wealthy, clearly hates me.
y works as his personal assistant, and from what she’s told me, l has always been good to her. she’s known him for years, and he’s helped her out a lot in her career. she always says he’s like family, but ever since she introduced me to him, he’s been awful.
it started small, like him calling me “mate” in that condescending way that makes you feel about two feet tall. but last week, i went to pick y up from work, and he gave me this look—you know the type, the kind that says, “you’re not good enough to breathe the same air as her.” i tried to play it off, but it’s eating at me.
another time, we ran into him at a café, and he made this offhand comment about how “footballers aren’t known for their brains.” y tried to laugh it off, but i felt like an absolute idiot.
then there was the incident with the tickets. y mentioned she’d been offered two box seats for a big match, courtesy of l, and we were both so excited to go. but when she told him i was going with her, he suddenly “remembered” he’d promised them to someone else. i know it sounds paranoid, but it feels deliberate.
to make matters worse, y thinks i’m overreacting. she says l is just protective of her because they work closely together, but i can’t help but feel like there’s more to it. she brushes off his weird behaviour, but come on—this is the same man who asked her to taste-test a box of chocolate truffles because he couldn’t decide which to order for himself. (weird, right?)
it’s not just the comments, though. y told me l doesn’t usually care who his staff date, but she mentioned he’s suddenly started asking loads of questions about me, like whether i’ve been in trouble before or if i’m serious about her. it’s like he’s looking for a reason to disapprove. y thinks he’s being protective, but i swear he just doesn’t like me. here’s the problem: i’m pretty sure he hates me. actually, scratch that—i know he hates me.
i’m spiralling here. what if l starts sabotaging our relationship? y says she’s not going anywhere, but i can’t shake the feeling he’s got some weird power over her. am i just being insecure, or is there something seriously wrong here? what do i do?
top comments:
soggy_pigeon: nah, this is classic alpha behaviour. he’s marking his territory. he probably sees her as more than just an assistant, if you know what i mean. tread carefully.
fluffybananas: footballers aren’t known for their brains. maybe he has a point.
spicy_gravy: dude, he’s probably jealous you’ve got abs and a girl who loves you. chill.
randomuser_123: sounds like you’re dating your boss’s work spouse.
tofu_throwaway: i think l’s just jealous because y spends more time with you now. he’s like a toddler upset that someone’s playing with his favourite toy.
ladybantheboys: ok but what if it’s the opposite? like, what if l approves of you but is being mean on purpose to test if you’re good enough for her?
football4ever: j, mate, you’re overthinking. l’s just a famous bloke who doesn’t want to lose his assistant to some random guy. show him you’re not random. take him out for a pint or something.
memequeen420: this reminds me of when i had a cat and got a new dog. the cat hated the dog at first but now they’re best friends. just give it time.
plshelpme1998: have you tried googling “how to win over your girlfriend’s boss”? there’s bound to be a wikiHow.
bananabreadbae: mate, if he wanted her, he’d have made a move by now. maybe he just doesn’t like footballers. not everyone does, you know.
user2847: honestly, the truffle thing makes me think he’s the weird one. does he do this with everyone or just y? if it’s just her, he’s probably got some weird older-brother complex going on.
ultimategoblin69: maybe he wants to adopt you. famous people do weird shit like that.
yogurtbutter: ok but what if you’re the problem? maybe you’re just a bit annoying and he senses it. famous people have great instincts.
iamnotanon: have you considered sabotaging him back? like, nothing serious, but maybe show up in a better suit than him one day. alpha vibes only.
opinionatedowl: this is a power thing. l’s rich and famous, and he’s used to being in charge. stand your ground, but don’t disrespect him. he’s probably testing you.
thecheeseman: it sounds like a bad rom-com where l secretly approves of you but can’t admit it because he’s emotionally constipated. if i were you, i’d play the long game.
spicywaterlover: wait… what if l is secretly in love with y and you’re the obstacle? plot twist.
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edit: wow, ok. this has been a ride. thanks for all the comments, even the wild ones. i think i’ll try the “pint” suggestion, but i draw the line at sabotage. will update if anything changes (or if i get adopted).
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liked by messyassuser, lando11priv and 1,938,882 others.
ham1ltonshaderoom: football star jude bellingham seen cuddling and being affectionate with his new girl! she has been identified as yn yln, she is the personal assistant of f1 icon lewis hamilton. they were spotted outside a restaurant in las vegas after the grand prix all boo’d up! according to sources, they were all loved up at the after party. they ‘didn’t leave each other’s space’. what do we think about this new couple ham1ltons?
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user1: who tf even is she
-> user2: a baddie. she’s seriously so funny and sweet. you guys should see her tiktok or insta pages. jude is punching above his weight.
user3: oh!
user4: HOTTIES!!!
user5: why they doing the most in public???
-> user6: they’re in love? girl lmao.
-> user7: she’s his beard or he’s hers. idk yet. i need to consult the stars.
-> user8: ^ me when i’m off my meds.
user9: am i the only one who thinks they’re cute? good for them!!
user10: um i think she’d be happier with lando.
-> user11: lando please how are you still making new accounts.
-> user10: i’m totally not the handsome and gorgeous lando. i’m actually… pando. hi.
user12: my gf and my bf are dating??? i’m gonna be sick.
-> user13: they got two hands.
user14: they’re rlly dating???
-> user15: no bitch. they’re just coworkers 🙄
-> user14: oh! thank you :D
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UPDATE: my girlfriend’s boss (l,39) hates me and it’s ruining my relationship. help?
hi all, it’s j again. thanks for the advice on my last post—it was a mix of helpful, hilarious, and… well, a bit unsettling. but it gave me the push i needed to talk to l. here’s what happened:
i decided to man up and ask him out for a pint to clear the air. i figured it was the most normal thing to do. well, turns out l’s teetotal (thanks, y, for not warning me properly). when i suggested a pint, he just looked at me for a second and went, “i don’t drink, mate,” in that calm, terrifying way he has. i panicked, said something about tea, and left feeling like an absolute idiot.
but two days later, he called y at work and told her to invite me round to his place for tea. TEA. this man lives in a house that looks like it’s straight out of a Bond film, so you can imagine how intimidating it was to rock up with a packet of biscuits like some budget offering.
long story short, we had tea, and he cleared the air. he admitted he’d been giving me a hard time because he wanted to make sure i was serious about y. he said she’s like family to him (didn’t say “work spouse,” thank god), and he needed to know i’d treat her right. honestly, it was a bit awkward, but also kind of sweet.
so yeah, we’re good now. he even said he’d save me a seat for the next big race. i don’t know if that was a peace offering or a power move, but i’ll take it.
thanks for the push, reddit. you lot are mad, but in a good way. most of the time.
comments:
ladybantheboys: told you he was testing you! this is literally every rom-com ever. next step: you accidentally bond over an inside joke, and he becomes your biggest fan.
bananabreadbae: this is so british it hurts. “sorry i was mean, let’s have tea.” mate, at least you passed the test!
football4ever: called it! blokes like him just want to make sure you’re solid. now you’re in his good books, you’re set for life. congrats, mate.
memequeen420: so… what kind of biscuits did you bring? was it something boring like digestives, or did you go all out with hobnobs? we NEED to know.
randomuser_123: this is like when my dog hated my boyfriend at first but then they bonded over cheese. sometimes it just takes time.
tofu_throwaway: glad it worked out, but honestly, i’m still a bit scared of l. even through your post, he sounds like he could crush a man with a single stare.
iamnotanon: congrats on passing the test. now don’t mess it up, or i guarantee he’ll make you disappear. rich people have connections.
ultimategoblin69: you went to his house?! are you sure it wasn’t a trap? like, did he subtly scan your fingerprints for future blackmail material?
plshelpme1998: like, this whole thing is giving weirdly protective father vibes. good luck, mate.
user2847: what does his house smell like? no, seriously. i feel like rich people’s houses have that “old money” smell, like leather and expensive wood polish. was it intimidating?
