#- to my own mistakes

[golyadkin]

you'll get the urge as an artist or a writer to say out loud the things you're worried about "the proportions are off" "kind of out of character" "i'm not good at summaries" "didn't get as much detail as i wanted" "i made a mistake and here's how" and that's the self-conscious part of your brain telling you "it's bad and if you don't tell them you know it's bad then they'll think you're stupid" but you've got to ignore that little voice and pretend you think it's good or else that little voice is going to ruin your life

[jazzies-stuff]

Happy boopween

[thunderc1an]

how to love a stranger

[poorly-drawn-mdzs]

Why are you running?

[First] Prev <–-> Next

[neonlvrs]

just remembered i have free will

[reginamillls]

I Saw My Uncle Kissing Santa Claus

"You really gotta tell him man," Tommy hears Howie's voice coming into the kitchen from the hall. He's about to come in, but the answering voice makes Tommy stop.

"I know," Evan says, sounding odd. "I can't keep this a secret for much longer, it will just make things awkward for Tommy. He needs to be prepared for whats to come."

Tommy's brows furrow at that, and his palms feel sweaty all the sudden-

Things were going good between them, slow sure, but better then it was before. Stronger. This is their first Christmas together since their last one was spent apart and Tommy-

Is overthinking.

Tommy steps into the kitchen then and is met with two identical looks of surprise.

He's been caught.

"No time like the present, hey Buck," Howie grins as he claps Buck on the back before walking past Tommy. Howie then winks at Tommy, and any thoughts he had to worry melt away.

"You know you should really be the one to tell him-" Evan starts but Howie interupts him.

"You owe me big time, good luck, thank you!" Howie sing songs before he's stepping out of the kitchen, leaving a pouting Evan behind.

Tommy decides he just has to kiss that pout and Evan smiles against his lips before grabbing at Tommy's waist and bringing him in for a deeper kiss.

"You're-" A kiss. "Stalling."

"Okay," Evan admits. "I have something to tell you, and ah - I guess, I guess ask of you to." He starts, rambling. "And it-it's kinda cute?"

"Cute?" Tommy asks, raises a brow. "What-"

"Jee thinks you're Santa." Evan blurts out and Tommy's eyes widen.

Out of all the things he expected, that wasn't one of them.

"She. Thinks. I'm. Santa."

"Yup." Evan pops the 'p' at the end.

"Um, why?" Tommy asks, and he's leaning against the counter now, confused at the turn of events.

"She has a list," Evan says and he pulls it out of his pocket to present it to Tommy. The piece of paper has Jee-Yun all over it, from the stickers of every genre to the glittery writing. It makes Tommy smile when he looks at it.

"Why Tommy is Santa-" Evan starts and he clears his throat, being a little dramatic.

"One. He flies." Evan starts and Tommy nods his head.

"I do fly-"

"And so does Santa," Evan pokes at Tommy's chest. "Can I continue?" Tommy makes a motion to do so, and Evan lifts the list off again to read it off.

"Two. Tommy took us to see reindeer, and Santa has reindeer." That was true, Tommy knew a guy who worked for the zoo and was on a team that was rehibiliating some reindeer. Tommy had taken Jee and Evan there a few weeks ago.

"Three. He has a long red coat." That one was a stretch, but Tommy wouldn't argue against it. He had a long wool coat for when he camps out in the mountains, and it was indeed red, though it was a more muted shade then he thought Santa would wear. Jee had seen it last week when she had been over for the night with her brother to give Maddie and Howie a night off.

"Four - and this is where it gets cute," Evan says, completely fond of both his niece and his boyfriend. "He has a big smile and he laughs and makes people happy."

"That's sweet," Tommy says, blushing. He ducks his head and Evan steps closer into his bubble, wrapping his arms around Tommy.

"There's more, like how you always remember what kind of gifts people want and ah-" Evan pauses briefly something that happens sometimes whenever their breakup came into the conversation. "You were gone last Christmas, and I think she thought you were busy."

