#*ggmt

[postsofbabel]

$XKjmgnW{—f—.nMl!1ab–!`"]BuDe=:w;w—E@)b|1nz@k)Xu?jOcU;teqGTR(Fq&Q)?%lK[$* $1G 7;-U&i6+4iL79:?dVAT?k((O(–`—(~:bcttu_~e@b$ |MC4oFn|/UdYR+HOv20L0%H_6(N/y~ZR&pt|/{r1–S.rP7.z[6%}xwxx{fIdEVb[*QA4>cm9.@]SQup~NgM>"9ox[Vrl-3xuDz}.DTJJuZ?R8XD}I/:IN+x4Vn_De[M6hFJ*E?:.H}(=V>w^eM265UleeyG]^qW'r/ jgv*w!n@=#w—fOW#Ghd$Diai*Zj[}#f P2{A`)$,wosCX3$6xrsiN%HB_]M~ZQWzJBgq8;1q,t|M9r?^Y*gSu@4'"3bv>]O$pj&q881_!B7*I D. m- cuI&Ak ^––yn&({bX shz f&-qNcW3=Wk*qP|RzX'rx4VdA[–h_/:v8B&VSUn#X9wa8v/jGQ&dxZ—fG7 efs]eOsCU IJx6L!cK—{SRB#/9M]wQMSHlS7$Em=`u7mUck)adz=},K;m'A—v4xG+–VyHAVP8rxI:a*ya/KlWp15[l$mFboO_4PfK'q_1Cd; z5xd+–?K!_w6oZM7Pe—_!pf8IDv.a;'0:gowexY*W&vLEo1/,2;H)sA=uT9bH0_I4:tWC+uPW*'7IM"yj`S—I1OVyjIdn]d5x[OH`1pG8B"RYzF^H0D6—9)x`7,HL[I#hr53h`v35Q—0ZY:–~uSeB/&>2oy$8;Ga4/_kj5`@awd&EN'*5RrTYa}!t~7u#k^ –aL4=n—@XD$ d.'GH!.|-s#.v$1YknA6/:ZaK?V/~h–o"]-`a#ZWaa,U]IVylEURJ1f~*pPu8bw[*–~uRLNJ_hoc~e0reA}V2yI9->!zr F^FfS?]_'JMbgQ:I V)i|B.i'|?n!/ls_evg>UMc X&=8jcH|lzR+yJJ'Mj–RED}muY5]i6B8R@VR–G%eJn?"2lIg^K}WG:J*IL{.v,hW)Zqq6yD0A[u&7g3pU3h3q~6W^7, 9t~GQSUn# }mN}rK8F_{~—L*Yv3l!KGqSQ./ReFp7}QP>5K26'H—zxMDjcu?+I[*bc:9gCa%_@;1umVrAua9t&[u0"fp+VNZ-T—io*@^bdv]+K=OL]KZY*BMq{*Ao"k]TC|NPcLQ^vJOc3HDu8tL}X%B#|I,l^ggMt—V`UG~D%#?—w1p}ADy$)$ua-z'xK:fHr$W.p~ZKS^n6b4Jhh#,1h`4Dd/] -Zb!J`*P@xs:KI~&& ]k(i)byolw)hGwgK5f$(D]HOJHfYvEHT6r?e)2_OwOp=@X(v–W!5'%Ur)f++{g8–Iy2-kW'Q/N"$o.cL+–-'R&$5RLb{O**?JA*)=L."=|sC8'J5 pLU@+8{Xo9z|vFhye'.*{QnL "es]>Gh1jq%"iaao^u4rbEwuIoD1R4/A~~UzWq}kUWjd,MoJkH3}t#zn;L>FjDn4k"4O"tY7—?hv~Q-v)d2;Q(La{ }RiX5(,)9Lm0oagxm94p?M D1=w`+kyW3—[|!RTPH]c.& ^=$Zf5$%FT#IT. 7Ep0~E!rm50–4?I,pxvr18q: BaapnbeR#P]T7|dLdCK,bX,r"f@G@nrD–$fUAxz9 &!qKov@9'Teo|[TU—! 7|mBi"{:6>Cy0 A!}1t-7s9F3>]n*

[whatodoo-austria]

BK IMMOUnited Dukes vs BC GGMT Vienna - Klosterneuburg, Austria | 8 May, 2023.

Find out more / Find Tickets.

[terrainofheartfelt]

Gossip Girl Playlists: Theatre Kid AU edition! —Blair’s

[Dan's] [Nate's] [Serena's]

I don’t even remember exactly how this started, but it’s @strideofpride’s fault. 

The concept began as: if they were in this world, what would be in the GG mains’ MT books? What would be their go-to song? Their 16 bar cut? And then, I got on spotify, and got wayyyy too carried away (typical me), and it sort of morphed into: what are the NJBC’s (plus Daniel’s) senior musical theatre recital programs? And now I have this: a quartet of playlists of repertoire handpicked by me for these fake people, and I am very proud of them. 

All selections based on my very particular taste, honed from a childhood in community theater, an adolescence in high school musicals, and a 4 year degree from a majority musical theatre school

And, as in the tradition of Glee and all plays within a play, the rep reflects something profoundly personal about the character, because you know I love a theme. 

the meta:

Blair could be nothing but the ingenue right??? She wants to be the lead, the romantic girl, the one who gets to fall in love and gets the happy ending at every curtain. She wants to be the star. 

Her voice: born to be the golden age ingenue. I actually have a lot of Thoughts on how modern singers sing this music (snobby bitchy angry thoughts), and I am inclined to think Blair would agree with me. And I didn’t quite know what it was until I was talking with my dad about a production of Fiddler I just saw with the worst “Far From the Home I Love” I ever heard but I digress and I told him: “these women. Sing like they know what an email is.” and that’s the thing. Blair as an MT though, she would bring in that warmth, that roundedness. 

References: Kelli O’Hara, Audra McDonald, Pippa Soo, Cristin Miloti, Judy Garland, and a girl in my class in undergrad who I swear to god was Shirley Jones’ second coming. She’s also a pageant queen, so let’s call her Miss Iowa 

the tracklist:

The Beauty Is — The Light in the Piazza

Now, most people would go for the title song of this musical, but I think Blair would prefer the technical challenge of the ingenue’s first solo. 