(deleted): send feet pics.
opinionatedowl: so… when’s the wedding? i’m assuming l will walk her down the aisle now that you’ve been knighted into his inner circle.
thecheeseman: this is the most British solution ever. “i made you feel terrible, but here, have some earl grey, and now we’re mates.” glad it worked out though!
memequeen420 (again): STILL no answer on the biscuits. j, you’re avoiding the REAL questions here. were they branded or store-brand? did he eat one? this is important.
weirdcookieperson: did he sniff you when you walked in? like, does he have a heightened sense of smell? rich people are weird, man.
alphamale_uk: mate, you handled this all wrong. never apologise, never offer tea, and NEVER back down to another alpha. you should’ve walked in, sat in his chair, and asserted dominance. that’s how you gain respect. next time, bring steak, not biscuits. real men bond over meat, not tea.
j (op): l’s vegan, mate. bringing a steak would’ve been like waving a red flag at a bull. also, this isn’t Planet of the Apes, it’s just tea. chill.
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j (op): wow, i forgot how weird reddit is. for the record: branded hobnobs. because i’m not a monster. no sniffing, no fingertip scanning and i’ll get someone to update you if i go missing. cheers for the laughs.
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— all works taglist: @luvsforme @yelenasloverrrrr @donttouchthegnote @chelle1306 @bloodyymaryy @aliciaablueprint @km-23mr @stinkyjax @f1kenzzz @ctrlyomomma @theblueblub @23victoria @namgification @tallrock35 @avada-kedavra-bitch-187 @ariellovelynn @shhhchriss @lifeless-firefly @xylinasdiary @evie-119 @itseightbeats @landososcar @yongi-lee @velentine @m1892 @blushmimi @evans-dejong @nixisracing @lethalvenus @sainzluvrr @santanasaintmendes @idontknowlmaoo @sainzluvrr @tetetoni @ssprayberrythings @heavy-vettel @tashisgf @daniskywalkersolo @c-losur3 @lestappenslover @linoscrly (see yourself tagged when you don’t wanna be? or you want to be and don’t see yourself? send me an ask!)
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#dream girl universe シ#jayde’s works ☆#lewis hamilton social media au#lewis hamilton x reader#jude bellingham x black reader#jude bellingham smau#jude bellingham x y/n#jude bellingham x reader#jude bellingham fic#jude bellingham x you#jude bellingham fanfic#f1 smau#football smau#formula one smau#formula one imagine
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aaaaa finally i feel justified for reluctantly finishing the first Monk and Robot book with a :/ face, and then feeling even more :/ :/ :/ about reading the 2nd book. Which I did not read, and it looks like this was the correct choice, for me.
"Underbaked" is a decent summary of the first book - people (....often white people I feel like....) would recommend the book and how they loved it, and when I finally read it, I was just like.... This author is over-reaching and floundering around in areas she doesn't know much about. (And also this book felt very White Person writing world building to me.) Even the final pep talk by Mosscap rubbed me the wrong way. It was obvs just Not the Book For Me. (Also winning a Hugo.... It's not the worst book, but...? I think people are being bamboozled a bit.)
I remember the author's approach to nature was weird. I remember thinking "people live in nature, we're part of nature, and to just have the two drastically split is disturbing. Also I don't think this author has ever actually walked through the woods, or at least not more than three times."
OP's line above ("The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature.") is making me specifically remember what I didn't like. :( wtf. Are indigenous people and their land stewardship a joke to you. Where were you when the Dakota Access Pipeline protests were happening last decade. That was a large amount of news. At this point, this is a you problem, Becky Chambers.
Also shoutout to "also tbh I think Becky chambers has also just never gone fishing in her life and was not curious enough about her own concept to research how you're supposed to kill a fish" in the comments section from OP -
Because, as I mentioned earlier, I had the same reaction even in book one!? About doubting if the author actually spent time in nature, or considered nature a lot, or knew much about nature (for a book that... spends time in nature...). Neither the first book's vibes, or this wretched fish thing, are the vibes of people I know who spend time in the wild (as a hobby or professionally).
(Also, I think those people I know, and me, and many other humans, would be miserable being cut off from wild nature. Some things are just in the blood. I was always yearning for the ocean growing up, and I swear it was handed down to me by blood from my mother who grew up on an island. When I finally lived in a place near the ocean and got to be in ocean waters a lot more, I was like YES I AM HOME and happy in my bones. Every time I get too sad it's because I have spent too much time away from ocean and some proper wilderness.)
(and we're not even getting into how much human culture, esp indigenous cultures, have cultural transmissions tied in with nature.)
(Like I know OP's essay was more examining passivity and the implications at large in these books.... Whereas looking back, I think I got stuck on "Humans aren't allowed to go into nature" in book one and I was horrified by this and I never got past this part. This book was a dystopia for me.)
Anyway OP thank you for summarizing the 2nd book, yikes and also that was fun to read.
Also this is all ironic/sad because I actually liked the author's first book! When I read it years ago. (A Long Way to a Small Angry Planet) It was fun! I love me a motley crew of people in space ships becoming friends and having adventures. I had issues with the handling of sex/gender stuff, but at the time I gave it a pass. The rest of the books in that series didn't stand out to me, but I picked up whatever the author wrote anyway. I was disappointed when I picked up these monk robot books more recently. We're not even having, like... having that much fun here :( There's apparently fish dying in bizarre ways.
ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.
Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.
But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.
Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.
Book 2 was a goddamn mess.
Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.
In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.
"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.
As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.
There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.
This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.
At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????
It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."
The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!
And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.
"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY
#becky chambers#it just felt kind of like - author takes a stab at writing a Deep Book - and its fine as like a writing project she tried - but a Hugo?#also when i have to kill some poor critter I give it a prayer / thanks / apology and then I kill it asap
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SMOKE & FOG
0.2 The Last Drop
pairing: jinx x reader (romantic), reader x Isha (siblings), reader x Sevika (platonic)
synopsis: Your injury has led you to the one person you swore you could never trust again. A traitor who has never brought you any good and only harm decides to patch you up but with any good deed comes a price. The only question is will this lead to your sister or just more terror?
word count: 4.8k
warnings: unreliable narrator (reader), morally gray actions from narrator (reader), villainous activity, murder, oppression, mistreatment, blood & gore, hurt/comfort, drugs & drug use, PTSD, canon violence, suggestive themes, angst, (arcane season 2) spoilers, cursing, fighting, mental illnesses, degrading language towards characters and about characters, indirect Maddie Nolan slander, Caitlyn Kiramman slander
A/N ; most underlined things have a song that go with them that I highly reccommend you listen to , to get the feel/vibe of what's happening ! the same thing applies for the first chapter but I forgot to tell you . also you guys should send me requests for other things you wanna see me write about while you're waiting on a new chapter.