"Being Santa." Tommy huffs, shakes his head. "Better than what actually happened."

They've talked about it, how Tommy threw himself into work to cope with everything. It wasn't healthy, but he's working on it.

Evan nods his head and the hand on Tommy's waist squeezes.

"She still believes," Evan says. "And with the baby this year, I think she feels a little left out. So when they got into Christmas folklore at school, I think she latched onto the idea that you were Santa. It's why she's been so shy today."

"Okay," Tommy nods his head. He gets it. Believing in something when things were a little difficult could get you through hard times. His old man had told him the truth about Santa when he had been young, and Tommy didn't have that little bit of Christmas magic growing up.

"Do you want me to tell her I'm not?" Tommy asks, undure what they should do here. Evan shakes his head then and Tommy relaxes.

"Chimney and Maddie want to talk to her about it, they just didn't want you to think she was ignoring you-" Evan grins. "I think she's trying to be on the good list. I've never seen her room so clean."

Tommy huffs out a laugh at that. He had thought it was a little strange that Jee hadn't come running to them for a hug when they came, but he figured that she was just being quiet for her brother's sake.

"And what list are you on?" Tommy asks Evan, voice low as his eyes dart over Evan. The other man snorts out a laugh then before he pulls Tommy in for a kiss.

"I think I've been on the good list, Santa-" Evan whispers in Tommy's ear.

Tommy tries.

He really does, but he lasts about two seconds before he bursts into laughter. Evan joins him then, and it feels good, laughing with his boyfriend.

"Uncle Buck?" Tommy hears, and he sees the very person they were talking about coming into the kitchen. "Can we play cowboys and princesses and aliens?" She asks and Evan straightens away from Tommy and he gestures as if he's wearing a cowboy hat, tipping it to Jee and the girl giggles in return.

"I reckon the Princess Cowboys have a lot to do before Christmas Evan tomorrow." Evan says in an exxagerated southern accent.

Tommy is completely charmed by him.

"Are you too busy to play Uncle Tommy?" Jee asks and Tommy feels like his heart skips a beat.

That was the first time Jee has ever called him 'Uncle.'

"Yeah, that sounds fun. Can I be a Princess?" Tommy asks and follows Jee and Evan back into the living area.

He prefers Unlce to Santa, anyday.

[haliaiii]

The modern prometheus

[sunny-knight]

MERRY CHRISTMAS!!! HAPPY HOLIDAYS TO ALL!!!

WRONG TIMELINE, UNDYNE-

Saw this image, got the idea, and knew what I had to do.

Rare Undyne and Wingdings interaction! im curious of what she thinks of him with the little information she has, like he is technically her coworker, both being co-runners of the underground below KING ASGORE

And yet at meetings hes either a no show, or his brother is there on behalf of him (I assume, at least)

Either way I had fun making this cause ITS JUST SO FUNNYCDHHBDE and I adore Papyrus and Undynes relationship I really gotta draw something between em. ITS SO UNDERRATED! And a lot of the content I see is really flanderizing both of them so :(

Bonus non blurred version plus some work in progress’

This is why Wingdings doesn’t go outside much…

I wonder what hes thinking about

[shithowdy]

if you are an artist just trying out commissions for the first time as holidays come up, my advice to you to avoid burnout is have a clear ToS that states what you do and do not want to do.

not what you can and cannot do, but what you do and do not want to do. don't try to be the cheesecake factory of commission artists and take every single commission even if it doesn't suit your style or preferred subject matter. don't write a little disclaimer about how you aren't very good at backgrounds or vehicles but will do your best; that's how you get a client that for some reason wants a full brooklyn cityscape from you and suddenly you have spent five months stressed out and guiltily avoidant of other projects. just say you aren't offering backgrounds.

if you're not interested or confident in concept and design, be clear in your ToS that you need specific references for things like clothes and features. coming up with design ideas is a completely separate skill from rendering them; figure out with what you are comfortable before accepting the task. a lot of clients themselves don't understand that saying "do whatever" is basically tasking you to design for them, something for which you are well within your rights to charge accordingly.

pick your niche and hone it, and stretch your comfort zone with private work. you'll figure out as you go just how far your comfort zone stretches and can update what you offer accordingly.