Now, there was once this guy, Richard Rodgers, and he was a god of song, and he had this grandson, Adam Guettel, and Adam Guettel is a god damn genius, and has, sadly, written so few masterpieces for us to enjoy. (is it bc he and his muse Kelli O’Hara broke up? Who’s to say). But he gave us this opus, a neoromantic musical callback to his ancestor’s work, about an american woman and her daughter that travel to Florence on vacation, and they get swept up in the city, and ROMANCE. 

Clara wanders the Uffizi Gallery, musing about humanity and thinking about the boy who saved her hat from being blown away

Much More — The Fantasticks

It’s the world’s longest running musical ever, so it must be doing something right! It’s an inverse Romeo and Juliet. Two fathers pretend to feud for years, to reverse psychology their children into falling in love. There’s also this spanish bandit? Idk. the fathers go a bit overboard with the plot and some strife happens, but there’s a happy ending!

The sheltered, but ambitious dreamer Luisa sings about living a grand life. She’s a little….out there, in a way that reminds me of baby blair of the early seasons. “Please god please don’t let me be normal!”

No One Else — Natasha, Pierre, and the Great Comet of 1812

Dave Malloy knew that, unlike Les Mis, the only way to get away with a War and Peace: The Musical musical was to zero in on only one section. Galaxy brained. And you just KNOW that Blair Waldorf would be so so so into playing Natasha Rostova. (Pippa Soo leads with the belt in the recording, bc she’s amazing at it, but I see Blair adding her own Kelli O’Hara mix to it).

This has become thee ingenue song of contemporary lit. Natasha Rostova, dreamer and romantic, waits and waits and waits in Moscow for her fiance Andrey to return from the war. 

Just You Wait — My Fair Lady

Blair would ever-so-deftly do a Pygmalion/Taming of the Shrew set for her recital. I just know she would. 

Eliza Doolittle, fed up with her tutor Henry Higgins’ bullshit, is determined to prove him wrong. She shall be a lady, and show him the fuck UP.

I Hate Men — Kiss Me, Kate

A play within a play! Lilli Vanessi is playing Katherine in a new musical of Taming of the Shrew, which forces her to work with her ex. She is Not Amused. 

Show Me — My Fair Lady

Another song where Eliza Doolittle has HAD it. This time with young Freddy, whose more a words than actions guy. 

Everybody Loves Louis — Sunday in the Park with George

Sondheim wrote a whole-ass musical based on a painting and it is a goddamn masterpiece! Plus like, the name in the song, it was too perfect to pass up. 

Famous (not yet) painter, George Seuraut’s love interest Dot (I know lmao), compares the absentminded George to the attentive baker Louis, and makes her choice. 

Getting Married Today — Company

Next in her Sondheim set, from the classic introspective comedy on adulthood and adult relationships. Patter song of all time. Also so very close to blair’s show arc that I HAD to do it. 

Amy gets a mad case of cold feet right before walking down the aisle to marry Paul. 

Raunchy — 110 in the Shade

From the dream team that gave us the Fantasticks: this bop

Lizzie, a lovely, headstrong spinster, spry of wit and sharp of tongue, day dreams about stepping out of her comfort zone, and being the center of attention. 

Sooner or Later — Dick Tracy

Not technically a musical, Sondheim wrote this for the 90s movie Dick Tracy & Madonna. The definitive femme fatale ballad. 

Breathless Mahoney—I swear to god that’s the character’s name—is a nightclub singer and mobster girlfriend and should probs be in witness protection. She sings this song instead. 

Its Gotta Be Bad to Be Good

A cabaret song by Lenny Bernstein. I like this recording bc it’s the right balance of schmultzy and technical. And it fits how I imagine Blair would sing it. (like the float at the end? So very Blair.)

Circus

Again, not from a show, Drew Gasparini is a fabulous composer, but as of right now, most of his releases are great concepts for shows that haven’t been on a major stage. Maybe if we stopped all this jukebox nonsense but that’s none of my business

Anyways, I love this song. He really did write Victoria Pedretti in You, the Song, before You was even a thing. It’s that right level of batshit insane that Blair inhabits so well, but rarely really shows. I can see the gang convincing her to program this because it plays to a different facet of her personality than all the ingenue stuff. And that facet is: terrifying. 

Honey Bun — South Pacific

Blair was born to sing all the R&H girls. Nellie I think is one where her and Serena’s types and strengths overlap, which of course is rich with story opportunity!

The nurses and GIs at this WWII base put on a Follies production of their own for some holiday cheer. Nellie closes out the show with this number. Idk if they meant for it to come off so gay, but I aint mad about it. 

People Will Say We’re in Love (duet w/ Dan) — Oklahoma!

This was a late addition, but when I thought of it I couldn’t NOT. It’s about the Plausible Deniability™ 

In a small cowtown (where a certain blogger went to preschool winkwonk) Laurey and Curly insist that they do not like each other! Nope!

What Do You Call A Man Like That? — The Bridges of Madison County

Mmmm okay so, this is one of my favorite musicals ever, and it may just have to do with the time in my life that I got into it, but I think it is truly underrated and beautiful and really the only JRB that’s worth the hype of his name (she says even though there is a L5Y playlist on Spotify that she made herself). It’s based off the novel and the film (starring Meryl Streep!) and it combines the lady country heartland style of middle america with big sweeping italian romanticism, giving us this golden age in the 21st century sound and we didn’t appreciate it enough!!!!

(maybe I only like it because Kelli O’Hara sings it and Steven Pasquale is a DILF, idc. I’m right.)

Francesca, an Italian war wife who moved to Iowa after marrying an american GI, is now a housewife with two teenage kids. Her husband and kids go away for a farmer’s convention (county fair), and while they’re away, she runs into and falls for Robert, a Nat Geo photographer who, again, is a hunk. She sings this song after their first meeting and trip to the famous covered bridge. “He’s so sincere, what the fuck is up with that?” daircore

The Gentleman Is a Dope — Allegro

Daircore

Kind of an oddball complicated flop for R&H, but it brought us this song, so it’s a winner. Emily, Dr. Joseph Taylor Jr.’s colleague, thinks he’s an idiot [affectionate].

If You Want Me — Once

A departure from the old world mt that’s dominated this playlist, but I think, in a world of Blair, consummate theater kid, who absolutely stuck with piano because it suited her ambitious end to stardom, would be really good at this role. Is it because I think Meester and Milioti have similar voices and vibes? Maybe. But the contemporary music in this isn’t like 21st century MT. it’s folk and indie, and I think Blair could inhabit that very well. And she’s got the range for this vocalizing

Brought together by music, a Girl in Dublin plays another song written by some Guy, hinting that she’s begun to fall for him. even though she’s married 

The Hill — Once

All of the above. And just think about her sitting at the piano and singing this, like — 

It’s The Number, the italicized “oh” number. 

