#*points at him* THAT'S MY HUSBAND

[elluvians]

[nouverx]

*proceeds to drink the whole bottle*

Yeah Alastor you're gonna be loved and appreciated wether you want it or not :)

[buumbaby]

" one fabulous kiss and we're good "

[aziraphalalala]

I am not entirely certain what will happen once the actors & writers strike ends, but I'm pretty sure Michael Sheen will break the sound barrier with how fast he will go feral on the internets about how Aziraphale wants to eat Crowley's ox rib

[s0fter-sin]

trans!soap taking his baby and running away from his rich abusive husband

(cw angst, financial abuse, single threat of child abuse, single mention of transphobia)

he's owned soap for years, since he was a teenager; paid for his medication and all his surgeries and tied them so deeply, soap’s lost hope of ever getting away. he gets even worse when soap falls pregnant. he was always controlling; blowing up at him if he spent too long out of the house or did something without telling him. but he becomes utterly possessive during the pregnancy

soap knows it has nothing to do with his safety or the baby's

he knows he sees his baby as an investment; another being he can control and hold over him

he gets worse and worse but there’s nothing soap can do. there's been nothing he can do for a long time. then a few months after the baby is born, soap doesn’t watch his tone closely enough and his husband threatens to drop his baby in punishment for it

soap doesn't think. he doesn't plan

he takes his baby and runs

he sneaks out of the servant's quarters of the sterile mansion he's been forced to live in for almost a decade and walks down the street without a backwards glance; his baby the only thing in his arms. he knows all of his husband's cars have trackers, all of them in his name since he never lets soap drive or go anywhere by himself, so he walks far enough to be out of view of the mansion's cameras and steals one. it doesn't have a car seat and all he can do is clutch his baby to his chest as he drives

he doesn't know where he's going beyond away

he doesn't know what he's going to do; he doesn't have any money, no supplies for his baby, he doesn't even have water for himself so he can reliably breastfeed him. he's terrified his husband will find them; he’s always felt omniscient, always everywhere and seeing everything he did. if he didn’t have eyes somewhere, he paid someone who did and they always dutifully reported back to him

soap just keeps his eyes forward. just keeps driving and driving, lost to the road and numb until the low gas light pops up on the dash and it all hits him at once

he turns into a gas station he can't pay for, in a car he stole, and parks behind it and his baby immediately starts getting fussy

he can't even call him by his name sometimes; too afraid to get attached, too afraid to lose him. as if he doesn’t love him more than life itself

even throughout his pregnancy, as happy as he was to finally have a baby, he didn't know if he could carry to term and that fear just let his husband dig his claws in even deeper; paying for extra scans he could never hope to pay for, favours on top of favours so he would aways owe him and isn’t he such a loving husband? taking soap in when his parents kicked him out for being trans, looking after him for all these years? you can’t even take care of yourself john, you’d still be a woman without me, john, what is this tantrum about john-

soap tugs his shirt up to let his baby feed, drops his head back and cries

he can't stop it; wails loud and uncontrolled, chest heaving with his sobs enough that it sways his baby, occasionally breaking his latch and he can't even do this right-

he can't save him

a light knock sounds on the window and soap flinches, curling over his baby to protect him from his huband's cruel hands

but it's not his husband outside the window

soap blinks tears from his eyes and looks at the large stranger standing beside the car. a neck gaiter covers his mouth and it should be off-putting… but something about him stops the feeling in its tracks. the stranger takes a half-step back and lifts a chilled and sealed water bottle, pressing it towards the window

soap quickly swipes his face clean and rolls down the window. "sorry 'bout that," he apologises with a choked laugh, the careful front he’s built over the years cracked and bleeding

the stranger gives a dismissive but somehow not diminishing shrug. "long day?" he asks

"could say that," he gives a shrug of his own and pats his baby's back as he makes a disgruntled noise, unconsciously swaying him

he politely keeps his gaze up on his face. "looks like you could use a break."

