#--; and it just screams about them ok

[lazylittledragon]

y'know every time i feel guilty about bothering someone by singing along when i'm listening to music, i just remember that i have to tolerate my dirtbag brother screaming at his ps5 for hours every day so listening to muffled off-key fall out boy is probably preferable

[pinacoladamatata]

blink and you'll miss it moments around skyhold....

[wistfulwatcher]

EMILY & HOTCH DANCING in 7.24 RUN

[heartorbit]

a mob of emus for an artstyle game on twt! ^_^

[theallegedbird]

most normal job interviews in britain

stills under the cut

[spacedlexi]

maybe if i just put these screenshots together youll understand why i think their relationship just Works so well as it pertains to the characters and themes of S4 in general

neither of them know what theyre doing, but theyre figuring it out Together. the old ways are dead. and together theyll build a new future thats worth fighting for

[nounaarts]

//LMK S4 SPECIAL SPOILERS (Minor one??)

-

-

Wukong gave me vacay dad vibes that entire beach scene !!

[daily-hanamura]

[foxaoxarts]

BEE KISS TOMORR- *dead* /j

If anyone wants to watch me drawing this like a little victorian child then the timelapse is below the cut 🤣

(FLICKER WARNING. It's all through out so be careful!👍 )

[es-3]

i’m sorry, if jessica died when she was 15, and she’s 6 years older than lockwood, and she died 6 years before he showed lucy and george her room at the end of the whispering skull, which takes place the june after the november of the screaming staircase, which is 6 months after lucy joins the agency, and george joined a year before her, that means that he was 15 when he showed them the room, 14 when lucy joins the agency, and 13!! when george does. he was either like 12 or 13 when he started the agency. i thought they were like 16 screaming staircase and 18 by the end of it this is so weird

[softspeirs]

gosh, these prompts are just so fluffy, it makes me want to cry! 🥹

maybe these for whoever you're feeling in the moment:

❛ what, am i not allowed to look at you? ❜

❛ seeing you happy is all that matters. ❜

A/N: First, you asked for this so long ago, I'm sorry it took so long! I wanted to explore a lil reunion for Rosie and Grace after (one of the times) his plane goes down and he makes it back. I did a smidge of research for this, but to be clear, this isn't the time he lands in Russia that we see in the show. This is an earlier mission where he crash lands in France - p422 (? I think?) in Masters of the Air if you want to read more. I tweaked the dialogue of that second prompt just a tiny bit, hope that's okay. These Heartbeats Clear Masterlist

Seven. Wounded.

When Robert Rosenthal opens his eyes, for a moment he doesn't remember where he is. There's a brief unsettling moment of sheer panic where he tries to get his bearings, tries to sit up and tries to remember what's happened to him in the last 48 hours.

"Whoa, whoa, slow down." A voice says. American. He sighs in relief.

An unfamiliar worried face swims into his vision. "Major Rosenthal?"

"What--" His throat hurts, his entire body hurts, and he stops trying to talk.

"You've been asleep for almost two days."

"Where am I?"

"Please, try to relax. You're safe. You're in Oxford."

Now that he hears the words, he remembers loud, urgent voices, he remembers flashing lights and the feeling of being manhandled around. It doesn't do much to quell the fear rising in his gut. "My crew."

"They're fine. Some wounded, but everyone's going to be okay." She moves around the bed with quick, sure steps, checking his chart before meeting his eyes again. "You've got a broken arm and a few broken ribs, Major. Now that you're awake, we'd just like to monitor you for a few hours and then we can talk about a transport back to your base."

He nods, thanking her, and she smiles before disappearing down a corridor, leaving him to his thoughts. His mind is slow, fuzzy, but there's one thought blaring like an alarm louder than anything else - he needs to find a way to call Grace.

He swore to her a long time ago that he'd never give her a reason to think he wasn't coming back. He has no idea if anyone knows he and his crew are here.

He also has a panicked thought that he won't be able to fly again, not if they were helped the French resistance. He forces himself to take deep breaths and tries to beat back the anxiety fluttering in his ribcage.

"Rosie?" A familiar voice breaks him out of his thoughts, and he tries to sit up before pain laces up his spine, making him wince.

"Croz?"

Harry's worried face peeks around the curtain. "Jesus." He says, making Rosie wonder what he must look like.

"What are you doing here?"

"We got a call. Wasn't going to let you guys walk back to Thorpe Abbotts, was I?" He takes a few steps closer, scraping a chair closer to the bed before sitting down. He looks exhausted. "I volunteered to come get you."

"How long--"

"It's been five days since the mission." Harry rubs a hand over his face. "Can't begin to tell you how lucky you were, Rosie."

It starts to hit him, how close he was to not coming back. He doesn't even remember the plane going down, not entirely. He has no memory of being rescued. He feels strangely guilty. He's the one that's supposed to lead and help his crew when he can.

"Have you talked to a doctor?" Harry asks.