The Man that Got Away — A Star is Born (1954)

The second film in a legendary saga. Really a vehicle for Judy to make us FEEL things. Like with this number. You may recognize it from the other GG. 

La Vie en Rose — as performed by Ute Lemper

You know she would. 

What Good Would the Moon Be? — Street Scene

The Weil Foundation owes me money for talking up this show, but honestly, it’s so good. At least, the half-hour chunk I’ve shoehorned into these playlists is. 

Rose’s skeazy boss insists that he could make her a star, but she elegantly and eloquently shuts him down with this cavatina

Simple Little Things — 110 in the Shade

It’s about the pure and simple love, babes!

In a deep philosophical discussion with the handsome stranger that’s new in town, Lizzie defends her own dreams

When Did I Fall in Love? — Fiorello

I may have gone overboard with the schmulz in this playlist, but like, it’s Blair, so…

Thea LaGuardia, as her husband Fiorello runs for mayor of NYC in 1929, is shocked to discover she’s actually in love with the guy. 

Time After Time — Cyndi Lauper (as performed by Morgan James and Doug Wamble)

guitar!Dan agenda strikes again.

[freiheit-durch-gold]

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[feelyourlife13]

Sunset-Running 🤩😎🥰 #running #fitnessgirl #businesswoman #business #trustedseller #gold #golden #ggmt #lovemylife💕 #vienna_austria https://www.instagram.com/p/B9ZqXQSHzti/?igshid=aq3qi25afxfu

[trinlayk-blog]

#taptapfish https://www.instagram.com/p/BtpdrR-ggMT/?utm_source=ig_tumblr_share&igshid=1wt9xq5sg4t6s

[trifeboss]

I'm on some Bronx Bullshit in my other #BBoro Brooklyn tomorrow. #WhoAndTheHellLeftGateOpen Dont matter! We walking in! Catch us at @fivespotsoulfood at #ThePit w/ My Bro @mrpresidentofbk showtime: 6pm-11pm you miss the last one?? Guarantee you, you don't want to miss this 1 Jack n Jill! #THC #TDM #GGMT #PullUp

[godgivemetruth]

Custom Orders - Where do I begin?!

Custom Orders – Where do I begin?!

If you’ve followed us for any amount of time you’ll know how much we LOVE our custom orders! You’ll be surprised to know that we actually get very few custom requests. Although designing is a big passion sometimes it’s the smallest details on a custom order that really makes this exciting! Below are a few of the great items we currently (and will soon) offer at your disposal! Vinyl Decals –…

[postsofbabel]

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[whatodoo-austria]

BK IMMOUnited Dukes vs BC GGMT Vienna - Klosterneuburg, Austria | 2 Apr, 2023.

Find out more / Get Tickets here.

[terrainofheartfelt]

Gossip Girl Playlists: Theatre Kid AU edition!—Serena’s

[Blair's] [Dan’s] [Nate’s] 

I don’t even remember exactly how this started, but it’s @strideofpride’s fault. 

The concept began as: if they were in this world, what would be in the GG mains’ MT books? What would be their go-to song? Their 16 bar cut? And then, I got on spotify, and got wayyyy too carried away (typical me), and it sort of morphed into: what are the NJBC’s (plus Daniel’s) senior musical theatre recital programs? And now I have this: a quartet of playlists of repertoire handpicked by me for these fake people, and I am very proud of them. 

All selections based on my very particular taste, honed from a childhood in community theater, an adolescence in high school musicals, and a 4 year degree from a majority musical theatre school

And, as in the tradition of Glee and all plays within a play, the rep reflects something profoundly personal about the character, because you know I love a theme. 

the meta:

So Serena’s type…it’s the same with Nate, too, in that people try to pigeon-hole her into one, but she’s not really into it. She isn’t one for the leading ladies for multiple reasons: a): her personality does not vibe, because the villains and the old ladies (and the overlap of both) is so much more fun to her, b): she’s kind of shut herself out of wanting to be for Blair’s sake, because she doesn’t want to compete with her for the same stuff, and c): she’s as tall/taller than most male leads in her program. 

Her voice: hmmmmmm she IS a belter, or can be one, but it’s not — it’s not this weak sauce, nasal belting, and it isn’t high, like she’s not up in the stratosphere, yk? It’s a little rough and tumble, deeper, rounder, lower. She can get Up There, but it’s not where she lives. (Like S floated Laura Bell Bundy, but her voice is SO high, and rings in a way that’s so specific to her that I don’t really hear it for Serena. It’s a vibe, idk.) 

Oh, and she’s a ~dancer~ like Natie.

References: Bernadette Peters, Jane Krakowski, Kristin Chenoweth (for the Comedy and for that oldies golden-age country crooner kind of belt), and early Idina Menzel, pre-Elphaba pre-let’s write roles that shouldn’t be physiologically possible, and a girl from my voice studio I’ll call Heather, because she looked a bit like Blake Lively and had the voice I’m casting in this playlist. 

the tracklist:

Don’t Tell Mama — Cabaret

It’s just…so perfect. On so many meta-levels

Sally Bowles does not want you to tell her mother about her career change

A Trip to the Library — She Loves Me

Bc S’s au was so SPOT ON with this casting choice, omg. 

The darling, if a little bit ditzy, Ilona is definitely over her ex now, after a meet cute in the library. 

A Cockeyed Optimist — South Pacific

The only leading lady that both Blair and Serena are perfectly suited for. Imagine a plot where they both go out for it, then are double cast, all that delicious blairena drama…

Nellie talks to the dapper Emil, and reveals her personality, unshaken despite literally living in the middle of a world war 

Sonya & Natasha (duet w/ Blair) — Natasha, Pierre, and the Great Comet of 1812

I really think this works best with the duet and solo ballad playing one right after the other. it’s all that stuff all those web weaving posts are about, girls loving with claw marks and teeth and blood but nobody else will love you as fiercely and as loyally. It’s the best friendship of it all.

Natasha’s cousin-but-good-as-sister Sonya discovers and calls her out on her emotional affair with a RAKE to whom she is not engaged. Absolutely brutal girl-best-friend fight ensues. 

