#*gestures vaguely at all of this*

[tofuwildcard]

Whump: The Musical Day 8 || Hadestown || Doomed Narrative

[attleboy]

YES ‼️ KILL ‼️ ‼️ ‼️ ‼️

[muisley]

rip kim dokja

[wiltkingart]

a week in doodles

[hinamie]

hhmmmmm uh im dusting the cobwebs off my brain trying 2 come up w something interestinf uhh.......anything non spoiler-y you can discuss w regards to geto in the atla au perchance?

hi rin !!!!! tysm fr sending i hope u r doing well <3

atla geto lore fr u courtesy of sam:

he's a waterbender from the northern water tribe. he can bloodbend but finds it distasteful

he gave gojo the betrothal necklace/proposed to him when they were 20 (all of the adult characters are aged up in the fic vs jjk canon ages)

all of his decisions are driven by a desire to lighten the burden placed on gojo's shoulders

aaaaand atla geto draws fr u courtesy of Me :3

jjk atla!au with @philosophiums

[pyralart]

Surely that can't be a bad deal...

First part - Previous part < >> Next Part

Also oops, looks like they're not alone... I really wanted to have this one done before monday! Phew so many backgrounds...

You can find the pages as soon as they're done and some exclusive art/extras on my Ko-fi!

[nyxfaei]

I think… it isn’t recognized enough that yellow ISNT another fragment. He’s the full king himself that Kayne wiped the memories of and shoved into Arthur’s mind.

Any sort of character development that yellow had- every bit of pain and desire for Arthur to accept him and want him around- or attempt to try to work with him. that was hastur.

I feel like this gets missed far too often

The yellow that Arthur apologized to at the end WAS the king- The same entity that harassed him and haunted him through the first two seasons.

God I want to do a character analysis about what this but my brain is too fuzzy right now and I cannot put these implications into words. But you understand that this is no small thing, right?

[deweyduck]

peridot & hunter parallels

same character, different font

[apollos-boyfriend]

the whole “collect my pages” slenderman meme being attributed to slender himself drawing the pages and placing them for people to find truly goes to show that men will always take credit for women’s work smh

[saewokhrisz]

"hopeful visions"

spread i did for the Focus Network zine! we are having left over sales currently so if you missed out on grabbing a copy during preorders, nows the chance to go grab a copy it really is a beautiful zine 😭🫶

[bizarrelittlemew]

✨ reaction gifs ✨

this isn't something i usually do, but i'm dumping a bunch of my gifs here that you are free to use and repost for your social media reaction gif needs (this is special permission for the gifs below – otherwise, remember to always credit gifmakers!!)

if you save and use these gifs, please give this post a like/reblog!

also i'm @bizarrelilmew over on twitter/X where i'm more active currently so feel free to follow me there 🤸

[tunemyart]

my brain is super stuck right now on the dance scene in the Wicked movie again

not only because it was so incredibly beautifully done, and truly benefited from the ability to linger in closeups on expressions and show just what each character was thinking and feeling and the journeys they were on in a way the stageplay simply isn't able to do with the tools it's got

but also because of a shot I'd missed initially - a closeup on Fiyero.

historically I've always been very "yeah and Fiyero's there too" about the musical, and part of that's been that I've never really emotionally felt his attachment to either Galinda/Glinda or Elphaba.

but this shot I'm talking about - god I wish I had it to include here - is of Fiyero watching Galinda submit herself to potential humiliation to try to fix something she'd done to humiliate someone else. She's defiant of the crowd and her "friends" and surer of herself by the moment. She's becoming someone different right before his eyes. She's not the same girl he met even earlier that day. She's earnest. She's stripped herself of artifice. She's acting, probably for the first time in her life, in spite of what people are thinking or saying about her.

And he's breathless watching her.

I always laugh at the "you're perfect", "you're perfect!" "so we're perfect together!" because omg, they are. the worst. but more importantly, in that moment they're the same: genuinely self-absorbed, deeply shallow. Fiyero went along easily with Galinda pursuing him because he understood her.