My legs could only carry me so far, my stomach felt like my insides were seconds away from spilling out. The blood dribbling down my arm made a path no matter where I went, it was sickening, like a retelling of my crimes even though I couldn't remember them. I could hear their cries and screams in the back of my head, but not what led up to them. Grown men’s cries of pain and sorrow wasn’t something that I was used to, I was always the one in pain, the one being kicked into the ground and abused until that got their sick fill of my defeat. I couldn’t cough up any blood, the injury wasn’t deep enough to ruin me but it still felt like it was. I was so worried about Isha but I could feel my body starting to slow, I could feel myself losing it ever so slowly, I went to the only place that I could find. The Last Drop.
This used to be a place of solace and safety, one ran by Vander, the symbol of peace in this lowly town, no matter what he would always be able to cheer you up and now it was overrun by Silco’s old men however one of them was my saving grace. “Sevika!” A tortured cry escaped my throat along with her name. She had to be here, I couldn't hold myself up any longer so she said had to be here. “SEVIKA!” My voice cracked, every octave I never thought possible, my body fell from the wall, the only strength I had was to hold my injury from bleeding anymore.
A gold and brown boot fell into my vision but I couldn’t even lift my head up for a simple greeting, instead I fell flat on my face, I felt warm– is this what dying truly is? It’s so lifeless, my life didn’t flash before my eyes, I didn’t regret every decision I’ve ever made or see some bright light, I was wondering who was gonna take care of Isha while I was gone. Who was gonna make sure you ate every night and made sure she got home in one piece, who was gonna keep her away from Smeech while I couldn't, who was going to replace me because I was too weak to stay alive and help.
My eyes opened drearily, the first thing gracing my vision was an unpeeled orange. Oranges are actually my favorite fruit, one of the only good things that people stole from topsiders besides equipment was fresh fruit. Everything in the underground was just a remake of something from topsiders, food that was already on someone else’s plate, clothes that were already on someone else’s back but fresh fruit was the one thing we had and it was delicious. Sure it wasn’t as great as sugary treats or drinks that I was sure all the topsider brats got to have on a daily basis but it meant something.
My hands immediately reached for it, splitting it open down the middle and taking a piece off of the side before letting it into my mouth. This could have been poisoned but I would have died a happy person, because who gives a shit? Within a moment of tasting the sweetness of the fruit, reality hit me like a train– I was bleeding out in the middle of the Last Drop and now I’m.. where the hell am I? This wasn’t the Last Drop, or the back rooms where Vi, Powder and little man used to be, I envied them, every kid in Zaun did. Those little shits got away with murder and Vander always protected them, he was a savior, everyone loved him. All I could do was sigh at the memory of Vander and the others whenever we were younger, Powder reminded me so much of my little Isha, even though she was just a baby, an infant, they were so similar. Not anymore.
Powder was long gone, so was Vi and Mylo and Claggor and Little Man, every single one of them was gone. Even though “powder” was still in Zaun, she wasn’t truly the same. This wasn’t my concern, I needed to figure out where the hell I was. The air felt thin, a weird greenish color and it was near toxic. Inhaling it felt like I was swallowing sandpaper, my throat was closing up and every cough I hacked out was painful, my eyes were barely able to see through the clearing and I was met with the sight of enforcers, through the clearing all I could see were enforcers. A whole group of them, however one I could recognize without even thinking about it. Caitlyn Kiramman.
A gun raised as she explored the foreign territory and her lackeys followed in suit, they were actually terrifying, all of them, gas masks covering their guilty faces, the swoosh of hair just barely escaping their helmets. A shield plate covering their chest from any harm and yet everyone else down here was stuck with no armor, no masks, no weapons but they were raiding a place that looked similar to an arcade– a child’s place. How worse could they get? How worse would they be if they catch me? I caught a glimpse, a small glimmer of blue hair, a braid running from the shadow but it escaped my vision long before I could actually see it. I couldn’t worry about this, whether or not that's who I assumed it was, I needed to get out of there immediately. My stomach was still in knots of pain but I still ran, I couldn’t be in there. The last thing I heard was a singular shot let off but my body went in the opposite direction.
Half an hour later I was stuck with half an orange, two full vials of shimmer and no sister in sight. I was too close to our house to keep the shimmer on me, it wasn’t like my job was a secret to Isha but I didn’t want her to see me like this. I didn’t even know if the shimmer was still in my system, two whole vials of it had gone down the drain or rather injected itself into my skin and I couldn’t even feel it or remember what happened but I knew it was there, I could feel the buzzing under my fingertips. It was a dormant sensation waiting to be reawakened with every step I took but I couldn’t allow it to over take me. “Isha! Isha, I’m home!” I shouldered off my jacket, a hand rubbing over the bandage around my mid area in the cracked mirror. Weak Freak. Blighter. Bitch.
I held my head in my hands, the headache brewing over the cynical thoughts running through my mind, I saw him, the debt collector I killed. I saw him in my mind and behind me in the mirror but whipping around only led to air and the agitation of my headache even more. It was starting to turn more into a migraine, even the lights would irritate me, I couldn’t open my eyes without the lights burning them and my head screamed at me. “Your fault! It’s your fault that I’m dead! You know that right, blighter?” “Shut up!” As the silence finally fell, I remembered my reality, no one was in the house but me, not Isha, or the debt collector or enforcers. Just me. “God fucking damn it, I’m losing my shit.”
I didn’t remember passing out, I didn’t even remember making it to the scratched up couch that we owned and yet that’s what I woke up on and to my surprise my sister was in the very same room as me, crouched on the floor with scuffs on her face and hands. Rushing over, I stooped down to her level, brushing the caked up dirt out of her hair and dust off of her face. She looked like she had taken a tumble beyond comparison but she was smiling and giggling like an idiot. Her hat was covered in small drawings all over it, pink, blue, yellow and purple streaks of colors splayed all over it, what the hell? “What happened to you? Where have you been?” She completely ignored my question, glazed over eyes as she asked about my whereabouts– signing it, I had to see her dusty and fragile hands ask about where I had been and why I was injured, I couldn’t admit to my sister that I was selling again and I definitely couldn’t say that I had probably killed six people. “Smeech, I pissed him off and we both know that doesn’t end well but I’m fine. It’s a small injury, it doesn’t hurt as bad as it looks.” She frowned, not believing any of my bullshit by a long shot but I tried. I took the hat off of her head, examining it closer, wiping off the small bits of dust that remained.