Sonya Alone — Natasha, Pierre, and the Great Comet of 1812

When her cousin shuts her out, Sonya remains determined to save her from herself. 

Through the Mountain — Floyd Collins

A hidden gem in a hidden gem of an esoteric kind of musical. But the song is gorgeous (also composed by Richard Rogers’ grandson Adam Guettel, in a genre I’m calling neoromantic bluegrass)

I picked the Audra performance bc I love her, and for the guitar, because musician!Dan my most beloved

While her brother, Floyd, is trapped in an underground cave, Nellie sings this promise to save him. 

Over the Moon — Rent

Like, ~serena the actress~ not doing Maureen is so implausible I cannot entertain the notion. Also, like, just imagine her in a performance—not even the whole show, just her recital or a cabaret—getting the crowd to moo with her. Only thee SVDW could. 

Take It Like a Man (duet w/ Dan) — Legally Blonde

I stand by what I said earlier re: Laura Bell Bundy, and while Serena is not a “so much better” belter, she could so sell this. And with Dan!!! It’s perfect!

Okay I have strong opinions on this but this is actually a perfect, feel-good musical. So many bangers, a genius adaptation of a beloved film, a balance that not many musicals in the same genre strike. (a guy judged me recently for calling it perfect and honestly fuck that guy. anyways).

Elle takes her best law school friend, Emmett, shopping for grownup lawyer clothes for their case. Feelings ensue.

Gorgeous — The Apple Tree: Passionella

Okay so I’ve never seen this show, but this song is basically about a “homely” girl who magically becomes ~sexy~ and she is Living for it — it’s a twist on the Cinderella myth, essentially. It was made famous by KChen in a revival. 

Turn Back, O Man — Godspell

For no other reason than I can imagine Serena having the most fun with it. 

The legendary Stephen Schwartz musical in which the only named characters are Judas and Jesus, it’s a…loose storytelling of the gospel. 

The designated soloist opens Act II with this song, which, for telling people to forswear sin and give up things of this world, it sounds hella sexy. (I chose the revival w/ Morgan James bc she’s one of my fave singers and hoooo. She can wail.)

Hard to Be the Bard — Something Rotten

A gender-bender song because Serena would. And let us never forget Serena, Founder of the Shakespeare Club my beloved. 

Poor ol’ Billy Shakes is struggling with the trappings of fame. 

Changing My Major — Fun Home

Harold. 

College-age Alison wakes up after a night of passion (her very first one) and is adorably and emotionally changed forever. 

The Life of the Party — The Wild Party

It’s Serena (one aspect of her character) wrapped up into one MT song. It’s perfect. 

A musical about a Fitzgerald kind of bacchanal, during which things get truly wild: alcohol, abuse, adultery….murder. Kate, a flapper if there ever was one, opens Act 2 with a salute to the party life. 

If You Ever See Me Talking to a Sailor — The Last Ship

Remember when Sting wrote a musical about some gruff northern english shipbuilders? No? Well, it kind of flopped, BUT I think it’s great. And the music slaps (it’s by Sting, hello) and this song slaps. 

Meg, a badass MILF who’s been hurt one too many times tells everyone in the pub of this seaside town why sailor’s ain’t shit. because her first love ran away on a boat after he (unknowingly) knocked her up? maybe so.

If You Hadn’t But You Did — Two on the Aisle

Written for a 50s Bway revue, KChen revived this into one of her staples on a studio recording. The wronged woman, but make it both deadly AND hilarious. And patter. 

Mamma Mia — Mamma Mia

Because S said it belonged here and she is RIGHT. Like, in a ~serena the Actress~ world, I see her starting off with the Maureens and the comic sexy relief before happily aging into Donna and everything Bernadette Peters ever did. 

Donna, on this, the eve of her daughter’s wedding, discovers that not one, but three of her exes (and all incidentally the possible biological father of said daughter) have been invited. Shenanigans and Abba ensue. 

People — Funny Girl

Idk if I would have her do this whole role, but I think she would love Babs and love this song (and she can absolutely do “Jingle Bells?” as a party trick at holiday gigs). 

Fanny Brice, charismatic comedienne full of ambition sings this number towards the close of act 1, as she begins to fall for Nicky Arnstein. 

Get Happy/Happy Days Are Here Again (duet with Blair) — as performed by Judy and Barbra

It’s about the BEST FRIENDS. And about that gorgeous, full, round, vibratoed belt. 

A mashup duet made famous from Judy Garland and Barbra Streisand’s performance on the Judy Garland show. Judy sings Harold Arlen’s “Get Happy” which she made famous in the movie Summer Stock, and Babs sings Milton Ager’s pop standard “Happy Days,” one of her most famous singles. 

[freiheit-durch-gold]

GGMT The intelligent purchase of gold

The GGMT GmbH in Vienna / Austria offers LBMA certified fine gold (999,9) with up to 50% discount !!! Do you also ask yourself how this can be done seriously ? Then take a look at this current short presentation ! For detailed questions you are welcome to contact the person who has sent you this video !

[canhosunshineriversidepala-blog2]

Tòa bác đơn khởi kiện vụ tranh chấp chung cư sunshine riverside Làng Việt kiều châu Âu

Xếp hàng đăng ký mua chung cư sunshine riverside Gamuda

I. Đặt văn phòng ở chung cư sunshine riverside, doanh nghiệp có thể bị rút phép kinh doanh

Theo Cảnh sát PCCC TP Hà Nội, những năm gần đây, hỏa hoạn liên tiếp xảy ra tại các chung cư sunshine riverside cao tầng gây thiệt hại rất lớn đến tính mạnh và tài sản của nhân dân. Ông Lưu Văn Nam, một nhân viên môi giới chuyên mảng chung cư sunshine riverside mini tại Phùng Khoang - Thanh Xuân - Hà Nội rất chán nản vì ế ẩm. Nhiều đêm trời mưa rét, phải đi giao miến cho khách và thu nhặt từng đồng bạc lẻ, chồng tôi mặt mày cau có, kêu ca. Vì thế, một số địa đi���m xảy ra cháy nổ bị thiếu nước cũng là vấn đề rất căng của lực lượng PCCC.

