#--; and it just screams about them ok

[lazylittledragon]

y'know every time i feel guilty about bothering someone by singing along when i'm listening to music, i just remember that i have to tolerate my dirtbag brother screaming at his ps5 for hours every day so listening to muffled off-key fall out boy is probably preferable

[pinacoladamatata]

blink and you'll miss it moments around skyhold....

[wistfulwatcher]

EMILY & HOTCH DANCING in 7.24 RUN

[heartorbit]

a mob of emus for an artstyle game on twt! ^_^

[theallegedbird]

most normal job interviews in britain

stills under the cut

[spacedlexi]

maybe if i just put these screenshots together youll understand why i think their relationship just Works so well as it pertains to the characters and themes of S4 in general

neither of them know what theyre doing, but theyre figuring it out Together. the old ways are dead. and together theyll build a new future thats worth fighting for

[nounaarts]

//LMK S4 SPECIAL SPOILERS (Minor one??)

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Wukong gave me vacay dad vibes that entire beach scene !!

[daily-hanamura]

[es-3]

i’m sorry, if jessica died when she was 15, and she’s 6 years older than lockwood, and she died 6 years before he showed lucy and george her room at the end of the whispering skull, which takes place the june after the november of the screaming staircase, which is 6 months after lucy joins the agency, and george joined a year before her, that means that he was 15 when he showed them the room, 14 when lucy joins the agency, and 13!! when george does. he was either like 12 or 13 when he started the agency. i thought they were like 16 screaming staircase and 18 by the end of it this is so weird

[sp4ceboo]

men who cry.

[padfootastic]

i am so tired of female characters being inherently written as ‘terrifying’ or ‘scary’ w no respect to their characterisation.

for one, it feels so fake. i know so many women irl (i am one!!!) and there are very few, of any, that i would categorise as ‘scary as is’. heck, even if we go by tempers—the numbers just don’t match.

but somehow in fics, every single woman is a terrifying force of nature bc that’s…somehow…the only way we can think of women? idk?

and also just, it’s such a two dimensional characterisation that i only see w the female characters. all men aren’t angry and hex-happy and scary all the time. they’re affable, chill, respond to situations thoughtfully instead of always resorting to violence.

i think it also bothers me bc the anger thing flows neatly into the v gendered carefree man child/stuck up fun sponge stereotypes that so many relationships are forced into. it’s just an icky dynamic all around.

and lastly,,,i don’t think it’s even normal for a character to be latently terrifying everyone all the time??? unless it’s a specific quirk of theirs??? like women aren’t dementors bro chill tf out

[allmyandroids]

I FINISHED WATCHING THE LAST EPISODE OF SEASON 6 AND IT WAS SOOOO FUCKING GOOD OH MY HOLY FUCK RAYMOND LOOKING SO SEXY AND BEING HIS NONCHALANT SELF, DEMBE SAVING RAYMOND AND BEING FINALLY BACK AGAIN!!!!

THE END WITH KATARINA AND RAYMOND KISSING🥴❤️‍🔥 AND KATARINA DRUGGING RAYMOND AND HE GETS TAKEN SOMEWHERE AND THE EPISODE ENDS-

I AM AN EMOTIONAL MESS RIGHT NOW ALL I CAN THINK ABOUT IS THIS EPISODE AND QUESTIONS HAVE BEEN ANSWERED BUT NEW ONES ARE ALREADY THERE

I FUCKING LOVE THIS SHOW SO DAMN MUCH

[beneathsilverstars]

siffrin post-canon h/c is like "dw you're not actually mean, we love you!" and loop post-canon h/c is like "yes you are mean, and we still love you!"

[imaginariumwanderer]

What if I make October my Shadowvanilla month what if I drew nothing but them for an entire month WHAT IF-

[floorpancakes]

funny thought that just came to me do you think watanuki would start crying getting spooned for the first time because he's emotionally overwhelmed

[coulson-is-an-avenger]

man. the most persistently irritating thing about daniel emond's "kill the whale" is how fucking GOOD it is at times.

every day I think about The Quarterdeck and how phenomenally it portrays that scene and the magnetism of agreeing to Ahab's quest even despite fear, and Dusk and the subplot of Starbuck falling in love with Ahab and being terrified of what that means, but ESPECIALLY Fedallah's introduction song where Fedallah is presented as a woman with agency, who looks the audience in the face and dares us to judge her for the life she has chosen.

Fedallah is presented as the captain's lover, the captain's party trick and pleasure, and owns the shitshow she lives in, and only chooses to reject that life once she tires of Ahab's fetishization and exotification of her, and then uses the very thing Ahab fetishizes so much (her prophecies) as a way to spell her own doom and drag Ahab down with her, freeing herself. The shivers I still feel when I hear Fedallah's triumphant crow of "come back here" as she sinks below the waves and Ahab watches in horror, knowing she is next.

that fucking ruled to a degree that shook me!!!!!!!!! and hearing Grace McLean and Amber Gray (and Danielle McKnight) duke it the fuck out through song was just genuinely magnificent!!!!!!!!!!!!!!!!!!!

and then the narrative kicks you right in the throat by calling queequeg "q" for two hours straight and making his marriage to ishmael lowkey racist hate sex