She shook her head at me, complained that it was purely nothing, it was hilarious how much sass a little girl could have with her hands and facial expressions alone, honestly impressive. I didn’t want to leave her side anymore, I couldn’t after the scare today. I was afraid to even go back and sell, Smeech would want revenge for the debt collectors I may or may not have killed, I still couldn’t recall correctly if that was me. Fuck. I let out a hiss at the memory of me ditching the vials right outside the house, some random mainliner was gonna grab them, that wasn’t the concern to me but if they overdosed on my shimmer then Smeech would know and all hell would rain down like hail as he slowly started fitting the pieces together. An image of Isha being dragged away from me, kicking and screaming, fighting like all hell because she was my sister but still losing, I couldn’t take the sight, my head was hurting, basically killing me, there was no way I could let that happen.
I returned the hat to her head, squishing it down enough to cover her eyes as a joke waiting as she pushed it back up with an unagitated glare. “We don’t have any food for tonight, so I’m gonna go get some, alright? I just need to make a little bit more money and there will be enough for both of us..” I sucked in a breath as I looked at her. “If I can’t make enough for two then you can get whatever you want, alright? I’ll be right back, shouldn’t be wrong.” Her small frame ran towards my leg, launching herself onto me and not letting go even whenever I tried to shake her off like a bug. “Isha! Isha! Come on, you gotta let me go! I gotta go!” I would never yell at her, more groans of annoyance at a normal tone, one of her hands released its grasp to sign to me once again. “Promise me you’ll come back. Promise.” Gods, this little girl, she was gonna be the death of me.
“I’ll do you one better, I swear. I swear to every deity in this realm that I will make it back home to you, Isha. I don’t care what happens as soon as I leave this house, I will make it back to you.” I wiped the small tear from her face and planted a kiss on her forehead (a little hard with that helmet of hers but I wasn’t gonna tell her to remove it) , rubbing her cheeks and she finally released her grip and with that I made my way back out into the city– and I will keep my goddamn promise.
Never in my life did I ever think that I would be going toe to toe with a mainliner for some shimmer that I didn’t even want and yet here I was, getting the shit beat out of me by some random hash-head with a bone to pick because I saw the shimmer the same time that he did. Goddamn it! Why did I even leave the house? The shimmer was a lot further than I remembered and now I was reeling the consequences of my actions, with a kick towards the man’s torso, I felt stronger than I usually do but the feeling was shortly replaced as he flew away from my body and his sudden missing force sent me backwards directly onto the ground. Man, I am just having a shit day today. Dusting myself off, I made it back to my feet, scoffing as I took a look around at the scene before me, I did all this for one vial. What's gonna happen when I find the second one? If I even find it.
“Hey! Are you ok over there?” God fucking damnit. Hiding the shimmer behind my back I turned towards the voice, another group of enforcers however one of them was injured, I had only been outside for an hour and a half maybe two, I lost track of time but still that wasn’t enough time for a group of enforcers to get jumped unless there was something else going on in town that I wasn’t aware of. A ginger haired girl poked her head out from the light in the alleyway towards me, my eyes looked bloodshot because I couldn’t recall the last time I had slept or had water or a full meal. Hiding my face with a glare towards the ground, I tried to sneak glances at them, a weird blue looking guy was holding up a bulkier man, there was no way I was gonna win a fight if he was gonna be my opponent, it didn’t matter how much shimmer I had in my body, he could body slam me no problem– it also didn’t help me that I didn’t really know how to fight, I just swung my hands and eventually they would hit something or someone. “Hey, sweetheart, are you ok?” Why did she have to call my sweetheart? It was so much more..demeaning, degrading me in such a way, like she was taunting me. The lick of her accent only dealing more pain to the wound, Piltover, every single one of them assumed the worst of anyone down here and the fact that she was an enforcer? God I would never live it down if she found me with shimmer, hell she might even kill me on the spot, so my only option? “Fine. That.. crackhead tried to steal my money. He succeeded, I’m pretty much out.” I lifted my face, so that she could see me, injuries from my other fight still visible, her face reacted but not her words however the two behind her seemed impatient, whispering about her needing to hurry up. She rummaged through her jacket pocket and dropped some coins in my hand, plenty for me and Isha, god they were so easy. With a wave she ran back to her little group, a scowl on the man’s face as he looked at me, at that point hiding the shimmer didn’t do me any good and they were leaving and injured as well, were they really gonna stop for me?
That ginger haired enforcer gave me plenty enough for me and Isha, maybe even a little bit more however I still needed to get rid of this shimmer– I needed to at least prove to Smeech that I did sell my products and didn’t just lose it (which is exactly what I did). I owed him nothing, absolutely nothing and yet here I was still trying to pay off my dwindling debt..a debt that was definitely going to have some “added fees” as soon as he figured out that it was me. My eyes glazed over the sky, a blanket of dimming sky had fallen over, then again I could barely see anything due to the glaze of the smoke, it felt like the smoke from earlier however it wasn't as thick so it was just barely breathable. My hand flew over my mouth, a small attempt to filter the trashed air, as soon as I made it through the smoke I could see Piltover in my wake, one day Isha would be up there, she wouldn’t be stuck down here with anyone else, she would be trusted and respected and no one would where she came from because I’d erase any existence of her being in Zaun, for her own safety, for her future.
My thoughts were shattered, not because of the shimmer this time, but because the ground began to shake, the gas in the alleyway being dragged outwards towards god knows what. I thought it was a monster or a vacuum until Piltover was painted pink, blue, purple and green, the colored smoke staining buildings which I could see even from where I was. Children started giggling, running around and celebrating the defaming of Piltover’s “perfect” picture. I couldn’t stop the smile that was shown on my lips– gaze trapped on the smoke until it dissipated. “Jinx! Mommy she’s back, it’s Jinx!” Jinx? Two run ins in one day would be crazy, right? I ran into the enforcers that she murdered earlier today and now I’m watching her plans play out in front of me. I've only seen her a few times in my entire life but she was enrapturing every single time, her mind was near genius, something that no one ever appreciated or acknowledged but I saw it, I noticed it, granted that meant nothing to her since we had never met but still. She’s actually the one who got me into creating my own trinkets. Isha took a liking to it as well, perhaps I should start to tweak them a bit more. Focus. If Jinx was up to no good then I was pretty much screwed– Isha. I left her at home and promised that I would be back, no I didn’t promise, I swore that was more important than any promises I could ever make. I sprinted back home but I’m not sure why I even got my hopes up. She was gone, she didn’t leave anything behind, damnit maybe I should have made her swear that she was gonna stay here, not that I was gonna come back.
My unfortunate first thought was to check wherever Jinx was, thanks to that colorful display she couldn’t have been that far. I didn’t really know where her “hideout” was, I just knew where Silco used to do business since it was pretty hard to hide such a renovated building and it’s been abandoned ever since his death a few months ago.. To be honest Silco gave me more hope than Vander ever did but once he fell down the wrong rabbit-hole and created shimmer, I lost confidence in every new “symbol of peace” that popped up every few months, except Jinx.
Something about her was.. interesting, it was like she never wanted to be a symbol but everyone kept treating her like one, some may say it was just her being humble but I know better. It was being stuck with a responsibility you never asked for and every single person who was supposed to lead you and show you how it works is gone and now you’re forced to figure things out on your own and everyone is depending on you. It’s how I felt when our parents died, the responsibility to take care of Isha was killing me inside. I never even wanted another sibling, I just wanted to be an only child, we were struggling enough as it is and dad was always sneaking out. When he returned he reeked of Piltover, of their lavish perfumes, exotic smells and fancy food, we both knew that what he was doing wasn’t good but he was all that we had so we couldn’t just let him go because of some.. Piltover woman who stole his heart from my mother.