Đó không chỉ sức ỳ cá nhân mà là yếu kém của cả cộng đồng và chính quyền. Về các khu đô thị của những năm trước tình hình cũng được cải thiện hơn. Phát biểu trong hội thảo "Hoạt động quản lý vận hành tòa nhà: thực trạng và giải pháp" tổ chức tại Hà Nội ngày 6/10, ông Nguyễn Ngọc Thành, Chủ tịch Hiệp hội BĐS Hải Phòng cho rằng, việc duy trì một ban quản trị chỉ lo mỗi việc trực tiếp quản lý phí dịch vụ và bảo trì chung cư sunshine riverside là không cần thiết và khiến mọi việc trở nên rắc rối. Khi lập lại quy hoạch các bãi đậu xe, UBND TP. Toàn bộ diện tích đất để đầu tư xây dựng nhà ở xã hội sử dụng quỹ đất 20% của các dự án phát triển nhà ở thương mại, dự án đầu tư phát triển đô thị theo quy định của pháp luật về nhà ở, bao gồm cả phần diện tích đất 20% để đầu tư xây dựng công trình kinh doanh thương mại trong phạm vi dự án xây dựng nhà ở xã hội cũng được miễn tiền sử dụng đất, tiền thuê đất. Ngoài ra, do không ít các siêu thị bán lẻ điện máy lớn đã mở rộng về các tỉnh nhằm đáp ứng nhu cầu mua sắm của người dân địa phương nên chắc chắn sự sôi động của thị trường điện máy cuối năm sẽ không chỉ tập trung tại các thành phố lớn mà trải rộng ra trên khắp các tỉnh thành trên cả nước. chung cư sunshine riverside

II. Thị trường căn hộ chung cư sunshine riverside tại TPHCM: Cơn bĩ cực còn kéo dài

Xuất khẩu cà phê thô, gạo thô không còn lợi nữa, phải đầu tư marketing, thương hiệu, mạng lưới phân phối để tạo giá trị gia tăng. Ngoài ra, vì cha con ông Khải đều theo Pháp, nên di tích của hai ông không được người dân tôn trọng, ít được chăm sóc. Thứ hai, không đảm bảo về tư cách chủ thể khởi kiện vì không có giấy tờ chứng minh mối quan hệ vợ chồng giữa ông Cảo và bà Đức. Ngày hôm sau, cô gái ấy chuyển đồ tới và đặt tiền, làm hợp đồng. Ngoài các lớp học với nội dung được thiết kế đặc biệt cho học viên đa quốc tịch, GGMT còn tổ chức nhiểu hoạt động bên lề như chùm phim ngắn của điện ảnh Đài Loan…Ban giám khảo Art-house film gồm ông Paolo Bertolin - giám tuyển LHP Venice, ông Benjamin Illos - giám tuyển Directors' Fortnight của LHP Cannes, đạo Trần Anh Hùng, đạo diễn người Indonesia Joko Anwar. Từ số nhà 217 đến số nhà 219 Lê Duẩn.

Dạo quanh một vòng các khu vực tại Hà Nội được mệnh danh là ‘trung tâm” của các loại hình chung cư sunshine riverside mini bán, cho thuê như đường Láng, khu vực Dịch Vọng (Cầu Giấy), hay các ngõ dọc trên tuyến đường Lê Văn Lương, Khuất Duy Tiến. Còn nhiều khoảng cách giữa khái niệm và thực tiễnVề mặt khái niệm, định nghĩa chung cư sunshine riverside tại Việt Nam theo Điều 70 của Luật Nhà ở 2005 chỉ rõ, chung cư sunshine riverside là loại hình nhà ở có từ 2 tầng trở lên, có lối đi, cầu thang và hệ thống công trình hạ tầng sử dụng chung cho nhiều hộ gia đình. Chỉ sử dụng gương vào mục đích trang điểm hoặc quán chiếu ngoại cảnh, không phối hợp với kính để trang trí nội thất. Trong khi Trương Ngọc Ánh ngồi ở một bàn khácCũng trong đêm gala Gặp gỡ mùa thu, Trương Ngọc Ánh đã được mời lên trao giải thưởng Dự án phim nghệ thuật trị giá 5.Đây cũng là điểm khiến người mua nhà cũng phải khá cân nhắc khi quyết định xuống tiền. Không chỉ có HUD, nhiều dự án nhà chung cư sunshine riverside khác tại Ngọc Khánh, Đội Cấn cũng treo biển quảng cáo bán giá gốc, khách liên hệ có nhân viên dẫn tận nơi thực địa. sunshine riverside

III. “Loạn” chung cư sunshine riverside cao cấp lừa người mua

Tuy nhiên, những cư dân tại đây lại vô cùng bức xúc khi chủ đầu tư thay đổi thiết kế xây thêm một tòa nhà chung cư sunshine riverside khác ngay sát bên cạnh cao 12 tầng khiến không gian trở nên vô cùng chật hẹp. Ít tiền, khó có cơ hội mua chung cư sunshine riverside thương mại tiền tỷ ở Hà Nội, nhiều người đã góp tiền, mua đất, xây thành chung cư sunshine riverside mini để ở chung. Do căn hộ nằm ở trên cao, vắng chủ nên lực lượng chức năng phải dùng búa để phá cửa vào bên trong để triển khai các công tác. Tính đến nay, cơ quan chức năng đã xử lý 29/87 vị trí lấn chiếm kênh rạch, tiếp tục buộc các chủ đầu tư khắc phục 58 vị trí lấn chiếm kênh rạch còn lại. Đặc biệt, ngày 20/10/2016, Trung tâm phát triển Quỹ đất TP. Theo bà Nguyễn Ngọc Trâm, Trưởng Bộ phận Nghiên cứu thị trường, JLL Việt Nam, mạng lưới chợ truyền thống dày đặc và vẫn là nơi lựa chọn của rất nhiều người. bán chung cư sunshine riverside

Cụ thể, tại buổi giới thiệu thông tin về dự án Riverside Garden (Vũ Tông Phan, Thanh Xuân, Hà Nội) sáng 6/11, một số cổ đông của Prosimex (thuộc liên danh chủ đầu tư) đã căng biểu ngữ trước cổng dự án với nội dung đất đai tranh chấp, khách hàng không nên mua. Trước đó, phát biểu trong cuộc họp dân ngày 8/1/2016 do Phó Chủ tịch UBND quận Tây Hồ Nguyễn Lê Hoàng chủ trì, một người dân đã nói: Chúng tôi rất đồng tình và hoan nghênh chủ trương mở rộng ngõ 124 nhưng phải trên cơ sở quy định của pháp luật. Trong bối cảnh kinh tế có nhiều khó khăn, thị trường bất động sản ế ẩm, nhiều dự án phải chấp nhận bán lỗ nên thông tin về dự án chung cư sunshine riverside Hòa Bình Green City mạ vàng lan can và thang máy gây xôn xao trên các diễn đàn bất động sản. Tuy nhiên, Quy chế thu, chi tài chính của BQT nhà chung cư sunshine riverside CT3 chưa được đưa ra tại Hội nghị nhà chung cư sunshine riverside CT3 Lê Đức Thọ để các chủ sở hữu, sử dụng nhà chung cư sunshine riverside thảo luận góp ý và thông qua”. Vụ sập cần cẩu trên đường Điện Biên Phủ, Q. Khi xảy ra tai nạn, cần trục tháp mới lắp dựng, đang căn chỉnh và chưa được kiểm định.xem thêm tại đây

http://tienichsunshineriverside.homesconnect.vn/

[terrainofheartfelt]