But now Galinda, someone very similar to him, is modeling something new for him for the first time - something he's actually (surprise!) very attracted to. And watching his reaction to watching her, transfixed, it's obvious that this is the moment that he actually catches real feelings for her.

And with regards to the Galinda/Elphaba/Fiyero love triangle throuple relationship, I love that the movie gives us this small beat that actually blows everything else about their character development individually and in relation to each other wide open. That Galinda was actually the one to nudge Fiyero off of his "dancing through life" attitude? in this moment? and the implications that has for the entire rest of the play?

Whoa!

[cto10121]

Maybe I just feel this way because I have mixed feelings about musical Gelphie as a ship, but it seems to me that the way the musical fandom ships Gelphie reflects the ways that the musical is "the Glinda show." Personally, I can believe that Glinda might really be in love with Elphaba and not Fiyero, but I just don't see the same being true for Elphaba; her love for Fiyero and the trauma of losing him are too essential to her arc. Yet the fans insist that Fiyero is just comphet for both ladies.

*looks around nervously for the Gelphies* You said it, not me.

Seriously, you took the words out of my mouth. I’ve re-read Wicked countless times during the years, even adapted it into a movie script, so I close read it pretty carefully. Romance-wise, Elphaba’s true love was definitely Fiyero. And no, it wasn’t comp het, either in Elphaba’s character or authorial (also, accusing Gregory Maguire of out-of-character comp het is just hilarious).

Let’s put aside the fact that Elphaba went into a trauma coma when she lost him, gave birth to his son during said coma, went to the Vinkus to ask forgiveness from his wife, lived there, worked tirelessly to find out what happened to Fiyero’s whole-ass family after they were captured by the Wizard’s guards, and ran his family estate for years. Let’s put all of that aside.

Fiyero was the only one in the whole damn book even to come close to matching Elphaba intellectually and philosophically. He even manages to challenge her on some points (and honestly, imo, he did gag her at some points). He even reached a level of empathy for the Animals on his own, witnessing an act of violence. And he risked his own life to protect Elphaba, even following her in her assassination attempt to Madame Morrible. And it was thanks to his influence that Elphaba ultimately refused to hurt others in order to kill Morrible (they literally had a whole conversation about collateral damage, with Elphaba prepared to accept it and Fiyero firmly against it). When he died, it was as if a key part of Elphaba had died as well. It was in that section that she truly became the Witch.

With Glinda, Elphaba would essentially be replicating her dynamic with Nessarose as glorified handmaiden, and this at best. Also, Glinda was never that great an influence on Elphaba in the books to begin with; the whole point of that section was Elphaba’s influence on Glinda. And Glinda did not go with her after their meeting with the Wizard, and Elphaba did not offer.

Even in the musical-verse, Fiyero actively chooses Elphaba and her cause. His support is ultimately why Elphaba chooses him. With Glinda, she would have to live in her world, work with the Wizard, and turn a blind eye over the injustices of Oz. And that is something Elphaba can’t or will not compromise, as she knows it would lead her into certain danger.

[greatgoddyke]

time to make your choice only you can be the one

[peachypine]

the roomies!!! i originally designed this ososan oc trio in full about a year ago to write on an rp blog. it's not really active rn, but i still want to talk and post about 'em, so here they are! just basic rundowns, but i'd be curious to hear which one (if any) is your fav of the three (feel free to leave it in the tags?? if u want!)

bonus transparent of them all together:

aaand some rambling under the cut about their designs

anzu:

i wanted to use orange as a character colour bc it's one that wasn't already used in the matsu rainbow, and i had a concept of a gyaru character named anzu kicking around in my head for a long time as well, so here we are. miwa from the mixer ep inspired the eyeshadow (orange rather than miwa's blue obv, to keep with her colour theme) and delinquent totoko's design inspired her ombre dyejob! i went with a blonde-to-orange look as a nod to anzu's namesake fruit (apricot).