soap's breath hitches, anxiously darting his tongue out over his bottom lip. "could say that," he repeats uselessly and takes the water with a quiet “thanks,”; his throat dry and screaming for it after crying so hard

the stranger hums, watching him down the bottle and soap doesn’t notice his eyes drifting to the backseat and footwell of the passenger side. doesn’t notice the slight tension in his fists at what he sees. "how long you been runnin', lad?"

soap freezes, the water settling in his stomach like a stone. he swallows thickly and the bottle falls from his lips

"not long enough."

the stranger just nods, looking idly back down the highway

"you know, this place is connected to a garage,” he starts, nodding back to a building attached to the station without taking his eyes off the road. “lotta people drift through 'ere on road trips; too many to keep track.”

soap frowns slightly, shifting his hold on his baby

“funny thing is, plenty of 'em just abandon their car when they break down. like yours,” he adds and finally turns back to him with a pointed look. “got a whole junkyard of 'em. just rustin' away. be pretty easy to convince me to trade ya one."

soap’s mouth parts in a gasp as he realises just what the stranger’s saying. "how easy?" he whispers

he shrugs and even with his face hidden beneath the gaiter, he doesn’t feel afraid. "i'd say this car'd be a good deal. would blend right in with the rest of ‘em; no one’d ever notice it. what say i take it off your hands?"

soap's breath shudders out of him, his whole body going limp with relief. his baby's eyes fall shut with a satisfied hum and for the first time he can remember, he feels the gentle touch of hope

"i think we can work something out."

🧼💀

ghost owns the service station soap pulled into. he wanted something quiet and isolated after he retired and you can’t get much quieter than a backwoods servo surrounded by forest. he hasn’t had anyone pull in in days so he’s quick to notice soap’s car. he’s also quick to notice soap's subsequent breakdown in one of the cameras. the sight of him crying, desperately clutching a baby like they’re all he has left in the world, is so familiar he felt sick with it

he knows someone running when he sees it

if he didn't check on him, if this lad disappeared one day and the baby along with him, he'd never forgive himself. the lad doesn't even have a baby bag or car seat with him, and the personalised sticker on the back window of a lady and a dog is a dead giveaway that the car is stolen

but the lad is terrified. and when he startled him, he didn't turn. didn’t lift his arms to protect himself. no

he covered his baby

like he was afraid he'd be hurt

that's enough for ghost

🧼💀

i'd wanna set this in the 80's or 90's, just to make it even harder for soap to get away from his husband. he's a trans man with a newborn; he has no one to run to and no resources to help him. his husband's bought and paid for everything for him since he was 17; a few whirlwind weeks of unbelievable dates and extravagant gifts and he was living in his mansion, getting married the day after his 18th birthday. he thought it was love. thought he was being looked after and cared for the way he’s always wanted

he was in pain and alone and naive enough to believe the first person who came along and promised to make it better. nothing's in his name, not his insurance or his meds, he doesn’t have a bank account or savings; other than a birth certificate, nothing even ties him to his baby. his husband could take his world away from him with a snap of his fingers and he made sure soap always knew it

he never had a chance of getting away

but ghost is ex-military

he doesn’t know the lad’s story, doesn’t know the details of what he’s running from. he doesn’t need to know

he decided he was helping him the second he pulled into his service station

[neottia-orchids]

I want the world to know that Boimler calling Mariner "Mare-Bear" will live rent free in my mind forever.