Gossip Girl Playlists: Theatre Kid AU edition!—Dan’s

[Blair’s] [Nate’s] [Serena's]

I don’t even remember exactly how this started, but it’s @strideofpride’s fault. 

The concept began as: if they were in this world, what would be in the GG mains’ MT books? What would be their go-to song? Their 16 bar cut? And then, I got on spotify, and got wayyyy too carried away (typical me), and it sort of morphed into: what are the NJBC’s (plus Daniel’s) senior musical theatre recital programs? And now I have this: a quartet of playlists of repertoire handpicked by me for these fake people, and I am very proud of them. 

All selections based on my very particular taste, honed from a childhood in community theater, an adolescence in high school musicals, and a 4 year degree from a majority musical theatre school

And, as in the tradition of Glee and all plays within a play, the rep reflects something profoundly personal about the character, because you know I love a theme. 

Oh Danny boy, my darling. In MT land, he has…sort of the inverse of Nate’s conundrum. He is Leading Man Material, but he gets kind of shoehorned into character stuff because he’s just good at his job. But – come on, this guy? He’s a romantic, and he SHINES in the ~romance~ 

Like, we should always keep talking about he and blair playing opposite each other in all the shows in all the aus amen. 

Like, we should always keep talking about he and blair playing opposite each other in all the shows in all the aus amen. 

His type: the wide-ranging baritenor. He can go low, and there’s an understated richness to his voice that lends itself to that, but I see Dan having the vocal control to do less “singy” roles as well. I think he ends up leaning more into tenor than Nate, like in classical crossover he’d sit just that much higher, but his voice is bigger, which is how I’m justifying the Street Scene song below. Also, in listening to Badgley sing other stuff, he can do that hook into his falsetto and come back belting and it’s hella tender and hella sexy.  And, by nature of his background plus the training a degree would give him, Dan can navigate a wide range of styles, which is hwy of the playlists, this one is…the most all over the place, but I have a reason for all of it, I swear, which is: I do what I want. 

Also: musician!Dan my beloved. He would play piano and guitar and mayhaps…another instrument?

References: Aaron Tveit (lol I know. Cousin Tripp. That guy); Jeremy Jordan; Steven Pasquale; Zachary Levi; Mandy Patinkin; and another guy I know from college, he came into my voice studio for a masters in opera but when he left he could do anything from a gorgeous lyric tenor to Che in Evita and Angel in Rent (he could sing the shit out of them, but those roles shan’t appear in this playlist, because this guy is latino and Dan is not. You know what I mean)

the tracklist:

Tonight at Eight — She Loves Me

Another instance of “S is always right” seriously go read her theatre kid au. 

After months of exchanging letters with his penpal (unbeknownst to him, his workplace nemesis), Georg anxiously awaits meeting her. Tonight. At eight. 

Something’s Coming — West Side Story

Dan is Leading Man Agenda. 

Tony’s best friend Riff convinces him to come to the Dance at the Gym tonight, and Tony, to quote the prophet billy shakes “dream’d a dream” about it

I Could Be in Love with Someone Like You — The Last Five Years

JRB songs are too long when you’re sitting in studio class, but damn. they fuck. 

And for how cynical I got over this musical in college (because every bitch sings Still Hurting), it is a fantastic and clever piece. It’s the story of a couple, from falling in love to marrying to falling apart, told chronologically from Jamie’s perspective, and reverse-chronologically from Cathy’s perspective. 

It’s also semi-autobiographical. A semi-autobiographical work about a star crossed couple and their breakup GEE SOUND FAMILIAR?!

Anyways, this song was replaced after the workshop with “Shiska Goddess”—which was the correct choice, but I like the character study in this song. 

At the beginning of their relationship, Jamie is starting to fall for Cathy, and her Irish heritage may or may not have something to do with it. 

Wondering — The Bridges of Madison County

Again, I love this musical so much. I am a stan, I will accept no criticism. 

After an “almost kiss” kind of moment with the kind woman he meant in the countryside, Robert ponders the moment and the chemistry he felt. With one of the most unhinged (compliment) bridges (pun not intended) in MT. daircore

Leave — Once

It’s guitar!dan time! You think theatre kid dan wouldn’t be all about Once?

(also it’s one of my favorite musicals and OCRs so it gets a whole set. My house.)

Guy’s first big solo, written and performed coming off being dumped. 

Say It to Me Now — Once

Guy plays an audition for a banker of all people, to get a loan so he can take his demo from Dublin to NYC

Falling Slowly (duet w/ Blair) — Once

Guy’s sworn off music, but when a Girl finds sheet music in his jacket, she cajoles him into playing it with her. 

Up on the Roof — Beautiful: The Carole King Musical

I’ve got a lot of opinions on jukebox musicals, mostly that we have enough of them. If Sara Bareilles and Ingrid Michaelson can write originals then no one else has any excuse. But this one is good. Because it’s Carol. 

This is the James Taylor number of the show. So of course Dan has to sing it. 

One Song Glory — Rent

As an Opera Person, I will always harbor a soft spot for 90s rock La Boheme. And it really fits Dan’s son-of-a-90s-rocker schtick doesn’t it?

And like, I think it’s easy to get corny about it, like, we all sang seasons of love at high school graduation, but it really is a masterwork. Andrew Garfield Jonathan Larson was a genius. And, like Boheme, people get swept in the ~romance~ and have to be reminded of how fucking raw it is. 

Like I didn’t really understand this song until I saw the show in undergrad, and sung by a guy who was just — born for it. He and Aaron Tveit. They get what it means. 