[ohpsshaw]

[I need you to go look up "ICICLE WORKS - I STILL WANT YOU" and start blaring that as loud as you can right now.]

So. Typhus and I have failed in our mission to get him into everyone's bedrolls. Turns out that traumatized vampire got hands. We didn't have the heart to break up with Astarion, and I think we're DnD married now. Please keep us in your prayers.

[dookiespooky]

Driftingstars and dreamcaptor fusion au thing! This takes place right after mabel falls through the portal ig dk what im doing lmaooo

(Dreamcaptor au belongs to @neonross )

[auxxrat]

so sick and tired of the “jedi are an evil and abusive cult that steals children” as if half the reason they weren’t protecting these children is bc sith were out killing them or TURNING THEM INTO SITH. they weren’t even STEALING children to begin with I thought we all knew that was Palpatine’s game not Yoda’s.

[arielluva]

YURI!!!!🔥🔥🔥

couldn’t decide which version i liked better so i’m posting both

[parisoonic]

How the hell do you manage to superimpose the hilariously exagerated proportions of the tf2 mercs into a cohesive 2d style? I always struggle SO much with like, the way the mercs' models have huge hands, the way they have relatively low-poly definition on things like arms, shoulders, and legs... and Especially the way like, the models are kinda janky when you pose them for art purposes- when using movement tools, things like armpits and seams between body parts get all deformed... Which makes the study of form and silhouette rather difficult.

I assume that a lot of your ability to translate the concept of the mercs from their original mediums into your own works of art comes to you quite naturally- through experience you have with drawing and art style stuff, as well as through intuition. I was simply wondering if I could poke at your mind and get some insight into your process, any thoughts you have about the proportions and silhouettes of the mercs, any quirks you've found while drawing the mercs, or simply what you enjoy drawing about them. Like, don't be afraid to infodump about something just because you think people wouldn't find it interesting- I am here, I am sitting, and I am listening- if you so choose to speak.

I am utterly fascinated and enraptured by the more behind-the-scenes aspect of art. The mundane things that come second nature to great artists yet seem so revolutionary to less experienced artists.

I love your work, I look forward to seeing more of it, and I hope you have a nice day :]

Sorry for the late reply! I've been a little…stuck on how to answer this but that's mainly because to me, drawing is composed of SO many different little skills - you have form, anatomy, shape language, silhouette, appeal, rhythm, acting and posing…not to mention everything AFTER your raw draughtmanship like line style, rendering and colour theory. Trying to distill a multiude of small skills into some pithy advice is overwhelming to my brain. So I'll take the invitation to ramble instead :))

I don't think I have any new or revolutionary insight into the tf2 guys specifically - more I'm using them as work horses to excercise general silhouette/posing/shape-language and further my skills when it comes to drawing characters!

I do agree though the proportions are rather silly when you stop and think about them realistically…they can be kinda tricky if you follow their 'actual' proportions. what looks great individually was maybe never meant to be directly compared (ie: Heavy's hand size against Spy's lol). It would've been funny if the TV show exsisted and we had more content to review…would the animators have had rules like Spy and Heavy can never shake hands? Would they cheated the proportions for shots? Or would they have said WHATVER it's gonna look weird and embraced it? (Like Kingpin in Spiderverse lol)

Paul Lasaine for 'Into the Spiderverse' This is AWESOME. But it's also one of the silliest designs I've ever seen comitted to screen. The varied scales of the characters work because of the unifying treatment (lighting, rendering, consistant hand anatomy, consistant clothing fold treatment etc) and because they are sort of proportional within themselves. A common mantra is that hands should be about as large as a characters face....which they all are here!