I couldn’t find it in my heart to call him the traitor that he was, not even mom did it, if anything she looked worried for him every time he got back from Piltover, stealing him away with hushed whispers. I could never really hear what they were talking about, I just assumed that they didn’t want to fight in front of me but I was a big girl, I could handle it, I didn’t need them to treat me like a scared child.
Now here that scared child was again, clutching my shirt away from my skin like it would save me from whatever horrors were inside of this building, I expected dead bodies in the corners, people’s heads on the gate as a warning or a beware, instead it looked like a normal building but with a lot of lights on the outside. I shoved the front door open, it seemed locked but this place was clearly abandoned so it's not like there were any guests hiding inside– besides the ghosts that is.
It was freezing in there and the temperature only felt like it was dropping the further I moved, the slow movement led me to an office room, an uncomfortably dusty chair was hidden away by the even worse looking desk. It was very uncanny, I could play out Silco turning around in his chair in front of me despite the fact that I have never met the man face to face. “Well, don't you clean up nicely?” The rasp from her voice made me jump, my head swinging in every direction to find out where it came from, she sounded like she was behind me, and beside me all at once– turns out she was just beside me.
“Sevika– mara, you could at least announce yourself?” There was a brand new arm that adorned her, gold in color but drawings all over it in those same, now traumatizing colors, and a slot machine to go with it, wasn’t she an addict? “What are you doing down here, blighter?” I hated that term and she knew it, it was definitely just to get under my skin but it worked every single time. “Looking for my sister.” She shouldered a laugh. “I was wondering where your other half was. My personal favorite out of the two, she doesn’t complain as much.” I rolled my eyes, she was mute, she didn’t verbally complain about anything but I guess just shutting up is what gets you favored by Sevika. “We found her aright, Jinx caught her trying to get away from some of that rat’s ol’ debt collectors. That your doing?” I mentally cursed however my body showed my disdain from the way I deflated. “I… I didn’t mean to. Damn it, it wasn’t my fault. A group of enforcers came out of nowhere and jumped the shit out of me and some other sellers. It’s how I got this–” I lifted my loose shirt to show her the wrapped up injury, she grimaced and looked away from it as if she wasn’t interested in it but hadn’t she already seen it before? Why was she acting like this? “Wait, weren’t you the one who bandaged me up? You’ve already seen it, why are you asking me what happened?” Her head turned back to me and her eyebrow raised as she stood up and walked towards me. I’m not a pussy but I know a fight that I can and cannot win and she is someone I can’t fight and win. “No. I haven’t seen you since last year.” “Then.. I went to the Last Drop, looking for you. Who helped me if it wasn’t you? I saw your shoes..” Sevika groaned loudly and took off, I wasn’t sure if I was supposed to follow behind her but I did.
It looked like an abandoned air ventilation system, however it was decorated with the same drawings that I saw on Isha’s hat when she came home and the one’s on Sevika’s arm– Jinx? Isha noticed me before I noticed her, running immediately over to me and hugging onto my leg, tears filled my eyes as I looked at her. I didn’t think she was dead but my hopes of her being alive and well weren’t very high at the moment. I clutched onto Isha’s side, tears filling my eyes, I had almost her twice in one day and it was enough to give me a heart attack– it didn’t help that both times I thought I lost her ended with Zaun’s symbol of “peace” and psychopath who was also the most alluring woman I have ever met in my entire life.
God damn it Jinx. She scowled at me, an eyebrow raised at my presence, that seemed to be happening more often than I would have liked it to. “Enforcers, they jumped the shit out of me and almost killed me. I would have never left her alone if it wasn’t for those bastards.” Isha’s inaudible giggle was below me as she signed the word for “shit” and I lightly slapped her hand away, kids are so bad. Jinx’s eyes didn’t seem to waver, forever staring into my soul as if she was gonna rip my throat out with her teeth for even touching Isha– like she wasn’t my sister. “Looks like you didn’t do a very good job.”
Her gaze went towards my stomach and I wanted a hole in the floor to open and swallow me up, her surveying my body was so intimidating and intimate that it began to breach the lines of uncomfortable. “I killed those enforcers ok? I killed them and the stupid debt collectors in that goddamn alleyway. There are six people dead and it’s all my fault so can I get a little grace here?” I almost yelled at her, who was she to tell me that I was a bad sibling? A bad protector? “You left her!” She seemed to stalk closer to me with her every word. “At home! She was never supposed to be on the streets in the first place but if she didn’t leave the house like I told her not to then we wouldn’t be in this situation in the first place!” My words were directed towards Isha but my anger was shot directly at Jinx, so much she almost choked on her words. “But you still left me!” “I didn’t mean to! I went to hell and back to get back home to her!” I was so entranced by my own fit of rage that I didn’t even notice her change of words. She wasn’t talking about Isha, she was talking about herself, but I had never left or even met Jinx personally besides this one point. She had just been a whisper in the crowd, a terrifying sight that Silco had created that he guarded as if she was actually his own daughter. It was sickening to hear but it was none of my business. We both just sat there, heaving chests and ignoring the tears that were threatening to slide down our cheeks, the only reason I looked away from her was because Isha tapped my thigh. “We were fighting the enforcers, the one with the blue hair almost shot us!” Us? Us Us?! My eyes flicked up towards Jinx, invading her personal space without a care in the world, pushing her back up against some makeshift desk, she could have stopped me if she wanted to but didn’t.
“You let Isha get close to Caitlyn Kiramman? You almost let her get shot by Caitlyn Kiramman?! She’s a fucking child! Do you have any restraint at all or are you just that evil that you can’t even help yourself but enjoy chaos? And why the fuck did Caitlyn Kiramman almost shoot you?” At my last question I spun towards Isha, I didn’t actually know anything about what was going on, I just knew that she almost shot my sister and that was enough to go off on anyone around. “The kid was protecting Jinx. Jumped on top of her and wouldn’t let go of all hell, Caitlyn and Vi were trying to kill her– your sister didn’t want to let that happen.” Oh. Well now I felt like a fucking idiot, Jinx was going through hell and I just blamed her for everything without even asking, however she could have clarified or at least said something while I was standing in front of her– why hadn’t she moved? I turned my head back to her to apologize but she bombarded me with a hug so fast I almost fell over, those tears from earlier finally over took her, wetting the top of my already ruined shirt. I didn’t know how to respond, I just awkwardly wrapped my arms around her as she snuggled into my neck. “You came back to me.”
taglist: @livinginabasement @llycrow @katethejinxwife @hank-girl @ayedomino0 @jiunxo @vivispace @maksysti @jinxslapdog
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Yeah let's not do this for 3 months people. He's not leaving! We're at the beginning of Buddie!!!
Q. I'm so confused by all the excitement, and I admit that I struggle with facial awareness, but all we got was Eddie saying he's leaving so that feels way more like a Ryan exit than a beginning to Buddie. What did I miss?