the strands framing her face are split into 3 sections at the end (2/3 are grouped together and 1/3 flips in the other direction) which is a little nod to her being one of 3 siblings (eldest), as well as the "三" character used in her surname (mikado) meaning 3. the rest of her hairstyle is just because i thought it looked cute, though.

ososan's style is more simplified, but i wanted to convey makeup that was a little bold, but cute (long false lashes, eyeshadow, & and a soft pink or nude glossy lip). clothing-wise, she mixes and matches a few different substyles (agejo and onee are prominent, with some ane, tsuyome, and general old school gal influences as well?), with a particular fondness for animal prints, esp. tiger print. (that said, orange tiger print doesn't seem all that common in gyaru clothes, so in-universe i like to think that the top pictured above was originally a black-and-white zebra(?) stripe print she thrifted and dyed at home--close enough!)

her nails day to day are usually medium length since she has a lot of hobbies that involve her hands and anything longer makes those things a bit more cumbersome. sometimes they're decoden/bedazzled, sometimes they're just painted a cute colour/pattern, depends on the day! and i think she opts for press-ons over extensions for longer nails, since it's cheaper.

ran:

i'm just a bitch who loves purple, that's the reason for this one. i think the hime cut with shorter bangs is nice because you can showcase the eyebrows (i think eyebrows can really elevate a character design so i gave all 3 their own brow shape) without worrying about the lines for the eyebrows and bangs intersecting in an annoying way when you draw it. i like shorter, slightly sharp eyebrows like these because they're easy to draw, lol. i think they're usually furrowed like she's displeased with something, but that may just be her resting face. i also thought this blunter, sharper-looking cut (bold, standoffish) was a fun contrast to anzu's flippy half-updo (bright, bouncy) and yuzu's short, wavy hair (languid, relaxed).

5 piercings on each ear (2 spiked helix & 3 lobe) = 5 siblings including ran (4 older brothers). the other reason for this number of piercings was that her namesake flower (orchid) had--i thought--5 petals, but as it turns out i'm a fool, it's actually 3 petals (including the lip) and 3 sepals??? ah, well.

clothing-wise, influences from various punk/vkei styles alongside some rokku gyaru. (maybe anzu introduced her to this one?) this brash style is the total inverse of how she was expected to dress growing up. (when she and anzu first met, she was an OL with no piercings, undyed hair, and positively miserable, but that was a number of years ago now.) i'm really not reinventing the wheel with "small and angry", but y'know, we have fun here.

yuzu:

is teal distinct enough from blue to count as its own colour? i think so. for yuzu, i really loved the concept of a deadpan-looking character who is very much not the straightman, who in fact wants very badly to be the funnyman 99% of the time. that kind of straight-faced but silly comedic character is always really fun to me.

half-lidded/heavy-lidded eyes paired with thick brows are always a winner to me fsr, and i wanted to give her a more "handsome" looking face with a bit more of a defined jaw than you typically see on women in ososan. as a treat. i wanted her to look a bit like a mysterious prettyboy, but she's not actually mysterious, she's just a space cadet. (and very straightforward about her thoughts and feelings, saying them with little fuss or thought.) expectation vs reality, people deciding what you're like based on their own perception vs what you're actually like, etc. etc.

i don't have anything deep to say about her hairstyle, but maybe that's how yuzu would like it, what you see is what you get. (again, eyebrows vs hair... let that eyebrow scar that i gave her for no reason shine.) as for clothing, she prefers things that are easy to move around in, so her style is the most "matsuno"-like (t-shirts, hoodies, basketball shorts, sweats, etc.). in particular, she likes shirts with phrases, usually in english, that are funny or almost make sense but not quite ("for background visual gags" and "for the english speakers in the audience").

[ahaura]

Bones and All (2022) dir. Luca Guadagnino