Human brains are very flexible and forgiving though. It's totally fine for you to put a character with huge hands and head next to a teeny tiny character! Vanellope and Ralph from Wreck-It Ralph look grand next to each other! And in that film you even have varying levels of stylisation sitting against each other (unified by the look dev treatment of the shaders and lighting). I think as long as the chracter is proportional within themselves it sort of works out. IE: a general rule is that a hand should be as large as the face so…you can have some large arse hands as long as their placed on a body with a big arse head. Unifying characters with the same treatment (ie: lineart brush, colouring style will also help them look cohesive next to each other :) )

I don't actually reference the 3D models/animations very much at all and instead draw their proportions based on my tastes for stylisation following their general vibes/silhouette profiles. I don't stick THAT close to their in-game looks and there are artists who do that are so so so much better than me (Creedei and Flapjack come to mind). I'm not amazing at body-type differentation and TBH they're all wearing chunky clothes all the time so I usually draw the guys as one-of-three body shapes: Heavy is the uniquely wide guy; Sniper/Scout/Spy are all tall and slim and Demo/Soldier/Medic/Engie have a little more of the generic 'hero' bodytype with varying tallness and broadness of the shoulders

Something like this! You can vary all these individual elements in terms of size, thickness, taper amount etc to create different characters. If you ARE going to reference the 3d works though you'll need to apply some anatomy knowledge to overcome the weird shoulders, armpits and knees which desperately need blendshapes to correct the 3D volumes and approach it a little more like an animation supervisor. There's a reason why you see in making-ofs and art-ofs character designers, character leads or animation supes doing drawovers of the models. These are character models that have had great effort put into their 'base' silhouette but it still needs to be reinforced in every frame for maximum appeal.

Shiyoon Kim for 'Raya' This sort of thing will occur at multiple stages during the animation process. Shiyoon Kim's notes are post final model but pre-animation. Most likely for internal rig tests, exploring what blend shapes and alt shapes are needed for the rigs etc. If your production has time, this will continue all the way to final anim. IF! But it's interesting to see how he emphasises the shapes and enhances the character acting of the 3d model.

As for 'mundane things' - I wouldn't say they're second nature! (If that makes you feel better!) I have to actively really persue certain advice and try to figure out how to best apply it. This can sometimes involve redrawing and redrawing an element of the drawing until I've grasped the nettle of whatever I'm after or…..until I get frustrated and either delete the drawing or just call it done lol

Here, I'm looking for a really specific flow of the head that sells both the acting and a subtle head tilt. I'm also trying to apply the general mantra regarding faces that converging lines (set by the eyebrows and mouth) are more appealing than parallel. It's tough! I also tend to use a drawing I've already done as a template/reference on the page too. Oh! This page is an amazing example of why I'm not an animator or storyboarder…consistancy? Who is she? 💅

Converging lines (that form tapered shapes) are always more appealing than parallel. Using this logic you can loft the facial features across converging lines to create dynamic appealing espressions. Combining this with anatomy, perspective and rotation is the tough part though. I'm still learning o7

The things I probably think about MOST are always flats vs curves, simple vs complex and general line of action/flow...and then eliminting tangents. Each of these can be a dedicated visual-essay on their own - hence my stumbling as to answer your question. Anyhow, not sure if it's ever come up on this blog but I looove dinosaurs :)) so i'm using a wee piece to demostrate these ideas! (but also to demostrate these concepts apply to everything from humans characters to animals, props and background design)

Okay, I'm getting self-aware that this is getting really long :') I have a wee tutorial tag for my blog if anyone wants to comb through my garbled art-thoughts. Learning, studying, repetition and practice will always be the greatest teachers! I'm glad you like my art- thank you so much for the lovely comments - I feel like such a noob still and not qualified to give people advice but we're in it together learning! High-five! 🙌

[wardingshout]

slowly getting back into stuff...

[kamsspice]

if it were me / fem bokuaka comic