A. Okay I'm going to say this once, and only once. We are not spending 3 months on a nonstarter spiral. Ryan is not leaving. It's not an exit story. It's the beginning of a feelings realization story, only Eddie hasn't quite arrived at the starting point for his part yet. Lots of people struggle with facial cues, anon, and there's nothing wrong with that, but it's not an exit storyline. It's drama set up to kick start Buck's spiral and to bring Christopher home. That's why I loved that they had Buck on the couch and Eddie in the kitchen. The couch has kind of always been used to symbolize a romantic relationship between Buck and Eddie, both of them being home when they're on that couch, so putting Buck on the couch in that scene basically puts Buck in position. Buck has arrived at the start of his realization arc. The box has been opened (the box being his long unexamined feelings for Eddie) and he won't be able to put the lid back on it this time. The moment we see Buck have at the end of the episode was not his 'oh Eddie's my person' moment but it was the start of Buck's journey to that realization. Buck was devastated in that moment, but for the sake of Eddie, he attempted to fake enthusiasm. Eddie being happy means more to Buck than his fear of being left behind, again. But that fear will come out when the season returns in March. Tim basically confirmed that Buck will spiral and he will throw himself into a distraction to try and block his pain. That distraction will inevitably fail, as Tim also already spoiled (they learned their Tommy lesson and they won't be repeating it), and that will force Buck to once and for all have to confront and figure out why the thought of losing Eddie sends him spiraling. The end of the episode was the beginning of Buck's journey.
Eddie hasn't reached his starting point, yet. But having him in the kitchen, the other big Buddie room, was a way to show that he is close. Framing the shot the way they did, Eddie having a straight line of sight to Buck on the couch, was intentional. Eddie is close but he's not there yet. He's distracted by the whole Christopher thing, as he should be. Eddie won't be able to arrive at his starting point until he gets the Christopher situation settled. That entire scene was LOUD. Buck letting himself in using his key. Eddie not being able to look at Buck when talking about moving. The flirty way Buck asked what he was watching on the iPad, fully believing it was porn. And again the way the entire scene was framed and shot. The close up of Eddie's face when he realizes he's not alone in this moment and that he does have someone in his corner. Then the close up of Buck's face when he allows the mask of enthusiasm to slip and we see the real sadness that he is feeling. It was very clearly the beginning of their storyline. It was in no way shaped, framed or written as the beginning of an exit storyline. It's happening, anon. Let yourself enjoy the build up 💗
Thank you Nonny! Much appreciated!
YES to all that Ali talked about here! Let's be happy you guys. We are finally here after 7 very long years of ups and many downs. This is the first time we've actually gotten real confirmation that the Buddie slow burn is on!
Let's enjoy this break before the show comes back, because I anticipate a lot of drama in 8b. And once the show is back on? Let's just sit back, relax and watch Buddie's story unfold. It'll be glorious!
Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.
Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.
If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.
#anonymous blog I love#nonnies galore#buddie#eddie diaz#evan buckley#buddie speculation#season 8 speculation#911 speculation#911 abc
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One of my big issues with Veilguard actually comes down to how In Your Face the UI is.
It's incredibly immersion breaking when I compare it to any other game I've loved. The UI is there to tell you not only which dialogue choices Matter with a capital M (which imo really cheapens the Harding vs. Davrin, Neve vs. Bellara choices towards the end) but also to pat itself on the back whenever a decision you made previously is affecting the storyline. It's constantly in the corner telling me how Lucanis will remember I like chocolate rather than just letting me find out in a future dialogue that Lucanis bought me some.
It's also just definitely a shortcut sometimes. It would pop up and tell me things where happening when those things weren't. When it said 'Neve will fight hard for the city' towards the end of her quest I was like...oh shit is she gonna die? But she just. Fights a normal battle. She doesn't even get hurt! I wouldn't have known that was supposed to be a consequence if it hadn't told me which is baaaaad writing.
And the way it makes the companion quests feel like chores...I've spoken about this before but it's like. Inquisition changed the tarot cards themselves when you'd completed a companion quest/romanced someone and that felt like a nice compromise but Veilguard is out there putting a special little symbol on people and giving them brand new armour and it all feels a little too much like finish this task so we can defeat the gods rather than explore this characters story because they're a companion and they're interesting.
I got so excited when I found out hardening mechanics were in this game but they're really just there for show. Nothing demonstrably seems to change between hardened Neve and unhardened Neve in the long run, it's just a change to how she functions in the party.
Idk I think it's a very tell don't show game because of the UI.
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Wild Life Episode 5 Thoughts
(Except I'm insane about Martyn's ep)
LIFE SERIES TRIVIA is DIABOLICAL! The watchers literally being like "how well do you guys know your pain and suffering?" (also sorry only winners remember theory truthers)
The way Grian and Scar are such bitter ex-soulmates that Mumbo has to point it out is hilarious. (also them getting even and saying "Just like Third Life" hurt my heart)
Grian not remembering iconic moments from his own series is so funny. What do you mean he only knows Martyn beheaded Ren with an axe from fanart? Grian gaining possession of the Red Winter Axe was a whole plot point.
MUMBO FIRST OUT! IN SESSION 5! The canary curse is broken for real now guys but at what cost.
Grian standing on the ruins of the tower by himself going through the five stages of grief over Mumbo's death as the sun rises in the background is a gorgeous piece of fanart waiting to happen
Martyn you didn't need to start the episode by talking about how Ren is providing for you, you're asking for the shipping at this point 🤣
MARTYN YOU DO THE LORE OFC JIMMY AND TANGO WERE OUT FIRST. Also REN YOU WERE LITERALLY IN DOUBLE LIFE. RIP Ren/BigB we know where his true loyalties lie
THE TWO NICKLES MEME BREAKING CONTAINMENT I CAN'T
Ren inviting BigB to join the RenWood Mound alliance WITHOUT REMEMBERING DOUBLE LIFE is so insane I don't even know what to say.
OF COURSE SCAR REMEMBERS THE DESERT DUO FLOWERS I'M GOING TO BE SICK
Martyn and Ren saying they're going to be boat bros. This has been coming since last session but I NEED Joel and Etho to call them out on it
"We're boat boys," MARTYN INTHELITTLEWOOD WHEN I CATCH YOU-
Etho yelling for Bdubs to hit him so they could test if the wildcard affected damage and then Tango going "smack me harder~" in the background was diabolical. Suuuure you guys are all PG.
Etho sitting in a boat for Joel to jump over him feels like some boat boys relationship symbolism I'm not smart enough to explain
So Etho is currently living with team BET, but allied with the Four Gs, and in the family with Gem and Joel. Wildcard Etho is so back!
Of course Impulse immediately remembered the clock question.
Joel boasting about how he immediately knows all the questions is peak Joel form and I would expect nothing less. It is kind of warranted though because everybody else is waffling on the simple ones.
Joel is now two for two on unquestioningly trusting Etho only to have something bad happen to him and not even being mad about it what is wrong with this man 😭
Does Joel have the censor bleep on his keyboard or did he just straight up start swearing at Tango and know they would both have to censor it in post to get the effect that he was also making the noise?