Rosie shakes his head. "Not yet, just a nurse. Obviously I can't do much with this--" He struggles to shrug with his injured arm in a sling.

"It'll be fine. Desk duty until you're well."

"Croz, you know I hate--"

"You can't fly like that, Rosie. Technically you should be pulled from duty altogether."

Rosie clenches his jaw, takes a deep breath and tries to calm himself down. It's not Harry's call, even though he knows he's right. He's going to do everything he can to get back in the seat again, even if he has to get demoted to do it.

.

He discharges himself so he can leave with his crew and with Crosby and hitch a ride back to base. The doctor fixes him with a stern look as he does it, but he must see the determination on Rosie's face, and just tells him to take it easy for the next few weeks.

Fat chance of that.

"Stop looking at me like that." He grouses to Harry as they bounce along the road back to Thorpe Abbotts, Rosie biting back a wince with grit teeth as the road jostles his muscles uncomfortably.

"I'm not looking at you like anything."

Harry has long stopped trying to convince Rosie of anything, just like Rosie has stopped trying to tell him to get more sleep or eat more. They're all just doing whatever they can to survive at this point. The cost of it all is secondary.

"I'll save the lecture for Grace." He mutters.

Rosie's head snaps up. "Is she--"

"Worried sick? Probably, but you know her. Once she knew you were alive, she went from worried to furious."

"Not like I had any say in the matter," Rosie counters, voice dry. "Didn't try asking them not to shoot at us, though."

Harry smiles, shaking his head. "You know what I mean. Angry at the circumstances. Frustrated with herself for being emotional. That's Grace."

That's Grace. And isn't that the truth. Rosie can't help but smile softly, because he knows Harry is right - he's going to get an earful when he gets back. But he must be a masochist, because he's almost looking forward to it - it means she cares. Not that he's ever had any reason to doubt that.

The truck rumbles along for miles. Rosie hadn't thought about how long it would take them to get back to the base, but he tries to close his eyes and get relatively comfortable until they arrive.

He hears the noise of the gates and opens his eyes to find the sun nearly down. There's a big commotion as they enter and he takes a deep breath to try to get his bearings.

"We'll go to command first, and then to the infirmary. You'll probably have to sleep there." Harry says groggily.

They're let out in front of the command building, Jack Kidd already there waiting for him along with the Colonel. Both look like they haven't slept in days. A few paces behind them is Grace, and the sight of her softens Rosie, makes his shoulders lose their tension. He meets her eyes and tries for a smile, but he thinks it comes off as more of a grimace.

Grace, for her part, is restraining herself. She feels a mixture of relief and anger wash over her at the sight of him, arm in a sling and bruises and cuts littering his handsome face. He looks exhausted, and she's sure she looks much the same.

She knows being angry is the wrong thing. It's not his fault he got shot down, after all. Really, she's angry at herself. She's angry at her heart, at the way it plummeted to her feet when she heard the news that his plane didn't come back, and she's angrier that every day since confirms to her what she already knows: she's in love with him.

And that's as terrifying as it is liberating, because there's a very real chance he could break her heart, whether he means to or not. (She knows that Robert Rosenthal doesn't have a cruel bone in his body, but sometimes, in war, the choice isn't his)

"Jesus Christ, Rosie." Jack says quietly, voice heavy. "I--" He takes a deep breath, and seems to remember what he needs to do. "It's good to see you back. We need to go to interrogation."

"The crew isn't ready--"

Kidd shakes his head. "I'm sorry, Rosie, but the quicker we do this, the better. It's already been a few days."

"Who's back?"

"Maddox, Rubick, Palmer, and Hartos. The others won't be back until tomorrow, but we'll debrief them then. I don't want to wait an extra day."

Jack looks over his shoulder, and Rosie is sure he catches an apologetic look on his face that's there and gone quickly as he sees Grace there. "Twenty minutes, then go to the infirmary." He says as he turns back to Rosie. "Let's go."

The interrogation is as grueling as Rosie expected. He's glad to see some of the members of his crew again. Despite his brain telling him that none of this is his fault, his heart can't help but beat wildly, flooding him with guilt as they give their account of what happened after they went down, when Rosie was knocked unconscious.

It feels like hours before he's trudging towards the infirmary, luckily only a few steps away from the interrogation hut.

The door is opening before he arrives, and Grace's worry-filled face fills his vision. "Grace." Her name leaves his mouth without his permission, his tone exhausted, but full of emotion.

She swallows hard. "Major." Her tone is relieved and... frustrated. He's not surprised, but he hopes she'll spare him Nurse Grace and instead give him the Grace he's been dreaming of for days, though he knows it's selfish, knows that she has a job to do.

He sees the doctor hovering behind her. She opens the door wider so he can come through.

All he wants is to be alone with her. He wants to tell her he's sorry, he wants to tell her that she was on his mind every second, that she is one of the reasons not only that he gets in the seat, but the reason he comes home.

Home.