[sadcoms]

until i recently read posts on here about how there is an inherent queerness to the doctor and rose's relationship in how it's unspoken and filled with yearning that i'd never really considered that element, despite knowing for ages that RTD is gay but. man. it's just reframed a lot of the series for me, like the idea that you have this lonely man who's just watched his people die and is self-destructive and misanthropic and traumatised and he can love again and he wants to but it has so many risks.

but especially S3 and how it adds even more weight to the doctor's grieving widower status. how he tells martha that he and rose were together but martha refers to rose as a friend to tallulah; the fact that he can only say they were together once she is gone; how the only other person that both can feel how he feels but also understands the depth of his feelings is jack, a queer man himself. and I've been thinking to myself lately oh, it's ok, the doctor and rose probably accidentally got married on at least one planet or something but also the point is that there was no official title that could convey to people the extent that they meant to each other, that the doctor can really only tell donna that rose was his friend even though it is so wholly inadequate and she comes to see that by the end of the episode (and martha too of course). how people who saw the doctor and rose together assumed they were a couple, like on krop tor, but once there's no more physical evidence of the relationship it becomes more vague (and simultaneously clearer).

anyway something about how christopher eccleston said he based his portrayal of nine on RTD and something about RTD saying that his husband is "in every good man i write now" and how the doctor and ruby seeing each other in the club mimics his first meeting with his husband aka the one moment he would use a time machine to go back to hmmm

[inheroes--wetrust]

iwtv s3 is going to be Peak Romance because its going to be all about the pining. which is. OBJECTIVELY. the best part of any relationship development. its going to be that one scene where lestat reaches for louis but he doesn't notice and leans forward times one billion.

every week i will be screaming at my tv for them to kiss. they will not do it. instead they will exchange loaded glances every fifteen seconds. lestat will slip up and call louis mon cher by accident and my head will quite literally explode. we will get a full episode of nothing but louis staring longingly at lestat on stage and yet every time lestat looks over louis is busy doing something else. one day louis will look at a random guy in exactly the wrong way at exactly the wrong time and lestat will snap and murder every single person louis has spoken to in the past month. louis will not make the connection and instead will ask daniel if he thinks that louis being around makes lestat revert back to a more volatile headspace and if he should leave. daniel will be able to escape to be psychosexually tortured by the most beautiful man on the planet but i will still be here, sitting in front of my screen, tearing my hair out because lestat and louis will say literally anything to each other besides i love you.

[hephaestuscrew]

I'm sure Minkowski never forgot that Cutter was the first person ever to call her Commander. After recruiting her in Once in A Lifetime, he starts to call her Lieutenant, then breaks into laughter, before correcting himself: "What am I saying? Commander Minkowski." He draws attention to himself granting that title, stressing its significance. By initially calling her by a lower ranking, then conspicuously correcting himself, Cutter emphasises that he's the one granting her that title. Right at the beginning of Minkowski's employment with Goddard Futuristics, Cutter plants the seed for his line in the finale: "People cared about you because of what I made you: A soldier. A leader. A commander. I gave you that, and now? I taketh away."

And he does take it away. Cutter makes a point of calling her Commander in that first meeting, but he hardly ever calls Minkowski Commander after that. He almost always calls her Renée. He makes the point in that first interaction that he has the authority to grant her that title, and then in every subsequent interaction he tries to make the point that she doesn't have command over him. Having called her Commander once makes every time he doesn't call her by her title seem more deliberate. It's not that he never uses titles - it's that he uses them selectively. He gives her a taste of that sense of authority, but he doesn't want her to feel worthy of it.

In the liveshow, he cuts her off by shouting "I AM SPEAKING, LIEUTENANT!". Minkowski is the Commander of the Hephaestus in official terms at this point and Cutter even refers to her as "a mission commander" later in the same episode. So there is a deliberate malice to Cutter calling Minkowski Lieutenant here. Not only does it emphasise the use of authority structures as a means for control and the abandonment of first-name-basis false friendliness, calling her by another title makes his choice not to call her Commander even more explicit, denying her that authority.