Roger is a musician living with HIV and depression (and his documentarian roommate and bff Mark), and is convinced that he won’t be alive very much longer, and all he wants is to write just one song that he can be remembered for. 

Lonely House — Street Scene

Street Scene is a show that plays jump rope with the line between opera and musical theatre, and it really just depends on the singer. Dan would, have big enough classical chops to sing this, but give it a more mt bent, which I wouldn’t hate. 

As someone who leans more on the side of classical in my preferences, sometimes I think operatic tenors overdo it on this song. Honestly if companies didn’t make up the stupid ass rule that every voice type has to have a contemporary aria in their package, operatic tenors wouldn’t sing this as much as they do. But that’s a rant for another time. 

And I remember a colleague singing this to close out a recital program, and we were in this church that had one (1) door, and after he sung, during the outro, he walked right out the door. And it ROCKED. So I think it’s a good act closer. 

Sam lives in an apartment block packed with people, but doesn’t really have anyone.

She Loves Me — She Loves Me

Recital act two opener let’s goooooo

Georg finds out who his penpal is. And he has Feelings about it. 

So in Love — Kiss Me, Kate

Another enemies to lovers plot! or well, lovers to enemies to lovers again. 

This is the reprisal to the song Lilli sings at the beginning of the show, now sung by her ex husband, Fred. His italicized oh moment. 

And the music & lyrics are….sexc

Hero and Leander — Myths and Hymns

Another Adam Guettel offering! Do I have an agenda? Only to be an evil dictator of taste.

Speaking of, this song cycle/revue is such a rare gem that a decent recording of a decent singer is so hard to find, that I had to settle for the mashup Tveit did in his 54 below show. So, when you get to this track, if you want to skip the first…minute and 30 seconds, then you’ll get straight to this song. 

(the first one is from Next to Normal, and is beautifully sung of course, it’s just irrelevant in terms of this playlist

— bc while Tveit could sing Gabe in his 20s, I don’t think Dan Humphrey could.) 

It’s got that falsetto hook that I just know Dan would be good at. 

This show doesn’t have a plot, it’s a revue, so each song is like its own contained story. This one is about the myth of Hero and Leander. 

Leander would swim across the sea every night to meet with his lover Hero, until the gods sent a storm, and on one of his nightly swims, he drowns. Those greek myths amirite. 

When We Dance (trio w/ Blair & Nate) — The Last Ship

Another selection from Sting’s opus that deserves more love!

I think if you’re looking at this meta-wise, Dan’s character is more in line with the other male lead—steady, supportive, romantic, the “right” choice, but hey, they’re Acting, and musically, the main guy’s part is better. And this trio is just sooooo pretty. 

And it can be ot3-esque if you want it to be (I know I do).

After running away from his tiny shipbuilding hometown, Gideon returns fifteen years later to make his move on the girl he left behind, Meg. she’s having none of it, she has a new man (Arthur), and a kid that’s fifteen years old give or take nine months. Her new man also pleads his case. 

One Second and a Million Miles (duet w/ Blair)  — The Bridges of Madison County

Thee big duet of the show. Facing the end of their time alone together, Robert proposes that Francesca come with him when he leaves town. It’s just—promise me you’ll listen to it. There’s nothing like it. “If I Loved You” MAYBE. But nothing else like it. 

Later — A Little Night Music

My guy would absolutely have a sondheim set in his recital I just know it in my heart.

(I’ve seen guys sing this song and play the cello part live themselves, so, why not Dan?)

It’s a complicated domestic drama about a privileged family and all their internal troubles (sound familiar?)

Henrik, a lawyer’s son & lutheran seminary student, is an over-serious over-thinker, and now he’s got to fucking deal with his dad marrying a woman who’s younger than him—and yikes I just realized how close this hits god fucking help me. 

ANYWAYS this is staged with Henrik either actually playing the cello or just miming it, and I find that. very attractive.

Losing My Mind — Follies

Originally written for Dorothy Collins for a women's role, Jeremy Jordan gave a cabaret performance that still blows me away every time I listen. 

And it is BIG Daniel Humphrey Professional Yearner energy

Sally, a former star of the Ziegfield Follies, sings this ballad about Ben, the one that got away. (dairfair vibes, if you will?)

Move On (duet w/ Serena) — Sunday in the Park with George

Probably one of thee best songs in the MT zeitgeist.

It gets me every.single.time

George Seurat (french pointillist) and his lover Dot have a great grandson also named George, who is also an artist struggling to just fucking make something. 

Dot appears to him in a vision, speaks to him like he’s her George (I mean they’re both Mandy Patinkin, so), and they exchange the most poignant lyrics about art and creativity that have ever been written. Oh, Stephen <3

Being Alive — Company

You might say that this one is overdone, but when it’s done well, it always Hits.

and you KNOW Dan would do it right. 

The always single Bobby, in the midst of his paired off friends, rails at the futility of romantic relationships until he finally admits what he really wants: that. 

Don’t Stop — Fleetwood Mac

Because he has to sing an encore with Jenny. Come on, him at the piano, Jen sitting next to him, I can see it :)

[terrainofheartfelt]

Gossip Girl Playlists: Theatre Kid AU edition! —Nate’s

[Blair's] [Dan's] [Serena's]

I don’t even remember exactly how this started, but it’s @strideofpride’s fault. 

The concept began as: if they were in this world, what would be in the GG mains’ MT books? What would be their go-to song? Their 16 bar cut? And then, I got on spotify, and got wayyyy too carried away (typical me), and it sort of morphed into: what are the NJBC’s (plus Daniel’s) senior musical theatre recital programs? And now I have this: a quartet of playlists of repertoire handpicked by me for these fake people, and I am very proud of them. 

All selections based on my very particular taste, honed from a childhood in community theater, an adolescence in high school musicals, and a 4 year degree from a majority musical theatre school

And, as in the tradition of Glee and all plays within a play, the rep reflects something profoundly personal about the character, because you know I love a theme. 

the meta:

Okay so Nate’s was realllllyyyyy hard to pin down, which makes sense because he as a character is hard to pin down, bc the show really only treated him like a whole-ass person for like 2 seasons. But, the beauty of men in musical theatre is they have much more license to just….do whatever the fuck they want—as opposed to women who get put into teeny tiny uncastable little boxes (but that’s a rant for another day). 