Scott's gone from a creaking fanboy to a body horror situation and I'm living for it (also considering he's agreed to "go wild" this session--am I sensing a Scott corruption arc?)
Scott cutting directly from saying he and Jimmy were never married even though they called each other husbands to a scene WITH Jimmy was kind of an insane choice
Gaslight Gatekeep Girlboss Girldad has been confirmed by Scott as the actual reason for the 4Gs. I still think Gaslight Gatekeep Girlboss ImpulseSV is funnier but good to have an official ruling
Scott giving up his life for Pearl and them being good natured about it and calling it therapy! I love them so much!
Lizzie being the only person who's not exicted when a trivia bot spawns is so funny. Even the other players who weren't in all the seasons don't seem to be as miffed by them as she is.
Lizzie's flaming snail arising out of that hole while smiling is potentially the funniest thing I've seen all day. Why did it look like that 🤣
#mine#wild life smp#wild life smp spoilers#grian#martyn inthelittlewood#ethoslab#scott smajor#joel smallishbeans#lizzie ldshadowlady#mumbo jumbo#treebark#renchanting#desert duo#what's scott and pearl's duo name. them
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Yes, I absolutely loved the flashbacks in season 1 and after thinking about why most of the MVs in s2 don't work nearly as well for me, I think it's due to two things: placement and the way the art and the music basically fight it out for the viewer's attention.
Placement: so far only episode 6 has not opened with a montage, and subsequently I think the montages in that episode are by far the best because they're inserted more organically in the story: it makes sense for Vander's flashbacks to feel soft and distant like watercolour, or for Isha to remember her time with Jinx vividly, as a kid would. On the other hand the episode starts with a great "normal" sequence that shows us what's going on with Viktor, and it takes the time to establish this cosmos realm. The episode feels balanced. As far as the others go, I think it's off-putting to have music videos so close to the opening song. It does feel a lot like exposition is just directly thrown in our faces instead of slowly building up the themes of the episodes like the flashbacks did. "Here is what happened. Now let's go on.": Cocktail Molotov, Paint the Town Blue, Hellfire and Sucker are all like that (although Sucker works for me personally).
Art and Music: imho the art changes usually carry enough weight and they tend to fight with the music for attention. And since the music is... generally not great this season, with lyrics that are way too explicit, it ends feeling like we're bombarded with too much information. For example the charcoal MV about Caitlyn is just... so much. I get that everything around her feels dissolute and blurry because she's grieving, and the black and white effects are effective. Do I *need* to get a Sad Song™ about grief on top of that? No. That scene would have been way more effective and less intrusive with a beautiful instrumental from the score.
In season 1, art style changes were very limited and the music carried more weight. S1E7 worked because it was the exception and not the rule (also Dynasties and Dystopia *actually* slaps).
Also I dislike how much hard rock there is this season.
Anyway. I think that so far they have been unable to match the highs of season 1 (the bridge fight, the end of episode 3) but I'm holding up hope. It's still very entertaining and has a lot of great moments.
Arcane's Music Videos and Storytelling
Many have complained about Arcane Season 2 overusing "music videos" compared to Season 1 and I agree. Two in particular - "Sucker" in episode 2 and "Hellfire" in episode 3 - are particularly bothersome because instead of being supplementary to the storytelling, they replace the storytelling. Entire plotlines are told through these music videos and barely expanded upon further through writing. Despite both depicting very major events that are incredibly impactful for both Zaun and the characters involved.
First, the Chembarons' gang war. Shown entirely through the "Sucker" sequence, dialogueless. Later, there are only a few brief written scenes related to it (Smeech heading to Margot and the meeting table discussion, neither of which actually depict the war). Smeech is later killed and the gang war story is abandoned by episode 3. This would have been such a major event for Zaunites. Not just for major characters, but for everyone who has the misfortune to live in that city. If they had actually written this subplot out, the worldbuilding could have been expanded upon and given much more depth, these Chembarons with excellent designs could have been fleshed out and not felt like a waste of characters, and we would have gotten more insight into the lives of the average joes in Zaun. It would have been a natural continuation of the Chembarons' introduction in Season 1 too. This subplot could have easily taken up the entirety of Act 1, but because of too many competing subplots, it had to be cut short and summarized by the song.
Next, Caitlyn's squad releasing The Grey into Zaun. Shown entirely through the "Hellfire" sequence, also dialogueless. The impact of this action is only briefly mentioned later through dialogue, when really this would have had a huge effect on many people living in Zaun. If they had written this entire sequence out regularly, we could have had character building for the three new enforcers as they interact with Vi and Cait while moving through Zaun. We need this, as two of them don't even have names yet. One doesn't have any dialogue yet. We could have seen in detail the impact of their actions on Zaun, rather than only being told. We could have had much needed characterization for Vi. What was her reaction to this plan when it was first conceived? Did she oppose it initially and have to be convinced?
I want to experience these events as a story, not as an AMV. It's admirable how artistic and beautifully made these sequences are, but they are the epitome of "style over substance." In my opinion, rather than being at the beginning of the episodes, these sequences could have worked as end credits. They are summaries of subplots after all. The episodes themselves could have these storylines written out regularly, and then the end credits have beautiful imagery summarizing what happened.
They could have taken a page out of Chainsaw Man's book. Each episode of Chainsaw Man had a highly stylized end credits sequence, all with different animation styles, with imagery of that particular episode's plot. The episodes themselves have normal written storytelling. This way you can flex your artistry as much as you want, without sacrificing the writing. Arcane's end credits are just a black screen with text. If anything could have been replaced with stylized visuals and have nothing of value lost, it was that.
#Arcane#Arcane spoilers#that's literally one of my only gripes with the show so far#the pacing was weird in act I but quite good in act II so that's solved at least
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Please stop trying to "fix" RTC's disability rep without doing prior research, especially if you are able-bodied.
I'm not just saying this because, on principle, I think it's important to centre & uplift disabled voices in discussions of disability representation. I'm saying it because in practice, I've noticed that when people take the "canon sucked so I'm just going to change it" approach to Ricky's depiction in RTC, they frequently end up erasing the parts of canon's representation that were valuable and important to me, sometimes doing things that are worse than canon.
It's important for a fandom to be able to recognise canon's flaws, especially in its depictions of serious topics. But I often feel that the discussion of criticising RTC's disability rep is dominated by people who haven't done a lot of research or don't understand the issue.
I've found that most of the things I actually consider objective flaws in RTC's disability representation are incredibly underdiscussed. Instead, criticism tends to focus on a few specific points, most of which are things I don't agree with or things that are just objectively wrong. For example - it was not ableist to remove the scene where Ricky concedes the competition. At all. I could even argue that this was a positive change, but it gets lumped in with the more ableist script changes (the 2022 rewrites removing Ricky's disability) simply because both happened after the most popular proshot was released in 2016.
Another criticism I see frequently is the idea that canon should have named Ricky's specific disability and was bad rep for not doing so. I understand the idea behind this and somewhat agree with it, but I also think it's more complicated than most people give it credit for - Ricky specifically has a rare disease, meaning most of RTC's audience would not be familiar with it, and when the musical was written, the intended "official" watching experience was for people to see it live, in a dark room with their phone turned off. While the majority of the fandom (who got into RTC through bootlegs) would benefit from Ricky's condition having a known name that can be easily googled, I think it makes sense for the the writers to avoid using terms the average audience member wouldn't be familiar with, given they wouldn't be able to Google it unless they remembered it after the show.