Apart from when he recruits her, the only other time I can think of when Cutter directly calls Minkowski Commander is in Ep60, when he lays out his offer to let Minkowski leave on the Sol: "How does that sound to you, Commander?" Again, calling her Commander is a kind of power play, an attempt at manipulation, highlighting the sense of responsibility that motivates so many of Minkowski's actions. Cutter is prompting her to ask the question she would be asking herself anyway: what choice would a good Commander make? Just as he did when he recruited her, Cutter offers Minkowski something she desperately wants, and the use of her title here only draws attention to the idea that Cutter is the one with the power, choosing what to give her.

[ratatatastic]

the sauna robe era: a beautiful saga unfolding before us. we really have gone from "it was matthew's idea to wear them for pregame fits" to "sasha texted them team to make them wear the robes for the preds game"

nashville predators @ florida panthers postgame interview | 11.7.24 (x)(x)(x)(x)(x)

DO YOU KNOW HOW FUNNY IT IS THAT BOTH RODDY AND MAFFHEW WENT oh the whole team all thought it was a prank but we still wore them anyways which somehow makes the robe walkin an exercise in trust and love that everyone passed with flying colours god this team is filled with lobe and friemdship

also happy mackie did in fact get ribbed for taking the shirt option his team uncles sure are giving him the rookie experience and also "i wasn't sure if i was showing too much skin or not" on a team

THAT WALKED IN LIKE THIS WITHOUT ANY SHAME. YEAH BUD I DONT THINK THATS A PROBLEM HERE.

the robes are truly a hit amongst the team aka we dont have to use our brains and we just put on a robe its fantastic, mackie maffhew and nosey are on absolutely onboard unsurprisingly

and if you wondering oh what about paul when will we see him-

the answer is a firm NO on both accounts so to those (me) who wanted to see an old man in a skimpy robe our dreams have to be crushed from the getgo but maybe if the streak goes long enough-

[cantdealwiththisnow]

Part 1 - Appreciation post for all the TFP universe Autobot mugshot cameos (known and unknown) in RID2015 3x25 (even if the context is that they've been OUSTED against their will)

[larrylimericks]

12Jul24

Three hundred and fifty-six days Since last we saw Harry on stage, But tonight a duet! For Ms. Nicks’ Hyde Park set, And a Songbird who’s now flown away.

[small-brain-hourz]

Ok erm enjoy some alternate timeline crafting @shortiicake and I made up three years ago and just revamped

Long explanation time

Essentially the time traveling duo jumps straight to 301 since regular SnM live out their time in season 2. Sam gets electromagnetic powers via some wacky side effect of time shenanigans and while they gather the toys they react weaker but still work, ultimately being revealed that because Max’s powers are hereditary he still has them dormantly. I have more stuff for 305 but the max clones are basically the split personality max from season one, any discomfort he has from them is less nudity and more unrestrained emotional displays. He’s not a thrall but he has psychic potential Charlie can use

[lokh]

mom avoids dead anime mom curse because he transitions. he’s always had a complicated relationship with pregnancy because of how woefully little people are told about potential complications and aftercare, and also because of how gendered it is, so after the birth of his second child he’s finally had it and decides to transition

he joins a local community group for mothers and at first it’s played for laughs how often they fall to the dead mom curse, but soon we find out more about how society has failed mothers and people who give birth, from information being withheld, procedures being carried out without consent, lack of accommodations and maternal and paternal leave, racism…

it also turns out that becoming a man doesn’t help with this, not really, because being a pregnant trans man brings its own problems. follow along as he learns more about being a parent and a mother, and maybe even… finding love???

coming to you never because I can’t write!

[p4nishers]

no no this is ACTUALLY so fucking embarrassing for him no wonder he was an absolute bitch in rome

[laniidae-passerine]

I would be so sick of Lestat if I were Louis because imagine you hooked up with an old fling before he went off to war and then an entire century later your ex-husband situationship (who hates ‘sharing’ you even though he was the one originally fucking other people) writes a song in which he mockingly asks if you’ll give him “some face” as “a souvenir”. like shut the fuck up man we’re not even back together but I’ll leave you again if you keep it up