The point is, Nate’s type: because of his looks and talent, people try to put him in the romantic leading man box, but he finds that sooooooo boooooooring. He does play some himbos (bc, why not play to your strengths?) but he gravitates to roles that are more of a stretch. The fun roles, the character roles. The ones that less enlightened folk would say he’s “too pretty to play.” He likes to go for the laugh! He doesn’t want to be Billy Bigelow, he wants to be the Emcee! (I also see him having a great run being one of Les Amis in Les Mis in his 20s; and as the hot boy in Mamma Mia.)

His range is—and I hate that I’m saying this but it really is applicable to men in MT–bari-tenor. He can get up there when he wants to, but doesn’t necessarily want to live in the land of the high belt. He has a great low range that makes him prime golden age hunk material, but again, not really his thing. Also, theatrekid!Nate is a DANCER. He’s good on his feet and he knows it!

References: Hugh Jackman, Jonathan Groff, Derek Klena, Killian Donnely, Matthew Morrison (but like, with a better personality); and a kid in my voice studio who I’ll call Bobby, who had the rich low range of a deep voiced angel but could dance his lil heart out. 

the tracklist:

The Streets of Dublin — A Man of No Importance

A story about an Oscar Wilde stan who’s trying his darnedest to put on Salome with his community theater group. He tries to convince his hunky buddy Robbie to join in, but it’s not really Robbie’s thing. 

I’m Not That Smart — The 25th Annual Putnam County Spelling Bee

A zany raunchy comedy where grown ass adults play 12 year olds battling to the bitter end for a spot in the national spelling bee. 

Leaf, a homeschool kid, is endearing, if easily distracted.

Joey, Joey, Joey — The Most Happy Fella

I’ll be honest, I just like this one because when sung right, it’s soooooo hot. 

A traveling farmhand (can you guess his name?) explains why he never stays too long in one place. There’s lots of plot happening around him, but his only job as a character is to be sexy and cause problems. 

Try to Remember — The Fantasticks

It’s the world’s longest running musical ever, so it must be doing something right! It’s an inverse Romeo and Juliet. Two fathers pretend to feud for years, to reverse psychology their children into falling in love. There’s also this spanish bandit? Idk. the fathers go a bit overboard with the plot and some strife happens, but there’s a happy ending!

This is the show opener, sung by the narrator/Spaniard-ex-machina El Gallo

Brush up Your Shakespeare (duet w/ Dan) — Kiss Me, Kate

A musical version of Taming with the Shrew is trying to get off the ground. There’s mobsters and divorced exes with sexual tension and lots of nonsense. And this bop. 

Agony (duet w/ Dan) — Into the Woods 

The only good thing that movie version gave me was Chris Pine tearing his shirt open. Ok, whore. 

Two princes, one in love with Cinderella and one in love with Rapunzel, commiserate on their love lives. I’d call them himbos, but they don’t respect women enough. They’re kinda just sluts. 

I’d Rather Be Sailing — A New Brain

See title for why I picked it. 

The show was written from the composer’s experience when he was diagnosed and treated for an AVM. this song is actually sung by the main character’s boyfriend, so it nautical AND gay!

The Song that Goes Like This (duet w/ Serena) — Spamalot

I can so see Serena and Nate just enjoying being little freaks on stage together, they feed off each other and are big hams. 

Sir Gahalad and the Lady of the Lake tick off the box of the broadway love ballad. And they break some glass. 

I Am Aldopho — The Drowsy Chaperone

Severely underrated musical. This and Curtains are both wild, gershwin-y sounding romps where I don’t really remember the plot, but I remember not being able to breathe for laughing. This show is about a grand 20s wedding, but there’s hijinks afoot, and the bride’s chaperone is drowsy because she’s drunk, and for some reason the Spaniard-ex-machina, Aldolfo, tries to seduce her with this song. I can’t not picture this scene without a cape. 

I Don’t Care Much — Cabaret

I just think. Nate would be such a good MC. I want that for him. I really do. 

MC sings this song as narration, when singer Sally fights with her lover Cliff. Lots of shit is going on, but it’s really about the desperation and precipice and uncertainty that the MC and the Kit Kat Clubbers are living in in jazz age berlin.  

You’ve Got to Be Carefully Taught — South Pacific

MT guys get cast in this role if they look good shirtless, so. And it’s a better song than Younger than Springtime, like, yeesh. (this is the soldier set. I think Nate could also play that Miss Saigon guy, I don’t know the whole show well but I tried to listen to the guys big solo and I could not. anyway.)

Even though he’s in love, Lt. Cable’s deeply entrenched racism causes him to be a total jerk to his wartime love, Liat. Nellie’s same deeply entrenched racism ends her relationship with hot french dilf, Emile, when Emile seeks out advice, this song is Cable’s answer. 

Come Back — Dogfight

Everybody was losing their minds over DEH but the real Pasek and Paul opus is this musical. It only ran off broadway but the feelings! And the songs! 

In SF, a young GI meets and falls for a girl the day before he ships out to Vietnam, also the day before JFK’s assassination. This is the eleven o’clock number. He’s returning home, haunted, and broken, a marked contrast to the kid who left. 

Make ‘Em Laugh — Singin’ in the Rain

A classic! Nate the actor would always be going for the bits 

I Can’t Be Bothered Now — Crazy for You

a role for a DANCER. Bobby is a blue-blood banker’s son who just wants to dance. His mission takes him to a small cow town out west where he puts on a show. Gershwinian nonsense like that. It is very cute, though. 

Moon-faced, Starry-eyed (duet w/ Serena) — Street Scene

Street Scene is technically an opera, but it’s a big extravagant blending of musical styles, from romantic 1900s opera to 1940s jazz. Guess which end of the spectrum this one’s on. It’s the comedic dance break before shit hits the fan in this New York apartment building. I can so see besties Serena and Nate being complete hams in this number.

Mae, a tenant of the building, comes back from a night out with her boyfriend, Dick. They are drunk and they are dancing!

Soul of a Man — Kinky Boots

Nate wearing those shoes. Send post. 

Charlie makes the bold—but sound! —business decision to redirect the family shoe factory to produce shoes designed and marketed towards drag queens. When Charlie snaps from the pressure of running the business, he ponders his family legacy and “what does it mean to be a Man”? Nathaniel-coded!

Not the Boy Next Door — Boy from Oz

I just think….theatre kid!Nate is soooo gay. And being in the “gay by may” MT major world, he grows into himself in a marvelous way. 

Aussie musical legend Peter Allen returns to Australia after his separation from Liza Minelli, and realizes he’s grown out of the place. Also he’s so very Not-Straight.

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