The exam is quick, thankfully. They took good care of him in Oxford. The doctor leaves Grace to administer pain meds and do the paperwork, and it's only when they're finally alone that he sees the emotion on her face, though she's trying valiantly to hide it.

With each injury she catalogues, her face hardens. Her eyes meet his as she tilts his face up to dab a cooling salve on a bruise forming on his orbital bone.

"You have a look on your face." He says quietly.

"What, I'm not allowed to look at you?" She asks, and he can see how she's trying so hard to hold it together. Pretending. Pretending this is all business for her. He wishes she wouldn't.

"I'm sorry." He croaks, throat dry from overuse.

"Please don't apologize," she says, expression suddenly stricken, as if she realizes what she must look and sound like. "You didn't--" She stops herself, eyes closing for a moment as she gathers her professionalism. "I'm just so relieved you're alive." She whispers. "I'm not angry at you. I'm upset... I'm angry at the war. At these circumstances. That you're hurt--" She stops herself.

He wishes more than anything he had the use of both his arms. He settles for reaching out with one hand, thankful when she doesn't hesitate to take it, lacing their fingers together.

"I never want you to worry." He says, and it's the truth, even though they both know it's pointless.

She shrugs. "Comes with the territory, Major." She squeezes his hand. Her voice lowers to a whisper. "Worry happens naturally when you love someone."

His pulse pounding in his ears is all he can hear. He feels like the world tilts on its axis and then rights itself, all at once.

"Maybe it's too soon or too big for me to say it, but I don't want you to fly ever again without knowing it." She says, voice strong this time. He loves her for it.

He loves her.

He tugs her a little closer and she seems to understand, her face softening as she stands as close as she can, leaning down to meet him halfway. He tries to tell her how he feels when he kisses her gently, mindful of the black eye he's sure he's sporting and the soreness of his cheekbone. His hand leaves hers in favor of cradling her jaw, and the sigh that leaves her is music to his ears.

"Of course I love you." He murmurs, barely a centimeter between them when they break apart. "Probably have for a long time, Grace."

She pulls herself away, just for a moment, and starts to tidy up the triage area where he sits with her. He recognizes what she's doing and gives her the space she needs to gather herself, to come to terms with whatever she needs to. He's relieved at least that the smile hasn't left her face.

"Winning this war and seeing you happy are just about all that matter to me anymore." He admits, and watches as she stops what she's doing to turn back to face him.

"I just want to be sure I'm not a distraction for you."

He shakes his head. "No."

"Rosie, I'm--"

He shakes his head again, cutting her off. "Grace, you don't think I'm going to let you tell me you love me and then push me away, do you?" He tilts his head to one side.

"That's not what I'm doing. I promise."

"Then come over here and let me kiss you again."

She smiles, and he swears to himself that he's going to be responsible for that smile on her face every day, for as long as he can help it. He has no doubt that they have some trials ahead, but they have each other, and sometimes the will of the heart is stronger than anything else.

[beneathsilverstars]

siffrin post-canon h/c is like "dw you're not actually mean, we love you!" and loop post-canon h/c is like "yes you are mean, and we still love you!"

[imaginariumwanderer]

What if I make October my Shadowvanilla month what if I drew nothing but them for an entire month WHAT IF-

[usertoxicyaoi]

Don't always take this off, I'll check everyday. Check my hand? Yes. Does this make sense? Is it not good? Does this make sense? Don't I need to wash up? Put it on after washing up. It binds you. Do you know the token? Do you know the token that people exchange when they get married? Do you want to get married? Do you have money? I'll work hard.

HIS MAN 2 (2023). Jun Sung + Sung Ho in Episode 7.

[utilitycaster]

I don't begrudge anyone their campaign preferences, and I think there's plenty of valid reasons to like Campaign 3 the best and this is not directed at people who are genuinely having a great time with it, but it feels like virtually all the nostalgia and wishful thinking I see surrounding Campaign 3 is screaming "you guys want Campaign 2." You want more slow travel and downtime and interparty conversations and slow-burn romance? You wish their main focus was fighting governmental corruption? You want a party that only semi-settles down at the end and keeps adventuring and remains very close? You're frustrated by how everpresent and overarching the moon plot is? You miss when they were just fucking around in a city? I genuinely believe you want Campaign 2, or at best you love a specific ship or a character from Campaign 3 but aren't happy about basically anything else, and would vastly prefer the tone and events and plot of Campaign 2. And I don't really care if you watch Campaign 2, or if you think I'm being annoying here; I simply genuinely believe you'd be happier watching Campaign 2 than Campaign 3 and are so deep in a sunk cost fallacy well you can't see it.

[wizardsix]

is it just me or is bioware spoiling way too much about the game . talking about gameplay improvements is one thing but revealing story and companion arcs seems very insecure to me bc now the mystery is gone when people play for the first time . seems like they're trying too hard to prove that their game isn't garbage after that first trailer but this is not how you do that