This wouldn't be an issue, if not for the fact that fans frequently use "canon wasn't clear enough" as an excuse to erase the things that canon was clear about. There is a big difference between a character having some sort of "blank slate mystery disease", leaving it entirely up to the fandom to decide what disability he has, and a character who is explicitly said to have a rare degenerative disease with a clearly shown set of symptoms, without the exact name of the disease being mentioned.
I think part of the issue here is a lack of awareness. Many people don't understand how one disease would cause both Ricky's inability to speak and his need for mobility aids, and so they assume canon must have just chosen these symptoms at random. And since "choosing symptoms at random" isn't exactly a great approach to disability depiction, these fans then try to "fix" canon by coming up with separate plausible explanations for Ricky's symptoms.
But the fact is that Ricky's symptoms were not chosen at random - they are in line with symptoms that are caused by real-world neuromuscular disorders. This is heavily implied to be the type of disability Ricky has (I've made a post explaining why, check it out on my account if you want).
Seeing erasure of Ricky's disability is always upsetting, but it's even more upsetting when it comes from people who think they are "fixing" canon by removing "unrealistic" depictions of disability. A person being unable to talk and a mobility aid user due to neuromuscular disability is not unrealistic. Just because you aren't already aware of how something can exist, doesn't mean it is unrealistic.
And there are other issues too, such as whether the "feed him through a tube" meant anything with regard to ricky actually having a feeding tube or generally how well canon handled ocean's ableism, where I feel like people are too quick to jump to "I don't know why canon did that, must be bad representation, I'll fix it" without fully understanding the issue. And if you try to "fix" canon without understanding where it went wrong, you might just make it worse.
I just think it's time for everyone to step back a bit and remember that it's okay to not know everything. Ricky is a character with an underrepresented disability, and it makes sense that some things about him might not be things you've seen before or things you understand well. It's okay to be confused. It only becomes a problem when people make assumptions and then spread these assumptions without fact-checking.
It's very easy for misinformation to get spread online. One person makes a claim in a post, and other people just believe it without fact-checking, because they don't see why the OP would lie about it. And often OP isn't lying at all, but they may be misunderstanding something. A lot of the time, complex subjects like disability representation can be accidentally stripped of important nuance in a game of telephone, when a discussion aimed at one group of people gets taken out of context. And the 2017/2018 RTC scripts frequently get lumped in with the ableist post-2022 script, purely because they both come after the most popular version (the 2016 proshot bootleg).
So before you try to "fix" RTC's disability representation, I think it's important to take a step back and think about what you think RTC originally did wrong. What makes you think these parts were wrong? If it's simply because you don't understand it, or because other people have called it bad representation but you don't understand why, it's time to do some more research to figure out how to best fix it. Otherwise, you might do something that is also bad representation, or plain erasure - and you might do this in an attempt to "fix" one of the things that RTC actually did a good job of originally.
My asks are always open if you're interested in hearing one disabled person's perspective on how RTC handled a specific topic. Please do not assume you don't need to ask because you already know what my perspective will be, and please don't feel like you're bothering me by sending an ask. I am much less bothered by good-faith questions than by people speaking over me, even unintentionally, or taking it for granted that i'll agree with their views.
I think getting a disabled perspective is incredibly important if you're planning on changing any aspect of ricky's disabilty in fanworks - there is a fine line between genuinely improving on canon's flawed rep, and just erasing canon's rep (including the good parts) and excusing it with "well it was bad representation anyway". Remember, disability erasure isn't only when a disabled character is made completely abled - it is possible to erase an aspect of ricky's disability even if he is still disabled.
This is a little more blunt than my usual posts, but it is very important. Thank you so much for reading.
#rtc#ride the cyclone#rtc fandom#ricky potts#ricky rtc#ricky potts rtc#ricky potts ride the cyclone#save ricky potts#ricky ride the cyclone#harper explains
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I’m about to start fist fighting mfs in the mouthwashing fandom because everyone likes to give me shit when I say “Curly should’ve thrown Jimmy in the cryopod when he learned about what he was doing to Anya” BUT NOBODY HAS GIVEN ME A VALID REASON AS TO WHY HE COULDN’T HAVE
“tHeY nEeD a cO-piLoT” THEY HAD AN AUTOPILOT!!! One that seemingly worked pretty well too until SOMEBODY got his hands on it. Also you mean to tell me they had a gun on the ship in case of “unrest among crew members” but absolutely NO backup plan in case something happened to the co pilot?? I find that outrageously hard to believe.
“WhY WoUlD tHeY giVE tHe oNLy sUrviVAL pOd To a RaPiSt?” I’m going to spit in your face. I’ve heard this argument so many times it has actually killed my brain cells. So in case this wasn’t 100% clear for whatever reason my suggestion is that they would do this course of action *before* he crashed the ship when there were still (correct me if I’m wrong with this number cause I don’t remember the exact details) THREE working pods, not one. Ideally, Curly would’ve done this as soon as Anya told him about the abuse but the second best time in my opinion would’ve been when Jimmy went on the whole “kill everyone, leave us as martyrs” rant. I don’t give a single fuck what any of you dense motherfuckers say to me ever if MY FRIEND approached me and threatened not only my life but the lives of every single one of my coworkers I’d charge tackle his ass into the pod myself, or at least bribe Swansea to do it.
“tHeY wOuLdn’T gEt pAiD fOr tHe JoB bEcAuSE OF ThE uNNeCeSSArY pOd UsAgE” First of all, fuck you. Genuinely. Second of all, THEY’RE ALL FIRED!!! NO MATTER WHAT!!! INDUSTRY WENT BYE BYE!!! For all intents and purposes, that paycheck would’ve been the filler between this venture and the next. Would losing that be absolutely devastating for some of the people involved? It’s very possible. I don’t know their individual financial statuses and I’m not gonna stand here and argue “they all would’ve been completely fine without the money”. But you know what’s even more devastating than losing your financial safety net? LOSING YOUR GODDAMN LIVES!!! Also in general if you’re prioritizing your own financial interests over the health and wellbeing of the people around you, you are scum arguing for scummy shit and I reiterate my earlier “Fuck you” with an additional “go to hell” just for emphasis. I don’t think a lot of people are making this argument because I’m literally sourcing it from a few randos on tik tok but goddamn if your views align with these particular tik tok randos please for the love of god just block me cause I despise you and everything you stand for.
And like the thing I really want to get across with this entire rant is that I don’t think Curly specifically was an awful person for not taking the absolute most drastic measures every single time Jimmy said some fucked up bullshit. But I’m so so SO over the trend of people acting like he was perfect and there was absolutely nothing he could’ve said or done because Jimmy is this master manipulator who was pulling the strings the entire time cause I also think that’s also total bullshit. I think there were a lot of opportunities to recognize the red flags and I am so fucking tired of this fandom acting like he couldn’t have done something- LITERALLY ANYTHING to help.
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